Megalithic Marvels - Healing Frequencies of Stonehenge & the Long Skulled Hybrids Who Built It / Maria Wheatley

Episode Date: April 8, 2026

In this exclusive Megalithic Marvels interview, I sit down with Maria Wheatley, author of "The Secrets of Stonehenge: ancestral mysteries & lost civilizations." A second-generation Master Dowser who specializes in discovering earth energies and ley lines, Maria shares her decades long research into the forbidden history of Stonehenge that you were never supposed to know. Who were the mysterious elongated skulled hyrbids that originally engineered Stonehenge? Why has the fact that Stonehenge emits powerful frequencies & was used as an ancient healing center been concealed? Why are there legends of giants & confirmed discoveries of large skeletons found around Stonehenge that get no attention? How did the ancients harness the geomantic energies of Stonehenge for seed enhancement & why have we since lost this knowledge to use today? Make sure to watch to the very end to hear Maria reveal the answers to these questions & to see stunning 4K video of Stonehenge.Take your personal data back with Incogni! Use code DEREKOLSON to get 60% off an annual plan here GET MARIA'S BOOKS HEREJOIN ME ON A 2026 TOUR hereANCIENT HISTORY BOOKS / TRAVEL & VIDEO GEAR here

So in this episode, we are going to talk about the mysterious, elongated, scold civilization who engineered Stonehenge. We're going to talk about Stonehenge as a healing center, an Oracle center. We're going to talk about giant legends of Stonehenge, harmonics of Stonehenge, and so much more. So stick with me to the very end because I'm very excited to be joined by Maria Wheatley, author of many books, including one of her newest The Secrets of Stonehenge, Ancestowne, The Secrets of Stonehenge, Ancest. Mysteries and Lost Civilizations. Maria, thank you so much for joining me. Oh, it's a pleasure. Thank you for having me. Yeah, I'm really looking forward to this. I had the privilege of meeting you a couple years ago at Avebury when I was on tour with Hugh Newman.

And one of the highlights of that trip was our time with you as you are our expert guide, taking us around, I think, the largest stone circle in the world, Avebury. And especially, I can never forget how you play. pulled out your dowsing rods as we were standing in front of one of the giant standing stones and you were showing us the energy lines every couple feet up as you slid up your rods and they would spin around. That was so incredible. So on that trip, I purchased several of your books, including The Secrets of Stonehenge, which everybody needs to buy. And I've been looking forward to talking with you ever since. So I'm really excited about this. So let's start with this. Give us a little

backstory on how you came to devote your life to researching and exploring Stonehenge and these ancient Neolithic sites there in Europe? It was really my late father was considered one of the UK's Master Dowsons. And from a very young age, I went to numerous places with him, you know, from Brittany in France to Karnak Stone Rose to Carhocchio in ancient America. because we lived in Pennsylvania for a short time when I was grown up about the age of 11. So I've always been in this. And then other sites attracted me other than Europe, such as Egypt.

I'm writing my Egypt book now about the mysterious earth energies present there and how they relate to the God forces. And I've dedicated myself not just to the earth energies and the ancient architecture of the sacred sites. But who built them and why? You know, it's easy when we go to places like Egypt because we see Arcanata, Nefertiti, and numerous Ramesses the Great. But we don't have that information.

We don't have the list of kings like Abidos in Egypt. So that's where I came in to say, who were these people, what did they look like, and what was their legacy? Well said. We're going to get into so many crazy topics regarding Stonehenge and the ancient sites there. My next question for you would be take us back thousands upon thousands of years before Stonehenge. And you document this again in your book. Everybody's got to get it. Why this spot at Stonehenge and tell us people who don't know what it was like before.

they began putting in phase one of the Welsh blue stones. Why that spot and what did it look like before the blue stones went in? Yes, Stonehenge, you're right, has many different phases. And the phase that archaeologists don't talk about, which I explored, is the first phase, which was quite mysterious. It had timber structures. At first of all, they thought to be circular, like wooden circle, so to speak. It was been. believe that they were literally rectangular structures. And from the south entrance, if you imagine that this phase had a hench bank, a white chalk henge bank that was really high,

creating a very secretive place, even when the later stonehenge went inside that. All you could see as you approach was the top of the stones. It was a secretive place of acoustic power. So in the very first stage, you have this massive chalk bank, inside of which you have these timber structures, these temple spaces, and from the south entrance you would have gone through a zigzag corridor that led you through the centre. And what's beneath this structures is amazing,

powerful earth energies which were explored later that equate to sound frequencies. And the megalithic energy that comes out of the stones also equate, to acoustic sound frequency. So in the first phase, I think it was painted because whenever I take people to ancient sites, I find ochre, whether it's Egypt, Charcot Canyon in America or West Kennet, Longborough and Avebury, I find a lot of ochre. So I think that the Henge Bank and the timber structures and possibly some stones were painted in the colours that you see in the Valley of the Kings, the golden ochre, the reddish ochre. So I think it was a colourful place as well, but these places seem to be aligned to the moon. But when the blue stones were placed into stonehenge,

so the timber structures were taken down, and they were used for over 500 years, incidentally. The archaeologist that was digging the site, Colonel Hawley, at the turn of the last century, he said it was so trampled it was compact. So you've got a lot of people moving in and out of those timber structures. They were dismantled and then 56 blue stones from all the way from Wales, about 120, 140 miles away, they were imported to create a very large stone circle. But here's the thing. Richard Atkinson, or Professor Richard Atkinson, he was the

dig in the Henge Bank. So people that don't know what a Henge Bank is, it's a white wall of chalk around a monument in the southwest of England, like Chalk Block. Professor Richard Atkinson was digging there along with an eyewitness whose account I have and he said that he lied to the world, Richard Atkinson, because he said it's just built of chalk grubble. But Tom Gorey, my eyewitness, because I've inherited a legacy for master dows is about Stonehenge, and Tom Gorey was the trusted and beloved custodian and guide of Stonehenge for more than 25 years. He said this. It's not just built of chalk rubble. It was cut out, laser-like to form a bulb so that the base of the monument was also pure white. We see it as grass.

today. We see the stones in grass. But if Tom Gorey is correct, and like I say, he was the trusted custodium for 25 years, then surely his voice should be heard. So I think it was dedicated to this white floor, this white chalk bank, in contrast like Ying and Yang, these 56 dark blue stones surrounding it. And if the moon is at a particular angle at the winter solstice, when it's in what's called its metonic cycle, that only happens every 19.5 years, then something amazing happens. And it creates a light beam that reflects on the chalk,

just like the moon reflects off the waters of a lake, for example, and creates a beam that targeted particular stones. So I visualize back in the day, five and a half thousand years ago, priests and priestesses were being bathed in the moonlight. And that was calculated incidentally by me by a mathematician called Richard Curdron. That's a fact that would have happened at Stonehenge in that face. Fascinating. So much to talk about. So when I was on my tour and we were at Avebury, we were actually getting ready to leave the site

It's so massive. There's a whole village built into it. And somebody in our tour had told me, hey, did you see the skull in that little museum? I'm like, what skull? And so I paid the money to go in to the little museum there on site. And there was a, I think that one was a replica of one of, I believe, these strange, long-headed ancients that you write about in your book. They had the skinny face. And I asked you about it. And he was like, oh, yeah, this is something you definitely need to look at. In fact, Maria knows more about it. And so I love how you talk about it in your book. So let's go there. Tell us about the forgotten, long-headed civilization who engineered Stonehenge. Now, to me, that's a big statement because nobody else is talking about that. And I don't think hardly anybody else knows there are strange elongated skulls that were found all over this area, I believe, at a very, at Stonehenge, so many different areas, West Kennet Long Barrow that I want to ask about. Tell us about this strange

civilization and the legends concerning them. Yes, indeed. I was the first to really photograph one of the long-skulled people of the Stonehenge environs, and her skull was very elongated. But we must imagine that they have very narrow faces, and they have very long skulls. That's their first characteristic. Their second characteristic of this very strange lost civilization, which I think is a branch of humanity.

I think it's a long-lossed branch of humanity. and that skulls are, even though they're elongated, they're much smaller than you and I. Your head and my head is one-eighth of our body proportion. And that's how artists and, you know, designers design things from hats to columns. That's a fact. It's one-eighth. The elongated skull people were one-tenth, okay? So they would have looked small heads, even though they were elitlingered. to a longer body. And so I liken them to the Faye, the fairy folk that's in Irish mythology,

Welsh mythology, and it's known throughout England, like the Fairy Toot, Long Barrow. They have these fairy names to them because they would have looked very different. But more than that, apart from those characteristics which are highly unusual, their ear placements were further back than you and I. So they would have had a smaller ears, place further, further back. This would have, if we listened to the anthropologists that were discussing these long-scarled people at the turn of the last century in some documentation at Oxford University that I found, their eardrums were different. So when I presented this to a doctor in London, she got back to me and said, are you sure this is correct? And I said, I copy, cut, pasted it verbatim. And she said, if that's the case,

they would have heard different frequencies possible. So we could say that maybe their sensual experience of ancient sites was different to you and I. So here we have a lost civilization with elongated skulls, small skulls, against a longer, a longer body. Now this is fact. I took all of the measurements from Oxford and from various universities because nobody was talking about this repressed history. And I wanted to reveal it to show that the very ancient people of Britain, this long-lost civilization, built the first monuments. That's their legacy and that's what they did. And that to me is the amazing connection because there's so much, you know, mystery surrounding who built Stonehenge and these ancient sites.

And you're saying, you're going on record as saying this was the mysterious lost civilization who originally engineered these oldest structures were these strange elongated, skilled peoples, right? Yes, and that is fact. Look to the Long Barrows. They're one of the oldest monuments across Europe. Okay, across the entire Europe. They're the old, one of the oldest. They predate stone circles by a thousand years.

Okay? And the long barrows had long-scarled people in them, and the round barrows that came a thousand years later had round skulls in them, and they were very, very tall. So we have two sort of like civilizations, but one came first. And don't just rely on me saying that. Let's turn to Professor Ian Barnes. He's the expert on a DNA analysis, and that means ancient DNA analysis.

He notes that the ancient Britons, which I say are the long skull, and I've proved it, I've done photographs after photograph after photograph. He says that they definitely came before the beaker culture, which were much taller, more robust, had round skulls. He analysed their DNA, and then he said, this is the curious thing. These two civilizations, both of which are probably no longer around as such, never mixed for 500 years. This is his analysis. Then there was a tipping point where the very tall round skull people started to intermarry with the elongated skulls.

And I found those hybrids. I found those hybrids outside of Avery, Derbyshire, Yorkshire, Orkney. We could go to various different places. So we know that is the timeline. We know that is correct. And if we know that is correct, then we can start to order the monuments. Professor Ian Barnes goes on to say that the tall round-skulled people, because in the Beaker culture, they adopted Stonehenge.

That's now in the A-DNA record. And I said that prior to some of those discoveries, but included his work in my book, The Secret History of Stonehenge. So kind of similar to how the Inca get credit for building the megalis of Peru, but they really just repurposed it and adopted it. Same with the Beaker peoples of England and Stonehenge. Fascinating. I want to ask you something else about the Long Barrows.

On my tour there a couple years ago, I visited West Kennett-Longbarrow and Wayland's Smithy, I believe it's pronounced. Just incredible ancient sites. You're saying these are the oldest stone structures. Give us the oldest date that you would say those go back to. Orthodox dating, okay, which can be challenged, okay? But if we go with the orthodox dating of the Longbarrows based on carbon that they found there, or what's called OSL, optical-stimulated luminescence, their two ways of dating,

then they would be 5,500 years old. I think they're a bit older, because what I discovered on my journey, looking into the ancient ancestors, was this, long before the long barrows, excuse that pun, long before the long barons, it was noticed by the excavations

that they had pit holes in them. Now, at first it was just thought, oh, they were pits to put deposits in. Then in recent times, about 15 years ago, they were reanalyzed, and it was found that they contained standing stones. So now we're in the Mesolithic period, okay? This is long before Longbow was raised. They were standing stones. Those standing stones were then smashed up to make the floor for West Kennel.

long barrel and Wayland Smithy, but they originally had standing stones. I'm the first person to say there was Mesolithic standing stones. So we're going back now 10,000 years, 12,000 years ago, and I got a lot of evidence for that. But here's the thing. This is a revelation because what were those standing stones marking? Yes, sometimes lays an earth currents, but more than that. They were marking the geological boundaries of two different soil types.

For example, further south and west can it long barrow, the barrow there that had standing stones preceding it marks the geological change of clay and green sand. Therefore, I could say that in the Mesolithic period 10,000 years ago, someone had the knowledge to do a geological survey of the British aisles and place these standing stones at these boundaries cannot be coincidental because everything in the ancient world had meaning. So yeah, standing stones you're saying are the oldest structures erected going back to 10,000 years and that's fascinating. They were even ground up and used as the floors to the long barrows.

it's such an experience to go inside one of these long barrows. I think one of my favorite experiences, aside from Stonehenge on that tour, was visiting Wayland Smitty because it was such a beautiful, quiet area. There was the birds chirping, and then when the rest of our group left, I had it all to myself. And it was just like, am I really here right now? Like, who before me was in this chamber? It was a crazy experience.

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about this because this is just crazy to me. You write that these Mesolithic people had long skulls, large jaws, and muscular bodies. You say this long-headed civilization of the British Isles may have been the genesis of folklore beings such as elves, pixies, and the fairy or the fe, indeed their appearance offers a possibility that they were a completely different species. Tell us a little bit more about that. Yeah, absolutely. Because like I mentioned earlier, their ear placements were different. They would have looked very mythical. When I measured the femur bones, and I'm one of the few researchers in the British Isles that have actually measured skulls and femur bones in

incidentally, it showed their height and the males were around 5 feet 4, occasionally 5 feet 9, and the women about 4 feet 9, so on par with Queen Nefertiti of ancient Egypt, for example. Now in the Irish mythology, the two after day Danam were a mythical race. They were supernatural human beings or some say from the stars. Now the two other day down now lost a battle in the mythology. They lost a battle and then they descended into the mounds and that's where we find this fay-like, this pixie-like beings. They're always in the long barrows. They did descend into the mounds. They were placed into the mounds in its last phase. You went to Whalen Smithy and West Kennet Longbaron. Today you see them as open

and excavated. Now, in the first phase of those two monuments, they were used probably because they have acoustic power that has been looked at by several researchers, including myself. Now then there was when the beaker culture, the very tall people that some researchers called giants, for example, came to the British Isles. They did this. What they did, what they did, was they looked at the long barons, placed the remaining skulls of the long-skulled people there, some were murdered. There was genocide at Stonehenge, for example. They were fighting for their spiritual capital because you have wounds on the heads. So you can say that, and the anthropologist would agree. So they had this kind of battle. And then what the tall people

did, the tall ones did, they placed the bones inside of the barrow and then packed it with earth, really packed it with earth. And then, in the style of Indiana Jones, placed a blockin stone in front of it. So when you go into West Kennet, that blocking stone was placed to seal off the memory of the long-skulled people for all time. Now the tall people did not did not do that to just one barrow. They did it to every single Neolithic, long, skulled monument. So even when we go to their other monuments that you may or may not have visited when you are Avery, they're called Causedway Inclosions. They are contemporary with the Long Barons. One thousand years precede in Avery Stone Circles that you visited, and they decommissioned those,

the beca culture, the tall people. Decommissioning in archaeological terms being flattened it. Make it so it looks like it's not there. They were trying to eradicate the memory of those that came before. Then no round-skulled person wanted to be buried in a long barrow with a long-skulled. They started building round-barons. 800 round-barrows surround Stonehenge alone. Okay? So they were associating themselves with the site, but they came much later and tried to destroy Stonehenge. I've got great documented evidence, for example, that during the phase when they took over Stonehenge, because like I said, there was genocide at Boles Barrow. Real genocide. All of the males had been killed and placed and dumped into one long barrow. Then they went to Stonehenge.

were big, they were strong, they were tall, and they tried to demolish one of the altars stones by building a massive pit. Now it baffled archaeologists. Why were they trying to destroy the sacred holiest of holies? I say that's because a different culture came along and to try to destroy it. Then what happened in that era, stone number, you may have noticed them at Stonehenge. Stone number nine and 10, I'm a geek when it comes to late, a bit of the ancient sites, they're toppled outwards. And again, that baffled archaeologists,

and Professor Mike Parker Pearson said, they were deliberately toppled to make a new entrance. It must, something must have happened at Stonehenge to change that. That's where I come in and say that was a different culture. And I am thrilled to say now that other archaeologists like Mike Pitts, many others who are now writing about this, they say the beaker culture did change Stonehenge

dramatically. Now, at Stonehenge, did you visit the station stones, the mounds just outside of Stonehenge? They're in the vicinity. They're called station stones. I don't believe I got to see that. That's a shame, because originally the station stones were, and this was discovered by Mike Parker Pearson, so I make no claim to that. He did the archaeology there. I didn't. I'm interpreting the archaeology there. They found the mound and now you see the standing stone on top of it or a replica. So you've got a mound with a standing stone on top. There's four that surround stonehenge in a rectangular shape and many people have done the astronomy to that. It aligns to a lot of moon rises and settings, etc.

That's the second phase. That's when the tall giants demolished what was there originally. What was there originally was a structure, a D-shaped building that housed the stone. So inside of that building, there was a standing stone. And they had made a yellow plaster floor. That was in the archaeology. well this is really strange we've got a standing stone inside a structure and I think it's very healing I can come to that later and then when the giants came along they put a mound on top of it

removed the standing stone from its original stone setting and placed it on the top that is archaeological fact but that's not talked about at all about Stonehenge they don't talk about the destruction of it so two buildings became and the stones were taken from them and placed on top. And I've done that reconstruction in my book, which is now valued by some archaeologists. Yeah, I could tell when I was on the tour that you were highly revered and it was cool to see your books and all the shops.

You know, even though I would consider you an alternative thinker like myself, it's cool to see that, like you're saying, mainstream archaeology, I'll use your work. Very, very cool. Okay, you mentioned giants. I got to stop you. So we've got this mysterious long-headed civilization. And to me, it seems like a different race because then you describe these larger round-headed beaker people that arrive and they're trying to eradicate the memory of this other civilization.

They're even trying to tear down Stonehenge. So you have the elongated small people that could. be associated with a mythological faith. The Beaker culture that came to the British Islands crossing all across Europe were very tall. They were the giants. Archaeologists call them the Beaker culture. And I know that because when we start to read the antiquarians called Sir Richard Colt Hall and William Cunnington, they excavated all of the mounds. You have to go to them to find out about these people. They constantly describe them as being very tall and very robust. For example, they were describing this culture. It was shocking when I was discovering

the secret history and writing that book. Nobody, not even the archaeologists, had analyzed what type of person went into which barrow at Stonehenge. And so I set to work. I looked at All of the mounds, and I told you, originally there was 800, about 300 survived, and I read every single archaeological pattern, the Barrow rather, and a pattern unfolded. So for example, some of the very tall people that went to what's called six penny Handley, that's Wood Yates in Dorset and colleagues such as Hugh Newman have been there and looked into that, I started to say, what was their role? Now you can tell somebody's role in life. This is what no archaeologists had done. No research had ever done this before. Look at the artifacts and interpret the artifacts and see who was doing what. So some of the giants were definitely warriors with massive kind of bludgeon and weapons and exquisite dress and jet buttons and gold. I mean these were the kings of blink.

they really were. And some were shamanic burials. They had horns of deer antlers, and they had what's called incense cups. Now, incense cups was originally interpreted to mean one thing. It burnt incense, yeah? And it waft it around like this, like a church sensal. But recently, that has been analysed and in the bottom of those incense cups was evidence of opiates. So the shamanic giants, if you will, at Stonehenge were definitely using opiates. They were dressed in a particular manner and they were buried with their artefacts in a particular manner. So I know the roles of the beaker culture, the tall ones and looking at their femur bones, you've got some really tall ones. They're it could have been around 11 feet, it's anticipated.

And you had one skull that was written about in the Elizabethan period. That's when our crazy Henry the 8th king was on the throne, cutting off the heads of his wives. And reports were then coming in about one that could have been 13 feet long. If they analyzed that right, and if they had the ribs in the correct position and not too gaped, then that could have been the high. of one of the Beaker culture that they had taken from one of the round banners. So I can say the roles that these people were playing in the Stonehenge environs.

And then you have the high priests and probably the kings and queens. Every single person was buried in a particular way at Stonehenge and throughout the British Isles and Brittany. And they came a thousand years later. The ADNA has been out. analyse. All these bones have been analysed. And the role that I've done for the alternative archaeological community is I've measured them. I've got tape measures on my lectures where I can show you the length of a femur bone, especially on the elongated skull people, because once you have that measurement, you can anticipate a height. Now when the giants, the beaker culture first came over here, they interned the body as a skeleton and they made it in the fetal position,

like in rebirth position and they tied that person together and placed artef around them. But later on, as we get to what's called the Bronze Age Phase 2 and 3 and 4, they no longer did that. They started to cremate people so then you can't have any height to eat their burnt. But what I noticed was in that first phase, what they described as the very tall people, they were buried with massive beaker pots, as they're called, they're a form of pottery, huge, huge pots. Some of them are like 14 inches high. These aren't small ones. And I noticed that they were only buried with the so-called giants. So when I came to the cremations, and started to analyse that phase of their culture, there was giant beaker pots.

And I think that symbolised a very large person. And that's why they were buried with that artefact. Because sometimes it's not what you find, like beakers and things. It's not what you find. It's what you find out when you start to explore that culture. And that's what I did intimately because nobody else had looked at these two cultures and said what were they buried with so i see the mythology the mythos of the british isles containing the fae the fairy folk uh the pixies and the elves and the giants were memories of these

cultures yeah not just one but of two separate cultures and that's how we came to get literally fairy tales Yeah, it's crazy being in England. It's littered with this folklore of giants, of fairies. It's so embedded into the culture. Even at Stonehenge, the legends of Merlin and giants. It's crazy to consider. Okay, let's talk about Stonehenge as a healing and oracle center. You write how it was ingeniously encoded to aid manifestation, to hear oracles and heal.

the sick. Tell us a little bit about that. It was Jeffrey of Monmouth in the 12th century that introduced Merlin myth and giants to Stonehenge, okay? And he's known for that and people picked up on that. What people haven't picked up on is that Jeffrey of Monmouth also said, no stone at Stonehenge does not have healing power. He said that on several occasions. Now, right up into the 19th century, you could buy a hammer at Amesbury. Hugh lives not far from Amesbury. You could buy a hammer from Amesbury and start chipping off your healing piece of stone. That's why they're funny shapes, because they've been re-erected some of the lintels,

and they're in those strange shapes. I'm sure God will explain to you. So they've been hammered. It's estimated by Mike Pitts, Stonehenge archaeology, that probably you're talking about tonnage went for the healing chippins. Yeah, tonnage, yeah? So they've lost their straight lozinger shape. Now there was a project done in the 70s and 80s, led by a colleague of mine, Paul Devereaux, and Rodney Hale. I've worked with these chaps, more so with Rodney Hale, and I've spoken to Paul Everon.

They worked with somebody called Dr. Don Robbins. Dr. Don Robbins was very famous because he was the first biochemist to analyze the contents of Neolithic Bronze Age and Iron Age people, what they ate and what they had as their nutrition and their diet. He looked into the encodement of stone at Rollwright. That's where the project was based in Oxfordshire. There's a fantastic. stone circle, written a book on that one as well, called the Roll Right Ring. And they realised through recording that some of the stones release ultrasound from the stones. Okay, they recorded it. And I thought, well, what I've done in my researches with the frequencies emitted by standing stone, some of them are infrasound. So I went and see at Roll Right, Roll Right, was there infrasound on the centre and ultrasound on the outside? And I got proved right. I recorded the ultrasound frequencies based on a mathematical model, which is 10 hertz.

Okay? Now, if you put your brain into 10 hertz, whenever you enter that 10 hertz frequency, it's called brain entrainment. Your brain naturally slips into 10 hertz, which is alpha mode. It's an alpha relaxing, relaxing mode. And so I think that at some ancient sites, your brain is entrenched to go into a particular frequency. And I'm very proud to say that the Monroe Institute in the USA have looked at my particular brainwaves when I'm entering these earth energy zones or these megalithic energy emission zones.

and recorded my brain frequency. And I've done all of this. I'm going to be on a film coming out on Amazon pretty soon where I'm looking at the acoustic properties of Stonehenge to prove the point. I don't want people believe in me. I really don't like New Ages that much. God love them.

Because they say, believe in me. I want to show you. So my brain was rigged up, walking towards a stone, bang, it went straight into Delta. Now, you shouldn't be in Delta unless you're comidavit. toast and it was changing my brain frequencies whenever I was in a different part of Stonehenge, AVEBry or Roll Right and it was analysed by the Monroe Institute and said that this is 99.9% accurate.

Plus I was with a neuroscientist that works at Exeter Hospital analyzing brains. And he was just fascinated saying, so you're telling me when you go to a certain part of Stonehenge, your brain changes, yes. And then we recorded all of that. Now, there's one particular part of Stonehenge. When you enter that, imagine these stones are releasing sound frequencies and the Earth is releasing sound frequencies of 10 hertz.

I've recorded those. Some Earth energies are entrain in your brain as well as the infrasound sites. And that can make in some people you're heightened. Your consciousness is slightly heightened, and then you can have out of the corner eye experiences. Now, it was Professor Tim DeVille that said, he also agreed Stonehenge, the late Tim DeVille,

that it was a Heelan Temple. And I had consoles on. Do you see what I mean? It was all done professionally. And then I put probes into the ground at Avery. I'd be thrown out of there now, All experimentation has been banned by these sites because of the CAFRI project, because we're proven things that should have been proved a long time ago.

I put copper probes down and we got the signals of where I doused the earth energies. And again, they come up in particular hertz frequency. Then what I discovered about the megalithic sounds that murmur, but you can't hear them, and their infrasound or ultrasound was that pyramid bases and certain standing stones release energy. Yeah, just think of it like that. They release energy. And as a dowser, my late father trained me how to decode these particular earth energies. Yeah. And so I put copper probes into those. And we got frequencies in the ground. So you're going to hear them. but they're going to be influencing you, prove that with my brain analysis, and some of them are 1-33 Hertz.

And that, again, entranes your brain into the healing mode. Okay, so we can go to certain parts and we can have healing at these places. And another frequency in the ground, again, you're not going to hear them as you walk around. I wish it would be an orchestra sound. are 285 hertz and to some healing analysis that can help your cellular DNA to repair. Okay, so we're talking in advanced science, we're talking advanced technology used to encode sounds, frequencies into these temples that were known by the ancients and that's why in the 12th century. Jeffrey of Monmouth said, no stone at Stonehenge doth not have healing power. So I think it was

definitely a healing temple as many other stone circles can take on those properties as well, but not all. And also consider joining me on one of my 2006 tours. We are going to Peru and Bolivia this September, ancient Turkey in October. And then we're going to end the year in Egypt in the first part of December. And these are going to be some of the best tours that I've ever led. And each of these tours includes airport pickup and drop off, all transportation and lodging during the tour, at least two meals per day, site tickets,

and English speaking guides. But most importantly of all, not only will we have the time of our lives hanging out and having fun, but you will learn the hidden history of these ancient civilizations. As we go in search of evidence of lost technology, and as we go to see sites and places that most tourists would miss. Visit megalithic marvels.com slash tours for more info or click the link in the show notes below to save your spot.

Fascinating. So in the old world, when these mysterious elongated, long-headed people were there at Stonehenge, kind of give us a picture what you imagine that might have looked like. when these stones were in their original state, you know, not chipped away and undamaged, standing with the earth energies, I mean, are they just like, do you think they were, if they were sick and they were thrown in this on a solstice event where they healed pretty quickly or how do you think that looked?

That's a really good question and a fascinating question to answer. I think the Stonehenge that we have been spruce. Moonfed since 1724 by William Stucley is a lie. He was a mason and he revived druidry. Okay, now he drew Stonehenge and said, this is what it looks like. It's got five massive trilathons. They're the big stones on the inside.

And it's got 30 lintel stones going around and some blue stone features. In the 1930s, there was a stone setting that was discovered that was a sixth trial of form, and it was buried because they didn't know what to do with it. If suddenly they said in the 1930s, oh wow, we've got a massive stone setting now, where does it go? They buried it under government direction of the Ministry of Works. That was long before English Heritage and the National Trust. It was run by the government, okay? And they hit that stone.

So in my book, I actually point an arrow to it and say, this is, you got LIDA? This is, this is where it is. So for a start, there were six trialathons as drawn out by Indigo Jones, the architect that is famous in London for building the banqueting house in the Elizabethan period. And he visited Stonehenge in 1624. So let's go back to what it was like. The rectangular columns would have looked perfectly rectangular, but the colour would have been a little bit different because it was Professor Mike Pearson again

that looked into the colour properties of Stonehenge. And the fascinating fact about this monument is the stones that were raised at Stonehenge had never seen the light of day before. They were taken from underground, which is a feat in itself, had a slight pink hue, and they were placed up dressed so they would be quite sparkling. Okay, so they were had a pink, pink hue.

The analysis by Mike Pitts says some of them would have had a purpley colour hue as well. And so we've got 30 pinkish colour silvery, beautifully dressed, sparkling stone on the outside, lintels on the top, fit in perfectly. On the inside, we have slightly coloured some slightly orangey, purple according to Professor Mike Pitts, but the gem, what bejewalled stonehenge. Well, I believe there was two altar stones. I was the first to say that before a lot of people jumped on that. That was me in the secret history. They were from Wales and they were green sandstone flexed with garnet and mica. That's green, red and white. One was light coloured and one was dark. Stonehenge was a colourful place. We see it today grey, weather beaten. But if you go back to the original design, it would have been a wonder. And I think the ancients knew how to enter a monument. They would enter it on the flowing earth energies or on the lays. They would go to the powerful acoustic sections, the powerful earth.

energies that also have very strong resonance with music today. And all of that combined would have been very healing for people. And I myself have experienced some healing at ancient sites. I have a blood disorder and I don't take medication for it. Probably should, but I don't. but I do feel that some of these sites, if you walk in it a particular way, are very healing and harmonic. I want to ask you about how Stonehenge used energies for seed enhancement. Break that down a little bit. Okay. Back in the 1990s, you had a wonderful author called John Burke.

He wrote a seminal book called Seeds of Knowledge, Stone of Pleasant. or is the other way around. Yeah, seed of knowledge, stone, a stone of plenty. And he said that particular societies, whether it's in Mexico, whether it's in England, that had mounds and particular chambers, they could charge up the seats. And he did experiments that said they would grow twice as fast

and twice as healthy. And indeed, he did. And he proved that. I thought he was right for the wrong reasons. dare I say that about such a famous author, dare I just? Because what I noticed was he was placing the seed on a particular type of earth energy pattern that is quite powerful. Okay? I won't mention what that is. I'm getting the concept across, yeah? So I decided I'm either going to prove myself right or I'm going to prove myself wrong. So I went to a long barrow that had to. no longer chambers there. They had been destroyed. And according to Burke's theory, you need the chamber. Do you see what it mean? So I put it in a ruinous chamber. Grew the seeds, they grew twice as fast, twice as straight. So it was the earth energy pattern that was enhancing the seed.

Now, if you imagine you've got an earth energy pattern a bit like a spiral and it will rotate one way, six days after a new or full moon, as the druids always commented on, with different types of plants, it changes its rotation. So I synced in because Bert couldn't get the timing device of his seed enhancement. So I practiced with these particular moon phases and the earth energy changing. And bingo, I got it. And I started to grow seeds. I then withheld water one hot summer.

Yes, occasionally England does get a hot summer. I withdrew the water and they stayed stronger and the control began to wither. Whilst studying at Oxford University and the archaeologist Lisa Brown, we were looking at Bronze Age farming techniques. That's about four and a half thousand years ago. And in my own study of it for an essay, I started to notice all of Bronze Age farmers are doing the same thing. They've got mounds, they've got ditches, they've got this, they've got that. And so I looked into an experimental farm that looks into ancient technologies called Buster Fung and spoke with one of the experts there on ancient agricultural practices.

And he told me an astonishing fact that prior to the advent of fertilizers, nitrogen that goes onto the land in the 50s that came into being. The yield per acre from the late Bronze Age and the early Iron Age could not be beaten per acre. So through all that time, thousands of years, they could not get the quantity that the ancient farmers did here in the ancient landscape with lost technology. So I looked at a template and thought, you don't repeat something unless it works. You don't do that, yeah? And what I noticed was that it wasn't just the seed enhancement. That's only half of John Burke's story.

I can add another chapter because what I realized was they not only charged the seed, they knew where to plant it. And I looked to all of the old antiquarian report why certain areas were fertile. Okay? and I went there and I looked and I realized they were mapping out the earth energies. And particular earth energies stimulate plant growth or certain earth energies constant plant growth, as was discovered in the 1930s by particular dowsas. I've inherited a legacy.

So my late father had all of the books. They're now worth a fortune. So I've got a lot of books at my disposal, but more than that, I have the surveys of Stonehenge and numerous sites across Europe done by Master Delsers. So I can tell you what Stonehenge looked like in 1940 and it doesn't look like it does now. So a lot of beer being plowed out. So using all of my resources with this legacy that I've inherited, I realized that they knew where to plant. and that's what they used to do. So if we adopted that again, which I think we could,

I've proved that that's how you can grow. I even measured grass growing on particular earth energies. It was much, much higher than when that earth energy isn't present, then we can basically say no to Monsanto. I think if we went back to the original farming techniques, and it's not difficult to follow this model, then we can go back to the grain haulage and yield per acre that our ancestors did without fertilizers such as nitrogen.

That is such an amazing point you make. Modern day fertilizers that Monsanto is making that's literally killing people, toxic that we just saturate the earth with. To me, this is one of the connection points on why the cover-up of history, right? if they can keep us focused on this vanilla watered down version, that's going to keep us from looking at asking about the technology. Because if we start asking those questions and we get back to what they were doing, that's going to cut out all of this toxic modern day stuff,

whether it's fertilizers or whether we're talking about medicine, you know and even in ancient Egypt as you know all of these temples were healing centers fertility centers harnessing the earth energies the geology of the stone with the power of the sun they didn't need all these meds absolutely and that's where my work is going and i'm really proud to say that i have now been given some land and i'm going to be testing this out on a very large scale, okay? And then we can adopt it and just use the natural cycles of the sun and of the moon and learn which earth energies like which sort of plants. And that's a formula. And once we have a formula, we can start to change. But we need a formula so that we can say, let's move ahead with

this. So the legacy of our ancient ancestors that I have decoded, is in how they use the temples. I don't have time to go into the musical harmonics of that because I do think that plays a large role. They've left us a legacy of agricultural practices behind and we can use that and we can literally start to understand where to put particular standing stones

that it's not just a standing stone is what the energy of that stone releases. Like I said earlier, that's the key. Well, I've got one in my back garden. Yeah. I've got one in the front garden so that people come into my property harmonically. Yeah. And my late father did the same at our family property.

It was all coded. I know we're almost at a time. A couple more questions. Okay, at Stonehenge are 90 ton megolithic trillophon stones. Any idea or thing to share about how they may have lifted those in the ancient days? When my journey of measuring earth frequencies, I notice that on earth currents, if you imagine a meandre, I think you call them tolerant currents in the US, and they are male and female or the hemaphrodite. Yeah.

So if you imagine that you've got these earth currents meandering into ancient sites, I think they were used spiritually. for healing. I also think they were used practically because in the centre of those earth currents, I measured a particular frequency, which was 25 hertz. I was on a radio show with Dr. Sam from Bosnian Pyramids and Richard Hoagland from New Mexico in the States. And Dr. Sam was mentioning that if you have 25 kilohertz, that's much faster cycle. than 25 hertz, that's the frequency of levitation. Now what I think our ancient ancestors could do, especially with a different hearing system,

like I said earlier, their bones were different in their ear placements, I think they could manipulate Earth energies and could manipulate that frequency. So if they could change 25 hertz to the levitation frequency of 25 kilohertz, then you could change 25 kilohertz, then you could change 25 hertz, then you could make the stones lighter.

They're not going to massively levitate up, but you could theoretically make them lighter. And that frequency I followed all the way into the center of Stonehenge. You write about in your book about Avebury's cone-headed high king and Stonehenge's high queen, who was perfectly preserved. Tell us about those two discoveries. The cone head was a very tall person. So he comes under the beaker category of being in the giant category. And it seemed that his skull, yeah, his skull had been shaped. Yeah, a bit like some of the Prakis skulls that they have cranial deformation on.

He showed signs of that because you get scarring around here and you can analyze that. So he would have kind of had like literally a cone herd coming up like this. He lived to a very old age, 8, 80, and he was buried with kingly regalia. I said I investigated every single artifact in and around all over Great Britain and Brittany. So he had a kingly status because he wore particular items. So he had cranial defamation. The other thing I noticed about the giants, incidentally, is they had the round skulls, but they practice cranial deformation to make them rounder and flatter at the back.

And I give lots of examples of that in my lectures and in my book. So they're the kind of giants that were also practising that. The Neolithic High Queen, she's one of the long-headed. So she's Neolithic. She predates these people by a thousand years. And she was placed in a huge long barrow, not far from Stonehenge, the largest long barrow in northwest Europe for a first start. It's huge. It dwarfs West Kennet.

It's much, much, much bigger than West Kennet. And they were a different style of barrow. You went to megalithic chambers at Wayland Smithy, and at West Kenned. Near Stonehenge, they didn't have stones so available. So they made timber structures with a staircase leading you to the top. Yeah, they were very strange structures around Stonehenge. Inside of this timber structure, this earthen barrow is there called,

was the skull and body of the high queen. I call her a high queen or high priestess. they were interchangeable at that time, those roles, because she was found with regalia, shamanic regalia, for instance, like deertines that were polished. So they weren't used to prize out chalk, as were led to believe. You try prizing out chalk block using an antler pick. I've tried it. It's very difficult.

So I don't think they were extracting chalk like that. These were shamanic items that were worn, and they had certain beads. I've got Neolithic beads, incidentally, they're perfectly smooth. So she was found there. It was very poignant for me to discover her first. She was the first long skulls. And I didn't know she was long skull at the time, incidentally. I went to this big long barrow and thought, bingo, I found hundreds of people that built Stonehenge. No, it was for one person. Highly unusual. When you went to Wayland Smithy and West Kennet, they were communal barrels for a lot of people.

people, yeah, up to 36 at West Kennet. So I thought, wow, this person is by herself. She must have been very special. I've got to meet her. It was just like a mission. I've got to meet her. Studying at Oxford at the time. And so I have access to things that you may not be able to have access to and decided to have an appointment at Cambridge to photograph, measure, look and see this. And then as soon as I saw her, I went, wow, she's long. long-headed. Yeah. So that was how I discovered it. I didn't know that at the time and since then I've measured a lot of more skulls. Now with the long-headed, a bit like in Piraqas, Brian Forrest is a colleague of mine. He's very well known and respected for his work on the Prakis elongated skulls. They were naturally long-skulled. I've got children. long skulls, the measurements, so you know, we know. But what some cultures did in England and throughout the British Isles and in Brittany and beyond, they would extend their already long skull. So I say there's two types of long-skulled people, the hyper-elongated that have gone through cranial deformation, normally the elite that were placed into the long-barrens, then you have the naturally long-sculled people as well. So there's these different types of long-sculled people. So this history I found really quite strange that nobody had discovered this before.

And in fact, at Cambridge, when I looked at the last time that skull of what I call the Neolithic High Queen had been seen was in the 1930s. But I'm at Cambridge now and behind me was all boxes, cardboard boxes with the astrological symbol for male or woman, at St. Stonehenge, on the opposite side of this, it's all controlled with air, you know, it's all a controlled environment, was Abidos. So all the skulls of Egypt. Yes, I photographed it to, to, to, to, I've photographed it, to, and prove the point. And I thought, and I said to the curator at the time, when were the Egyptian skulls last analysed, measured and looked at? And she said, I can't remember. She didn't, she did not know when that had been in occurrence. I think some of it is repressed, and I think some of it is they

don't know what they've got in their collections. So I think there's a mixture. Do you see what I mean? I'm not going conspiracy, but I do think that it needs to be looked at again to see what we have got. Because I think that there are extra beings out there. We don't have time to talk about it now, but I found in the Stonehenge environment a very unusual skull that is on par with Lloyd Pine. Okay? his star child. So I think in these boxes, in these establishments,

we have the lost history and the secret history, the repressed history, and what else we could find there would change the course of history. And I, for one, I'm not giving up, and I'm going back pretty soon, I've just found another unusual skull,

and I'm tracking that down as we speak. Well, Maria, this has been an amazing conversation. Thank you so much for your time. Everybody watching or listening, go get this book, Secrets of Stonehenge, Ancestual Mysteries, and Lost Civilizations by Maria Wheatley. Maria, is there any way else that people can connect with you or get your books? Absolutely. You can go to my website because I also teach Daleson and teach about these ancestral mysteries. and that's esotericcollege.com or you can go to the AVEBere, A-V-E-E-B-U-R-Y, the Averyexperience.com, dot-C-O-U-K and get my books. Amazon have just closed down my accounts, so they've blocked me from selling on Amazon at the moment. I hope to get back on there.

But if you could go to the websites to support me and take out that middle person, that would be good. So yeah, thank you for that. And I'll put your links to your website in the show notes of this episode. So everybody just click the link in the show notes to go straight to her website, buy her books. Well, thank you so much for your research and have a great week. And we'll see you in the near future. Thank you.