Megalithic Marvels - Archaeoacoustics & the Ancient Alternative View / Phil Corbett

Episode Date: January 13, 2024

In this exclusive interview I am joined by former Navy Royal Marine- turned ancient alternative researcher Phil Corbett to talk all things regarding the ancient alternative view of history and architecture. Phil takes us on a deep dive into the world of archaeoacoustics, frequencies and how ancient civilizations all around the world were harnessing this holistic technology inside their super-structures. Follow Phil Corbett here https://twitter.com/ancient_view?lang=en JOIN US FOR THE ADVENTURE OF A LIFETIME ON ONE OF OUR 2024 TOURS & LOCK IN EARLY BIRD PRICING WHILE YOU CAN https://stargatevoyager.com/tours/ GET ALL YOUR TRAVEL/ VIDEO GEAR DEALS HERE: https://www.amazon.com/shop/ancientex... FOLLOW US HERE: Blog: https://stargatevoyager.com/ Instagram: https://www.instagram.com/stargatevoyager/ TikTok: https://www.tiktok.com/@stargatevoyagerX/ Twitter: https://twitter.com/derek__olson Facebook: https://www.facebook.com/ancientexpedition/

Stargate Voyager I think we're looking again at a lost technology and it was this ancient apocalypse 12,800 years ago that wiped that from the human memory backs. Why were these ancient elongated skull peoples or humanoids of Malta living underground? Now I believe we're talking prior to 9,700 BC for the original construction of the sphinx. And they were what some people, have called giants probably no more than seven to eight feet tall. And those giants have been pulled

out of American mouths. Whether it's the colossal statue heads that have been on earth, to all the strange artifacts you've been showing in the museums, to some of the strange features they seem to possess, the more I learn about the Omet culture, really the more fascinated I become. Well, I am excited to be joined by a special guest today. My guest is Philip Corbett. From one of my favorite Twitter or X accounts, it's called Ancient Alternative View. I've been following Phil for several years now, and it's awesome to finally have a discussion with him about everything ancient and alternative. So Phil, thank you so much for joining me today. I'm a lot of to meet you finally and someone that I've looked up to for a very long time.

Thank you for going on to these sites and taking photos of the hallmarks, as you've done many. many many times. It's an absolute honour to be here with you. I'm an ex-royal naval engineer. I became an All Arms Commando and travelled the world as an engineer and the sites that globally you get to see with your own eyes change your view historically. When you go out and do your own physical evidence research, I was very lucky early on around 10 years ago to meet you know, Chuck and ancient history criticisms and him and I designed a team of 18 people now that globally travel and document these hallmarks in an A to Z catalogue that's free as well for people that want it.

And this looks at a set of hallmarks that globally appear on all of our ancient temples and megalithic structures. And we started A to Z sort of putting them into a dictionary and encyclopedia to categorize them and the different variants of them that we see throughout these temples. And we've categorized them as in, you know, you've got bevel blocks and nubs that people well know. With that, we've also now been, you know, trying to look at a different hallmark that people may or may not be aware of that thousands of studies have been done on by specific researchers worldwide

and that's the application of harmonics and archaeoacoustics within these structures which personally I think un categorically shows that there was engineering skill within these temples beyond just throwing a few blocks together and a few hallmarks that appear worldwide And I think they tie together very nicely, Derek. What a great opening. It's a pleasure to be with you. If listeners or watchers are on Twitter or X, definitely go give a follow to Phil at Ancient Alternative View.

An amazing channel. He's always tweeting or retweeting. Everything, ancient alternative history, all these sites that we're going to talk about. And Phil, I'm just really intrigued with your story because you live in the London area. you're an ex-Navy Royal Marine. I mean, man, the stories you could share.

One of my first questions for you is, when you were traveling abroad, was there a specific site that was your favorite that really just caught your attention and really made you go down that rabbit hole? That was actually on a family holiday in 2004, and I went across to Turkey. and unbeknown to me I was taking well basically a family tour to a place called Turtle Beach

and it's where you can watch baby turtles born and so on and so forth but along the river system that you go to you get what's called in mainstream history the Lissian rock cut teams which as you travel past on a boat are situated about 150 metres up in a mountain system

which seemed to be directly imprinted into like a 3D system within the mountain. And all the research that I'd done and I was sort of really coming out of engineering at that point, you know, really finding my way within the Marines. And I started asking myself, how on earth, if that is a tomb, and was it 150 meters up in the side of a mountain? And it continues around that mountain. And then the physical evidence started to sort of outweigh to me what the written narrative was. Why would you build a tomb there like that?

And how many of them there are that as you sail past it on the river system and you look up at it, it almost stares out at you and says, look at me like what the Giza Plateau does. It's that magical. And it said to me that something. here engineering-wise is a miss and everything at that level seems to be marked down as a tomb when people don't really understand what's going on so i started doing studies into you know the so-called quote unquote what people call tombs and seeing whether i could notice this same sort of technology and then you can you can see these rock-cut megaliths all over the world that expose this

kind of, well, I use the word technological aspect of engineering that we don't understand. Is there something applied to the stone? Was there something else used? Because, you know, you could look at examples like Yangshan Quarry. Forget the megalith that's actually standing there. And the whole three of them are 32,600 tons. Look at what isn't there. How was that moved?

How were they going to move what was there, you know? So that then became a very fascinating point of view to me globally on the ancient engineering, as it were, and how these mineralogies of stone that we're yet to master today. And when we're speaking of that, you've got what's called a Mo scale within to Stone, as you're well aware, Derek. And when you're working with things like crush granite and granite, fair enough, but Andesite, when you're working with Andesite, there's only one thing that's cutting directly into that at the top level. and you would say diamond, wouldn't you? But even then, if you took drills from today

and you tried to use, I don't know, like an actual chains or that had diamond tips on it, just through granite. It needs water. It needs hydraulics. It needs logistics. It needs JCB to construct it. You need having used to buy it.

There's a lot that goes in before you even start cutting that stone and that block in that way. So how were these ornate marvels? And when I say that, let's look at somewhere like, I don't know, the British Hwara Temple in Tamil Nadu in India. I mean, these are temples that are absolutely magical to look at. How were they cut, placed with the same stonework hallmarks, where we'll see nubs, different variations of polygon or stonework, and so on, so forth. It absolutely blows my mind that these hallmarks are great.

global and worldwide, you know? So, yeah, I find it intriguing that not only you and I look at this, but now there's a huge community within Twitter that are looking at these global hallmarks and how they apply to the ancient world. But I think when we started to write the statement of significance, the SOS to the European Antiquities Department, we started to realize that there's a big niche in the market

for people actually realizing that there is something going on directly in our ancient past, we don't realize. That was the fascinating thing to me, Derek. What are the secrets that we're held? Was our chemical science, you know, something that was prevalent at that time? And we're looking at sciences in a different way. People use that analogy of the gene geometry wasn't even invented. Well, it was because when you look at the symmetry,

of the pyramids and what's encoded in the sacred geometry, not only at the plateau, but globally, we've got to look at, you know, things a little bit differently. And with that in mind, I started to try and encompass frequencies and archaeoacoustics of these temples to see whether we could amalgamate any corroborating evidence throughout these temples worldwide, to see whether then we could see anything that really incorporated these ancient technologies together, which I'm sure the results of you'd find absolutely intriguing. And what we've looked at with the Institute just recently is the application of RQ acoustics to these ancient sites.

And what we've got with that is multiple papers globally. And these researchers haven't just been going with small teams like myself and the sort of 18 or so that I work with. These have been actual European country efforts where top researchers, I suppose my team is actually global like yourself, but these guys have gone away and they've tested archaeoacoustics on certain sites. We've looked at New Grange, the Hypergium at Malta. We've gone across the Grosperiello Castle in Italy. And the interesting thing is that all these, well, but New Grange, which is its own original site, the studies that we looked at there of Archaeoacoustic. split because it's an archa-astronomical site that people look at star alignment but the

studies that suggest that these rooms were kind of almost used as specific frequencies you had what's called an oracle chamber at the hypergeum in malta and specific frequencies in that room were different than say next door where it sounded like a different language was being professed Now, we've also looked into studies where 200 meters away, and that's a huge distance, that they could use synthesized stones to actually incorporate frequency through 200 meters away into another room, and they could hear it just as clear in that room as they could. Now, what we found on these tests is the people are writing the papers are given specific, conclusive evidence on what the frequencies were within these rooms.

Now, we went across to, well, there's a couple of weeks ago now, to Croparello Castle in Italy where fundamentally the ancient site was built on a magnetic vault that had Roman towers built on it after and thusly is a castle. And there was a trident of frequencies, what that means is three specific frequencies. that you can correlate from New Grange to the Hypergium to the then now Groparello Castle so three different sites with exactly the same different frequencies that could be applied now when these sites and I use the word loosely and I summarize functional where they're not static now and bi-functional what I mean is you

could simply add water to any of these sites which is vibration and acoustic. And what we look at on every single ancient site globally, and I'm sure you know this, they've all been built on an ancient riverbed or a river system. You would suggest that that would be to survive, however, I disagree, not only just to survive, but when you look at the mineralogies within the stone, the encompassing hallmarks that they built, you're looking at huge granite blocks, massive, massive weights put together, sometimes 200 tons on angle, and angles and I'll give you the example of that, the doorway at the Great Pyramid. You've got 2,356,000 blocks that's around an engineering building over a mastaba that's been terraformed up to 11 and a half metres tall.

Now, if you want to protect an engineering system, then you would do it with said blocks. Now, what was that engineering system? And millions of people surmises Derek, but there was definitely water, so we know that's an equation. land. It was definitely there. We know that pre-Dynastic Egypt worked pretty much in harmony. If you were going to infiltrate that system and you were kind of like a 007 of the time and as it's written, Egypt was infiltrated. Now, how was it infiltrated? All you would have to do is block up a couple of water systems if it was frequency orientated. If the Port Cullis Chamber at the north side of the King's Chamber was actually functional, you've seen it yourself. You've seen it yourself.

It's got a standardised semi-circular nub on the one panel that's remaining. I will surmise that there were other shaped nubs, as we can correlate worldwide, square, triangular and rectangular. I suggest because you can't see any vitrification up there, you don't see water damage. I'm suggesting compressed air could have been a function. And if you were using compressed air alongside water and you were producing a free, that as has been described by paper writers recently, that a base note would have played up to 900 kilometers away. Well, that base note, 900 kilometers away, if you had specific quarries and so on so forth that were reliant on magnetism through the mineralogy of stone and you

will use in vibrational techniques, when, and I'll digress back to Guapare. Castle, when the gateways were actually looked at above this hypergeum underneath, they had what was called like circular magnetic vortexes on gateways that you could actually measure through TVR cameras, which are very difficult to get access to. They look at, you know, the spectrum behind frequency. And you can actually see these vortex systems. Now, if you were applying that, Derek, to something like the Giza Plateau, and it was a bit of a bit of, you baseline that somehow was played frequency-wise that you could modulate and you could apply magnetism and vortexes around a pyramidal system. If you've got magnetics and you've got a plus

and a minus system, one end is that plus, you would be able to literally have a stone of any weight stuck next to it because of rotational magnetism and you could push it into place. And that would all be due to frequencies and how you would adapt and modulate those frequencies. And that's not just me saying that. This is hundreds and hundreds, if not thousands of papers that document that. And, you know, like even Tesla himself said if you apply

oscillation to magnetism, and apply that, you would maybe be able to control a vortex system. Well, he's not far off the truth. If you look at this mineralogy content within specific stones globally, we're actually seeing nubs globally. We're seeing magnetics now

and we're seeing frequencies that are corroborating each that I think it's something that should be globally studied and that's why we open the institute, Derek. Yeah, the Archaeoacoustics is something that's really fascinated me. You brought up the Hypogeum there. I think that's one of my most favorite sites I've never visited in Malta. And if people aren't aware of the Hypogeum, just do a quick Google search, Hypogeum Malta.

And what amazes me about this site is Malta is so ancient. right but you've got this subterranean structure that goes like three levels down not only did they find these elongated skull uh people or humanoids in there but this thing is literally cut three stories deep and has these archaeoacoustic chambers that um according to you and others that have really done some research i mean the thought is that it would literally transfix the ancient inhabitants and side, right? Yeah. And not only that, they were able to almost induce specifically through frequency, and you've got what's called infrasound at a low level. So you can't hear that. You and I can't hear that. However, that infrasound was playing all the time and they had what's

called in the hypergium and niche. Well, to you and I, that niche is like a large nub. And what that did when sound was playing it actually reverberated it to the outside of the building in different chords now they've done the tests on that recently they're up-to-date tests that's not us making that up and they suggest that in different rooms derrick that with different frequencies different people have different experiences dependent on who they are well let's just take that for what it is if you and i were able to go into one room and you and I were engineers and a specific room told engineers how to learn another one you know say your professor for argument sake that was teaching you to the next level went into another room to learn from where he was that's where he got his learning and you could modulate

that frequency it seems a lot more feasible that there was an educated way of learning through frequency and modulating that frequency and magnetics through stone which is why they applied such heavy stones to the ground because they were actually using the magnetics of mother earth to produce those frequencies and then modulate them and what we're seeing in the research is this kind of like what we can hear in between 28 and 38 megahertz uh heard sorry

that was very prevalent. They could almost boom it out of the building and they struggled to subdue that noise within the hypergium. And I don't know whether you know this, but the hypergium itself is literally limestone, whereas all the other kind of frequency orientated buildings are or seem to be reliant on specific mineralogies within the stone, within the said quote unquote hypergeum or acropolis as they then go on to say because we did a last week on Sunday we studied an actual town called Altari in Italy now the town itself Derek is actually surrounded by cyclopean style polygon or stoneware yeah do you get what I mean now if you were trying to modulate a frequency and you'd see you'd see you

maybe prior, I'm just surmising, stonework that was like of a megalithic style polygonal, and you were trying to copy it or modulate it further. So there might not be that much distance in time, but you were trying to modulate it. And then you surrounded your town with it. You modulated the frequency. So within the town, your people A had a C and an F chord that made them feel better about themselves. The people that were going to learn at said temples had different classes. they could go into with learning, things like that.

I surmise that these areas could use those frequencies as states of awe and states of fear because opposing armies tried to get towards Guroparello Castle, and it said that opposing armies got towards it and felt so scared or actually hallucinating within their minds that they didn't want to go anywhere near it. Now, that would mean, and I know this is a bold statement, that, you know, the bows and arrows, the swords and the hard men weren't really that applicable. It was actually the people that sounded the horns and bang the drums and got the frequencies actually reverberating could have stopped the oncoming armies. Now, you know what? That could have been how the old world worked to their temples, Derek, and I know that's an alternative point of view.

But it's something to be looked at because the evidence suggests it. Yeah, and on that note, I mean, what you just shared there about that castle reminds me of examples we have in ancient literature. I'm thinking of the Bible where they're talking about, you know, the Israelites marching and they go seven times around. You know, they blow the trumpets and the walls of Jericho come down, right? which Jericho was, you know, one of the largest ancient cities of that time. But when you really kind of just take a step back and look into this, you know, this account, these walls were brought down with sound waves, right? It was a certain key probably, a frequency.

They didn't have to have, you know, devices to tear down the walls. They just needed the frequency and they came crumbling down. So it's crazy. world of Arqueoacoustics, and I love how you're telling us it, there was so many multi-fold purposes for it. Let me ask you this field, do you believe that in Arqueoacoustics were also partly how they built these impossible walls? I think in their original state, I think it was absolutely the case that magnetics frequency, use of modulation, oscillation, and control in that magnetics was definitely prevalent to me because you only have to look at the specific

mineralogies within the stone that we see globally that we literally wouldn't incorporate today the way we do we use frequency and we use sound in a different way today it's more than a handheld device or something you can take with you where i think it was done on a build scale to the nth degree in ancient times. that it was actually a global encompassing engineering feature that people worked together on and it allowed their areas, people, to go and study with other areas more fluently and easily.

In fact, to the point, I think, where families allowed offspring to just go and study in other areas a lot more freely, we see all of a sudden, maybe more towards a mini-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey-ey. or the so-called 4,000 year ago cataclysm, 4,000 BC cataclysm, almost seems like a war in nations started after this, that a prevalent technology, quote, unquote, could have been taken. Well, hey, you mentioned the Bible, you've mentioned writings. Look at a technology like the arc that could have been taken and it's written that technologically, look, it's in relative. if we find the frequencies again, because what this trident of frequencies suggest is that we actually can go and test them scientifically.

And where I've laughed online before, I think I may have said it to you, it'd be lovely to find, you know, like a Dead Sea Scrolls of engineering somewhere. Unfortunately, that's never going to happen. But is there going to be one of these rooms that we consider a void at Egypt or, you know, an empty room in India at one? of these temples if the correct frequencies are played, do you then, as the individual person, get an experience where, and let's be honest, we've got what's called 3D virtual reality, where we put a headset on, we hear and we see a specific frequency that's given to us. Well, why couldn't that have happened in ancient times? We've already suggested earlier that if me and you were speaking in adjacent rooms 200 metres away, due to how the stone was placed,

underneath, we could hear each other in those corresponding rooms. So why couldn't other encompassing engineering have happened? And I'll go as far as to say, I do actually think if you could modulate these trident frequencies that we've found, or parts of it, not the infrasound. I think that infrasound could have been used, as I've said, as all or fear. So you allow people to come, you don't. And I think you could modulate that as simply as with specific crystals. And if you look at the amount of quartz crystal, it's on certain areas,

you might have only needed a crystal pendant of that area to walk on and that fear of or so-called frequency wouldn't have affected you. However, within where you could adapt and modulate your specific area or castle or megalithic site or temple or whatever to your area's frequency, I think you could have actually kept people away from you. Now, if you take away the water supply from that area that's actually exposing the vibration, the magnetic technology and so on, so forth, the frequencies that were actually playing, I think you actually dysfunction, you stop functionalizing that area, you know? Now, you've got to ask yourself the question in India, how many mastermasons did they have? from Tamil all the way across to the

the entire north of the Himalayas where we cross the Himalayas to the Tamilas to the Tamil basin to the Chinese basin where the Tarin mummies actually are all the way into Russia where you get to Gunea Sharia we see this same global application

of stonework, mineralogies, application of said mineraloges and it doesn't stop, it goes all the way through America, It goes all the way to South America. The same nubs are found with polygonal stonework in Alunatea Tambo, as we find in Warrangell, only on a smaller scale in India. So what was the same thing that was going on everywhere that all of us were doing?

I think we are incorporating some kind of archaeoacoustic that was actually beneficial or not to the people that came near that area. and that's my proposed theory on the Arqueo acoustics. I think it was a hell of a lot more than just bringing people to church to pray. I don't think that at all. I think that's happened over time, and I'm not going to go into religion, but I think then it was used in a different way, in my opinion. I don't know if you saw one of my latest videos.

I created a short video about the unfinished obelisk in Aswan. in Egypt. That to me is one of the greatest examples when we're talking of ancient history, what I would call one of the smoking guns of lost ancient technology, whether that was a tool or whether that was some kind of just archaeoacoustics, you go up to the unfinished obelisk, and there's actually a couple of them in that core. That's just the biggest one. It's 1,200 tons. And you can see, the mainstream theory, let me preface it, the mainstream, theory is that this was chills out with sharp rocks

right and this this this obelisk is you know this massive rectangle it's made of rose granite extremely hard at least a seven on the most scale and they want us to believe that

workers were just chipping away with sharp rocks and it's crazy to go there and see a demonstration of this our guide Muhammad Ibrahim was pounding on a rock for like five minutes straight and as hard as he could with every technique and all he got was a little scratch out of the rose granite right and so it makes you realize what a complete I guess lie if you want to say we've been given when you get to these sites like you and I do you touch them and you realize and I love how you're bringing up the geology

and the minerals, right? These ancients knew so much more about the earth and the magnetism, and so they didn't need to blow stuff up like we do with combustion engines and dynamite. They could holistically tap into it so easy. And again, the unfinished obelisk,

I think definitely archaeoacoustics was playing a role there because once they cut these things out, how in the world did they get them? transported eight hours plus via car to the Great Pyramids, right? It's crazy to think about. The mystery that we could look at there, and it's the Trilathon stones, isn't it, at Balbeck in Lebanon? And when you've got the stone of the pregnant lady,

and people say, oh, they were never meant to move that. Well, yeah, of course they were, because the Trilathon stones are all around Balbeck. And then what you actually see is bevel blocks above the trilithon stones. We see triangular nubs around the south face, which JJ Ainsworth found on her video. We've had multiple different hallmarks and changes of the guard over Balbeck. But the one thing that stands fast is they were going to move a 1,200 ton. Let's put that into context. Up a hill, place it up over the top of the other trilloth armstones,

or even more than that, move it round. and place it somewhere. Now, that was done. It's actually there. So the equation tells us it was there. Now, you've got to look at the mineralogy of the stone and or whether the Romans, and I did a degree on this and got more or less a first

in this avenue on the research because I went against the narrative and said that Romans do not actually describe anywhere that they lifted the trilathon stones. In fact, they said, that they attempted to and gave up that they couldn't. They made coins on them. They actually show on the coin that the trillathon stone is in place

and they couldn't move it. So they moved Baalbeck around and they obviously inhabited it. They took over multiple global world sites. They, you know, almost, I don't know, they assimilated cultures rather than, and took over their inhabitations. They didn't necessarily always build them. The Romans were more red brick.

They didn't ever say, oh, we profess to have done the megalithic blocks. And yes, they did sort of variations to the bevel blocks. But in my opinion, I don't think they did the bevel blocks at Lebanon at all. It doesn't match anything that I've done in Rome, although you get some bog standard kind of very non-ornate bevel blocks. around the Coliseums and so on so forth. Rome didn't profess to do that, you know, and I could show you a thousand different sites with Bevel blocks. And also quite a lot that

Rome didn't make it to. You know, Coricantia, the Romans didn't make it to. So they didn't do all bevel blocks, did they? You know? So where people say, oh, it was Rome, it was Rome, it was Rome, well, no, it wasn't. And did Rome actually use Archaeoacoustics? Yes, they did because what they did was, take an already existing ancient Arqueoacoustic set of not only alchemical, mathematical, geometrical, you name it, set of, I mean, they took it from the Etruscans in their own, you know, genre within Italy. The Etruscans actually offered them the alchemical sciences. And they said, no, we know better than you.

We can make Roman stone. We can make Roman cement. We don't need the old ways. and they got rid of it. And what, or did they? And is it under the Vatican? Another argument, another podcast. However, yeah, yeah.

The fact that they then went out and built cathedrals, churches, all over the ancient world and actually adapted those Arqueoacoustics, says to me that before, and I'm not saying for the right or the wrong, we'll just leave it at, I think in a prior age, these Arqueoacoustics we used very, very, very, very differently, Derek, than they are now and applied in a different way. And what we can say is if you were applying Arqueoacoustics to your engineering and at the level you and I go and see worldwide, then this was no fluke.

Because some of these paper writers say, oh, it was fluke that these Arqueoacoustic properties were found. What they aren't doing or wasn't doing was looking at the global aspect and whether it correlates to other areas now. Well, you know, fortunately for us, these arque acoustics do actually correlate. And you get what's called, it's the pyramid bass notes. I don't know whether you've seen it. You've obviously heard of the pyramid tunes. When these were functional, when there was the Nile, there was nine and a half miles back,

and it was right outside. And all the subterranean levels like GCF1, the Serapium, the Assyrian, the underneath of the Great Pyramid itself, whether, you know, the pyramid of Mencarre, which holds nubs itself on the exterior bottom third, that you've kindly photoed yourself, you know, you've seen these hallmarks, you've actually seen and probably heard the arque acoustics around the pyramids, add that actual feel of awe when you're there, you know, that wow, look at where it. When that goes, what if there was a bass note, a reverberation that did actually make you feel good?

So that feel good factor was natural to the area. I'd go as far as to say on some of the research, when these archaeoacoustics are used properly, if not turned up to the highest standard of, say, you know, 4,000 hertz or whatever, and it was used at a more, you know, human level of like, say, 38 hertz, 30 hertz, and the infrasound level was controlled. It's actually said to have helped the environment around it. So then, could that have been one? why the plateau was lush and green, you know, before it was desolate and not used.

Was it then functional, as people suggest? And was it functional just in a slightly different way? And was it functional to the people that used it, you know, like all these sites could have actually been? And I think when you study these trident of frequencies that we're finding, they're incorporated all over the place. It was no fluke. And it's global as well.

Well, it's becoming global as we're adding these. tried into frequencies globally you know Derek it's absolutely insane the application of it alongside the hallmarks you bring out so many great points there Phil I was just chatting with Hugh Newman not too long ago he was

saying the same thing about Gobeckley Tepe Karahan Tepe there that according to his research of the archaeoacoustics and just how that was affecting the farming and

and making their crops yield and again so it's that same theme of these ancients knew more about how the earth operated and they could tap into that they didn't need chemical spring and all this stuff right and i think you mentioned in hugh there in gobegla tepe and karen tepe i don't know for those that are listening whether they realize this but karen tepe we're probably looking at here for want of a better word, a mega-civilisation. When you look at just the T pillars at Ghebegli-Tepi

and how tall they are, people don't realise how tall they are. They're enormous. They're absolutely enormous 100-ton pillars. Now, Karen Tepe is huge. This suggests a mega-civilisation that work together for a specific reason. Fact, because it's there.

Why? Now, everybody suggests that it must have been archaeo astronomy. Now I agree to a certain extent and original research suggests that. And I love you's research on this actually, just to beg a point. But I add to that,

the Arqueoacoustics, if it was prevalent, if we can match similar trident to frequencies or frequencies in general, alongside the mineralogy, then that corroborates without a shadow of a doubt that these ancient sites were incorporating

RQ acoustics to A, benefit the people. B, we can actually see now, according to Hughes research, the prevalence of the archaeo astronomical alignment features within these sites. Now, we're certain times of year, i.e. summer, solstice, winter solstice. We both know, mate, that we weren't just looking up at the stars to plant crops. So we're specific conditions, i.e. when waters run faster, so then the archie acoustics would have been more prevalent in these areas.

Say for argument's sake, it was colder, so waters weren't running. Do you understand my point? So if they were frozen over, then you would be able to see exactly when your temples were most functional for learning or adaptation or whatever it might have been or, you know, say terraforming or whichever application you were using it for if they were multifunction. because let's be honest if you were going to go to the trouble of building the plateau, it was for a specific reason to incorporate all this, not just to look at the stars, not just to pump water through a set of stones.

There was an overriding engineering feature that incorporated logistics, engineering, how they got it, like you said earlier on, 900 kilometres, you know, specific stones to one place. You know, people look at how the Serapium stones were, cut. Look, they're actually set into place around bedrock. How did they get in there? And if people say to me, well, yeah, well, the carvings over the, forget the carvings over the top of them, look at the boxes themselves. Forget the carvings. How did the bedrock get around the bedrock? How long does it take to form, Derek? And then you've got to ask yourself the question,

How did that standard box get inside there unless there was some way to use vibrational technology? And then you could start speaking about different ways to adapt technologies within stone, couldn't you? Yeah, I'm glad you bring up the Sierra P.m. One of my favorite sites to visit in Egypt. And I got to give a shameless plug for our Egypt tour coming up this May since Phil brought up to Serapium. but for viewers listeners join me in Egypt we're going to go into the serapium and see these 20 plus massive 100 ton plus boxes precision cut and like Phil says they are they're literally underground stuck in between the bedrock and so mainstream wants us to believe that an army of

thousands of men transported these down which there wouldn't even be space for that an army like that to move and so we're going to see those we're going to have a private tour inside the great pyramid it is literally going to be the adventure of a lifetime you can go to stargate voyager dot com slash tours for all the info and you can even lock in the early bird rate for another couple weeks so phil um we're at a time today is there any closing thoughts you have and what's the best way people can follow you and connect with you Well, if you go and have a look on spaces at 9 o'clock every Sunday evening, we're on there every week. Ancient alternative view on YouTube and on Twitter.

And I'm sure you can find me on your post here and there, sir. I would love to come with you in England next year. I'm here anyway, so to come and meet you for the day when you're over here, or as long as you're over in England, I would love to get some time with you when you're over here this year, that would be amazing. And I think it would be great for everyone to see researchers working together like you and I, and that our castle doors aren't shut to everybody else, that freethinkers do actually speak together,

and that we're not against each other, and that we can actually speak. And I love it that you've had me on tonight. And I'm so glad that you've gone worldwide and actually exposed a lot of these hallmarks. It's made my work, you know, a lot easier to have someone like you around. So I thank you very much for your hard work. It's been an absolute honor to meet you this evening. It really has. Yeah, it would be great to try to connect in England.

So as that trip gets closer, we'll connect and see if we can't make that work. That would be awesome. And thank you, Phil, for your research at Ancient Alternative View on Twitter, on X, on YouTube. give Phil a follow and go go check him out on spaces and see all the research they're doing and Phil thank you just for spending an hour with me and downloading all your knowledge man you're a wealth of knowledge and I was really excited to hear about your thoughts on the Archaeoacoustics there's so much there and I'm just excited these are exciting days to live where it's like our research is helping peel back the layers of deception and people are

realizing, man, there is so much more to history than I was led to believe. And as I like to say, the further we look back, it's like the better it gets, right? And I look forward to meeting you again. And hopefully we can podcast on the Institute for Natural Philosophy one day or on ancient alternative view. And I look forward to doing more work in the future. with you, especially on site. I think the more of us that are doing

actual experiments on site with reference to not only our cue acoustics, but document in everything that we're finding. And the community is getting larger and larger week in, week out. And I'm just really pleased to have met

you and hopefully we can meet again and do some more work together. Actually, boots on ground, you know. Thank you. Lovely to meet here. We'll speak again soon. all the very best. All right, the best. Thanks, Phil.