LOS MAFIA PODCAST ⭐️ - SANTA FE KLAN MIENTE, ESTA ES LA VERDAD: La Bestia

Episode Date: April 16, 2026

SANTA FE KLAN MIENTE, ESTA ES LA VERDAD: La Bestia

There's a rapper in the I've got a rato that I don't I'm a respect for that's a cabron and that's the man. To me

I'm very mad I'm very much I'm saying how you're from the Santa Fe clan the morrow

maybe no me did nothing direct but why why can't in the game

to make to make that you getcha that if you have the money but not

have the family because you think you not you don't have Never you

never you never you don't that's that's that's he's because

cotorri was a cotorri congera oh okay okay okay yeah

so and it so I'm so it's you make you make you make

a I'll say I'll say another not is I'm sure I'm

I'm I'm Santa so I'm so yeah yeah

thank thank so I'm I'm so I'm to be to

thank you. Shut up, everybody with your hensa in the air. Hey? Welcome in the house bestia

human so just no more I'm sorry I got the carine for you for the net I'm not not so I'm

to do you know but today but today it's true unobstitable yeah it's what is the is what is the day

And a rana, my What's the You know what's That's the No more And you're gonna Pets and you're Yeah,

I'm a pedd There's a There's San Juan That's Raja My jito The Mere Pulpa there So you know

Blev You've You've been You know You know Directly The Baccombe Bestia

Ah Yeah Much thanks Canada for the invitation Hey Hey

Yeah He's You know So He's He took All Brio

Because no Cain Who know, but here they're defending them. Yeah, well, I see that you're braw,

in the podcast, no, I guess, I'm going to bragary, me, I'm, no, no, no, me, I mean, I'm, I'm, just, no,

with that, with you know, with a man, with a chival, a, with that, with that, no, no, no,

no, no, we're doing, so, so much, you're going to say, just, just for o'clock?

You know, want, you? You know, do you? No, do you. Let's,

let me, no. I'm a favor, because no I'm sure because I'm a good good stories,

my compa bestia, there's to that you're so much that's chulada that you have you

to have to participate in the podcast thanks to our compa I'm I'm the heroe

the heroe how? The hero the hero laco wos man, I'm

to do you want to I'm to attend to to the to the to

to the man't that's well that's it's All the other, Chiropractic,

I'm sure, way. Oh, yeah, yeah, get to the people, and I'm

going to get a bad at a birdies and me go to get to a mack but he.

But is what the way, that the way, that the way, if he has put

the put up there is a carnal, I have a rato a rato,

a chingo of time to know and we and we and we had been in the that's a

carnal, yeah, this, punt to do you, do you, do you he'd be there.

And but, but no, he was chinch to put him to do you know, I'm a chintchup or do you? No, you

do, uh, and, and, and, and well, the bato to be,

yeah, well, yeah, this time, this time, that's been, that's, I'm,

yeah, I'm gonna, you know, he's, he's, he, he's, he's,

he's, he's, he's, got photos, videos, videos, and the way.

Yeah, well, he, he, No, way, is the net The music not is for

all this my man, thank you. All right a little a little in the

yeah, thank you my so no, my man, no, no,

you have seen when when he he's when he they're they're saying the mask

a maskarita so yeah, oh yeah is that the music not yeah

who who who who who can who who who you

it's a It's a theme, carnal. Fiatte, that I I've got a 20 years in the pedo of the music urban. And a sometimes not is who

it's who knows artists that have an material impeccable and a sometimes not is the sufficient for the

farandula or for the people that control that type of games, I think more than

that different is that's that's that's that's it's it's without

without I don't and I'm and much of the rapers of the scene

that are they know and they know because in some moment I did

a favor that no no no no no me doesn't

say to let's I do about and and

and if so they took those those we

when we we when we when no they'd even you know,

you know, it was a different, it was a respect, it was the the codeos. It were many

things, you know, it was, you know, you know, you could come to talk to

that you did you did you because you did you know, you know you're not you're not

you're not to get us a role to yeah, but you before you were a roll you were

if you were to talk the door and you you know, you know, you know, to make us.

Things that changed. Now, the industry, to let's say something. The industry has been a

novel. The industry of the rap. Something fictitious. Yes. Yes, because

I'll say something. There are who people, and to to who they'd

other. The net to me in the personal, I'm I'm like those

movies of action. I never did see the Rosa of Guadalupe and

they're doing a novel. A novel that is that is generating money,

no? That the people not not to be the more than a person

to be a guyist and that that's he's not that's that's that's

and it is what there much a much people in the

music no. I thank to God, I go, I said a little

out of the cameras, we're doing, and we're when one when one is to do when one

comes to never go to go to the way, there's people. There's

people that wouldiaria in this podcast, in this moment, pudging to be

things that maybe not they don't them or that maybe those

desemaskare but I'd in my turn and And I consider with the

arguments to talk. I'm 20 years in the scene 20 years that

that I have respaled as a rapper and as because me can't

the music I know what I know what I know what I know the things and that

a much of you know it's not a water fresh pa right

right that you that something that something like

like like who's, way? Like to who's, I mean,

you know, you just you're going going and who's the scene that

right to all the only that I'm not, the only that I'd say, that was

and that was in, in, in, in, that's, this can, this,

this, the bato initiated with us and he was, because, in

the respective moment or his time who who

opened the point or who was the point of the train sincerely

was the man he was my brother and we're and we

we're we're we we know we're we're there's butka

but the the that's the can say that that

brinked the fame or that that was that

was of the light was the Sican. I go, much

people do you know. A more what did before

what I'm not not. No, no, I don't to say something

that's going to get good, he's going to that the

light is to all to you do you get to you

get to get your new. Your novel is your role. I remember of that time

I'm talking about the scene of Guadalajara of Halisco you know in Monterey forgettie for the time

that we're we're just we're desponting in Guadalajara and there people that had done a chile

a chate Control machete control machete Kintso or so much people there Adwit

also AdWitt also not and Adquit was a no and after the net

no I'm you're talking it's You started before that's

I'm I don't I'm I'm I'm going in the time they're

talking about for you I'm talking about about about about about

about 2005 for there a maybe they're not

no no no no no I'm going to let know

but so I know for example in the basis that

I'm I'm I'm that was music American and

not was there was there was cartel of the Santa,

I'm Kinto Sol, the soldiers of the reyno. KDC, no? KDC,

those are a good, a good, I've done, some saluted to get them to get them to get us.

There's a man, it was a that's, that I'm going to let's say, to let's see, that there

was a little conflict between what were the front, the front the front of Tijuana,

between what is the coast And KADC, always there. RICK. So,

they're the carnales yeah, hour of grandes. The net, my respect to

that people and I, he's, and I, I mean, I took to be to look at the

two bands, now just, we're all, we're all, we're all we're all and,

you know, there's, there's, there other things, and yeah , and the

net, we're all we're all to stire just, we're And, and it

was, he was a year of the KDC and the unio

the coast left with the guazone, another carnal that

also there, we've to grab a thing that we're

to be to and, and well the KDC were, so, so,

there, if there had, so there were not some tablas that practically

we had to not it was like now the most commercial that was the way, I'm madmable way,

to hearse hill, boy. I'm bergah way, you know, when it's used the rocola when they'd

put up to I'm gonna go to the a, to the way, I, my papas

always strictos with me, with my but I was was the most vago, boy, de morrillo

I'm I'm just to come to come to a park and the park 85-8-8-7 It's called in Culiacan, Sinaloa.

A much, who know them. There are some canches of basketball and in the middle is a tenter, there's a tinder, boy.

Poo haipoppa. Puro Sholo, pure, that, way, you're at the same ball and you're

and the bike was all downed winded way. Yeah, pure Cypress Hill, way. Tava perr

no, carnal? The net. I'm, I'm a second on, way. But,

but it was like a an ojo Negro there, that's a sara that's a

trip. Yeah, the net I tell you I'm not, also, and chido, not, also can't tell you

know, that's, you do you know that's that also also that's also, I mean,

some, they're going to the fame, others we're not for the tranquillity, for our

things, for other things, you know, so, look, a little, a person

of the underseye, I said that they were that's they're doing to make

to make to comment to make to my Facebook personal and I do they're fatas

jogged because when when you did you to to

to think that that only was the movie of the

music and not you to do you you

in an error A little Another way? Again, When you're... When you're

That's just Making music You were to Oversalir And not You've seen A plan B Of life?

You're You're out? You're gonna Yeah, And what do? You know, and the morros Like Eljera

Like band That's that That's pegged Like the C-CAN The Santa Fe And they And they're

Ah, Cabron How those They're They're going to Gown and we're we.

But if you you know, but if you with a few years, with what vision you're in this ped? I mean, it was like that. It was my style of life. . It was a...

a certain discrimination from the morrow to the family in many and my, I had to get a way, I had to

how express that I'm saying that you and I was listening rap and I'm I'm going to call it

I'm to do it so that's my idea or my vision of that's a pinche

psycholo gratuit carnal where I where I I was I'm I'm

then my style of way and a movement very chingon way And, the rap,

the netta was a something different to what's going to be today. That's

bad. I mean, I mean, it's a perro. But before, we,

we, we, we, we, we're, we, and we're to get us

a guy, no, carnal, I mean, there, no, that's

opportunity was very difficult. That's, well, well, so, way,

you, you, you'd you'd be to be, the band machos to pegs

to the music, whew. So the rap not was that's that's that's

that's there. There's a ching- there. There's a chinggo to the

push to the culture. So, there. And the really, there are

people that is to admire and see, look, I, for example, there's a

in the I've been a rato that I'm that I'm that I'm that I'm, but that's

my respect for that is the German. I've I've for there I'm in

about five years and when I know I'm I'm sure that we're we're in a studio in a stucco tattoo

and the batto was oh mamas boy you're like you're like you're no simone

and the hell what I'm you're what I'm I'm I'm I'm

I'm I'm I'm I'm you yeah I'm I'm I'm

there's no nothing more than the life the life of way, but to be the bato

was very moved that's way the way the net my respect the German always was Hassel

the net and no no me no me does say it you know I can

say what I'm and we we're talking and we remember that I'm sure I'm sorry

if you want you want to you're because your music is then they're the double rima with the

DJ Fat. Abrae to the F Here no There's no There's no There's Here the net Ocuits

To be Here we Orca Because Well, well The people Is gabach

Well Yeah Yeah I'm It's No matter To I'm

Yeah I'm Of security In the Pink Kitty Wee And

Mammes Well Those The In The Little Yon

You know You know Banda Caperos That You said Well And

And all is gavacho, the ped. I'm going to the way, no, I'm going to

I'm going to to get to the Morrow and he's chida. I think, I'm a rato that I'm

not I'm my best my best friend, no. But, so, like that

type of exponents, I see, and fickate, retomando this, retomando this of this action that

did you did you with the there's there's there. Today I'm

because What I do I do. There are people that we're doing that's almost. That we're like people like,

because that connection that he's got from you from this way me is saying something? That's being

in me I don't I'm not I'm doing money and I'm investing my time and money

and all and for no it's well I'm I'll do to say to be to be

and watch the bato had all but it has or she, watch the style of the old's the style of the

Bato never changed, boy, so I'll go back to the same there's there's

not important if you're or not you're of your or you took or not to

be part of that the net for me the bato is a represent of the

culture in the in the question that his values were always

were you know and And no he's been there's a batto you know,

he's in a bike, whew, of those is to bringer, of those Gte like, yeah,

a batto, way, of the carie, machin, you know, that's, so that's there's the

cabos, where the net, that's per the pedd, well, yeah, at the

one at the city, so, so, but remember too, you, you,

you, you, better than I'm going to make a man, man, man,

yeah, the bat, I, I mean, I don't to the podcast of him, but if it's a

batto, he's a real, he's not in the culture, it's pegged my respect to the bata.

You know, I'm going to say, the salas, supe so I'm to say, I'm going to

say, I'm going to do you, so it's so, and the bachow and the day of

this podcast I say, no, man, I'm saying, so, so, so,

so, so, if you know, we, we, we, you know, you,

you, to be not when, we, not he, not

he, not's nothing, but I know, he's not he's not to be a

way, you know, the net, the bato, you know, talking to in this case, like the

same, like, if you know, if you're saying, well, so, what,

so, what, so, what, actions, you're, it's, it's,

no, mame, wu, that's so it's like, like, of this

way, of this way of the, of the the boy, what's the man,

the loco to get to the way. That's there's the people, you know, you know,

they're people, you know, I think, the 90% of the rappers peggos,

if not is that the 100, they did they're actually what's that's the battle with

a bachach A day They came They were They said They were They were They were

They were They were They were More people more That had more Pets or I know And

never more They're And it's It's I don't I No, I No, I'm

No, I'm Cere To say So-N-N-N-O- CENT They're They're They're

They're They're They've they more they even more they were to have to have this power to be able to say what I

I wanted to say the people maybe you know that's a way who's who is,

he wants to call out of the fame of those guys? No, sir. It's a message

direct. Directed for them. And no they're not they're trying my

one of you he's up a podcast to say that he and his barrio had recovered his things

and that he and his and his barrio had done, no, no, not sure,

the same that they're in the money, that they're they're in the people,

because the people of that company know for who they gave the regalice that

personage. That's what I'm I'm think I'm sure, that I

mean it's No, I'm sure. I got to your department. It's about your family

and your father personally me asked to help your regalias. If now you're you're a

no-se- -kien and you want to go and and think to you are you

be in barrio and I'm I'm only always. I'm I'm alone and respond

for what I do I know. I'm I'll repeat, I don't let I'm facts,

are facts, are facts. And you like the real? Sure. Sure, carnal. I've

always been distinguished for that. I've been a man that's been done to a cull to pay. Why?

Because, God, God, God, me did a piece. I've got socius

with those that I'm there's the ped. I do. I go my feria, way,

like the other. And in a podcast I've got to I've heard of you. I've

I'm 41 years, carnal. Yeah no I don't be the morrow

that's I'm but I'm more than that's that I do you

know I'm I'm I'm my family I'm my

my little I'm you can see a little

I'm I'm I'm I'm I do and the person

I'm the man more more the man's the

Oh, I'm glad. O'all that those that people live, whew. And I'm going to resaltar,

way. I'm going to this, way. Fiatte, without we're getting, we're,

we connect us we're, in this case Santa Fe Klan, no? Obre batto, we.

I, the podcast that he did the podcast that's and I'm not I'm not I'm doing this

with me no, you know, you know, but I'm because I don't know the Mour or never,

no, I never never I've tried to. But what gacho, that's it has the

exito, we, have the money, but not have the family, but,

look, artistically the bato, no mames, we, look, of the things that

he said, in the podcast of that way, I'll say that I'm that I know

that he says, prepare, Caves, cabrones. That the day of morning no get in a place and

they're saying that it's a re-sustenid and not know, I'm I'm going to do you

mams the accordion, the piano. Yeah, if it's I talk various. I don't

do I'm a bit of the bato. The net my angel, not is to try to

myrard whey. No more he, he, when one he did no,

it was your barrio, carnal. No it was your barrow.

We were I and other compa. No more. No more. No more. He's

not. But there what was going to him? They were They're They're

They're They're doing their And there to go. The history How about? A

day me he said Hey, carnal fiat that's this problem us can't

help us can't help to be to be and so he's so they're

doing to hear carnal well I'm not I'm not nobody

but if they're they're they're too it's too we're we're

we're we're he did the paro he's he's we're going to enter

in details so that's it's not too it's he's he's

I'm back back carnal no it's that I want to I'm no, that's the most

verga, no. To me in the puttasos, the ballas, all, like any of any of the human,

no more I'm just I know, yeah, yeah, whey, I mean, or yeah,

yeah, yeah, just, you know, to make a to make a , that you

don't know, that one has to get to a space where your projection to be

a, a million to people, so, and that's that's, a pinch teatro, carnal.

And, you know, at a rato you're going to be going to be and you you're going well,

well, so how? I'm it's like, I'm going, something like, so I'm so I'm

so, give them, yeah, regalel to the people, because at the

people, you know, the check the chequecett for much or so that's that you get,

to do every person that's every person that's that's being your

trajectory. Regalel us a little of sincerity cabrones are honest and they're not I'm

the more I'm not I'm no I'm no I'm no a person X

common and corient that like when when when when

you when you when you you're when you you're to say you

see that so that so that so that you don't you don't you

think you not you know actually what really happened

we never never you never to you know because a question

of the question of the way to the maybe the bach he gotro

an manager that if if he was to say he said well you know

you know you you know you manh to manage it this

manner not he had not said what I

think that see, look. Because I know, you know, you know,

and at the more, you know, and at the other people, you know, he's about the

problem of the Spotify. I know, I know, the version to one more not of the other.

Mm-hmm. So, no I'm so, so, mm-hmm. You know, but,

but, well, so, but, I'm going to do a one side or a other,

but I to say a thing one something. If a me accorraling

20 cabrones and me peling the and in your moment

I'm to do to do I do you do you do it you're

to be back I'm not not I'm in the wrong

was one two his state to be You're

in your five sense you're not going to act to do you're going to you're going to get to let's have

a bad if there was a little bit of we're going to get to but I'm I don't I'm a

badgeras I know that you know that these guys have been that were

that's that's not that's this not because what was what was on the

Spotify more to someone more that's someone more that's way.

Because that is going to pass, eh? Between your consorcio that

now is their they're in, huh, his consorce. There's going to say,

no, to the berg, we, that morrow to the man, when

to the maybe they can get to get to there, there's a other,

there's there's there's that's there's and they and they're and they

ensus in t' that you do what they have to do. I'm always

I've been here and here I'm going to be in Halisco, I'm in Jalisco I'm

never been has been the same I'm I'm I'm not I'm no

I'm gonna I'm I'm and I don't because it's been chingone

but because the net no I don't I'm no I don't

with nobody I'm doing in the my and And this that I'm saying

not want to say that he's that's going or that's that they're that they're no, we.

So, not the words, no more. Simply are things that dole when,

when you dole, when you know, when you know respond, way, you know, says you, you know,

you know, no mams, but if you're, so you're, you're, I'm, what I didn't

to be now, now, I don't, I'm, now, don't, No, the bestia.

Bestia me a paro. But, but also at the focus, it's recognized.

Or you you know, you know, you know. You know, I'll do make a question.

Let's say, you, how would you would be if someone of the show,

you do you do you do you do that's basic. No, we're going to be

about problems. The day of the day of the day of you have the possibility of

a camera to a someone to be going to do a

podcast and that someone and more the day of the day of morning

no more because you know because his mother because his gues

because you're to say you can't and it he's he's

clearly I'm I'm you're that ever and he ever

but so you what is what what what right.

You know, but... Oh, Hey, Cabron, you took the molest of the

of the to be, carnal, passed this pedo, how do you? Why not you've got

to say something, I said, never was a problem of I never to say that

to say, I'm saying, I'm, okay, if you have you have a problem with

you, to get with 10,000 people to say, you with me, and

And never to me He said Oh, well, you you're you're

you're you you're you're you're you're you're you

know and you know and he never you never didn't

no no I think I'm I don't I'm

so I'm I'm I'm I'm I'm that he's

he because cotorreo congera or cotorre o'clock okay okay yes

yes And it's very immodew that you makele one thing with a word,

I'll say another. If that person for the we know we're doing, for you,

for you, for you, to get you. So, me you know, and apart not it's

in their time, but that's, no, no, and I'm, so, it was

was a thing that I do, we, you know, you know, well, is that,

for example, I, I'm so I'm too, I, of okay

that the way I'm so I'm with a person who's I'm so I'm so I'm

so I'm so but with the time you you're just that you you

you're not but but that you're you're exactly I'm I'm maduro

dude I'm I'm I'm I'm 40 years to me because

you with that cabron I'm going to take partied I'm

even I'm even I'm there I'm saying to do a hera, he's been

you know you're not going to make my amissities I don't I'm I'm going to

let's I'm I'm I'm I'm I'm yeah heira

he has he is my compa you know when he said you

don't you know there was no, man, because, no, whew,

I have a manned with Jose with C. C. separate the pedo, separate the

pedo, it's, all right? Now, yeah, what he does, his,

his, his, his, his, his, his, his, life,

well, so, well, you, know, so if he's, if he

, to go, to play with a battle, that there no no

need the to make the , and to go with the little bit more and say

that's good, because I'm to give to give him a guy, that no valid the

way, and I'm going to get a little bit more and makes feel, verga? It's a

pedo, carnal. It's a pedo. Every kind, every does,

and does it does, and if you let's encandilla what one says, I'm trying, I've been

24, seven to, to, for, to clarify any question

you know, because the realities a sometimes dole when when someone

you say a net you call and you prefer to be you know

because you you're so you do that way that gachio

that those that don't and I'm I'm I'm

I'm I'm this can this can't in the

in the back world is common is common so

for encar to a circle social, they're chuped and they're and they're and they're

and they're you know, that you you're, but the that's saying the truth, and not

you're you're and you don't you and you preferes to get to the

and in the future you know that's that people never never because

I'm more than you you talking about you talking to they're

to be to they're there are people say, they're they're

they're in there's to be in my side and they're famous but

always when that other person not they don't say because that's

going to be that because their vision is who who

has who who has the family if you

want you you can't you can't you feel like you all the put in the

puttie and if you're there's just to do just like if you don't you

to get to see the other way that's here's but we're we're

we're we're we're we're in the if there's I'm

I'm I'm I'm I'm I'm I'm I'm and

when I talk to talk to to talk Ante the public or onto a

a camera I do the merit to other and when they're they're they're saying

no carnal no I'm not I'm not for mal but not to not

exhibiting you know and you know I say know I know

I'm not I'm to say to you know to I'm and is

that is that you see you see used one way

Verve That there's That's the morbo If not is That's that Cansan And you You have to

Sure Much time You know Cabron For what I prefer My tranquillity My

tranquillity My tranquillity My To be That's That's Whombe In the

Oid Whee, You know The That's You're It's You're

You're To be You're To be You're I'm That's That's

way. Me invited. Thank you. Thank you. Only I'm sorry. I'm sorry.

I'm sorry. What I think of what I'm what I'm what I'm see to the rapers that more or

less or they're going to ask them a thing so. Preferer not omitir to

and do you do you do I'm I'm I know I know.

Yeah, well, is that The convenience That is that fulanito I can't take the hand No, I'm going to say nothing No, me going to To be able to do with The Puerna, what is

You is your, is your And so I've learned In the way, I said a rato You know, I'm talking about You traigas Aambo

And I try a bocho You make more than I. We'll do The same Utility. No, because to

They wereveer and they said that the or, it's more more than the chapa vales

more than you. You know, I'm to do you to do you to do you do you what?

What do you prefer you? That's, or that's, or that I'm going to give a life entire

of a tranquillity with your family. Ah, even the question Fendde.

I, I, and I'm I'm, and I'm sure that many artists that's

they're what we, but don't? You you're way. Yeah

living that experience, way. Well, way, of what you do you do you're

to get to get to be to get to do you? To be say, for example, I do to

you know, a one, a waltita cancun being a figure public. No,

no. When? How? How do you cost, whew? For you to get

to be a vacation as a as a famous, you're to be five

more than what I cost to me. Yes. For what I want

the millions? I prefer my tranquillity It's beautiful me live much time

the net I'm I'm I'm I'm not styrles not not is

I'm I'm I'm I'm I'm I'm Santa me

did two two songs way it's good thanks cabron

so I'm so I'm so to be to be to be to be

a whatever was a song. And me he's open to the

studio, carna, what you work, I'm with the M. in Malafet, with

many artists. You know, what is the artist? I can say, that I said, that

me gave, but that's, and that my respectos, and always I

say publicly is nampa basic. My respect for that man, carnal.

Why? Because we, we're to do we to make to Mexico when

no were a guy and the bato me most of more than much that's

that they're that they're that they're that they're they're and they're and more cabron,

we. We're we're not we're doing we're we're a bigon, I'm not

that the bata me said, in my life Cuchito had had seen a person

with a lot effective as the you did you You know, the bat, I was to do not

a quarter where we're and, in the night, we, de cabrones we, we, to bring the caca, no, to get a fairie.

To live the pottero, yes. And the bato, imagineate, we, the time, well,

the time, we, we, we, we, we, we, we're going to get a , yeah, we, we're going to, let's see a few

that's a co-feria, no, mamas, and, so, well, you, you,

you know, you know, man, then then the bato regress a carnal,

the bato to do a little over to get the he's the batto be the

altures in the he's a lot of you know, is the only artist

that I can't I can't that I can't make me to ask me to

you do you do you don't not it but I mean in the

in the sense figurated I had had the necessity

a time to talk to because the that's a putta carnal,

when you see that a way that that's a bad at that's

a really, it's you have the words always that's a

man, he, I'm he, I know I know before the

Mercedes, of what what are looos I'm in a carito

we chikito, we we, we're we, we, we we're we, we're not

My respect is for that Cabrona, so you I'm a bit a little, a batto a real, a batto

a man a man who doesn't know, to do you to do that that's a no way, I mean,

I mean, I can't say, I'm gonna I'm gonna put the mannors to fulano

or the piece to mangano but I'm that all people know

to be tapando a little my cagadas those things no,

they have to do publicas. No. I don't see just a little

a new notice of, I don't I'm know in what country,

I'm that's a disaster natural. And, and he a a vire

whey. After that's all the ped and that the people

and that didn't know that the man he had made to

him he know how many dollars in Viveres to

help to the rasa. In what you said to tell the

bato to say I'm when the people help the person carnal

not up that's the place or that the focus so

so so so we're talking that people in the

general in the that I'm know I'm I'm I'm a

man so my carado I'm Cron Coooo Pio

come so Peeeeeeee C that Coo Vanghs to come here. Also, carnalism, the bato.

Humilde, the bato. People, of net. So, when you know you see that necessity, my Jorni, to say,

I need to me open this door. Necessito the day of morning to be famous and you can't

be very but in my age, yeah me very chabelito, no, ue, querient to

be, I'm trying to be the principal in the fame. that God me bendige

and that the other and that the other I'men I'm going to goy, I'm going to something that's

that's I'm lamentablement way so me they're many doors

for things of the way it's that's about to say it not about

I'm I'm going to be my family is good my family is and with that's And what gachio,

way? What gachio is that when you are going to when you have to be way? No,

that's a matter, the net, oh la that never that never stay in the zapato of one

because it's difficult. It's difficult to be how, oh, boy, no you know,

you know, you know, you know, you're going to be able to to do you have to do you but you have

to work you have that you superer that that you know that the time the time

to make a God to make a more more not a fast pat

natita no they're a peltit but the recompensas is very

good no I'm I'm I'm I'm I'm about

your spirituality, of your people that you're family, friends, a business, what you

that's that's what has to be. So, so if let's never

they're because they've were they were, much hate, much, poors,

we, poverty, because that's because that that's that's way.

And the really not would that would be passer. Because sincerely

it's a grueza. It's a grueza and it doesn't you know. No

you'd like to let's passer and when the space they have the

capacity to be to be to be to do you way it's

I'm would if I'd would if I would would

I'd be is a hypocrite whew yeah yeah I

you I I always have been to the Chille Pinto but but no

I would even a I'm like a because he's a coolero and that

they know they're not they know no way no no know what

what I said no you know you're you're you're gonna you're

you're my my man don't say no there

no that cance not money that that's for that

that's I'm so I don't recognize a much people that was mal grateful

if me let's I'm going to make mention of people that in

my life were a little I'm in a little like many

of those we're in a moment I'm here without not

knowing to know what what I did what was what I

was when I was in pick and I'm I

Ked literal only I'm very present few people that were a clave

for you me get a and if me let me let me let's

let's my compa Luis Garcia a a fabric of the

that's a man my man who my carnal let's make

music I I do I'm I'm who put

all the people all the people you to your can't here

is it's your way. That's your so there's there's there's

there's it's even I'm he not I'm he was a

perr the situation man man me me me that

I'm that I'm that I'm that that's that man

man man man he he's yeah he's yeah

there there's Yeah, carnal, and the chingado. At the days of being to start trying the theme, me said, how, carnal, that you did, so I'd be doing this?

And no, carnal, well, it's valio verga. What I no me fume, well, I know, I was up, way. You, you know,

bad, yeah. My carnal, because, imagineate, of morros, well, we're not

we're not we. The batto was allivianed lividado, we. Al Bato with much

effort with his brother to the friendton. The net boy, I was I was

I was in a mecita in Obregone where there's aubrott those vats

they're very good, thanks to God. And were bato that not I'm

that I'm that did, maybe with that with that with them with

them now I'm doing my business, we. You know, apart of the music,

thanks to those people carnal, is that I can't come to a podcast to be

to be a what I know, because if if tomorrow me are all those

those little that my ballsa is a okay because I

don't my business because if I want to make music

and no me and no me doesn't me do a dollar in the country

to be for me satisfaction. I'm I'm going to

that Rucco that's looking the fame in a and if it's good,

to the good, to the more I'm doing the mother's to be sobe

and be a man, I'm don't I'm don't no,

no, I'm going to do a underground but if in the

personal if some I want to I people. If

tomorrow are with me or if not they're no matter. No it's because

I'm I'm going to know who's I'm doing that and I live

and I don't you know you're when you're a great when you

when if the day of I'm a company even more than the of my

people no me more I'm more I'm and

if a the necessity of that I I'm going to get to be to be so you know,

so you know, so and that's what's the one of that's the thing that's

people who got to he said, he said to the vera boy, I don't

me go I'm going to get to yeah, well the morros of now think

way that that be that's that are famous we that's

that's that try a lambo and ten cules in the

lambbo w It's all in the life, way. No, man, we.

They're very vacuous those chame old, yeah. They're doing a put life

bit bit bit weird, boy, morrow suicidatings way. Because it's a cabron,

way. How you you're to get a little a manbo, but

you're put you in the head you. But never they're never you never

they had to get to be a man he's a man. You know you're

not you're you're you don't you and And, yeah, no.

Because is what I I say, God, God, I mean, yeah, we know, I see, we know,

we know, we're so, I'm going, and I'm going, and I'm going, and I'm that, that's all the

not, that's, that's the , you know, you know, that the rapos are well,

yeah, but, but, you know, car, when you, you know, you said

a, so, you're to be that, you're with the real

you have to live a little if the really does

it's incomod to the people that I know to the people

that are in the farandula I never saw I don't have you

don't have to express to with the truth and I

go to get to you go to get my

family So, so That's That's That's That's Yeah, That's

Yeah, That's Yeah, get to A lot A little A private, A colony

Metas the car To get The back You're You're a Afts The chama

The chama Your This is This exce Cena This How's How do you

No Pa So So So If it Fuer in A

Cautitril We in a, but so, fiatte. Oh, yeah, I was with my comp, Louis, we're talking

of that's, and me say, no, ma'am, is, perro. The Jazz never you know,

I said my woman. Mm-hmm. That's he's all what you did live, and there's

to be here. The net I like, I'm a thing to too, too. It was part

fundamental to not pervert the equilibrium when more I've made

to do a people for how me paid. And me detupe

my my boy. You know, how's years you know? You're

the more. But is the only. I don't I'm, I'm, I'm over with her

same. No, no, another other, another other, another,

another, this, but, boy, my morrow, now so,

so, me is, very different to the life, way, the planet

to I don't, What? What? The bestia of the bestia of the

kid, well, but the first and the most important was, was that

many people people say that the the children bring the dog, man,

uh, me it took to do do the part to put me the

and and not to pendeh me because my morrow my, my,

my, my, my, my, my, my, my, my,

my, come in all the way. Three, four times a day and

and I could just think that if he'd was, he'd and if not too,

there was a compromise no, there was that, that I had to put me

to put me the power that's yeah, way. What came of me

that, first to that, well, the enfoke. The enfoke, way. And the

secondary, way, I'm I'm I'm a father of family of time

full of I mean I have my business I go no see it's changed in

that also I'm I'm I'm I'm I'm I'm I'm

I'm I'm not going to make music I'm I'm going to do I'm

to be to be I'm I'm I'm I'm I'm I'm

this morrow I'm that I'm that I'm I'm that I'm not

we're to to be focused in the creenza of the morrow. Thanks a

God he's done to get a lot of the two we're doing in many

things, they're doing much new things. You know, at the final,

was the only compa my my woman, in the question

with with who you share with with who you really

you really you know, and the almoa way.

In what me came in I'm the tranquillity

and the peace to say you know you're not you're if you're if you're

let's let's that you do to that's that's that's that's

make a make a man way right right uh... uh...

uh... resalted a little the thing of Santa way in

questions of the family we the morrow he does much

boy and he dole and ohhala that the morrow encounter that that's

stability, we. To be what's what's living in family. Oh,

uh, the net, pa. Oh, because much a tachito, much

money, much here. But really when you're from the barro,

I think is what is what we, apart that we, we, apart to

we we. Is that you know, the other the nether the morrow not a mornro

no is a person a person a bad I think that's un-obicated where

occups the people the person in the question of your career yeah and in the

question of your question of your question of personal to make sure yeah yeah

I'm I've seen so I've seen clachar well The neto, I don't Chiva,

carnal. Like, for I to do those things, he's he's so much

and what he and what he not, carnal, I'm not but he but he but he's,

so just, I'm just, I'm just, relaxate, we, we, we know, we're,

we're we're you want to get to get into get desintoxicate, whey.

There's where. Vivetela well, well, a bit, well, so,

if you You know, you know, I mean, he has he has he has to be with

his own or the life, of the thing is that the thing is that a

time is that when to be down to get a fear to go to

to get to get you that you get

to you get to and he to he's

a change of a man I'm I'm I

in my house something that was that, for example, I I'm from a barrio,

but I'm going to scupil the car to my mother when she had two jobs for that my

men and I, standing in the barrio, we'd have good tennis, good rob, we'd be,

and we're a little for that my ambition to say, and I need to

this to do this to do. The truth is that never we've lived

well. I'm, I'm, behind the lup the person the

critiquet, no? In my person, I feel that no we're doing we're doing. We, I think a grand

of a morrow, in this case, we're not we're, that's so so that so that's

that's that's that's what you and what and what and it doesn't

no no, padrino you're you're you're you're you're

because grace to God you know the attention of your parents. Yeah,

cabron. And to have those together. No, chula. Because yeah forget

of the artists, dude. I mean, I mean, I think that in general, already the

compromise, to say, whey, that the morrow crows with his father. That the

morrow not, that we're that we're not, no? So, that I

think that is what most value. I, I, the net I know, my

first morrow grew with, not with the material, but I

think that there there was there was the yeah, I mean, the

man, I'm got to me, I'm did with the momro,

what was that that's there And there. I mean, the netta no,

no, not to talk about about that I'm not no, no. Well,

for respect to him, you know, it's chido. Wey, pardon that you interrup-

but it's cullero, we. It's cullero that the parents, way,

he, they're, they're gachos to his kids of his mother,

or vice versa, well. I've learned, I've learned a mal that no need a

to be able to my son because his mother I always you always you're inculted your mom my

my problems with your mom are my problems not your problems but also I did the

liberty to decide and to accept and to see who who was who was

his papa and because it the responsibility of one as a father to show the

carine and to to your to the person that's your your boy.

Your son is the most he's the house. Well, now now the batto go to

go to my morrow is another pedo, my morrow is my respect is pal the batto

the man mancha Chris. She'll want to live. The morrow is bilingual

and he's a little he's about a about a company gabach

he's he's he's he's chingon the bato he's doesn't he's

very strict in life, we. Bato he's him to

him to be he's time him? What you what? What you think you that's

you? He's he's not he's so that not the prov'er. My

morrow went to do to his car be and he and no he's

not he doesn't the not like the corridos no he doesn't that

has to nothing to be to be a flower to be a flower of much the education

of my wife, of my Tia Laura, my Tia Laura me little my Tijuana, well,

my Tate Laura. My Tia Laura I think was the that was the she did the basis, way.

She made Javier to, to be a man, and be, to be, to be,

and then he, the bato, well, now study psychology, he, he's,

I'm, I'm, I'm, and it's very, strict in his things. What?

What? The person, the Valor, we, to not agh to get chas

the head with nobody, we, we, and with never.

I've never had been a partner, has passed depression, has

passed things things in those I've always I have always

I've said, way, no important if the day of you

that I have a year, you I'm to be like my

morrow always, like a little a little a

me a pass. In that sense, a netta no I don't know like a

man, well, you know, I'll go, I'll go, I'm

a brazo the carone and we do we we're a bit of

the bto is the new wave, no, we, they're the new wave, the new

bato, no cre in the infidelities and mamas so, and has

there there has there's there been there been as what you

what's what I'm the what's the influence a way the absence of a way

and also it's the presence way that when you have to receive a

word come to come to your father cabron and not of a

person that to be to get to get for other no you know

what has been my lemma with is to say here

here here you you you you What You want you

What you Here I'm This is the example To do you In quite The pedo of the

Cours In quite The Peado of the Cows In that I can Favorecertain

To I'm A man A man I'm Nobody I can I can

I I'd I'd I'd I I'd be a Pessor My car, my

family Nobody When I had I've had been an adversity for X

or Y that's there's a reason there not there's

a good to be to be to say to do to do I'm that I'm

that I do you I'm to do my real I'm my vision

we I I've I've I've talked with my

my when me he's the the love to

that that that you have to let's a you

you have been that I've I don't have I don't have my

and I'm I'm going to live the and they're to be the and they're going to do a

house, they're going to if it's a same, I have the

I've got the you know, you know, you know, you're that's the only

that's the only that we're you're you're you're the only that you

can't you're the only you can't do you to to exteriors, not,

to people external. Oh, I'm a wove. That's my philosophy of the way,

no? Passing to parts of more personal and having to a side of the farandula

is that that I could give a good to give a reason, yeah,

but it really live so you don't you know don't you

don't a man man, boy, now yeah of yeah of yeah

that the stah been in being in being in living well in living plen

with my family yeah you get to get you know you know you

you know you you know you you know so what so what for what

what I'm what I'm you what you to you that's that's

that you and that we we're all the band that we're we

we're chinggo of chinko de morros that no they're why to live a

putt a putt a life of violence that we're and we're we're we're, we.

No, it's not it, we. I think we think we're to make that the

the youths we, net, even even even anciano, have the

have the life to be chingon, we, you know, not entre arms and and disvergue,

we. Wait, that's been Zara, boy. For example, I'd I'd

asker to the people that's being the I'm put on the

comments in the place in the country so way without

that they're not that the the way that

really that's a focus because sincerely in Mexico

is a no no no no way the

violence the violence the the arms, chos, that'sue. But you have

seen that are hereditaryes of other countries? We're we're the vivoriency of the

bad the bandillas the arms the arms of where are the Mexicans are we?

A me if they're to choose I would be to be a Mexican carna living in

Mexico you know Lamentally we, we, we we're we're we're

so we so we to live between between the violence and but also not

because we're we it's because also the putt system of supervience

we that has done the life us has been to be

and ohio no is the not the life adequate saying that

also that also that's the way, but in other countries is equal, not more

they're doing they're doing they're doing. I think yeah. States United is

full of violence carnal. But what you're you can? You can't do

you want you don't me do you don't me don't let's we're

we're we're only the only the people who only the people who so it

You do do you want to do you want to you want to you're to get a fulano and the government

you're going to be over and you start a foquetto an LED no

for the government no more that's we're we're so it is not

there's no I'm no no I'm gonna I'm I'm I'm gonna I'm

no certain we no certain no certain way to be to be to be

to to get the point in that maybe is. And you you know

you you have a broncon on the no you've got it's a vrga

you can't be back back you know you're you the caron

and the fame of culler and now when when you

just only in your casota that you or you want to

to ask a friend of Abran to where you get to get a now

so you know a relaxated for the right that that go

flue and as you what you is for you for you what you

no for more that he doesn't to be going to

the music my respect is to all all

all don't don't person the things that they

have cabrones. And if if, and if if we're here, we're going to

go to go to go to go to go to get to every, and I'm going to be the

same thing, and I'm going to think of I'm going to have you said many of things to

do you're what's one has to be here in where that's that's me have been

a door to be so you. So, how you can't care well,

I don't know I'm I'm doing to get to that's my personality, carnal.

Your invite of you is that person that's that you get a good or you can't

the hypocrisy no, no, I'm not you never, that I don't

a chingo of music if you yeah no they're not there's no, I'm a

pedo, there me I'm all I'm all gogleando who's who's the

bestia man The bestia? The bestia? The bestia. The more, me said in the cabron bestia,

we. And then when I metia the, the world digital, no, I'm not

they're just the cabrona, we. I'm I'm juste like the Spotify and YouTube.

There I have Rolas with my colleagues, the Santa Fe, El Jera. Ah, yeah,

wah, yeah, well, I'm going to hear, I'm sure I'm sure I'm

but I'm so I'm because how they have been that's they're six years?

It's a It's like It's like I think it I think it I'm a I'm sure I'm like

I'm I'm sure when it when I'm when the when the when the kids

no they're no good good so way yeah yeah

yeah yeah he really very very good very good

very good I yeah I I'm I'm I'm

I I'm I'm so you think that that's the thing

up up up up to the net, to my

point personal. I think that that's that the manned

that was the J. B. The net, also salutes

to Javy. My respect is to the carnal. And Jera was a point

very important and basic in the career that that's GERA. I think

that if J. No, no So, not. Well, to what

is to make that's like that's what he did to get to get to do it.

Yeah, or they're those bronchias there. And then that's another that I

can't to tell. To those guys I just to get us after the after the

after the mother publicly and the shit. I'm I'm he said,

I'm there's a verga and Guadager. So, did a year and those two

they did the man, and they're totally mad it's it's

the but it's that it you're not so difficult you're no need to get

like he he he's he's we're we're we're we're we

we're we're we that's that you when you know

that you're you you're there's you you know

if the that if the bata you think you the

the the the the thing the the Bato

Sabe, we, the recipe of the environment, of the music, whew. I grew

in the extreme, the other side of the society of J. V. J.B.

Blais. Right, the carnal is, is doing other things, but in that then

was a J.J. Family. Mm-hmm. It was one of those who I did seried to my

environment and they were socied they're two. For us J.J., John and Jose.

Mm-hmm. If I was I heard Menter that's Yeah, yeah, but also

that's a bha I'm I've I've recorried carnal

in this ambient that there people that I can't but the buffon

of Illuminatic that way me made so he made a do a do how

how many you do you officially like like you

you you're a chinko of you and regated

Rola Rola I think more of, no mames. What is the the song

most heard of you? I'm on collaboration. Ambas? Ambas? I think

the Cigboy I, I'm only. And of collaborations, the net I've had been

very bergas that I don't know I'd say, I'm sorry, I'm I'm sorry,

I'm no say, one million and pico has the and the of the Lema

Malafe. the Nampa. With CECA, no, you've seen songs? Yes. Yes,

but but were the first way. Never me met you to be, way,

how many I don't see any who gets that that feria. Because I think

that's way, that was a man, that's that was, no, man,

I'm I'm I'm a question, we, we, I'm a met with,

we, neta. And, no, mames, is that is that is a

a vergo. Well, yeah 20 years, how's? Yeah, a bird has to be

a guy to get a guy andky of the scene of the rap Mexican, yeah,

and be, with the C-Cans and you see, is that you know, that's the

thing was, we, that we're we're, we're just like, but not it's

like now, way. You're now does a rola and that that rola

for force is a we're we're Mames, I, I mean, I, I'm easy,

I grabbed some 10 rolls with the bato, with the vodka. And we don't all were all? No, they know, is that was,

it was a pedo, also that pedo with Jose, with the Secan, really never

was a thing I, but I did I, I'm, I'm, for my primo, for the

pinche broho. If you that's that, or we're going to be that, No,

d'all Here we're doing Oh, pa That's That's That's a

Good That's a Yeah, we're We're We're We're We're

Secan and I Wee In Guadalajara The Neta We're We're To be

I'm Not to I'm He He He He He's

He's He He's He I remember that in those In those In those In actual

For you To get you Fumar Mota Wena Wiena Bona, one of his Maniars of his managers of

And And the Bato Guarded Way of Chronic That's Not there

No Cush No The Pooch No All the Puttas Species

That's Yeah, Yeah And say Yeah Puck He was a Bato was

And when He'd He'd He'd And he'd And we'd And we We'd

Yeah, way. I was also he said two, three paros.

All right to be chido way, until that one day the bato me set in your

house, this never I've called, well. The bato me set in his house

and the he, and the bachas and he macko, well, look, Bapie,

that you know, the peter, da, the boca and the, and the brucco tan f'

garron, that I'm we're not we, man me, dude, I don't I didn't say,

cagerm me of the Risa or what? Because you said, you, No, no, I was,

I mean, I was, I was, I was I'm sorry, because, I was a lot of

was a little bit more, and then you, I'm not, I'm not I'm doing, but I'm talking,

but I'm, he's, and look, the only that could continue to because the book is very

ambicioso and the brucho is a ratero. You're you're the only that's the only that

me ch' a me manned a machina music of Puerto Rico way, there was a

producer symphonic or I'm whew, and a day I get to get to

this putto you can you can't you can't you do you do you know you

you're you're not you don't have so carnal, no I know but I'm

about talking with symphonic you know me me me gonna be to break, yes, or no,

symphonic, do me the symphonic and, oh, yeah, pa, p, yasch, yeah,

I'm at the verga. I'm I'm sorry, I'm way. What's the peter?

Yeah, I'm not, dude, the net to Jose, well, he, I said,

but, but, well, don't mams, w' man, eh, how

he'll go to do you to do you, well, the bato is my prim,

the bato me met to this he, and, and, yeah, now,

well, well, there's, way, there's there's there's, there's

that the he's he's about and a pendejada and a way, you know,

you know, that, that I yeah, neta, carnal, a la chida,

whew, rompela, whee. I said, I said, I said, no more I,

I said, I, I'm just, I, never I, And, whey, if the bato gets to see how

I'm doing chishmosa the band, you know, he's a bad, you know, he's a perro. You want a

chinggo, we, my rest, no, I'm going to ask you to be a and he

said, the people with the people with he was I'menia now, you chambia

no, you're, you're to because it's back, because it's verga. No,

carnal, without ped, I go, I go to the studio of my prim and I go, well, you know,

you know, well, I got to get to the house of C-can and the he's been about a boarico,

whew. Me said, ha, no, mame. I'm, I'm not this perro,

me, I said, I'm, yeah, I'm, and, and, way,

I, I, I said, but I'm but I'm but I'm because in those

then, fiat, there, there, there, there, a, Yonner one

you. You know, you know, so I'll use the channel of Johnner. And this

way, the brouho, passadito of berga, sin filters also you know, because it's

my family. Geregared the caras where, de playeras. And the bato they sent

two of those of most of that's way, and I got to me to

me to me to because I'm the bato that me not they were to me

I'm with penas I'll go and I'm like I'm like two plieras for a year I'm

like you well well so you what you so you so there so

there all that that type of pendejada way you know you know you you

see you yeah where there bennit god me

me by god me me I'm I'm gonna in detail I'm in bad

the passos and what I I got them in the putt about you have been so much

I'm going to get a day to get a guy who what I'm what they're doing they're

they're they're doing a business like that yeah that's that the that's

that's that he's way the then the I'm well with my

way with when I'm yeah yeah but I'm a borgue that's there's a

of carseus cagados and the verga, no, the bato, we. And, ah,

no, mamie, Padrino and the verga. And, way, total

that's me, well, I know, I know, I don't see, yeah,

that that's a badger, I have to pay. Because how no mame is,

there, there's there, there's where we, and I, and he, I,

I had my house, we, And there And there's A-priced A-pricia

That's like Yeah, and it's There's And I'm Cotto, whey. And I'm

talking about the reality, the bot that was he was a brother, he'd

in the Fracionament Autocinema in a house of his wife also. The Seca

there's there was like a Becindad or in a besindada So, but I

think, I mean, I'm I'm that's respectively Not even I'm

I'm saying Hey, whew, I'm sorry I'm sorry I'm sorry because a yeah,

so I'm so it's like it was like he was so studio another quarter

I don't I I'm I'm I'm I'm I'm so

I'm I don't I that that carnal right well

well I'm I'm I'm you know you know so where

you said where I'm but but there you

go in that when we're when we're when we're you know carnal you know

you know you're at the verga with the rap yeah if you you're at you way

but I yeah I'm I'm I'm so I'm so you know carnal

well you because I'm because because practically you're

you're you're you so that's that the Cairn I'm I'm

so you carnal. You I'm my respect is for the carnal. Sup

manage the decisions and is what I'm much they they're but also they're

his things borgas the bato so po how to take the decisions and move

the well well I'm he well this well

I I'm well I'm that I'm that all the that I

no I'm no I'm no I'm no I'm

I don't have nothing in contra of the morrow and I did it's let's do you and you you know

you're not you don't want to be you don't want you do you know that the

pendejo he said in when me de the way he does the he's the

time he he was going in the car and and I remember

that my noki ha ha ha of the panties pantill a pantyl

panty panty Yeah, so the brugge the brugue, and that that's I think the

Ruele was up in MySpace way because still didn't the sunclos or not of that

manna whew Brega whey ligo the bit boy like

they're they're they're if he he's he's he's the he's

he's he's he's he he's he and he and

other and other whey I don't you will say what not is. The bato never me mentioned

so all the was a good. Until that then he was to put me

the and so when I started with JJ Famp we've we've

our pedos I did we are we're we're we're

we're so so so so then The people no

know, whey. The people don't know we. Why? Because

no exist in the media or the people that are directly in the

situation. That was my pedo conced I. I never had seen a

pedo direct to say yeah, but yeah yeah, well,

the not really nothing relevant, nothing not not not

no what. What? What? I said that in the the way

I was going to go to get to get to my time. I get to hear a

promoter's to say to me prim, no, is that the net, well, he's

that's more more than more than you know, and if you're you're

not going to want to be. The morrow was a man, way.

Yeah, it's that really really, so really, so it's really,

so that's what they do you doing to the reason to the thing.

And to start with a broche of But is what they do you. Carnal, one who

one who still is still standing in the guys, they're not. How they're going to

do you do you do you know? What, I'm, if I have all, if I'm

a business, I'm my bars, my restaurants, my marques of my

new, my new things. And there's a way like the menace to

rasked the fund and I do you who you think that's more

miserable you who you think that's more well no well

no no no no no you don't not

you don't do you don't no car no no carna no

he's what is my place I'm do you don't me

you don't me you not be not you not be not to be

not to be part of the It's a I'm a verygues How you know you're doing

you're doing and you're to do you go to and I'm on the and you're you're on

a novel in the reds way never it never it's not so the world

the world yeah the world yeah the rap real no mams

there there there there thereperos that I'm one of one of

one of one one is compa of them They're way.

I'm I remember that in a department we're we're we're we're

what on carnal? No, carnal salsa that parted. I'm sorry you're

you're you're so you know my no one one

no one no I'm chido we're we're chido I'm I'm

I'm you're gonna you're we're we're we're we're we're

Much gusto, Perro. How about? No, carnal, dude, I'm chided the bato, man,

man, yeah, I'm very chilo, well, he's the way, I'm going to go,

I'm going to do you know, the bat is chilo, well, and I'm a lot of many respects to tell you,

but my respect to the, what's a thing, of him, he's not so I'm consider it

I'm not, I'm not I'm not I'm not I'm much less, I'm just the truth

he's incomode the I don't know. Cableon. But I think that we're

doing the right to tell our real time. If the day of the day of the podcast or

to other to want to to say the contrary, I don't let's I'll do you

see. Look, a good. This is for the people, not for

people. There's there's there. There's I'm going to say, well,

ma'am, so, no, me, he's, the Camina with God, come in fear. Amen.

The maldita bestia or the cabrona bestia, how? The cabrona bestia, yeah, oh, yeah, what, what, what,

so I'm, I'm, I'm, I'm, I'm, I'm, I'm trying, when someone says the truth, and when I say

a matter, and when I say, more, man, no, so, no, so, and the people, who,

that this bat is, that's, he, that's chas' oh, yeah, no,

me enganch, eh, I don't commit that's a that the commander, how? Yeah,

it's there's no, yeah, but, so, we, so I'm

so, they're, but, but, but, no, me, they're

in the video of the Gera, that the commander, no more that's the thing,

I'm, I don't a pain, and I don't mean, I'd say,

that when when I didn't that system, me enganched, well, no,

so it's that's it's , is that, carnal, one's something and it's

a little a little that the people don't have to know what you and your ego

a little sometimes are more than you know I'm not man I I can't feel a

badger and me sell a boxer and me tumbles and me to get

a boxer that's going to get a a whey with a a furrow and they're there's

always there's one to one to another one to another. So,

so I'm that I'm that I'm that you. That the people do you know, the net.

What do you? Like, they're the Tucan's the Tijuana. No, I'm monedita of the

water. Awas fresh. My best to God God. Evening my

man, my carna, thank you. I'm thank you a lot of a car

I'm I'm I'm, I'm I'm sure I'm no, yeah.

The net no didn't the good to thank to the

heroe that he put here in the in the way of the way. I know there's

that's that's waiting the turn also to say what they what they're

they're and what they're and the we're to have the we've got to have the

way in a camera and to say way what what is so

so but I'm but I'm because no it way

no go for there It's not for there Yeah, that's That's not If you're

If you're a problem You know, know, know, know, know, his domicilios, to talk them

the door and look at and look at there. They've had been much time to say it

in can't and in his interviews and in all, what they think is the real thing.

I'm saying what I think, what I'm what I've I've, I've 41 years,

no I don't any 20 or 30 so my my my children

yeah I'm so the verga is how how it's

and how we're we we're we we're we we're

we we're we're and we're and we don't in

can't in can't so so so just so so

we we I'm Pippal I said the all Pire

Yeah, man. Oh, yeah. Pover bato, boy, yeah, yeah, he's got he's got

to be a bit for me, level world, way, in Spanish. The best chanteador is

that berg, boy. It's very berg, boy. Not bad Bonnie, or

any, any, who can't say, that's that pinchete of campana way,

he, he, he, no, super, pass a verga, way. I'm so

for that Pemexina. No. What is? Pure oxygen, me, go. It's a matter,

is an oxygen is, Tire. A little no, no, Wre, that's

your own, those, the Pemex's un, I'm that, where's the where's,

where? Oh, you know, a, way, that's a so- to you know

to say you not you're a man, we're a peter. A-ha-ha- Myr

mother, how the gasoline, Pue. What's he de on the way? Oh,

is that my comp... My comp... My My comp... My comp... My comp... Barra,

palabana. Oh, is that they're saying... My compa my compal. Today, I've got the

good to know to know my to getzal. Invitem a guy, bestia, of those

that's that fuma. How would say to not my compita the Ketzal? Yeah.

We're going to invite the podcast, we, the Hey, I, I think

one No, no, you know, no, you know, the the other

no, uh, for the Ketzal. No, no, so he's not the

hair of my chien look, look, but no, don't they don't they don't they

don't they're no, no, I think that Ketzal, we, no, so,

too, too, the, if those, I, I don't, I don't, I mean,

but, I don't, I mean, I'm, I'm, the invitation of him, way.

The Ketsal, we. Of the simple, no, of the Ketzal. There's all the

guys are the lot of the thing. Oh, I'm going that's being the podcast, Bherger,

let's be, yeah. We're doing, we're doing. What's the we'reg we're doing? Yeah,

or no? No, no, I know, I'm, my company. No, it's that

were the back. They did ship, and we, Chip, and we, Kemp,

but we, Canada. My bestia, thanks, Pa. Reds social in my couple,

that's in your stuff. In Instagram like the d'avila and in YouTube like the

bestia. No, ma, well, yeah, pa, so yeah, I'm,

I'm doing it. That's, you know, if you're if you're I'm, I'm doing to do it

and the chingada, we're not in those times, do you know, so we because we're

we're not we're not we're not yeah, ah, ah, and is that it's that

it's that the pandemic. Well, if you need If you need Publicity and things of that Meneo,

I'm there's a there's a thing that's there I'm doing I'm offering the service

for artists and that Meneo and get the reds and all that that's car no is it's just

Oh, oh yeah car or not what the part is that no you're no,

you see, yeah I'm here here to yeah yeah my the pantaloncit

You know, no, you know, I'm all the do you do you know, because you're

a horrative you know, you're, you know, you're, you're, you know, you're,

you know, you know, simon. Point fake. Point fake. We're, we're, we're,

we're doing, Mundo Foyke Story and Mundo Lotion. Me, me, you know, and then

there we're to try, and then, but I want to let me care, but, I'm,

yeah, thank, thanks all problems, the mark that me

Patrocyna. Ah, I'm a Perr. And so and it's fine on the

playerita. There's let's let's let's let's let's let's

let's do it no, no, yes is a no, and if

they're enchantados you're so you nervous. Awah fresh, no,

so I'm not so I'm so no rogar. Ah, ah, so

thanks for the space for the space and And that's And that's SIGAN,

you'll say, a ching of blessings. Thank you, man. To get what you can't do

the man to come to God. God. We're going to let's do. Let me be there we're

getting to the comments Tiren't the mireda the berned the bern yeah know.

Uh, you what? You? You what?