LOS MAFIA PODCAST ⭐️ - Ramoncito le picha una Cariñosa a él Carnisa Asada

Episode Date: September 6, 2024

Ramoncito le picha una Cariñosa a él Carnisa Asada

Let me go on our Riki, Plevada, with this new new chapter of his Amigos of the Mafia. Today we're going to be show Plevada. Disrudent this episode, because it's going to be epic. We'll be many cars and

many, many forms of, because we're, we're having invited specials the day of today to be. We're going to receive with a great applause

to my compa Ramoncito. Yeah! Yeah, yeah, yeah. Aya, a yeah. Oh, yeah. Oh, my, boy. Oh, my, verga.

Hey. Hey, Man, a polon, a jubete. Present it, Ramon. Present me,

Ramon. Let, pass. Passle, pass it, that. Gole. Gole.

Ah, yeah, a, a ya, yeah. Sitete me, I go to the Talachi, to be the tarasnees. A-ya, I'll be there, I can't. Hello, hello to the Gleana.

Welcome to Pavilion, Nave. Where is your post, Christmas? Hey, you want to beza the Ramoncito, Karnita? No. No. A bit more, a little bit. A bit, a bit. A bit, a bit.

A be a bit. A bit. That. That's a. That's! We have I'm a man We're

We're Ramoncito Present to this verga Toe But present But present him

We're invited To invite to Al The The girl The girl The The Gondon

The Gordo The Gordo The Gondon Ea Yeah Yeah Aplodle Prenticini

That That's That That's That That Aia Aia Aia

Aia Aya Aya Aya Aya Aya Aia E E E E E Hey, Franchicini, Ramocito and Pelon,

how are you? Ramon. Thank you, thank you. Thank you. And the palon. Franchicini is more

a little a night, he's put a malo. Ah, you're talking about to say. Yeah. What's the

what you? What's the tour? And that's you do? For per die. What's the what?

What's the past Oh, oh yeah. The calentura in the 38 is a very or in a medium.

It started I'm going to the carol and we're in the event and the of the event and the person

he said, what you're saying the baio? No. Cheree no me said and my my

man, he was to get back and we're going to get us to get to go to

go to go to and get to and get to get to get to you and thanks to

you're he's recovered loco but so it was Poor-sito.

Oh, that's me makes more flacco, wui. It's that three days. Like,

now he's like that and sure, for the moment and eat and sourri oh yeah, when I did

know that he's he's got to get a and he got to a trotreo. What's

what? What's the purse? He wants to get the pulserra and you didn't

put it? Oh, let me let's let me let me happen to be a problem

for this. No, no, no, a pedo. A good. A good. A good. A good. A good

A good A saludo for the erratura. Oh, so, then, what, what's, what's,

when this guy, he's there in your house? That's, I don't come. Ah,

no, in your house, in your house, no, in the case, no,

the person. What's the man? But, but what? The food that's your mom

what comes? govos with tomato and and some some of friolito and cilantro etc etc oh yeah

you know you know that's about because many people it's like the dentaddle of that other yeah it has I never seen

no is that it has got it so oh loco because he has why it has got it got it's got

pass there's a worded. A me it's like that's to be able to a not the

doesn't know no, no, it's the what I'm the way of the way oh,

the Ramoncito ira-ir- and then I'm a bitcho a man, that's

I'm a man, yeah, to her to get a to the way,

me, I'm gonna get you, me, I'm gonna get a lot to that's a oh,

oh, oh, oh, how, how, how, how you, how,

how you, how, is the peor, Ramon? Let's have this one the co-cuhnastown. Ah. See? Look,

look to back to get it for me. Oh, I'm that's... We're gonna one? Well,

we're gonna. And we're... I'm gonna do. I'm... I'm gonna go. Oh, oh, boy,

I don't know. The kid is a little, no, no, oh, the boy. Oh, the boy.

Hey, Ramoncito, a-pock, do you, Pinchas a manorra a man. I've been a bitched

a mrs. Yeah, a bit more This is a woman Cabron. And the Diner,

where? Dinero Where? Here. I'm here. I'm here. A-be. How?

The way. A, the, the, uh, that's, yeah. That's fresh.

Yeah. Oh, yeah. So, this, when you when you do it

when you are different parts of locales to come. Or, to eat to to eat

to eat, to eat. The page of me is of the food, more than the good. The good is the garrisonal to the gregniz to the gregn't

the whole. He's much is the food. For the this, this, this, this,

this, abel macea, he'll come much. Come much. And this. This, you know, you, do you,

do you, it, he's a lot of, you're a lot of a lot of, there's a ton of eating, come, oh,

when he's a maceado. It's much? Hey, is food sanna, food, a food, food,

you did this, verga, the guy that's all the emasciado. Yes. Pure a cochinero

coo. Coneyriller to the carl no. There's a man who get a

man. What we do you get in the morning? What are in the morning? What are going to

get to COVID? What? What? He's going to get to this? This.

This is. All right. All right. Oh, so. Oh, so. So,

so, so it's so he's to do do you? All the emasial

do this. He comes what he wants. No, sir. I don't want to give him to eat I. Now we've got to go into the environment to eat in China. Ah, what I mean to eat in the man, to eat in a carolier. Oh, he's been invited to a cuner. Hey, he, Frankicittin, you, he's

me, pa, this is his wife. Ah. He's, he's, he's. He's, he's, he's. He's going to get to do it. Ah, you want to to give him to him. Oh, hey, oh, oh, yeah, ponte berg. Here you're, you're taking a Caged, Don't you know, Ramoncito? No, this is the time we're going to be to come to all the other parts.

No, I don't go. You don't have. You know, I'm not going. We have three days. We have to do. Three days with you. No, sir. It's the truth.

You're the last year, Ramon. Oh, three days. We got to come. A year at the house of me. One, chilada. Enchilad. What I'm, you? Chil me, co.

Chil and colorado. But why? Why? Chil and a gronucito. Oh. Hey, hey. Oh, and this is the mercilion,

come. Also, also come machina, the little. In the street? In the call. And you,

what's the house? In the car. In the car. Mentiroso. I have the videos there's there Ramoncito

he came with us. But here they're coming in your house, come to me, and come

to me. And with me to come here. You can't three days? It's a man. Trioosos

the Ramoncito. Oh, I don't we eat I'm gonna grab out I'm gonna like you're gonna get get a good I'm gonna get

with a catamara with a carol That mother Hey, Hey, hey, A-Ben We're gonna wait a

Wait a minute We're gonna Let's get us In the raddura In today Cascaria With Chitia With Chitia

Antier What was Antier Niro The Rada Dessian Deraera deus Degu Cromina What we came

What and Cena And dinner Carned asada. Ah, the carnageada? There's that. Yeah, yeah, in the lot. Carnasada? Oh, I was, I'm desocupe

of tarden. There's time. You, Ramosito. Three days you have, from us from us. To be, what's the bird?

What's the, what's? To be it? And if you're, or not he? He says, if he's. If he's,

he's, so ma'amacend of the man. Oh, oh, aye, what's the what's? You're anojado?

Hello, how's that? What's the like a like to see you he's after

after of time after without of you know, how you know,

I know I'm that's a me that I'm that and that is very

very so I am I am I am I'm getting to

my oh my my my my those you don't

you don't you don't you don't I'm all the terns

to the Quintal where the suns the sun we're pastime A be, Sientate you

Can't it. He can't well, right we're right we're We're gonna we're gonna

and we're gonna and he and he's carro can't with with Sergio Vega and Ramon Vega and three purrs

right right cancian of the GAR Awfresca my pan The one that you'll be to sing

this man to A-air what can't What can't you can't you a song

you know that's not that is there not that's these are the mannittas

that can't the ray David today for your

day of your santa a car a cris a

a carmionette a ohie franikini way if you're

to get to a studio to grab a roll? Yeah, I can't with the

north. No, no, in the studio, a roll official. If you do you do you

do it, do you get a lot. That's, that we put our studio, audio,

and, and I know, water, I'm a lot of that's that's a

fancy. That's a man, that's a little, so, because he don't know

because you said, Pedro, that good to That That song

If you're That's You know, You know, You know, You know, You know, A little

A bit more Yeah, And if we're I'm a I'm in that's You can't

Do you That's a And I'm How does? Well, I'm gonna Yeah, Yeah,

yeah, But Ramoncito does that Campte Gris with Frachini Oh,

so you You're Yeah, Yeah, yeah And you What do You?

A man You A carmionette Gris with placas of California I got I'm in

a Yeah, oh yeah Wait, is that can't much, because we're

going to do this copyright No, is that does the voice like

very very very Yeah, man oh. Oh, you,

wellon. So, well, then, way, I'm I have a way, the Franchikini,

talking clear, this way suffer of attacks, did you know, he does that the attack of the pleases

and I got to take the pastia. Now that went and I went and was for him for the

he's, he's, he's a man, and he was a man, I'm a thing,

I'm a lot of, I'm got and medications. Okay. We've came from

this, we came to, we came to here, we're to Kliakar and

And he started with Maro of the panza, no? And after I was in saying nothing, we came to the event. We came to the event of the Camarone and we were in the event and the event. And he said, to be in the ban on, no, no. And then the little bit, he was

going to go back. Righteous, well, you know, today's another, and now another, and another, again to the morociles, all of us. All right, so we're going to do we go ahead and continue with that. I don't know. I said to the ban on, way. real,

that they are that they're like that's that's for that for that

for a man yeah, yeah I'm there's there's yeah

before an night antono we went on there there

there's there said he said he said I said I'm pretty

and I'm put an way I go on the car dude did the car

way I'm you know you're you're you're you're up of the Uber,

we. Thanks a of the Uber of Camara. As you a lot of a lot of to do you

to get a car, to get to be the room, and then the show, to be in the

so much, so it's not more the panza so it did it did it after the

back, we, we, we, the sombrero. D-ombrero. Dill, do you,

he, he's in the back in the way, and stah there's stover way. There's a

Stomberererer. Who can want to do you, loo? And in the night... A be, prestasel, Ramoncito? Oh, yeah, Papa?

Is it chill or not? In the night, we, get to go to the other, boy, to pay it up for the other, boy, to do you? And I don't see to dream. It's all the focus on the other, boy. Tonto you? Look, go. Ah, let's go to buy the other. Oh, he'll go to the other?

Yeah, the little bit of a car. The little... Oh, Ramoncito, you want to make a machin'uio, way? There is a car. There's a car. There's a little mucillo. Be, the Cabo Blasio. And I was there, way.

Ayer, what? Yeah, you were in Hermosillo, when did Marmosecini, yeah, and they were there? But when, it's much?

Has it? Ah, yeah, yeah, I'm just, yeah, I'm just, yeah, I'm gonna say,

and then after the other again, go to the man, oh, we're gonna comeosito,

well? To beck- Cobra- Cobra-N? Machil? You're a, man? You're your

friend? No, no. No, no. I'm, man. What chilo, loco,

that's chill over this. You know, that's it. A bit in the cachetiton. Ah, neen, my little. Oh, yeah, my boy, I'm going to say something about this,

no? Any person, would, would, would, would, would say, other thing,

but what they're both, there's much, there's much, there's a, yeah, you know, you,

Frankicini, do you want to, uh, if, if, if, if, I,

What? And you, for hoho. No, Fraschini, why you're the net, for what? Yeah.

No, because it's a figure that one of the bario. A who? A panfilo

of the day. Why he said the other? Because I don't know I'm sorry to know, I'm sorry.

Oh, if you Yeah, Ramosito he's really He's really He's gonna Yeah, He's got

Yeah, he He knows that there's much Chica Yeah, but I'm gonna With a With a music Mala

Salli No, well Yeah, well, you know Ramoncito that he'll Pitch a morra? Oh,

What do Natch? Yeah, The night At night, at night, at night, K. How?

What? What? What? What? What? The, did, Oh,

Grabed in the Cucinia That's What did That's What did you? What did you Did you?

What did you Did you? I'm gonna Let's get it And then No, ha ha ha ha Oh, Oh,

you know You're good to come But what What's What's gonna Coochi? Passen

Passen- Passen- Passen-le Pass'le Let's We're Grabando We're

What's What's we're going to be. We're going to be here. Scarlett. Here you know, here. Right.

We're going to let me. Relagent the cull a little a rata. You know, where you? Where are you?

The Monterey. Yeah, well, it's a Montarrey. And there is a cold too. Seco.

Like, as a monocchio, like a homocied very similar. Ah, the net I prefer that color,

way. I'm too. Because what's going to? That's nice. It's a nice to be able to a arborito. It's fecque, but a gusto, but a sumra-bun.

Oh, yeah. So, then you're saying, wait-en-se, Ramoncito and Franchicini, here this pelon is taking a-flot to the Franchicini, well.

There was a error my. I don't see. I didn't want. I piqued all the foe of the fourth. And me

I was a pester. Well, never supposed where I was there no way I'm not. I'm not. And some

things that many people don't see the count, many people say, Ah,

you, you know, you know, you know, I'm going to you know about the time about,

I'm doing, I'm in my time, I'm doing it to the mother, here's the here's in the

money, here's, you know, yeah, every every month, and when he'll

get his money, it's for him, he'll get his money, or no,

you know, he'd get a little he's, nobody, he's a he's very intubuush.

Because, a be, Franchichin, Oh, is certain, when when you got one to the mariscus He said, he's a

barra and you emboldated in the feria, loco? No, you don't let's you know, you've paid

then. Of the, what? What? What's the way? What's the yucas?

But, but why you guys so far as so? You know, we're just you?

Well, if you're a bit, oh, get to the camas. You're with a catio.

There's a there was another, Friggott, you got to I was a sholo, eh. Yeah, is she's the he knows.

It was a chola. Crazy boy. Ah. A bit. A bit, you know. A bit, let's go

to my, let's go ahead. Oh, my, oh, my, oh, my,

Rocky, Balboa, a verga. Oh, so, he got, yeah, ah,

man, he put a he did a play, and we did a, in Pazca, in Pazca,

my comp comp, the Wico, the that he has, the four of Cawork and Farish

We did we do. We did we do to train. We did, we did the retas and all the show and the show. And so it was made a play. Not more

than two days before the play they've got a shing of the Wicco in that way because he didn't want to

how did you did that how many? Oh, one no more. One one, one,

one. One, no more. So I'm just you're laughing. And you wanted to let him to get more.

But the Wickele had me pegoed a two days before you didn't nah the shinger, they said, hey, don't know that's

a fruhrin' a guy, he got her in the man, he's got him, I'm saying, I'm saying, he's,

he, to, he's, he, he, he's, he, he,

don't, you know, you know, to get a time, they're not, oh, they're good,

they're not, they're good, so, to be the to who? Who's the name? Who's the name?

Who's the name? Oh, Oh, beautiful. Yeah, I'm trying that the woman is

Ramon. No, a little of us a man. Ah, oh, no,

don't they don't they don't they're in the bad words. Hey, you know any bad

words. He doesn't bad words. This no. You he has no,

he's not he says. If you he says, man no say, so he's not he said,

we say, we'd say we'd No, no, no, I'm not, no, I'm too much of that. I'm really sure of that. I'm very respectful of him. He's very respectful,

he. He's not saying bad words. Oh, yeah, Franchicini, way, then what we're, so what we're doing?

Pa, pa. Why? Why? Because you're not serious? Because, that you're,

that you're not, you know, but you're, no, you know, to take a medication, you have a album in the head.

You have a, a bulule here in the A He has a He has a He has a He takes He takes a

Cormacepina for the attacks of epilepsy So I have To be Pemned No, I'm To get

somebody Because if I'm Pekin' I'm to go to wherever And I'm

That's He'll be That's He's That's Yeah, ultimately Yeah,

I'm gonna get back Atteleps Yeah, I'm Yeah, I'm gonna Suell

And I'm here in the area No, you know here here, no more.

This He's me a car. When I had nine years. When I had the baby. Ah, yeah, you know, you

told us the story that you chocast? Then, this... Oh, I was chocked? They were They were the first accident that I was,

that's. That you were you? Yeah. Oh, and you you know, you had you chocated with a ball of

people? No, that was after. And so, he passed a time and... Vibu'u! And so...

Papa Caborca, and all. And all... Menos too, Vygo. Thank you, God. Alamed. Alamed.

Oh, Ramoncito. So, way, what we can we do? What we can't? No, for me. No, can. Or so, do you?

Do you? Do you? The matter. Yeah, you know. After two. Yeah. Oh,

I don't know. No, why? Yeah. You have a car. Yeah. You have? Yeah. You're a lot.

You're a proffered. A ploy. A plurlough. Parato Mionzuki This man is from the Tamasula, Jalisco and is in the other

side. And it's and the other and he's going to go back with the chaperro Charsenegger and the chutea and there's a

little bit more to Hauai and they're a car to Franchichini no more that he can't manage

for the situation of the attacks of epilepsy me know and he'll try to do his family but the car

is taken or I said he'll be he'll be that he'll be he doesn't to pay his house

and he don't I'm in the manirech But no, but no, but you can't No, but... Oh, yeah, why don't you, why don't pay you?

A-be- Why don't cup a chauffeur? Because he's for all the part I go, but in the car occupant? No, no, but when you do you do you

No, to say, he, a, you know, a, a chauffe. But he said, his son- he had a car

and his and he'd and used them. But as well, he'd be very very far to the house of him, well,

well, when it's, when it was the when I grew to the , I'd go to the to him, but you

are you, where, way? I'm pretty and he's also, okay, you know, you know,

like, like, two hours like, one of the, one of, one, one of the

one, he's, where is this, where's this where he's, where's this other, right? He's also,

he's there this, he's there, he's, that's, the, he's, the,

and, why, why, and this, where is, where's, where's, the,

of the shouron, of the basuron, yeah, Why? Because he's like, No, no, the pelon. No, he's a pelon, Oh,

The pelon, Where is? Horny, he's He's Where is you? Where is you? Where is you, Sabel?

Where is this way? No, Where is the horny? Tell me, Where is you? He's, He's, He's,

He's, No, Where is? Tell me. He's in a quarter to the obfork Oh,

eh. The thing, The things Like they're Oh yeah This I I'm going to I'm

My opinion our Mere Nelly O'clock Okay Nellie Passen the microphone I want I want to

I'm What is an opinion What You know Let's go Nellie We have a We know a

We're a bad This guy Inth behind The camera You're What's What's

What's What's What's What's A I mean, I'm I'm

a opinion here our friend Neely. The Nelly Villa! The Nelly Vita. Oh,

yeah! Oh, yeah! Oh, yeah. Oh! Hey! Oh! Oh! Oh, yeah.

Nellie, I want to make a question very important. What? What? What?

What? What? What? You know, it's, it's very very good. It's very

very good, that Beans good friends is the best they're the best

and to be able and support those are very really are so Ramoncito

Tremoso my carnita Sada also I'm I'm my

my man that is that is super well my

Ramoncito Dall a car a car Zada there there

there my my my my very good friends. And what

you can give to give to you? A very because you've

done a little to get a Nellie. That's a little and that

thing there's there into. What's the ojo and all

go to go to a Nellie no, no, well, that's

that you keep in and that they're and much suerte to the

two are both so and very little I like

Ramoncito and the carnita all the two to give us a bravo to give an abrace

La Nellie If you you're going to let's a let's let's let's

let's let's see that let's No, Mel Lely no Why my

Ramoncito not you don't I think he's golda Oh my

oh oh oh oh oh I'm he I'm

I'm yeah yeah Ramoncito why why why You're more, the more, the piole.

We're going to go to get it like that right? Yeah, Ramon, why you did you why you're

why? It's got to a fereg is that's the It's a he made a a scandal and he

didn't, oh, well, how you like you receive to you, Ramon?

Machin. I think that they're the people. How? Yeah? Ah, how's it

how's- Ramoncito? Much gusto. But I don't I because in the chin, because

She'll He's a other And he He says Always Simple Sancio

Why Why did Why did she She did she Moya? Yeah, I'm the

Sabrita That's A bit Teller Teller Let me See Passed

For me She said He said He didn't She was She was She was She's

You're a You're Of the Mew Well To go To come The

Camionetta One? What? A camionetta, grish. Oh. With placas of California. They brought in a regatta. The carnitas Sarah and Ramoncito.

Oh! And they're going to grab plevita. Oh, my. Thank you, Nellie. Thank you, Nellie. Oh, so, Ramoncito, no, there's nothing to do there, Nellie you, you know, well, no, well, the net, Pa.

No, I... Nellie, is my mom. Your mom? It's my mom, and why not respect? Yeah, here, we're gonna. You think, well, you're gonna gore? You're gonna.

Oh, man. And he's my, he's, I'm the doggia of all this. I see, simple. You had a chocolate that when you got me he was he, he got him that's the

chocerate that he he was I was he rubbed some I'm to get a

to get to get your chocolate Oh yeah and Ramo, and you did you

do you did that house that's that I'm my mom but because

you know my ma but you but you but you but you're to do you

but you're now now now now now now I'm

way He's still He's Is it? You, you know, you know, you know,

you know, Oh, Hey, look at the pittipit Chupolil. Yeah. So,

I was in that's that's that's that's down to Ramon? Yeah.

I'm for them, Pa. No. You know, you're not to be in your

house? No, but you not, but you're not to be to be part to do.

No, but I go to go to and I'm said, oh, I'm going to

see that the medito and you I'm going to say I'm going to say, ah, well, it's not

all right and they're going to do you go to eat. What's the perry? How's the per cent will be?

What's going to do you? What's going to do you? How many? How many? How many? 50

the cost you? 150? Yeah. A point? So, that's all the thing? What?

A-law a-verga, boy. indebted with you. So, loco. Yeah. What good? No, Franchine.

Pertes me a fair, pa. How? $500, Peego to, to, for,

to pay them to pay them for me. If you, me presta? No, but... No,

more... Sure. A be, then, but... See, for me, for me,

but, etchal. No, so... A bit. A-be- Yeah. No,

but I, but you , I'd have to bonarly. A be, Ramoncito, there you go. 100 balls, no? Ten.

You debo? How do you? Quattro, yeah, pa. Hey! Let me, let me, let me,

let me, let me, let me, let me, let me, I don't, I don't, why,

because? You know, there's, there's, there's, there, let me, do you,

do it, there's, there's, there's, the, there's, there, loco.

Let me. Let's go there. What's going to do? That's simple this. Look. Hey, he'd

to pay Ramoncito. Ah. Prestam. Presat me. Prent. What? Another 100.

Other 100. Yeah. Yeah. I'm, 200. 200. He debo. 200.

There's 100. There's 300. there you go, Ramoncito. There you have 300. You have to 300 you know. Oh, me know.

Preet me to care. What? Preetam another 100? How's it? How's it? How'd he be

to be? 200. There's, Mirramon. Yeah. You know, 200, no? Disgap you?

To pay the to gopahua? And, let's go. All right. Al-al. Hey, hey, or prestam

another 100 to pay them to pay them to get no to say no. Why?

Why? Hello. And he he's two hundred, boy. Pestasel? Always

Sancio. Ah, no you know, no, for sure, that's that I

try to me up, and I try to back. And you back the carzones?

Oh, no, for favor. Well, Ramoncy, you know being

mal. And I'm and I'm and I and I'm and I'm and I'm yeah,

yeah he's better a better than a ha ha ha so

then then let's liquid whey? For always I don't

I'm don't know so, so you go, but to bea that's

bad so much yeah no me I don't no no

no chocolate. I'm going to the co-co for the both. All right. This is

my okay. All right. All right. Oh, yeah, Frayin. Well, to Francicini

I'll give $500, this B'clock. And to Ramoncito I don't do you

We're going to, you we're going to us. The other that's a chak-ch-cha chak

for the mario. Ah, yes, you know, the de the chak-ch-ch- too. Well,

the that you get the the 20 50. 50? Yeah?

Pah, me, man. You know, $2.50. $2.50, wail the chak-chaca, whey. Hey. How many pieces have come? Like one of Deveh. 15? 15.

Oh, la virga, boy. What? What? What? What? No, no. Ah, well. Ah, well.

Oh, well, pay me. What I'm, Preet. What I'm here, come. Well, for what you say? What's, what you're? You know, 5,500 of Horny, what on? And I don't you know what I'mosied, right, armosied.

Oh, my God. What's going to be? Hey, he, he's got to go ahead. Ah, well. A good one. A grubberra, for the commo. What a buso? What a bull machaca.

Ah, burrita macha. Yeah, for this. It's that this verga he does pure cochinero, Ramon, you know. Yeah. Yeah. Yeah.

That's a man. Hey, my, yeah. You too, too. You too. Oh, Ramoncito. Oh, man. Oh, man. Oh, man.

Oh, boy. Oh, Ramoncito, and apart, way, come and pure egoyette. It's pure aboyette. No, he's not. Oh, man. Oh, okay. And the three days,

I know, I've been invited to him here in Guilacan. Yeah. All right. After him, let's go to eat them to eat. To whom?

This no. Ah, the other. To you. Ah, well. Why this not, Ramon? Why this not? This is Marmesee. What?

It's a macike. Macyke? No, the pichas. The man is the chaschis. Ah, it's a cacique. It's the giovanni. I don't know that's the chos. And this is the same year,

with the pastisita. Oh, yeah, I'll try the chichita for all. Oh, no. Oh, I like. The other chichi? I'm a lot. Oh, de golliette. How are, two, four,

three, eight, ten, two. What is the rachron? No, no, no, no. Oh, no, no. What are my question? You know, what's a little. Which succi will

come, Pa? Yeah. Right I'll be A bit Yeah, I'm gonna better

Diggott Succi Robert Oh, yeah, man, No, you know, You know,

Oh, good, Padrino. Yeah, you know, has proved? Yeah, Succi,

the Robert, yeah, Caut, the Robert? Yeah, he, he, just,

just, oh, I'm, so, what, so, what's, what,

what, what, Epa, epa, and this, this, this, I,

this, Teterreye. All the car was chocked. To who? The perfume yeah. They were

a lot of car chocked. The car Moccurma. Let me. Ah, no, you know.

The name is, no pedo. Okay. Hey, Frachinian, you, didn't you

was a show was a crazy boy for ever. Ah, you know, had you a bit of

a lot there had a bicycle and then they'd and then they

had a ture a Camara of Darmocino, my son, when he was a morrow me rogues He said,

he wrote a bicycle, he said. And then he was he said, yeah, the Ciro I was a little to say,

him of Ramosillo. For me, for my compo Cirolo. See, that he rogues. Let me. Let me. Let me.

Let me. Cauts us. Kittasel me. Mittas. Just me that no, ma. How you

see with the muchchona of that? Oh, who? Oh, Hey, Ramoncito. Yeah. De Cache?

Ah. You know? You got? I'm I've been I'm going to I'm going to me

I'm Oh, go to come here Hey go back Go ahead Pads

Patsle Pats Hey I'm Mero You know You Do you

You know Where I'm Sento Here Here you Here you Oh yeah Oh yeah

You know Oh Hey Aye Aye The who are who lastim are my my heart

The first me la dieu This day that I took Well, for my Camino Felice and

Tranquil Aparest You The second Meladio Oye, Francicini, how can't you,

And the that you The Pida You know, I'm I'm going to Pager In Sto

With you? With you? With you? With you? Oh, Oh, my, then you know, that's the man, then you know, manned to go. Well, you know, I'm going to pinch,

but you know, I'm pinched, but... Pitcham me. It's net, loco, no I'm not I'm trying. How's going to go? Now? When you're going to go back? The minute of the month. Harry, when they go ahead and me,

they're going to organize the roll, no? O'ry, of you that you can't, verga. Hey? For that I'm going to say to you, three eridas are. Is that me at the time. Look, look. Look, look.

Oh, look. A little, A bit, a bit, a a bit, a bit, of who is a new of her? Of your

My? Oh, Here, here? The chaparita? What on? Who on? And the chaperrita is of my wife?

Oh, yeah. Yeah, me go ahead. Oh, let me say, what you want to say to do not, so, no, I don't know.

Those do me like. For, I don't see. To grab them, and do it's a little more to go back. Ah, yeah. Let's see, Nellie.

Let's see. Let's see. No, no. I'm sorry. And I'm sorry. A bit. Let's get me. A bit.

Let's put the raliers. A bit. A bit. You're back. You get to come. A, A, A, A, L'i, Pondie.

You're going to say the Parenthood. I'm sorry That's what In my What The first My name

We're We're Amos We're This life That's the That's My Camilo

Fereck Pah Hey Hey Ohie Pansikini I see WOM

A This microphone P This microphone How Mhtiwa Wombe Mottelich Hey

What I Bessai Aine The bilingual Hey, Ramoncito, there's Your wife? Hey, I don't That's the same

I'm gonna Hey? No, that no That's not That's the That's But, But,

What you What you're Ramon? No How do you Are you No, I like

Mugger Oh, I'm gonna Gusts Hey, a Let me She's a Wuppie, She's a

Wra She's Wap Borgue That's What I'm What I'm What I'm No

A be, Ramon, You know, no, I'm not, Lerdy, no. Why, Wren, he's not me, I'm gonna this house.

Grand, no, they don't do you know? Chiquita. Chiquita. Chiquita. Chiquita? Chiquita.

He's with me. Ah, yeah. A-bye, let me do. We'll have to Calar. All right.

A bit. I'll buy. I mean, let me do you tachal, Pa. Apart to the Nelie he's the

last most the carnitazada. A-be. Three-edita The person The That's That's My

My My My My Oyeye Franchini If you do you

Do you? I'm See, My Carnita Salle Yeah Oh

My Birka You're You're You're You're You're You're

Just I'm You're You You're You You're You're

You're You're You're You're You're You're You're Why not?

At the contrary. The amped in Ingrid? I see Worme. Is he a woman? What am I so? He's about another other idiom. Let me.

Ablele-a-Gon-Sit, tell you in that that's call it. Shut up. Shut up. O'gian, Plea. It's a good

to have to be with to us. You know, to go to your side. Vent, Pelon. Hey, Pelon.

Go, go. Come to here. Come. Go, come back. We're going to just to give us very good

a bit a bit a show we've been to invite to my compa the

the the gombo the gus the gos oh yeah so you know I know I

know I'm and the really you know I'm not I'm I'm

I'm I'm six hundred six hundred I'm you're you're you're gonna

there's there's a there's six five below But I when I was talking

I was talking about I was I was I was down You know what What the This is This camsette is XL

3 Is XL XL That's I travo the pork Oh yeah Chiquet I used

I was 3 4XL Pantalon 44 46 Right this is 36 is 3 What's

I'm more Pekadito Well I'm more Awad Hello Good Good Good

Good morning Hello How Howe You guys Dispresent the people, Ramoncito, despise the people,

Pa. Here we are we social, the grandita sadda, the reggae old. Oh,

oldito. Your reds social is, Pa. The radio of my, the world of my social and me

Facebook, Facebook, Mr. Sala, the rea, the rea, Raniott's, the king of Culeyacan. Okay.

De, this, a good to tell you, Ramoncito, for favor. The resejo is,

the dragonita sad. Give the I'll give the I'm a cheeem. The Mepeseko is to give them I like.

That they do you And you give a Bessiton? In where? The ketchera. But you want to ketchete. In the kachete. Now,

you despiete my carnitasada of the people. I'm going to dedicate this can't to be to make if you

demuestras your carino I'm I'm going to to rest a oration and

no is a point of my destiny I'm let's you

remember that I did you don't do you my poverty

and to all what you did I did you I'm I'm

but despise the people I God Tell us a Tell us a good

Add a more A secercytta A man A good A good In case DeC Mattarone

Arie Oye me, why Bino and why did he The Chirimoy

Why was that Well, I don't know Why? Because he said The

The thing The thing And and who is the The last The last song You know,

Who's, Who? Who, Dive, Frayne? Who, Who? The last time The last

You know. The last You, way, How did you Did you Did it? I'm gonna You're gonna

Yeah, Yeah, There's the alberkita Fuerra But it's But it's No? Bich

No No, In casone? without a carol. What do you have? With a little bit of you're not. Oh, the B'Hillard. Oh!

No, no. But, but, as, but as, Patient, Patient, three serrida, oh! Oh, Again.

Another bit. And the that's that still my gourd, I'm, despise the rann For this is

here we're much much to be here. Thank you for all. when they're in a video of us. Compartens them,

with the moment, in the poeons. There's a little a little, but we're going and we're battling with with Francicini, and so much

for the invitation to my companion, Ramoncito also, because here we brought a tour not we're not us all this day.

And we're going to be back back. We're going to go back to be here to make up to do that

to do you. They're talking to prepare the studio. I think is a song.

Before the we're we're to get per a lot, no? Wolf Woof

Woof We're going to Let's go Let's go Let's Let's Let's Let's

A bit A bit A bit A bit A baller A boy Wait Waiter

Waiter We're We're We're We're We're We're I'm mosaico that says

Yeah I'm Dice That's Pala me Comee A D'le

D' Govie Gov Me Cumbia A A Bette I do you know,

I don't know Tannan Tannan Tannan Able in a Ruella Because she's

to dance Yeah Thank you Thank you Yeah Yeah Wooo I

Borgra me Bho Yeah, well, I'm Pumme Gae Mala Blum gay Okay

Thank you Pley