Love Life with Matthew Hussey - (Matt Monday): 17 Pieces of Texting Advice That Lead to Commitment

Episode Date: November 13, 2023

When you're texting with someone you like, do you struggle to know what to say next? Or maybe it feels like you're in a texting rut, and keep having the same conversations… Today's episode  is a m...ini toolkit for these exact situations, with 17 high-value texting suggestions that restart attraction, lead to a date, or just bring you more emotional connection. Use these practical messages to inspire better communication in any dating situation! >>> FREE Video Training: "Dating With Results" → http://www.DatingWithResults.com

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Starting point is 00:00:00 In the middle of a text conversation when you feel like it's getting a little dry, send someone a voice memo instead. If they're teasing you, shake it up by sending a voice memo back saying, You're so mean. Welcome everybody to the Love Life Podcast. I am Matthew Hussey and I believe today's episode is really going to help you accelerate your love life today. Check it out and I'll speak to you at the end of the episode. Number one, you send him a message that says, I'm craving our conversation. Here's what this message does. You've snuck into his day and jolted him out of whatever he's doing right now to bring him into the moment with you. It wasn't small talk. Hey, how you doing? What you up to? How's your day going? You just jumped straight into something meaningful
Starting point is 00:01:07 and you've paid a unique compliment to the dynamic you have with him. Number two, ahem, why haven't you asked me to see the new Blade Runner yet? This message is adorably demanding in a playful way. It's vulnerable on one hand. You know, you are saying, I want to do this with you. It's also slightly unreasonable because he didn't even necessarily
Starting point is 00:01:29 know that you wanted to see that film. In fact, I would say this message works better if he didn't even know you wanted to do that thing. And you're being upfront about what you want. You're putting the ball in his court and saying, Hey, Mr. invite me on this date, please. Mistake number one, playing games about when to text back. Now let's say Monkey receives a text. Huh, it's from George. But instead of texting George back and having a conversation,
Starting point is 00:01:59 Monkey thinks, no, I am going to wait. And George is going to see how busy I am, how important I am, and how attractive I am. But the problem is, George is by his phone right now. She could have had a message with him and carried on the momentum and ridden that wave. Instead, she waited five or six hours to text back George,
Starting point is 00:02:25 who incidentally was no longer curious. Now look, I'm not saying that when someone texts you, you should always be by your phone waiting to text them back. But if someone happens to text you in a moment where you're not doing anything and it's organic to reply to them right away, why not use the momentum of that moment
Starting point is 00:02:43 and have a conversation? If five, 10 minutes later you need to go, that's fine. That's where you can be busy in an authentic way. But don't play games of making someone wait just to look cool. Number two, obsessively sticking to text as the form of communication. I think of different mediums, whether they're texts, pictures,
Starting point is 00:03:06 voice memos, phone calls, FaceTimes, all as having a kind of energy bar. And the more you do them, the more that energy bar gets depleted and we start to get diminishing returns from that thing. If we over text, it doesn't matter how quirky or fun or witty we are by text, it begins to wear thin. And most people have had that experience. It's like, okay, I need a different stimuli now. I need something else. That's when it pays to send someone a picture and just say, you know, the view from where I am right now. If you happen to be looking out on a beautiful view, or if you happen to be sitting in bed with a dessert in front of you in front of the TV, take a picture of the dessert and be like the view from where I am right now.
Starting point is 00:03:52 Check out my view right now. In that moment, you're changing up the medium. The same can be done with a voice memo. In the middle of a text conversation, when you feel like it's getting a little dry, send someone a voice memo instead. If they're teasing you, shake it up by sending a voice memo back saying, you're so mean. It's cute, it's playful, but it's a pattern break that suddenly injects new life into the conversation because the energy bar of voice is not depleted in the way that your texting has. Mistake number three, being one note. What gets someone really attracted to us
Starting point is 00:04:31 is not when we're one energy, but when we're able to be versatile between different energies. If you find yourself always being very polite and sweet, today be a little bossy. Say to someone, are you gonna call me tonight or what? If you find yourself sending lots of nice, friendly messages to someone, amp up the sexual tension today. Tell him you look really hot in that picture you posted today. Those are things
Starting point is 00:04:55 that show that you can be many things. So think of the energy you normally have, the one you're most comfortable with, and do the inverse of that today. Mistake number four, talking about everything except yourself. People truly fall for you when they hear your story because your story is what makes you different from everybody else. So the next time you have a conversation with someone ask yourself this, am I only describing here what I've been doing or am I actually revealing who I am and what I'm thinking about? Here's an example because I know this sounds a little abstract. If someone asked you, what did you do last night? You say, I cooked ribs for the first time last night.
Starting point is 00:05:39 Now, that's not a bad text. It's still a conversation starter, but it's still only talking about what you did. What we want to do is add on to that a bit about who you are. If you wanted to do even better than that in telling your story, you could say, I made ribs for the first time for my family last night. I'm a little late to this cooking thing, to be honest, but I'm actually really enjoying learning about it. Now someone sees a hint of vulnerability, what you're learning about right now and how you feel about it. Mistake number five, being too passive.
Starting point is 00:06:11 Almost everybody has had the experience of something moving way too slowly, of someone who keeps drifting back and forth, giving you kind of mixed signals. They're not asking you out but they do keep reaching out by text you don't know where it's going it feels totally ambiguous this is where I like to apply what I call gracious impatience which means warmly politely being more upfront about what you actually want so
Starting point is 00:06:44 let's say monkey wants to progress things with George. Now they've been texting back and forth for a few weeks, but it seems like the momentum isn't carrying them to the next stage. Why doesn't he ask me out on a date? Why didn't he at least pick up the phone? Here I am just texting away. What am I gonna text myself
Starting point is 00:07:03 into an early shallow monkey grave? Sorry. Well, the passive response would be to be texting George and to be like, yes, like I think that is true as well, George, bye George, we'll do the same thing again tomorrow. Or monkey can be graciously impatient. next time George messages her she can say yeah that's a real funny joke George you're a real funny guy there so anyway mister are you actually gonna ask me out or can I just expect to house your week for the rest of my life now
Starting point is 00:07:40 I know this sounds like a simple message but there is a lot that is right with this message. When you say so mister, there's a little bit of an authoritative, but almost sexy tone to that. You're being demanding, you're being a little bossy. Then you give the standard. Are you gonna ask me out? That's what you want.
Starting point is 00:08:00 You're actually saying what you want. Or can I just expect a how's your week for the rest of my life that's you being intentionally hyperbolic and dramatic to create a playfulness around something that you're also kind of not playing about he will never get any momentum they don't get from a first conversation to FaceTime or an actual date or they don't get from date one to date two, or they had momentum and they lost it and they don't know how to get it back again
Starting point is 00:08:29 with that person. I wanted to create something that showed people how to get momentum in the early stages of dating someone and then keep it so that it actually turned into a relationship. And the way that I've chosen to do that is to create a texting program that shows you, I think there's like 60 or 70 different text messages in the program that you
Starting point is 00:08:53 can use to create, to sustain, or to regain momentum with the person you're dating. And I did something even more unique because I created a numbering system whereby it went from 1 to 5. Number 1 being you just met this person, very first message, and number 5 being you actually feel seriously about this person. And I assigned each one of the text messages I give you in the program a number so that you know when to send the message and when not to send the message. So I've called it the Momentum Texts. I'm very proud of it. It's like a cool little program. It's not a big program. It's really quick to digest. It's the price of two lattes or one and a half lattes if you live in Los Angeles. Between one and a half and two lattes, depending on where you get
Starting point is 00:09:43 your lattes. Go check it out, I'll see you there. Recently, I was coaching a woman who showed me a text exchange with someone she had met on an app. The exchange went like this. Hmm, are you just a flirt or is there more to you? He said, are you just a Debbie Downer or more to you? She said, you have to be more than a flirt to find out. He said, you're a lot to deal
Starting point is 00:10:06 with. Although that guy sounds like kind of a jerk and probably not someone she wants the attention of, there is something that she said that I wanted to pick up on. She said, hmm, are you just a flirt or is there more to you? Now, the problem I have with that is the intention is good. What she wants to see is if this exchange can become more than a flirtatious or perhaps even a sexual interaction and become a deeper connection. I believe the best way to do that is not to ask, is there more to you? But to show there's more to you. Because when you reveal more about yourself, what you're really saying to someone is, here's me. can you be that too I'll give you an example let's say a guy texted a woman and said what are you up to now she could just give a plain
Starting point is 00:10:52 response I'm with my family right now what's going on with you or she could see this very simple question as a way to tell her story and reveal more about herself so he says are you up to? She says, I'm building a desk from Ikea with my dad and my sister and none of us seem to be able to do it. So we're just rolling around on the floor laughing instead. Now when that woman says that she's revealing a lot about herself. She's a family person.
Starting point is 00:11:22 She has an adorable, affectionate relationship with those members of her family, in this case, her dad and her sister. She's self-deprecating and can laugh at herself in a situation. All of that is telling her story. Now that does something very subtle. It shows her in three dimensions. And the effect it has is that it invites him to either show himself in three dimensions by getting vulnerable in return and revealing more about his life, or at the very least, it invites him to recognize her in three dimensions, to see her as a more rounded, real human being to invest in. Now if at this point he doesn't do either of those two things and instead he just says, so what are you wearing while you're making the desk? He's showing that he is either completely one-dimensional or that his intentions are completely one-dimensional. You learn more by revealing your own self and your own story than you do by asking someone to reveal theirs because everything is shown in their reaction
Starting point is 00:12:31 to you opening up. Number one, add a human detail to your text messages. It's one thing for someone to say, how's your day going? And you say, it's going well, thanks, how's yours? It's another thing to say, it's going well, I'm about to go on a run. That gives someone a detail, something they can craft a conversation out of. Or you could go one step further and say, it's going well, thanks. I'm about to go on a run. I'm dragging my little brother with me. That now gives them a human detail on top of it, something
Starting point is 00:13:00 that paints a more three-dimensional picture of you. In a world that is 2D, we have to make ourselves three-dimensional. Number two, I'm calling this principle shorten the time frame. If you're talking to someone on a Monday and they happen to be leaving the conversation to go into a meeting, don't finish that little chapter of the conversation by saying, have a great week. Say, have a great meeting. Have a great meeting is an interesting phrase. Or if you say, have a great workout or have a great whatever they're doing right now, because it's something you send to someone you actually know. You may have only met this person yesterday, but when you say, have a great meeting, there's something familiar about that. There's something personal about that. There's something that recognizes what they're
Starting point is 00:13:48 doing right now. And it also makes it easier to pick up the conversation by them telling you how the meeting went or by you asking, how did the meeting go? Have a great week says, I'll talk to you next week. Have a great meeting says, we'll talk later today. Number three, create a shared reference together. If someone tells you something like their favorite TV show is Ted Lasso. In a matter of minutes, your relationship dilemma will be in the past. Then the next time you have a moment of banter, fun conversation, find a gif that fits what you're talking about from Ted Lasso. That's a joke. I love it. That then creates this moment of, A, I know you a little bit. B, I was listening. And C,
Starting point is 00:14:33 we now have a shared reference together, something that builds our story. Side note, when you send a gif or gif, Harry, it's a form of pattern break in a conversation. So it's been text, text, text, text, text, and then this GIF comes through. And it's just like this little moment of animation. It doesn't have to be a GIF. You could be a voice note. It could be a picture. But when you do something like that, it's a pattern break that grabs someone's attention.
Starting point is 00:15:04 The intrigue compliment. Give someone a compliment that's specific, but begin it with this phrase. Do you know what I like about you? First, you're signaling that something interesting is coming. How do I know it's interesting? Because it's about them. And that's the most interesting subject in the world to that person. So do you know what I like about you? Pause. You can even not put it in that message. Just put one message. You could do this in conversation too and just take a beat.
Starting point is 00:15:33 But in text, you say, do you know what I like about you? And then you can wait for them to respond. Or just take a few seconds or a minute and then send the next part. That creates this moment of suspense, intrigue, curiosity, and it then allows you to give a specific compliment that shows not only a generous nature, but it also shows confidence because you're confident enough to actually embrace and speak out loud about something specific you like about another person. Number six, the accelerator text. The idea behind this message is just to keep things moving. We have to have an unwillingness to stand still, an unwillingness to be in a
Starting point is 00:16:15 situation where there is no momentum. And that means if you keep getting texts from someone that don't go anywhere, someone keeps sending you superficial details of their day or what they're up to, asking how you are, but it never culminates in a date, you have to have a low tolerance for things that don't go anywhere. So, I mean, we had this example, Stephen, who's in the back, hey, Steve, we had this example a week ago where someone said,
Starting point is 00:16:41 this guy, he'll literally text me and he'll tell me he's making soup, but he never asks me on a date, but he's the one who proactively texts me. So here's what you do. You ask him what soup he's making. He says, chicken soup. You then say, you know what's even more fun than chicken soup? Chicken soup on a date. And you see what he says to that. That's you calling him out for the fact that he hasn't asked you on a date. It's firmly putting the ball in his court and saying, your turn. That may be playful. It's not aggressive.
Starting point is 00:17:13 But it shows an unwillingness to ignore the fact that right now, this isn't progressing. You've just crossed over into the Twilight phone. Our story begins with a friend of mine who met a guy on a Friday night. What you are about to see is a real text exchange between her and this man that started on Sunday. He sent her a message saying, great meeting you. She then said, you too, how's your Sunday been? Pretty decent start, right?
Starting point is 00:17:49 Except for the fact that he didn't reply until... Well, Tuesday has been great, upside down face. How's your week been so far? She then replies, you operate at grandpa-esque texting speeds. Now, I actually like this message. I like the fact that she's calling him out on how slow he is at texting. What I don't like is the little ahaha where she softens the blow in the beginning. I kind of want her to just say it without even worrying about offending him in this moment She then says this really good week about to get really crazy though now
Starting point is 00:18:31 I would have been happy if she just left it there I know she's not asking him a question and that might seem like the polite thing to do But this isn't about politeness. It's about attraction and in this moment He might have just been messaging her because he's bored. To prove that he's not just bored she should allow him to do a little more work. Instead here's where it goes wrong. Which is why tomorrow I could do with getting a happy hour drink with a handsome gentleman. 7pm-ish. Here she does all his work for him. Now you guys, if you know my philosophy, know I don't have a problem with a woman asking a guy on a date. But in this scenario, he has not earned this.
Starting point is 00:19:12 All he's done is send a low investment message. So I wish that she'd allowed him to get himself to that point instead of rushing to arrange a date tomorrow night based on two messages. And here's how you know she went wrong. He didn't text her back on Tuesday. He didn't even text her back on Wednesday. He didn't even text her back on Thursday. He didn't text her. Until.
Starting point is 00:19:40 And do you want to know what he sent? Grandpa emoji. Now the fact that he sent this emoji of this poor old man doesn't make him a bad guy. It just makes him a guy who's not trying very hard right now. And as you know, I'm always encouraging women to give investment to men who are investing in them. And to her credit, knowing what I would advise her to do in such a situation, my friend didn't reply. Which brings us to.
Starting point is 00:20:18 Now it's almost as though between the Friday and the Tuesday, he realized, uh-oh, I may have screwed this up. So he gives his reasons for not texting back quickly enough. I mean it's just that my Wi-Fi is slow, my phone wasn't working, I dropped it and it was donezo. Last week was a crazy busy week and also I'm really slow when it comes to texting. Now this is where my friend came to me. Two hours after she had received that message. She said, what do I text back to this guy? Now my first question was,
Starting point is 00:20:45 do you actually want to see this person again? To which her reply was, yes. So I said, give me the phone. She passed me the phone, I wrote out a message, and hit send. And it was a very different message than the one she would have sent. All good, have a great week.
Starting point is 00:21:04 Now why did I send this? Because in this moment, he's expecting to give a bunch of excuses and for her to take all of that rationale on and say, oh, it's okay, no worries. How's your week going? Do you wanna do something tomorrow night at seven o'clock? He's expecting attention.
Starting point is 00:21:22 She doesn't give him attention. What she says instead is, that's all good. And by the way, I'm not going to get into this with you because why would I? Right? You have your reasons. I have my reality. What I'm more interested in is my reality, not your reasons. Your reasons may be true.
Starting point is 00:21:37 Your reasons may be accurate. You may not be lying, but I'm interested in my reality. In other words, in the result I'm getting. And the result is nothing's really happening between us and this is a poor text exchange So my reality is what I'm responding to Respond to your reality not to his reasons. Have a great week smiley happy positive polite, but low Investment I knew that this would scramble his brain She's kind of checked out a little bit,
Starting point is 00:22:06 even though she's still being polite and warm, which is what kills a person. When you're still warm and polite, but you're moving on and doing your thing, that affects them deeply. Here's what he sent back. So does that offer still stand for hanging out or is that a one-time deal?
Starting point is 00:22:23 I'm free if you're available would be nice to talk at normal speed. So this is a guy who suddenly got vulnerable. He realized that he wasn't getting anywhere that she was checking out and that he needed to actually start to invest. So he puts it all on the line. Here's what I told her to write back. It's dangerously close to a one-time deal. Now by saying that you're actually introducing that element of danger. This might not work out for you now as a result of what you've done. But there's a little playful emoji there. Little softener. What did you have in mind? So here's where you're not doing the work for him. Instead of her now saying what she said in the beginning, which is how about a date tomorrow night at seven o'clock?
Starting point is 00:23:05 Instead, she's putting him on the back foot. You're coming after me, so what did you have in mind? To which he replies, why don't we meet at Harlow for a drink tomorrow at 7 p.m.? She then says, okay, see you tomorrow. This is a tempered response, but it's warm, and it does exactly what we always intend to do. To show the person opposite us that I will invest if you invest.
Starting point is 00:23:33 But I'm not going to invest simply because I like you. This is an equal arrangement. You give, I give. You may have noticed that dating today is fraught with situations where nothing seems to happen. You're either on dating apps constantly burning out because messages never turn into dates, or you're dating people where dates and hooking up never leads to a relationship. There is a fundamental problem these days with lack of momentum in dating. Now, some of that is the fault of the people we're dating because there's no proactiveness about them.
Starting point is 00:24:13 There's no intentionality in the way we date. In fact, that's a big part of the problem. But the bigger part of the problem is that we tolerate it too often and we don't know how to get around it. We don't know how to say no quickly to the people that aren't giving us any momentum and we don't know how to take someone that could be more proactive and encourage them to do so by the way that we relate to them and the standards we have. So much of this can be learned And it's a language that changes your dating life once you have it,
Starting point is 00:24:46 because all of a sudden you're someone who actually gets progression in their dates, not someone who constantly gets stuck in the casual phase. I have a program called The Momentum Texts that shows you exactly how to do this with 67 specific messages of momentum that get things moving in dating. You're really going to enjoy this. It's also the price of a Starbucks these days. So it's a very easy program to get your hands on. Go over to MomentumTexts.com and grab your copy right now. Outro Music

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