LOS MAFIA PODCAST ⭐️ - Puro llorar con El FRANCHISQUINI "EL CARNITA ASADA”

Episode Date: February 12, 2024

We're a mosaic. What's the... What's the... What's the... What's on, my God. Here, look. What are? Well,

No, nothing. And you're still. And you're and you're... Muchisimmy thanks. You know, I'm very

for... For... For plomo, I? How? That's... For plomo? ...

P... Is that's the Ditcho, me entient. Hey. There's... There's... Dermosio,

Sonora, Mexico. You, way? Yes. And... And you like Hermosillo or you more Culeacan? No, for the net.

Right, I'm going to be to Sinai, to, there's to Culaan. Here we're in

where? Here in Sinaloa. How's how's this? No.

How? How? No, is that I don't know. It's that Culeacan, pa?

A-be. And right you're, Pa? Where you go? To where you go? To Masatlan. Awawrera.

You're going to get tootriah for ya? A-beer if can't. I'm going to go to the tanguities to the

morda Yeah, me's that I can't no, you know, or if? Me,

uh, the net the net, the net, the net, yeah, yeah, yeah,

so, so parking. Ah, yeah, oh, yeah. Oh, yeah. Oh,

I'm a man... Oh, way, so, how was that gotrater the last last?

The last the I'm not. Look, that he said, three years. Has it

three years? Ah, yeah, you know's got to, way? Nothing. Nothing.

And, God. And how he does it like, to get to want to want to?

The of this? Well, but, no more. But, if you would

like to to I've got to another morrita? Sure. And why not you

have got to get a man, I'm sorry. You're your ching that mother.

You're manho then I'm more than I'm like the girl, well?

No, for to get them and then then they then they're so ha ha ha ha ha

and then then how, physically how you like they like they like

they're not for to get them and look what

I'm here me But you But you But you Like morena Gwerita

Chapparita That's That's That's balcili And how I'm I'm I'm

I'm gonna I'm I'm gonna I'm I'm I'm gonna I'm I'm

I'm I'm I'm really I'm I'm I'm I'm Wienwaka

And then I'm gonna I'm gonna I'm gonna Yaki that b'ii B'i'i

But what's my name is a gumbea sonito? Oh, verga. We're not going to contra tachirrini, beaugh. Here we're going to becarsat, y'all, like you've been,

we've got, we've invited today to my compa Franciscini. Romerini Jairini. Agua fresh. Well,

no more, water, water fresh. Salusita, yeah. Pellle a tragon there. Pedro,

what good of Verte. I, I, I'm I'm a good.

Pure awita fresh, boy. How is my Franchiskini? How is Tapa?

I want to be so you very well. Bendito God, God, God,

God, God, oh, you have told the story that when you

you're you're that you're those are those that are

those that are that stim my car The first Me la This life

That's the My life that I took Well, For my Camino Felicity Tranquil

You The second Me La dieo The You're You're You're

You're You're That's That's The The The The

The The The The The I I'm I'm

I I'm Oh, Mentiroso. That's what you? No, you. Why? You, tell you.

All right. A little of the Pinta. What Pinta? All right, in the house.

In your house? Or so, how do you call the the Cerro of the Cemetery? Where is?

There in the barrio. No, well, Look. Go, in the

moosey Oh, in the Morsi. Oh, where do you do you get more than

the more in Culeacan or in Hermosillo? No, for the net, look,

I'm my my net, in where it's where it's, well, well,

if they're from there, yeah, if they're here, but here. But no has nothing

to be that's you, you you can you can't you can't you can't

you always I'm is, wui, is true? You can't

you can't quix if you if you if you want to but you but you

but you did you do you then then where you're more you're more

you don't there's no po there's it's that I'm there's

there's the camera of the campana too and And then, like,

he's very beautiful, he looks to be over but there in front there's the

car. Oh, you, Franchicini, never you've with an extraterrestre?

I see one with me? With an extraterrestre? No. And you

never, you've seen and you have been to have no. I see, Pa.

Ah. And what's happening in my friend? Yes. What are you say?

Yes. You picked English? Yes. Yes. Yes. My yes. Oh, Fransicki,

Ni netta, wei, I'm going to tell the history for that you go to and you're going to and you're just

a pure a mental watch it one. One of one, we, we're, we're,

we're we're going to we're at six of the time. And, and and very car

at the end of the entrance to see, 200 Bola the entrance

We were we're going to we're we're and one of them was, he, was,

he had to get out of we, went to we're then when we, we, we,

we, we did we we're to do we to the animals, and here we're we're

just about the park and he they're they're talking and they they opened no,

no, no, no, no, no, they they're there,

they're they we, we're we're there. And in that, we, we, we know, wee, parpareing, way.

In the, in the, in the, in the, in the, in the cell. Yeah. Chiquito, boy, he's, he said, too. Chiquito. And he was just

and we're just So, so much. So, so so much. So, boy. And he's, he's, you know,

you know. A bit, to be that's that you know. You're still you're, well, yeah,

there's I was. Where Where's Where? I don't see How you? How you know How you know?

In that I'm, look. In that What? In the Motto That was That was the

Yeah No, Wey It was It was a And from It's a lot And the middle

The plateio It was And the And And then And they And And they're

And so And And they And And they And Plebes, what they're

doing here? No, Andy, I said I are you, are they're these

bato, so he said, and I'm and I'm and I'm said, oh, compa,

we're not we're Sinaloa are of us said, we're, we're,

we're, and what? And what what's that did we'reque we'reck that's that

were like the munita those, What you think we're what we? Well, well, we we're

we're and we're to get us to us to get us imagine in the

in the cuck in the pester a pester a peter mace

mack macy no no I no I'm no

not you don't do you not not you do if

you're so it well imagine the cull of the giraffa, way. The olorcito. How do you imagine? More to ya

than to come to ca. If you'd like to ol'lety the chirap? Well, if you?

If you would be a loco? Well, compa, pardon, well, is that

I don't other other other than to do. Oh, then, put you to

work, pa. But in where? The what you would? The,

the Lempie. Begare what I'm doing, what I'm doing. No, man, me, I go Puro Barrel and Valer. And you're

Pagan? Yeah. How do you pay? As soon, I mean, they're of 200, of 100, of 100,

and I go to the box. That's no? A whew. But that's the well.

Mm-hmm. Is your patron, this bat? Why you're Why you're? For the Well, I don't know What's?

What's the What's? It's that No, I'm I'm That's, boy That's

Well, Well, Well, No, I'm So, And if you You're,

What, I'm gonna No matter Ha ha Ha ha ha ha Ha ha ha ha Yeah, how was

Your How's your Wattik, well, Patician, No, I, I was,

And there's and it passed the time and all, see, all

they were and we went to come to Cabooka all all they looked

I in the in the caron fiat in the caj me

they got to the car and and there

me and and and ah that I was going to I'm going to

have to have cajones and God I'm still don't me he's

How many you Where did I I said 14 14 14 years

And who they were in that car I was In Sakatecas

I I went Miguel Citl and and another

bato and they were four so they were the four but they were they were

you're taking you know you're I don't I don't I'm oh you're oh you

they're in they're in I'm I'm I'm gonna go go to I'm

and of Cborca and I'm a little more to that more

in in Ciudan Juarez for there we're getting

and and it was it and no I'm I'm

I'm can't because But they're pure comrades were

who did you did you you're you're you did a

permission was you were you were in that

in that in that then What you You know, what you You know,

what you You know, what? No, I, I, I mean, I was,

I was in that then I'm 14 years, fieie, and it and it passed the

time, and all, I'm the most I'm bendiped to be the Lord, O'

Oh, is that me and meand, you know, appos, passal, whey,

way. The The Baion is there That's If you If you're You're

Oh, Frenchicini, it's you're You're too too too? If?

If you did you? Well, yes. How? How? How many you have

you? 44. Forty- This is more big than the one.

And how much burrita gotr whey? One I'm got out.

Agrast or not has garra? No. Oh, and that's that's

it's a my you're a bit I'm to be a

see not it's not it not not but not but like

I could I insist to let's to get

to get and the burr yeah we we're

we're we're we that's that's that you with

the yorada, I said, oh, go, go, to, go, go to, go to

you know, you're you're you're you're never, you know, never,

you know, but you no, but but it's a one no, no,

to the chile, that's that's, that's, well, oh, so,

so, so, no, so, no, no, no, that's,

so, no, that's it's , even the conejo

of the luna I'm a man Prenchequini we What

What you What What What What What What? What?

That's That's That You No How you? No Ira

You know You I'm You're You're A Man A

Yeah Yeah Yeah Yeah Yeah I Yeah Yeah

Yeah What? No, no. Me, you know, me you know, no, me Oh, so, then then, then, you know,

what, there's, that's, that's, to be to be in a morra and where

to live? Ah, there's a little to do a little. Well, you just you know,

oh, yeah, well, yeah, boy, a bit, a bit, get,

accommodate the microphone, Pa. We're, we're, we're, let's a ,

Hello, how you're That's, That's After that's After you Without I'm sure

Yeah, I'm How you You know You're You're You're They're

No, Yeah Yeah, Yeah, I'm But Enzycini Dime Puey

Wait Wait, You Kater's Or no You No No

Why? Why, I'm That's Why? I'm gonna I'm Aslan. And not you

would like to get to get to put in a morris way? No, that you

have been three a morrita. Three years. I've got to all my life

no, I'm gonna one. No, you're not sure, so you have gotrado.

Me they're to say, I'm, the, that's, that, yeah?

No, no, one, one, one, one, no a lot,

planet. Oh, way, why you, why don't you know why? For the d' pundegu?

What's what? In the dents? Is that I don't have. But,

yeah, but for what? You're they're they're they're to have.

I said, no, I, and they let us in the car, well.

But what? What? What? You're made? You're morded a piety.

The they're not to get to but he didn't. No, he

he left. No, he Because the way, yeah, you know, you have

said that's to have to be for the way. Yeah. They're

they're putting to the way, but you don't you know that they

put them they're there. There's there's there but where I

don't don't I'm I'm that you don't because you know

you don't don't don't no because why, if you

if you you're to be more wap way? That's only, me, I'm going to start.

You're not, you know, you know, yeah, not you're going to get, whey. Ah,

yeah, not going to get, oh, and how you're going to get, babozo?

Oh, do you know, I'm going to take, and not not really, yeah. I'm not,

but let let me more leach ha ha, the, the, the, the,

the, the, the, you know, it's like It's like It's like No

No And you're Oh, Oh, and beautiful Oh, Oh, Oh,

One A be serriada, not You No Eh? What's What's

What's What? Oh, Oh, Oh, too You're You're

You're You know You're You're You're Poh, Pott's Mucor

Poh, Poh, there, me, and... There, Mero. And... Oh, and it's it's

that's no, do you know? Nothing. I'm... Asked How much did you?

Quant to do, boy? Forty-five. 45 seconds. To be let me let me see. For what?

For pentechus me I'm... Mere, loco, boy. No, you know.

You know did a chupada of chich and that? No, no. No, ma. Yeah.

Oh, I'm sorry. Oh, I'm sorry, boy, no minute, boy. That's

satisfaction my in the world Neda. And yeah? I said, I'm I'm just

I'm I'm and and and and and and

yeah. So, Is it, hello? Was your or what? Well, no. Yes, or no? No, no.

Ah. Fiatte, no-mall, loco. And you're to malo, well, I don't I think. No,

I'm not. You know, no. He's to dream. No. No. No. You know?

You do not. You like to to take a coffee in the morning, boy? It's very well, too. Of what coffee you like? Of that call out.

Which is the collado? For the one. But how is that, boy? No, never I've taken that coffee? Well, I'll show you. A bit, how is? And the story commenced

So, He gave in so Aemoisin, A limousina black And part of the car I mean, I went and patteeing

a piece a lot that's a little my chica difficult what I'm so,

but I don't know I'm the, the, how's the, the whirro?

A bit, a bit, I'll do do you, I'm going to do. What's

what I'm What's the man? Uh? Huh? Uh. Bye-a-a-da-da-da-da-do-do-do-do-win-win-room. Hi-di-ali-a-e.

All right, all right. You my harri-iae. A A bit of this tune The wedding with a room Hi, yeah Yeah To do it's a weird

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But in what In provisar We're going Go to A battle Of rap You and I Yeah

You're going You're Yeah I'm I'm You can't Rap Wye

Wye You're All right Yeah And you And you You Yeah

Yeah Yeah So There Yeah You You You

You You You You You You You You

Pachuchuch You You You You Recha They're They were

They're madrotaband Tisdre d'en Dere Dere Dere D'E D'E Hey, You, Cabe Cabe

It's Very, That's very That's The improvisation, Wui, of the rap Oh

I'm You're saying A batty You're going To me You're going to Let me You're

Cuts Cants Cantando To Let's See Cirt A be.

What is? Pelo with Pello and that thing? Able, in the microphone, Pa. WhatsApp, me, my friend. A bit,

Dimmie, let me, another way. Pell-com and that and that thing, that thing,

there's a there's a there into. You're you. No. I, I,

I'm, and you're why? Well, pelo, way? And that that thing

that's, What is? Well, you and I? No. What is? The eye. Pelo and that's a thing. If you're, whey.

But, I go, whey. But, I go, because in casa to Chie, for what's they're a Rhee?

Oyeemel, he said the other, why did he Moh, and why did he did he? Ritchie. No.

How is? Pelo with and that and that that's the that's the

I'm the the the o'clock because the o'clock Pello and that

thing of the but no is the o'clock what is the Chirimoy

or or me I'm I'm I'm if I'm I'm I'm

so I'm well the chimoy well the what's the Chimoy

M what is the Ppa the Peppa, Pick? That is? That is?

You're you're a bit maniac, boy. No. A per to be there I go. Oh,

my Franchicini, I want to make a question, and I want to be and I'm with the real,

Simon. All right. What I? No, what I'm orita nothing. Nothing.

Ah, is that I don't have I'm still but there's I'm going

that will get to get to the and he will say to and I

go to I'm going to say, no then I'm going to go to the Puebla

and you do to or no? Well, I'm to go to get here, but

what's the Well, so. So, no, no, not, not, would be a

, a doctor, an architect, no, for, I'd chambia in the,

yeah, of the last to do lavendar, that mother, to the

bombers, precisely. What, mother? Well, the, they've, the mangerona?

Why, the maderona? Well, the mangera, did you, the, the bonver. Oh,

yeah. You'd have liked to lavars The manguer What other

thing You'd Yeah Also Also The architect And

And And And the And The other Is Doctor If

If If Why Why? Because I No Because

No But Why What What What What For

What? For What? Because to be doctor for what? To be to

alleviate to a people so So so they operated

for that So for that you That's Black

Label Black Label there is but no it

is no it is what Or is? Yes, boy. Yes, boy.

A somberito of that. And there's a tern. And there's your, loco? You know, look. But it's tiled? Yeah, so. Why do you? For plomo, I don't you.

For plomo. Oh, yeah, virga, if you pegs the gattas a bit of a sip. That's it, man. That's always, I don't let me. A be Passing me Bluette

To pay With a Bebeau Pondel Pondel Oh, Oh, Virga

Ah, Virga Oh, Yeah, Myr Man, Man, Man,

the year Oh, there's, no, you're gonna take me to me Goh

my to mar that's man, that's he's Hermos Pa

let me Tire me Tire me Tire me Tire me Wait, wait a Tired me

the and say, I'm a Horny I'm horny I'm I'm I'm

I'm I'm I'm chuped Oh, oh, for a ha ha ha ha ha ha ha

ha ha ha ha ha ha ha ha ha ha ha you, you're you're you're perrone

or not you're not they're so yeah because for a good

so you poor puros cars ba you do you do you

do do you What color Tray the Calzone Orita, whey. Are you?

Oh, no. Platial. A be those. The puros Calzone, no? No,

yes. Ah, grises with with a blue. Yeah. Mm. Of what the,

where's, where? Of these? No, they're using to encahe or tangita? Tangita.

You're got the tangita? Yeah. What color you like? The color you Pongan. There's

I I'm I'm I'm I'm I'm Oh, if

I'm I'm I'm I'm I'm I'm I'm I'm saying

I'm You just Mack And I Dica Arr No that you

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Quintame a Wray Wettom Wettom To get To get Pah Andangandap

I'm Pah Pondiop Pondon P Coney C Cep P

Bendgo I Vendue I I'm another The But

no No No No No Avient Avient Avient

A You And You You That You I

You The You The The rey of All the And you That never

Fuste Me nor Amos Capas Perdonar A Howe, And you

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That never Fust Capas Let's I'm That's You're That's

No That's That's My One of the Demerarios, Echete Yeah

I You've I've I've been I'm A bit A bit Let's

Let's take you One of the Temerario, Veeco Let's Let's But I know. And the story,

too. No, mame, whey. One of the temerarios, e-chete, or right I trygo to get-gare-

l'clock. Echette-a. To what? To give you. To give you. To give you. The one of the termeration

the way? The of the demerario, the, the, the, because, because I am.

Because I'm, I, no, I, no No? No, but,

way. How's it, way? You. You, You, you, You, You,

You, You're, you're you're just only, Oh, Oh,

I, I'm, I'm when I when I in the Allia, no,

don't, so, no, that's that, Pa. Now, you, Here, way,

talking clear, if not you can't one of the temeraries, we're going to get to get a here.

But, but what? Well, one of the themerals? Salierone of that no,

too. Procedent to Tijuana trai-an the jantas of the car repletas

of yerba malas. No. A A bit The Yerba Wena The Yerba

Wela Elan Melin Melis Salian Salian from San Isid

Procedent of Tijuana Traia the yantas of the car repletas

of year Wal Elaner Mers Passed a point. Hey, hey, hey, wait, Fanchicini. I want to say something,

boy. Diggam. To the chili, I'm. I'm like, I'm,

I'm I'm I'm a other I'm, Dime. Like, that I

, another other way. Otra. And, and passale? And, you're,

you're, you, you're, you, you're, and you, and your mom, way?

How's it in the house? How's the how you and my and your and your father?

I don't I'm I'm not quite he's he he's he

he peter piqued one a piqued a bivab a woman

a one a bivna nara bivna nara yeah

what's that that mary that that mother that in the

in the Well, I'm just Yeah, the Mosyosur, that's not Mexico, the capital variable of all Mexico.

Those, here in China, I want to go to go to see the what I'm saying, the way. What is what?

Well, that's what I want to do. I want to to do to do do, to do

do. But, but you still, you just I, you, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, I'm, Compa, is that

I have a my I'm gonna you know you don't I I think I

I'm gonna but if I'm let me let let me let's no I know I know a year

but when I'm look How how I'm No, if you do you

All the days. It's good. At a little. Oh, how you know? Like, you know? Simon. Well,

well, but right he's back. I'm here. Arre? The

summer, I'm sorry. I'm sorry. All right. All right. All right. Amp. No.

Aske. For the other to the other. No. No, well, calmado. I'm

the same I'm in the morning. All right, comp. All right. Go ahead. My mode,

Chiquitito. You'll like? Yes, me'll end up and go and

to get to and say this is here. Here there's a quarter way,

that I have got I have I'm there's a there we're

not, but we don't know. Eh? If? If did? Oh,

do you do? All right, yeah. All right. Yeah, yeah. A

A good A good Pedro What I'm Fanchicini A man, Fanchicini A man That's the

A man That's the I mean I don't Who You know Who Why he said

The other Is that I'm not You don't You know No You know No

Because no Oh, the I'm the I'm the And that's Wacholote, loco Yeah, I'm

I'm gonna Yeah, I'm gonna Prestam a fairia Franchiskin Is that I Trey,

loco If I'm But I don't Pleto Regalam Let me What's

How do you How's How's $200 Pets Give me Let me $200

Andy Bergera? A be, I'll be, I'll be, I'll, I'm, I'm in the cartel

the cartel the carter well, you know? Yeah, the carter that's that I'm

my compa Franciscini and much great, yeah, much thanks, for this

dinerito. Eh? Yeah, so you're I'm, I'm, I'm, I'm,

but, well, the carmion, but, in the that I'm I'm going to go to

no no occupies in car you're yeah oh yeah well

yeah I'm going I'm I'm retiro or no no no where

you can go that you don't that I'm that he's

good much much thank yeah he he lavo well

well well well well well well well Thank you.