Million Dollaz Worth Of Game - MILLION DOLLAZ WORTH OF GAME EPISODE 135: FEATURING METRO BOOMIN
Episode Date: October 17, 2021FEAT METRO BOOMINYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/mworthofgame...
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Hey, million dollars worth of game listeners.
You can find every episode on Apple Podcasts, Spotify, or YouTube.
Prime members can listen ad-free on Amazon Music.
Right.
Call it how it is.
Hit it.
Metro!
You know.
Perkisset.
Milit Perkinson.
Percocet
Yeah
Yeah
Gag
Gang gang
Hull up
Never chase a bitch
MASS
Metro
Oh look
Mazz gone
Fuck it's fun
Perkins set
Miley Perkins
Set hello
Chase a chick
Never chase a bitch
Two cups
To toast on with the game
Gang
Gang
We're out of here
I'm a living pool
Oh, that's your move.
Oh, that's your move.
Oh, that.
Graduated.
I was overdue.
I can barely move.
Yeah.
Oh, that's your move.
I'd be saying you do that shit.
That's your move.
Hold up.
Whoa.
That's a liability.
Like a shit.
Molly Perkinson.
Yeah.
Perkinson.
Sit.
Molly Perkinson.
See.
Hey.
Hey.
Hey.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
See, right now.
Right now.
Right now you're now tuned into me, me, me, me, me, me, me, me, me, me, million dollars worth a game.
Yes, sir.
Trillion dollars worth a game.
trillion dollars.
I like that.
Now,
now what's important
is this.
You know who we got in here.
Metro!
Listen, man,
Metro booming with some more.
We're in here.
Listen, man,
it's going down.
You're always sampling some shit.
And throwing some shit up in the business.
We're from Los Angeles,
but we also coming from, you know,
St. Louis and Philadelphia County,
you know, to be exact, you know.
So we're just in L.A. doing what we want to do.
Absolutely.
Weather.
But so crazy is,
I remember when I was in prison
I was reading the Fader magazine
I was reading about how
Metro Mom used to take him all
away to Atlanta
I was in the penitentiary
Fader magazine
I don't know if you remember that article
We're talking about like 2000
2016
Right
The article came out like 2016
I'm in the penitentiary
I'm reading that shit
And you just was like
Man I'm out here
I'm grinding man
We're getting down here
We're going to fuck to the A
to make it happen
And now
you didn't make beach for everybody
Yeah man
That's a blessing
It's crazy just
you know, had a whole shit
and everything just are moving and involved.
And we ain't talking about the Luminati, we're talking about
Buminati. Oh, yeah, the Buminati.
The Buminati, yeah.
That's all right. It's going down.
The Buminati, you know.
Before we go any further, this episode of me
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Because that nigga got hits on top of hits on top of hits.
Yes.
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Now, I got my man in the building.
Cookie Face.
You know, Cookie Face.
You know, that's Mama, you know, Miss Leslie.
Mr. Leslie used to call him Cookie Face.
I'm going to call him Cookie Face.
That's my brother right there.
You just seen his face when you said that shit.
He's like, nigger, what the fuck?
That's sir.
When you was just a young man, your mama used to say,
Cookie Face, get the hell out of them goddamn streets.
Sitting a taste out of them streets, Cookie Face.
Did you think that you would be in this position in life that you are now?
I mean, even from when I first started with the music back in life, I was 13,
You talk about when you was younging
Before you was metro booming
When you was younging
Oh what you're talking about that
Oh see younger
I was rapping then
Yeah you was rapping yeah
When you was rapping yeah when you was rapping yeah
When I was like
You switched over and started making beats
Then you became metro boomer right
Yeah I became Metro
Oh Metro
Then niggas kept calling me Metro beats
I ain't fuck with that
So now I was like I need to put some kind of word
On the end of it
Okay
And at the time I was
Doing a lot of music for OJ Juice Man
And closely affiliated with him
and that was just one of the things around his whole shit,
he would always be like, I'm booming, I'm this, that boomer.
He used to always just say that word,
and I was like, fucking Metro Boomer.
Just throw that shit on the end of it.
And, you know, it was better off that way.
Believe that.
So what made you, like, slow up on the rap
and then go into more producing?
Because I feel like,
I feel like I always been a logical type, nigga,
a logical type thinker.
So even back then, I knew I was.
I had fucked with rapping, and I started a rap
because I wanted to make my own beats.
You know, beat shit like that costs money.
You need money.
I'm like, fuck, I ain't got no money for that.
I'm going to make my own shit.
And then, like, just getting into the whole,
first, let me tell you how I even
had started the finesse to the whole producer thing.
Like, since I was young, since Nelly and them came out,
Murphy Lee St. Lunatics, I always want to be a rapper.
I always saw that that way.
You know, being a rapper back then or saying
you want to be a rapper back then, it's not the same as today.
No.
You know, back then.
you say that your mama your grandmama auntie's like nigger like what is you talking about like
go to school like you tripping right type shit so i had kind of finessed it that like ease it in
and i would just tell them like i want to be a music producer because it just sounded like some
business shit or yeah you know some shit like that so i used to always just be like i want to be a producer
but it would just write my raps and shit like that on the low but um yeah i just got to start
making my own beats and really just fell in love with that and just the process of that and
And I was like, you know, if I put 100% of my time
or just making beats versus trying to make beats
and try to do fucking covers in Photoshop and rap
and do all this, you know, you're splitting up your time
and your energy.
So I just put it all on making beats from there and on.
Who was some of your influences coming up?
As a young nigger, you know, you coming up,
who did you look and say, damn, they're doing it?
You know, they gave you some.
some of the fire you needed to be like
I got to step my shit up
you would play some of your shit
then you'll hear some of their shit
you're like damn
the fuck kind of machines
they got over there man
like who was those guys
that you looked up to
inspiration wise I feel like I started off young
I know I wanted to be in music so
I was in what was that like 2000
so I was probably like kindergarten first grade
and nearly had dropped country grammar
So it started at home
Them St. Lunatics
Like just seeing all that on TV
And how it went worldwide
And they just had the whole city on smash
Like it was crazy
And it just let me know
It was possible
So just being from the same place
It let me know it's possible
And influence wise
Like they influenced me
And I feel like the advantage
Or just being for somewhere
Like St. Louis
Like we in the middle
So it's like
It wasn't like no
Like if a nigga came up in New York
Or Cali and like
This is where he on
He got Cali beats
Like I grew up listening to all kind of shit
I grew up I love East Coast music
I love dipset I love hell of shit like that
At the same time I had love West Coast music
I grew up Tupac was always one of my favorite
All time um
So much shit you know down south of course
Cause you know St. Louis like right there kind of like
It's like in the middle but it's kind of down there too
So um we were just catching everything man like
All the everything that would come out like
In St. Louis like niggas was just fucking
with it because it's like besides nellie and them like you know what i'm saying that was it so
i feel like that's why today a lot of my music and my shit is like more well-rounded because i just
grew up with little wayne cash we fought with little wayne cash we fought with everything so even
producer-wise i came up you know i fought with drayhart neptunes 3-6 mafia way up there
DJ ball juicy jay yes you know some of my biggest influences i always make sure i'm always
instrumental and letting people know that.
Hypnitized minds.
Yeah, boy, ACP.
Like, even back then, it was crazy.
It was crazy because, you know, hip hop was just a certain way.
Like, you had.
What about beats by the pound?
Beasts by the pound down there in New Orleans.
Yeah.
Hell yeah, with no limit.
No limit.
No limit.
Bees by the pound.
Manny Fresh.
You got Jazzy Faye.
Jazzy, that's my nigga up with Jazzy Faye.
Um, drummer boy, Zathoven.
Yes.
When I started to get older, it was turning to like drummer boy, Zathoven.
Southside.
Wait, what's my man
They used to do
All the tip beats
A lot of tip beats
A lot of tip beats
That was for sure
High up there on a list too
It must get like
It's just so many
Like my brains
Explan trying to think of everybody
Like but
You know
I just spoke with so much shit
And so many sounds
So I feel like
All that played a role
And shaping
Me today in my sound
Going to Atlanta
Right
What did that do to your sound
like going over there and fucking with the vibe there
you know well through when I was younger around that age
when I first started going to Atlanta I was like
15 that was 15 I actually had like my 16th birthday out there too
so um I mean I feel like just I was
I feel I was already heavily influenced by a lot of shit going on
down there you know I fought with a lot of music you know Gucci main
I always been with my favorite rappers from fifth grade like so
oh five from back then like trap house black tea icy all that shit so from back then
Gucci I always been one of my favorite rappers um so many niggas tip geezie it was it was just
so many niggins so um so going down there and and starting to fuck around I started
uh don can had reached out you know through somebody who used to match me named k man
had reached out and was like yo I'm trying to fuck with you so I started always coming down there
they had put me with juice man um i was just working bro just moving around trying to make a name
uh eventually juice that introduced me to Gucci and then from there it just like you know just kept
going and so that's establishing those type relationships from 16 to now 28 i just started 28 last
week so congratulations happy birthday man i appreciate that appreciate that but yeah bro it was a blessing
you know just to be around there and soak up all that game and you got to think even at this time
when I'm down there like flocker coming out he pop and he just came out like all that type of
shit so I'm watching from being down there so young until now I didn't see so many niggas and
watched them closely and watched all that what they did right what they did wrong and their
mistakes and you know I just apply that to how I move today so I feel like it influenced my sound
but also like the way I move and you know handle myself and conduct business and shit like that
now you don't work with a lot of motherfuckers yeah
and we talk about
your homies
right your friends who you get in there with
you cook it up
out of all your friends
oh shit
who is the hardest motherfucker to work with
like you like I know we about to cook
some shit up but it's gonna be some shit
that's gonna go down we go have a little
Back and forth, there's always something.
But we about, but at the end of the day, we make that fucking magic.
You said the hardest to work with?
Yeah.
You heard what I said.
I feel like you hard to work with.
I kind of don't even want to fuck with.
Well, not hard, but you know what I'm saying is always a challenge.
Because let me just be for real, if you're working with somebody and everything is always smooth, then shit probably ain't that great.
because we got to challenge each other to be great right
that's a good one
I'm gonna say
it's crazy because like
the way me and Savage work
like at the same time like it's so easy at the same time
but at the same time sometimes it's challenging
and not challenging in a bad way
it's just I feel like we challenge each other so much
you know we made so much music together we can't just be just
always the same shit
right you know
it'll be nice
so I'd just be going through beats
and this nigga
will sit and let me
play 30
I promise you 30 or 40 beats
shit like that
yeah that's what I'm talking
with that type of shit
yeah he's one of them
niggas
yeah I'm sitting there
you thinking
nika one of these
is slapping nigga
and I just come through
it the one that I just made
there's more than I'd be like
oh boy I know this is it
I know this nigga
he's like all right
I'm like
I'm like okay
you already had
you already had
what he was going
say on that shit
man
I'm already seeing the video,
nigger, like, I'd be thinking that far ahead.
But, you know, and I do the same
in return, like, you know, even like, as
rapping, like, maybe try this flow
or do this, or,
you know, maybe say that slow,
or, you know, shit like that. Like, we really got
that kind of chemistry, and we both respect
what each other do, and they're on writing,
on craft, or when nobody's ever offended
by anything. No ego,
like, you know. Absolutely. You know, you can't
put no kind of ego in and create music.
Absolutely. I feel like that's B.S.
I feel like him
it's always easy for us as a whole
but at the same time
he challenged you
he challenged you which I need that though
right you know what I'm saying so that's a blessing
right so at the end of the day you'd be like
oh I can fucking go in here
hope I don't gotta fucking
50 fucking beats before he pick what
and then it'd be fucking me up
I hate what I hate what people be on their phone
while I'm playing music like
whether it's a beat or even a song
or anything like I take a lot of fence
you just want to just tap on them like
Like, hello.
I got hit records.
Right, like when I noticed the one.
Stop treating me like I'm fucking Delaware, Donnie.
And he's the type of nigger where y'all was just squinting in his phone.
He's just like, and I'm like, nigga, I'm playing beats right now.
Like, what the hell is you?
What if you were just rapping?
And I'm sitting out here just looking at my phone.
They're not listening to what you say.
You said there like, stop treating me like College Park, Georgie.
Like, I got hits out here.
I didn't just start fucking making beats yesterday.
wake up savage he's sitting here
but it's crazy
because he'll be like that I think he's not too then
then when he heard the way he fuck with he just like
I fuck with that yeah that's it
pull that up
you know what I'm saying
then it's on so
yeah yeah yeah
now for those that don't know
name name some of the artists
you work with for those that don't know
that you did top flight
production for
I say future
of course
um
right
future
uh
Thub, 21 Savage,
Travis Scott,
Drake, Kanye,
uh,
I mean,
nigga after them,
it's hard to remember,
like,
you know what I mean?
Nicky Menazes.
I mean,
there's some women in the mix,
you know?
I mean,
flatten the plaques you got.
What?
How many niggas he just named?
All those niggas went flat,
but what the fuck?
He just named 10 niggas, so he at least got 10 platinum plates.
He's got the diamond at the crib, got damn.
I'm not going to lie in Atlanta, and I'm not just saying this.
Just in Atlanta alone.
Here go, oh, Lord, these Atlanta niggas love a stunt.
Don't they?
They love this kid.
They love their kids down and kiss our asses.
I'm not even.
We've been the biggest motherfuckers for the last two decades.
He's about saying Atlanta alone.
I got 45 platinum plaques.
How many of you got, Atlanta alone?
I don't know.
I can't even count
but I just know
in my career
about there
like there's no more
room on the wall
been right now
just Atlanta alone
so you ain't
even get to Canada
you still got
Drake shit sitting in the garage
that's what the
that's what the fuck
you're gonna tell Drissy
you got Drake shit
sitting in the garage
I'm talking about
Atlanta
Arn up and he's talking about Atlanta
a house
everybody
so even like
I feel like my biggest
black I got
I got a diamond plat
for a song
with Post Malone
I feel like that was crazy
Just even see that like diamond, like, what the fuck?
That's major.
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Now,
we're talking about
producing.
That's a very lucrative sport.
I'm talking about some,
especially if you got your business right.
First thing.
Yeah, first thing.
Because, you know, a lot of people, they come in the game, they sell a publishing.
Some of them sell a publishing and, you know, some of them get a couple dollars
and they don't know that they're going to be as big as they are and shit get crazy.
How did you, like, who gave you the game about the publishing, the business side of the game?
Not just making the beat, but the business of beat making.
I see it all the time, but I don't know.
When I was young and I always said I wanted to be in music, before I even knew what Masters was
or your master's was.
My mom was growing up,
she always would be like,
never say your master's,
she always said that forever.
Never even knew what that she was back then.
But I feel like it was a part of
just staying down and having the faith
and just believing, like,
yes, it was hard,
but it was still like I wasn't about to sell a piece
of all I'm doing for some money right now.
I figured out till then, you know what I'm saying?
So I came in,
I was blessed enough to hold on to my publishing
and yeah I'd be trying to preach the niggas now
young niggas now like hold on to that shit
it was different back in the day
they used to do publishing deals back in the day
and I feel like it made more sense
because you might sign with a publishing deal
with a company like Sony or Universal or some shit
and they'll be like okay
we're going to take half
that's 50% that's half of your publishing
and on top of that
but they was taking half of your publishing
but they was actually contributing to
your success in the publishing
so it was kind of justified like
giving you placements like they might put you in the studio
or Mariah Carey or some shit
you know whatever to earn their money
but now I feel like
it's so different like there's no real
like artist development
and none of that going on
everybody just vibing on the internet
and shit so like even back then
it's like why am I going to sign a publishing deal
with y'all when i'm making all these songs with future and i just call him like why am i going
to give you half of what the fuck i'm doing and you really not doing shit you know what i'm saying so
yeah all my young producers just watch out for that shit um i'm not really i don't really fuck
with pub deals like that but um i feel like a good admin deal is cool
breakdown an administrative deal see an admin deal is they're really like they take a small
percentage like a real small like i'm talking about like eight percent
or some little shit
and
that's really just
like they collect your money
and send it to you
like type of shit
so it's not like
a publishing deal
which really they're basically
just doing that
and they want half
for all your money
type shit
so yeah
and if you want
you can still get an advance
on that based on like
what you
done or what you got in the pipeline
like I remember when I was younger
and back when I signed an admin deal
I had signed one
like for a real low percentage
I had waited to sign it
one like till i had the hell of shit and it's like they gave me a bunch of money but it's for a
little percentage because i already had so much so it's like they really just want to be in business
with you type of shit but um because ain't over the long run they're gonna make all theirs
bad and some you know what i'm saying so i'm not gonna say all publishing deals are bad you know
it just depends on the terms of them some of them give you a kickstart some i'm gonna give you a
kickstart for real like for show like i got um like it's producers i fuck with now that i'm
fucking with that like because see my mind for the whole booming outy shit and everything like
I want to take a bunch of producers and had them all turned up like on some
artist level shit like how people see me you know what I'm saying like a bunch of
metros type shit you know what I'm saying so I always admire growing up like seeing what
Ross did with MMG back then like with the whole meek shit and Wile and remember they had that
period where they was all just like you know what I was a bunch of them style he was on there was a
bunch of them.
It was deep shit.
Yeah, and it was just like,
to my gunplay.
Because, you know,
traditionally in rap and hip hop
it's always like artists side to artists.
You got that artist
and these are kind of like
the minions type shit.
You know what I'm saying?
So I just respected that.
Like, it just made him look like
even more a boss.
So I always admired that
and kept that in the back of my head.
So that's really what I want to do with this.
And even with my shit,
it's different to sign it to like a major.
Like, I'm not trying to take your beats
and put my name on them and do this.
And there's nothing wrong with that.
Some people do that.
that's your business but like you know what I'm saying it's about you getting your just due and
I'm actually out here working and like getting you on all of these things to where it's like
I'm not just getting something for nothing right type of thing you know what I'm saying right
and I'm the type of nigger on the business end and people always tell me I'd be tripping it's like
the business end uh the whole music shit I don't never press too hard about money I know shit like
that you know what I'm saying so I always try to keep everything in everybody else favor
or if anybody else ever feels away
or say, you know what,
I don't want to do this anymore or move on.
Like, I just be like, yo, that's cool.
You know what I'm saying?
It's all good, you know?
I never wanted to be one of them niggas.
It's like, nah, nigga, you're on paperwork,
you're in this contract, you know what I'm saying?
Right.
Let me ask you a question, personally.
Answered it that don't.
What's the biggest publishing check you ever got?
At one time.
You know the IRS to be watching this shit.
Seven figures.
I know you pay your taxes.
No, for so, definitely.
Overpay them.
Seven figures, eight figures.
Give me a number.
Seven, man.
Damn.
All right.
Let me ask you a question.
Top three most talented artists you ever been in the studio with.
Oh, wow.
Oh, wow.
What's your, this million dollars worth a game?
We asked the real one.
We want to know who the top
three artists that
you was in the studio with and you
knew these motherfuckers
is next level talented
you only got three
don't try to sprinkle four in there
three and I'm trying to sprinkle like seven
six oh he was three
I need a one or two and a three
man so many this is not in no order
or no I forgot you or no I'm just
going on top of my head I'm going to say
salons for sure
damn I ain't never
Wait, wait, wait.
Beyonce's sister.
Right.
I never think you was going to say Salange.
Because I see it, I'm not going to say surprise me, like I didn't expect, but she really had like...
No, nigga, you surprised me with that motherfucker's.
I'm just saying, I'm not saying, like, I'm not saying she ain't talented because I don't listen to Salon.
Music, shout out to Salon's, you know, no disrespect to her, but you can't picture me
I'm riding around.
Oh, yeah, for sure.
But, yeah.
She was out of all of the motherfuckers you've been in the studio with.
I'm not saying she's just number one,
but she's one of the top ones
that always be in my memory because of that.
Shout out to Solange didn't.
I got to go, I got to check her the fuck out.
Maybe it's because I didn't work with her.
I don't really bump, you know, the women like that.
Yeah, he ride around all the single ladies.
He'll be bumping the shit out there.
You're lying, but go ahead.
But even with Salonja, it was like,
I feel like I said her first because I ain't know it like that,
so it's more a surprise.
Like, she's a true artist and producer.
Like, sometimes you're getting in with,
people and they'll be a big star whatever and sometimes they just they might be confused and
not sure and not really know what they want or where they're trying to go but i just respect just
how her it as an artist like she has a clear vision of what she's trying to do what she's trying
to convey and how she's trying to get that shit across and it was just clear and it was just
like a chemistry and like a you know i just respect the whole you know her whole artistry behind that
it was another one um what's the question again it was like
Oh, what was the question again?
So what did you say most impressed?
I'm just trying to get the specific.
I said, who was the most talented?
Talented, okay, that was the word.
Top three artists that you got in the studio with, and they was the most talented.
And your first answer was Solange.
Your second answer?
Hmm.
Why y'all doing this, bro?
I'm just sure.
You been in there with some talent.
with the motherfucker
That shit hard for him
That shit hard
It's not that hard
Man you've been in there
With all of them
All of them is talented
Let's just say that
All of them are talented
I want to put it like
I'm saying this person
No you just want to say
No man
Oh man
Oh man
You know
Art is sensitive about that shit
But is they
Somebody gonna be calling him
Damn you
You ain't say me
That's crazy
I'm gonna get a call
For this shit come out
Get a call today
Damn this shit man
Man man
So you can't answer that question
I can't
I'm gonna say
Uh
I'm definitely going to put
Future in that for sure
Okay future
And one more
It's not that serious
Bro
It's really not that serious
You got Salang's future
Hmm
The weekend
Damn
Because I didn't even mention them earlier
They didn't
They're missing
Yeah
So I'm gonna say him
Fucking kill him
All right now
This is a very important
Question
Because you got a lot of dudes
out there
that say they producers and what is it different between a beat maker and a producer
man I'm glad you asked that because I feel like today it's a common like misconception of
that shit um a beat maker is somebody who strictly makes beats so you might be in the room
you're making beats all day and like that's strictly what you're doing you're making beats
like you're not really dealing with no sessions or no vocals or really no artist
directly uh you know none of that type of shit like you're making beats and either sending them off
or giving them to somebody and they do make the song happen now a producer which some producers
actually make beats and some don't a producer is somebody who sees the song out from the
beginning to the end to make sure it's the best thing that it could be that's the true definition
of a producer so whether it's coming in with the artists um getting them fired up
like motivating them and putting the right beat on then they got the right beat on then it's like you
might help with what kind of direction are we going in or um just like a coach kind of like all the way
through you know what i'm saying so it's like that type of thing and then even after the artist and
recorded their vocals uh you might go through and be like okay these four eight bars maybe we could
have did this better or do this over it was riding until this point just do that shit over um little
shit like that or you might go back in
and put an orchestra on
the shit or get somebody to play guitar
on it or just all kinds of shit
get the song mix, master
everything, just see it all the way to the end
just to make sure it's the best it
could be. Yep.
Now
when you're talking about
going into
producing
making these beats, whatever you're doing,
you digging in the crates heavy?
Man, the crates to the left of you.
You digging in there heavy.
You do got crates over there.
Heavy, heavy.
But see, on the back end, don't that sting?
When you sampling shit up?
It do, but I feel like with music, I love the art,
so I've never been motivated by the money aspect of it.
So, like, the sampling or having somebody else play some piano or some shit on it,
like, I don't really care about that.
I just want this shit to be.
as hot as it could possibly be
and have my name attached to it.
Yeah, you know what I'm saying?
I feel like me doing music
and being a producer, I look at it like
God bless me with my ear
and this gift to
not just use it for myself
and my own personal game, but to like be
a servant. I feel like I'm a servant
to the people. Like it's a service.
You know what I'm saying? To bring people
this music that, you know, might change your day
or make you feel better or do this or that.
So I really always put the music first.
before me. I never try to
involve me
or try to put me ahead or be selfish
to the music. I'd be calling that like being selfish
to the music. Like you can't never be selfish.
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Your top five artists in the land
of all time. Oh my God, you're killing him.
You fucking killing this. Shit. I love it.
Keep the fire on him. Keep that fire
on him, Gil. Come on.
We're going to throw Fusion in there. One.
Yeah, you got to put Pluto on there. I ain't going to lie.
You're going to put Future and Savage from Merritt.
Two. All right. Look, you said that. I didn't say that.
Oh, well, damn. Hold on. We
You're going to put future any easier.
That's my boy, but I know him.
Like, he don't give a fuck about being considered, like, the top five artists.
No, I ain't say what he considered.
I said, what's yours?
So, Future is one.
Go ahead.
What's your number two?
I'm going to say, Pluto, because, you know what I'm saying?
He definitely, um, he transformed this shit.
You know what I'm saying?
I feel like it was a co-op, like him and thud.
I feel like, I'm going to tie them as one.
Future and Thug, we're going to say that's one.
Guwop.
He's like it's like it's a tree
They're putting two niggas is one
It's like
You're making up his own rules
I got to put him in there with goo-wap
And to him and they two
Like if you go ahead with ten niggas
I want to love
It's so many niggers
But um
So you got future
You got thug
You said the top
Your top
Future
Thug your top
future thug
goop
just two more
I'm trying to think some back then shit
tip tip one more
can't forget tip
that shit hard
yeah you know what I'm saying
it's generations of that shit like we
this shit go from back in the day
sounds like you're making
up excuses
man I'm known for that
but uh
Oh, let me see.
I ask you, if I ask you the top five women in your life,
is you going to put your first girlfriend, Deanna, in there?
No.
Oh, see, now you're trying to hide there.
When she broke your little heart.
Broke his heart.
Fucked him up.
He started, that's when you start making beats.
Shout out to Deanna.
Shout out to Deanna.
He said, I got to come up.
I got to get it out.
Hold on it.
I just thought about it.
I just thought about the name.
Y'all know about Deanna.
Yeah.
What do you know about Deanna?
Deanna, the birth of his beats.
The birth of Metro Beats.
Fuck this little heart of his.
Stayed in the crib for two years straight.
I'm going to come up.
I'm going to pay a bag.
Got you.
I was like 11, nigga.
Got you.
I noticed when you start making
beef.
Boy, they said a random name.
I thought she cheated on you.
Yeah, she cheated all of it.
I don't even remember what she did.
It was a little harder.
It's dramatic in July.
She took another nigger's milk at lunch.
My husband bought a pizza on Friday.
Milk at lunch.
See him back then,
used to be little shit like that.
You just think about that shit all night.
She took another nigga milk at lunch, toys, a little harder.
Bob, I don't want to go outside anywhere.
Give me a beat machine.
Shut up, cookie face.
Please, Bob, give me a beat machine.
Cookie, face, and beep machine.
And it was crazy because I had always liked the young.
Then I remember my fifth grade, like her and her mama or whatever, they had moved
to the same apartments as this.
So then we used to be playing outside.
And what's that game?
Niggas used to play back in the game.
I'm a freak, nigga.
You remember all them type games.
how they go get it
Like what's the other name
Like the other game
Catch a girl
Get it girl
What was that
A flashlight
It was something
She brought back
The memory
To that motherfucker
Fuck him up
That was back
To the day
She still fucks even
You ever
You ever run into her again
Oh
That was like
Probably in like
I think ninth grade
She was still glowing
When you
Yeah you know
Give her props
Don't hate
Yeah
I'm not hating
I'm not
Because she was
Glow
One of the fifth grades.
Oh, fifth grade.
She was overgall.
Like, she's not real.
And I definitely ain't, hey.
I was just trying to remember.
But ninth grade, night grade, she was still fine.
You love hard, bro.
That's good.
What's your son?
Wow, not out of that shit.
I don't know what his sign.
I'm a Virgo.
So whatever that mean.
He said, I'm a Virgo.
Tell me what's the sign?
Nick, what you're going to ask you to color next?
What's your favorite color?
Right.
Like, I'm going to lie and dying me, nigga?
Like, what the time?
You know, you know, you know, girls,
is in today. What's this sign
that, you know, we don't just, we don't just
entertain for a bunch of dicks. I just hope
you know, we do got women out there that love us
too. You're right. They want to know a nigga's sign.
They do.
Virgo. I don't give a fuck about it. I got
two. The, nigga, you ever seen two?
Yeah. Fuck that's wrong with you. I'm cool.
Fuck it's wrong. But we
had, like, that lovely lady
right there, she might have wanted to know what his
son was. You know, I never knew. She knows
his whole life. Exactly. She knows
his whole life. I heard her in here talking yet, because
He wears a side shoe
This than a third
His draws is this in the third
His legs is this long
His braids is this long
Yeah he like his braids died on the end
She knows his whole fucking life
She's like executive personal assistant
Let me just tell you something though
You gotta start being more female sensitive
But every time I ask a question
That's what pertaining to the ladies
You always say
Fuck is you ask that type of question for
Do we got female listeners too
I know right
We're not just doing this for greatest for a prison
Yeah all right
But I don't know
And Dallas to print powers.
I know he's not just doing this for
Fult and fucking County.
Fulton County fucking correctional facility.
That's what it's called.
Oh, he's on right street.
He's right in Atlanta.
Yeah, they can fuck us wrong with you.
Like we got women too that we, you know,
they want to know about the nigga, you know what I mean?
Just in case, you know, this high school sweetheart, you know,
mess up or something.
Don't mess up.
You got a good one.
Don't, you know, I mean, you got a good one right here.
You feel?
He got a real one.
Yeah, I mean.
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Man, I just thought about it.
You know, them ads that y'all be doing, that shit be like, it just reminded me of, you know,
them infomercials.
Like before, not even the infomercial, you know, you'd be up late watching TV, and you try
to see what's on TV, you try to see if it's just a commercial and infomercial.
and every time you think it's about to be over
and keep going
but you still stick around
Because you know why we make shit happen
This just might be a commercial
Now I fuck with that though
Yeah but no like at the end of the day
Like what we need you to do
You want can you make shit happen?
We need him to make shit happen
We need him to make a beat
Is he redoing a beat or is he showing
A layers of a beat
What is he is he doing a beat from scratch
Because I make beats too with this
I know how to make some shit like
Metro
Shit, it's shit loud
That's the one fucking bust my fucking head drums
I mean, see, y'all talking about the crates.
I could probably digging the crates and do something.
All right, well, let's make it happen.
Digging the crates and make that sound.
Let me dig in the crate.
All right, pick whatever you want to pick.
I could go over here and pick a record.
So they didn't know this shit ain't pre, whatever.
Just pick what that.
Oh, that's beautiful.
Look, look at all the records, too.
Yeah, get him on.
Yeah.
I see what's on there right now.
I think it's Miles Davis.
What's on there?
Tell me my songs on here.
Yep.
I got one right here, main source.
This is a, listen, right here.
Hold up.
Let me put this back on.
This is from my air right here.
And can I play this, can I play this record?
This is from my air.
This is a rap group called Main Source.
They had a major song called Looking at the Front Door.
I'm looking.
I'm looking at the front door.
There's been a wild hoarse.
Is it in here?
I'm looking at the front door.
There we go right here.
That's what the hood was like.
Yeah.
Damn, look at it, look
Oh, damn, that's your whole.
So how do I, this?
How do you want to put this on?
So you take that one off?
Let's do this.
I used to be a DJ too, but I did DJs with tapes.
Okay, oh, shit.
He was DJing in prison and shit.
DJ loose cheeks.
Now where do I go at?
Pause.
No, that was his name.
Watch it, Gil.
We're doing some music shit.
Yeah, man.
Boy, you know what I was a lot.
Oh
Oh
Oh
Oh
See out
I don't know.
Oh!
Oh!
Oh!
Oh!
No!
No!
No!
I'm going to be able to be.
I'm going to be.
Yes, see, see, we're giving you to a live, you know,
representation of what this little, you know, representation of what this
Like when you got one of the biggest producers in the game,
making a beat, you know, we just stepped off.
Metro!
We let him do his thing for, you know,
I don't know if it took him 10, 15, 20 minute maximum,
and he come right back with this hot shit that fast.
Just like he told us he would do.
You feel what I'm saying?
And we always motivate the rappers.
So we just wanted to memorize.
motivate the producers one time
and hopefully
one day y'all be sitting right here
with me and Wallo making the beat as well
you know being celebrated
as well we just want to get
his young man as flowers because he's
still young and he's doing his
stank out here
you feel what I'm saying
and he's the shit and he worked hard
to be the shit and we just wanted to
show you he was the shit
by him just lacing this motherfucking beat like this
For y'all
You feel what I'm saying
Hey, we might use this beat
Let some young niggas freestyle
off this shit
Yeah
You know what I mean
You know what I'm saying?
Hold on, hold on, hold on, hold on, hold on
Play it back, hold on fuck
Let some young niggas freestyle off this shit
Uh
Uh, uh, uh, uh, let some young
niggas freestyle off the boy,
Walo, spit something, Wolo
Follow let you spit
Uh
I thought you used one shit
Damn dog
You ain't you ain't gonna spit nothing
Don, I'm holding my shit
Between the weed and the liquor
In the cars and the ice
And the women in them flights
In them long Vegas nights
Niggas stay dripping with that Guccione
Biches in them Louis Paton
When your money right
That bring the groupies on
Move along
I don't need them I ain't even bragging
nigga I'd have more bitches
Than you could imagine nigga
I pull up in that asking right
You should see them asking like swagger right
money's on my appetite I'm in the street's chasing it y'all niggas faking it I'm trying
to get liquor rits I be chasing money nigga I don't chase a bitch but they chase gilly though
hot unlocked philly dough really though 24-7 always on my grind so that mean that paper
nigga always on my mind spent the pretty penny on the shine got a countercorder mill
up I need a little time shit let's some young niggas freestyle off this shit you know what I mean
Metro!
Bless some young niggas freestyle on this Metro shit.
And I was just talking a little shit, fucker, you know, real quick.
But we just blessed y'all real quick with this motherfucking Metro booming.
Hit that shit one more time for him while up.
Metro!
And it's just like that, nigga.
