LOS MAFIA PODCAST ⭐️ - Pepe Navas — Narco ME LLEVÓ A SU RANCHO CON TODO Y CIRCO (El Cabezón)

Episode Date: May 8, 2023

Let me present to the program, right we're going to to be a carrow paro, man, this guy gotro a pair of year. This way, si, he's, he's,

and no, no, we're, we're in confidence here. Beaud, a new podcast of here of

his friends, the mafia. Subscribe here to the channel, because, water fresh,

and we're going to be up up up a little, we're we're coming, Pepe Navas.

The cabeson. The cae, the cabeson. The cabeson. The cabeson. The cabeson. Is it's a Cbeson,

Well, my Checa the Macsack to The Mugat Well, you This vodka will be being chingong

It's a Morgue Put me Put on the Mascar Oh, no So, no So,

So, yeah We'll be Boles to get into. Okay What on? Miko. How are you?

Well, And then Thank you for giving the opportunity here to talk to with you

And much thanks thank you for the Space more than And then and

present me with your public because is your public who I'm here I'm a metiche,

I'm Pepe Nava's the Caves-E-Han, and I'm from a circle of Sinaloa, yeah, I said a riteau, how's the same? Tontolin. Ritra. Aughton.

And right they're in? Altata. And then we're going to be in Avalato, so people who are in Avalato, so people, there's a lot of, there's a lot of, there's a lot of,

How many do you get in Al-Tata? There, I think, we're going to be a, a month more, and there we'll enter there to, if you want to, in A-Bolato? In all the other,

you're at all? Yeah, it's in all the Yeah, it's in all the How much? How many? 70 Lucas or adults and

children, 50. 50 dollars. If there's there or no? Two, three. One, one, one,

a mother. The net, you consider you a circus is a good or, more than you have to

do you have to do do that's a question. The net is it's difficult. It's difficult

because you're back to change to go to another, for example here where you see a

a server so I'm a music, mobo sonido, mobo luses, manniko can't show, enganchos,

enancho cajas, I'm back the carpa in the armro, the subo in the armro, let's get to come to come

I, I'm a new, I'm a , I'm a, chauffe, is difficult. But it's because you're,

you're, like, of the dweeons, then. I'm, I'm, so,

the fundator, Leopold Felix Tondolin, is called the founder, my abuel, my abuel, my abuel,

my the artistiada and, and Bendito, I, he was the opportunity to collaborate with many artists in their moment,

collaborated with Pedrito Fernandez, with the little of the Mochila Blue, collaborated with

Chayito Baldess, with the Pipporro, with the Chicote, with Irma Serrano. In that then,

they were figures, they were figures grand of the cinema, and many many other

that were there were there, but there photos of There's photos of that. There's a photo of that. There's a story artistica behind of the name of Tondolin. And, well,

God, there me, I'm, I'm, to know to say to be, and I'd say, and I'd say, no, the same. Yeah, yeah, it's not. T'all, it's suffered a lot, but... But suffered, but... But, you're gonna' because? Today,

the culture that's been managing, no, not just in Sinai, in many parts, like, yeah no, there's almost things familiar. Yeah

no, yeah no there's, yeah no there's, the, the, the man,

with the family, to go to a, a, a pasteating not, right,

the pisteadera, and to go to allos, and I don't have nothing in other of them,

no, the people that the people, the people, but, but, but what I

have seen that have been the family, so, I'm do,

I'm And I don't have nothing in contra, well, I'll repitue, or of those who don't, or of those who are not patin'clock,

I mean, it's chiled the cotorreo, but, but, but, is still about the

family. The neta, yeah, yeah. Yeah, I'm not, I'm not, I'm not,

I'm not, interesting, boy, and you, because you, because it's more of because how

it's possible that, uh, that's, he's prefer to prefer to go to to get to

to get to to your family. Yeah, no, and, and, a thing rarer,

get the chamaquito, Papi, me, me, you know, to get a car of

a car, and they're, they're in an ice, a drink, a suburb, a suburb, a subrits,

and it got, two hours of a time, for a man, you know,

he's a man, he's a man, and I'm, he does a little bit of the same

and he's, he's, he, he did, who did, Who, who knows? And it's a and then it's

and then it's a bit of this. So, it's a very feo. Of course, the fact I'm

to talk to a story. In Viyahuas, we're going to work much in Vyahuas, camped of government,

we're much in Altata, we're much in Abolato, well, here in Sinaloa. And in

Viajewars, there's a story, I've had to die of a little a little, and there

and there when we were there when we were when we're there was a b'uels, and we're

who is we're we're we're we're who's who's this man who

and everyone and he's and he got it and put a and put a and the

of the the the the coffre of the the car then

he put a and put the a a a a minute

he got there some two he took and it went we're

we we asked we we Who's who was? No, nobody, because of the nests, nobody, no, no one of those kids, nobody.

And result's that they're not going to out of the, oh, yeah, why, for the billet of jell's, and get them, they'll get to,

oh, I said, I said, I was the don'tolin. Tondolin, was the name comical of my abel. I said,

and he was the he was there, and he said, no, I said, I said, I'd say, I'd say, I said,

why, oh, but, but, but, he said, that one day, he was I was used to go

to announce in the car the circus and there is a present to we're going to get to

the the caravan't of the family we're going to do that we're going to do that

the family to be a party at the night no you you can you

he was he was an in the car no so then then says

the the the son and his father he you

get you you you you said the he said that no, they'd no

a five, they'd not a five, he said, no, and then he asked one, he said,

and then the other also, he said, to the other and I was, he said, and I'm, three children,

he were he, and he's three a little the boss, said, the compa, and he said,

he was going to my my abel, my my abel, and he said, and he said,

Tontolin, Tondolin! He said, what's, what happened, what did, he said, oh,

Tondolin, that he said, I want to I'm a a verguyenza but I'm going to talk about

because it's more the more the I'm not the I'm not my so my so my

so my so I'm and my guys to get to get to that they they're to get

to a fun of a circus is there and he he said I don't I'm

I'm I'm a old I'm no I'm don't do you to go in

the circus no I don't no a 5 but I you'll promise that I'm

to make to get to my family to the circus I'm okay no you don't you

my old old be when you when you're to get to see you send to

someone you let's go to be done to do you know I'm sure he's don'tolin

you're yeah they're passel yeah it's thank you thank you thank you

thank you no no no you don't you my abel for my my abel for my abel

no, it's nothing to let them to enter, no. It's, it's, it's an ardu labor, to change, for the gas, the friege, the work, to be to be in another part. But you're all right, you're just not at him. Passen it, if he'd the parr or the compas, well, he'll let go pass.

And no's it was that year. So, this year, we're regress us, and we get us, and the sir, no, yeah not, you know, but he knew the sir, Facebook, by the

people that had felled Don Dolin. And the friend, he was to sell to

do that. He said that he was, the what, what he had had to get him,

then I'm so, I'm, I'm, they'd be, no, they're, they're,

and the friend, was, because, he said, I'm he said, I'm,

I'm, I'm, I'm, I'm, to them, so I'm so much, so I'm,

he's a story that's a little, so little, and many more stories horny that there's

that's in commovedore it's a very commovedore all the history detrace of the telon there's much stories like that's what you're what you that's passed in the trajectory of serkero in the trajectory you're going to

you're going to say you're going to you're the only man who's I'm going to be to talk to a little bit perrona here in in in in in in in indiaua there's that gets to the time there's the time that's

the time of of water's. Enter time of water and and then the people don't have a job

no, no, there's we're going to work to work so we're like three months,

that they're they're doing bad, well, that you're all, you get to the circus

and come a day, come, come, this night to get us to be

a person, and the borrachito Pee, Dabas with all his

musical, to do all the family, to do this other the family, and the

night, No, no out of out of the focus on and the focus on and the sound of the

and the artists out of and the out of the and out of the same we're not a rachita

a rachita but a fia fere, fia, fia, yeah, of the

almost desert I of the circus, the really, I'm I'm I'm going to

because I said, no, well, well, well, well, I'm just to

be here, but, but, so, if not can't be living so. How?

How? That's how? How did you? That's exactly after eight years. When we had gone to

out of a circus with a shirkito and today now the circus is more grandicito.

But, but is the not you didn't much time with the circus?

When we're not, it's for that reason, well, no,

he, he, he, he, he, and he, and he didn't,

and no, Oh, what the fund it? Yeah, a a little, we, we get us, a little to work,

and in question economic, I know that we're going to we get us, we're getting 10,000

a example, and in the voyage, it's free at the eight, nine, so,

like, so, so, so, the board of to not to have, to,

we're, we're, we're, we're, and, and, and, and,

in the, in the, the that we're there, no, we can't. No, they're going to

you know, you know, you know, you have to have to be to be a part and so. And then

the authorities, a lot of those, the authorities, a lot of people, yeah, very pilichy,

yeah, very, very, many, many, sometimes, the thing, the color of

a color of omiga. So, so you, to put a a circle, boy, and that

they're rented in the space, what is, so, you can't have to do, you,

you need to presidency. You have to have a permission, you have to be in the States. The permit. The termino's. Yes. It depends on the days.

Depend to the days. One month? A month. Well, it depends, because every, every area, also, to be a lot of

working in Kulakana is, carito. To work in a part in Kulakana is very very car. Why? Why? I think you

do you, I think, you'll buy a car like the car like I'm like I I'm like. New? Yes, yes.

I think you I think you I'm that you That's worth That's That's The car

Is it new Like 300 So it's a About 300 40 Between All right So

No You know You're Not So much There's Water Luz

Terrenno Permiss Secur Artists Combustible To Trash Staff

Carpista Carous to Annucing Publicity Radio Red Social

Yes Yes. And in Altata? I mean, I refer to, for example, the space, I want to put my circle and you know, the way,

that's another thing. No, I want to do the and I'm going to do that. That's what I'm, it's what I'm interested. It's what I mean.

In Cien, if you don't you can't do, so, yeah, exactly, because it's a machin. In Altata? Machin.

No, it's conscient. At that there are parts where are conscious, depending terrible. But if there are some the point that are more

more than others. Also, because they're because they're because they're because, oh, look, this

way, this way is going to go more. Ah, so is the role. And it's good, because the

pastel has to repartire. Ah, so it's that's a part of part of the pastel.

You're going to pay diabetes. He said, said a said a, he said a chosro of the

when you have a pastel. If you you're aghackos, and you're the middle of the pastel and you're repartes to ten people

you're going to get the half of the pastel and you are contented to ten people. But the day

that you you want to get with the pastel the ten people to you don't

did the pedacito that they are the same ten people that are

to want to to keep the the middle of the pastel and

your part too. Berga boy. That's that's that. And it

has to and it has to do you do you repartes the pastel those

10 people are contented and when when gets to get to get to

your piece of pastel those people you're going to you

want to because because the middle of the pastel that you have

they are they're they're not they'll don't to get to come to

and the part of them and the part of you're and the if you know you're it's all

the way and the other than you're going to tumbar the pastel complete yeah

that's good that's no and and the yeah and the whole that

all that all that's depending how you you're you're with who

because if you're you're you're you're you're going to be you're

that the fact. No, and you have to be a great also if you have the opportunity to to work, because there are

many chilos there are much people who are there's a little comegacy there's people there's a manned

and say be a boy bring a circus trygasel and there and there's no way but

no compa here I want to okay but oh yeah but this and I'm you're saying

that's you're saying yeah well it's that's a legria to the colony, to the syndicature, whew? But no,

he does the other to the chance to, you know, what, what's, what you'll be. What's,

what you'll get a little a day, he'll be a morras, or no, I think, a lot of

something. It's a man, way, the net, is, we, think, you want,

you, want to want to be people, you, put on the activities, well,

and independently of that, of that, of that, of that, you know that's that you

You go, is a circus. A A circus no occupies nobody. Because, because the same people, the same colony, the same... Not is content with the circus. The people no go to the circus, and the circus

is up the days. I'll do two, three days for that they'll because the circus occupies people. The circus occupies to be hauling, to be trying, to

be getting, for that the people that are eating and you're getting that. That's true. Ah! In the moment

that the people, oh, this circus you, you're the circus to, you know, the circus at the three days, yeah not is that. That's what normally a circus

you know, it's not, we're going to put in this place, if at the last year, if at the days, no, no, we've got to a person, a 10 days minimum. There you go to do. And it depends if it's more,

or also depends if you're paying the month complete. If you just, you know, well, water fresh. So, is to, to,

I want to, to be, to get, to putt a day, to, see, let's, let's see, it's a lot. Well,

Oh, Hey, boy, platicam the story that me about to me going to tell me

to go to where I'm that you get a perra. But you get it for show

or because you did a misty or how? The Veehont no, no,

no, amistate, ohhala I did have an because I'm because I

think one learn much of those people, you know, I'm going to talk to the story of that person plebada. Because the compa Jorni, he's

pitted. I'll talk about to say marca just just to not to not redone. Well, resulta that just we're

there's just that in, in, in, in, in, in, in Altata.

And my father in that then, Jose, my, my, my, my,

my, my, my, my, my, he, he, he,

he said, I, go, going to go, games mechanical. So, he was the CIRCO

to Tata and had a game of the book, you know, you had a ticket, you got a setent, 100, 100

of the ticket of the circus, and you went to the circus, and you'd be able to make sure you, you could pass

to the games to the games. Well, then I've a coparangas, a saludate for my compa carlangas for my compo

carnet, boy, and has a a lot, boy, and he has a a turn to the black, he. And in

that's so, I got like a four, or five can't be and my father's

there's a my brother my brother's my father and my father was I'm going to get to

get to be to turn to get to the carretta. I'm talking to I'm I think it was

in the 2008 or 2010 yeah it's there's a rato so

so there there got to like four carionette of

four four puerto of the year in that then

and they they were, they were, they were to be able to and they're a little and they're

a little a little in that's then I'm a little years the child

this is this is I don't for a more more than I I'm

I'm gonna say mark no the chabal this he's

back from the four caminette and he's a guy there's

like a 30 40 gents the morrow. What on? Plebe? Let's see. We'll try. We'll take a fajone.

Dele rifles to all. Give leifles to all, Liz. The rifle is my confederer was 50 pesos. The chinty, in that a little, 20 rifle, he bought the chabal. There he was. Boom. They began to

throw. Pah, pa, pa, pa. Tiran the ripples? What on? Do you want? Do you want? Do you want? What are you?

The other? Another? and my compere's for another fairiezeries. And my my app, as my

father, he said, my app, to say, and he says, and if you play a competition of

a child, the chival, the chival, he said my pa, and you he said, the chabal.

A-pocket, be it, well, I'm, I'm, I'm, I'm, I'm,

I'm, I'm and I'm more, we're my dad, we're, we're doing,

let's, we're doing, we're, we're to try to try and the and the one of the other. And there we're going. If, if I

I pierdo, I you pay, if, for example, if it's on 10 and of the 10 years, I tumbo 8 and you tumba 7, you you're, you pay you pay the two, that are 130 pesos. Ahre,

he said, the morrow, it was, no, I had to be able to talk, and it was a chilo, but if he had a person more grand or something, no, no no, no, sheikable

the he said, he said, Salis, he said, go, let's, my dad,

and then the pachryph were, they'd put on the other, my app, yeah,

he had to make this, and he a chap, and my dad put him to do, and the

other, and the other, and the other, and the other, he'd be,

another, another, another another way, pa, and other and another, and there

had the 40 people the the chabal after, Another and other, no, well, the man, the chabot, had a fagot, no, that was he was going to have to have.

No, he was, he, I could have to come the carretta, my comrade, and to have to her house. And another, and other, and other, and so it was, and so, and through, and the, and, my father, he, started with him, and he had a racurrahura. Ah, pincuil, he has,

he has, you know, has been, has, you know, he has, no, p, say, me, my dad, my dad, la la la la, say, ah, ah, my, ma'am, oh, p'as, said, my, my, man, and, yeah, do you, no, you, For this, I'll say that it was

that's going to Mere's a million. Media function and I've been going to that matter. Ah, well. In that

I know what's what you're that you're, that's the last time. I'm saying then you're

then you're and the circus. I'm saying, I'm a pa. And he's he's, I'm not, I'm,

I'm, so I'm not, he said the name. He said, I want that you want to get in the

circus and the circus and the to my rancho, he said. And he said, my Papa, and where is your rancho, the chabal? For this, my father,

well, I, that not was normal that a childit a child of, what, 18, 20 years, if not is that 17 years, because there was, like, a,

a little more grand than I. My app, not so he was a child, a little, four caminets newas, there's like 40, 30,

people that are who are doing. and me is he's asking that wants to to get to the ranch

the circus and my my dad my dad he said, no, I'm sorry I'm saying,

I'm going to get the circus, I'm just the rinko, me got the the rio the rugs, the net that

really per rick and I want this that this diversion to get her to my rancho and that

all of my rancho all the whole the people, that all the people that all the people and

yeah and you my dad where is your ranch, I go. Tal part. It has a little just a

way to pass a very, very feo, in that rancho, there to the piericos, there.

Cerquita there. There's there, between in the masts. And he he said my

papa, no, I don't I can, I can, I go, I go. Why, I?

This, No, man, the morrow, well, no, I said my papa, why, why, I said, because the

terrain where where's put in the circus, and say, my dad, I'm sorry, I'm saying, with a

woman that's there, says, in the person, know, I'm not to say,

mark, and not, but not to know, I'll be to be a santa for the

rasa that you know to the there, there, there, there merenges. There's

the man, of that of that of that manned delmetado that's a manned

a manned a chabalio a chabalio and above there's a tree that has a there's a

porton grandot and that that's because there pistea his

um and the that's he's all the arbal that's the where the where's the

place is the the terrain more more centric of the the of the And he said, my dad, every

I go, and I say, battalue much to get the permit, to put me in the terrain, that is the only, that's the cava, he's the only, that's the circle, he said, my, pa. And battalio much, with the terrain and with the people, and, say, because

there are much of chalalowl that, he says, my, pa, and you, one, just, man, no, more to divert the people. And he, he, he, he, when, when, when, when, you go from here?

that day and when I'm you're that you would be an example

if you would be going to you're there's my dad no well if

we're we're to come for that day that day he said he said

he said he's going to have been a cop there and he'll be waiting he

he's he's he will give to give a water and he he will

give a love and he's Andy, Berga. Tender. Tender. Tender. Any other

the phone, whatever something that I'm that I'm that's, whatever problem, let me. In that instant,

able me. O'yga, but the senior of the house, and my papa, is the that's the

person, I'm the man, I'm sorry. I'm I'm a I'm, and I'm

so I'm to get it, and I want to get this different to my people, to my people.

said the chalaliyo. He'll say, I'm not I'm still, I guess, oh, I guess and what,

and what's my dad to come, and I'm and I'm gonna and I'm gonna now? No,

he says, you think that I'm I'm gonna my name is a fulano of tal, and in

that's, and in that his name no resented, no, no, no,

no, no resooned like today but the the apegy is

water fresh my app the so my dad I'm I'm a

I'm I'm my name fulano and I'm my father so then jean

so then so so so of who he

yeah yeah no well the the capital of the

carido says the the the song. And, yeah, he said, I'm full of that. No, well, there's many people,

there's many people that go to the little bit of the little, where's the place, there's a sembradio of,

this is how it's called, of the agaves, and he's right to the hill, and there's a little famous

too, very famous, yeah, the race, you know, but I, yeah, I'd like,

that the people that are being the podcast, if, To have any idea that he commented. No, yes. That comment to be, to be.

They're not. Yes, yes, they're going to tina. You think that? And he said, I'm a fulando, and I'm a-old. He's how my father? Oh, and see. So, Ike-oh, me, pa.

And the lady. And the other, I'm saying, Fulana, et al, I, go. And, and in that then, like, like, she was, like, he was getting power, the chabalita.

Because she had, a school. A school? Trail. Trail four camionettes. and like 40 and so many people of

how's the man? And with him and with him people, people, people, people,

people. I don't say, Marks or nothing because I know, my respect

to all that people, for all of that and, and he said, oh, well,

Ditch, and I'm my dad, we've got we're, we're, we're, we're,

we're justarm the circus, we're, you're, you're, my mom, said my my mom,

the chalito no you know you know I said, my mom, n'ra, fulano of tal, he said, he was a mangano. And me gave his number of the telephone

and me assured this and this and this. And the morrow, not with a gung-boggosada, because the morrow, me did he say, and so, and so, and the other, they were more grand than he, and he said, and they'd say to all. No, what, what, what? Why, so.

Well, tummable the circus, desarmes. Let's have aventura. In this, we're downed. to be up to be to and

I've got and I'll and I'll and I'm between the arbusts for there

we're going we're going with the circo and many many

curbs and dangerous we we we're we we're

to that that to that very so we

we we're we we and When we came with the first carros, there was an amygo there. All the day, he was there.

The first car was like at 2. the night. And the compa was there. And the co-ta was there. He p. He p. opened the pothon, a pitton grandotte. Passed a-le-le-ah.

Let's go. Let's go. I was going to be. Since the 8 o'clock, I said, no, I'm going to be the next. No, I'm going to the other. I'm going to the abo'clock this. They're like,

I'm Yeah, I'm here, I'm not I'm sorry that's and we're we're

We're come to come to here, here there's the time of the and for the

and for the and come me, here, come me, there's, there's, and what

that's and what he's offresca, the the patron me said to me

and here we're to be the order to say, no, well,

much gracious, oh, well, there was the there's a telephone, here's a minute, we're going to call me,

I'm going to go to see, you know, see? As he's like the morrow? There was the man who

was waiting us we're we're coming, we're going to start and all the quagulling, and all the guah.

For this the chabalito, the chaval who had said, whatever problem that has with

any other alusin, with want to pass the list, of prepotent, we, we don't, not,

we're not, those standards, said the chabal, the morrow. We don't manage us, we're not, he said,

so, so, that's the want to be to be a bit of the , say, no,

I'm not, so, so, so. The day of the debut, the first day, the first

function, they were like like some 10, 15, 15, 18, 18, chabalos a pistolna, a year-

no, in the movie they've seen the vampire of the Blight, bing, a nomass

there was just, no more that they were not, they were with, others

that were, they'd be, other, they'd come to go to they'd to go to

Iraq, the chabals. With permission, we said, we're We'll see my father. No, yeah, it's, my dad.

No, yeah, it's fine, my dad. It's about the rea to my dad. Ah, that's, you, they're going to pass. Here, the money on the left, there's the billetters there in the ticket, cost them, cost them, the billet. And they have the right

to the circus. And he said the comp, my dad. I think he no, he said, comepa, he said, we're going to pass. And no, I'm going to pay. Oh, yeah, verga. As he said, the bato.

We'll go the bat. We'll pass, and no, we'll to pay. And, he said, And how do you know, I hear? No, he's going to go to be, I'm going to be. My app, too. Dissue me, my dad,

that, like, He's got to, yeah, but my father, but I'm, yeah, I'm going to, I was, you know, to pick her the bird, and I said,

how is it that no, it's going to be going to be here? You know, he's going to the bato, you're doing the bachers, you're doing,

you know, you know, you're, you know, I don't know who is, I know who are the and my respect

for you but if you want to go, there's the taquilla and go there is a

$100 pesos. Ah, la's it to go to go to not what is,

no more what is, there's, there's a price and you have to pay. And it

he's to forceigiar the bato to get to get to the

people. I'm my pa compa he I was I

didn't, no he felt the respect and I did he he's he's

he's he's he's he's no problem no problem no more I'm going

to say a phone so so when I'm so I'm hey

hey hey hey to who to let's to

let's let's and they're and they're there and

they're there so to be to what you're to what you're

I know what I'm gonna'all? Because, that's the borgh, the bato. So I was there to renegar, because, my father. Arrame, my, Papa. Goodnuchess, chavalo. Diggam, oh, what have to do? Look, see you know, that I've been to come to here?

Because there was the detail of this, and there was the detail of the people, and here, and so. Yes, sir. And, diggam, what problem has? Because, that's, because right, here in some people, and they say, me, pa, and they're

armedas, and say, you're and what I do, what I do, what do you know? What do you say? The person, hey, he said,

the childo, that's going to and not they're going to get and not to pay, have to be, to pay,

and what are, are the are the time? I'm pass the telephone, for a more and he said the childo,

pay me the telephone with the chaval that. Finges who is the Cabeasilla And so Yeah, well,

the, the, he was chas sir, go back for the telephone. No, no,

I'm going to call to an altavose. He put me my dad in an altavoose. Agar the telephone,

not I'll say two times. He's the chenna. Garrar the telephone and I don't you

two times. You know, he'll be the man. He'll be the bato. O'clock

says, no, no, there's a cugre the telephone, and said my Papa, no. I don't know, I know,

I already, I said, I said. I'll just, I said, he's got the telephone, he gets the alt-boose, he'll put, and he's to go to that. No, yes, sir. No, sir,

no, well, no, that's, no, that's a that's a, and that's mormorand. The cagua,

then. He's, he's, again, sir. Disculpem, he, he said, I said, he goes,

the bato to my Papa. He got me my dad. Well, sir, you know, I'm going to

him, he said, chabal. Yeah, I'll be with him. He's who I, and he

will be to do you, he's, he said, and he said, and he's he's going

to pay. Cobra's to the double, he said. 200 balls. To get

the busones. Andy Bertha. He asked me, pa. He agra, I got, and he does $100. Oh, but the old man, he said

that he was going to give $200 pesos for each one. For abuzzone. For abuzzone. So, and if you know, let me ask me

my dad, and agarren me pal. No, no, no, but I, have a compa. One or three, other, other.

To the 16, There were like 16, 18 people. $200 per one, were like, $3,000, no, how's it? Like, 4,000 balls, almost. Let me, let me have,

we're going to, like, it was, it was 16 or 18 people. Well, to all they paid. For 18, let me, no.

3,600. 3,600, well, solded the bato. That I, I imagine, that was a bava for the bata,

no. No, just he used to do because the bachto try themus to get one, and all the pence, I mean.

But for what reason for what reason? Like, they're a little a little

air and Well, who can know, at the more for care with the

people, for the man that's cabrono, no, I don't know. And so that's the

story that he got, the dollar the he got him and he got him and hector,

he's good well, bro, well, well, well, both, the bato

allent are so all the t' tranquill be, I mean, my mom

what's it's the way, my mom, I'd have been, he said, and I've had said,

be a boy, I'm going I'm I'm going to but I'm to give to get to

you, I'm going to get to come, but why have you to get to get to

talking, you know, that's talking, you know, that's all I'm going to say,

I'm going, I'm going, I'm going to get to come, please, welcome, but

so, So, you say. And, and then to the real, we're to do

do you know, nobody, nobody was to do you do with the people, and we're

doing that to the way machin. Yeah, today, now, today, yeah is

a figure in that world. That's, that chabalito, that is a figure that's a

man, you know, you know, you've not, Yeah, no, but if they're going to the people or no? No, yeah no, we've been to go,

too. How many of them? Well, from that time. From that because you're not procurably to go to that?

No. Because, it's complicated. Of course, he's got to to go, Papa. Tiener of

another way, but, but yeah we've been to see. To be see. To be in some,

let's see. That's overro. That's, that's dig, yeah, that's, yeah, get to,

try to, try to, Trit all the cochinero Circo, Cuerco, I'm a mechanic No, and if go to the

people. What is what contains the circus that are you? What is what contains in the show?

For example, I, if I'm to go to see your circus, what I'm to be

you're going? First, first, first, six men, a ballad a ballet,

a car machin. Well, man, machin. The circus of us because

the people that the people get recure. My character, is one of the, I don't know if it's the bad that I'd say, most acceptation in the public, and also the kids,

the people, Pepe Navas, the agent, Pepe Navas, is the, the personage of a borrachito. So, as you're just as a bit as a boarachito, that's out of the and, eh, and, does the function of that the,

the presenter of the artists, he wants to present a artist, and I'm, like, I'm, like, I'm, like, And I go, hey! And the applause for the malabarists, and I go, hey!

Sir, for favor, not is grittling. And at the last, he starts the person who knows can't, I know can't, and no can't. He says, I can't. And he does another show, and it's that he doesn't know how to dance. No, it's that I'm a trapecist,

and it's a trapecist, and it's a trapecist. And at the last, he says, I know, I know to say, Look, sir, I don't you know what's trapecist, you said that's a cantante, you say that is, that is a, that is a, a ballerine folkloric, and you don't know nothing. It's that I do you to play? And what the saxophone? We do we, we'll do it?

Yeah, yeah, yeah, of quality, well. Yeah, no, something. Yeah, that's, pure cajeta. Pure, man, pure cajeta, pure, pure, pure, you know, you know, there's all. There's no, no, for the gastro. And we to play with a saxophone and with guitar

and with battery in vivo. And we started to interact with the people. We're going to to say to the people that

the people. It's more the invite to you. We've got to try to get in this week.

Ciddle. Now this end of the time will be able to be it. For that so,

to all the whole to your team, to a whole team of the Stavre, all the...

Oh, what is? Of eight? Of eight? What is? Of the night? No, you know, you know? Very well, we're going to go.

Passam me the... Oh, pa. The new personage that you're trying? The new character, I'll talk to the raza. I'll be a placidate to the raza because they're in that all this has acted. A bit.

A bit. That's, of my mom, my mom, me see the rollo. Oh, God. Thank you, because me took them my parents that my very good fathers that

were very good in all the tonters that I'm doing to do, my mom me support in all right the character that I do I bring

I'm going to I'm going to I'm going to the grand Horny because for me I know I I respect you,

because you have done much is a constant and the really not because I'm not because I'm

me me, I've called Horny, I have the opportunity to be there to be a

podcast with him, and I'm very very grateful. And when I was talking to my mom,

my mom me, I put a peruca a woman. With the the thing that my mom,

no, I put a woman, or this that I'm here the man, and me put,

and me said, ah, look, me, and I'm, and say, you're,

and I did that is the double P, but you So in a bit of Pesu, you're going to be a peso. And I said, no? And I said, I'm, ma. And me put the poloca for a poloque of a woman.

Ah, and I'm going to getter, no? I never me like to get. The race, yeah. The race, yeah, me know. And I'm going to. And I'm going to put. And I'm going to put. A-one, to the verga.

Pesopumba. Oh, there's a-er-oh. Oh, yeah. Oh, my. Yeah. Compa. Come, come. I like your

my, yeah, yeah, yeah. No, I'm, I'm just preparing a new material discographic, bellicone. Here's, we say, We're people of Mayo, and if no tombo, I'm demasio. We're people, so I'm going to gette,

so I'm muirro. Ah, and I got my mom and put the bitchy pelucas, and, well, they're these peels, the peels of these people, and I, and me it put me, and my mom, and I'm going to put I started tiguresos. Quack, quack, quack,

and I go, and I'm going to transferquil to get to get to tryck, quack, my first to tryck, there's

there's a bad, there on the yabas. Peeceopumba. Pesopumba. Oh, yeah, verga. The new in the

circus. Wait a new tictots. And, on videos viral, of you, yeah. The tithots,

Polymen. Also, I'm going to talk to to do to make a to do with me. Oh,

and what what you do you what show you do you do you? of this. No,

I'm going to go to do you. Of course, it's something that I'm a, I'm a another of

a mouse, a surprise of Mickey Mouse. I'm going that's the raton. I'm also, I'll have

an opportunity to go and you're so, and you're all of all of a service, to you're

to go and you know and then you go to you know to get the or have the opportunity to

you know to hear and so if you if you do you want to talk to

you're There's much taboo with that one of the animals. That's what I was to ask. There's a lot of those animals. That's that one of those animals. Oh, yeah, that's possible animals, the circus, the circus, the other,

they were, they said, no, I didn't, because there are some who are some of them who are some of the circuses that they don't know to say they're not,

they go, I don't know how? Has it? Has it? Has it justed the animals in a circus, way? And for what?

Why can't? Yeah, it's a rato. Why? Because they're They're going to They're going to Because And popularity

Because I don't see If you're If you're thinking Right Because, for example With this thing, that you have to

be inclusive, they're going to a letter normal to the words and yeah, you're including no,

that's not inclusive, no more I'm a letter because incluent not you're not you're doing

nothing, that in the other people, the other people that not are not those are you so no.

So, no. So, something that's, that's not the case. Because they said that the party

verde, they wanted to the natural and the and that's and that's that's all, and that's

that's nother that's not the animal and they're in the camp of the no, no,

they're they're sacrificed way. Oh, oh'las were they're morted solo, way,

but they were sacrificed because it was an animal these these

were you netta net that yeah yeah these these guys not

they were like not they were not they didn't they not

how much they were to what so that so much in the

area when when they they were when they they were many many

animals many so they not they could not

they could not also places assigned especially for

to have those well in Sinaloa there are more of 25 circos

statals that not not say not they're 25 Circus Sinaluens

that not are a chink and there are other 25 in Tijuana and there are

more than 25 in Guarajara and there others in the state of Mexico

to cocoa, for there, we, get us. Now, imagine if you

let's you get you to get you to be a car a circo? So, so

they're so much. So, are now imagine to to have to have

to be a lot of all those the lions and to all the tigers, and to

all the chibos, and to all the chibitos and all the chasas the alpacar changus

changus changus changus changosos changos changos hawah pantera

a nera emus cocodrill no man boy is an animalero and chango sardilla

and there's one that's emus there's there's another that they're

that's avestruces pacherones percherones and chimpanzees but the government and they'd

gopottos or not you said you know you can't you know you can't you

Because there was a time that they said, you know, you know, you can't work now with them. Ah, okay. I'm a sological and those showloky and those. So, that no, they're not talking in the pista, no, no, no, there's to-doz. But when they were going to be able to do that,

no, well, like, no, better you have to quitels. And so, well. No, they gave them the opportunity to get them to other side. No. And they're, we're looking.

Well, then, then, there, there, well, there, well, there, there, well, there's, they were, I got them to the circus and they're

and they're and they're this and this and this net, yeah. But if you've got

no, me those were not, and they're and they're and they're and they're and they're

and we're to spend the majority of the animals. The actual many of people

of people of people of the malandrina many of many of many of there in the

Malandr here in the of the they're they're they're they're

of them. Simon. It's for that there's that there's in the areas in the zones in the zones

here. There's a tigerito, panteritas and all that. All that's exotic. Changuittos

and all that's all that's the majority of the circus. They're did all. Ah.

Negoti also. Oh, all of this. And they were they were in handparos.

They wanted billetet and popularity and the people Do you think you know, about animals, of the show

that I'd this way that's that's allue the elephant that's a ching that's a thing?

I did you know in Facebook in the fan page that I'm managing you called Tondolina Spectacular J.R.

There's a parody of that where it's a manira is a manira that elephant

that's he, that's he, he, he, he was he was

he, he no to him to him to him he no he no he no

he was And he did the pharamaic that the dog, that this elephant he's, well. But they said no, and all, of persons. How?

How did it? But to who, who did that? That's a... That's a... That's a... That's... A, of the founted

those, those... Those are the families of the Rolex. The Circo Rollins. There, and they... Parientes of... Farnchesco? They're...

They're... They're... No, ... ...s... ...so... vendient. It was a

manned was. Simon, it was then it was saying, said,

no, that was they were they're in chaddened and they and they they were

and they they're not true. No, it's a little a elephant of that

costs four, 10 millions of pesos. Ah! If we we're going

to put to you're going to you know, you come yourself in 10 million, in four

millions, in two millions and you you're to No. Ah?

And if you's Enferma, he's going to let's nobody, who? Nobody? And if you

got it in 10 millions, or 2 million or 5 million in what you have got to do you guys? You think

that not you're not you're to get a webo? That's that elephant? That was

that was good. And he he said that because he's encadened but he he's got

encaddened to web has to have to have to have something So, so,

so, so, he was in cadenado. Ah? And they were to come in but you know because

an elephant of that's, a loca, you know, to get a man, you, you know, and a

man, that's, what's, what's, what's, where he was, where it was, where it was,

and all, the barda, not, they're, I think, he's, they put in the patty to

get to the We, Here, Jillo, the Camillo, the Camillo, the Camille, the ballad the mess, that's a ballad. The ballade the mess. Sa, sa, sac, acus, okay. Salo, so, so, okay. So, he, he's, he's, to goreying, way, to be.

To the carers that, way. And, he's up, and he's up to three cars. Ah, la, yeah. And he was done, those cars. He was to have to be my abuel. So, the Camel, where you'd be, and where, and where, the car was, and, whew. A, wharrow.

The camel, you were talking that not pes a, a quarter of what the elephant. A man, a man, a man, a man, a man,

a quarter of what to be the elephant. The elephant does a no, no, no,

no, no. Oh, yeah, then it was strategy, strategy, to give a

show, and to give a fun, and to do fame. To you?

To who? He, he was the he gotro of a man. Because, but,

but to the fact, I'm to say, that the bato no,

no, no, no, I don't he To be a bit And yeah, Yeah,

no's the same Yeah, no of him, because he's, so, like, p, pung,

pego the ringcon in the orders and numbers and there's no more, and there

there's, how he will be the vized to the interview, to the Basteca,

for example? No, so, he's a fairia, but that's a fairia

he'll have to be a car ? Ah, no, but it's a

but it was the person, the bato, the people, no, it's for the

nature because the world and the natural is with him, salvalo

salval the lord and it's not the bat did you an invest he's a little

he's a fireamaya and that not they're a man I'm a little a circus

to a circus an elephant and it was a man was a all that was when the

government started to get the animals, all this. It was a rach

it. It was a little after. Andy Berga, it's allio it's well.

There was, when they were, when they were, when was it, it was, the part of, the world,

when they were, to get to the whole thing, that was in a cadarer, those they were, they were

to say, of Mexico there in the D.F to sit and to talk to a message of and I did with the and the

person they were the people, they're the not more I'm not me informer because

so I'm passed on the chism to me I'm to say to the go to

say the way that they they're they're they're they they're

they're in pass the So, yeah. So, so So, so if you're the circus,

so how are you How do you were in a quantity? Various Various millions. Something

I was something about about about about. And so they're companies because there are businesses

and are big, international, that are to Brazil, to the, I, you know, CIRCUS, we're, we're just here in Senaloa.

But, but, but, but, but, but, but those, we say, well, in a fairia. In a place. They're in, what on? We're going to, we're going to, but we're, but not all those kids were, but not all those want to put the fairia. And, of the most cabessia, the most perro of those,

of those, the, the, the pressaries, I go, I have to pay it. I'm to pay it, I have to pay, and I have to deliver the animals of all, if I have to this and I can't do this. But,

but no it's just because I'm not I'm not the only that you're not the thing you know,

you know, you know, you know, after the again, and get to be the animals, well, no,

that's true a good that's a hell, to the borgh so you know. Well, you know,

so you know, that's a man, that had many many people, I think, one six, eight,

eight, six hundred, eight hundred, many, I was going to say what he did. In other than to pay her that edda, I bought a rancho. I don't know how many hectares.

I don't know how many hectares, and he was a sologic. He was a sologic. A sological, a sological, private. Private, me refer to that, well, it's of him, well, not so private,

because the people can't go. In Guadalajara, no was that? I don't know the location exact but he that's a solosical

that rancho of the actually no has much that came the circus here also

I can say marca because also I don't not me not competes

but but the sir is a person is a person very great in circus

and very respected for much people in the people

we're we're we're puting man, man, man, man, wah, wea. We'll, we. Ah, no. Ah, well, I, no.

Oh, so, if I don't pay the frugal, but I, but I don't. I don't know. I said, but you're, you know. My mom, that me keigh, I, oh, oh, well, no.

Oh, well, he, he, he said his sociological, and there's all the animals until the day. The sir, has been like, six elephants.

A good. He's, he, has a little elephant, the sign. A man. A boy, and those elephants were, and so eliphants they were.

They were in Imagine it's a little elephant, whey, that's like in one man In a patta, pardon? And if I, so, I took to go

to go to go to. There's a question here, my son. There's a what I'm saying, where does that

that's makeiage, he said. This makehackacket that's not the makeupiaja that's the first that I started.

First, I've painted a bigotito chikito, so like mostacho and the seha separated.

Gorda Capa, and gourdah. But me was doing because this machiajohn is the more

easy. So, with the time, like, I'm, I'm fadading to tardar

so much to make sure, more simple, more simple, until that me kept so, okay,

that's good, that's not, I can't say, that, for example, you know, because you can't copy a motho and

you know, you're not m'em'clock, whey, he copied the seha to the group

arreigado to the pander belico or there people in the life

real yeah it's a not a not a not you don't not as a

peter you know you have you have the you have the copiast

him you got a yeah because the year from

the after he's I'm not man you can't

say so you can't when when when When do you know, pericco?

Pericot. Yeah, Pronto, if it's that we're going to to get up to another, other dispeinada of those perronas

when we're when we're just going, you know, just like, no, if we're going to get to,

I think it, in a month and a half more. Oh, plebada, for that the people

to be in a place and a year, last we're a, when was? Pericot? And in Pericos?

we've got to be like one six months and that's six, seven months like that's like that

we're gonna and we're and if we're yeah and so it's good thank you thank you say saludos

and what has been what has been what's been working like a last question to go

my dad what what has been what has been what's what's what's they've been

you've been they've been you've got you've got to you've got to Yes.

And there, no, you've happened nothing? The really, uh,

well, you know you're not a good. No you're not you can't because,

because you're comical and imagine that you to get to get to a guy,

because that's the show, because ah, that's way, look,

he's, and he starts fuland and say and say to say to say

of him, and that there's with cheese for the caes that's

like the brinko diara ah? That's a bato Arremanga Parejo Ah,

yeah, but a day because it's going to it's not that it's that it's that it

is that it's not but there's there's a person that you can't

say that there there there to be to show not

to you not to you don't to say I'm

I know and we're so you're you you're

you do and you know how is the personality of the comico. You know perfectly, and all we know in the cell or of the circus, that to that you expone. You expone to, to, hey, you're going to see that guy

that's a guy that agarraja to all the world, well, it's, you can't that tell you to you, you know, you'll have seen a video that, that, that'scha of the mother, if the chabalo, you know, you know, you know, you do this in videos

that's made of the mother, you know that if you you pay a ballets to you're going to you're going to you're in the

mother too but there's many people that don't people who people and they're to get your

show but but not they're going to you guys and they're more if they're doing with cheese

no well so call you to get in problem no and no and so

and so you know I'm trying no you're trying my chambah this is my chambah and all

all they're to that's who are so, because there's some of the mad and they're in the money, say, ah, I,

make I'm out of the man, this whew, I mean, I, so, there's, there's,

but, and I, but, and I, but, I think, the majority, the people,

the, just, you know, one, that's, one, another, the other,

the most bellico that me passed, oh, was that we, was that we were in Biajouer,

when he's all the the agre, the, the agre, perron, the agarrel the agri-a-belly, that's a

sure there was a garrette in the gasoliner, in the pedas, no, I see, he was the videos.

We, we were the circus. That's the more belico. A cause horrible, Ida.

A thing horrible, one, one, one, one, says, ah,

that pern, that's a on, and I'm to do this, and I want to do when you

just there's there, you know, you know, you know, you can't do, that's a

thing horrible. I mean, I me like a lot of them I like the arms and I like the films of action and I like these things. When you're when you're in the tracketer. Have you

to detonar a 50? No. No. A 50, you know, a 50 is the most horrible that I've heard of my life. Serca, or? No, the pedd is that was that

It's not very, Lejo of the circus. There's many people that know there's in the area where

the area where the area where the caroliner is like one, no, it's like a half

kilometer, I think the I don't that's so a half kilometer, like, some how many

quadras, um, some, some, no, like, like, like,

like, 15 quadras that the gasolineer. Well, there's where I was there's 50 in the gasoline of the Biawheres.

I was I was with my little my little. My little was chiquid and I took it to be

to her, I got to the caches in the soil, in the soil to the rass of the

earth, abrasing my little with fear. And every that I tronable the 50

I'd every that was the cachetto, I'd me vibrave the cachetto you say?

I was a little bit. I said like I said the 50 when I said boom boom boom boom boom boom boom

I'm I sentia in the land I'm so I'm like I'm so I'm like the

so I'm the tonation in the 50 I was I'm to be the I'm

talking about 10, 15 quadas like when when a rio a truan but a

but a but a that's a that's that's that that's that you call you

a There's a little tronillo and so, and that a sudden, the truels, the truano that even feels like if vibral to the house, like, as it's, like, retumbar, so, you know,

like, so, but it's the 50. There's, boom, boom, boom, boom, boom, boom. No, you know, the same sound you put loco. The same sound you put the sound that you don't know what you

know the sound that you're in to hear, and, then, you know, at the same time, 50, R-15, at K-47, 9mm, 45. Atona 22,

it's heard. Because it was like if were tronando soleditos. The cluitito those soldiers, the sladito.

Pee, p, p, p, p, p, so. So, that's it so it. And,

what, in what, did that? In what? In what? No, he passed. And the

Circo? Figgate that the portals, yeah, the portals of the circus for where the

people, there pego a ballazzo, the carpa too had a a hole of a,

a ballas they're us peg. But, but, God, that no no no us

nothing to us. Bendito God. What was there is that the circus

was that day, a comarade of us, Junior, the of the Camion 7.

Acquare that's Prev'A of the Camion 7, Junior, there in Via Juarez.

That's the loco no- he was, we called, we called for the telephone

and he said, loco, in in the WhatsApp, an audio, we said, plebada,

scone because he's back on carmendets of the carvenates of those cars, and passed

to that part of the people, and the people, we, the people

and it was a lot of but the people was a manned and we, he,

we, we, they, they're, dechen the circle, and say, venganes

to me to me to be to me to me to my house, today,

don't work, because still we're We want to work the day of the day. The day of that, no. So, that's, no. So, that's all the night, we don't we, we, we, we, we, we, we,

the other day we did to work. And yeah, my compa, no, he says, oh, we, you, they're saying, oh, we, that's not, that way, that's the carmineathe for you, and he, the, the carmion, way, the,

the carmion of the passenger. Subance. Soansse. All the he wants to come to the house. Subas. The old, no, so he was up and all. And I, in that then

So in the circus I went to the circus Vendiazum Mouruchan. I mean, I did all the PINches Wye,

I did you know because there in the house there was a sopa plebe what on 30 pesos fierro

no, no, no, no, no, but all they say we, to all they say, we,

a totally did we, to do you, we, tiracos in the floor, in the piece of it

and the houseprumbr of a lot of the circus no more so much, so much, so much,

so much, my dad, my my abuel, and a tio there in the circus who's the circus while

the other day no pass nothing, all the other day? We're gonna we're gonna we're gonna

we're gonna go to come back to do we no, if we're we're when we're we're

passing like four six carrosas way a world of a country we we're gonna

we're gonna we're gonna we're we're gonna we're gonna we're gonna to be to work

other part because if we're we're going to serve of nothing, the people not will be in the people don't know we're going to we go to Sanchezli oh yeah

of the actual there we're redicamos no redicamos there we're we're taking a there's there's enthrased around my abel

there's Sanchezis Leopoldo Sachesely is called there before the dorado yeah

we're getting to Sanchez was a was a poor the cause oh yeah when it was there was

a car in a car Hidal there there was to hear that tortured people in the day. How?

And, and, in the house in the house of Hidal was abandoned, and there there was there was much

people. In that then, in that time, in that there was a war, and so,

we went to another part that to be to be a lot to get to make the man, we were the

man to the war. But is that you went to in court, but not not was

so, but, we said we were the balacera no there and there is that when

when they were when they're they're yeah they're yeah for if to be

to see to see to see to get to yeah and then that's that's

that's he's like 10 years no you know yeah you're you're

that's that's that was the most belis we're in the middle of we're we're

we're we're we're and the ballace and the ballacera and the

the pinches, and Chibu, and when is Chibu, and the Pinch Minimile and a cagadero, there were two guys who are, that passed trying, ballad by the middle of the circus, because where, where, where, where's the city,

and this side is the red, but also there's a car, but there's the two sides, so, the circus. Well, to the side to the side, and the side of the side, and so,

tiracos, by the center, in the circus, in another, I'm, I got my n', I'm, got my n'i,

my nina, I, I was my n', I was, my nina, in the trail. And I'm very, I'm very, I'm how to you can't say, that I'm like to go to ask askaltoe, I'm

to try chanclittas, send the earth, very simple, I'm just to go out of gusto. My trailas, have their comedor, have an air-conditioned, they're, they're all, they're all, bendit God. But, but I mean me like to eat outside. I mean I like to I'm going to eat

I'm going to go Oh, where do you? Here you know, I'm going to do. Okay, I'm going to. I said my my little bit. My name was, I'm backed I'm going to

I'm going to get a soupita here of codito, sourosa and when I was To put him in the first Zapier- Boom! The first one of the Beho, a year

A-German! It was the first that's tronoh! Pum! What was it? We're not so. We're not... We're not...

We're not... We're not... What, we're... What we're... We're trying... And to... 15 seconds after,

that's I'm the... In what you're what you're who's that? Who's that? That, boom, boom, boom, boom! In the balacera. So I was just

and I was... I got to my a little, I grabbed a, be bea, and I went to so back to a distance that I think of a metro, of the lomb. I got it so

I got like that's in the earth and to start I'm like like it's like like it's like like I'm like I'm

and I'm going restraining and I'm and I'm about to a carmion of the circus

and here I'm going to go to I'm going to I'm down to I'm to be a

50 I think and I'm and no I don't I think I'm and I'm

that I'm and I'm all the time I'm down to my life I'm about the of the

of the Dona, that one's so horrible. The people, there's much people who are, oh, that I'm like,

I'm like I'm that I'm sorry of the tronadera? Oh, papayon. There, I want to see the bellico.

There's a bit no, man, we're, we're, we're, we're all to call out of

that sorrows, a me me more chint, the movies of the movie when's the movie of John Wick. See?

You know, that's a man, do you, do you, do you, do you, Wee, wee, gwee, gwyg, quake, quag, quag, gwen. At the last,

all the bach, all the bachel, and they're all right. I like much. And there, Father, Santissimo, and I said, no, like the caricator. In what the diabol I met, I, my God. Oh, I'm a doubt.

To put a certain, how much you have to have, or so, to buy the carp and the trailers? Look, that, that's no.

A carpa of circo in what is, more or more or it? There are there.

There are there. No, but a median a nonah. There's

there there. There's there. There's like in the the

rotha. You see, oh, no, this is a camititit

a carita and what is a Marcia your money

and pure mamates that and so. Oh, well so there's

because also you have to the material because There are markers of material, and who

confessions, confectioner. What, what is that? Well, who's it? Who, who did it, who? Ah, yeah, yeah, yeah. You cover the artist, well. Ah, yeah, because it's an artist who does that. Of actually, that's, that's,

that's, that's, architecture, architecture, no-se-what-what. So, as as there architectus of concrete of cement that's,

those guys, are an architect but with things like, like, like, like,

like, like, like, like, like, something, like, like,

is flexible, then I don't me I'm that, that, that's, it's,

plastic, that, something, something, tensu structures, no- I-s- -structurts,

because, because the lona is tensioned, and it's form, in the in that the regindas

has a form. Oh, don't think that no creak that's there's many things that

one's and they're in their those? With the in the moment you're doing,

the manufacture is it yeah, the internet you can't find you there's

there's there's there's many there's there's there's a there's another that's

there's another that's another that's another that's another that's there's there's

there's structures Mendoza And a Approxima No, you can't say

Yeah, you know You can You know, I'm One of Mendoza is of the

most way One of those they sound Depend something So,

yeah To Chambe at the Colonia Well, no, no I'm

no, I'm talking a circle yeah, one of a million 200 $1,000

$1,000 The Carpita The Carpa Yeah I thought that valiant Yeah.

Lona. The pure lona? No, it's that there's more. And apart the tubes and the

and all. And the, and the, and the, and the, and the, and the, it's,

and the, and the, and the, and the, that's, that's, that you want to,

you know, the, so, no, no, not, you can't, I,

don't, I, I'm, I'm, I'm, I'm, I'm, I'm,

I'm, I'm and I'm there, There's marcas of fierras. The shingada. Yeah. No, and that's

is something reglamatory, well. There's there's a $2,400. The carpa. Yes,

and you're talking about that an new new complete to sell to $8 to $12

million to $0. What? What? Like, the circle that, how do you

do you? The circus, that's, that you're, that you're spectacular. Lord. Tiani, I think

that's a carpa of the Cairas, Wye. That's a carpa of the car. But you know, that's carpa is

a year. That carpa is a year. You know, and there's there, the mark and the and the,

and who, who, who's, for the, for that cost, because that carpa, way,

that carpa has that has more to 20 years. It's more of 20 years of that carpa, and bela,

that's beautiful? It's new. I went to when I came here the and it was and it was the I'm going to

I'm not what I I think 2000 2004 for there 2004 2004

2008 yeah I've that's yeah in the carpa in hira because if you circle of

gara rha yeah go to Brazil yeah yeah yeah yeah yeah

yeah and the stren and the bank's the bankers that's there's called Sten.

Grand Sten. Grand Sten is your name. That's a on that is carericima, too. It's got to have a billetet. Ah, but you know,

how did you? What do you got to be? Nogendero, no, it was because he's not to pay him. I was,

I said, that car, but yeah, when I made all the quality, the show. The lights that they have, so,

way, the luses that they have, and there's they're, and there's they're, and there's

it's a mark like, you know, and there they're they're they're but it's a

30 years, way. No, I think that's a cyro way,

he cabia a two hundred people if no I'm a a,

a, I think they'd I'm, I think that they could be in an

three thousand five hundred, boy. No, 1,000 maximum were? The capacity in the

in the entry in the bulletto. Well, at the more because

they'd more more people but but that's tennis grand. 1,200, the Pichurro valued at 750.

Yeah, like 900,000 value, yeah, 900,000 and it was in a day. That's a

little, pa. To gain. Awah fresh. Oh, but it's that's a good, it's

much money there, but it's a artist, you pay to pay artists, artists, but you

say, how to how cost to, met, you. not it's not it's

not easy so after to get so that's so much that's there's a bit of

there's a big year but first you have to invest it and being sure you

in quite a business in a bit bit a bit so you yeah yeah

no well so well if you go you're you're

like you you're you you're they're they're they're like in two

three million of and you you're you're you're But also you're atriagnes in

any business. Billet, I'm a billet, pa. But the circus, way, the circus, but he has people, whoe. That's the that's the

because he wants a new thing. No, it's for a more, yeah, see. It's because it's

because they that onda, whey. They love that life, they're just so the billetet.

That if there is a chulada, no? Imagineate that they're to pay them to because to do what

to do you do that? No, practically not you're working practically not you're working because you're

for just nobody you know nobody you know well you get you get you and you're

after more time and if there and if there money for with more reason but the

person that people that have Cirgo is because they have a carino to the

Pista when when I get a moment whey there a moment

of that one I don't start to practice, to a day to be in

the place, to be to have the capacity, to be to be to be

to be your act and that you present, your expression physical and emotional

front to a person that for 3,000 people. That's what one has

to be to be to be to beas to get to a day to be able

to be and you Yeah, you're in the Pista, you start to get used to to get a

Pist's that you the person that's to get to move, like the in the

water in the Pisa. They're they're they're doing what they want to they're

in the Pista. When you get that that level and you you're in the Pista

and you do you're time without the Pista, you're going to do you see someone that's in the

Pista and extra you to be the Pist. If you want to be You're extranaz, extranaz. If you're a moment,

way, it's the moment, where I go to go to the circus I see a someone who's saying to say, to say,

to say, palmas, palmas, palmas, palmas. And the people are applauding and I'm I could be there's being ponds.

And those palmas can be mine can be mine. And you you're a pinch sentiment that you want to want to

want to be you, want to be to be with the with the but not your

moment yeah, poin, not your moment, you know, your royos you go there

the pista and it's a cabo boy, you're going to you're going to the place.

Fere at the the pista not, not, and you know, and you're and it's people,

people, people, the, the grand of the circus that they're to see to see,

he's a shot mortal, I think because I have many many many many

experience, for For example, the, the, the, the doggio of Rolex, he was the Francesco. Francesco, I went to equestre. Esquester, so when, they're when they took a

carobiles, no, I don't know if you took a assaulted to mortal and the above the caboio. Ah, well, equestre, can't, tan, can, and the other way to be the pincchabye, and the other guy,

and the pincch cabion, like, a three meters, whin, whin, and he chas a salt mortal, and the that was an uncied and the people

not said to do that Francesca And when it was There was a little bit of the bato Because he had He was doing his Sobrino in this Thence, but he was

He was out of His physical He never was to do To get it? You know, me I mean? Yeah, no, he gave

his agility, yeah no he had a force to to be able to the microphone that he was that he was

spectacular man, I said to That's my Prerner, spectacular, spectacular. He said,

I mean, he said, I took to see him to get him. To tell to the bato. The guy said, now

he's prepared Francesco to do do that mortal to a cabo to pachio to

go, he was he was Francesco the friend, and the friend

to die to yurran. Record to of what he was he was doing, then he was to cry,

of what he was doing? He said, no, maca, I said the man, he said in the

heart of the old, and my apopolo, my abel, my abel, one day, I was, there was the,

in the, in the, in the, in the, trepeze, and he entered the owner of

Rolex, that was, the man and my boy, and I, and all we,

we, we, we, And, he says, Francesco's going to be to be the triple-salt-mortal in the trapecies. But, once, Francesco, he wants to dedicate his salto-mortal to a person very special in the Gremio Cicilcelssohn, that we visit. Pard, Cedon Pollo, said, Don Pollo, because he's called, Leopoldo-Felix. He said, paredes, Don Pollo, because Francesco he wants to dedicate his salto mortal.

That's, for my abuel. of actually there's a video I'll go to get to get to get to the page and he's all the people

applaudied and he and he says and Francesco dedicating his salt to my abelro in that's and that's

very beautiful and that's also when you have to people to do you know the to do

in your moment so that's chilo that that's no it's

it's it's it's very it's it's I want to be to platicred. We're going to be... We'll be able to...

We're going to do. We're going to do with a shingada. Oh, yeah. You know, I'm a... I'm a-of-la-chingat. I'm going to trygare to the verga, we. It's that's chill, well,

is that's chill, but also, no. To be the Searpa? Ah, okay, is. If the... No, but... If the people... Because, I sure,

he's... I'm like, I'm just a... ...a-invite another to... ...a... ...a... ...a... to pay it to plead the plebada is he has to

comment there the people and invite another part with my compa the tontolina there's much more and many stories more and also to that's then at the more questions no if you know, I'm more questions a little bit more questions. A bit to talk about something like that

you're in court no no invite a to the city to do you have to desire my boy I have to do you know I'm sorry no man I'm sure you know I'm sure you let's look like chingada oh yeah plebada

well thank you another before that's a Jorge, for for,

for, for, for give me the time for give the opportunity here to

get to get with all these stories that I'm that I want to share this to you know

that's listening to keep to get to this Veehon because the thing

that's that's that's going to go to the lot going to

and I you know I'm I'm I'm I've been many

many videos of you and I've the opportunity to communicate with you and I'm in

there by other other and then we're in we're in it's like thank you

and then you know if you're in a part then you comment it and the

old and the man who can communicate with me if you know no the no the people

to do you do that do you do that's like that so in the so so that's

when when when the when the pato when the sometimes that there's that there's

that there's the thing to visit the plebada, the circus in Altata, to my compa here, and we'll be

to see what a rollo. A little. We're going to make a marometa and a ball to get into. A little.

A little. A pretzel with the plebada. And bola, bola. No, that's good. I also

I'm also, I'm going to say the people that, well, the person that, that know,

to know, to know, to P.P. Navas and that you know to know the opportunity to collaborate

with you. We're there's preparing something discographic there, some musical

and we're sure that you're going to give you, I've got to show you, I've got to some pedacios

there. Me commentate that they're in chilias, that's a little a little more me,

me do a know, you know, I'd say, I'd say that when you when one one moustra

the questions is different as when you're different than when you're when you're that you're

that, oh, in your and it's it's okay, and the result final, you know,

no, it's you know what it is the way. Exactly. Exactly. Better. Yeah, that's

like the thing I'm, yeah, I'm gonna do you get to do you let's say the remits. Ah,

so I'm so we get them, but that's, but that's what I learned in the music,

way, that one has idea and could get to and the result of final says, no,

my way, in my mind, I'm in my way, no key no key that's

a, oh, if they they'd to talk to the story of the cameo Cacheondo. We had a cameo that was very cachondo.

And that cameo was to sort about. And I was to try pickets to the carp. The carpa we'd doblahm, and this guy was he was

and he was up to the car and was a man. It was a day he was and he was an chorizant a batto.

A, a chabal, he was, he was trying chelio cachombo. No, this was

a story been perr, the net. Let's let's go. Let's go. It's all.

All those, many stories comical with the animals. There's there for the

second part. And I said, I was going to talk about and I'm no, I'm not, because it's

very set-s-s- well. No, no, it's it, but the second part? Right,

yeah, how much? Yeah, oh, and you you're, you're going, you're not and you're

not, and you're not, so, it's in the rank, 20, 20, 20 minutes. No, it's an hour

10, an hour 15. Compa! Come, come. Despidase with a rollita. How about it? How about it? You go to be it? The circus, the tontolin.

There's it we'll encargues to go ahead. And if someone of who who is that being this podcast has gone to be the circus that also doesn't your comment. And also, please me

to do you, see me the TikTok in my only red that is the only that I have that I've got to, We'll We'll be Pepe Navas Time

So, so it says, but it's written Pepe Navas Time Timmy

Peenavas time there in TikTok because we're there's going to be doing material

and in Facebook Tondolino Spectacular J.R. There's that with that with that with that

Thank you Plegah to do a total public and a you a person

A Where? Where? Dormo! Where? Maw! Hermosos! Where?

where they want. Where they want. Where? Where? Where? Where is it? In the... How is the name is this?

What's the name? Where? Abajo. Where's this? Oh, that's... Oh, yeah, it's... Oh, yeah, so it's... How's it?

We're doing the paper of gay in the next... We're going to do a paper of gay, too. A bit of a pure cullito. Hey, chikricks! Animo, there's a tiber, pleb. Fierro. Whella, ching-a-ha-ha-ha-ha. You know, you have to...

no? No, and is that no, and it's that it's not a