Más allá del miedo Podcast - 32 | SACRIFICIOS HOSTIAS CONSAGRADAS Y SANGRE...LOS RITUALES más IMPRESIONANTES QUE HE VISTO

Episode Date: June 27, 2024

Experiencias aterradoras sucedidas al explorador urbano OMAR CREW Hosted on Acast. See acast.com/privacy for more information.

But I hear that grittan. I said, he's going to my wife. The two solos. She was out of my pointeone.

So, then I'm saying, Amor, you're doing, we're doing, we're doing. So, no, he'd get to

get back. So, there was a lag. When I said, no, I'm doing, I'm not, I'm going, I'm going, I'm going,

I'm going, the camera, the selfie. And, effectively, someone, one. A-old,

one day we came to a car in a petagrama, per-o. Ate-o- a ritual, working.

Not they were a phantasmas. No, no. It were people. It was a lot of

like to be a pork. And there wastes. But all it was encendied. Imagine when we were

how we saw it. We said, wait, let's see, let's see, let's see, let's see,

let's see. We're let's see, let's see, and that's the light in all the shendoron.

The yorona. She never always me I'm always I'm I'm not I'm

the pressure that I did that we say that's to hear that's a bit of

a disparals as so that there's when we're there's when we're

not in 20s our our our endangentated her his

her his mom mary his father she got a madrastra and

they're a second piece so then the then he he

he no he he was he able to get the barandal and there

he's kept much time and there the madrastra says,

no, yeah me stop the new, renewen me the barandal and it and you can

you imagine the quantity of the night. Saludos and well, welcome, about the new capitul of, in in a new, in a

No, no, to contrary, that you're honras with your presence in this place. Yeah,

because we're doing us also fans of your content. And I think you're getting a good suspense

so, me glate. Thank you. Thank you. Yes, so, for there we've been working.

I'm going to say, because, as you're doing a community, but enormous, very great,

of collaborators, of people that they like in these things and the really it's what

he's the people the men of the men that they're in the little

that you know that the one person simply Omar comparta not be

envisio that us we need yeah immediately I'm I'm

thank I'm so I think that so it so so it's to

like you do you do it so so it's yeah passed

the time that so there the people that see in the trajectory of not only

my am, of much people, you know of all those discordias that were years past

not, even in directs, in vivo, but I think this community podcast is a

different, we have a Pacuarius that's that's he's that's we've got

we're, we're torreamos, and it has been moments very good, and those that are,

as you're, like you are, the friends of relato of the Luna

Jena that that we have we have we're we're we're not

in getting in getting many more people. Yes, we're we're we're going to

be so. Then the question is overando the theme supernatural is part of our

lives. So Omar yeah we've talked to some situations that

are quite that practically have marked our those

the the way you into the experiences or stories that you have

shared in this is how you do you do you do you there's a there's a

person who you know it's it it's a question do it so much

not not it's so not it for to start I'm I'm

I think you're in the same syntonia that you tell

in the that's very difficult and you like 10 years before.

Thank you to God we've a hero that's called Juan Ramon and that

person with the man paluda in that radio formula for many years

us we're to get to how you to get a little more

this but when this this this grand person part

tricend that that that's that that but not it

with with things good. I mean, it's a time this taboo. And

thanks to some the few locus has more to get we're we're

to get to pantions and the seven, we're four of different canals.

And me do much that I see, I'm three hundred, 400.

You're those initiators? Yes, yes, is an or very,

very very beautiful. But, but the reality It was very difficult also for us. I mean,

right there someone is a point in a point in, so it's very common that they

allagin. I, when I met to the pantheons in the first they were, you're a profaner,

you're a profanador, you're a scoria, salted to get to to get a jolet,

I think we can't start with that story canion. Canion. Of the first

times, you know, with the lamparita, a lamperita, a cellular a middle

level. I metia a panteon and they started to say me the people,

you know, you've to pass for the tomb of my abelita what you think you

graced you're that's you're playing with the mortals and other person

of the same live you have you just to pass you

just you don't you do you you you imagine

the the quantity of people that there are my familyers,

what are you what are you going to be to get to you're going to you're going to the tombs of our families

not only the tomb of a x they're they're describing familyaries I'm in some moment

I said at the maybe this is a piece of hate when me says you're

you're front to the tomb of my abelita I know

the nickname she not I don't I was going to see the number of the tomb.

I was about 8 meters of the tomb. That's the tomb of my bonoita and you do you

do. What are doing? So, things are the same and they were the same the same

is real this? I'm going to ask me to ask you to ask you was a bad what

was doing I'm asked because in the culture Mexican if I've

known that the mortals occupant a place in a place not there still there never that

I'm not going to go to go to a session spiritist right I'm going to do this

I'm going to go to go right yeah is more aborted I'm going to be able

I'm but it was difficult and one of those experiences a little time

after that was that was going that they're trying yeah now So,

it's to that's empathic those those are the people who are not,

they're not in the person that's a person that was able to the people, and not was

the people that's used to get a house of so that it's a time after I'm going to

go to another panteon and in that Panteon I'm still the sonnions

of the pantheon always my goal, my meta was,

you know, and see a person, can't grab directly. Mostrard.

But in that night I stacconed the car my wife is a car,

me brinked the bar of the panteon I'm I'm I'm I'm

I'm don't know in where was this panteon sincerely and I'm

but I I'm I'm that grita. So, I said, I said, he

was going to my wife, you know, I'm going to one of the morning, the two solos in a

woman, she were, I went to the point of the then. So, then I'm you're doing,

we're we're doing, we're doing, but there's a time, but there's a retraso.

So, so you're, I'm, I'm, I'm scribed in the live. So, so,

so, there was, so, there was a, And I said, I'm going, and you, I go, I go, and I said,

no, I don't gritty? So, it's an experience very, very special. Because I remember, I think one of the comments were, it's back to you.

And, and I always they'd be to get to be the classic comment. There's a there. When I'm

put the camera, in best of the camera I'm the, I'm of the camera I, the selfie.

And effectively someone was in the man What? What's the She was? A woman. A woman

But, but no you think that the woman so you know, it was a silhouette between the somras

like a five meters there was a tomb at me. We said that we're just when the

when the face of front, I was in a zone where there was a

woman. It's a woman. So I I still doing waltzes in the

Panteon and trying to find out this woman and I'm

and I know I'm and I always I always I'm when the

people were she that was she that was doing sound of doing those

sonnors or most and we we're a strategy very

functional that we we said we we're another page

we we transmit in I live there. From the vehicle. From the vehicle. So, it's

out of the vehicle and we're of a little. I'll tell another story that's really that's that's true.

And the people say, I've been from the other transmission, and no is Magda. And the other transmission

Magda is pointing to the Pantion and Omar see solito in the Pantion. A,

okay. A strategy very good that we functioned many times. Because they they've done

that no. Yeah, years posterior you know we need that we need to be

our people always there were in a time there always there were there's there

we're and there you're you're all over all everyone but that

but that occasion very in special I'm I'm I'm going to

I'm I'm I don't I'm I'm I'm no I

meantier but I think that was the Montpam for because was one

of the first I I came to a place where you know

that was the panteon and it's the cerrito no continue there no

there's no there no there and when I went I

saw I was a person to this woman vying me

like at a about I try I try to

do the zoom to the cell not no

no I commented but I try to give the maximum zoom for that you try to do the zoom,

I don't know I got the zoom I said no it's very pixeled no I can't when I'm when I'm I'm going to do

and it's like to this side of five meters you know man you're you're and it's

it's it's like it's it's vanace no, never so never they they're

they're so they're so much so much so much so in probability

that's one in three is 1,000. And that's and so, and so that's

just it's easy three, two hundred times in, in eight or nine years. Yes.

So, so, many of your videos, I did, I'm very, I had said. Much of,

you, what you think, of the people that are, I mean, me can't mal. Very bad.

These, these, these people that are, these people, are doing a sketch with actors?

with actors that's that they put in brugas they're like that larres oh yeah

I'm that's a pain that I'm that I'm so I see that we know

we're we're we we're not not the point of

the point of Frale we we we we're

we doing a and in various places yes they

exist but not but not the graded, like, for example,

you're doing right. Yeah, they're they're doing. Yeah, yeah, it's more

a show. But what me is more absurd is that even as the people see.

See, I'm very respectful in the work of the people. If they invest in your

money, if they're what they're what they're but, but, but, but,

but, no. Disgracially will occur the phenomenon Talia, that the

other people thought that we're like she. So, really was a

malinformation that was a very much because of this television that other countries,

even after that this, um, but, yeah, this modernity in that we

could we communicate yeah, more fast and so many countries have seen

into that we didn't that we that's passing too. I've

That for me it's a something that's a story. No, I've told a

whole in any other than it's a man, we've we've we're going to

see, we're we're going my wife, another explorer, other

two explorators, my wife, and I went to the fallacid Danny Dant Berth,

The fathered Danny Dant and a and a seeidora that us

He said, I'm the point of Freyler, you know you know you know you're over

a carreterer the zone is the risk there's a there's risk to get to your responsibility

you get you know and I want to go and I'm this this muchach

this we met to the Ponce of Frale we we back this

place that's that so it's soprenate we're we're

we the tunnel of the carreterra then we we're we're

we're some of the world of and when we're we're I'm I'm saying

I'm I'm but you know imagine the the the

the the times that I've not only in the point of the frial in many

in many I'm I'm I'm I'm like that someone trying to

be sigilosos at the moment that we were coming down I'm going to I'm going to

people I'm going people who I'm these are these are these are not so

they're doing something I'm imagine the the poor that's a one a lot

there's a much delinquency yeah it's yeah and then I'm I'm a I'm a

I'm invited so imagine to the future so I think if no more

recorri I was the follower with a friend more chico then I

did I'm we're we're so they're so they're

to hear sound and he did he record so far done or a

other other sir that was a explorer or he was he's

he explore he he said they're they're they're they're

they're to be we're to have to do but I

did it in the microphone of the microphone of the cellar. And me

I'm I'm getting much in the explorations. A lot of I was not veyed at the comments. And I'll go and there's a newbie. You're saying, Mar,

since a rathes there there are there. Yeah, we've seen us us, did you a, a, pan-o and

there were three people and in other side were two, are men are women, are there, they're not, imagineate,

how you put Nazareth? You know, you're doing, in how much time? You're trying, in how?

So, to where you're? no, but only that you're going to to get to the tunnel no there's

a lot of and are you don't know, but you're no, no, there's form of so I'm going to

let me say, let me see my spouse was in the car, imagine and then you know, your wife,

you know, with a trauma very very strong, we're we're, we're saying, and I'm

wait, wait, wait, wait, and perence, wait, so, up all the

those Luses. Let me let us see this side to the part of the

back to the and that's the stucca in all the yorona. You know, I don't I did

I'm just I'm just I'm just I'm not I'm not I'm to try yeah and then the

yorona let me let's go-nors let- let-o- right now now not you know

now what we're to get to get to get to get to get to

get to not you know that you start to Disparos.

To us. No, no, fortisim, the case. The yoruna and and no, disparas.

There's, so, there's there's we're doing, we're in the light as a pardas.

and the point? No, in every centimeter, there's, no, where you

came about, you know, but where you didn't, you know, in the obscurity, trying to

try to do, four, five people, we'd, you know, oh, you know, is how they're going to

ask you. If you're going to ask you, no, no, so you know, for that's also, too, you know, for that's also, you know, we're going to, we're going to be able to do you? No, we'll y'ambley. Then, you're going to be able to get the lights, and, you're going to be

light, and, you're going to, go ahead. Absolutely nothing. I just remember that I heard, or I heard of where or I'd, heard of the carros they were on over the carretera

and he's for there the side of us let me go ahead and we're going to

when we're when we're our luses our our our our endangentated

of the the clasas car brasos all I had a

falta mato mottorrales and all that had spina it

had been they had had done an gent of

emmogovina for not I can't say, another. Tremendom. Tremend. When we got

to get this woman me was to ask, no? No, no? No, me had

affirmed nothing. This woman is, I don't see if I have to get to

a hospital or when you said, what you're, the, what is, the, the,

the, the, the, the, the, the, the, those people,

with those, with those, with so that detonar, because

they're the attention of some the patrols. So, we've been patruias

and this went. So, they're that they came, because we didn't,

I'm mean, there's not there's a return. The return is more ahead.

And we we've been two patruias in friega. Then they said, yeah, they've seen,

yeah, they're, and they're, effectively they're the went and they're

going to us. Thanks to that's they went. When went to the people, they're

not the people, they're doing to do. We're going to go back with the light apagated. How's it?

Well, for the those, the disparons. Yes. And so we're we're just

we're here. The seguer a felice. Being contented of the persecution.

Yeah. And I say, because I'm content? Because I said when I I was with the

light apagada that we we were going to I'm going to and I'm

going to but when I'm going to go a woman vestida of black that they

did the I'm percate that I'm I'm I'm I go to

go back so to carreleandol you say I've I'm

I'm not see the I'm I'm not I'm sure I'm not I'm because the

one Pantry The Frayle, I'm going to get all the offrendas. For that I

said, for that I'm expected tantit because it was, it was my dream, said, it was my dream.

And she said, and this night I have you got to be all the same, no me

I'm a person that was a much the, the paranormal. The paranormal. But, but if

is a risk, no? If it's something that you you can you can you can

get there Desgracially. And more now? Yeah, right it's more pesable. Fiatty

that precisely Hasiel me that went to visit a area very similar to a point in

Guadalajara and they took them these people these that were to throw desechos

to the river that fortunately they were not even they were so

I know I know I've talked about but no never I've never been

in Halisco Guadalais in Jalisco. Well, if we can say the place. The barranca

of a Wenditaine. Ah. There me took also also too, too, very,

so, so, so, but well, but well, I'm going to tell a about,

to be, to be a very, we're going, we're, we're, to the, to the,

uh, to the, they're, we're, we're up to the house, to us

a car, a us We're not a event very

very a very because Mario Pinnat I'm a

I'm a love I'm sure I'm who also

that this TikTok a person personal those two

Spectros of the night also I'm I'm a

I'm we we we we're we we we're

that in that was more altruism more busk that's what's the

exploration. Because one night before a manned a man so

so we we're going to we're we're going we're we're we're going to be

if not if not the house see of many angles if no

he's he's he's he's there's there he's there

we're we're we Jonathan, no, of Spectros also, that's a manned a

but so we're more than this chavito perdive. It was super viral or so, everyone was, well,

not everyone was looking it in the red, but when you get it's, but when you're there's not

nobody looking to not the policeia. You're those those only physically

physically looking. Buscando so. So, then we started to look to

various parts, first in the in the in the in the the people abandoned

then we we're going to we're in some areas where you see, quite you're you're going to

pass a repress and you're to pass for the brusiness to get to that's complicated and it's

a biggeros you have to get some those can't get, they're in many times

so many things but we're we're we're going with the intention to

to to be this muchachito we we're in the we're

we're we're we're but in one of those if we're like if they were doing to do something.

I don't see, there's in the comments, if this manchita appeared. I know.

I'm regressed to the other day of Guadalajara. I had a compromise here, I don't recall if was doing

television, if I was doing something, but I had I had I had I'm to do I'm

to put to to put to to ask, if it was to appear or the part of the

that we were in the paredes of the repress because you have to come to the

because you have done to do a person to be a person, so we're we're doing, so we're

we're doing the so we're we're going to we're going to we're going to see a lot of that's we're saying

it's a maybe they're malherido something we we're cargamo no see total that we don't

we're we're not if they're if they're we're doing us people It was.

He'd heard that not they were phantasas no, no, they were living. And then we

were not, we're not we're in a cross-s pesed, yeah, that we got to that I

this, I said, I'd like this, I'm a story very very very a story

because a man a indigente that's, a, a, to get a to,

to get a cartoncito and to send him, there, he was, he was he was

his, his camit and put it and where there came those people that were they were

there and they were imagineate even even if you're an indigente is a little of this so there they found

their body there and there there was there she did an altar there

there is an altar there's there's a there's a there's a there's there

but that night for not it was that night they were they were they're

they're people that, that's to God not know because not they're

not. I can think that if we're we're unfortunately there's in all the

tracket. We went we're transmitting three pages simultaneous. Ah, for that. And I

think that for that was just about the little of the chavito and this I think

they're going to be they're we're getting and we're and then how people? How many people?

We're we're not, people, I think, in vivo, 30,000 people in so,

like they're for what we get us so, that's that's what we're not going to

know, one's you know, your ear, you know, your eyes, to see,

to see, to see, to see, all, all, all, all you, all,

all you, all you, see, they're not being vigilant. Apart, when we

we're not when we're we're we've about, we've been, about, and we

see how they'd how come they're I'm I'm I'm I'm

you you're you're you're you're you're saying you say you're

going to the escalero they're all all all all

these people know they're they always always they're

moving for those and you know perfectly that that

they know they're so so then you you

were coming and you you did you be roadied.

But at maybe they know they're in another place. Pardon, when we

went to we're going to get to get us. We're going to know. I don't

remember who he said, I don't I remember if was Joshua to who was,

but if did plan he said, there came, there there come. We're

met him to the house, we're we're and fortunately nobody. Then

Mario started the number of the man, you're here,

constantly he's he said, and I said, let me go to, yeah,

yeah, without, and we got to, we're going to the cars, uh,

fortunately us, those cars those, they're not doing in the hydroelectric yeah,

the, the, the, when we're when we're not we, we're, when we're

when we're not Tant, like they said, what's the because they're doing,

not doing, to do that, you know, we're doing, we're not a little bit more, we're going to see, but,

if it was one of the experiences that I said, no, I'm going to do that real. Terror real,

yeah. In this house, not you took to be, that they're, you know, what we're

to be, the house of the house of the house of the Mijangos, no, no, you know,

but, yeah, much. Yeah, so, there was, there, there was a

there then is perfect for the brogheria perfect it's a very common that's

that they're that they're doing things lamentable but for example there's

there's it's function more to do it imagine in a in a in a

church yeah for the so for those so they're for so they're they're

in the sacrilegious sure for the sacrilegious exactly an object

that can make a sacrilegio with an object and more if you have been in innumerable misas

if you have been in cults not only Catholic of any but it it's

pegs and it's peterrissue those is very badriss fadry fad

in my city there there there there was a year and

a year and maybe so fast three and them chalis

copones hostias Ocea So, and if I put in to think Sacrilegious

Yeah. No, no, that's, it's, I don't, I don't have to prove

it, but I've said that there's that are that vending things.

For example, the hostias. Yes. They're they're just to start with that ritual

of consagration, the hostias those they're and a good

land. A sometimes they put for a ten. And it's been

so they're in the first of one, but well, come not

so I don't make any no, so in all Mexico is,

there's there's a market black very so for all this

type of things. And you to be in a occasion

that they use these these artifacts for the

and there there there edification in Irapuato that is an asyenda

that's in the middle of a whole so it's so it's very sure to go

very sure but obviously if you you get to this construction as that

great as it can be there's so much not sure that's not sure

that's but the buildings and all the zone industrial a

one day we got we came to have a head of a porquito in a tetragram

in a petagrama a petagrama a problem a real a ritual and we're

a sect working not they're not they're people were people when we when we

we were the show that they in the ritual so so that's so it was a

peasant caon canion canion canion that what we we did we

we did we did we we're because it was a really and there had cabillos

of people there not we know we've got to have been there but if

there was too a much like that like to like to he had got

and more because when we we're going because they're to be we're

the other part that the part of the porkito was over then says it's

is it's complete of where it's where's there's and there and there's

and there I'm in this ritual and I'm they've done it had done they've done

they're doing did it I'm really because normally the ritual because the pentagram

they're in the piece so these they're an armado in a in a

in a in a door so all all all all

all dimensions. Orrally. I mean, so, they they were the front and it was the

and you were in the back and you were like you were like, but all you was like, imagine it when

we came to see. I think it impressive impressive. Impresionate. We passed a passillo

grittando, because we because we we're just that a because we're we're great bads,

I mean, I mean, to me that me that's I mean that not not for I do to dole.

I don't. I like like art that that type of the different of forms.

If it's good and then the head in the middle of the cold and

all around so super armado no-so a lot of hours. They went armand

and let's let's get to pardon that the risk. So we we've

to go going but we're so we did so we got to

all to us we've four explorers every one doing so so there's no could be

somebody imagine one being there another for there all going to we're doing all they're

all the so then the four cameras running for all the house looking a

room not there no no no there no any nobody in this room to be

in the part in the back in the in all the house and what

you think you're you still they're that Lamentos of the

Sina. And never they found. Never we never we found us. Four cameras in vivo.

I mean, I don't I don't until what kind of what type of ritual or what I'm

at the final. I said, it's the voice in the voice out of the

portal. They've opened these quats. They let us they're not they're

they're they're they're we're all the simple of the thing of

the of the there there's there I remember right that's. I'm a

very complicated, is it's really. It's really. I'm you know, you know, we know,

it's here that's here in the time. I'm always you're to come to all

parts. Yes. In some occasion it was to be a medentaranate that,

that they were to them to get to to get to to get to to

you. Yes, many a a point yeah to be yeah

to be to be put in that we We're the times

that we're amadrented and in a year were 42 times. Of one a year

just. We're not we're not we're doing to us to talk the times that we

were things yeah say that me goliar that we calliramed to

careram that we weretearaners that that's that of all 42 times

we were those were those things that that's the

people are the those malos they're doing what you do you do do you do you see you

see you but but ohle I don't see if it's of God or of the

devil no but fortunately the majority of the people people malas

yeah I saw the type of camions you were with tennis they were

with placas, you say, Yavali. Yeah. And I always said to my wife,

you go to get the car, preend it, and you let me. I'm do the and they're

not going to and they're those people. And we were, Omar, we, we. We've got

no, I don't know if it's of the devil, but only one one of not they're

not seen not seen, and we not taken to very mal, of a, of a

siena, but mal, mal plan so. This, no, we've not we've

talked about what we know, we've got to be to be in us to be a,

almost a 15th. Oh, because I'm very very strong. But of the other

occasions were the majority and they were the and we're many of us. Preguntal

where they are, uh, and you they're going to say, yes, that they're

saying, and they're, and they're they're they're, but you're going

to be be we're not just to be to ask you something. If you want to you know the

people don't ask you don't you know what they they're going to say they're saying they're they're going to

say they're so this this doesn't this doesn't think that we're going to a team of football or how

it's a production television and it's and easy and that can't come in

and that there's we're we're doing no we're we're we're we're

we're I'd brinked barredas me of all no us

we're not we're not only in Argentina in Argentina was us

many times things things that not I'm so

I'm said the people that you that you so you

don't you never you never found that that

not another other other but the eyebrows of

all of a sudden, oh, pardon, Mortyto, but in the head, in your mind? No, I see you've seen by there a video of some explorators.

They're very amateur, very, very amateur, but they're coming down for a, a house that is in Obrough and never, they're in a

house, I think that's in a second piece, they're going, and they're and they're when they're a person that's

atada, with the braces to the back back, Bucca back and he's

to start one and then a charco a rojo and one starts yeah

we're going let's let's let's they're just they're they're they're

they they're no no no no no no no

no me took something so but but it's something

something something something something if we we're something

very very caon in an exploration we're going to I'm going to I'm going to go to

get to get to the channel but when when we were those poor men and when

we were we were so we're in the moment that we were doing the investigation about the

they've they've had seven people so so we've to do we've got to doxas

desafunated those those are of the pointitas no no in the car oh in the

car yeah yeah so over the carter so so that I said

oh it's a not a not yeah because imagine you know so imagineate

yeah yeah yeah yeah out yeah yeah yeah

things things and the yantas n'cett the car, you're

and disbaratadas, ponchadas. And how you did you know, you know, you know, that's

in that moment we've got because, no more them, they metier fichete, but like that's

so putt not so, so it was, so he did, but it was going to start a little,

it was, it was, and it was one of many, so it. So, so,

so, so, and even so no want to and we didn't get in the

madrugated yanta and all the other day then you're new but various of those

yeah various so cany canyons in Argentina I heard the

I'm so a ladit me and how they're the vitrines

of the tubs that they they're they're not not they not

they're not you you you're you're a the past.

Yes, it's it. It's four, the those that were

those who were those and we're very much situations. There's a lot of

there's I'm going to get they're seeing in this moment I'm

to the I'm for that you're to put you're in the panteon

in the little the Hercules Kiereto Yes I gop

can't can't caronsis the police and When they're now esposado

and me they're going to because we've been a barred. So, we're up up at that

barra. And then they're going to back. They're going to see as far as four phantasmas around of us

and a little, the panteon of the little, because we've seen a little bit of

but obviously was a factaman. The little bit the child that's that's been

that's that's not a photographia. photography. I did a picture because it's a capture that

did the people of the transmission. A little before my wife was like always in the

only, in the car and the and the little her head so she is sitting down

in the she's always in the pilot for if she's I said, I'm here, I said,

I'm there, get to get to you get to go to I'm going to the mountain,

I'm I'm bring to whatever I escape, but you bet. The little, her

headita, she said that's recosted and she's a lot of the day and he says, and he

said, he said, he he said, he's he's the little the little a little

car, and when she's, he's, the other side, the car, the little bit, the little

he says, moma, uh, uh, uh, uh, you're gonna think

there's, there's the photo. You're to, The real they're seeing

right. No, no, no, it's, it's, it's something

it's, it's, it's, how they're most humans the phantasas the mortals? Yes.

They're more, for you much times. Well, then you think it

should be because because, but, perhaps you're trying to document that's

that they're to show to show that they exist that maybe have some for

them. What is that I always I've had been respect to all the

time I've said, I said, goodnations, me does it, I'm doing, I'm doing, I'm doing,

to know, to say, to be, for example, to the people, many of those people,

let us, let us, let us, we're getting, we're not, we're doing, we're just, we're just

we're just, we're just, we're, the, the, the, the end of us,

so, so, so, so, so, so, so, so,

so, so I'm love, come, come. Oh, and chiquita, a

little, my wife, ben. So, I think that that's a good, I'm

that I'm so I'm a good, an evidence that I have been, I'm going, to be

to be a moment, the woman that's in the tomb of his house, a

case very very very. We're a place, the pantheon, the

Pantion, the pantone, the that's the pantion, that's the Pantion of the Condenado.

Ah, so you've said. We've said. We've got to. But it's inked in the tomb of... Of a...

Of a of a... So, we're a... So, we're... And things so, you know, it's when

you're the question with the question, no, the mortals are or what? Yes. I think

that the people are the people are they're sofering, eh? I think that the Muertos suffer. And more

in moments in that they're not that are dead. Or, if you know, they know, they're in, pen. For some situation, that's a general, we're to be judged those.

Yeah. So, if that woman was a mala and his condena is to be inked to the tumbas of the children, well, so, but

also we're not we're going to revictimized, no? And someone will be, oh, you're they're not,

they're not? I think to what I've heard. And I've heard of other people. I've

heard in tumbas. I've been in a tomb. And I've heard of a woman. I've heard of

you've seen a man. A, a man, a man, a tomb. Ah, the tomb

of, how is this place, Tepatitlan? Pantian Tepatislan. So, textual.

I'm sent to a tomb. I'd you a I'm a that's a I'm going to go and

go and and I'm a very beautiful as a as a a

whole the audience many I don't because I'm so it's all the

those that was I'm I'm listening I'm saying a man a woman how you How do you inventes?

I mean, not, not can't be insensible. Apart, of the followers afwara. That's, that's,

yes, that's always us, us, we used to the credibility and they're met I.

I met more 200 followers, explorations, imagine it. I did I said, now you

have, now, you, what you feel, and you, and so, manifestable in the presences. So,

was a point, very, very, in the you, you're, you,

you're you know, you know, so empathizes with the people, but also

you know, it's a very good, that's that you get a yeah, no,

in some a moment. Amigo, fiat that's a little, one, one person

me said, that's not in his house, he started to scabar, when, well,

ago, he was, he, he was, he went, he went, he went, and he

but work of brujeria directed to the children. Oh,

that's worked. So, when those desicions, they were they found

photographs of the people. I remember that you a a newke a

a boy a baby that you've got to another similar where

they're they're to live to yeah. I'm in my

collection personal I have four babies that I quit of rituals. Ah,

you've got to more? Yes, of pantions. With pentagramas and well,

I know, symbols, well, so, not someone that's no, symbols

and the symbols, if I'm two babies, other three babies, apart of the

I'm in vitrina, that is the most pesadito. You're many objects.

Yes, objects posited. I've a collection great of objects posseid

a way would like to know Yes, yes, if you've

to know, I've got to get to because those and they're in cargues,

I'm in I'm I'm not more, the, the pelotita that we haven't had

the the chimney of the water'scalientes. Ah. That's the little had autism,

his madrastra, her, his, his mom and so, his mom mother's,

and they're a bad on the second piece. So, the child had autism

and he he no he was he was able to get the back to get and get

the barandal and there he was he was a lot of a polotita and and then

a madrastra says well yeah I'm no yeah me me stop

the and he said to some I'm renovem the

barandal and he he he obviously he did

with with with with intention the The little can't he comes,

he doesn't the barandale and he and he'll the life. So,

then we went to and the consignate that when you're that's that

is that you can not get that's noj a situation that I

send a mann a question to askalienes I don't ask you

he's he went he went he he went to he's well

he's textual he He got a juggled. He putt, he putt, he peree,

that's a grabed too. A bit of and so I can't get that matter. And so he's called like,

like, so, we were they were, we were doing, so we were, we were, we were, we were, so we're,

so we're, to see, he said, he said, he said, he said, and in the,

we got, we, we got him, and we, we're, a man, but, can't,

and he it was going to be in bad. So, the consignor is that no you have any of a gullet. Vellos. Filmmalos for if there's some poltergeist, some movement energetic. But no to talk those. No, no, toke. And I I'm traged the pelotta with the play.

Imagine it. A pelotita of gumma. Yeah. No, well, we've lived in Monterey in that time. Oh, no, no, you imagine, the quantity of the noise in the night. So, yeah, we're They've started things

very very fervets because the little because the little bit and so like those

I'm the piano of Montemorel of the Casa of the phantasm that he

to talk and so 200, 300 objects more that I have brought to the places

for a museum yeah and that me say no manches oh man

you you're you're you you're the bol of the

bolich where there there was much transcendid for a

incendidion in Argentina I've I've got the bitacora of that the book where are

all the numbers of the persons that were because they were they were they're going ah what number

to all they're all and they're and they're all the numbers is the ultimate

oja the last the last register so he came the place

and there were like 30 people so all those their names.

Cartas of casinos that I have a announcement that I'm that I felled by

and I felled a person there two two. No, of all

of a collection every object that you see is of some place

to have I'm also I'm a I'm a

little the loz where the loza where the little other

little other who's a lot of the other new. No, but that's nobody. Nobody. And it's not quite in what I'm going to get a lot of the in vivo. It was I'm going to see this way

I'm going to I'm here and I'm here. And in the camera invocam we invocated

and the mokeke said the phrase that I'd and she was and the moatea

and she was talking and I was trying to that's that was that was the finality

to show that the phenomenon paranormal is real and not a pseodicency for

so it created the this well the psychomagias for that so they created

also the paracychologists the parapsychology because it was the phenomenon not were not being

said simple and simple and we're just we're going to form part of a of a group

of pioneros a pookitos but well well well we're being very

because never we've and thanks to that those four five locoes of

many years right right Mexico Costa Rica Peru those of

those of those of those of those those people we're there's Argentina

when I get to Argentina that I send a world paranormal and all

those people people and I say I say I say many

many some of those are saying I'm I see a

because I I'm a because I did you paranormal. All

those they're born for us and that good to do you're doing it.

The way that's not my does it, but that they're doing and that show you

show that this exists to the world, no. Yeah. Yeah, like you much

times I consume your content and something very, very impressive all your work.

Very amateur, no, but... No, but it was a pretty very much

occasion, you get to feel that, you know, for questions supernatural or paranormal, your

life was a danger. Yes, this, um, my happened,

something, when I manipulated the baby, the baby, demonio, that we know we,

with a water in a vitrina, I, I'm, I'm, I'm,

my feo. I, I've pergive three times peso. but you

I'm about four or five kilos in two days there's demacred a canion I'm

I'm I'm I'm I'm that I'm that night give me a dentist

because my mules me doleen horrible so me going to get all the

I'm I'm started to sangra ah so of the and

and I'm and And I, without problems of Muelan, and I know. And Magda,

no, never he never was a yeah, no, too, that's not, I'm in

contact with, now, now, now, now, now, a, but he's going

to be to be a man, that I'm that I know, I'm, a Joyce,

three of the morning, I was, I'm, I'm, I'm a man, I'm a

man, I'm, I'm, you're from, we're just, we're we're just,

we're a a little there. Consigem a dentist I'm going to I'm trying my stinting and then I'm

going to and then the, to the, to the the, the, the,

the, I was, to be, a minute, and the baby recarged so, who,

who chan, he, he was going to go, he got to go ahead. And he, he'd be

going to, and go, and I'm, agrando. The the same the the person

not me recognized a man like that's so I'm chuped but the same

the next time I did at the seven and you know you're not you're saying no manches

Omar one's someone's just just we're just we're we've been

always we've been we're we pass a the recipe pass me the

present me the baby I'm I'm me days, to that I'd be to be

that's a cotorreando but that was one of I'm that I

would get chimuel of all the mules of all the mules is all unfortunately

I started to to say to to rest I said I said, I that no

pass nothing don't talk Butchers, Trenquillo, tranquill, keep up

dormied, I'm not I'm in the morning, 7, 8 of the morning,

I was like so, I'm see, I'm in the space. I'm so,

I'm so, I'm so much, like, like the so, so, so,

we did we're, we're some people that I'm really that's I'm

and all, and I did, but I was I got that's

that I For so I have much respect to that baby I'm in my

I'm in but I'm in that's a but he but he little we're going to get to

get a lot of so much respect and like you like you imagineate around

to the people for you it's in the other and the other but I

don't I'm I'm not I'm not to It was when I saw the the woman

of the life in Celaya. There's there's a can't tell you I'm going to

tell what I'm because I don't know. No, I know I'm dismayed.

I'm I'm glad to that carretera me my wife over that carretera

that was that carretera she's because it is where they are the place the place

but you know of That's the Camino's-a-can-sissim. And we've passed things quite quite

with people that have been really strong we've been a demonio there. It's incredible to be it

and it's was so it was a horrible a-nie-no us have gritted people. Help-in-me

and you you're just looking between the mato-o' and there is a girl

and you're saying and it's almost me I'm I'm It was a pieter

of the nada, no there was a little bit of the little bit of

like if you have been out of the way, and you see the the thing you

see the the ender like it. Like if someone was going to and it was out.

And with a force that I think it was so they let they let's

like a about about it and and it and I'm pom you

grabando and where? But no came so. And so, you know, manches.

In that in that has been she's got a many of many of the people, I imagine that this

woman. So, I was coming on and I'm no me no, I'm so I'm,

I'm, so I'm, so I'm so, mettem where I go, I'm,

I'm and I and I, I, I, and I was going to see the many people,

that was going to get to be a little to the chat. Omar, a woman is talking. You're talking, Ma.

Always me advised of all of you. But no I don't know nothing. I'm not. Al-

someone is talking, Amar, a woman. What does? No, we know, no, we understand.

But there's a voice of a woman. Ketke- called, and my my mom to call

called. Yes, Omar, a woman. So I started to come to come in person. Someone is coming down to you. So I went to my left, nobody in front no?

When I was going to be a middle carretary was a manna with a vestido grisaceo caminando without no, with the pillow large, imagineate three of the morning, three and

media. A carreterer a obscurestim. I, with a media lampre. I, with a media lamp. And, you know, and And so And it's And he's And he

And he And he And he's A And he's And he's He's That's the

camera He said, I'm I'm going to And he said I'm I'm going to I'm in my

mind that was horrible You're You're You're You're You're You're

You're A woman very Blanca When she When she He's

I I'm Duda If he was If it was very,

very real. But yeah, when I did I see her like about one four meters,

five meters if you see his carita very pretty and you

desmall you do you I'm I'm I'm two things I'm

in the carter that passed rapidly when when I

imagine the no those they pass super rapid

those cars in all the night they were

maybe three in all the all the three

passed were all wiltos for the fear of to circular for there. So,

you know you're not you're so you remember that I'm gonna I'm gonna like a

two kilometers to be in a area in the town in the people and I said

Magda come this I'm feeling no mal ben think I think

yeah I think I'm and I was coming I'm I'm got to

get to get to get to the right of the caretera If I

I'm in the middle of the carretary I'm going to I'm going to get to be they're going to get to

I'm going to I'm going to I'm I'm not I don't I'm I'm I'm

I'm I'm a first a person I don't I'm

no I'm I'm I'm I'm so I'm I'm

I'm no the serpent and I the only the only the I'm

I'm because I I'm no no me the car me

to get to this. I'm to tell what I know what I told what I

don't only people my wife that's my she was

that I gave. Seguidores the when I go to I go and they're

they're they're they're they can't what they what I'm around me.

I mean. I vented the cellar I'd in a way in that's a part of

the mato or so and it they were to be a around. And they're they're

to hear and they're like, like susurrando but yeah more more than

like if it had got chasas I'm to be what? 30

seconds after that I approximately I don't I'm I'm

I'm I'm I'm so you I've seen for cachitos is the live

no, I've could be it's a car that's a little or what car was a

car that's I mean, so I don't have been caught in a middle that car would have

despedasado and all the people no imagine to you imagineate helpenlo I don't

know where it's a car a little was a or what was it or what was

I'm not I couldn't I'm imagine a carrette of a kilometer and a half, how do we encounter? So,

until she had went, me he went to, and passed some quattes of a car, that we know who are,

but thanks, that they were to do you, and she you, no? Ah, no, no, but I

was, I was in live. In vivo. And he said, he said, I'm in that side,

I'm doing, I'm doing. You're not, no, no. You got to, we got. We got it. We got to,

we're that time, I doormy three days. I'm again, I was back

to pay to the three days. They were some friends to babalau to clean me.

They were other quats because they started to do manifestations fortisimous in the

house. Paco Medrano and Ivan Primo of Magda were to explore to let's

disappeared a senior and they'd they'd they'd they'd they

the escaleras, in the sotia, I'd have people up the sotene, in a fraccionment, well. So, they've got to be a super-transmission with some evidences ferticcissimus.

I'm a camera that I've bought for infarroja. If I have that image, they're seeing a little.

A man, a bigjita horrible. Vindom, from, being from, from, the cancel of the, of the,

the, the, the, the, the other me, the same way, and the

man, in infarroho. Ponia the camera normal, no, the same, that's so, oh,

we're, we're, we're, we're, because the woman, and all, they were,

and all, they said, the, the, she said, the, the, it's a

one, one, 20, one, 30, one, you, he's

that's that, he was , to go to go to go to the kitchen.

Then I was doing the car being in the car but there you go you know you say

how many you have you've seen that's many well I say when you're

when you've seen the phantasm moving the things no no there there's

there so I'm it's so it that's out in the patio

of the per the the path the He gets where are the tracts

He gets a little moment and vote one of the trasters. I mean, I'm the phantasm

that's a trasto. No, I don't have the trasto no. And grabado in camera

infarroha and it and it's clearito how she passes the the the page,

it's per, so it's he's over the part of the side and go and he he's

to be to imagine. But the form of the woman, as of

I found out that is a woman in Nightshot transpas a paris. There's a

thing. And the fregone of this is that in that house not only

only I saw that I was a image I was I was a time to make

I'm I was the camera at a time and a sometimes I was

the camera to the kitchen and A CET. It was a

interaction tremendous. We're not testigos of phenomena paranormal in vivo. All the

people that were they said they were and it's right, it's right, it's the

way you were people that were people who were and I'm I'm there's

there's there because there is someone that's there there there

I'm I'm I'm to the camera to the the wall, we'd

how he was coming down to the area where it was that's a lot, and they'd

say, no, manches, no, manches, no there's no, there all, and see all. Apart,

the, the walls very high, so, no, if there was, there, is, a moment, and, in the, and, and, and, it's, it, and, it's, and, it's,

And the people said, no, this man, is, this is he's a lot. So, it's a tremendous. And I was demostrava, I garrava, cargaba the sill, he'd do it overts, cuta that sillable, hauled another,

that neither was there in the commisor that used I for another machine. La Java, the halaba and it putia, f, the man. Infronted the people.

They were transmissions of six, eight hours. Cañone. Caon. Cajon. Tocababed the door.

and I I was I'm going to be it. I don't know there's no, I mean there's no nobody

that's I'm not I'm not so I'm so there's some things there's times there's that

there was that I was there and they were but I know so it was a time

of much manifestation imagine you know yeah we're we're we

the collection. So it's it was a Apocatry. Some day you will resume

to reser to the explorations? No no I know I'm I'm

I'm I'm sure I'm really the time of my husband with my

kids in house I think I think I'm in the moment adequate

and no me important that much people not no me

know that that you no my job but

but I I I'm I I much, I'm

with my wife's, of many of many, of many, so we're living, thanks

to God. But always will be a moment or the first time,

in this case, it's the last six thousand kilometers exploring,

and investigating, more than 3,300 videos. A a lotcura. It's a

videos the channel of exploration and all explorations in live. Gastamos 120, 140 megas

of internet all me. Gigas, in explorations of many of the many of

the data of YouTube because I I brought a cellular that transmitted to a page

for another page of Facebook, for a channel of YouTube and for four cellulars

transmitting simultaneously. The people the people the cost of the data. No, to us

not us the packets in two days we'd we're doing 20 gigas and what you were what

you're doing that we got us I'd get back to 600 700 pesos per

day in data in data so we we'd we'd get to a cellular

200 for night and he was we'd get a bit

we're we're we we're then then, then we'd then we'd to get us

a bit of and then the night and then the not you're going to be able to talk about you're at

five or six of the morning seven of the morning and I'm talking yeah, yeah but people

at the for major no no no the other day the video had two million

of three million every every so we're we we're

we're five six million six hundred million six hundred million of a

a lotura. A lotcura. And then they're to be to make more explorators and it

was diversifying the people. Yes. But when we were not, no, no, it was,

the the era of the exploration in Mexico only the lived, Alberto Elarko,

Ricky Velasquez, Danny, in Paz, Descance, and a service, and it

was a man that's a man had been had lived that people so

carino and then then they were other but it was another apocat yeah it was a poca

more of show but even they said no so you see mark a difference

and then and then they did you did you did you did you was a

a more to the paranormal tremendous yeah we we're we're

we never I never I never I never I never

I mean, I want to talk to people that say, what's what's that's the case, if you see, there's there's

we're going to we're going to the republic looking the places, the the bestions, the best panteons, the best

asciendas. I think there are, some the places you know, I've been to say, hey, has been to be

the other day we did you a little, and I'm live, I said, a little, say, let's go in

a lot of and that's yeah, that's yeah, it was five times, that's, it was impressive the

number of the number of the amount of money that we get to, how do you get to be out of your

city, for a day you get us a rest of the money. Avientate eight years, 350 days

of the year. Yeah, What's, hospetages, gasoline, passages, avions, everything.

All. Yeah. Gastamos millions. But we do we do not even those

eight years. Yes. Well, Omar. I always have enjoyed this type of

and I told a lot of I've been, I always I've been I'm

I'm from your, from I'm and the really that I'm really that's

very content for, well, Fiatte, someone who I admire to talk

with him. The fact Yeah, yeah, yeah, of the collaborator. That's cool. That's really.

That's really. That's really. I'm my hand. Presanomom your studio, for particar with me,

for, for doing it for our bautisamos, for making more um, this, I'd like

for acceder to talk to me. The day that you want, is your house and the house of

your audience. You're much, Amar. And to you, I'm, and I

I thank you for keep up to the final of this video. I know that was very interesting for you know,

with these stories of Omar Kruh, that I know for me were an impressive. For you,

also, don't you don't get in the next chapter, and the next chapter, on the

next next.