LOS MAFIA PODCAST ⭐️ - Pepe Navas — Hice LLORAR a FRANCCESCO con una canción, COSAS de CIRCO

Episode Date: April 20, 2024

Saken the flow plebada with this podcast, because there's so flow in the studio that's going to v. Look, to be. Oh, chiquitito, or most.

Aminecy, manse, I'm going to go to an aburra. I go, for a, no? Frondoso. Yes.

Jugoso. Well, miram. Oh, I mean, I said, that I'm, no.

Well, yeah. What on plebada? Well, present the podcast Pas presental,

presental. Hello, hello. Hello, to all the public, to the public, televidented

of Kulichitawn. We want to our third podcast of the Horny with Pepe Navas,

the Kavisone. Biennido. Well, Oh, Yeah, There's a car Hey, I'm a cachetone

this bit, well? Well, me get tacos gratis from the last I'm made up

and I've seen and I've seen that's good too, too, the numbers are so good chilos

and also I've seen that in other parts there's much there's there, you know,

he's intonisa, and no you're if you're so, if the number of those the number of

so it's Facilito, Yeah, easy, because... It's a... Yeah,

I think, I'm sure. The people see that's and if not it's, they they're going to and the people

what you want is to do you. Oh, yeah, that's true. That's... That's... That's...

That's... Fired to... Figgate that what... I'm... ...ifacted yeah, but...

I don't when I'm when I'm that I'm more... ...that in the ...that and the

I'm... ...to... ...he... ...he... ...he... ...he... a little house or with my company,

I'm going with the homie. Hey, what on that you know, with the with the

with the with a little to get to go to be to be able to see that I'm there.

Hey, let me get him yeah, yeah, yeah, yeah, yeah,

I'm gonna put it to put it on a video, I'm there's,

oh, oh, has much that I'm done it did I'm my other to move

to go and oh, how you would you to the culito

that beautiful. If I would. Oh, boy. Oh, papa. If I don't have

no, no, there's a way. Eh? Friend the filter on Minipli.

If you did the allor, Pa. No. No. My cullo

no. My cullo so. It's fine, it's little, it's when it's

pegotles between the peltles under the no, it's okay. Okay.

Oh, Well, me a much way, all the whole of the thing. Is it

you're going to do you? No, no. Oh, well, I'm, and get a

thing you. What on? The good is that I'm not use I, pa. The invite

to us other. Ah, so you're not? Oh, oh, that's

that's a man, what's because if there's there's there's a little

can't call, that's, the cuck, the cule is to But not you pay of rata, Johnny, no,

I don't, you know, you know, I'm gonna get a point here in the orbitae, a lot of partida,

barba parted, barbap parted. Oh, well, no, no, I'm much

a much, we're, a little to a poe, a poe, yeah, I'm, just,

me, me, you're not, I'm going to say, nothing of the because then you,

you know, you know, you're, you know, you're a chack, you're a chino to be, you know,

the adenomand me, no, me, I don't, I mean, I don't, I don't, I'm gonna, no,

I'm gonna, yeah, a be, I'm gonna, do you know, what's, I'm, serritas,

chivita. Chiquitas. Oh, I, I said, the last there's many,

that there's, you know, p'at, Tarvenchi, and says, yeah, let's make, a third video,

me asked, me, I wanted to, I'm, I'm, how we're, how we're, how we,

result, that we, that we're in the circus, the people, the people know,

the people of the people here in the rancheria don't know a lot, don't know we're doing.

And we're and we're and we're and we're we're doing a verdure for the street.

For the we're going to get a business and all right that's yeah, I don't

I never I never I'm I'm not I'm gonna do you do you do I'm

done my chambah to do my chambes and me he said, hey, pager, I'm going to

get to the USA's, the United States. I'm going to get to the day. I said, oh, well,

I'm going to a lobo. In a lobo that had my parisito had a jinggated and a

and I'm and I'm going. The yatt for the crisis, well, I was a

carie and I was quack, quack, quack, quack, quack, quack, quack, quack,

qu' to get to at, a penita. A penitas at the, at this the airport.

Yeah, I was I'm at the pinches yattah I said Well, yeah I was just I came to come back with him And we went to

Not he was to know the Yeah It's been Perro Something Well, well,

Well, we got to get to The car was American Tama ta'amapia No,

I'mafia, no, we went, we went to, we went to to Atta

and he said, go, no, he said, Let me, go-no in your carminton, because they're in a

man, this way, and all no, we're to get that and then we're going to get us and we're going to get him,

and we're saying, you know, and he's, you're going to your assing to your mother, and then yeah,

when I'm there's a there's a guyro, me said, Pepe Naba, said, Pepenabas,

I said, Pepenavas, I, I know, and I said, and what I'm , do you, no,

I'm, don't try the plan, that's, my, I only have the license of God. Fierro, pass, pass, says. You know,

and we're doing it. You know what? Yeah, we're in the Picking Malikone's all and the same and they're there's a lot

that's the way and I see what, that's what I'm and we're doing it and we've got and we've seen there in Marisco La Wera,

there's like various of the wuerra and we're like we're justnamus and we're when when so when we're gonna come to come

back to back to back back back back back we'd and I was to travel the yatt

quack quack and said right I'm to have to get to get to get to get the

up there oh, no miento so it's no miento so it's no pre the light

and say no truce and no the pitts and when I'm the peregris and it was

the pure pichierro yi and then we're coming with the little the pitts

and we we're we're coming and the chabal me and the chabal

a little to all the family There's been to have been for the Palma? In the pure entry of the Palma is to CRD, CRD, refactionaries, of champions. There, a little

to his, to, a whole of his comitia, to say, to get to the United States. Something that's a little bit of to ask you to ask you to

ask you, the shingada to let me, we're going to mocha that pats, let's do, get a, verga,

here to, how, how many how, how did you to come to to come to to promotion to?

Cero. Cero. zero. No, no, well, but me help you that way. Well,

me was talking about the pinch pandemic, loco, and get to get to get to get the

chris, I got it the pandemic and I'm and I gave, but I did it

and the man, I'm in the net, me, macho. In what? What?

You're, to do you do you have a lot of things, no, I'm just that I'm

that I that's, that we, that's, that we, that we, we, that we,

we're, that we, the , I'm I'm I'm I'm sure

I'm well, the circus was there so I'm so much we're doing and the

I'm I'm I'm I'm to do to do do it to

do you know all you do you do I'm all all

I'm all I did I'm to do I'm doing better

but I'm that I that's that I that's something? Okay. How's he

called the Fulano? Cesar. Cestarine. Cobra. A Cesar, What's of Cesar. To say,

Oye. What is of Mayo. You know, I'm talking about, the, the Cameo Cachondo. What is that?

What is it? What is it? The first that the people said, Oh, yeah, no,

he's not he's never the pincheye Cammio Cachondo. A very. That said, well, it's that my

my abuel, when he could have animals. My abuel had came umel two,

um, cubopomos changos, crocodilos mandriles, chango, ango, parione,

ponies, jamas of Peru, alpacar. I think for all the animals, Chivitos

enano, cochito Venamita, I think for all the animals had like about some

60 or 60, 60 animals in the circus. of actually, to buy

my abuel my abuel had a good credit in the past in the agency

and one he was he was he got it's when I got the

agency and he a ram and the agency and the ram we

we changed for animals of the year we we came

it was it was a came I'm I'm I don't

I don't I'm the other the ters tigres

tigres we've avestruces various animals exotic, so so

to put them as a very costos my myubel until the car and more

one one he's a one he and he he's the changostitis

if you know what are changosit and the that's he's in the little

the little the little the chikitit so they're in a in the

little in the well we we're we the, the,

the, the, the, the, the, and they're, well, and they're,

we're doing, we're doing those two changitos, and at the changito, to put, to put,

to put them, to putchera, no, they had, then we, we had to put her pachererer,

and, and, and, and, like, they're, they're very agressive,

for that, they're, to, to be, to be to be able, to, that if,

that's, that, oh, and, that, well, we're with wands and they're so men corajudo

the pincchangos. And then we just got to limber a little the teeth. Limbaugh to cut them the filo

because they're filosos. And we cut them the filo to the and then we let us we're all right

to get us a manned sure a manned manned sure that's that's he had to get to

to the yeah because the carito that's so me that was that was

like 80,000 $0 thousand pesos. And to us, and to us two chas-and-a-cambi- and the other day of the cabbri-o-cambi-so,

he, he, he's, he, got, 40,000, 40,000 pounds, poll, the pincchang-y-chang-y- chang-y-o.

At the other day, we got to disarm-the-cirgo to move-n- and all-o- day, they had to be-a-mahed- the can-o-

and they've been to move the and all, and the-chang-it-o, I think, he was disapar no see.

I don't how it that's that's he's a lot that's it's

a little so he soote so he got to have been thought that was

that was more mobility and he brinked the chango to want to get

to get and when when it the one he's he

he goes to the go back the he goes the the big yeah

my t' my t' my t'c't and the chango and the changue way at-as, uplasted,

whew, the chango. In two days, he's, he, the car, way, in the

year, in two days. Well, my abuel armable the sociological.

I put all the animals in the solosy in front of the side of the show,

like a exhibition, so all the people that were in the day there, we're going

to be the animals, we're going to go, we're going to and there and there's there

a person to get carse, there had some there had some food,

food. Well, then so you went and I was the people and he's arrimable

ah, look the pony and look at the other then he was a bitch he got a he got

a bitch gotcha and he says, and he gets to, he gets to comeo, and he said, and he said, but he was called. Yeah, he was called.

And that mother is like a pincchimarr, we're like a-d-d-d-d-rude. So, then, when the ozicco, you'd have to be able to go ahead. You know, he'd be able to

get to get you. To get me, to get me, to get me, to get me, to get it to get me, and the

bohrajo, oh, yeah, cause, he's, no, no, no, and so,

that's, that's, he's to, he, come, he's, oh, that's, those,

are, those, are, those, are, I'm, I'm going to You're going to

You're going to You need to You need to You need to And you're going to Gollyse And this way I'm trying

Peechooipa Wipa of those Pachito Coteinito Hagerieie That's a Citeite

That's We're We're just We're coming The Circo And this Cooke Who's

He's He'll And he's Toe He's Oh, I Toe go to save

And he He's He's And he He never He did The Cipus

He And when he was ha-halla and yeah, because he's he was going to get to get the spalda. And then he

got the pincal and the pincch me to be there. And here, the ternp so he's- like, and he's-could

and he's going to be like that. And he's, he's the vat and it's when we're going to goltial. Who's

who's been getting? Ah, ah, so I, so I, so it's I'm

he's well, and I. And yeah. No, we're still armando. In that

he'll and he and he'll abienta to get to the bato so the camel for the

and he'll get him and who did he he's got to the bathe but he was to

get to and when he was so who said how this this on the

of the those of the so so he's here and he

he not he's he's the cameo he's to try piquet the

pah pah and the bato the bat abient Oh,

grittando, and the camel so he wanted to chute charp for the chute, for it, but he wanted to chute,

and boom, boom, bo, and it's so I'm gonna gritty, hey, the camel, he's,

he's, he's, he's, he's, he's, and it's, and it's, where's,

where's the came, he, he, he's, he's, he's, and we,

we just we're we're gonna go, and we're, and I, I said, and I, and I,

I, and I, to get to the pince camill. And the batto tirandol

trancas to the camille, but no, no, no, he said to do not

to get to get into piquettes. And yeah, as we could we, we got him we got to

get them, and the domal when the domadour so they got a and fung, he got to and he

got to be all that, and the batting, and the bato like, like, yeah,

like, to do you know, struching to truhal too to truble with that with that

I was I brought here. And yeah, he said, a man, he's like, he's to the pedos, he's got,

he's, he's, he's, no, the cameo me got to say, oh,

I'm sure maybe, oh, that's the story of the cameo chasone. Oh, it's,

that's feo, that, well, imagineate a cameo that's a peregum, way.

No, you've never a mordidon, a animal, way, aparted of a parted of a pyrro,

no, so, yeah, I, me mordio, a chango, anana, me mordie, me picote an abstrus, because the abstrutte,

you, te pega puttas, and you pegged the chingasso, like the, with the... With the pico, with the... You do you do, and it's just so, and it's just so, you know, and it's a bit of the sarpaso, so, for a little bit. A patada.

Tira, it's like, like, like, to do you know, because, because, you know, because, has to count that you have the part, and they're the garras, but here, but here, Like a spuelon. Like a spuelon.

And with that you take. With that you do it, not with this, with this is the with the other great.

Also, I mean, me threw one with, also, I'm trying to that. Oh,

and the, the, the, the, the, the, the, machin?

How is? It's, like, I think like, I'm, a little ,

because the that I'm mordio to me, I'm was a little more chapito than here

than the microphone, it was a a chavit Pone, chiquito. And but why you're why?

Why? Because I I was and I was food, I was I'm cargave to

give them to give us to the and I'm rimmis and I'm I'm my dad,

I'm my dad he's my dad and he's a yeah,

we we're in that the until the until the I think has been

the circus most that's the yeah or that he's done

it's here here it's the Circo Rolex we

we and the A friend, the friend, the man, the duke, and my

friend of my man, my friend, my brother, and the other one, and the other

one, he's, I've seen another pony like that way. It was all a black,

he, and of a black, and of that he, he, he, he,

he, he, he, he, he, he, he, he,

he, he, that the pony, no, there, no, there, the chapito, but I

think I made a two-quarters of the way. Of the the of the

of the two-quarters of the piso boy, the pinche pony. Bonito

way. A, so a little two years or of three years could

mount and he's a curate boy. Incluso was the was a

little he had a pinche enano was much more chikito

than a man of a circus well Precioso the pony, way.

You know, to want to a pony great, but in a little, very little, because even the, you know, you know,

you know, like you. You know, like the little, his head's like, it was a,

a, a, his, his, his, his, the quet, the quix,

fiegat. Who, who, who, who'd say, he's he'd been inrosk

so, so, so, so, so, or that were, or that

put a, kitapon, Kitapon, I don't see. The fact is that Bonito the pony way. That pony,

the duke, he went to and he bought like 15 ponies to Vincent Fernandez. The bato he was documented

to say I saw you, I saw he he, a Vincent Fernandez in the ranch of the three

potrillos. And that pony no he wanted well, in the video in the video in the video

see that no he wants that don't want and he said, and

he said, how, no, so I think the, I think the, I think the, I think the $15,000

dollars, $20,000, $20,000, I don't know to change to make the thing, the way,

the chiste that in the video is, well, you know, I'm going to do it's, no,

15, you know, 20, no, but that's I'm, I'm sure, I'm sure,

I'm those other 15, not even were all right but the only precious, little, so,

like, like, so, like, so, so, Negro. Ah, well,

then, he's he's played the ballad, and he's he'll hang the bitchy don't I

remember how the role if it was all the thing, the city he's the guy's the

the person, he's, and he's he's documented, and he's he was done in the three

rio, in the Sams, with pantages with the video of the pony

that was, and he's to come to take to take that photo, not they'd could

be they're so much they're so that's if you're that's that you

put it that's the pinches little bit so I'm there's a there's there's

and we're and we're all the sodomo because it function of matinee and all

the cirquero went and all the of Wachosci of Wachis of the here of the

Rancheria we're because the function was especially for Cirquero for pure Cirquero

for a Circernse Pure Cire Cire Cire C C Ciret C C Ciance and he'd have the function and I mandaba to try sodas or palomitas

for all, boy, pure of the circus then we're we're just we're just we're gonna well, well,

well, then a day of my father and my man, he got a a boy, yeah, I can't be the

the caballito yeah, he's, passal he, and he gave a little boy and the little and the little

I had a warachito so like like a baghettita and I had warachito and the the little, oh,

oh, he's pretty, he's the, he's the he, he's,

the, he's, the man, Frisians, old Landes, had one pincch cabions of

Frisian orlanteces, had ponies, had, had percherones, had, sebras, not,

the other the other the man, he, a zoologic a, but the caballito

that's that was a man, and the morrito, and he, and he, and he,

he, the boy, the boy, the the boy, like, four years,

five years, and he and he and he's, oh, he's the little, he's,

no me he says, the caballito this, he's, is that if me it's, he said,

to my father, that I'm to come to me for my year, said,

he's, that's he's, and he, and he and you know, and you he's,

he's, and how he's, and how he does? $20,000 dollars. Ah, well, I said a boy, no, I'm going to say to my papa to me it's come.

Yes, gorely, and say, the dwee, the dwee. And, say, me, tell him, and he's an kid, emotional. Sal the kid, running, emotional, boy. And I was my dad there saying, my dad, hey, don't you're saying,

because, no, no, no, no, and what I'm going to buy to say, I'm going to say, because here

the rassas no, you know, I'm pa. Here you get and if they're in the

same time they'll they'll do they're or they're maybe, he said, he said,

me a man, he said, that's a people, and they're they're trying the money, and if

not you're going to want to want to get to get the pinche pony he's,

put to putte truching with what you're and say, no, no, and say,

well, Well, yeah, I said, that's no, the pedd. And you just put there on the other day was a domino. Another function of the pran.

Well, we go, well, we go, we're going to, we're going to, we're doing, we're going to be

we're going. And as a, it was a, it was a, well, well, well, but,

you know, he's not the chapco only, he went, four, six camions, boy.

And a, and a ching- of he. the kid, the kid, there's a a little was,

he was, he was a he's a a-offe with a guy, well, he's,

well, I've been bested the batto, pantalona, and camcettito all the potho, but with

with a barachito of a can't, and he's back to a caraveta a carnet

a serrada, good to say, I'm to look the, the sir, the circle,

what the person, what is, that, me, that, me my

son, I said, the pony that's little, and then I'm to come to because I'm

for a for a for a gift of the man, ask you, ask you tororen and my

dad's he's a-all- and my boy and he he's got, he's got me to me

my dad and then I was I'm gonna yeah, boy, and I'm they're

they're they're no, no, no, me endos I'm The bato, me

I'm going I'm going to because how? If I don't want to say, I don't

want to be why you know why he's why you to get in the thing you? Oh, compa,

you, say you, you know, I'm saying me, pa. No, I said me pa

if I'm say I'm say I'm say I'm and I'm like you don't know that's,

and the bachachachach and the bachachach and the bato comes with six camions, say,

say, say, am the parro- -m-a- more more he's,

he's going to be, he'll be able to do. Oh, so I'm gonna be so, that's the bhawee, so I'm gonna, yeah, no, no, no, no, no, that's that, he's gonna be, I don't know, no, no,

no, they said, no, he says, he's, he, said, he's, he's, he's, he's, he'll beck, the bat. Hey, no, this compa he's quite rajas. And in that

one that went to he said, he said, he said, oh,ga, compa, I, you know, I know, I, said, my father. I, you know,

I know, he said, no, he knows, he said, he said, okay, he said, so,

he said, so, he said, and when my father's, when my brother of my father, my dude,

he said, say, hey, way, say, because this no I'm

if you're at the price, they're gonna go ahead. You're gonna go ahead. So, yeah, you know, and then you're, what you you said, okay, and said, he was to the bachos

and put to my dad and he said, and he said, and he's going to be able to okay, say,

am it the man. He said, he got Roy, and he put him like, with the brazo and he did the

carmennet to the carmendet of the year, and he he's up here he,

and came in the seatit in the cup, he, the pony and suing he's just

just a, more, so much, that's the t'cuit that the pony. And he's subed the pony

and the and the and he said he said I thought he said, oh, I said how I said,

he said, and the boy and the boy. And the great, he got him and he's very contented

the pachian, oh, and that my pony that me to get to and I'm to go to and then

and before he said, he said, he said, he said, you know, you know, you know,

you're going to you're to get to you're so-d- yeah, I'm well,

I'm well, at a rancho when go and put in the circle there and say, I'm

a full of and so you know, I'm in the commencing and they're going to get to get

it. It was of Vincente Fernandez and it was for God, so it's for

God. Who's to be? No, but if you know, what? What was like the

2000 well, well, I had like 12 years. I had like 12 years.

We're talking about 15 years. 15, six years. And because I had, I, I had, I, I think,

11 or 12 years in that then I'm, and I juggabba, then I had chiroeating

in the circus with the, with the morrow, with the when, when there's the pony,

and I always was there, and the only, you know? Oh, you know,

and I'm, so, I've got, I'm a fortune to chambire there, with my

compa, f' fidate, I've been before and I'm could go, and this

this time, I've Why did you ask him, well? Well, a me he said

he, that he was like what I said, I've seen to other and no,

they've seen. And, and, for me, what you do you do your carnal?

What are? We're, we're doing? We're not we're doing a thing that called phonomimica.

We're we're we're, we're we're we're we're we're

partido to songs but comically we we we do

we're we're groups famous, well? And if you're going there or no?

How did you do you're with him? I went for a month because I'm just a month could,

carnal. After where? As to Mexicoali in their time of Mexicali.

Uh, of course, when we were there we're in that we did he did he

did he did a good grie. Ah, yeah, yeah, yeah, yeah,

oh, well, when I was when I was he did he did the podcast with he, and when

we were when we saw, I, that they had cargings and all the of the pen. Of what? Of what

what happened with a muchach, was that was that was a accident with a woman,

I think in the 2015, 2015, 2017. What happened? Well, the woman,

uh, the uh, they, uh, they were, but, in the

installations of the circus supposedly, supposedly, in the institutions of the circus, but the

investigation mark that no, was an employee. An employee... An employee of the circus, of those who do... ...asen the acceo,

of those who arm in the circus, and that had... ...they had been a lot of the firm. And, yeah. And, yeah. And so, he's... So, but... ...wither of the installations.

Yes, what the place is that involved in the circus, because a man... ...theidna had been through the circus in a basuron. And the baton, you know, that's... No, you know, you think that... Well, it was

Or something. And what was the guy? No, he's, he's paying

condo, but but all he's the cause the man, he's

that's he was he was, he was he was an artist of the circus,

but in that's no, and apart, so if it had been he'd be

he, no, or not not, or not not stood there there, uh,

because thanks to you, they're with the culp and that he's

that's paying his chabal, I think that is that there are many people, that this guy

is an artist, is a super artist and many people many people, many chas I'm imagine that they're to know,

or something, the bato, the berviated, well, oh, something, for that you see it,

or something, and the man, and he passed the accident. He was a guard, comp.

Yeah, he, he, he's, the bato, the bato, the bachchchus, in this month

that you were, a ticket, a, a, a billet, a, A lot. A billetillo

good. No can't say, how can't. No, I can't to say to,

for no. Well, no, no, it's very, it's very of the company,

but, in fact, well, no, no, no, no, no,

I can't a an approximate Well, but for there. But, but I'm

saying that I I think, I think, I, I think, I, I think,

I'm those professionals, or, or, no- -se, but,

so, is, No, no, no, I didn't because I'm mad and I'm too, I'm

too, but, but, but, but, how, no, no,

no, yes, so, no, if you, did you, did you not,

so no. Yeah, but, and what, and what, and did you do you know, I gotry

and I did you, I goth to, you know, do you know, did you, do you,

to do you, to do you? Come here, come here, come here, to go, to the family. How many?

How many kids have two? I'm two. Maria Felix is, Maria Felix is one. The other

is called Melina. Melina Felix. No, more. Two and yeah? Nothing more. Or you want more?

No, I want other two. But, but they're not some quattas, no, no, it's a,

it's one one, one has one one has nine years, and the other has one. Pepe Navas

Mann'tem Quintam a story way of those that's there's there's the

that I'm looking here resulta to talk a belica because the other time

I said oh platic stories baleic and so what

well well well result that we're that we're

that we're to and palado of mochis there's there

there's there there well, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, but I'm going to be there, but I'll say, that's here, Sergio Mendible, or, or, of, or, to be there, Sergio Mendible. Well, well, we, we're, we've, we've got to be able to, we got us.

In that we're talking about the bocina, no, that's that I'm, that's, I, that's what I'm, I've,

I've always to be done out of the stubs with a, so, with a bit of a bit of so,

you know, you know, so I'm a chorro to be sure, I'm, I'm, I'm in my trailer

and I, and I, in a little table, and I'm, I'm, I'm in, I'm in,

I'm, there, I'm, I'm, f'n't, f'n't, f'c, capyranam, I mean, I like to

banning it. Ah, well, but in that I see the in the phone and there's a there's a okay, there's

that I'm going to get to pack. And I'm going to get to pack. But, but, and so, I'm going to

the circus, like, like, like when you want to be to get us, like, so I'm,

like, so, it's, my t'yoe, my t'y- my t'y-l-dry. And yeah it's,

and I'm, I'm doing that's, that's doing this, that's, and he agarro a tube and he's just to go to the other

side when he's like with car so on all right I'm going to I'm going to go and I'm a bachette

and resulta they had had been had been the carmionette of him and there and there

had two bats on the other side trying to robar in the caronetta

then he was and he was and he was he was he was he was

he was when he were the those were the bathe's abring his

camionetta, he he says, what the one of the one of the one of the one of the

one of the one of the he took the machete to the chompa uh he threw the machetazzo

the compa so my man he did so he did so he he got in the

carionette to the he peree in the caronet then so it was for that he

he took so he he made to the circus for about the caro

and he he got a and he to regressarse with the bat. So my tina, the wife of him, he said,

hey, that's a car the polio, that's what, and we're and we're just a chero, then we're, and we're,

I think we're we're like we're, we're like we're, we're like we're, we're like, we're like, we're like, we're,

and the bata with the bachette. And, he'll, my dad, and me, my dad, say, my pa,

you know, the, no, one 3, 38, or one, 4,40. And said,

you, ha-later for the fire. I said to I know, I know where I was where I

know where was in the I'm a little that's it was in a barrel so that

was a mitty-whisone and I'm and I'm and I'm and I'm and I'm I'm

the the cohet I I had I was I was I'm like I'm gonna

and I'm and I'm pa to get to the next and he I was trying so, and the bato no sulted the machete. And he, he, he, halese,

say, so, mann'lipia, be it, mann'u'i'i'u. No, that's, that no, and with the pin'chee machete, he's like, man, limpia, man, limpe. And my dude's a rata, and my t'n't. And my, no, no, and no, and no, and no, and no. And he, and he, and he, and he, so he's just to be a machete-a-n-law. So, so he capea, the, and when he threw those machetado, my father, saw the suffolks, and he, he, two-d-d-d-d-d-d-d-d-thas to the

patas, pa, pa, he says, ma'pa. Pongas, put that's a verga, and say, ma'p. Pongerse verga. Wulve to the machete,

and say, L'I go. I'll get to the pachete, and he's he'll go to get the borgue, me, pa.

Here we're that mrs. Tear that a mackes, or if not, pon'le a bell. Ponger the bach.

But the bato like, was, well, the bached, well, the bachian, been paniqueed. He,

and it was a bad, he, bat. And he and the bato, when I, when I view that my dad had that's a mother and that he pared two chingas

in the patas, the bato so, he said, he said, I go, I go, I'll get that mother, and the other want to you, and the, and I,

and I'm, my mother, and no, he's, oh, well, the other, the other, the, other, the, other, with the pen and machete

and then, what, what, what you do? What, no, well, incalient. No,

and try this matter, and then, yeah, that you took a chencho. Ah, and my app, and it was what he did,

he threw the and the and the man, he went and he said, and p, p, p, p, p, he said,

and he'll go back the and say, and he got to happen. And he'll get the bachet, and he got to the

bachete, and he, he was called to get to a pichich machete, and say, my t'uelt,

and the other and the other bato, no, I didn't do the pett because I'm that we'd

because we're that we're a ching-a- that we're a shing. Ah, well.

So, the, the, the, the, the, the, the,

the, of the, of the, that's, that's, how he's got, he's,

he's, he's, and the other, engented, he, he's, he,

he, pa, he, he, he, the bachet, and when he he's,

he's, he grita, polo, p'o, ha, he, he, he,

polo, because he's call him Apollo. So when he says, halate, polo. Now he says, and when my Trio, and when

my Trio, he got him, uh, he got him, ah, he got the he got him. My Trio, brinked him, he was a, Brun-Ly, and he said,

and brinkas in the air, and tral, the bench, and he, and, well, he, he, he, he, he, he, he,

he, he, he was, he, he was, so, that the bannus so, and came to, and, and, and,

And I'm going to say, I'm going to to say, I'm going to say, and when he's got to the phoenix telephones, I said, me and go, and say, oh, man, and the other, and no, he's, no, he's, because you don't get, you know,

like, they've been, like, in fairia. And yeah, they've got to, you to know, to tell you, to this guy, to, the, man, to, he, at the,

then he said, that's, yeah, that's, oh, well, but, let's, go, and the commisario, because this bato, so, so,

so, so, so, he's, he wanted to, here to my, a my, a carnal he threw the chingas and he'll

talk about, and he said, I'm going to say the bata, said the bata that's the borg to get to be and that's what,

and I'm going to get, and so, we're going to say, we're to say, because they're to get, because they're

going to do you get to do something. And so, and so it happened. That role. There was, there was a,

and there was a balazzo. And there was a, and my dad, me go, this mother, and come, this mother.

this, you, well, you know, that's not they're in the of a barrel no, no, it's they're in, and they're

and they're, then they're, I'm gonna, and I'm gonna, you know, and I'm, but you're, but one

you know, you know, that's very that's up, uh, vending this trailer in the, in the,

in the, in the, in the, in the marketplace, oh, so I'm, a trailer that I had

or the, well, well, the people in motor, car, or what you want to

do you want, so I'm, a trail here in Guilacan the trailer I was

I'm doing I'm a 120 $150, $150,000 $1

000 $1 000 was a man I'm and I'm I'm

going to buy a more more so then man

a manned a man he's me he said comp and me

he's in how they're not not they're not

there's all the if you if you we're we're

we He said, no, no, he's an M. 82. And I say, I go, I'm going to see, I'm so, I'm so. It's a,

B.M.W. What, what I said, I said, I mean, well, those are BMEU that say M600, M,

M, A little, a, BM. A be, and me met in the, in the, in the Gogle,

we, yeah, I'm an B. 82. It was a pinchibrett, w'err, way.

A-be, I said, I said, I don't conform. Man, me photo. And, yeah, me made him a pincher flound, we. In that's

you're talking ago, I'm a bitch, we. That's a, I mean, I think that's,

I'm going to that's the quadro, boy, a pinch rifflon. De precision, Barrett

calibre 50. And I, I know, I know, I know, I know, I know, barret,

Barrett, 50, but in reality, it's called M. 82. And the

The boston me was changing for the trailer. And not you know, that I'm going to change

for that I'm to get to get in to get that? To be the here. Here we're to get in my

said, a bad, oh, no, me said, a M. 82, yeah,

when I'm, man, no, I said, you, you know, and this matter,

and this mother is, whatever, he does, whatever, he does, you, you,

you, you, you, you, you, you can, you, you,

that's what we're. Yeah, no, that's a grand that's, that's, that's, like, so you know,

the pincit the, the, how's the man, the can't, so, so they're

in the grue that's, pincit reflison. Oh, comp, I said, what I,

what I'm, what I'm, oh, you know, but I, you know, I don't, I don't,

you know, I don't, oh, I'm, that I'm, and, and, but,

and, so, I'm, so, Surement. No, much thanks, man.

And he said, if I do the day, he's a fairia. Because the rifle of like 120

I wanted to him, for the rifl or not? Yes, she did it but no, to him.

As he was the more long, but so, what I'm going to do? What's,

what I'm to do? He's, a-verger, way. No, ma' oh,

yeah, come, come, come, come, I'm going to say, it's like, it's,

it's, it's, it's a way, or the point or the culata that's it's a

a little, you know, it's a thing, I'm, I'm, I'm, and I'm

my, but I'm, but I'm, I'm, I'm saying, to say, to the people,

that we're that's being, that much thanks for the support, that we

we're to our people, to our ocean drive boutique, pleada,

for to be to sort to sort of robita, They have tennis, pantalones, plaquierras,

reloges, perfumes, cartels, have the good of my friends, there's many of my

and New York, and the United. Where are located, well, where are in Kuliacan

in the om, my am I, my amicable local 9B in Plaza

Cubo. They're at the bar. Ple of the net, there, yeah, we've got

a lot and apart we've have been. And something good. Algo

my arm or not, to go to the little to try the old. I'm

old. I'm not. You know? And you go to go? Oh,

yeah, Benche. Christian Dior. Ah. The most brands

they can find out plebada. How you'd do you don't don't

men? No, no men, Mongolito choklito then. No

sepa. Christian Dior no there's Bender Bars various

there. The planet if they want to say, they want to a little an entree, a party

a party private, something, they're going to want to get to get to get to

recommend how you? How you see? No, well, bien, well.

Well, well. Tell me a question me, Pepe, Nava. Oh, and the

Vigra? It's that I'm a man, way. I'm the, the energy

medium badona, but But, I'm a wanggo because you go to

the leg the leg to come the for the for the or the but I'm

a way but I'm a a whango a a chister. You know, a chister.

I'm going to talk about a bit, a well, today is a

but, but in that all then it was so it so it resulta

that my abel was in the circus was in the

circus because there conviv we we we of the

diario. I mean, it's of that we're to do you do something, no,

there's in the circus. So, my abuel was was going

with a other with a copas. Leopold Feltonald Felton, then he

got a a carton and he he came to a bato boy, he got a bato.

Good a time, he, the, the, the duke of the the

and he said, my no, no, no, I don't say, he,

he's, but, what, what's he's what you're saying? What's the what happens is that I'm going to pay a job, says. They're going to pay work? Yes, I'm going to

pay a job. And I say, and you're what, you know, well, is that I'm going to pay the job, because I'm the man of chickle, I say, oh, yeah, I'm saying, I'm the

man, I'm sorry, I'm don't, but right we're all right, my abelro, I'm like, oh, no, right, we're, he's a little bit, I have a demonstration. And he says, and agarre the bathe's and he's hallo the pyeho.

He's just gonna, ta, ta, ta, ta, ta, ta, ta, and he's, he'll get the piquero. And he said, ma'am, pa, poll, and the, and the, and those kept on, they're like, so, no, no, no, that's, it's, all, c'clock. And he'll, he gets, so, and he's, and he, he's,

he's, he, he's, he's, he, he's, he's, he, he gets to, my my my wife's like, so, and she's the man, he said, I'm sorry, I'm gonna, you know, I'm gonna, say, and he's, like, so he'll start, so let's get the bata, so, let's the baffle, so, bha, so let's see, he'll be, and he'll be, he's No, no, no, no, no, no, no, perey, he said.

He agarra the bato. He agarra, boy. And he's got to be, whey. Sientathe me? Okay, he does it. So, yeah, the bata's, so, yeah. And so,

he's, he's, and so, he's, the baffer, and so and so he gets the bata, ah, ah, and he said,

my uncle, he, hey, hey, hey, compa, comp, perece, p, peree, say, he's he's not

the he's the bach he's the oh no he's it's the he's the

cuck the rackada the of the so he's he's he's he's

he's he he's the the the man of he's

putt putt putt putt a a little yeah yeah

right we're just yeah right right let you let's

let's let's let's he's there there's there's there

you're A let's this one here. The invite of honor

that we have been there oh no, it's the cull yeah, yeah,

yeah, yeah, the raha imagine that man, wait, to be, could be

to let's say, boy, oh, oh, a, you know, they're not

you know, because you call out of here, you, I'm going to start at here,

so, so, so, so, so, so, so, the horny,

but, but fiat, that the subrenombre of Horny wey appeared

before when you in the social well, we're we're doing we're

like nine nine years nine years right, right what we we're doing that we

the things not succeed for soles yeah but but I say

one I'm saying a question and that's my criteria proper. If you don't

you know you're you think is better the talent, way,

than the that's the thing to do the thing to do a a little a

a little of a one, how many cases you that's the talent and not the

segment that you have to do you do that I don't say to the

but I say that someone that that that a one

side that has that you bring because it

and it's because Yeah, me you know, I mean, I'm going to, to what I'm going to,

is that's important much that you have, that you know, that's important it's importantissimo, because there's people who are people

and there are much discipline, and no soresale, and no soresale, and not soresale, and they're the discipline to be there, and not soresale

but, but you need you, you know, we, let's, we're going to try in

in polemic, the, this this guy, the, the, the peonererererererererer, the, Alfred Adame.

Ah, says, to go to Wendy, and says, if no does it, then you know,

well, what's it was to do you know, so, so if no, I don't

know, and he has an angel, has a super angel to get that to be

to be to be able and to get to and then but, but, you can't

you, but, but, with the media with the things, so,

you know, you don't you don't have talent, but you're you do you do with

a momada and you and they're to start and they're doing it yeah yeah

yeah because we we're doing because we're doing it's a person super talented

way my repet is a a for the people for the people

to the guy was in the rosa of Guadalupe he was in

program of television was he's he cooking and

to the chief the the the the guy that was

that No, no, no, there was a chef that I cooked, and he was chaka. He was a guy, it was chaka. No, me I remember,

he was famous, the compo. But long. E, but so chinito long. And this guy was, he's, he's, he's,

he did his music, took hires with concerts, got him, the program of the five magnificos, competing

against Circenses, against Cersene's, against Cicas, way. So, he, he, he got no

for the favoritism of the public for the angel that's the angel that you met you know, but also

the other people of the people say, oh, Taka, he can't because the other people bring power,

in question of that they were, of their disciplines were of the people, that was a

program of a televista of circus. It was called the five magnificos. And they

had a people of a group, and they selecteded and they various circus to

various artists, and every if the if the The son of the circus manned

a new that was a son of a little, he was he's

in the person to select to the people to the trapecists to the

acrobatas that that they were to to represent the circus to be

a chor to the cargo if you want to see there's there

there's there he's he he one day He goes the,

this, how's the, the, the, the, the, he's so he's

famous because he came he, uh, cuno, the cune, the boy,

the morro, cuno. And he had more all, way, and, and,

and, but no more said, he had to do that the the car and so,

the bayo, he has much many, many, many, and we're, and we, what,

what, what, what, You, this, I said, can't. Canta. Tocke instruments.

It was of the best acrobatas at level national and also of Latin America. In programs of television,

artist, a cant-a-autor and infinity of things, and the morros is chido, way,

until that I was I'm working with him, and the person that I said a-man-mon or something. The morros

bin chilo. And we, and we're, and he said, and me he said, and me he said, oh, hey, you? me,

to me, to me, a me, a man, what you're what you're doing, are so much

are very- so much the content that they're so much the we're gonna here at the circus, it's for

something, the people were in Mexicali, way, if not that put in the comments,

you've been many many people, the people we, we, as it was very

restricted the contact with the public, at the mere hour of the show, we're

to make you to make a little to the rase to the Mexico and I'm a lot of

your comment, and then let you see it's sure that you do it

do you do you do you? Commenten to be to be certain or not what I'm

saying the people the people of Mexico and it and it got people

and we know and we know the Cinalo the the PICudos

of Culeacan! And we and we did we did our show and all. The people enchantated. And said

he, Oye, you know, they're doing so they're very good. And we're we're not

we're doing other wweyes for his passito or he has so, or for this,

for the other, for pure tontedas? Yes, lamentably is so he. Incluso

you, you know to Scamilla Franco. Franks Camilla. It's one of the Stamdoperos, way, or comedians,

no-se-cum-seed- to-you- recognize, a level world. And even, he said, a-one-le-

a-te-tock, he said, I mean, that me doesn't make just a man, this little chero

of the followers. I think in that then they had more followers than he, but he said,

no-se-me- just, that she has made famous with my audios. No. A moorri-a. You don't you know, a morrilla.

No, I'm not sure how she called the mora, way. But the morris is super-famous and just remodied to the audios of him. So,

if he said a chise in the stand-up, she was, doing like she was, with the voice of the batto.

It's, Mueka, how they said? It's the same. With the audio. With him. With him.

With. With you. Yeah, with his And the morris is so super Famosah, with that. And the Bato, even, he said, and I mean, doesn't matter. And say, and digal and compartan, and for

that, to be? But you, with what you? With the talent, then? Or with what he likes to the people? Well, with... Oh, no, it's... No, no. The discipline?

Yeah, discipline or talent? What do you want? What do you prefer, you? It's that the two are important, but I think it's the more important of the talent. So, yeah,

I'd like that the people that I'm going that's that's important, the talent

or the discipline Oh, no, Jorley, the discipline you know because

you're doing the podcast. I'm going to be a verga to be a bit

so. I'm I'm I'm a talent I'm, the talent no,

the talent not so apache. No, so apache, and it can be a person that has

that can how it's the discipline And even with discipline no

it's like to the other but you that the discipline you can you can be able to

do you can't be it's that's that's today way today

today is more important the discipline way of the way of

for because if for example no I'm I'm I'm

and I can do you I'm do what you do but

with the discipline I get to to do what he does. So,

that's going to the favoritism with the time, way, for the people, because at

the initial, it's like to be able to make that we're going to you know, we're not, we're not,

but there's one of the two, but there's whoes that have talent, and not

they're not they're not much discipline, and they they're they're but

but even they're they're they're they're saying, saying that you have a

talent orita but you don't you do you don't you don't you to do you to do you

for example this guy the R7 then the Christian that's a way is a discipline

macisos no to not take no soda a whittita and it's and he

he'scunded in the video no doesn't just and mese and messy

and Messi is and Messi is the yeah comes the But the other, way, I see that

has machin discipline, and the other does magic because it's not with that magic. You're not. You're a song, boy, a-orita. Yeah, I'm a can't.

Cantala. I want to put to, you're going to, you're going to, how's it says, questioner a okay.

The song that says, how's it? How's it how you inspired in her, well? Let me talk about, let me

talk about, right that I was with Francesco I always I'm supposed I'm just I'm just

I'm music I talk guitar, guitar saxophone and congas my abuel has to guitar my

father and all and so and then and then the audio I was I never

I took nothing but but to listen to them I'm I'm

I'm so and today I'm music and then I'm I'm to talk

the guitar and me for I was for because I know

that I could I could change my state of an mood or the state of anem

of a person to something, like it was I was desercercerer I'm, I was

deshouser I was a batterer and I do a put a and a and to

and a and without without without without I'm when I

got a good at a good I'm I was downed Tristone, I'd and I'd and I'd have to talk accords, and then I'd get a word,

realaditito, I'd say, and I was there, oh, and I was, and I was, I'd do for write, and I'm saying,

and I'm saying, and I'm chided the song, and it's chido, this, the other, then I started over quadratura and all that,

and all right, that nobody said that facet of me because, ah, this tonto compone, and he,

and he does for can't or something. So, we're, we're trying, with Francesco, and

I'm and he I'm and if you I'm a song and he

he's he's he knows like he he's he's a poe no

I'm I'm I'm I'm he said that that I'm

to make to and nobody more he can can't

can't more than you that that can't be

that from from the first and he did you

don't you the magic What we're To do? Oh, Well,

Well, Cata the song, no. We said, no, we're to do We're going to So, well,

so, okay, I'm, I'm, I'm, the song, the song about

to the mom, that's about the problems that had had been, that was

when he took the the Cicor-Rolex, is the great Circo Francesco,

it's the talk of the support that has received by the to be for to be

about how has been able to get out of the person talentosa and even

a person that apparently supposedly the she gave money and he had been he's

he's chasos well he's he's he's like you like to say

from the television way in the of these so then then I

then I composed a song he composed a song that person he can't

can't that can't So, even if, is he, the story. And all the and all the is to say,

but then even if I, if I, if I would have to write to and I would have registered, I don't

have put to to do it to do it, uh, Horny, cantala. Because, well,

I know, I've seen to get the , I've seen, and the pinches botones and you're ariata. If I'd have said,

hey, oh, you know, you'd say, you know, because, you know, you know,

you're not to say, if you're different the history. Well, to the two days I get I'm

I'm going to I'm going to I'm a little a point I'm okay I'm gonna you want to hear you

I'll hear I'm I'm gonna I'm gonna come back oh yeah but I don't no

no no no no he's with his dad with his mom

with his with his with with Miki with Eduardo Miriam Hassen

that they're they're he, we we're, we're, we're, we're all all. And he says, Papa,

come all, Jairn, me composed a song, I'm, I'm gonna be this, way, well,

I'm talking, so, we're talking, so we're not, we're doing two functions or three functions. And they're

so they're, and I'm to sing, and I'm to start the, the song. And they're to be sure,

way. It's a, it's a song very personal and that decided to sender to

all your public and the net is a bit so they're so they're and they're and they're

and they're and they and they're much more thank you me says everything we're doing

or what we could we could have said or have talked you those you know

in this rathom in this rato they're they're in all the pdue the rle

the other day I was doing the video musical in these they're to be

they're to be of my compa Francesco and it's the rolla and me he said

the roll we don't and he said what you want you know I'm saying I don't

I'm never my intention I'm for my I'm I'm not I'm

I'm going to I'm going to I'm going to I'm to I'm

and I'm and you you're you you're you can't you can you

And he I said, no, I'm agarando curate, no. I'll I'm

I'm no, no, no, no, no, no, do you tell me how to

to do to do it. And I don't I'm, I'm I'm so I'm

I'm I'm I'm I'm but, but, so, so,

so, so, so, so, so, so, that all so that's

that's magic from the from what I'm doing right right.

You know, I'm saying. You're talking. You're talking and you're saying, oh, yeah, a verga! So, it's something

that's a thing. So, I'm I'm, I'm, I'm, I'm, I'm going to because if I

don't you tell you go, because if you said, oh, man, let me, tell me, what you're,

and I'm, I said, I said, I said, I'm, I'm, I'm, I'm, make me,

y'clock to you're to be, I'm, what you I want I'm that the

last day that we're we're despidas front of the public front to my

family that you let's that I'm that you because the majority

of the family of my and we're from we from us from

so I then I said I'm I'm I'm I do you

do you do you do you do a manage of my because my

abuels admired a circus and he felled and he

would have liked to be that he would be that he was working

it's something it's something so then then then I'm

to me so no my he said no we don't

just just put to the music that I did the

the rap infurious when when when is when it's

Pieding the friends that's it's from it's of it's

to it's and they and they they're so and they're an

emmage of the actually I'm do you see the images of him

and all in the circus and he he he no he no he

doesn't see the pista of Francesco no the piece to he we're

doing uh honor and act of presence because the public of Mexicali

that we're coming from here with my compa Jorni the people enchantada the people super enchantada

of the actually no they didn't we know I said it was a little pretty perro as an

perr and it and it and it's what you going to say that they were that they were

that they're an history with that they've done to even as the circus of Francesco

he's a shingle for having done that gesture, we. No, and if, if

if you you know, the video, the people that's there's present there, the people

and the I said a person, I said a person, I said, I'm sorry, first of

my Mr. Jesus, I'm going to be here, for permission me to be there so,

so, so, so, that conforman this, this spectacle so, they're,

they go, go to all the circus I don't say oh, come to my circus, because the mine is the

best of the no, go out of all the circus, no degen that the magic of

the circus mourn, that no the circus. Because I said I, in every

circus there are families. And those families have children. And it's

a style of life that we don't we do we not we we're

because we have a carin there we battal there, we're there

we're we're we're it's a way, well, well, gottoe

but very chilo knows, many chero's all the people of all the people of the circus is humilde

and I let's say well, I'm going, no degen that the circus go, to all the circus

to all the circus to all those circles that's the only show today

that's all the family way to come to the mom, the without groceries.

It's for the children. It's an spectacle that today is patrimonial in many countries here in Mexico because it's

considered a patrimonial but what is in Chile, in Argentina, Venezuela, Colombia, Ecuador, in all parts is a

patrimonial, a culture national. The government does the circus being that here no, here it's

the NIGR. Here in Mexico, it denigrant. And I said to the people, no degen that's because there's

because there's families that dependen of this. No, and me imagine, way,

that they're doing, do you know, so that the magic that's a that's a thing that's

being a way, it's a way, it's because of a family to work. Pure family.

And there, no, man, even, like, to the people, I'm, I'm,

I'm, I'm, they go, app, they go, the circus that's in the

the corner the of the other the other go, I'm going to go.

Then I'm so I'm well, I'm well, I'm well, with all the magic that was,

the power in that the pists, the that they've kept contentiss with our work,

the, the, the, the, the, the, I, I,

I, I, I, I, wrote, that you have done to be the

, to be the, I'm having got the, the, the, the,

how it's the, the, the, in a circus so important, of the best in

Latin America. Was your your family, way? The part of my abel because my family,

my mom, here are in so they're so. So the family of my brother, my

brother, my brother, of my brother, because now they're who's died of

a brother, and they're they're very, Felix Limon si appellied to them

to them family Felix Limon a salud a saludette, to make and very content

way, I'm very content. I'm not, no, no, no, something, no, no, something, no, no, I'm a, no, I'm a, to let's, I'm a, I'm

to do you, to all, to do you, do you, and I'm, and, and, even the family,

the person that's, the person, that's, you're, going to, that's, that magic,

that's a magic, so, and it's a story, yeah, man, is a story

very perr, was a, was your purpose, way? The, the, the,

I'm, with the intention to see what what's and I know

I'm very to get to get to my my I'm with my way I'm with

a heart of I'm saying to God to me to give to

he could be if it was to get to get to you get to

you get to you I'm to I'm And I said to all, I, I don't, I don't me feel apt to work here.

And there was a man there that he had seen working in Altata. And the friend, I said to talk to him, he said, oh, yeah, he said, because it was, like, it was, like, I'm not sure, if it was a Colombian or Venezuelan, me said, oh, but why are you so nervous? If you're here, if you're here, if you're

they were they're because you saw you know, it's not a casuality

that's here in this pista not the not the one of any of any of

any of any then you don't be nervous to say to do to you

know they they've you you're and I you know you

and I know you're good is what does so you don't

you don't you don't you don't be to come to get

to be So, that was the first That's like, it's like, It's like, Uruguay. No,

I don't know, yeah, there's artists of Guyana, of Venezuela, Colombia, Argentina, Chile,

I, there's, there's, there, and the really, and the fact, so, for a lot,

I don't know where, where, where, the last day, the same the same the same year,

the day that we did the first function, he went to the Camerino, and us He's a brazo.

Never had I've seen never I've seen the palaces in Chile, in Argentina, in Colombia,

in much part of the world, in Spain, I've gone to Spain. You're going to go to go to

Spain, me and I said. And I've seen in any part of what you do you do a

so I'm so I'm I'm sorry. The last day that we've been for a month,

we're doing two. The last day, He said, me it's a good to know

the guys me did a good so and remember sepals that you

go and you're going and they're very difficult to get to get

to get in this we're we're we're good and it

was a honor that took to be with us and

thank thank and they No, well, I see, I'm out of the

because if what we do we do do we're for my abel and then he's

he's not the other cirquero. And it was a guy who went over Europe, end up for

Europe, it was for Latin America for back over over the Bato I don't

I'll say that was he was the he was the he had seen many people around the the world, well, the

the batto said that said he said this is bad this is well, this no serve

and this is this and this is I'm very much of the good

of this so I'm so I'm to go to my beautiful sinaloa

that in no part plebada there tachos gortitas tortas

tachos of patsa of patsa and buchi so sadbroso as good in this

this year neither the mariscos not the are the are the

mariscos are the I'm that I eat come in Guadalajara, in Sonora, Naya, in this, how's the name is... In Tepeak, in... In Tepeakam. Ah, no, meant, in this is it like that,

in Mexico, in Tijuana, in... Infinity of parts, oh, here, here, is the good, for the food, and that's all the time. And, that's all the part, he's a-tragal. Well, in the end, in-fin, me, I'll go to my father. Gave me, pa.

Lever me for an obstacle, because there, no, no, no, no. go. Bajo the vehicle, bendito God. Foo!

Oh, the tacos. Tocos? De, of carnesada. I said. And two say I, pears.

I said, I mean, I'm, I'm, I'm trying. I'm, I'm coming two. I'm getting

to come in a lot of that we've composed a song. So, I think more in me,

in what I say, I'm, I'm, I'm, I'm, I'm provoking that I,

I'm provoking a person, that's provoking, a person, that for my I'm in the job, and he

he'll talk to his heart so I can do that's my

Lord Jesus, that I do you go to go to get to with the

talent, I can do that I'm much more. I can do all. All,

I can do do do I can do this where he did the license because the

talent of him is my and I'm my. And I think, Fiar

we're going to give me componged that me says that you that's

that's called Cooitch Town. I mean, I put Culichitaum because it's a

about of many things that that today and today and of that the style new of music

that's moving like electro-corrid or corrid tumbed and I I've got a roy

I'm a why? Why the good musicians have to be sonora? All are the sonora

whey? Nathanahel Cano Junior H Oscar Maidon those who are pegs right, remandgand, machin,

all are the sonora? Why not do you do the things here in Kulikan? Why nobody is talking to Kulikan

if Kulakar has talent to get to get to up to get up, man, and you know, and I'm saying and clearito.

And, you know, because there, not are envisiosos and they collaborate. All, all, they do, all,

they do, they do, they do, they do they do all, they're all things, there,

C, O'C., the Juner H., Nathan El Cano, the other way. There are various morrillo, that they're going to, and Sonora's a pegging.

That's the reason principal, way. Why, here in Kuliacan always happens that's over. Right. I'm going to

a various people that have been to be over. Varioes me have been to be back, back, back, back,

back, back. And I've put that role, the way, the that you did you say, the, and I'm,

and I'm with the role that, of that, that, that, that, And,

and, right now we're supposedly a collaboration to be the thing, I'm sure, I'm

not sure, but I'm what I'm so that you want to be there, then it's that's

that's that's that's that's they're going to get to mutually but it's

something that's a people to the people, way, to the plebe more than are very envidioso.

They're so, they're egoists, they're going to they're going to say, oh, 500.

Unance, they're in a project perro and when does the things without without

the money, see what that's the thing you do you go? When the reality

you make a heart, a heart and you and the money don't you

don't you don't you don't you and I'm getting with that

roy and can't not the pedacito of the Coo Coooo

Town says it It's like electronic. It says, Sin Forgar, Porchard, Morita.

Perh. I'm, per. Wait, me. Yeah, I'm, I'm,

I'm going to the music and all, but no we can't put it, because it's

because we don't know. But, but this bat, you know, they're going to listen to

where you want to listen? Orita, we've had been here with my company

that we're going to do it and we going to put the Pist, and we

put the Pist, I'm going to to look at Pepe. Navas in the TikTok as Pepe Navas official, in Instagram as PEPNavas official, and

in YouTube as PEPNavas official. There, mandem me a DM for any of those three, and I send you a number of telephone and so I'm for WhatsApp, completely gratis, to the people that want them. Mandem a WhatsApp is 6-6-7-4-7-2,

28-48. That is my number personal, one of Tantos. I have like 50 of this. One of the tantos is 6, 6,

7, 4, 7, 2, 28, 48. Mandem a WhatsApp Bada, and let's send a

rollita completely gratis. And in these days, we're doing to do that

a collaboration, a video official, and I want to primarily, with the collaboration, in a

rollita new with my compa Jorni because I know what I did the let me do let's say

something something something. And the other day sacat a rollita a

realita talking like in a secondary, no-se-k that they gotrown to DJ. And there was a bitty, a roll-a-chun-chum-chun-chum-chun-chun-chun-chun. And this pincch-ro-no. And this pinchirr, I said. And as well,

as you were, as well, as you were the, as I was there, I said, I did it, this role, to do you. And at a rattle I'll say that

I'll say, and let's say something, we're going to do something, but we'll come to carrile, loco, with what you

did he say, I, If he wants to a, a, a d'et no, jimmy

a milder no? No, independent. No, no, we're not not up

we're okay. Oh, okay. Oh, yeah. Cantala, then. No, so,

says, Corkerweree to do you to get to ruteer the plebada active is equipped

with Scars. And yeah there's two tempos too, where he's alteration of the

K, the lava, We hand to the million. Cargamon granada for the panorama for if the panorama is a cabron. Mecheikuchi, bro.

And a K. Yeah, a man, perron. Tregor, a blindo. Whang, wean, wan, weh,

whey. It's the electro-corridden, is of the new that's going to and primarily God,

I'm going the very high for that we're probably to do we can't do to talk to other

artists and start to start to That is the that's the that's the that's the that

you're, you're, you're, you're, you're going to get to see that, but I

know I know I'm completely gratita my number and that I'm going to say, I'm going to

I'm going to I'm going to get it in the car and they're and they're and they're what they try

Peppe Navas and what I say I'm saying I'm but you're but you but you're

but you're you're it's written Yeah, it's written, yeah, it's all the music, and it's just to go. Because that,

that one, I think, it's a lot, I think, one, easy, for a lot, in this,

to grab this song, I went to a day. All the day complete, but I said, yeah, you know,

the bit, is you, it's too, or is the internet? No, the beat is, is so,

is, it's, how we call a free? The internet. The beat is free. There, is the original, pa.

Yeah, no, is that, the original that I, the, the idea is that that's, that's,

with guitaritas, trombon, Tolocho, so, so, if you're going to get a quadratura

of beat, that's it's all. From there for the real not to tryerer nothing,

but that's Charcheta, harmony, this, how we call the Tololot T'u-Tum very

very campirana the cochona, well. Very artisanal, the ped. Very artisanal. So, That's

that's that the people that the people that the that's that you're

that's where you know, I know very very of us very

to be there's to ask the people Ppe Navas the Cabe

Navas official. Pepe Navas official in where whatever TikTok Instagram

and YouTube well much thanks for being thank to you thank

to you thank thank for because because you is a person chida.

Fingese, I want to say to all the plebada, I've talked to people

to give my job, not with the intention to be famous, not with

the intention to gain money. I've wanted more to create that movement

of the people that the people of the people of the unah, were envidias

and that do you do you do that do something that do things

that the The people of Mexico and not just to talk to Sinaloa. I'd like a much. I mean, me, me, I'd

much of Sinaloa, and one of the few people that's never has closed the and that's always be in my

social, because I'm doing the big old, and my compa-gorni. And that's for a little

to back, back, back, because right now you now have been valending, Borg, but there's

more, but there's people that's pendejona. That for the numbers Yeah, I mean, I Tras no, I'm more Numbers

No, no Calleyce Cache to the Cajette to the Cajom Nobody, more than nobody No, more

that's Yeah, just you have to do that you're going to do that I'm going to do you

that's, that's, that's to you, that you and that's it's a good,

it's a part of, and you're doing, and I'm doing, what we're doing, what we're,

for this, we've got to a practice previous. Like, if you, if you, if you, if you doorm, too, too, too, too, the people, no.

It's logical. I'm, well, I'm, I'm not, I'm used to, I'm used to, I'm more accustomed to, I refer to that if you're in

a man, I mean, the invite, the invite, I don't, that's, I, that, I know,

I know, I know, I know, that's all right, but I'm to do you know, they're not, they're playing this

loco, who's, that machin that, that, that, that, we, to,

quality, because it's a, is a content of quality. Here, there's an money for that you can't have that's completely great in the, in the

commodity of your house. So, they're inaluel, is the old. How do you think that's in front? You're, like,

to, you know, just, just, you're just just to have, just to have the quarter of this, we?

Who, who? Who has a person to because he's because you're doing, no, because you're in the

It's a need. No, it's No, and how much costs? No, more than there. No, more of there. Where there is? The cameras. You don't know

in all the roll here, but there's there's three cameras that also not some quite cameras. You know, just, no,

the pinch tripeas those, the lampras, the computer, all the rollo this. It's something how do you? How do you

count? How do you? I'm going to say, so, one's a thousand pesos. You're going to

to be a quacket-a-one, wui. Yeah? Yeah. Yeah. A-me-so-me a lot.

A lot. A-cetton, because it's a laugh at what you're 100,000 p. A-oombe-loco, we.

No, is that if I'd do you know I'd come a camera more chirri. No,

a camera of that, like, new, but I've I've seen to 40 woles. And,

and solo without lent. Yeah, for that I I said I've seen I've seen And the And the last No, pleads,

There's, There's a There's a There's a There's a There's a Apoyant Miko

No, just this Mereen Investigin Of the Mucor The most Sure

Sure The word Sure Sure Sure Sure To be over Cairro

Because Ocoup to Mov To cover And It's And A Woff Freshas

Ago A bit For the Where? In the In the In the In the

In the In the In the In the Pah! In the Alma Pleb

There's We're To get me Cairro Cairro Animo Auno Auno

Auno And now What? And now?