LOS MAFIA PODCAST ⭐️ - Ramoncito de Culiacán se QUEDA DORMIDO a medio Podcast

Episode Date: October 11, 2023

Ramoncito de Culiacán se QUEDA DORMIDO a medio Podcast

Who's the man, man, The man, he's a good one of a hundred and for a girl. No, you're not here, he's not a coped. Are you, I'm not occupied? Yeah. Ah, well, you know, that's mark, I, that I'll cup. Okay. All right.

Hey, boy, tell you, you, he'd have you, he'd have said, Ramoncito, what you're, not saying? Yeah, yeah, yeah, yeah. Here, no, pa, you manned, you're the rea, compa. You're the reid, man.

You, Contestrater, what You know, not they're not getting the person and you're talking about

you're doing? Yeah. Are you? Are you? We're doing yeah, Pa presentate

for that the people to be yeah. All right a let me, say,

ah. What? What are? The mafia. The mafia? The mafia. One a lot for the

Fafia. There's no for the coca, yeah. Tucanacule A Let's see

What I'm What I'm You know You're You're You're gonna You're gonna You know

I'm I'm gonna You know I'm gonna I'm Yeah Hey I'm gonna

Yeah I'm gonna No No No No You know You know

That's That's I'm Okay Hey How's How's How's

You Yeah To Yeah What's What's What's I'm gonna

Is it all? To check to Yeah You'd Would be Yeah, but you

Yeah, You're the We're the Yeah, He's the All right You're the Do you?

Yeah, yeah Yeah From When, Tonto? In the Tire

Aw, Aw, freaky my father Oh, Hey Ramoncito Well,

Dill the people That, what, What, We're Here is

A good. Oh, yeah. A good. A lot of people. A million. Here's a lot of chingas. Pure people of him.

Yeah. Here. Here's, here. The sombritit. That's what? Here. See,

that's the same? The same. Uh-huh. Hey, Ramoncito, how many years you have? Oh,

I'm, I'm 22. 32. 32? 32. 23. No, no, no. Contest,

well, How many? You know, how many years you know, so you know, 23? 33.

Yeah. You know 23 years, way. Yes. You did you? You've got to

the school? Ah, yeah. Yeah. Ah, where school you went? Central School of

Carmen 34 Lomberal. Carmen? Carmen 34. Carmen 34? Karn,

24. 24. Oh, Oh, where is that school? Ah, from the sabbetti is to be up. Ah, from the Sabreto is to be? What, the school was this,

man? Carmen, 34, is it? Is that the is the same? Carmen, so it's called? No, no, I remember. And so? And then, what?

No, and I, studied, and I was from, yeah, of, yeah, yeah, we're, yeah, we're, yeah, yeah, we're, Oh, you're

And if you're intelligent, ween? Yeah. He's chagenaed? Yeah. Or, no, I was in the school? Oh, yes,

yes, yeah, yeah, yeah, he's, yeah, and you, and you, and you're, and you're doing? I'm,

I'm doing, the, the, of the social, the chiefs of all. Guia? Guia, in the center of sciences.

Ah, in the center of sciences? The center of all the years. Ah, they present a person,

yeah, and the, yeah, I present all the years. That's the chief of all Oh,

you're the of all? Yeah. Oh, yeah, I don't know that I'm not

so you? Yes. Centro, how? What? Cents of Sciences there.

Central. Social. Yeah. And how you got that's a job, boy?

I'm sure that the deputy. Chief of deputado? Apputado. Apputado.

The general. Ah, okay. Yeah. It's in general. And there

they said, Hey, you want to work to work here, man, I'm going to

to do the buttons yeah, do the contugas in the Tijuana and I

do it all so that so that so that would be or what he'd be it

had been to be so other social yeah in the

Instagram Facebook Facebook no but that you would have

liked to be yeah every they would do To see her in the Calle

To see Yeah, I know But, but, but not you would have liked

to be doctor, bomber, policians Ah, yeah, yeah, so,

that would be able to transit? Trancito? Yeah. Oh, yeah. Why?

Why? Why? Why? For a person? Yeah, for a people and,

yeah, and he's just to pack the nana Oh, boy! You know?

And I'm chcha with the placa ablo. They're been said. You're going to.

How many. How many you have you have been, how many five years? Oh, ponietto.

And tito. Uythus. Y'ltice, cabrown to have been transit, way. And,

way. And apart of transit, what other things you would have liked to be, man?

De Coo Roja, of Pumbero. Ah, oh, to save a life. Yeah, so,

well, so back, well, to stop, people, to, to fire. to

to go to the Oh yeah, you know, I see much your content, way. I like,

how do you do you know, it's good, chill. I like, you know, when you visit you,

wait, yeah, yeah, yeah, yeah, yeah, yeah, yeah,

if, you, yeah, if you're a , if you're a bit of

yeah, I don't, I'm gonna go, how, how, how, how's the

what's what you've got got to get a one six hundred no, I mean a bit of little, no, I don't you know, I'm two dollars two million dollars yeah,

has to, right, how's, how you've got, here, I'm, to see me, to get the box,

Pa, to pay me, let's, let's, let's, present, you, do you,

to make, your mother, try to try, you're, you're gonna, that's, ma'clock, man,

do you, to be, a bit, a bit, try, money? Yeah. A bit.

A me, it's just pure a minute you're like Oh, yeah. A

see. How do? What's you know to do you in the chingada? A

see. A be. A bit, how many you try to you. To believe

to the cartel Oh, water my father. Look, the mochilita

is Ramon. A Oh, yeah, the verga. How's there How's there? Here, to be.

A be. How's? How's? A Bands 200. 200? What's the more?

That's $2,0. $2,0. $290? Yes. No, that's $2,000. No, that's, I've got in the box.

Ah, and it's, there's a roana. Yeah. There's roana. No, but you no cup to to go.

All you all you do you know, yeah, you know, the gerrador? The herradura?

What, what, what, you know, what? The tamalito. Tamalito? Yeah.

What more? And machaquita. Chilorio. Chilorito, and chiroolito. Trijolito. Oh,

for the Ray of Juliacana. A good. A good. Oh, man. Oh, yeah.

When, when you when you grow, Ramoncito? you of your you're the only that's the only that's the only

that's the syndrome of down no who's who's yeah no I don't I'm

how you now I don't have I don't I don't I'm that I'm that's Pettes

ah that no yeah who has Pettes oh the Pett oh Pett yes

Pett yes I'm that's the that's the that's the that's the that yeah

let me a let's let's see Oh, hello. Hello. Oh,

Ramoncito, then you you know you're not no. How are you now? Chulo,

beautiful. Chulo, so, yeah, we know that's chulo-emois, but how was

that's the syndrome of Down, way? What did you? The ch'o-emos here, I'm here,

but what did you? For what to be to take it? No. Yeah, I'm going to

to get them to the and the way, and it here, there. Oh,

that's that's that's that's so. Tell me my story,

Ramon. What's what? What's about? What? What's, your

husband and she went? To be? To be? Uh-huh. It's a mannedado?

Ah. But, but I'm I'm to ask you to me,

loco? Yeah, let me a story for how has been your way,

what has done? Oh, well, that Where you're in a kilo? Calmedon. Calmedon.

Why you've got to How did you? This? Oh, no, that's, what? Oh, two, eight kilos. How's,

you're, well, like, like, 80, 8, 30. 8, 180?

8, 130? Yeah. And, and you, and you, you're, and you,

and, why, for you, Who did you say, who were? No, no more to be in the to be in the gym. Ah,

not occupations to get to get to buy the pesas but, but not he said the doctor,

oh yeah, Ramoncito, you're pasted of the because you know, you're

to go to get to the gym, no, to get a a kilo? Yeah,

yeah, you, and what, what you do in the gym, puras? Pets. Pets.

No, do the commenadator? Yes, so, so, so, so, so, how do you do you

A two men, one of 60, ten minutes. 60 minutes? Yeah. One hour? One hour. What did the doctor, boy? Yeah, it's an hour. About about about about 15, 5 hours.

10 minutes. 10 minutes. And what more did you say the doctor? You take the best, and do you, to rest. And you're at best, and you're at least. You descans? And you're, but you said also that the food, you know.

The food that's not for a pachin. To eat a food is you can

eat do you not sure not you have to you have you

do you do you you have to eat you eat I'm

I'm I'm all to all to not you

don't do the and sometimes what is what is what

you more a car Camarociton. Cajito. Cammarrodo to palat. Camarone to palat.

Cajito and a chagito diache. Cajito, Cajito, Cobina. Oh, my. Oh, my. But I mean, me me said, on there, people that they'd have to get to get a doctor

because you had been engulfed much and occupied to do exercise and to get a diet a good. So, so, no mention, is that you can't you can't

eat what is that this way that's he's that he

he he he's he's not he does he who has who has

he he's he he he's he he's he

I'm he he's but but not he he's

he he I'm he's I'm I'm I'm how

the week, you have two? Yeah, one. You've got one, a minute he's, he's a

two days, two days. Two days. Two days. No, no, no, do you know,

a week. No, no, do you know, do you know, do you do do that's a day,

though, no, no, no, a day. Yeah, no, you know,

you're doing, so, if you're doing? Yeah. In the gymnasio, what you

to do? To all the abas and all? The, what? But they're pedulas? Panoshas?

Ah, parolas. Ah, the plebona? Yeah. The plebona, the prebona, but they're not in the gymnasio? Are you?

Oh! Is that right? Correct. That's true. Yeah, and the other, are so much. So,

are you bono. Yeah, the neta, Ramon. This plebe, loco, I've said much to go to the gym, we're going to

go to go. No, what I'm, what I'm, what I'm, what I'm, what I'm,

Teresa? A sinterisa? Yeah. Uy? Would it be a perlas, eh? Dehars he? Dehrele to be

some various interos in the loom. No, what's the lobo? In the

nalga. Ah, in a nalga? Yeah. You're to help you? I don't

do you. Pau! You can't you wett in the wett in the Pylas. Hey,

invite to pylas. Invit at Jim, whey? Invitalas to the gym gym. Alpes, this is the L'Equila.

Hey. Hey. What's the pina do you? And so one is the other people, tell you, Romo? No, that's a big, Ramon. See? And then, and then. And then, with the man, a nalgadona.

Yeah. For the lavina. With the tabla? Oh, boy. With the table? Yeah. With clav or or without clav? No.

No, well. Well, for that's Sienta, for the That's Sets Sets. And,

Dihal shud. They're to repair like a Besserro. Hey! Hey!

Hey! What, so? What, he's, the re of the Ruehakan?

The Ruelechand? Hey. Here is we're Lohlen. But what is the Sete?

Yeah. What's the did? What's the thing? What's the thing? Here's the

here. Here's the That's the barbed up a fire. You are the head, you're the chief, you're the chief of him? Yeah. What are you?

What's the... What's the... What's... What's... Two months without... No. Oh! Oh!

Oh! How? You're not you have paid, loco? This, we... Chinke!

He said, that's... He's... But... But... But... But... ...trabber...

...and... ...you... ...you... ...you... ... the week? The second. Hey.

Is Romance? Ah. Hey, Romer, pay, boy. Tell me with him with me telling me

You're You're the Yeah, Oh, Romon, but Dill him And what

You know, With What? How? How? With that He's the Who?

Who He does Who? No, but Who? Who? Who?

Who? Yeah. You to him? Yeah. You to him? Oh. How? Oh.

Let's see, guys. Amos, do you, Ramoncito? And, but they're And put a Perritte

and so I'm there's a perrito And then put you to get to

putt to get into over to go back into Oh, oh yeah if

if he does he do you don't what what what he's

what he he's Pager Romer Ah, you your carnal

yeah your carnal he Yeah. There's, why did you don't.

The pendeco, no, I don't do do you. Ah, you don't you're not to pay

to pay, right? Yeah. You know just you're the thing?

Yeah. Oh, well, it's a yeah. Yeah, well, yeah.

Oh, why not. I'm, I'm coming to come to come papa. No,

you've been here been here, loco. If you've been so, but why?

I'm I'm sent me to me. I'm because, I'm with you with you

to make you I'm you've seen you're in a time but I'm you're gonna you're gonna

you're that you were to come because not they'd you're gonna do you too yeah you're

yeah I'm gonna you're gonna you say Ramoncito you're gonna go to my podcast the other and me said

there's there yeah no no that's no that's yeah that's that's you

that's the that's the Pets that Pemezerererer's no Perel He was to

work with to work to work before you work for you not you don't you don't you

didn't you do you no no not say mammon I'm going he's going he's going

I'm saying so because I don't why not you're not you're in COVID

so your cuck you're that did oh yeah yeah was

for the mania your fundillo that so that's so

You know, You know, you You know, in the in the subcursal of the

Muebles? Yeah. Where did see you Y, yeah, yeah, that I'm

that's been for you had been to be, why don't they'd they'd they'd

be to get to cause was oh, yeah, no,

you know, and you? And, why not, because no, because no you, I'm,

you know, I'm, you're to come, you're, oh, p' I was, I think

I was, I'm a year that I'm gonna goretteeating 20, pa, vented, me said, no, that's,

that's he, and not you try it. Yeah, here we're here, we're doing, so,

yeah, you're your proper chief, and now you're, you know, yeah? Oh,

you know, I'm gonna back back, loco, yeah. Because the net, not is just,

you have to collaborate too, my, my man, or no? If you, if you,

if you're, what you're, what you have to do? Champion. You have to have to

have to have to yeah. A whewpo pa. Yeah. Oh yeah and that

sombrerito here? Here is, putto who? Who? Why?

No, ma, just a chalino. You're of chalino? Yeah. You know a song

of Chalino? A see. A-be. A-be- Chalino, that's that was

that the of the Justo. Pure sombrero a lotto. Ah! Yeah, yeah.

You're pure people are good. Vaya Zabado. Oh, chiquito

Hermoso. Oh, go. Besta the fundillo, me said, you know,

when you when you're, how you do you do? To do you to get to let's just to

but how? So, so, if, if, if, So you gotras and you go to the ball and you go to the

and go ahead. And how do you do you know, and so. But so, how you, how make the the hand?

So, with a with a or paper of the bathroom? In the ummeda? Toyita, ummeda?

Yeah. You like? Yeah. And you're and you're in? Yeah. Yeah. Well,

so, yeah. How you know, yeah? You know, the end up the right there's, you know,

the arm, there's the, oh, Oh, okay, and so Wye, and who's your who's the Tennis, who you did it? No, we're from

the city of Mexico Ah, the city of Mexico? I went to Papito. Ah. They got it in the Copa 2. Ah, you're given

there? Yeah. They got them. You, you, for example, when you when you do

a collaboration, how do you do? How's the I'm the I'm the I'm the you

you're doing you but you but you have to be able to do you or no

yeah you know you have to know you look I know

I know I know I know you don't you know the yeah

yeah so I'm so occupa but you're but you

do you want if you're in a good you're I've got to

get the money. I don't see, see. We know with them used to

them to get to get to get to get to get what? What have

you? You've a car? Do you what you have? Yeah. I've

bought a carriot Bogger. Yeah. What's a boyager? The of

my mom to I got to my mom to my mom. Yeah.

So, you know, so you know, you know, but you know, what's the past, pa? No.

You know or so? No. Oh, why he did you? No, here we're doing. No.

If you're doing. See? Manheh, yeah. Caros, cars, motors, all.

I've done it. If you let me do you, if you're to say, does that? Yeah.

Nah, to me to me that's me that no. Yes? Yes, yes, yes. Yeah.

Orita I'm going to to bring, and if you know does that, I'll do it, I'll enchoo. Oh, that verga? You know, you know,

I'm going to do. Oh, sir, I'm going. That's quadrimontos is, yeah, oh, yeah, with the button.

And here, and here, what's, Man, Frano. Here, here's Here,

here, here, the accelerator, the closh. Ah, yeah, and here, and the

in the foot? Ah, yeah, what, to be? But what is here? Pedal.

Pedal, for what? To fernar. To fernar. And in the other? Again. Your cullo. Here

go to the , way. Ah, so. The changes the, the other day, and the other

day, way, I was, I was, I was, watching the podcast with the bocabrava. You know how? Why did he's ennoxed?

You're gonna'all. You're, that's weird? Yeah. Why did you knowjard, we? No, I don't know. There's a,

woman. The, the toxic? Yeah. But what, what, what, I said,

what, in the video? And you said, well, you know, and you're, the poste of,

do tauties. Tortillas? Yeah, I said, Caterina. And cheese, and gillitos. But why

you know that you said the ascentos pendejo that you did? No,

those are food food. Yeah, but he said the the ascentos

of the car and that you're well. Oh, for food.

But he was he was bad? Yeah. And what? You don't you?

You're didn't get a cat about, boy? Yeah. Yeah.

You're going to That's You're Five You know You're You're Now,

right? Right, I'm How's two? Two, two? There's

Bapodonas The Blevona A Blevna Ah Ah Yeah I'm

If you I'm gonna Let's I'm gonna One To be one To be Yeah

Yeah Yeah Yeah Go back Oh, oh What's the other? Oh, no, no, that you know in the Boazzo.

Hey, he'll say a little bit. A bit. Ah. A bit. That's a bit. That's right. That's a certain. Let's get in some pre-a.

A bit. But, but you just you got it the cichos. Oh, yeah, yeah. Another, loco. It has to be, Cira. There's a sira. There's a lot. Oh, okay.

Oh, good. Oh, good. You're You're trying A la What we To have A chaparri

A la chaparita Yeah But yeah I did A job Yeah I did Yeah

Yeah Oh, Oh, Oh, There's There There's There

There's There Oh Oh Oh Oh And I'm

You I Can't Gere I Don't Yeah No

man That That That's That Yeah No Because

You No Well, you know, you don't have two, three? No, I don't have anything. I'm not. I'm not. But are two? Yeah.

There's, because I have two? A one, mom. Oh, yeah, Ramon. You'd like to have kids to you? Yeah, one. One? A, a... A, a...

Aena? Niña. Yeah. Yeah. Yeah. Why? Why? No, ma'am, because I have

a good to be able to do you? To stand to do you? Yes. Yes, you, would you,

do you? Why? No, with them, so, to get a BB. Give me

and pay meby. Peech And, how? And how would you? Yeah,

so, and so. And what would be, me? A-l-le-le- -a-le-a-c-c-c-c-c-c-c-a. Ah,

Carinito, Bada. What? Yeah. What beautiful is that's the Papa Bah,

boy yeah for a yeah yeah question me ask me

ask me yeah yeah and you what you do you do you do you're

going to go yeah what's okay what do you do you

we we we have we we have we we're we're

so our podcasts and your your casoles my

Calzones. Cases. Ah, cancions. We do. We're doing we. The television

Wences. Presidents Wedd that the music? Ah, the Alvels

Sauta. A Belsa Sueta. This Bato wait, is the podcast with

him, boy, let me say that Vendka Vennie D' Dill,

tell you to the camera Dill, tell you, let's the Pils, let's the PIL,

loo! And we go to the Pocas a Lulness the the Carso Studio

Kingdom. Kingdom Studio. The Diccord. I'm the dwego. I'm the dwego. There's a new-mast. There's no more for the coca. For the coca of Peres.

Now I'm the who I'm the I'm going to. I'm Monsai. I'm the billetty and I'm the I'm the money. I'm the billette. I'mando Perel, I'm Morgh,

the Perel is your workado. Yeah. Or no, my Perel. What I'm? What's the Arbura? Ah. There no more,

for that you can't, the iguana. Ah. Uh-huh. A-huh. A-huh. A-huh. Let's get the pancita, pa.

A-be. A-be, truan, or no? A-be, let's, a bit, a bit,

a bit, a bit a instrument, and you let's play, no? Okay, Pa, Poh,

Sa'ara Papi-Pi-Pi-Po-Po-Poro So, Oh, kakakwakwak, no, paro. Papparro, po, pop, po. Pao pop, pop, pop, pop, pop, pop, pop. Popp, pop, pop, pop. Oh, my, fuck, pa, pa, pa.

Oh, my God. The car car. Ah. No, you know, do you know, way. The song, well? The song, so. Hey.

What is he wants to? Well, he'll be. The car. A bit. A bitter one. All. That's the case I was

The cost of That's 1 That's 1 Ha ha ha Ha ha You You know Yeah

Of the group What? The group Theur Arraceado Arrigegated No has He's

No, he In your podcast Yeah Yeah It's Yeah

So, Invita Woye Invitae Invitlele Wai Hey! Hey!

You see A Puck at And so you And so you Yeah I'd like Ramon, way? What? What?

What I'd say, how you like the girls? A morras? Yeah. How? Good. Good. What?

What? What? What? What? Perronas? Perronas. Yeah. Ah, the plebona?

But how you do you ? Chaparita, salas? that's, papa. Chaparra. Morena? Morena? What?

What? Yeah. It has... Ah, shitito. What more? Nalgoncita? The legatita? Delgadita?

Delgatita. Naguona? Chachota? Chechota? Ah? A part of Augusta. With what? A certain paralana.

With palanca. With palanca? With palanca. With palanca? Yes. But these plebona, no, they're? Ah, no! You

do you? You know? No. No? No. But, if you have to take a

with a palanca? The parake, I don't have got a never, you've got one? No.

No. The pardons so, I'd want to be with her. How? The restaurant

is, so? With the plemona so? Yeah. You'd would be? Yeah.

Oh, boy, that's Mancito, I, I know that you know, that you

do you do you do you do you water fresh my father Yeah

I'm Ferres has you the Camaron that's that's

that's there is there there's there there there

there okay okay What's doing? He's with us? He's a He's a bando for me, he?

He was the show of comedy. Yeah, you're going to be at your studio and all tell the people that you

do you see the new project here we're on the clip, vented from YouTube. D'le to

who you have to contract Romo? Yeah. The old, the old, the big. The big,

Bocoraba. with you with you. Awah fresh. You're gonna in your studio well, Bocabrava. Oh, yeah,

rona, we. You're gonna get to back to Ramon. Yeah, boy. She's gonna

be, I'm gonna invite to to grab with him? Yeah? Or no? Yeah? That's

a point, well, let me get me with us with us no, no,

a me you're gonna to play the verga because? Because I have my company,

pa? It's it's your? A, who's my ? Oh. You know, I'll

You know, You know, You know, You know, You know, five millions of dollars Echomelo Oh,

whey! Echamel and Icheap to go to the house And there's He's, Oh, If you

If you're, If you're Toh. You know, You're not You're going To be You're

here to studio The car Kikikikor The Kintr Oh, Oh, Hey, If you're

to give to them Also, let mevona, add other three million

of dollars. Let's do me the Dinerd. You'll take it. Oh, yeah, virga. Oh, yeah. How do you have in the bank, you, look.

My dollars? Ah, a minute. Yeah. And you, pardon? The bank of me. To the people,

you're going to say. Look, to be a 60 pujada. You're going to spell the year. Here I have I to go to be a man. Here,

so you have to be. Here, so you. Oh. Oh, yeah, the box. Ah, the I'm gonna' you're gonna

say, I'm gonna say, I'm gonna say, yeah, hey, hey, hey, hey, hey, hey, to be it,

yeah, cut her, yeah, a, puro pantalone beho a quintarra? You're gonna, wait?

Yeah, for that's, yeah, yeah, so I'm gonna be, oh, ha, ha,

you know, you, you know, a, so I'm, so I'm, so I'm, With the balls.

How many balls have? Four. You're an extraterrestrial? What, you know? No. You're going to have four balls? Yes. Here.

No, sir. In the barbilla. In the barbilla. No, here. No. Never, you have got those the men? No.

I like the women. I like, how is the name? How? How? How? You're the pedon. The plebona. Hey, oh yeah,

Hey. Hey. Hey. Hey. Well, I'm going to go to go to me. At Kingdome Studio. The King, Do you? You're going to go to me?

You're going to go. You're going to get it? No, I don't want to. Look, p. It's a palate. No. You, cullo? No, with this chinko cull.

He? Eh? Hey. Hey. It was a setter to and he, p'allo. Who? Who's the

Pesnes? The Perel? Ah, what? Ah, Perel? Oh, man, What I'm a man, no? All the videos that you, don't you? No, they're a pettico.

No, you? Ah, you? Ah, you? The Pes. Perel, Tere. A-Bere. A-Bere, Tere. A-Ber.

What is? The phone? What is? The videos that you? A-be- Oh, let me say, no,

no! If you have video. Ah. No, no, don't let's me

see, I'm looking, no, no, no, no, no,

don't, but, because they want to , way, this? Yeah.

See? No, no. No, no. Ah, yeah, it's conversation

that, that's a roboa, oh, the morrita, my co. Oh, no.

Mandale a salud, but we'll have to be. To the chaparrieta. Chapparita. Oh, no, ma, for the coca, my app. Ah, oh,

how you like to cut the hair, Ramon? Here. But who you can't do you? Here.

She's a one prema. A. A. A. Apart, to paint. And paint.

Pinta. And paint. Pinta. A bit. See? See? See? Oh,

if you can't. Well, no? You can't Samon, you're good Yeah And this

Amble Yeah, So, I'm So, Yeah, For a Right

And it's Descal to be And this And this I'm And this What

Taya You Wrener Wend? Yeah Palliera Yeah You

Uh You're Some XXL 3XL Yeah Yeah Oh,

Oh, my if you And and And Pantol And

Five 555L. 555L? Yeah. Your fundillo. Echomelo. Ah, beautiful.

What size of pantalone is? Like, how many your pantalone? Forty- 44?

34. You take me and you and set me a pangito. You're very grosser Ramoncito

to do you. No. No. No. You know? You know. You know? Me, he said, Compa Jorni,

he's he said, he's, I'm I'm going to, I'm, I'm, I'm, I'm, and that's he's not,

and that's a groseer, no, no, no, just, he's, he, and he's,

he, he's, no, no, no, no, no, no,

he doesn't, no, no, no, Oh, Ramon, know, you know, I'm gonna

I'm sure I'm sure by how you know, so you don't know, the people,

the people I'm sure. Yeah, I know. What do you do you to say to the man?

That you see to all the channel. That, that's great thanks. Yeah? Because,

here we're here's a here's, here's, here's the gathers in the YouTube.

How is your channel of YouTube? The YouTube is the boycito Ruehagat Ramoncito And in Instagram

On the YouTube No, in Instagram Ah, how is Instagram Emoncita Ambulikar The Ramoncito

The Ramoncito, The Reyes of Culecano Yeah No, Ramoncito is of Culecano Oh, I, you I'm,

I'm, I'm, I'm, I'm a chingado I'm I'm Let me Let me

Let's Okay A A A A be, How is the Pead

Here, how is the Pead How is the ped? Ramoncito The Culeyana Wye Here,

Here's Here, Ramboncito, The people Preet And I'm Quentin Macheno

Let me Dishmelo Dice Dice What's How do you You know To get

to go to the way. Well, as you do you do you say, how do you

do you have to do you have a yeah? No, you know, you're going to

do you're yeah, why, did you say, oh, a month, the days,

I'm, and what did you in the ban, I don't know to be back there,

you, you're, you, at what, to do you, at what, at the time? At three?

Three. At the morning? The, of the morning. Yeah. How. How's

you do you in the day, boy? No, five days. What? Five hours? Yeah.

Or five days? O'clock. Eight hours? Eight hours. O'clock. Yeah. And, and

never you've to have to go, to a, a, a, a, a,

where, a, yeah. Ah, how you've done there? Machin. How,

how do you do you do? How much a massage, Tunes of the wosos and the cures

and the crue You're trying to Yeah, it's Yeah, That's Chiloh, man, that's chill

so that so that's So, see, see, So, see, So,

so, so the busch, the bushi, and that's the guinea, that's the way,

so, that's, to, a, yeah, you, to have, to get to

a garr, the garrs, the garrs, I, garr the gus, puma, that's like, and there's

and you're and to call in the rancho oh no more oh yeah he's he says here

the race and who's who is your hero says herbes

your who is your hero who is your I'm with all the provas

no your your your the person that you admire much, to who? To all the plebees.

To all the plebe of the Kingdom? Yeah. Yes. If they're working with you? Yes, she, machin. You like the women, did it, here? No,

almost no. How? Cache no. Homs and no. I mean, not do you're not. Mokeres, yes. And women, no. And men, no.

No, no. Never you've seen a man No Well Dice Okay, why

she's not in Akaya Yeah, yeah That's the Peere That's the Pairn

Wye Howe That's the Pair That's the Yeah There's a There

You You know You know You know Why? Why? If you You're

If you Yeah If you're It's a Yeah Telaus And the I don't know

to call it to Paul But you know You want to be there? A-becki Yeah, I like I like I'm going to do you

and do make to come to with them And I'm I'm going I'm back with a

man I'm Okay But, but you're because you don't because

you did you did you did you do you do you do you're

doing the business doing the doing the doing the Tell the people, way, that's the potho, that you

you know, that's it, that's here we're doing to do a studio of, the lavation. The lavation. You're going to have your own.

Felicides, loco. And, way. How's the plebada there? Machin. You're going to be machin'a?

Yeah, machin. How's it? The studio? How's the studio, Pire? King. Kingdom. Kingdom Studio.

The new studio? The new studio. The new studio. The new studio. The new company, Ramoncito. Hey. Oh, no more, I guess.

Yeah. Because he's the Reign. Yes. You're the reigned, you know. And you're the reigned, and you? The sillon?

Yeah. You? Yeah. You know? This silloncito, whey. Those I'm with a

senior, way. How do you think that they cost them? Yeah. How? How? How?

How? Quereone. For, way, for the two sillicic. Oh, that's,

barato, but I bought one. Yeah. Yeah. Has, how, two years, yeah, well? Yeah, okay. But one's a chulada, the sillicil. Yeah, is it, you like?

Yeah. Do you? Yeah, it's, okay. D'emned, $10,000 for them? That's $1,000. And I'm going to do with, and I just to go to the money. Oh, and then, still you? Oh, pop, po.

You? You're all? You, but what's, you know? Yeah, but what's there? I'm going to do. Oh. Well He's

He's He has He has He has He has Yeah, It's It's

It's He's It's It's Yeah But But to But you

Can't But You can't But Do you? Yeah To To be

To be To be You let's You can't, so the panza? A little To be to becky

But, but you have sated or you have sated? Sented Yeah Why sent out?

No, no matter very most I'm a most I'm just more

me have sated than Yeah, yeah, I'm to look, see,

every every How can how you do you? No, three times

three three times every three yeah? Okay. So,

the one to has, doesn't, I don't, I don't I don't I don't

do you Yeah, no No, no Well, tell you don't I don't

I don't I'm so, so and if and if pick them I'm

you're, you're Belief? Well, yeah, To what age you

did you at the virginity? At my my life, I'm like

with them to go to your first apuchada a puchada at what

years I'm I'm I'm I'm 24 January on January

yeah cumples years and and in your birthday did

you did you did so how so how About 24th of Nenero

How's How much How many? I think Five days Five days Yeah Oh, well

So, Yeah, So, Yeah, So, Arriba The Chikas Mala

What are That's not That's 4 The Carta Yeah What is Yeah,

What I'm Oh, you know, like with her. So, you know, to dance with her. Ah, if you're going to. Yeah. Jerga. With what's Papas

do a cold? Well, because with a cold. It's good. They're good. They're doing. The woman? But, but with what

papas so can't do a cald? Papes? Yeah. The papas do a chint, much, much,

much, but how? How's, how's, you're, you're, ten? 10,

ten papita? Yeah. What is so great, to be? Ah, yeah. To my, oh, you, well, you, well, you, you're gonna be for all the colony,

we? Yeah. You know, you're, you know, and you like to, do you?

Yeah, so, yeah. Yeah. So, or not? Yeah. Yeah.

Yeah. To me, you know, you know, you know, that's a, yeah. Yeah.

If you'd like to give you? A machi. You'd like, yeah? Yeah. That would did it.

Yeah. Uh, yeah. You? Yeah. You? Yeah. No,

it's no, man. You do you know, I'm sure? No,

no. Oh, well. Dice Yeah, you know, I've been check out of

the salo. How is check the saldo? The saldo that's the lotso.

In the Othso? Yeah. There a minute saldo. And to you, never you've

never checked out? No, no, no, has checked out. Dice the Bocabrava, wei, that checker

the saldo to checker the old, that's acy. Ah, ha. Oh. If you

you've been checked? No. You'd like to check in the salo? No. No.

I'd no. I'm not. No, we're gonna let's do you ramo, no.

No, do you. No. Acuctor, sir. A-sire. A-sustus. So,

Acoust? You, you, you, dovette to say, Papa. Uh-huh.

And do you're a while like, so, well, so, you,

you're to relaxate to the real, yeah, I'm to say, well,

imagine, man, imagine, pa. You, you're to, you're gonna

get, we're in confidence, pa. Yeah, well, frereca, man,

we're, we're, we're, we're, we're, we're, we're, we're,

we, you, you, I'll tell you a story. The bad. We're going to be able to be. Imagineate that we're in a place.

In a play. In a play, very much. And in the play, in that of the 3 of the day, you know,

but it's doing a lot of, and in one of that, way, they're, they're, they're in

some of them and they're saying, honey, Tammonsito, here they're We bring me in a Cervicita for that

to take a a rattitre with us but to you do a you know to do you and you start to get in the

arena, in the arena very at gusto to be a good to be a good

and I'm I'm a man I'm a I'm a am very very I'm getting out of

the gymasio and I'm go to get to get to do I'm

so I'm so So, Arre, well, if you get dormit you,

you know, you're you're to get us to be and you're and you're and you're

and I'm keep talking with the mora with the friends to be about

so so, so so because Ramoncito started to start a

project new in dom studio where you go to be he

was to So, the morris He liked One of her She was Yeah, but Yeah,

He got And you And he's To start To caris And then Uh, Oh,

Uh, And you Duh, Dormidito, So, Like, Like, Like,

Like, And the Morgreite to And the And you And you You,

you, And you You know, And you And, Uh, Uh, And,

Um, Let's get The Blotetet The Let's Let's go. Let's get it.

Let's get it. So, and you, you, you're, you're, you're, like, and you're, you're,

massaging the pancy like, good. Oh, my. That's chula. A good. And you and you,

and you can't, you say, my mom, how you're I, I'm, I'm,

I'm, I love I'm I'm I'm and make you that he

love I'm Agust Ramoncito Ramancyto the morrita suband the panza

and in one of that starts to roncats that chula the morra you

see she's me neighing the pancy that you get a back because

you're well And the morris to say Mancito oh I want to

go to let me to give the way no no I said

I'm so let me take to go to go and

and they're and the morra says Ramonc so

that how so beautiful is that how good

to to be a good to start Ramoncita with a morrit and the world well. Very relaxed. He'll

make a a swineito and nobody no way. Dando the way and to start

to be talking the pancita the mom so Ramonciss that that's very

very relaxed very very so much to have to do

a moro you say the moro has to do don't can say I don't know. Nobody's

no matter. You see sobando the pancito of my mother. See, Ramoncito, ooh. That nobody mollette. Oh, no, ma'am. Roncando,

oh, so chula. That nobody the manor that's a man, because he's a dormitit. That no

nobody. We're going to do a romew a rachto, and Ramanciito, because the girls are not going to the pancita. That's chula. That's shulada,

yeah, man. Descanzance, Ramoncito. You know, is what the way of a life of a head.

No, no, for the man, for the man, not for the don't molest.

No, they'll be do not. Let's get do not. That's that they No, that's

That's a motor. That's good in the motor area. No. No. Menter me. Mets the mother. No. You know,

there's a man. Like a kid. You're all the . No. I was. No. I was dormit, you,

you're, you're, No. No. No. No? No. No.

No, a little. No, it's a little. You'll be a little. There's, okay. And why, why, so, like, like, I'm,

so, and you're going to be there. And there. There, you're, Yeah. Yeah. Yeah.

If? Yes. You, you? Yes. How many time you've got two hours? Two hours. Two hours? Well, you know, a little.

You want to do more? No, it's all right. Here, there's no, but... Here no, I'm a pedd, pa. I'm the do we're the duke. No, it's all right, it's... No, it's a little bit. Yeah.

Yeah, well, he's... Yeah. Yeah. Tranquilito, yeah. Agu. Oh. Yeah? Yeah.

The time... What? What? He does a rizza? Yeah. Why? I... Ah!

Ah, and... A... A... What you want? What do you? What do you? What is? What?

What? What? What? What? What do you? What do you? What is? What's...

What's... Choochee? I go. Pizzas. Does it get to do you have a diet? If you're a diet, Ramoncito? Pockito. How's a little, a little?

A pookie, a little. You're going to do. No, papa, my good, to relax. What's my good? Oh, good. Hey. Oh, no man. Yeah.

There's a chinkazzo. There's a channel. In YouTube, I'm a good. The Gould's a lot. Bye. The Ramoncito of him? The Uregal. Oh no.

Okay, no. Okay. Okay. All right. Okay.