LOS MAFIA PODCAST ⭐️ - Samuel Yáñez — Salvaría a Valentín Elizalde en ves de El Shaka, VideoRola y su Historia

Episode Date: February 28, 2024

Plevada, and have been beenvened a new podcast of your new podcast of your friends, please for the

people, and keep us keep on the poloom plovad. Here we're in Guadalajara. Today we're

having a guest special to a person who has had many years in the industry of the music

and of things there of programs, of interviews and all this role, they're going to

know of to know that I'm going to you know to be able to get to get to get to get

to get to a million today. Today we have a guest Sami

Samy Janes Jañes yeah is like Eduardo Jaimis and he's

but there but he is parient what on how we end up pa well

at 100, as we're in and passadittes of pesos. But with much the way of doing doing

doing to do it's and to continue to the grand as it has passed. Ah, okay,

very well, platicam how you do you know, that's interesting. Yes, interesting.

The, the, the, the initials, then, that's always a carencia to give

a, a benefit to, no, I, my jefe, the founder

Our leader, he died, he died, but still being our leader spiritual, the sir

Jorge Tanaka. We've made we have made a group of a group of radio,

in Guadalajara, a group provo-medios, and there, um, a day he said

that he would be to provide in other house, this, all what we had

learned and, and we to renunciar for to be other options. Still,

we don't think about in the channel as a but we had we had some

some some different to do what we did we did we we're

in the first station in the first FM groupera that was in

Mexico that was a year that was that

was in the in the the launchment also was a pioneer

and the first, the first format popular of FM at the American

before in the United, before than in the country was a

festival was a and we're we're we're we're in what

we're on what we're we're going to go to work to

a a a group of a television radio

and And then we thought we'd to make the cojuntura to see what more it could be not there. No, we did the

job on the other side and we went over the two months thinking what we'd have to do

a cojuntura in where we said, well, well, well, so, no,

there's a parador digno for that the groups mustes their visuales.

So, we're going to work for that so, we did a group

very nuclear that are the two two children of George. Of course George

Elhand Tanaka, the his son George is our director general

and and, and then we took to make the the four

for to make the project of Vodora has

two five years. So of the anniversary number

25 was the day 16th of November how when when

came to the video roll because we're we're we're a program

and we turn we're a channel and a channel super important in the industry

no yes it it was practically encabes all the visual

of the industry of the industry of the music in the area

of the area MTV existed yeah TV and existia telehit

but no there was a channel serious for the music popular and we're we're going to

do that we're going to do the separator, the apparado the now so the billball

of all those those who want to work things visuales this was

in the in the 98 really really many many many

many many did even nobody did it like that That were

good Bronco, for example, but Blonko was starting in his process

of his career. In the attention of his career because when

when when when started the problems with with his with

his abodered that that that that he was

he was he was to to have been the number a

time. And then we're going to get a American, but in this process because Bronco

had made a video even of the different of the different,

I mean, I've had done, they were the first that they were the visual.

Because they had participated in telenovelas because they had passed many

things in their career, no, so Selene the Kintanina

yeah and intucable, invasers. They're the groups that had Antonio Gila,

John Sebastian, Pepe Gilar, Pancho Barrasa and he had his enemy the love that,

until the time, you're also an theme icon of the music of the regional radio, I think.

You do you remember of the first program that you got

to grab and how was? Yes, the program was a conductor in

in the Laura Tanaka presenting videos. The first video that was transmitted on

the channel was two ojice in Rumpbo of Julio

Preciado. This and and and and we've we've

a process of preparation for to make the scale and

the channel and all that we took three

two a second a second a second of I'm

yeah the yeah I've had done on that in some moment

yeah we're to have to have to do it to do for

to all all all carettes cassette of three

quarters some cassette grandotes and then they went

to VHS and then a VATC and a process.

To to do a program was a work-a- was a part of the cassettes

were in physical you know you're going to get to get to the 17 cassettes of the 17 can't

put them in queue to be able to be to start to the air if it was and it

was a and occupations personal to the webo so hey you pick the cat

you you're and now in a computer does all a person

so you and no, because in television still there is the switcher, there's the audio, there's the cameraographer

in the studio, there's the illuminator, there's the producer. So, still there, for a

channel formal of television, quality broadcast, still they're to require to the more not the ones

of the 15, 20 persons of the one with those five people Yeah,

so, there's a little the difference. But, but but to evolution

all. How you have been adapt to the technology new? Well,

we know, we've took to start with reproductoras of analogas

three-quarters and right all is in a server no. So, so that

process the electronic was evolution so, as it has been in the

in the acetato of the acetato to the cinta, to the cinta, the digital audio tape,

the digital audio tape, to the minidisc, of the disc, to USB. A USB, and then, you know, the binario

to the, the platforms, not, NAFSA and all these, that's, that's, that were to in,

in, in, the internet, and, and, and, after that came Apple,

with his iPod, to revolutionar all and right and now they're to start the platforms of YouTube

all the all the systems. You're that's that's you're to have

to be to you to you to to us to us to the industry

to some the line because before before never never

that, that, that, that, that, or, that's cobring

the way, how it's, and what came to do you know, to do, the,

the, the, all, the, the, the, the, the,

and what, what more is what is, what's, is, it's, it's,

it's, a level industry, at a level mediatico, like, the media

of communication, radio, television, television of, television, uh, this,

we we're surprised because we've made a medium of

more access, of more easy for the people and for the

consequence we're we're we're we're going to ask and we we're

we're new generations then all they're all they're in a cellular

not in a camera television and there there there

came a evolution or a or, or as but the

media still still still abalando the credibility of the things, because in the

internet there's much hate and there much, there's much information and disinformation

the the media is to allower the things that are the things that are

so, so, in that sense we're still we're a

respect to a comparison of what is what it has

been has been in the red that the media

so like so that kind of information really really have

to know what is what is what is the what is

true I want a question a question very important.

I was studying communication in Juliacan and I came. I was not because

I didn't because I presented things that were me desenfocated and I went to and I'm

in the school. But there in the career there was there was many

rumors that for that you could be in televisors in great programs

and all of many of times you had to cooperate with a

a or with a billet what are of real that's I'm to get to

get to get to get to that's but but that you want to

you want not not so I don't I don't

it's very different in the television in the television of money get a

business that really represent to maintain a signal and

and are prices very different of the television abirta to a

me never I'm never I'm something so are stories

but there are many people that's the denuncia of the

that's that I'm but but not it not it for

to be a product to a a program to a a,

a, a, a representation to something, no, that are

those that are but I know, this, here, to our other

other when we used talent, always was a quadro, and

were in a course, where the people participated with with

people, and so we we're we we did the

talent, okay. In what you have done video rola

Well, one, thanks to God I've taken to my kids

a lot of a salary that's that is a level immemadiat

a level sentimental because me he has the experience

to have participated in to be to start

participating in a forum that that always be

preoccupated for for do to support to the movement

of the regional Mexican I've had to have to know to

do you to come to do to see that can solid their careers

and those I'm seeing one being like a

one so you see you you you have

many many I'm many I'm many God I

I think the same spirit of the channel of dignificing the things has given many, the majority of the people of the

people of the gremio knows, we can't see the car without, since that they're saying ratero, without,

since that they're not, because we're we've been we've been for them for them. Recurreds

some anecdote that you you have chingona with an artist and with who?

An anecdotes have a choro, no, but maybe the most curious,

or one of the most curious was with Valentine Elisald precisely.

Valentin Elisald he know to some of some videos

that you made discos and Cintes Aquarius Don Pedro

Rivera because it was a cassette that had a compiled

of 18 videos that There were videos of all those Hsonson and Lupillo, Juan Rivera, Gustavo Rivera,

Pedro Rivera, the, who is Pastor, the same Don Pedro Rivera, cantando, and some artists that had been pasted for the

the mark of Dixote's Acuario, as the sameissimo Galliol, asalde, as Chalino

Sanchis, as was the Rass-Obrera, and me made the video for that considerate the videos

in the programation and seeing what I'm found I'm found out of the video of

Valentine and Salde and it's me so curious because was the

video of the softecite and the play and the play and is

the back in the play in the the marra and I

said what I never never ever is a I'm

I know because the people go the the people

A common day a day very very anecdotal so a reason we

got a question there's in the office of the who is? Who is that

who's Boutude So, no, because that's the that he

and he says a yeah, a reference very no,

but and we're and we took after after at the

month to coincid with him in a bautis

that was doing the coyote in Masatlan he was autisand he wastesing

a little and he invited to Mark Antonio Barreira and A. Eric Terrile

Morales that were to be all together with the morbo to be them to

see those before to the battle and in the artistical was to goyote

and Valentin Lislde was the Abridor so it was the hour of

the comedy and all we used the photos the photo with

with the Cybershot, because there were Cybershots. And, and, and, and the a repent I was playing the

ball. And all the people were about the photo with the Correale Morales, then I

went to the and the only that was the people, they were in their life.

So, so, it's not so so it's curious, and me said,

my chief, Don Jorge, invite to the channel to, to be what

on. Because it was very peculiar the manner of him to be able to a second,

if someone was a little to say, he said a guy to do you go to the day and I'm that I'm going to

my wife that I was there to Valentin. So, he went to the salient. in the jih-h-h-h-h-ha-ha-ha. And in that he's soma my

my jeffy and, what I'm I'm going to George Valentina oh, how's it? No,

well, well, well, I go-ah-w- me go- and I'm and I'm invited

to come to to talk to us. Ah, let me have to be to my

husband, see, no, he's no because normally I'm with time

the total that said that if we had that we were to come and we

We went to one of the mariscos We're in the market of abastos That there's They're nice and barats Good, muchitos and barats And Yeah, we're We'll ask

I'm gonna And he was accompanied Of Mario His assistant That also He also He fellacy with him In the day of the

Attentado And so So So Jorge Pied his Gopette I'm I'm

I'm a a pescatito to the plancha. I piqued a cocktail. And they said, no, I just, I just a little bit more a refresh. And, Don Jorge, ha, ha. He says, we're going to eat. And you're going to be. And the valet, he's

to start a raise. And it's that we just, we know, we know, we just knew that. And we know, Don Jorge, sold her the carcacad. And he said, I'm, I'm sorry. Don't they're going. And then, we've got. Comey. And then, we've got to be the anecdote. And then

the attention, va, that you want to ask us that's that's that's very important in the

career of the valet he's he's he's people to get to the

people to get a disquere universal and and so the

val is the first great his first great he took video

he he when you when you know he was not so no no

of he was he was he He grabbed those videos, grab this song for

Don Pedro Rivera, but he was a vendorer in discos and he's alquaree.

Not as for being the child, Don Pedro he gave the attention. But after that

he was he grabbed for Universal Mr. Mr. Jorge moved there his,

his relations and all, to do to give in a house productora

and he was in the Adelaide was the encargated to agendarly and to

do a entire of your career until the lamentable of the day not. So,

how many years they've worked with him? With Val, we

we're about the 2000 to 2006. In the 2006, was when fell yes?

That was when he was when he was when it did that

you? It was very very Tristan, fiat that we were for

a 25 of November we're invited curiously Jenny Rivera and was invited some presentations

that she had she in Chicago so we we're going we're I don't know I

know that I'm not there's not there no there no the gasolineras the day

the time giving day we we're we're And a few Pes we got to a taxi

that we'd get to the airport nevoh in Chicago to vary and in the hotel

where we was also I'm also in the coyote so in the night after that

I'm at the chambed to throwroro no was the day that's me

thanks and no because I the day the day we're we're

we're well we're we're in the same hotel and That was, that was the

that was the daynest, we went to come to all the places where he presented to that's

only was starting, I mean, the place the place that more people had were like

600, the other other places were of 200, 200 people. They were in the pinninos

of Jenny. In the pinininos of Jenny. And when we'd getting to the hotel,

in that time were the model the telephones Nextel that were

like boqui-tocks so I'm a mark to someone of my staff

of this and he said hefe this and the run run

that they're there had been there had been two or three

rumors like I said ah how are chismos I'm to

talk to a manager and then me said

me to one that I was a very a man to the manager and he

I'm he said I'm I'm going to ask you know they're there's

my man I'm my got to the morning the morning of the

day of the no of the Saturday pardon yeah and

so so so I'm I'm I'm I'm with a

man with a another policeica here in Guadalajara and he said they're to get to

get to go to go to go to know that's gachio and I'm and I

know I go to Abregon with the people that I know they they were

they're organizing for the body and they're organizing for, you're not even though, I'm sorry, I'm not, you're not, the guys, I'm gonna'clock. And so we did and we went

of the few the few the people were in the whole moment

in the in that impression pregrination of of Seobregon that

he was to a to wasabe that was where where

where was where she was a after the

Fecha, no, has been a not been a notice very, you know, the people wanted, the net.

It was a super artist for a moment, without, without, now, now,

so, with a time, with his dead, a pure pulmone, not with

that did the discler, was more well, the what the value

with his carism, was an artist that rebas the millions of

copies of discos of a, of a disc and in

this time there was no there's not that media there internet

no there that's that that that that that

in a world media and I think would collapse

a time internet as like those communications in

the in the transit of the fereto of the

I remember I perfectly that in the second

And after the of the of the of the of the of the last you

during it was two or three years sonando but being machin in the machine machin

machin machin and he a beast who has been abrace and you just

to get to and then then the and then then the notisieros and

that's but that notice did that done of the

of the Galleysh. In the city of Guadalajara there was a phenomenon that has

like two years of a fan of the that's a publicer photos of the

valley. I mean just no no no no photos of other

personalities with don't Donald Trump or photomontage so but

one I said well what is what is what is what is what

And some day we found us and, you know, so I think that everyone still remember

still of the valley. Yeah, he's about about him and I'm doing this

for that so I'm about about the and and right and right with the

intelligence artificial has done many things so so that the ballet can't

the music of Michael Jackson and so they're so

they're they but it's a way to keep

record a Yes. You have some mal experience with an

artist? Fingate that no, no, no, not a experience

of a repent I mean, I'm that I like this music, but

always I'm a one of the artists with a lot of a most

for the person that one has been in the one is, a, I know

never a good tach for someone to say, oh, I'm, I treated

well, the deserated, or a certain day I saw, I'm quite unfortunately, also, I've joined with the

more sangri-li-li-li-li-naz, that much people, of a-repanter, those consider very pes-as-a-wa, but it's, let's the,

let's the, let's the , let's be a-repancy, of a-re-re-to-star as, the music, Don Jorge,

my my friend and my hefe, he always said the artists, when they were

to get them the opportunity, we were to eat to come with them. And always he said, eat despacito,

come a gusto, come well. Because it's the last that you going to get

to get to get to the autograph and that can't not even to get

a one without that's they're interrupient for the photo,

for a and that and that the sentencing to Lupillo, a Julio, to Remy,

a Sergio Vega, the chapo Sinaloa, for to say to say

those, it's exactly, how it was he was he was he said, the power

to the platform too. Exactly the power that had the the channel

that that was that was that was it was made

marked Sergio Vega You've got some Good anecdote with him Yeah, well Sergio Vega And maybe the Part for that

That's how they're To be it Of Yeah When will be When will be the posada Of you For that time

I'll get to I'll count them Oh, well That's what chid So It's a to Cobra.

The entrance, no. Uh-huh. And, uh, and, I was I'm going to and he

no, he, the people started to go, and he went to Sergio Vega. When he

was Sergio Vega, and they're getting to the audio. So, no, is that,

Freyad, it's he was done from, from, from, from, and I'm,

and by the carterterer, so we went, the a manchachio. Then we said,

no, no, there's no, no, the people, well, the people, to, those who were the

people, they're like, they're, they, they're, to, three, and,

there's, six, mess, per me, I was, to sing, like,

what's the kids that they can't, so, so, so, and so, so,

and so, chrini-a- , very bad because, who, those who were who, those who were

in-law and were in-law and also, he had a much charisma, much, yeah,

no, that's he was, to be, for me, it was like, it was like,

so, he pego much his music for my father. Uh-huh. In that time,

my dad pisteabachin, and, no, that bato he put in, and he he,

and he, he wanted and he, and he, too, just, Chalos Chides. Ah,

Julio Chalus. The Yele, how is the Yelera? Sented in a Yeah, that's a song, compa. No, no, no, I I've been, who, who

who would be? Who's, or Sergio Vega? No, Sergio Vega. Sergio Vega, what the past

is that Sergio Vega comes to a dynasty, of a family, in where were the brothers, Vega.

He, he went to to be a vocalist of the brothers Vega. You're I'm talking

in the eights. and then and then Sergio Vega even even they're to be

a vocalist of the invasers and no he didn't because he he was and then

he was he was his career as Sergio and this of when I

know Valentin Valentin he had to Sergio Vega and

Valentin he he was he vaso in in the acceptation but

what Sergio Vega had is that was that had a

style very, very particular to can't. And the discos was produced a,

I mean, it was a garazzo super, super per what? What can your

favorite? What was your favorite? The, of the Valentin? Hidle, of

Valentin, is that to be a song is, it's, but... It's a

RETO, is a RETT is. Yes. Definitely definitely let's

yeah, I think that I think you know, I think you know, the did you

know, no, no, I don't do you but I'm took to participate in the

video. There's, no, no, no, I'm, not I do, in

doing, do it, in producing, yeah, in producing it, and the song

for the rhythm, for, for, because I did I, did all what was

that was that was, it was was very, very significant for me, and, And of Sergio Vega, I think

I mean I like the Dissue, they're saying that I'm his Amante And who's her Who is you That's a man

That's a That song, for me is of the most I love. Although I think, to, I'm talking to I'm going to talk to music.

They're that they've Tried Turing also the of the of the boy,

you'll say your name I'm saying I'm my name how is music

Poetty-loco oh music poety-loco also that no well

yeah so yeah so so so so so

so I'm so that's really that was a remember

a you if you if you other other thing,

that you'd the opportunity to be the way to be in the

engineer, doctor, architect, maybe doctor, in the family of the

family of medics, but I was the only of Balagao and I like

recetar and I like, my friends, for start actualized

every year they come in the dictionary pharmaceutical and I I'm just

I'm just like if like if they're just like you're just the ingredients yeah

yeah the ingredients the names the substitutes of the first the market was so

oh yeah Sammy never you've never you have been this artist loco

because me I remember that in videorola there there was the

first yeah that they said Hey, Sammy, I'll keep that artist first. If you know,

I'm going to give you to God, no. But the way that we do we the top ten,

yes, our top ten is what what they in the channel, and I apart check the

VD is the United, that is the report of what is the report of what the radio,

and the monitor Latino here in Mexico. So I do I do a tablita

of the percentage for more or more or more to accommodate the number

never in Viderola for example we've put to do work with many artists but

start in the program of Vodara no it costs I there there

there there there is there there's there we're we're

we're we're we're here exactly here we we're one

because we we're the quality of the video, we're we're the

question and we see that the artist can have a design because

there's there people who know that's you know a one

one you're going to not you don't go because no

there's no there no there no they're not

there no they're so you don't have so

to the water that when the when the artiste has a team of who is who is a person who is a

person who is who is a who will help to produce some music when when you know that an artist

has all those elements then it's more easy to to bring us to say okay you come

we're we're we're the artist with the song that more time

during the first time. The most has durated is Pancho Barras

and is my enemy the moment. Because this song we got at

the beginning when nobody did so it was a good video

and it was a for for disc musart and

there was there was there was there was there

was there was cuisisisis so we gave that video and,

you see what that's a song orita, imagineate when it's it's a time.

How much did it? In first place, it was a year, oh, no,

mames, we. The people me said, oh, and yeah another. He said,

well, I'm the to help you. Oh, how I'm that I'm see, yeah,

yeah. And, and, and, and, and, and, and,

and, I, there was many and a little production of videos. The first two years we're not only those years,

because in a hour to the hour next, was the same videos with two, three videos new. I mean,

there was very a little music in an image with quality. But two years and a chink,

it's a much. Well, in those two years and a half, I think, this video role started

being a program of four hours. And then of four hours, we went to eight.

Of eight we're to do we to doce to 16 to 16 to 24. So,

it was also in that process. So, no, no, no, it was

that it was a more, not we didn't publishes, so it was,

so it had the program at the hour that was, but, but,

but, but, but, but, so, see, see, see,

in the audited, for, for example, you put, no

a statistic or not a statistic but not a cartelera of cancions more sonated of your

yeah of the channel and that's good idea no there's I'm going to I'm

that recordando the times the first the 10 first no the 10

songs more sonated of the times we're we're these options

Pum Pum you're they're going to elective? The other. Enemey, the love,

I think is going to be a, it's going to keep, I'm going, the

planet. You, you, you, for example, artists like Remy, artists like

the flaco, artists like Julioon, or they can't in in those presentations. So,

it's a question that's a question that has been a, I mean, I'm,

I'm, you, why think that this question has been a mantra

for all those Alcatte they like the royos the

roll the the role of the process of the music is like

a mantra artistes like young did so so

are mantras and for so the people when the

people transport that the come together of the

The come together that is a mantra is the

na na na mantras. And I say, I don't know if you did you make sure a lot of course, or to be it to be able to someone, but your song

is liberating, going, by liberating, by liberating, so the energy. For that I feel I'm a question that never will pass to the moda.

And, and more the language, or all, all, all, all, all, all, all, all,

all, all, it, that, that can't, who can't, is an exit for the

for the that's a It's a letter super geter. I, I, I mean, I,

I mean, I'm, I'm, there was a time where the anthro's, at the

final of the, of the year, they'd put two or three songs, romantical,

and that wasn't, and that was, I, I, didn't, I'm,

I'm, I'm, and I'm, and you know to give me to say, the, I'd

say, the one, I I mean, I'm that enemy of the love,

the of pen after pen, of the recodo and

how what, that, that me want, that me that I don't,

no, no, no, the, that, that you rewee, that

who, that you want, who the that you want to who you want,

you, you, you know, you, you, you did, and And it was

bad and I'm doing and I'm I'm going to I'm in a little bit after

after a good fiesta to be a little before to start the pandemic or at the

year that the year that's the time before to the people who were and all the people who

they were a colonel and I came there and I was vacillando with all the

world so I said, I'm going to to sing. And I and I'm I'm saying,

The Amor No, Menceus Maintra Monsor Mentioner Mons, and more

more love. And me contested some chas more yant Oh, well, me,

I was to sing and at a and at a time, all the, all the time, I'm doing that

song. My name the love. It's is that, if, like you Mantra.

Mantra. A mantra. I always think in that. Oh, my Sam, there's questions here that's the raza. Uh-huh. But,

before, to make the questions, tell me, a story that de-tristeza, that you had to have taken to live.

Some of the story, well, definitive we started we're talking of the ballet and I think

has been the form in that we were it was lamentable because he apennas

he was upened to be able to yeah he'd give him he'd start a

year imagine to you and he was to buy 40 feches to make a year of

a grander yeah imagine that yeah yeah yeah

yeah yeah yeah he was a so so you get

many things atoradas so there were there the

company that the company that was I'm a year of a year of a year

and I'm going to all the things incredible that no artiste had

lived and we know they were really very very very very very

very the death also because the the the

vale was he had a had a little I can

I could say the agitreada but I'm a life a very saturated

of work that you say a day, it's a accident to the carretera,

the people of the valley. The valley went to work seven days a week.

Imagine that the the valley yeah of a sudden, even, I'm

just a because I said, first, no, no, no, no,

no, I'm, I'm, so, I'm, I'm , I'm

to be of the I'm that's that's that that's because

I'm think that I'm and I'm and then when I'm trying a

man, so that's that's the voice. That's, that that's

to have to be the of a disolusion of groups that you say,

hehol is a groupazzo I'm I'm with all respect

and everyone has a evolution to grow and to grow.

But I strained much the arroydora with Jorge Medina, for

example. And you say, well, the time was all the

part, but then you see that the projects as disolvers

tantito or at fraction to they're to be the

great projects that were or they to have

the impact although every has respectably his logos

and all the issue, but yeah not the super movement, no, the,

what everyone was all the regress of the Buckees recently, and for the people that,

of my age, that we know, the music of Bukis of Bouritos and all that

roo, to be to be together once, is a super agasajo, no. But,

also, also, we've I took to despise to say, Don't have taken, those are the

parts that that even that's the life is like to the murder, I mean, no,

no, never, is, he's, is there is a or, or so he

accommoda for, for, for the way, but, never never,

no, no, ah, applause, because so, so, so,

so, never be there's, no, so, yeah, so, for example,

no I want, no I want to, man this question, the

question, the question, but if you, if you said, you know,

you're going to a a person? A who would say, if

were a one only one of one, for example, no see,

Jenny Rivera, Valentian Elisale Elit Chaka, who more?

Chalino. Chalino Chalinio. He'd this, the Al-an- An An Anan-Sach.

Dan Sanchez. I mean, I think the Valé would be a person. Valentin. He was a person, was a super, a very great friend. I was a little bit to have in a house in a, in a noche,

well. I don't tell you that's enogued in my house, but if he's been a rato with us, and, um, it's, it's entrable, no? but

I think the things pass on some way of the of a moment we're that would have

been of the artists that they had been had fallen had fallen or had had

had what he had what was what they're going to say to

to say to that that that could can't not

at a first a voice a very, very

educated. I mean, not it was a voice like the

the the Julio Preciado no was, or the charism

no was, how so, how so it was the voice

like the coyote no, he he, he, he, he came

a a voice that all all all all I,

oh, I, well, I, I, too, I, I,

too, and many said in the chascarillo to say, no, well, you know,

but somebody can't can't and then that's, you know, I'm that I'm

that's the carism that had the valet, no. The ballet,

was a person for me, or me, I mean, of my way of the things,

you know, and then then they'd let me let's get the the hand to say,

you're to say, you're my coatt. He'd had an angel very very strong,

very very very forth. This, um, I think that would be nice

that we'd have adored a little more. Yeah. Imagineate. What a perra?

Yeah. It would other thing. This, this, this, this,

the people, why they say, the big boss, he said. The big boss, I,

the person that most me, me, me, me, me I was

like a friend that was a little in the group of the duelo

so they're like both, big boss a lot of for panz not so but they

they said big boss he, he, he, he made to do a

place for a year, uh, I mean I like, I'm

I'm much the person of the Batman in the

comic I like the comic I like the

so so so then so my door to my door to

my boss with the logo of Batman. So, all the people that in my

office I'm in the big boss the big boss but not it's for nothing.

It's because so you put For use yeah. From this

here. A one a one of you. A question

a millionario well now now so now so

this any that any that has an interest in the

case of the world artistic so the only that they

are is are original but they have to know

the things I know I see a people that

has advanced more that has been made more a

career more impressive Aalfredo Livas is a person that he has He listened music of all Amira a person like Joaquin Sabina A man who is the poet Andalus, musically

that's the poet who He's prepared for the accordion very well Aemoiselle, that is multifacetic He, he talks guitar, You talk accordion, you talk tecladles the battery or so

are people that are in the inspiration of the music so if they're to be

to be to be to be about it to be to be Alfredo is capable

to get to start three days in the studio and not to get in the

time he they're that he's is is is capable to

to produce their music. And so, and so the grand, Julio, the chap

of Sinaloa, all, those, the, the, the, the,

those, the, the, the, the, the movement tombado, I,

I mean, because they got a time, now, so, like, the

bad climate that of days, no, of a lot, they're, they're,

and, and not those can't, one, not they'll, not even

accompany, because apart they're people that are the way of the yearba in two seconds.

You're like the those couriers tombas? There are there are things that not me

like, like they like they and like and like you know, when, and plebada

is opinion personal exactly, it's respect no, ah, ah, call yes,

my ha, when, when, when, when, when, when,

they, they're, they're, they're reproduce like as as

as rogers all the time man the blah to the fras

a me so I'm very so that that's

no has no has not because it's like

in the Vegas it has got in the Vegas

no so no no no no no no

no when they when in the process this um

more more that can more more more in their style,

or, um, that are more viventials, common, I know, I don't think a whole world like a mariguana.

The guy has been very those gusts, no. There's people who we, we like, we're glad

more with the tragit. There's people that can be more more with other things. Every

every has every has has a subied a papalote. But to me, it's a person

sometimes The corridos I know that is a market very good for them. So, are possibleities of work. A me no is the music that I like. A me, me, me

a love, the love, the aligia. The aligre normal. And in the personal, I'm going to give a critic. I feel that's being

very repetitive. Yes. Very repetitive. It's alcohol, a don't periol, the champagne, the marijuana, and the women.

Yes. And they use, like, the same, the same the same , the same is the

what I have to go in the concert, the blue can't the thing of the red and the

thing of the and the white, and the red, and the red,

and the red, can't the the same the same then is the the exited

of who who, and that's what I do you, well, that's much

production of music that you have and every a rata they should do in things

every every should be to be in a lot of I'm not,

I'm see a really to do you know one or

another other thing but not all the of

Sergio Vega or of invasory or of Ramona Lian

and they're a lot of those are so are repetitiv

in their way to arm your playlist in

those there can many many I don't fan of that

type of how you could I say, of subgenre. No, I'm fan

the net, but if I have to give the good good best,

when they when they get the covers, but in their style. Yes. They're

really good. Yes, it's that's what has done to get to this

music of America Sierra to get music Marquandre isole. I know what I do.

I think they're going to do things beautiful because you get to get a job and you cost a time to find

the song beautiful. Because all the other are their rios. So, so it's like if I

go to you get to you know I'm a question of what you want to do you doletes

Japanese because if I like I know there and that they're beautiful and

all the roo. But there's people that no they like the violets, nor they

like the and they're not in the something. It's like nesear about when it's universal.

It's my way to think. No, it's really, like, so it's

respect the music that they're, yeah? Yeah, and that's music? Now,

so, it produces produces much a, it's a filiation in the the

networks impressive that are and in three hours you're rebass millions in the

in the days, get to millions, that you say, that that someone me explain

that's the the billetone that's the billetone exactly, well, a one,

a, well, you know, you've said the one, a motivation, or what

you want to you want to you want to you I think I have to

animar, not say to call art to the music of any way,

of expression that is that so, for that the music popular is that's

that a little a more of, like, we, we're,

we're, of structures, of structures important, so it's music and

that's what it is what it for today, but it's

is partying in all the world. I mean, or they're

to see to see a back in America. Today for the

artists Mexican occupants the bars like the senior Fallow

yeah of New New York today. Today for today

is more of the music of the reggeton and that

that that that that that that we're we're

we're we're manifesting as Mexican. And, that that's that that's the motivation for many of us, that

today the eyes are on the same of us and there have to try to do things. That's Omar. Your social, my, Sam?

My networks, are you are very poor and the more than we then we're not we're thinking in doing to

do something like you, this, to have an area of expression to talk yeah more at the title

personal and not at the company that represent or of the company for the company for

the company for I'm just I'm just doing like Samuel Janes in Instagram

for I'm a big video roll Samuel Janes pegated and back video rola

we're in Instagram me met very very much but I'm going to see the

things for attending others animo so so there for that you're

playing play plebada you know Samuel Janes Janes Jan

Jens Jens and a video A, Gion Bajo video,

Rolla. Saludos for all Plevah also. We've got to be to us

to get to the last. I'm Fipper and his servidor. So, Horny. Here we

end up to the chingaso plebones. See, the podcast of the plebona's that you look.

Durestio. I'm I'm supposed to me preteria at the plovna. A-ha

one of some, some, two dollars. Oh, how you would be my son?

No, well, prested. Prested? but but no without, no,

without, and, and, and, and, and, but, but,

but, but, but I'm, it's, it's a manch or that's to get a

money and then they're so, no, no, me fiar- they're on the

video-rola a one, uh, right we're gonna we're gonna we're gonna

we're gonna get, oh, oh, he's, he's, he's, me-a-

a-a- miss-a-a-a- to-a- my-o- And where? Well, the style Our good

friend, the pirateita. A be Where? Where? There's, there in the undio?

Where they're so. In the pure cullito, my amor. There's

my man. Yeah, you've to, you've topado our content

son? Me, I recommend a rogito. Hey. Thank you.