Megalithic Marvels - Serapeum Secrets: what was really inside the 100 ton machined boxes?

Episode Date: September 6, 2025

Conventional archaeology propagates the notion that the further we look back into history, the more archaic the civilizations were and the more inferior their methods of construction. Yet all over the world are megalithic marvels that were engineered with an ancient lost technology, that confound today’s experts, that defy our greatest modern engineering and that tell us a different version of history. Case in point - the Serapeum of Saqqara - one of the most enigmatic ancient sites in all of Egypt. The serapeum is where one of the greatest discoveries ever made on planet earth took place. Lost under the sands of time, this subterranean labyrinth was rediscovered in 1850 and hides 24 colossal 100 ton granite boxes, some of which feature machine-like precision finishes. Who created these boxes? How were they moved deep underground into their tight fitting enclosures? What was the original purpose of these boxes and what was hidden inside of them? These are some of the questions I will attempt to answer in this exclusive video.JOIN ME ON A TOUR CHRIS DUNN BOOK

Conventional archaeology propagates the notion that the further we look back into history, the more archaic the civilizations were and the more inferior their methods of construction. Yet all over the world are megalithic marvels that were engineered with an ancient lost technology that confound today's experts that defy our greatest modern engineering and tell us a different version of history. Case in point, the colossal boxes of the Serapium of Sakara. The Serapium is one of the most enigmatic ancient sites in all of Egypt, if not the world. For this is where one of the greatest discoveries ever made on earth took place.

Lost under the sands of time. This labyrinth was rediscovered in 1850 by French Egyptology. August Mariette who first found a sphinx head emerging from the sand. After clearing the sand away, he began to find hundreds more sphinx statues and heads, some 300 plus and all, that had been set up to create an avenue leading to the Serapium entrance. Now Serapium means the place of Serapus. This word of Serapis is a Greek word, derived from the ancient Egyptian name for the Apis bull, which is derived from the words Osiris and Hap, or Asur Hap, which morphed into Serapus, the sacred Apis bull.

More on this in just a bit. Now, today, if you are at this area of Sakara and you are approaching this Serapium, it does not appear that there is a whole lot to see from the surface. level, but that's because the real wonders are hidden underground. As you descend down the steps that lead under the limestone bedrock, you come to two large iron doors. And once you pass through these doors is when reality starts to smack you upside the head. As you pass through the iron doors and enter this secret sub-training wonder, you are immediately greeted with this massive granite block that weighs about 28 tons. And as you gaze

closer like I did in this video, you can see this piece was made to actually be a lid to a much larger box. And this lid features this giant protruding squared nub on one end. And as you go around this lid you can see the striations and ancient cut marks all over the lid. Now it's clearly in an unfinished state. So one of the big questions is why is it in an unfinished state? Well we'll definitely try to answer this question later in this video. Now as you move past this lid, you begin to realize that you are in a large tunnel system that although very, very ancient, appears to have almost perfectly curved ceilings like that of a modern-day subway tunnel. According to Egyptologist and author Muhammad Ibrahim, these tunnels were originally covered with

sheets of gold or some type of connective material. Therefore, it was like a shiny metal tube in ancient antiquity. As you make your way deeper into the tunnels, you begin to see these enclosures or rooms that run in a staggered pattern along each side of the tunnels. Now, these rooms feature vaulted ceilings. And in some of these rooms, you can still make out how they probably looked in their original finished state as there are still some vertical slats of material left that used to fully cover the entire limestone ceiling. the enclosure itself. The point is the original enclosures don't look how they do today. They were in

this finished state with these vertical slats of material lining each enclosure. Now, what is incredibly remarkable is how these enclosures, or crips, as some call them, are cut below the level of the tunnel floor itself, meaning that there is a drop of several feet from the main tunnel floor down to the bottom of the crypt floor. Now, why this was necessary has long been a mystery. And as author and engineer Christopher Dunn points out, installing these megaton boxes would certainly have been less difficult if the crypt floor was on the same level as the tunnel floor.

So why did these ancient engineers of these enigmatic, subterranean vaults and these boxes they placed in them make it harder for themselves by going through all of this extra work to cut the rooms or the crypts way below the tunnel floor. Now as you get close enough to peer inside the enclosures or even go inside of them like I have, you notice that the colossal boxes are centered inside the crypts and they're also centered and installed into an extra recess in the bottom middle of the floor. So that's an extra important detail to note. So in this subterranean labyrinth are these 24 boxes. Most of them appear to be black or this darkish green. And on average, these 24 boxes measure approximately, get this,

13 feet long, about 8 feet wide, and they stand about 8 feet high. Now, these were crafted with laser-like precision, and each box weighs approximately 70 tons. There's some that are even a little bit bigger than that, but they also have a matching lid that's about 30 tons on average that was cut from the same piece of stone. Okay, so in total, we are talking each box with its lid is approximately 100 tons. Some of them are less than this. Some of them are more than this. And again, each lid was cut from the bottom side of its matching box. All right, let me hit the pause button here for a minute and tell you what the mainstream narrative surrounding these boxes is. And then I will present a series of problems or conundrums, as I call them, which I believe

debunk the mainstream theory in my humble opinion. And then I will end this video sharing a possible alternative theory concerning the true purpose of this amazing tunnel system and these boxes. All right. So let's talk about the mainstream theory concerning these boxes. And you'll find this mainstream theory if you Google about the Serapium of Sakara or if you jump on chat GPT and ask it about the Serapium boxes. This is pretty much what you're going to find what I'm about to say here. The mainstream theory states that the subterranean Serapium of Sakara was made and used approximately from 1400 to 30 BC as an animal catacomb or a burial place for sacred bulls, that is the sacred bulls of Apis, which was this ancient cult at Memphis, Egypt.

These Egyptians believe that the bulls were incarnations of the god Patah, which would become immortal after death as Osiris Apis, a named which evolved into Serapis. Now, mainstream Egyptologists will state that these dynastic Egyptians, who are of the new kingdom period, simply carved this vast limestone labyrinth basically by hand with manual tools, with chisels, and with hammers. Now, as I will break down in just a minute, most of these boxes in the Serapium are made of rose granite. The only place you can find rose granite like this with quartz inside of it in Egypt is in the Aswan quarry, which is 500 miles away from Sakara, from the Serapium. And then at some point, the lids were cut off of them and they were fashioned with laser-like precision

using softer copper chisels and hammers. And then an army of men lowered these huge boxes into the tunnels where they used some winches, rollers, and levers. And then to, lower them into their final position way down inside the enclosures. They first filled the enclosures up with sand to the level of the tunnels and then push the boxes in on top of this pile of sand. And then once the box was sitting there level on top of the sand, they just began to magically pull the sand out to where it dropped down. And then when the box was ready, they would open the 30 ton lid and they would place their sacred apis bulls inside. And if you look into the apis bull cult, they would have burial ceremonies that were said to have lasted for like 70 days. The bulls were embalmed for 68 days,

and in the last two days, a series of funerary processions were held, and the final one terminated inside the Serapium. It should also be noted that when you look at the mainstream theory, when it comes to dating the boxes again, they usually state that the oldest boxes date to Amosus or Amisus the second, who reigned around 550 BC. Okay, so now that you've heard the mainstream theory, let me present to you what I believe are several holes that I and many others see in this theory, and then I'm going to get to the fun part where I am going to share the most amazing, incredible data point. about these boxes that you may have never heard before, and then I will conclude with an incredible

possible alternative theory concerning the true purpose of these boxes. Okay, first let's talk about the distance and transportation problem or conundrum. And I kind of hinted at this while sharing the mainstream theory. So first we have this conundrum about distance and transportation. Now, like I said, most of the granite boxes came from the Aswan quarry over 500 miles away, a 10-hour-plus car drive. When's the last time you went on a 10-plus-hour car drive? That is a long road trip. Now, have you ever seen a semi-truck on the highway or freeway carrying one of those wide loads, like a double-wide mobile home?

They always have a smaller truck behind them and in front of them with yellow lights. It says alert warning, wide load coming. And it's often like this double wide mobile home, right? Now, I ran some stats just to give us some perspective. A double wide mobile home weighs max 20 tons. We're talking about 100 ton boxes here each. Now, in the U.S., the max legal weight that one of these 18-wheeler semi-truck tractor trailers can carry, get this, is 40 tons. 4-0, 40 tons. Again, we're talking about

100-ton boxes. Now, some of you might be screaming at the screen right now saying, well, that's because they didn't transport them on land. They transported them on the Nile. Now, I've been to Egypt multiple times. I've sailed the Nile. I've been to the Aswan quarry. I've been to, Sakara and the Serapium, and it's important to note a couple things. This Aswan quarry is at least one mile from the Nile River. Okay. Now once you sail back up the Nile to the Sakara area, guess how far the Serapium site is located from the Nile? About seven miles. My point is, there was still land transportation involved here. Consider with me for a minute, how they got this 100-ton block off land onto their wooden boat.

And then from the boat, back onto land, before transporting it seven miles to the Serapium. Now, today, we place cargo onto ships using these huge industrial cranes that can lift 100 tons, 500 tons, they can easily even lift a thousand tons, these modern-day super-industrial cranes that we've got at our biggest ports. So how would these dynastic Egyptians of about 2,500 years ago, load and unload these 100-ton boxes

on and off their boats without machines because the mainstream laughs at the idea of ancient machines, right? The point I am trying to make here is they somehow had to move 100,000. ton granite boxes 500 miles away, whether it was land by sea or both, from the Aswan Quarry to Sakara. That was a big deal. Now let's talk about the light and oxygen conundrum. Now the mainstream Egyptologists want us to believe that these dynastic Egyptians carved this vast, huge tunnel system basically by hand. Well, it would seem that this would be impossible to

to do with manual hand tools when you consider the nature of limestone. What do I mean? When you hack into limestone with manual hand tools like a chisel, like a hammer, it creates this dusty powder, which is like a sticky cement. Today we call limestone powder and it's actually used today in the cement industry and for many purposes. The big takeaway here is that these supposed Serapium workers who were chiseling away deep into the dark recesses of these tunnels would probably have died fairly quickly from inhaling this dusty powder into their lungs with hardly any ventilation. Now these dynastic Egyptians would also need light underground and would have had to use torches or candles to see inside the pitch black tunnels. Yet there's no evidence of smoke

markings from flame light on the low tunnel ceilings. Add to this that if they did use candles and torches while they were hacking away with their chisels and hammers, I believe this would have sucked even more oxygen probably out of the tunnels. Now let's talk about the space conundrum or problem. Now it is estimated by some that these 100 ton boxes would need at least 2,000 men to transport them. That is a literal army. But let's be conservative here and take the average weight of these boxes, which is 100 tons, and then look at the maximum pushing force, according to Chet GPT here. A maximum pushing force is short-bursts. with no wheels. What do laboratory tests show the average man can exert or push continuously?

And this says up to 110 to 130 pounds for brief moments. Okay, so if you kind of take that data, I've heard at minimum they would need at least 250 men in these tunnels pushing. And that's probably with the help of some kind of levers, ramps, rollers. Okay, so great. But the problem we have is that these tunnels are only about two feet wider than the boxes themselves. So how would there have been enough space inside for even 250 men to push these megaliths to their final resting places inside the crypts? Now, as you can see here in one of the tunnels, there is this unfinished box that appears to have literally been stuck in time. It's as if the box was in the process of being transported into the tunnel towards its final resting place when something suddenly happened, causing production to immediately halt. Okay, this is one of the other million-dollar questions regarding the Serapium.

what happened. Obviously, I believe it was some kind of ancient cataclysm that struck in seconds. Now, as you can see, as I approach this box stuck in the hall, there is only enough room for really one person to squeeze by on the one side. Again, no space for 250 men to push this box down the hall. And then again, we have the. other problem of how did they lower these multi-ton boxes from the main tunnel floor down into the enclosure or the crypt is I don't buy their sand fairy tale for a second. All right, finally,

let's get to the precision conundrum. Now again, there's 24 boxes in this serapium. Of these 24 boxes, there's one, I believe, made of limestone. And the other 23 are all made of granite. or granadorite. Both granite and granadorite are extremely hard materials, ranking between a seven or eight on the Moes scale of hardness, with diamond being a 10 on the Moes scale of hardness. And this isn't your average granite. This is rose granite from Aswan, which has between 20 to 60 percent quartz, I believe. So it makes it incredibly hard. Now, according to the archelaideast, record that the mainstream Egyptologists use, the dynastic Egyptians of about 2,500 BC, the tools they used were copper chisels in stone hammers. Now, copper, back to the Moes scale, is rated a three

on the Moes scale of hardness. And remember, the rose granite and the granite diorite is about a seven or 8. So how would these dynastic Egyptians have been able to craft these extremely hard boxes? Again, I hate to use the word laser-like, but with incredible laser-like precision,

with softer archaic hand tools. Have you ever cut up a cucumber? Cutting a cucumber with a stainless steel kitchen knife is easy because the knife is a sharper and harder material than the cucumber.

Stainless steel is about a four on the mo's scale of hardness. But have you ever tried to cut through a thick piece of granite with a stainless steel knife? You might be able to scratch the granite. After many hours or days of sawing back and forth, you might be able to make a slight indenchant in the granite, but you will never be able to cut through the granite, let alone precision shape the granite with a steel knife. Why? Because the tool is a softer material than the object. This same principle holds true in the ancient world. The dynastic Egyptians of 2,500 BC could not have precision-shaped granite, which ranks a seven on the most scale of hundred.

hardness with diamond being a 10 when they had softer copper chisels and hammers, according to the archaeological record, which rank a three on the same Moes scale. Likewise, the Inca of the 14 and 1500s in Peru could not have precision shaped the granite there, which ranks a six or seven on the same moz scale with diamond being a 10, with their softer copper chisels and hammers, which rank a three on the same. Mose scale. Now on four of these Serapium boxes can be found hieroglyphs on the outside exterior. And these hieroglyphs, when you look close, are crude-looking. They do not match the precision of the boxes themselves.

So like graffiti, it appears that they were scratched and etched into the boxes much later by the dynastic Egyptians, who I believe found them already resting in place. All right. So now let's talk about some of the most incredible aspects concerning these boxes and what their true purpose might have been, which spoiler alert, I believe, points towards energy production when we start to consider the following. Now, as I stated earlier, this rose granite that most of the boxes are made of contains 20 to 60% quartz. So according to Muhammad Ibrahim, Egyptologist, that makes this rose granite kind of like radioactive stone, which can send and receive waves almost like radio waves.

Now, when you couple that with the tunnels and the crypts that are made of the limestone, limestone is highly conductive material. It's known to absorb negative energy and even air pollution. So limestone can act almost like an electrical, current for granite. So the geology aspect of all of this is very important and critical when we consider what the original purposes of this labyrinth and boxes were. Now many of these boxes are in different states of being finished as we'll get into. On some of the more finished looking boxes on the exterior, you can see these vertical slit lines that run on the front and sides. And I think

these slits have more to do with possibly vibration and resonance than they do with artistry. Now, when the ancient engineers were finishing the box, it appears that they were covering them with some kind of chemical material, which is why many of the boxes shine. Many of the boxes have this polished like mirror finish, and it's as if they used a liquid to literally polish the surface. Obviously not all the boxes and lids are identical as they all have different aspects to them and each one kind of has its own unique look. But it's important to note several of the lids have the mysterious scoop marks in them. Why? Now some theorize and I am one of that this is likely because the ancient engineers who were experts, experts again, masters of geology and stonework,

they realized that some of these lids had developed small cracks near the surface, which, if not fixed, would expand eventually when the box began to resonate upon full operation. Therefore, they were scooping out these cracked areas to avoid bigger future problems. Now, this scooping step would have happened likely before the final step, which is probably the polishing step. I say this because when you look at the scoop marks closely, they are all polished inside just like the rest of the lid's surface, leading me to believe the scoop happened before the polishing and the finishing. This brings us to another million dollar question concerning these boxes and the mysteries of Egypt, and that is how did they do the scoops?

What did the tool look like for the scooping? And did they have the ability to soften stone and scoop the granite out like ice cream? As you can see, inside the boxes, the interior walls are perfectly flat and parallel with each other and the corners are all 90 degrees square. Now, many have measured the interior.

of these boxes, including author and engineer Christopher Dunn, who did so with his precision straight ledge and solid square tools. Now, the straight ledge tool is precise to within two 10,000 parts of an inch. That's 0.002. And Christopher Dunn discovered something amazing. No light was seen passing through the interface where the steel straight ledge was placed on the granite surface regardless of how the straight ledge was turned, whether vertically, horizontally, or at an angle. So as an engineer, Christopher Dunn stated that from a manufacturer's perspective, this proves the existence of a technologically advanced civilization in Egypt's remote past. So if you know who Christopher Dunn is, he's a decorated engineer.

He's written some incredible books such as Giza Power Plant. And Christopher Dunn making that statement is remarkable. That this proves the existence of a technologically advanced civilization in Egypt's remote past, keyword technologically advanced. Now, in light of statements like this that Chris makes, the skeptics who do not believe the ancient Egyptians were technologically advanced will ask, so where are the machines? Well, as Christopher Dunn points out,

we can't assume that the machines used in ancient Egypt would be similar to and work in the same way as our modern machines do today. For example, in his book, Giza Power Plant, Dunn concludes that the Great Pyramid must have originally been built to provide a highly technical society with energy. In short, it was like a large machine, a holistic energy device that was harmonically coupled with the earth. It was created as this energy harvesting machine that was generating clean power for their ancient civilization. And by its size and dimensions, it created a harmonic resonance with the earth and converted Earth's vibrational energies, basically, into microwave radiation.

In the pyramid's numerous chambers and passageways were positioned with deliberate precision to maximize these acoustical qualities. Now, there's another decorated engineer named Arlen Andrews, and he presents the following argument to critics who demand that the proposed ancient machine tools be discovered first before admitting that there was manufacturing technologies displayed at the Serapium of Sakara. Arlen states this, quote, let us imagine finding a similar structure in the future only in the desert of Mars, not Egypt. What would the reaction be? What would be the most important questions? If those early interplanetary explorers were to come across a cliff opening, that was the entrance to a

long-carved tunnel, which opened to a series of enclosures, housing incredibly huge blackstone boxes weighing many tons, precisely machined on the inside, and situated in the recessed niches, yet having no workers' tools left behind. Do you think that their first reaction would be, where are the machines? Obviously not. The scientists and engineers report the impressive artifacts, assuming that the application of machines was a given. They are there. They are massive. They are obviously manufactured. They are precisely machined because no conceivable human or Martian hand

could possibly accomplish the flatness, the parallelism, or the plethora of other features we have documented unless they possessed sophisticated guidance mechanisms for cutting tools along with associated metrology instruments. Our most relevant questions then would be what advanced civilization made these monumental artifacts? How did they do it? When was it done? What was the purpose? And most importantly, where do we go from here with our research? To my mind, present-day researchers of Egyptian artifacts like those at Sakara should focus on the available evidence. The boxes. They are massive. They are obviously, precisely,

machine because no conceivable human hand could possibly achieve their geometry and exactness without the assistance of precisely powered machinery. So the relevant questions today are the same questions. What advanced civilization made these monumental artifacts? How did they do it? When was it done? What was the purpose and the most relevant question for today's researchers is, where do we go from here? Now, as engineer, Christopher Dunn points out in his latest book, Giza, the Tesla Connection, which I highly recommend you purchase, and I'll link to it in the show notes here. You can walk into any manufacturing plant today, and you'll find a product that is in various stages of production. A rough forging or

casting may be seen in one area, and in another area, a rough forging or casting may be seen in one area and in another area the rough foraging or casting will have been rough machined. All of its surfaces may not be required to have the same texture and precise precision as the final product, but will be left with enough material for the final machining to remove in order to achieve its required dimensions. The three finished states of manufacturing to remember when trying to find a reasonable answer to what exists in the tunnels of the Serapium are, one, rough, as created on site or delivered by the Foundry Miller Forge. Two, semi-finished, as created on site or delivered by the foundry. And three,

finished, precisely finished on site. And so it's now been revealed that the boxes in the Serapium display all three states of these manufacturing. You can see, in the tunnels there are at least two rough or unfinished lids just lying there unmovable there is the one giant box unfinished stuck in the hallway these are in an unfinished state and then there's boxes in the crips or the rooms that look like they're in a semi-finished state um some of them are without lids and then you see the many boxes with lids that appear to be in a finished state or almost finished state as they have a much higher order of precision. The big takeaway here is that all of the evidence indicates that the granite boxes in the Serapium received their final finish in calibration

after they were placed down into the crypts. The megalithic engineers of ancient Egypt, they were very advanced in their knowledge of the use of sound and vibration, therefore a possible reason for why it may have been necessary to install the boxes inside the crypt recesses or niches is that they were subject to vibration and if not contained they might have possibly moved out of position. So this leads us to another question if the boxes were stimulated to vibrate, then for what reason? Again, is this pointing to energy production? Also considering the geometry and the precision of the inside surfaces. Christopher Dunn wonders, did the inside of the boxes serve as a resonant cavity? Now, in bringing this video to a close, here are the steps that engineer Christopher

Dunn believes the ancient engineers took in creating the boxes. Number one, specifications were given to the quarry to deliver a piece of granite with sufficient material left to remove in order to achieve its final dimensions. Two, the granite was received and brought into the tunnels and received a semi-finished machining. The granite may be precise to within 0.10-inch with material left for finishing. Three, the boxes were installed in the crypts prior to final machining.

Four, the lids were semi-finished with the exception of the underside, which is finished flat to a high level of precision. Five, after being surrounded by water of the correct temperature for an appropriate amount of time necessary for the granite to acclimate, the top of the box is finished flat with all four sides being on the same precise plane. And six, an attachment is securely mounted on the top surface and the inside of the box is precision machined and lapped to achieve the specific finish and tolerances.

Now that you've heard all of these incredible engineering data points and alternative theories, think back to the mainstream theory concerning the boxes of the Serapium. And let me ask you this question. Could the dynastic Egyptians of 2,500 years ago have discovered these prehistoric boxes that were made long before? but they found them and they were amazed by them. And so they repurposed them as sarcophagi for their sacred apis bulls. I think probably so. In fact, I think something very similar happened in the Valley of the Kings with the largest

gigantic tunnels, which I did a previous video episode on before if you just search for Valley of the Kings. So while mainstream Egyptology states that these otherworldly boxes were coffins basically from mummified bulls, what if there is a deeper meaning in purpose here? As I stated earlier, the word Serapium means the place of Serapis. It's a Greek word derived from ancient Egyptian name for the Apis bull, which comes from the words Osiris plus hap, or Osor hap, which means. morphed into Serapis, which was the sacred apis bull considered to be a son of Hathor.

Now, what's interesting is that there is an ancient Egyptian word known as Bayanbit, if I'm pronouncing that right, which basically translates as sky metal or iron of heaven. And this refers to meteoric iron. You see the ancient Egyptians, they would find and encounter meteorites. And they knew the iron inside of them was very rare and celestial material. And it was stronger than their copper and bronze. And therefore, they believed it had divine qualities. Let's take this a step deeper.

This word Bayanbet means sky metal or iron of heaven. it also refers to the bull of the sky, which is the Taurus constellation. The bull of Taurus was seen as a cosmic force roaming the celestial sky. And the bull's celestial symbolism of fertility, order, and cosmic strength was often tied directly to kingship. The pharaohs were often compared to the bull of heaven. was the dynastic Egyptians worship of the apis bull around 2,500 BC, the manifestation of something deeper? Not physical mummified bulls, but the iron bowl of the sky. Might this word Bayonbet hint that one of the original functions of the granite boxes

was not to house physical dead bowls but to house the celestial iron bowl of the sky? Iron meteorites that fell from the constellation Taurus, magnetic iron, were asteroids placed inside the boxes? And it's interesting to note that one of the ancient Egyptian symbols used to spell the Apis bowl is the Chevron symbol, which looks like an upside-down V, which strangely looks identical to the massive. chevrons that make up the original entrance to the Great Pyramid. Actually, one of the ancient names for the Great Pyramid is Bull Mountain, or Taurus Mountain, depicted by the Apis Bull with two chevrons. I'm trying to bring this full circle here. Was the Serapium originally functioning as some type of holistic energy plant or inside these colossal boxes were iron meteorites. Again, considering the geology of granite of the limestone combined with iron,

were these boxes operating like some kind of giant batteries that were creating radioactive energy. Now, at some point in the ancient past, some theorized around 10,500 BC, possibly in connection with the younger, dryous impact in cataclysmic events. At some point, far back longer than we know, where the ancient engineers moving this unfinished box through the tunnel towards its enclosure, when suddenly a massive cataclysm struck that immediately halted production. Egyptologist Muhammad Ibrahim theorizes that

maybe the pulse from an electromagnetic wave from a solar disaster swept through the area and immediately through the tunnels and froze all the tech. Everything went dark, similar to if we had an EMP blast go off over America. Well, I hope you enjoyed this video. If you did, please subscribe to my channel. Leave a comment. Let me know you enjoy it and share this with as many friends as possible. Until next time, keep exploring.