LOS MAFIA PODCAST ⭐️ - Valentín Elizalde apenas Comenzaba A DESPEGAR y lo MATAN, yo era su mánager — Héctor Rivas

Episode Date: March 13, 2025

Valentín Elizalde apenas Comenzaba A DESPEGAR y lo MATAN, yo era su mánager — Héctor Rivas

What happened, my Amor? How's it? I'm strained or no? I see I'm a little.

So, so I'm to send them the best Vibras, for favor. Today we

have a podcast very, very interesting, with one of the people

that have many in the environment artistic and that has the

movie complete of how is the show with the

artists, how they can the get the accuards, if they're

in the words, no they're they're everybody, you know, everybody, you know, everybody,

you know, to be able to please, to our friend, Hector Rivas. To the order, comp, thank you.

No, but here we are to share a machin, compa, thank you, a bit of you're just,

you're so, you're so so, you're so, so, yeah, always, I've been

always been very accelerated, much chispa every day every day to the every

day's to to the way I like what I do do you do this of the music is a

venerable is something incredible and every every time we're doing we're doing it's a dopamine

a domino machin comp no know what no know what we're we do we're we're gonna

we're it's a churada so it's it's more the yeah yeah yeah the more the

not the no no what is but are the well the they're the yeah definitely

but he's he's got a mod a modito and there's a you're going to you're going to you're going to

you're going to you're so you know usually I'm regularly I'm when I'm when I'm regularly

Wednesday me I'm last bad news I'm glad Saturdays the Sunday

yeah I'm yeah and I'm and I'm and I'm and apart that I'm

not consume nothing no I'm I'm I'm I'm addicted to the

thing I'm Ligame creatina, glutamina, what it's a gymnasia, comp, the treatment of all that's all the thing to do you.

All right. All right. So, all the days, we're going to, we're going to be this old old this year, this is this

bad a machin. Thank you, how many years have you done to the gymnasium? Well, all the life, compa,

of a other, all the life going to get a gymnasio. Always been always been so so it's been a crock

no, man, the abhorre, the ambient the ambient musical, the well,

the The other I'm a addict in rehabilitation after the after the I'm going to be a addict

but you know you can't you know, you know, you know, he's got to get a lot in the time

of addicts. Feghisa that I got to do the 14 to the 12 to the 21 nothing.

Nothing more. There's all that I'm all to do. And so what I'm talking about since 35

years. It was Perico? It was perico? That was the alcohol? No,

alcohol, never never said me did. In that the time, I started the grillo,

but not not as like that. But there can't see as well as those people that were

where I'm to have to work on the other people, I'm not where we're the material more volubble

that you can be a person, the material that's nother more artists, we're more that's a lot to do you,

compo, let's see, I'm topado and there's to pay for to all the world of verga,

that they want to do the artist more than the artist well, you do you do you do you of the

staff, of DJ of what you do you take that the artist brillier because because many many times

for that's they're not and sutano who who who can't who can't who the net

that part there's to be to try to try to me a truerroo very chilo that I

with all those who have at the madrugat. And it's very because those respect to always get a moment that's

up to get a moment that's to be, but you know, you're going to you're going to you're going to that's the

part of the difference of features, to be a job of an artist. When you know,

when you're going to be getting all the kilo. When you know some whencehachas, that way

no more to the thing just it's a problem with it. And, and,

and, and, there are there details, much details, because, for example, I, I've beened two, three

feches there, the representative. A lot of I'm going, I'm going to try to try to to my representant. He does what can, what he does,

but at times when you li'd with people that not you're not you're doing, no, you're what you're doing, then you're,

no way, is what the bato could do get, the chingada. And there's where I enter in dilemma, well, and then

what you're you're doing, the verga? Yeah, no, because it's that's my way, because if you you want to

if you're not cancel us and one is what you want to work or one of what you want to do you want to

work. A lot of a good team. For example, this day we've happened a

little chisot with Sylvia Meddivil and I'm manh with a event in the fervent

and we're a lot of I'm not I'm not no, I'm no, I'm no, I'm in this,

but it's all the paper all the paper and then they get a all in the hour

stellar, apparently but it was a hour. Compas no, they're not

back to and he's he said, and he said to this is what demest an artist.

No, you know, you know, a ron a ron, but I'm always talked with others

also, that's a repented, hey, compa, we need, we're first that

the artist go, and it's that's he's gonna that's the bachach that's not

know what there's there's, they're not but it's a lot more than they're

going to them come to come over the there's there's like there's there's there's a

there's there's there's there in that there there's a other other artist

that's yeah he's he's he's yeah no he's

no quere one one compa he's he's he's so the so of

so the when the person when he when he when he said he's

he's then the bato me he And then d'isle. Sylvia Mendiville. They're the ones. Mendible,

the Mankapult. Hey. He's a good roll. Sergio, this, JASI, and Pequio, North. He's a trapeer the

house, to do you to do, yeah. The last eight, eight, I'm done it.

I mean, I was done. I'm sorry, I, joined to Sylvia with them because they're no,

no, we're doing eight months together, com. OCH, eight, months,

months, And they're the cost machingo Orita's a pinch Pleito Kumpa

there's a parrada for cackuats and shikles And man the pincis To that But well

But what Everyone's So, It's That's That's It's Yeah,

And it's And here What we We're We'll We'll Pinch and Mettiche That's

Yeah, And you're To get And then You're You're You're You're

He was, he was, he was, I mean, there's a many artists that don't understand that

there's a little, I've had a little, I mean, big, so, with a bat

with a man of a public Dominican, the batto. Me, I said, I've

learned my manito, that not all the money is going to that's that you

said, there's there's that they're to do, you can't do you can do you

family or the verger that that you're getting Chimabee, to make he, what, what I'm doing what I'm doing a lot?

Compa, I'll say always the people when he's never to get a artiste, I'll

say, I'm not that's got that he has robbed. The that's the because he

wants, because he got to he promised more, because you're going to be

more, never to be never. So, one, as a person,

imagine imagine it I'm so I see so my and,

but for a Prapes come, come, out of the way, we, we,

vendem cellote? So, nobody's going to get to the last time. It's like,

a artist, when you do that when you're a artist, it's like, when you the house

the house of the the house of the day, you know, you know, a man, a man,

I'm just, me, I'm just, me, he said, the bachachach, he said, he's a

man, he'd be a bit of he's when I'm a bit, and I'm And me said the bato,

Compector, the net, yeah me want to do, so, comp, man. And, well,

no, no, me do you know as a company, I mean, I did a finis,

comp, because there was me, that I'm in the place in the Indian, to do a

old, Morrow, and I said, Gwyn' Cey, Cey, he was,

he was a life, because I my compo chui Cumpo, he was he was he was

so much, so much, so b' so bato, because I was I was in the last No, for the last my friend

I'm abandoned, don't know and I'm in the front in a in a in a fecha

or they were to be a no no we're going to we're just my company my compa my compa me

my grandpa me did a honest I think I'm and I'm I'm if you're

if you're I'm saying I'm I'm that I'm manasas because my because

you're because his that we've paid to a other people. I'm

a pedd compa but I'm going to but I'm I'm going to I'm going to you know

to get a or alivance and then he's and then I know I'm going to go to

and we're and we we're to chamey compas so much I'm my guy

so can't so much he's got so much he's up the borgue the borgue me and

yeah no me got to the phone but I'm but I'm but I'm but I'm to do that

and me said a comrade hey, there's to end up up trying to you to do you know my exhibio

man, no, man, not I'm don't have a man, I'm sorry,

I'm so, I'm, I'm, I'm and the person, and that

was the that's my, and I'm that's when I'm I'm I'm,

I'm, I'm don't know, you know, I'm sorry because is something that one

is something so you do you do you're in this thing, and every I'm

when I'm my compo He's that he He was a story like that he he said, and I remember

when he was when he said, is that he he's a man who because he said, and I'm the same.

To all we pass in this media. And this in this in this media you have to

have much of the people that but you can't care to the people. No,

well, it's that in you. No, no the those eyes, you're you're just

you're you're not done, and you and you're very common in this man,

very common because that's always there's a person there's always there always

there's always there's and you go and you go and you're going and you

know, you know I'm going to get a old at and wait a wait a bit to be

the candle but that that person that person that that person that's a car that's

that's even that's because, oh yeah how can't do you know how much could have

being you're working yeah he's yeah We've got like a year or more, I think. I think it's sufficient, no? Well, what the past is that I, when I got an artist,

I, when I got, for example, Achoo, and I went to put in Chui, I was Chil, I saw that he, he had congelado. And I went to, and I was a baffo that that was in the company, that's a manned-a-Marsho,

that's a manned-a-machio, that's a man, he's a man-a-money-a-old, he's-don-Royd, and I said, and I said, and, yeah, do, do you?

Yeah, get-tell-l-a-old, so, yeah, No, fairia. Yeah, me said, a fairer after. That never said, I said, I was a poor a cabron.

But, but so I went to Chui and then I got and I'll get a money, hey, let me get to get a Chui, because there's

to be a fairia. Yes, yeah. And there's the movie to another. So, pese, comp, and more

that, but if you went on, I'm imagine, I mean, I'm going to, I'm going to go out of

you, so if you had intervened with that congelation, who knows what you've said,

the first what we did the peinada was the puttas but one you say, no, but when one

those do you know, like those they're doing saying, but the people he's the person, and a guy

he said, I'm going to get a person, I'm going to get a there, but no in this case no, in this case,

no, in this is the life of an manager of an person that really a person who really is to

develop artists. Because if they they're going to see that, there's a very, there's a question

very important. The artist, how how identifies that that person that he's that he has

what he has what he takes to do to do that what he's to do the first.

The first to find an artist that is that I'm for invest principal

money. Second, if if you if you get to a person to

and you still you still a good level, that that's the baton just to

that's that's what you is the so that's you're in a morrow that's

chambiating and that's that way vending the $50,000 I'll do you chambia

with me six months. In six months, I will be to investire and in six months

and we're going to and then and then and then and then invests, oh,

if you're one of the things that most of the most of the thing that we're going to we'll say the

announcement. We'll say the March, with the time of the time of the year of we're going to

see that people are people, but still not all the and the cost of the group

and the and the cost of the artist a that's not not the but I'm

to go what we're we're we're going we're we're going to make sure to make

yeah yeah and then But not is true, we need to get to make more fairies.

What we do? We need to get to work. That's the part where the designer of artists is going

to investes. In platforms, in reds, is where there's where there's not. That's the part that

me as a way to but it also. But I'm also, I'm going to get a

I'm going to make a but I'm talking about a rassahed two, three vats, that they've

been with a one car and they're all over and they're and they're and they're going to

Because that that's a carer because that's not the matter of not a matter of

that's a he's exprimed his percentage and exprimed exprimed and the that's

and there's and there's a lot of so you're to be a because the artist because the

artiste he was a way and it's yeah so you can't you can

can't give me the example of an person that you did you know

that you imagine that he was more because he's not Well, no, I will go back to him

because he's a little bit. Pepp, I remember the canelos. Canelos went. But to the

couple, and of a repent, they're they're doing with a company to sell.

And in the moment, the vats were doing, we're doing a chinko of feches, but no

there's a repose. The batto the baton, the vats, I'm going to put an one,

we're going to get a to Walahara. Oh, we, but here in Kuliacan gan,

We've got two hundred in Guarajun no $50. I'm a lot of business. I assume what he'll be. Or not all, but I put a part and that's a lot of an example. An example right in this moment

that I can say with all the gusto is it's the bris. For me the bris, in Sonora is one of the group more chingones that there's a

but they're going to come to. Because no they're not they're not the sufficient. So, so they don't have to pay this

cabron. Yeah, because they have to bring the public. And that part that part is where one

says they're in the other you see a a barrento a little a barrento

come to I'm going to get to get to all the other things. That's the part is where

you're the person who you say, hey, we're going to get to connect with

the other people, that I get to you know, I remember much when when I

went to the artists to know the that I always was my work.

That's my thing. It's a part of the development that's the part of a say,

I say, n'ammer to sell the page. Because if just never to sell,

there's many people, there's that there's that, that's, that, for example,

I'm my business, I'm in that I'm an eminence so, then what's,

but the bat, but the bat, but the bat, there's a lot, there's a very good,

but it's a little bit of the 11th of March with a little, and we're we're going to

and then we're we're going to see, and we And is that there is where now is the form a artist

has to make to the box one, because a, uh, you're a, uh, you know,

and to the artist and the artist, then the best, that's the one person he's a, he's a, he says,

he's, if the batto start at the same project, I say, that's a right, you know,

you know, so you know, but those vats who are that are made to do the person, well,

so there's so there's so there so there's so group grand and

they're that's they're that's the part difficult. Takan-i- I'm

a kid I'm a question here okay I'm what you're what is the most

ching-on that he has to live and what artist definitely with Valentina Lizade

definitely comped that's you're the you were the one manhador

of him no I'm in Sonora first the career of the

was relatively shorted I was, I was, I mean, like, four years maximum. But it was the career of the Valley. Something I remember much and always the practical of the Valer was, it was his sensuous. A, man, we went to caler to a team to Magdalena, Halisco, if no, me equivoco.

It's a little bit, but they're a, an, you know, an stadium, chiquito. And we're going to car the team with the Valley, compa. Compa, so me enchained the pinci-pill. The Valley was a guy, so simple, comp. When we got into the stadium, comp. I, man,

I mean, he said the Valé, Compector, it's me so me ask that you're like,

but I'm saying, way, but not you're saying, the ball I was there. It's, a capital, you know,

also had many details very cabronna. It was something with a little,

you know, you're the last manager, he's, and a story and a part

of the, of the fallisimient but something that's that you have passed with him.

With the Valet was a pure cura one. One once we're

in Parach Chihuahua and that we're we're we're we're

because the people think the family has never never But the Valetre d'n.

So we were to parrard, comp, and we met him 50 people. And that time, for me it was incurricular because there was ballazos. But not for the

brother. But the curate was that of a bit was made much a lottimore and he gave another bato and he got a

little. They're not the fierrasos. Entre the two. Entre the two. No, compas. With a corredero

I don't that I remember that we came chintiado. Triste? No, but the fince valed, I'm sad.

No, no, no, no, no, no, no, no, no, no, no, no, no, no, there's much, in the matter, like, how, how is, how is, this part of Lidiar,

I hear, that, that's, you know, an artist, in this case, obviously. In this case,

well, the first, you get to, it's, you get to, but there's, a realite, when,

you know, when, when, after, when, then, he's, and all the madre that we

we're, because, because the Val, was in the people, many

people people, but the ballet was a artiste that's a pen

going to the ball not a part of the thing, he has been a national

still. After of the after but there a reality. You know M.

Lupio Rivera that had a desprecied me boy. You know

got the ball to the ball and still still you still still that also.

After of that when you when you when you Valentin was the the bronk

the bernks the I never managed the private but

when I moved the Val, comp, me, I'm going to to sandra for all the other things, with the private

of the valet. And even there's the problem, compo, no, comp, but the raza

get enfierras and you get to see the the carmendip the val. And you're to say, I know

says, I know, I know, I know, that much rassas but you're up the carmett,

with all enfierrated. No, then I'm got to do you get to a chive of a chival.

And so is what the family never knew, I said to Doña Himalya, he said, hey, please,

no see gotcha and getcha, no me get in satado. But, but more

the poor Valle. The other more was a poor Valle was a tippozo.

It was in all the time of the word. I think that's about the bit of the

little bit about the people, people, people, but a person, to know,

to be to do you and not lokiable, but I'm was, but it was a boy,

it was, you were, if if we were a, a year three, four days

compas you were all the day with him. That's a good one. No, no.

It was a man. He was a currant. And he died. 27. Well,

I always said this. If you penes million young people, saying they

they're going to die to live what lived the valet, the most sure is that the

majority say that he's the man, he's he came to do my compo

he came to come to come to come that they felt they felt

to have to to live. There was people much more more than I to do at

my time. And also have stories very, very, very, really, that's the

one of, that's one of the things of the music, that's, something, or something

that I know the composers, that I play the play in the story of the

song. So, sometimes it's part of, never he took to come to come

a song with him. Dish said, I'm I'm when I

composed when I composed I was I compone but I went in the ball when

the compusied that the work that was very, um, how's

it's transgiverso because not it not it for, not it for the

ball was for for a man, he was for a man of a man,

but a other yeah, okay was, I was, he was a

a decatory because it was a because he was because the bat at the most

he was he said Val' that the B'clock is a thing is a and sometimes

you know see situations that's contrasted and in that yeah existed a YouTube yeah

yeah so there was where there was where the video of the people the people

that was where the people and that yeah and how because because

the Korean is very but but I refer to that the people that's

he's he's over he's he's like it's for the RAS that has

no RASA that has a chingo, comp. My Toteros there's a chinko. In Kulakan

how we am I'm like this. I'm just a little that the, that's

that the, that's the that's for a chismos. Ciddle, although not you're so

yeah, yeah, yeah, yeah, yeah, yeah, you're yeah,

yeah, they're a time, but it's very, but it's more prepared

to hear to hear to hear that stuff than that to be that's that's

that's my oldieie because those guys they're going for the chism.

That's the people are doing because it's what it is the good, and it's

a lot of we're not we're not we're not we're not we're not with God that's the

on the and as I'm yeah, poor for for the right, but if there's a

person because because the chismos there's there's because the chismosos not going to

do you don't know that's we're going to we're just like we're like we we're just like

We have a pinch row of to assure the comp, I'm a boy borrassa that's a person who's

a bit of this man, this man, this man. And so we're we're much in that role,

pa. And in all the other sides in all the other other than the net

like you know, the people, we're very communicative so, yeah,

man, we're, we're just but I'm but I think there there's a thing we're

that's that we're that is the if you're saying the or you're saying the truth

or you're saying the but there's a reason that's the no time of the right, but there's a reason that's not yeah no

he's a problem and he gets and he'll and he'll no, so it's a degenera and

oh yeah there's a there's a question very important uh right how's

artists try? Right right I'm another more to Sylvia Mendibi no more

me me, me, me, I'm going in a project and I'm in a maso. I'm going to

see a year. So, we're going good, we're doing, we're doing this project.

We've got to come to do a company of the moches that we did it. That, that was

he's per die for the chism. But I very very much, I'm very thank you,

we're very we're doing because it was like, because it did a much mal-information but I

always, I'm saying, I'm saying to say, the If some day, as we we say she wants to integrate

to the project we're doing with all the good. And then we're doing very great of course. It's very

very well. That's, that's, that's being reviviening? Yes, she's reviving a lot of

rancherita. No, another. And it's been to the groupero compa. Hey. They're

entering the groupero right. Like, it's reviving about the old, the, the,

the, the, the, the, the, the, the, the,

the, the, the, Virisida, also. So, it's good shistoso when

we're going to because the women are the women's they're in the way in the and then you know,

to the other other than the other things. It's good because, for example, when the Pien de

Brizhida, we're to say, we're to say, and they are the unik one too, so then there is a repent

Sergio Mendibil. No, because Cahis de a little horse. Pecanum Musical also.

Pecanum musical too and not machin. We're not with them on them on the 11th of March,

it's a little groupero, then they're opening more mergers. In this medium,

this medium is very, very so cruel, because you have to confiard. I'm

I don't get to stanked in a career because have come with the

people that are the people, that's the one of there's

not it for a so, maybe in a moment one also maybe

in a moment one that's the reality, I mean, but, but always,

like you say, back the way, it's a way to do you get to do the artisteada, because here,

here, there's no, there's a no. If you do all the day, shemeas. And more

now with the rest, but it's that the artist, he was a thing, and it was a

day, and the thing to do the day, and it's to do the day, it's what you I'll I'm

to the ball of swatos that I've known. Oh, is that my role is a

bad perr, and I know that he's to get a and you

get to 200 vistas. Oh, and where I'm going to get me this

this matter not that this is desechable to get to get to be to get

to the time to the and if you don't you're what you know,

is what is what we're like for example we we're we're us

We can't like, for example we're much, we're with the Lagerie, we're in there in Varato

we're going with the thing, we're, we're, with the artiste is being

a form to benefit also there and they're doing it, you know, you're just stanked

no, no, you're doing my compo there in Coliacanke that's chile what's

what's doing? What's what's doing? Then postcas and all but to the stuff, but to

but at the end of the career and he does it like the Goni and all of you know

I know the saludaso for the car for the car to the old old old bullfran

moreno that was those those those the pillars in Culiac of the

music and of all what you what you think you that that's

that that's that's that you're that's you formation

of an artist but what is that they have a problem mental

and it is even psychological very when a person always that

they they're The problem is that he's the is the that he's the that's the that's the process. There are many

people who never confiaring in nobody. And always they're in when they're they're doing they're doing.

But that that's the that's because he doesn't want to share. The majority is because

they're not because they're they're going to an company before the company, the company to pay the

50% of society for the investment. I'm talking about the investment. I'm not

talking of the thing. But result that the He says, is that's that he shing, is that he robered,

is that that he wants, is that he wants to be, or that guy, just a lot of, just a lot of, just about because he's not, because he's got

to be there. That's what, that's the person, that's he has done, and that's a person to get a new, there,

I mean, I'm a pedo, I'm, I'm I'm not, because there is to be a job, okay,

I'm for feches and for all what you have to do you have to do the to do, the 5, 10% of

of what generate. But there artists that you know, I mean, you know, I think

they're like they're like a way, you know, have to have to get a

mann't and say, way, well, is that they're going to promote for there,

but it. It's that one of the bronca, it's like, like the causecha as you

see, like the of the thing, and you want to and you're going to

get in a bit, but he's but he and it and he's the person,

but if you he'll hear this bat, and if you he'll the artist, I'm

my rey, fichate how you about you know, I'm going the 30 percent of the

you know, but if it's a minute, you're so they're a lot of a million,

I'm they're talking 300,000 but the man says, no, but it's is that

yeah, I'm, but it's that's yeah, I'm going always, people,

I've been people, he's he said, he's, I'm, well, I'm,

I'm, I'm, I'm, I don't know I'm not I'm vend the feces, but I know if you put an art

that's a bit a little, the fetches they're going to. So then is what you is that you are still

because he's not quite because it's more common than what you imagine. And so it's brinka

here, he's and the bachto that, and the he wants, he wants,

it doesn't he doesn't, but, but as always he's going to there's, but there

got a hundred $1,000 a $1,000 a $1,000 a lot, so the b that's, so the bata

that's, so the the cleave, until that's been pinned he'll get a

rabid and yeah, yeah, no, he's there's been much in Kulakana,

there's a group groups that for me has been very bands, that's

been very great. The, for that this is the question this. What

artist is the that's the one that is the career? Of how they're

how they did you do you do you there's there for example the

of the most the bach that's the career because the batto still who's

who's the people have the time have a year that's a old year all the life

compo those vats are a realtale compo incredible those those bachel to their

people and they're they're they're the old the old school uh

yeah uh... here here, so in Cuyacan doesn't a little the bandas

of Culeacan because there's some chigona p'clock those bats those

vats how you get the the people of a René, comp. For more that the other

morros that said, you know, they're 10 years to give you're to presentate with with a rodeator

ideists papiano. For more more than you, blah, blah, like the guys who have been to

record, and you know, where there is the where I'm, I've got to 10 years with those

vats, oh, a day, a guy, he said, me, I'm, I'm,

I'm, I'm, I'm, I'm, well, well, well, so my,

you're, you, You're there. Where did you where you go to where you're

to be to the you're going to you're going to you're so that's the part of where one

so I'm not a not much a pancho Barraza because the carro and Ricardo

he gotro and he gotro and he is a batto is a manage, it's a mannage

a carerer a carerer and the Jimmy Humilde the other batto this

tragedy those those bats know those bodes I'm going to develop the carriages, for my point of view of my point of view. And then when we're talking to

an artist, the TIGES of Norte and the Bucke, for me, are those that are the ones more simple, that no they're yore to the money. That if you, it's a to talk, it's

a lot of, I mean, and, I feel like to the attention, the, the career of the Buki. It's a, pincy, no, it's, something

that's, it's, that's all over, where it's ever, that's all the and now that's he's got to with the thing.

No, man. If you know what, if you know what they're talking with a man, me he's very very very much

to get to that he's, he said, he said, let's go to pay us, see, a million

of the money to a million to each one, so, and that the bato's so,

and so he made, he said, he's been, he said, you know, you know, you imagine

you, you know, you know, you know, and he's no, and I say a thing,

no, and I think no, that no, that no, that no, had the experience of together together

once he's got because if it's rogoyos even though those other 500,000 they're gonna

but he's no, I'm go to get because I'm going to be the experience and I'm like that

once and no a bitch a a pylculon an t' and let me go back, let me, no,

with all the other people, they're gonna say, said the bachian said, the chivua has said the bach

the bachol'clock, no, the bachlelele the bato that took the bacho So when you see that If there's a story

I say there's If there's Dene's a don't Yeah, because if there's Yeah, because if there's the real That's the

That's the Perro, compo he's He said the That's Yeah, well So, you know Even though

Waporros And be Golletto There's That's That's And so And I'm

The Yeah, Because it's The same Because The sencuees You can't You can't

You can't You can't You can't and they're that they're they're all. So, so they're

those who are the people who they're not there's a lot of people that have been some people,

a net, a lot of a lot of a lot of people, still doing, the thing, man,

the way, how is the, the method as you work, me refer to this, that,

for example, the horny, I'm, I'm doing music, that I'm going to say,

I'm to go say, no, is the horny, in all the platforms, for that you listen the music that we're doing and the last we're trying. So, I want to you say my, my, my, the, no, what is what I'm, what,

what I'm, what, what, that's the, well, what I'm, okay. Well, the first thing I do, is, I'm doing, of what I'm, to go, hey, me, back, I, I'm to, I, I'm back, I, I want to manage, you, you don't want to make a

person, I, you'll be invest, you, how else, no, but, well, I'm going to to calm us a little to even plus but you're to be able to

get a lot of things, you're going to do you do this all of the stuff, all of the time

that's about all the time and the time of the time and the half that is a chink yeah

but it's money but never fined no me firm a contract no me sign a contract don't make six months if you're

six months you don't know to other other side. I've worked I've been a couple and I said that

me did it seven months and and that I I was going to get to to be able to four

times more. And he's he got to get to do. There was a fairia and he was in

a little man. I'm sorry. I'm sorry. A be M.Royder. Right you're going to

five pesos, my no? Literal, well. Here, here in the

mafia you're going to do you don't? No. And the day that no. My mom

me said that I said my said my bad. It's that you just you just

you just 100 pesos, that's that's a that's that's that's a because you know,

you know, you're going to you're going to you're going to this baton, this baton, this baton $30, 30

balls at a page. Hey, how we're we're doing, how we're going to, you know, I'm going to say,

what you're going to do this, to this production, I'm going to investrile and then I'm to get a fairia.

Because I, because I don't get to get a fairia. The first is no problem. I'm, hey,

dam me three months, because you're you're going to see what I do you do. And then then you

and then you'll get to be in your money. Fulah I'm going to see a

one. It's very easy to make a count when an artist can't

make sure. Six months is very to post an artist no ped you, corres

the risk as a business to invest because in six months can't not generate

nothing and then you not you need to continue to

do what you know what you know one says this

this the bato, the numbers are a little unethical but at the end of the numbers of faith and the numbers of

the rest they're, because it's not the time, you're the first you're an artiste and it's a

time and they're a radio and then one said, even the fourth time that the people,

I said, ah, is fulano. So what means, that you're to be being to

be able to be able, now they're they're they're getting to the number,

and they're Presence, presence, presence, presence. There are many artists. Yeah, a bit of the

question, but there, if the artist not you put in the power in the rest, you know, you're going to

do you're going to do you're but you're to know, so, to work with an artiste and the

thing that's the first you're and see, you're going to but you're not you're not going to do you're

not so much. No, because no, because no, and it's diokis. And it's he's the Cahekeke-a-

yeah, etchele the head of that that's a matter, because it's essential that are

that they're one of the show that they're one of the one of the show, this is this morrow

or this morrow try it because they're a show. I'm, I'm, I'm, it's 20

times more difficult to to work to be more more difficult to position to a

woman to a woman. The man, and he chamey the man to be chamey.

The man is more different. Because, well, so in in, in, in

grand machista totally. First bronca. You have a one

you have a woman you're a little one of the first. The first a big.

The first second brawl is that I've done to know that the majority of the

people the people, the people, so it's like something so, then what

you're going to be a show and that's that more has to try to

get to the morrow because if the morrow is put in contra

yeah it In the in the balles, you can do you can't

do you know and you're a lot of a woman. And some of it's because the husband of the

person who doesn't do you want to a man a person to do you don't you do this

so it so you know, we're in feal mannett we're and we're we're

we're we're we're saying we're we're we're also and who and who

and who for what? And that's because because you're this, and the ching of, oh, yeah, okay, calmate the verga. So, that's,

it's too, no. Confians in miso or no? No, because, but in them, no, they're not, you know, calmate, calmate,

calmate, cack, say, that's the logging. That's the and here's, and the chingada, because he's to do you,

because he's, one of the problem that we have here in Mexico of this part, and apart, that the other men are very

a, man, a, a, a, a, a, a, a, a, The bato,

you know, the bato, you know, he's and it's a lot of and it's a lot of

those cures, I mean, we've got to talk about a copter, that's, that's, they're not,

they're more, they're going to, the men, they're so, we're doing, we're going to, a,

a little bit with a man, a very, very, very, he's, the media

artistic, and it was very, and it was when it came the, the, the man,

started to get to that's that's it's all right that's we're going to we're

we're going to we're and we're you know what you're and he's that you want to

do that's to work to do that yeah, I'm going to you know but not you he's

he's he's that he's I'm that's oh no no no no no

yeah it's let's let's let's let's let's come

of the so so you're so ergo in front of you no no

no I don't me I met him much in the collaborations, but the more said, I said, we're going to go to the other. Because you know,

as a lot of people, they're going to work as a part. I don't know in that part. But if I see how it's illusioned the women when

when they've been an artiste that's been doing like, no manches, boy, this old old. And so, I'm a

great, that does a great. Because the little, a lot of, a man, when Don't Michael Angulo me does a cure because when

Miguel Angulo has done when he's still and he's, Chiquita, you know, and it's a cur because

me said a Bato, Hey, Don Miguel he's a casano to say, Sylvia,

that's he could to get to the guy, and he's a guy, the man,

is a guy who's, the guy, he's a bigger bigger, and he's a bigger

and he chas chuel, and I like, how with him is a little bit of, that's a

old, that's a thing, he's a so, yeah, yeah, the r

and we're we're, we're, we're, we're a one, a fiesta with, there,

I do with all respect. If I was a old guy, I said, no, no, no,

no, but when you get to, yes, but when you get you, but you're with a

man, no, and apart to the I'm, no, that's very important

how you , you do you get back you, you know, you know, you know,

you, I mean, you know, I'm, I'm, I've talked to try with,

with, with, with, women, in the media artistic, yeah,

to say, a I feel like they're with an idea, right, that one of, that one, of the, but other rollo. Yeah, for other rollo.

And the net, no, compa. With me, I'm, so I'm very sincere. With me, they've been top. Because, well,

even, even, you know, they're in the role, and you, and when you get in person, like, like, this boy,

no, not so. And it's a, way, and it's a way, and it's, because, because, you know, that the thing

is serious in the in the business, but, but, but, there's time, one says, for all there's time.

This mother, for example, I go to Sylvia when when I go to those podcasts that you can ask you to all the

and he says, well, but remember you that the people are more more voled. But the matter,

more voled. And that part, is where there is more work for the people. In the private,

well, there's not a job for the that's a person who can't. So,

so right, if you work, are six months, and the day to get to 50 and

50 and in the cheques, in all if I'm the, if I But in Feches, in all

In the Feches, in platforms, in recordings, all we're 50 Fistee. So, that's the

man- Yeah. So, so if you do you don't have to invest. No, there's

no, there but I'm but I'm but I'm with them with them. I'm also,

I'm more than you make more but it's a but it for all the artists that

not they're to be all the when the company you feel and you they need

more percentage but no does what offerion. Oh, well, is that all the,

all the contracts comp here in Mexico for you know, all the contracts have to be in 50 and 50. So, you know,

you can't sign an contract where you get to have clasulas, always. So, then I say,

I don't know when I never, I know, I'm like, I'm a lot of, there's, there's a

point, they're, they're going to, what, they're, so, and in this moment, it's very easy to desacels

to do it, it's, it's the most of the world. How? How? There's a Closula where you

You say, if at a time no me not me complied this all the yeah in the classulas

anterior to all the thing you have to the contract. Yeah, but there's just the

just to just just to no, no, no no, no, what is that you know, you've put

in Spotify, not you put it in the platform, no made the not you don't get

this, what you don't know, because there's a question, for example, I'm

you, I'm you're I'm to grow that we're the followers,

have a advantage that all have a number in face, in YouTube, in Instagram, in Spotify,

all have you get a number. So you know, you know, when a group says, I don't make you know,

I said, how many years you have you got so? You know, and that's when you

see, and so that's when to prove one, that's independently if the people,

they don't they're, because artists that are that they're that's, that's, that's

they're doing that's you a job. That's the form more correct. So,

that's the contract and the shingada, no you're not you're the chasulah there you do you're

going to your abogado? Yes. And, and he says that you a month before and you know,

and you know, this bat's he wants to go, oh, come, how can't say, and the bachach

and says, no, well, so I'll come up, and there's there's a thing,

there's a that's not come up. So, so it's a time tardididito, ah?

No, figgis that not tarraged because the same company when knows that he's not it's a

bad the point of because you are doing with a minute of the you're you're saying you're saying

a month before you're not going to you know, if the bato if the bato if you

get to get that you're going to get to get to be a man of the person who's the

person who's I'm going to do the artistes he's going to get to the piola that can't that's the

reality here is something very, very very visto, well, and if it's

incomoded yeah, or so, can pass many things between them to you, it's just you,

when it's a little you're not, you're going to go to you're you're going, you're

talking about, you're a artist, and as a person, and when you know,

to get to to know what you think you know, and it's the business, and this is the part emotional.

Oh, bich, bat, too, you're not you with him, no, no, no, no, you know, and then the person, I'm going to, the artist, I'm going to

the other side, where, where he starts, where I'm going to, maybe, maybe, you can say, the bat is in pedd, because that's not going to go to contigo. But there's things that, that, that's, that, that's, that of a sudden, of a sudden, to, the artist, of a sudden, to, the rest of a bit, so, it's a lotriguio. So, yeah, and, and, you, movele. And, hey, you're going to do you know, hey, you're doing this. Oh, my, company,

and it's to get to the razz. And he'll go, and roba. Nobody's going to do to get that's the reality. And that's

like when they're going to the maraud and the man they're the life is the life is the life

are processes the way are there's all the way we're doing I'm doing this I'm

talking about as a person I've learned also. As a human because maybe

what I'm maybe you I'm ever did. What's the what has been the answer that and what

the that you this me served much, way, a that I'm

so I'm not the but now I'm never I'm never even definitely with my compo

Chulisarga that I'm that I'm he was a lot I'm I don't know I'm

that I'm for me was saying and I'm going to say it's still being the show

as a Mexican for me for me for me for me still for me still

but I'm being a me did a signas me me did a the bato, and

I do with a ching of a tristice, because if I'm done a lot of And then it's and then it's not, no,

no, well, I'm, I'm a repented, I'm going to get the and I'm

and I'm but he, but he after the, after the after the thing, yeah,

she's still being being in a place that nobody is to get to but there but there

for me 20 guys that they were to be able to be to you and I do you

with all the because because you had the clave no,

Chu is a job that's a guy that's a man, he's a

very bra to be able to talk, and so and if it's flotta so. So,

but in the musical my compa, no, no, I know I know I I'm

my compa my compo in a time, we're we're gonna we're gonna go,

there we we're with so you soo so- and shit to

my my comp my ex my my ex-choo I know that's a potridden a bit of

I know I'm going to a chingo yeah I'm going a lot of but I'm but I'm

talking about about the part I'm and I'm I remember when I'm when I'm

when I'm a couple of and I'm and he I'm gonna and he and he says Pepe

in the time we're at we're at we're at we're gonna get us and Mingo Chavez and I'm

Mingo Chavez to Chooy and me said Chooy Cooy R'EE Cooie M'EEE me said that not to do this. And the bat,

he said, no, comp, still we're still we're starting in the grace. Yeah, then it was a matter of all. But it was a

real thing chinole. Siento I that I'm very well, but I feel I've said, he's not my grandpa

always has worked, my compa has generated, is a type of billet, the net.

But then he is, he's over, he's over the bill, he's, in the part grand,

yeah, no, no, is a, I, I, I think I that's a

little that's a complicated and it's a like to be a way, I'm sure because I'm

not the person, the fact, the fact, the time when when I was when I

heard a but I'm there's a point very important here where the artiste want to be

more being a artist that's more the bat wants to manage

a one an artist when when he when he when he wants to

to have your company, want to manage your reds, that's, that's, that's,

there that's, there's, there's, there's, a, uh, this,

Jorge Medina, and you see a jose and and they're the reels, compa. But those

people, they're to get to manage, it's a different, right? Right,

and they're doing, and, oh, and if there's a bato, if there's a bit,

so, I'm not so far, so he Cipororor so, what a ch'

But my compa is a chingonairia. And how is that's, as soon he's apagued so much he's up

that's where he gets atasca. It's a lot of, no, no, but, they're

so, but that's that's what I go to the that's in the man, that's the man,

is he's the he's a man, I mean, I'm supposed a bit a one bit more that's the

guy, and I'm my compa, man, and he's my friend, of all the people that's in the middle of

Erammer Nandy still being one of the thing in Mahatran is the president of ADEM and he said

that he did know when when he said when he made to buy some he made him he made him some of the

people who said he said no man this bach he's to pay us to give us to give us

but how how how permits of taxis yeah well you before before he

before he before he was to the bata the bachasas the bade a bit The concession of a taxi

has a price. Ah, okay, okay, okay. And the adams he did a point of that's he said, hey, that's a chingon

my compa julian, I said. So, so I'm so you do you know, there's a

people that still that's been very, very, that's been that's been very bendezed and the bachin repartying.

I think that that's for that's for that's, they're trying to be able the money and let me

and come, and regress because when it's because when it I see I feel that it

produces, no, you know, you know, you know, you're going to be able to and that's

the good that's the time when it's the group of the time you're that's the time we're in the majority of

the people, to talk about a lot of a day me, you know, to be the thing to be

a good berg that me, that's it's that's the thing that you're,

because you need to you're because you want to you're not there's I dedicate a

each style is different. I don't do a rap but I'm because I'm my I'm going to

see what you need one right in my position is that relations, oh,

right. What's what is working are the collaborations. That's that's

something. Relations with people are with us. A me I'm complicate

a part the part of the whole thing the other the time

the is the part is the part of the part of easy. The collaboration

to the part more simple because it's a little a lot of a lot of not something that's so difficult. How Lidias

there when there is hypocrisy but you have to benefit you well this is a business. This is a business and

the word clave here is benefit proper. But thinking that also that's a benefit.

The word, the we're we're in we're a problem with the

word for the thing is a not not no, no, no it's

that's the reality. For that's the reality. For that's what I'm going to dovet with you, you're going to dovet with me. If you don't, if no, it's from there, that's the part interesting. Busco vatos

that they, that they'll come in. For that's, do something, do you do you do, do you? To get a lot, and say, no, to the other people,

we're doing, six collaborations in the year past with Nouveau, with the combat Tigrillo, a tippo, the cabron. With Romand

the Rays, a tippo, Carron, also. This with Don Miguel Angulo, of the Miguel,

with the group of the other, so with much with you with Cheneyda and we're doing this

but they're in the old school, but right the morrada, the net no, that's,

that we don't know us come here for me for me because I don't goack and it

is for that reason, compa that because they're because they're all manipulated

because the public of also is different. There's a reality compo there.

There's I have to have to be with who rhyme to be something to be something that's a

because if the arimbo with a morrow, not you're not going to serve. You're

have asked for me a collaboration with a comarate. The bat is a pistol.

And I go, no, no, I'm going to because I'm going to happen, that's

that's to be a person, because there's that's really up that's all

the people know in what pedo? Then see the other artista but they

don't know they're to know how go going going to, how is

going to have been there's a there's a lot of there's a lot of that's a

man who not a carolol with a little bit is a process. In the

time of the ball no way collaborations but the ball with all the world

was in the time of Sergio Vega was a compo he was

a guy not much the role to the compo and

my comp my comp With the Shui Pushu no likes on the collaborations Canals. My compar

My comparer My comparer was my compar is an artiste my compa is a composer of my chingones My comparer

is that with what Gannas corrid yeah yeah And what is what

is the music again? The compositions and the streaming Yeah, so yeah so that's

part of the that has to me need to one, that's that may benefit me to me

but the other he will benefit And if you know So then you don't have

nothing to do do you as well how I'm how I'm what I'm saying a artist that

go and then the first I don't know I don't say I'm saying I'm so I'm

so I'm don't know no one of no more we're I'm giving to do you what I'm

what I'm saying that they're going to give in a chino and that they're

they're a long, compa that you you're in the first you're in the

first of the first of when a bit to start to get to be what you know,

yeah, it's it's because it's a get to get in a problem

to get more, and I don't you do you, I've been doing I've

always enjoy, you know, I've in what they're that's you're the

kind of I'm that I'm I'm I've done I'm I'm I've done

And that's the difference of today. That's the difference of you. That's why I'm going to that's a cuckooleer or no, but I'm going to do you know where there's

the security, well, that's good, no I'm that there's a lot of a much rasa but there's

some of them and that's to be to get to let's go ahead. It's that we're we're saying

a friend, you, you know, you know, you're music in other other languages if you don't

you're you're same, you're going to to sing, and you can't the nabo, but that guy is going to be doing

and he's going to try to be able to there's a lot of the salisalde that's a chino, that's a chinole. And the valet

me said, that's the band of the guy, he said, the ball, of all the all the most do you

this borgue, this bata, this bata is this bata is this bata, where he says, is the sensation with all the world,

and the ball he's admired a chino, I'm, I'm, Jio, Frank, And I saw that rio that said,

is that if no, it's worth it, is that if you clas in care, with pleasure to all the world, not cam, bro. No, you're going to do. The great vats, who have enjoyed

is because they're doing what they're doing that's very high, that's very big. You see a little Lalo Mora, that's like he says,

and the bato and the bachom, and you see, and you know, to do you? For that I'm to go, you're going to

keep me in a platform digital, loco, because this time is it's not, and not I'm saying, not because is that

the clas because when I decided to do the podcast with my essence, it's a what you're

what you're what you're and I'm that's the same I'm to do that the music and I

think I'm whatever I'm what I'm what I'm but I'm I'm doing because it's the pyloncille

is an a new it's a yeah I'm a yeah what's the what's

what I'm what the thing there was there was there there but the people

not, not, not, I said, I'm the , I'm there a lot of my time,

I'm going to get a lot of, you know, there's that my morrow that's got I'm not, you know,

I'm not, you know, because your mind not so that's not much, boy, that's a morrow

and they are the things, they're all, so they're there's a school, but there

had, there were, there's many things more there, there's, and so, and that's,

but you know, you know, you know, the mors This is because the PEPA is to, well, well, the morro, the morro,

the morro, the morro, the morro, the morro, the more, we're not we're in the pinches'

Dapa of we're going to do a circle of something that's, but the first is to do your niche, your public,

but, it's, give, with faith. And I'm with much gana, comp, dislutenselo.

There's, there's, another question, I, yeah, to finalize, this, he,

with what is with the more has been the an impression like, of the

good people, of what is a person that's an original. Well, we've

said, and being to do it to do it to goer. I'll go to three

to gore and he and to do you, I was that my carnal is is other

pedo, my carnal is is a man, and the I, my respect for that

that I, I know know so I I was a lot of a few of

But Joel, definitely. Still is being Al-El, and he's and he's the dot, the don't that has, the power that has, the quality

that has always always has made a pinchit-past because the bat I still don't have said that I've said, I don't know

that he's into a pet, and that's about that's the thing, I know, how we're like we're like,

we're just, and everyone of Jel, he says, my respect to that that's, I mean, I've got to

that's got to a lot, I'm a little bit. Well, we've made much bendisholed,

to all the family Lysald, to all the people that we're doing this people who are the rest of the social of our people,

what are you manage a good Rivas, I'm sorry, Lovos, Elvin Riemanniby, what is what me does the

part of the work, that is working in all the red, Sylvia in all the media is a different because

manage the promotions of Elfo, we're going to do you continue to work, we're doing, We love to

continue innovating or we want to continue and we're doing and we're doing we're talking with us over us over there

there's a lot of you know, and that's much a good of you with Sylvia and that's and that's to know,

we're talking to thank you for the invitation to give us and thank you for the space because a few of this a other part

that is the side of the artist and I'm grateful my compo Pancho Strada me said hey I'm sorry with the

people that there's a person. Because that nobody nobody's not nobody's nobody's

so I'm seeing it's very few many people do that they do that they're in the place to

because there's because there a good artist a lot of a world of a lot of a lot of

people so much thank you thank us to us also in the other on the

social as I'm the Jorney, I'm Fiper and also in the Mafias there I'm

I'm the of from the Anetso because there a chabal with chas

with the control there with the people who we're doing the opportunity to get to the hells

the little bit more. It's rifandosel every more more and send them many many

those good to get into because in calente it's going to go to get into

for all for the people for the people where? Where's they want to you want to

you? You want to where? Where's it when? Where's it Where they want. Any more.

There's a lot there's a lot to go over the way to get into let's go I'm

a cold my dad to get to the dog my dad