Megalithic Marvels - Megaliths & Hybrid Bloodlines: the Global Link They Are Ignoring

Episode Date: May 13, 2026

Mainstream archaeology propagates the notion that the further we look back into history, the more archaic the civilizations were and the more inferior their methods of construction. Yet all over the world are megalithic marvels, engineered with an ancient technology, that confound today’s experts and defy our greatest modern engineering. Ancient manuscripts & carved depictions whisper of prehistoric hybrid races that once walked the earth in ages past. Combine this with all of the ancient enigmatic long skulled specimens that have been unearthed, along with the legends from every corner of the globe that speak of a golden age, & what we get is an alternative version of history that looks nothing like the mainstream version we’ve been force-fed. So in this episode, I am going to take you on a journey around the globe to see some of the most fascinating evidences that I believe point to lost civilizations & ancient technology. JOIN ME ON A TOUR

I saw my friend on the other side of the street. I was heading to school with the kids. I let go of mom's hand to wave. I had already forgotten their lunches. I ran over to hug her. She came out of nowhere. And then... It stopped.

Sometimes the moments that never happen matter most. Volvo's automatic emergency braking helps ensure a safe ending for everyone. Learn more at volvocars.caps.ca.ca. Mainstream archaeology propagates the notion that the further we look back into history, that the more archaic the civilizations were and the more inferior their methods of construction. Yet all over the world are megalithic marvels engineered with an ancient technology that confound today's experts and that defy our greatest modern engineering. Ancient manuscripts and carved depictions, whisper of prehistoric,

hybrid races that once walked the earth in ages past. Now combine this with all of the ancient, enigmatic, long-skulled specimens that have been unearthed, along with the legends from every corner of the globe that speak of a golden age. And what we get is an alternative version of history that looks nothing like the mainstream version we've been forced-fed. So in this episode, for the next hour or so, I'm going to take you on a journey around the globe to see some of the most fascinating evidences that I believe point to lost civilizations and ancient technology. Let's start in Kusko, Peru at Soxay-Waman. Now, every time I approach these walls, I am left utterly speechless.

Conservative estimates state that the largest blocks here weigh upwards. of 200 tons, although I think it's much closer to 300 tons. They rise almost 30 feet tall with another 10 to 12 feet still buried underground. Now, what we are seeing here is just the core foundation of an otherworldly superstructure. So imagine what these walls, what this structure must have looked like in its original state. Now Soxio-Mond features these interlocking polygonal blocks that were made to literally withstand the most severe of cataclysms and earthquakes. Yet the seams between each block are so fine, so finite that you cannot slide a human hair through them. Most of the blocks here are made of Andesite, ranking a six to seven on the Moes scale of hardness with diamond being a tin.

Now, while mainstream archaeology says that the Inca built these walls, a quick look into the archaeological record clearly indicates that the tools the Inca used were copper and bronze chisels, which rank about a three to four on the Moes scale, which could have in no way precision shaped the harder andesite material here. Now, these colossal walls would be virtually impossible for us to replicate today using electricity and our greatest modern power tools and heavy machinery. So how could the Inca do it? Well, I believe the Inca found these abandoned megalithic structures, and they built on top of them. Now, according to many local traditions that were recorded by the Spanish chroniclers, the advanced techniques of working with stone were part of a legacy of knowledge

passed down from the creator god Veracocha who could cause stones to be consumed by fire making large blocks as light as feathers that could be floated into place. Many local natives who speak Quechuan will tell you that the megalis were built by a race of primordial giants in the prehistoric past.

So are we looking here at the ruins of a lost super civilization that predated the Inca by thousands, if not tens of thousands of years in South America? I would tell you 100% yes, I believe so. Now here's where it gets good. Almost everywhere around the world that we find these ancient megalithic ruins, guess what else we also find? either elongated skulls or legends, writings, and depictions of what appears to be genetic hybrids. And when I say hybrids or humanoids, I'm not saying they were aliens, but I'm saying they were not fully humans like us.

So let's stay here in Peru and talk about the enigmatic elongated skulls. Because in the 1920s, that's when Peruvian archaeologists first began to discover tombs in Paracus, Peru that were filled with skeletons possessing some of the largest elongated skulls on earth. Now, since then, countless more have been discovered, and most of these date between like a thousand to three thousand years old. Now, mainstream archaeology and debunkers will declare these skulls are just the result of cradle headboarding. Now, there are many cradle headboarded skulls around the world and in Peru, which I believe

were just the general population of humans trying to look like or emulate their hybrid ruling elite masters. Because this ruling elite class that I'm going to describe for you, I believe was born with natural elongated skulls, meaning they didn't do cradle headboarding. The humans did cradle headboarding who were trying to look like the natural ruling elite who possessed these natural skulls that were long and featured crazy anatomical genetic differences. Genetic anomalies such as larger jawbones and eye sockets, skulls that are often missing the sagittal sutures, many of these elongated skulls' cranial volume is up to 25% larger than a conventional human skull.

Some of them, such as these chango skulls at the Ica Museum in Peru possess closer to 40% more mass than a normal skull. Now here's the key takeaway. Cranial deformation or cradle headboarding can certainly change the shape of a skull, but it cannot magically add more cranial mass to a skull like we see here on these ones. Also, the Forman Magnum, this is the hole in the bottom of our skulls where the neck attaches. Now on a conventional skull, it's located in the center bottom of the skull, But on these natural elongated skulls of Paracas, Peru, the form in magnum hole is located near the back, bottom of the skull, versus the center. It's back here. So that is 100% genetic.

Also, many of these strange skulls also have these two small holes in the very back of the head, which may have been for blood flow, which I can only imagine some kind of flask. tubes protruded from. What's more? Many newborn mummies have been unearthed in Bolivia, in Peru that feature these huge elongated skulls. The point is, they were born like this. Now this Paracas elite class that had a natural elongated skulls stood about six feet average, I believe, which was much taller than the locals of that time. But I believe there are also different varieties of these hybrids. There was a smaller dwarf-like variation that I will talk to you about at the end of this presentation. A quick reminder to subscribe to my podcast from wherever you are watching.

And if you are on Spotify, please leave me that five-star review. And also consider joining me on one of my upcoming tours. I'm going to Peru and Bolivia this September. I am going to Egypt this December and we just launched a Cambodia-Ankirwatt tour for January of 27. We've got some incredible deals to lock in on these tours. Also go to megalithic marvels.com slash tours to get all the info or click the link in the show notes below. Now it's important to note that by the time of the Inca around the 1400s or so, that the Inca were venerating and worshiping this mystic. mysterious elongated skull culture that preceded them. In fact, the most prized possessions of the

Inca were the mummified remains of these hybrids. They referred to them as the Malkis, which kind of translates as mummies. And again, I will tell you more about this near the end. Now, researchers, Brian Forster and L.A. Marzuli years ago did some DNA analysis on several of these specimens with a natural elongated skulls. And they found that eight of them were found to predominantly trace their ancestry back to the Black Sea region of the world near Crimea, meaning that these specimens were not genetically indigenous to Peru. But speaking of the Black Sea region, let's head there now. Because aside from Paracas, Peru, can you guess? where one of the other greatest concentrations of ancient elongated skulls on this earth have been found.

That's right. It's right here in the Black Sea. In fact, here is a skull that was discovered, oh, about six to seven years ago with a huge natural elongated skull. In fact, if you look up the articles of when this was discovered, it's so shocked the excavators and the archivators and the archaeologist that they dubbed the grave that this specimen was pulled from, the alien grave. But what else do we find in this region of the world? Dotted within the deep forests of the Western Caucasus are thousands of these megalithic dolmens. Now archaeologists pretty much admit they don't know who built them, where the stone came from, or what their true purpose was. Archaeologists guesstimate the age of these incredible Dolmans to be anywhere between four to six thousand years old.

I would say they might be even much older. Now these structures, as you can see, feature this mortarless, megalithic construction. Some of them are more cyclopean style with curved blocks. Most have a portal hole in the front of the center. Stone plugs have been found around many of them. and the average weight of these structures is between 15 to 30 tons. And the biggest million dollar questions surrounding them is what was their purpose? Was the purpose to keep something from coming in, or was the purpose meant to keep something from coming out?

But guess what else we find right here in this region of the Black Sea? what's known as Kyrgyns. Now Kyrgyn is a Russian word that basically means burial mound. And these mounds, these Kyrgyns have been found all over the Crimea area. And one of the grandest of these Kyrgyns is known today as the Royal Kyrgyz located in Kyrgymea. Now this thing is huge rising 65 feet tall and it's basically an earthen mound that features a squared precision mortarless structure inside with walls that consist of like 16 layered rows of megalithic mortarless precision. And then it gradually morphs somehow into this stepped circular dome. Now mainstream

academia assumes this was the final resting place of a ruler from the Basporan kingdom sometime around 400 BC, but is it actually much older? And is there a connection between these ancient elongated skulled humanoids of this region and the ruins of these mysterious megaliths that are found everywhere here? Now, as you can see, some of the components of this royal Kyrgyn look eerily similar to what we see in the Great Pyramids Grand Gallery, as well as some of the ancient structures on the mysterious island of Sardinia. Visit BetMGM Casino and check out the newest exclusive.

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Now, Sardinia is located off the Italian coast and it is famous for its world-class beaches. But there is something else. Sardinia is known for amongst the locals. Did you know that? that megalithic towers known as Narragis or Narragis dot the Sardinian landscape. Some of these rise as high as 100 feet and feature multi-ton mortarless block construction. And the ruins of more than 7,000 of these towers have been discovered. Now, archaeologists attribute these structures to a mysterious culture that they refer to as the Narajic civilization from circa 2,000 to 700 BC. Now also countless enigmatic artifacts have been discovered on Sardinia, such as the giants of Monte Prama. These are sandstone sculptures or statues that are again attributed to this mysterious neurotic civilization. And guess what? These statues rise

seven to eight plus feet tall and feature strange facial features. Look at these features. Now, are these statues depicting this ancient neurologic culture? Are we catching a glimpse here of a lost civilization that once ruled in the Mediterranean? But it gets better. Guess what else? Sardinian? is famous for. The Tombad di Gigantes, if I'm pronouncing that right, that's Italian for the tombs of the giants. This is literally the name given by the locals to these over 800 massive megalithic tombs,

again attributed to the mysterious neurologic civilization. Now, most of the giant tombs were once covered by earthen mounds, and from the sky they appear to be in the shape of like an inverted bull's silhouette. Some of these structures stretch up to 100 feet long and feature towering slabs of stone 13 feet high. Now the local legends here are that these tombs were the final resting places for a race of ancient giants that once roamed the island. Now, researcher Timothy Alberino did a film about Sardinia years ago, and he traveled there and was exploring some of these tombs. And I found it interesting that he tracked down some of the locals from Sardinia, who were kids like back in the 50s, who said they remember playing amongst the tombs of the giants. and they even saw giant skeletons inside of them.

And they shared how the Ministry of Antiquities would sometimes show up out of nowhere once word leaked out about a giant skeleton being discovered, and they would cart it off. They would pack it up and take it away. Now it's also worth noting that to this day, the Sardinians hold an annual sacred event called the Carniards, of Otana. They've been celebrating this for a thousand years. And in this festival, they have music and food and dancing and festivities. But guess what the one common theme is? They are all dressing up as the giants and the hybrids of the old world. And if it couldn't get any better in Sardinia, one of the greatest megalithic marvels on planet Earth exists here. dubbed the will of Santa Cristina due to its proximity to a local Catholic parish.

This is the grandest of 50-plus sacred megalithic wells found on Sardinia that again are attributed to this mysterious neurologic civilization. Now this sacred wills construction exemplifies the megalithic mastery of cyclopean masonry highlighted by a trapezoidal staircase that descends down 24 basalt steps narrowing towards the base. The steps create like this inverted effect enhancing the play of light and shadow during equinoxes. At the base lies a subterranean chamber with a well and a corbled dome that rises 22 feet into this circular opening. Now the stones here are so precisely fitted that the structure appears almost modern defying its 3,000-plus year-old origins. Now, all of this to me is the fingerprints of a lost civilization who had a sacred knowledge that we have since lost.

Now, we can't talk about ancient civilizations and lost technology without going to Egypt. Did you know that located about three miles from the Giza Pyramids is a mysterious site known as Zawat El Arian, also known as Egypt's Area 51. Now this is the name given to it by locals because the Egyptian military seized control of this site in the 1960s and since it's become off limits to tourism. Now the only photos that we really have

of this site were taken by the original Italian archaeologists who began excavations in 1904. Now as you can see, this site is inverted. It's subterranean, it's cut deep into the limestone bedrock, but there's no pyramid or above ground structure covering it. So it's basically this massive tea that's been cut into the earth that features these three separate chambered areas. But when you look at these old photos, you can see how the floor is dressed with these massive granite blocks that would have had to have been imported into it.

But the most amazing thing we see here in these photos is this oval-shaped hole in the granite floor that the archaeologists referred to as a tub. And when you read through their original report, they talk about how. inside the tub they found a strange liquid that was oozing out of it. Now in all of the photos where you see this hole-shaped tub into the floor, you also see this cylindrical-looking granite lid that features protruding knobs or nubs. And the archaeologist talked about how this piece was polished like a mirror. And I think they're obviously talking about how it was not only smooth, but it was very shiny. Now, according to Muhammad Ibrahim, my guide in Egypt, who's also an author and an Egyptologist,

but one of the only Egyptologists on planet Earth that views things from an alternative paradigm like me, Muhammad passed the information onto me that archaeologist found a specific word here at this site, and that word is Saba. guess what the word Sabah translates to in English. Stargate. So am I the only one that finds it a little bit interesting that this mysterious site the locals call Egypt's Area 51 that the Egyptian military seized control of

that's no longer open to the public that features these strange spherical tubs and lids with nubs also featured the word Stargate in it. I'd actually love to know what you think, so leave me a comment and let me know if you had ever heard about this site, and if you think there is a cover-up going on in Egypt's area 51. Okay, now I want to draw your attention to three unique scenes depicted on the walls at Camombo Temple near Aswan. that may be giving us a hint as to how the lost civilizations of Egypt, prehistoric Egypt, may have engineered these superstructures.

Now, in scene one depicted on this temple, there's three scenes that I'm going to show you. But in scene one, you see the Netter or the God Sobeck on the left side holding his Was Scepter, and on the right side this king is standing. In between these two figures is the temple itself, symbolized by this trapezoidal gate symbol. Now notice that the temple gate and the feet of each figurine is placed on the ground level. Now check out scene two. Ra is standing on the left side holding his key of life and the king is on the right side,

but his left arm is now elevated upward as he is holding something in his hand or shooting something from his hand, which could look like a cord or a beat of energy perhaps. Whatever it is is descending downward and it turns into this oval sphere that encompasses the gate of the temple. And now what's going on? The temple can now be seen elevated or floating above ground level. Sadly, this temple gate, which is the featured object in the scene, has been damaged. damaged. Now check out scene three. You'll see Horace is now depicted on the left side. The king is still on the right side. The king's left arm remains elevated with this bead or this cord emerging from his hand going downward. But notice the bead is now thicker than it was in scene

too. And notice that the temple gate remains surrounded by this oval-like energy field, but the gate has now ascended high above the ground level from where it originally rested. This father's day start with a question, like where did dad's story begin? Ancestry DNA now has up to $75 off on our Father's Day sale, so Dad can explore his roots across more than 3,600 regions and discover the places and cultures that shaped his story. Save now, give Ancestry DNA from only $69. Offer ends June 21st. Visit Ancestry.ca for details. Terms apply. Sadly again, the Temple Gate, the featured object, has been badly damaged.

So I got to ask myself, was this damage purposeful so as to conceal a lost sacred knowledge depicting some kind of anti-gravity or levitation technology? I'd love to know what you think. Do you think they're hiding in plain sight hinting to us that, hey, this is how we built these superstructures, with resonance, with some kind of levitation anti-gravity technology. And I should also note that this scene or these three scenes are not a one-off. This same thing is depicted in at least two other temples that I've been to. So it's part of a pattern. But let's keep it here in Egypt for one more stop and go to the Cairo Museum. Now as you enter

this museum, you are immediately met by this 12-foot-tall, huge rose-granate statue, which ranks a seven or eight on the most scale of hardness with diamond being a 10. Now, this ancient masterpiece was precision-shaped from one solid piece of extremely hard rose granite. Now, as you view this footage that I have captured, aside from its large size, also consider these incredible details. Look at the curvature of the belly region. Notice the life-like muscle tone, the detail around the knees.

Look at the microscopic details on the belt. It's like the ancient artist had a micro-drill to do those details on the belt. But especially take note of its precision, perfect toes. It looks like they were literally 3D printed. Now, how could this have been fashioned by the dynastic Egyptians of circa 3,000 BC using their archaic dollarite pounding stones or softer manual hand tools as the mainstream narrative states? Because softer copper chisels and hammers that rank a three or four on the most scale aren't going to do the job, even if they were covered with some kind of abrasive that was a harder material, that's not going to

precision shape these toes. A dollarite pounding stone, which is about as hard as the rose granite that might bash and make dense. In no way, though, is it in a precision shape through the big toe there? That's just not possible. No, I believe these statues were made by a prediluvian ancient Egyptian lost civilization who predated the dynastic Egyptians by thousands, if not tens of thousands of years and possessed lost technology. Here's a few more examples. When you go to Luxor Temple, you are greeted by these colossal black granite statues. And check out the back of them that has really been preserved will. You see 3D deeply embedded symbols that look like they were laser cut. That's the only way to describe them. If you go to the Ramazium,

site in Luxor. You'll see these kind of symbols that again are deeply embedded into granite, precision cut. What's going on here? I believe these are from the lost civilization of Egypt, the OGs. I believe the dynastic Egyptians as incredible as they were, they were trying to emulate this earlier ruling class. So we have the superstructures of a lost civilization, when we think of the pyramids and the megalithic temples like the valley temples. We have these symbols from a lost civilization in Egypt, which I believe were pieces of their language. We also have the statues of this lost civilization. We've got the vases that lots of people have talked about that looked like they were precision made on lathes.

Okay, now let's warp speed to England because we have got to talk. about Stonehenge. But don't lose me here because what I'm about to share is mind-blowing. Now, most of you know that Stonehenge is dated to approximately 5,000 years old. Its largest trillathon stones rise 30 feet tall. They weigh 45 tons. The blue stones found in Stonehenge may have been transported from over 150 miles away in Wales. So already we have all of these incredible ancient anomalies attributed to Stonehenge. What's more? Many of you know that the ancient engineers who made Stonehenge applied sophisticated geometry and mathematics in its construction to align it with the solstices. But did you know that Stonehenge was also known for its healing

and resonant properties? Did you know that the ancients chose the ground under Stonehenge specifically because beneath it is a deep and highly active aquifer that releases energy from which emerges numerous subterranean rivers that create an invisible flowing torrent of power upon which these geomantic energies were utilized for seed enhancement and other purposes. So the point here is that Stonehenge was more than just a ceremonial site as the mainstream narrative would tell us. It was more like a piece of technology. Now, as author Maria Wheatley documents in her book The Secrets of Stonehenge, one of the earliest examples we have that documents Stonehenge's energetic and healing powers comes to us from Jeffrey of Monmouth's 12th century

book, which is called the History of the Kings of Britain, where he states this, quote, in these stones is a mystery and a healing virtue against many ailments, for they washed the stones and poured water into baths, whereby those who were sick were cured. Moreover, they mixed confections of herbs with water, whereby those who were wounded were healed, end quote. Then we've got this comment in 1701 from J. Brom, who reported that if the stones were rubbed or scraped and a water thrown upon the scrapings. They would heal any green an infectious wound. Now, this is the kind of information that you're probably not going to learn on Wikipedia about Stonehenge. You see the ancients who engineered it, they had a sacred knowledge. So that leads me to another question,

who were the mysterious builders of Stonehenge? Let me set this up by telling you a quick story. A few years ago, I was in England on tour with authors, Hugh Newman and Maria Wheatley. And we were visiting Stonehenge and some of the ancient sites around there. And one day we were at the Avebury Stone Circle, one of the Earth's largest. It was incredible to go there and to measure the energy in the stones. Maria Wheatley had brought her dousing rods. And what that is are these metasties. rods that can measure energy in the stone. And it would rise these rods from the ground up.

And every three feet, the rods would spin around, showing a lay line of energy about every three feet in these massive standing stones. So we were doing stuff like that. It was incredible. But near the end of our tour that day, I went into the local museum on site. And inside this museum, I saw something. strange. I saw this skeleton with an elongated skull, but it didn't just have an elongated skull. It had a weird, strange face, this angular pointed, skinny face, if you will. And then I saw another one,

and then another one and a few more in other museums. And on that first day, when I saw the first one, I came out wondering what in the world was this skull. And I was in good company because I went to Maria and I said, tell me about the skull in here. Well, little did I know that she had just released her, one of her newest books, The Secrets of Stonehenge, where she had documented her decades-long research into this mysterious, elongated, skull culture in England.

And she basically shared with me how, these mysterious schools had been discovered all over England and the UK in places like Avebury, West Kennett Longbarrow, and yes, even Stonehenge. And Maria Wheatley refers to them in her book as the forgotten, long-headed civilization who engineered Stonehenge. Remember when I said that wherever we find megalis, we usually find entities, humanoids, hybrids. Again, I'm not saying there were aliens from spaceships. I'm saying they don't appear to be fully human as we are. Now, this mysterious long-headed civilization of England, they were a mesolithic

civilization, meaning they ruled back as far as 10,000 BC in this region. They possessed these long skulls, they had large jaws and muscular bodies. And Maria points out, how mainstream archaeology is largely dismissed this mysterious civilization, even though these hybrids have been discovered all over. And the archaeological community knows that they predate other skeletons that have been found by the later Beaker peoples. Now, having studied at Cambridge and elsewhere, Maria has gained special favor and access into the storage vaults, like at Cambridge, where they keep many of these strange

specimens and she's been able to go in there and look at them with her own eyes and measure them and document them in her book. And apparently the footage here that I've showed you of the skulls that I took aren't even the most extreme looking ones. But luckily Maria has replicated what they looked like in her book with these artist depictions. Again, these would have been the ruling elite of their day and Maria writes this in her book, quote, these entities looked radically different from ourselves with a somewhat otherworldly ethereal appearance. This long-headed civilization of the British Isles may have been the genesis of folklore beings such as the elves, pixies, and the fairy.

Indeed, their appearance offers a possibility that they were a completely different species. To see a hyper, long-headed person today, we might think that they had walked out of a sci-fi movie, striking facial features and unusual bodily stature made the long-headed people stand apart from the later beaker people. A modern human head is on average one-eighth proportion of the body,

but these skulls were longer but of smaller proportion to the body length, being a one-tenth in size and remarkably narrow, making their heads look small on a long body. Even stranger, the position of their ears added to an otherworldly look due to the strong jawline and the length of the skull. So this is the forbidden history that I am here to unveil.

Now let's travel to the present-day country of Iran, which has been in the news of late. But did you know it's home to some incredible megalithic sites? Now, if you Google the Persepolis archaeological site, you will really only see photos like this which show columns and statues from the Occamended Empire circa 500 BC but what you won't see are these the colossal megalithic foundations that these ruins sit on now the largest blocks here must easily weigh a hundred plus tons so it appears to me that this base structure predated the ruins above it but guess what else we find here in ancient Persia very ancient elongated

scold humanoids in fact this cache of strange elongated skulls was recently in earth just the past couple years on the Zora plain at a site known as Tola Chegla Sofla just a few years ago and I found it very interesting that the lead archaeologist stated this quote the concentration of deformed skulls is striking end quote i find that interesting because this archaeologist called them deformed skulls and he said it's striking how many there are basically if he just thought they were cradle headboarded schools it doesn't seem like he would refer to them as deformed so that's interesting now you can see here i even made a side-by-side comparison

graphic with the Paracas Peru Elongated Schools and one of these elongated schools discovered in Iran and they're so similar. What's more? Here's another natural elongated school that was discovered in Iran at a site called Koga Safid and archaeologist dated this skull to the 7th millennia BC. Now this thing just looks ancient, almost petrified, but look at the shape of the skull. Now, you could literally say that was a cone head, the way that

thing comes to a point. Now, to bring our quest for ancient civilizations and lost technology to a close, like I said, let's circle back to one of my most favorite places on the planet, and that is Peru. Now, years ago, when I went there on my very first trip ever, I had a strange experience in Peru's Sacred Valley. And I've shared this story on some other episodes and podcasts. So if you've heard it before, I apologize. But this story kind of sets up the rest of what I'm about to share. Now, I was with about 20 others on a tour with Brian Forrester, if you know who he is. And we were visiting one of the most incredible megalithic sites that I've ever seen. I remember the bus pulling off the road at this obscure spot in the middle of nowhere.

We began hiking along some old railroad tracks in this remote mountainous ravine. Then we began to scale up and ascend this small trail up the steep mountainside. And our guide, Brian, told us that we were hiking up to a cave that was way up there. And then I could begin to see it in the distance. And I'll never forget, we got to the entrance of the cave. And we were stopped. Now Brian had brought with him this local guide who was known as like a local wisdom keeper or shaman who had said he descended from the Inca so he knew all the local legends and traditions.

Now the shaman before we could enter the cave he stops us and tells us that he needs to brush us off. He had brought like these kind of brushes and that he needed to spray us with his special incense before we entered because he didn't want to. want us to offend any of the ancient spirits inside. That's right, ancient spirits inside. So I'm thinking, hey, this is kind of strange because nothing like this was said or done at any of the other ancient sites that we had already visited up to that time. So why was this place so special? Now this site that I'm talking about is known today by most as Naupa Iglesia. I refer to it as Peru's megalithic cave of mystery. And as I climbed into this cave, I realized it was much larger than I thought. In fact, the entire ceiling of the cave appeared to have been artificially shaped into a triangle.

It's like the cave was an open-air pyramid. Now, as you can see, the entire right side of the cave wall has been cut away in like seven different layers with laser-like precision that lead to this center 3D faux door that appears to go straight into the mountain. As you pan back to the entrance of the cave, there's what appears to look like a large 3D trapezoidal console or altar, you might say, that was earth-shaped out of the natural antisite rock outcropping. And it features these protruding knobs, curved precision angles. It was likely covered in gold originally and featured a Puma face protruding from it in its original state. Sadly, the top has been blown off since. Now, the centerpiece here resembles a gate and features the Chicana symbol, which basically means

bridge or crossing point. Now, mainstream archaeologists would tell you that the Incan made this site using their copper and bronze hand tools, which rank at best between the three and four on the Moes scale. Again, the problem is that this cave is of a much harder antisite stone, which ranks about a seven on the Moes scale. The Inca simply could not have been able to precision shape this andesite with softer tools. So who predated the Inca on this mountain? Now, the shaman began to explain to us how this site was very sacred to the Inca, and that the Inca used it as like a portal or a place of worship during the solstice events. And he said that the name Naupa Iglesia basically means ancient temple in the Incan language.

And that this was the place for getting the key to travel through the portal. And then he asked us how do you get the key? And he answered his own question by kneeling down in the center of the altar or console-looking piece. He placed his hands on the protruding knobs and then he pressed his head into the hole in the center there and he explained how sitting in this position at the proper solstice time, the sacred knowledge would be passed through the hole and into the person's third eye and that this is how you would get the key and that once you get the key you can then approach the interdimensional doorway and travel to different locations. Again, this isn't me saying this. This is the shaman

telling us what the Inca believed according to their own oral traditions. Now, if this isn't wild enough, after we had thoroughly explored the cave, the shaman asked everybody to take a seat or lay down inside the cave and just enter into a time of meditation. And he pulled out his drum and he began to play the drum and sing. And again, he invited us to close our eyes and meditate while he honored the ancient spirits. And I looked around and there was people, you know, sitting like in a receiving position. There was people just laid out all over the cave. There was like a gentle breeze blowing through the cave. Everything was peaceful for a few minutes. That is until we literally heard a blood-curdling scream, sent a shockwave through our group.

group. And we look up and there's a guy who is just shaking and convulsing violently. He was sitting near the portal and he was violently throwing his arms around, screaming and yelling. A bunch of us run over to try and help him. You know, we're thinking, is he having a heart attack? Did he get bit by a snake? Like, what's going on? This guy was terrorized. He was gripped with fear. Now as he began to settle down and breathe to where he could talk, he began to explain to us what happened. And he shared that as he was meditating with his eyes closed and such, he basically saw a puma come out of the portal and enter him, which literally scared him to death. Now this experience is fascinating to me because it includes many elements. It includes an ancient megalithic site.

It includes the legends of the Inca who say that they worshipped at this portal and even went through it. By the way, the animal he mentioned in the encounter of the Puma is very interesting because a Puma is one of the most ancient animals in the Andean legends. I mean, we literally see the Puma embedded into the Muma. megalithic structures. At Soxamaman, you see a puma paw. At places like in Kusko, there's the full body of a puma hidden in the wall itself. So this experience seems to tie these ancient sites and their legends and possible technologies with the supernatural and the paranormal. And what I'm about to share here lastly will really bring this home. Now, As I stated earlier, the most prized and sacred possessions of the Inca were the mummified heads and bodies of this mysterious elongated skull culture that preceded them.

In fact, the Great Inca Civil War known as the War of the Two Brothers in the 1530s, from what I can tell it, pretty much started over which brother got to keep which mummy or malchi. Now the precision, megalithic cutouts that you see all over in Peru, like inside this cave, that look like altars, I believe they were made ages before the Inca by the megalithic engineers of Peru, by the lost civilization, which some of the locals would call the Hunan Pacha. Yet the Inca found these ancient megalithic sacred spots, repurposed them as altars and called them Waukas. and this is where they would worship and venerate these mummies from this earlier elite ruling class. Now according to legend, during the solstice events, when the Inca believed the portals were activated by the Orion Belt, the Inca would place their elongated schooled mummies in the Waka or the portal to communicate with the gods. and according to some of the oral traditions, these dead mummies would somehow become animated

and would speak telepathically to the Inca. But there's more, according to some of the oral traditions and legends, some of the very special humanoid hybrids, when they were alive, would have gold artifacts surgically inserted into the tops of their skulls to help them better connect with the gods. So some of these elongated-schooled humanoids were like oracles even when they were alive.

So speaking of alive, let's end with this. Now, from what we know, these humanoid hybrids were living around Paracas as far back as like 3,000 years ago. And again, before that, it looks like they even came from the Black Sea region, right? but what is little understood is that some of them were still alive up until the time of the Incas in the 1400s and then the 1500s. This is in the Inca's own legends. And these hybrid humanoids were considered the highest priest class, the scientists and the astronomers during the time of the Inca.

Now, some of you watching or listening to this right now might think that I am full of But let me try to prove this to you. This megalithic cave of mystery in Peru's sacred valley that I showed you known as Napa Iglesia. I believe there might be a proof for this theory of humanoid hybrids living up until the time of the Inca. If you look at this cave, to the right of it on the outside of the cave is a structure. And if you're watching by video, you're going to see pictures or footage now. Now, as you can see, this structure is not megalithic. It's made in the classic Inca style of small stones and mortar.

But what do you notice of this structure when you see it compared to my friends standing next to the entrance door? My friends are both about six feet tall. What do you notice? The entrance of this door is like four feet tall max. it was made for humanoids of a dwarf-like variation. Now, last time I was here, I asked my guide, Rumi Allegria, about this structure. I said, like, what's going on? Why do we have this incredible megalific cave?

And then some Inca-looking ruins inside the cave on the left side and this little Incan-looking structure outside the cave. I remember Rumi giving a little chuckle at my question, and he said, well, this was the residence for the caretakers of the site. I said, who were the caretakers? He said, the living Malkies. And he began sharing with me what I shared with you already, how up until the time of the Inca, there were still a remaining few elite, elongated, scold Malkis that were living

who led the Inca in worship on this mountain at this site, which is why it was so revered by the Inca, which is why it was considered so sacred, even more so than all of the other megalific sites, because the Inca themselves met with the hybrids in the cave. And the hybrids lived in this little dwelling, and during the solstice events, when the Inca would ascend up,

the mountain. The living malchus would leave their dwelling. They would enter the cave. They would sit there near the portal and they would lead the Inca. But this is the forbidden history that you probably never learned about in high school, in college, that you probably never read about in so-called history books, that as recent as 500 years ago, that there was still a race of hybrid humanoids living on planet earth in present-day Peru amongst the Inca. I hope you enjoyed this episode. Please subscribe to my channel from wherever you are watching or listening. If you're on Spotify, give me a five-star review that really helps me. And I will see you next time.