Million Dollaz Worth Of Game - MILLION DOLLAZ WORTH OF GAME EPISODE 183: FEATURING TAY KEITH

Episode Date: September 4, 2022

FEAT. TAY KEITHYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/mworthofgame

Hey, million dollars worth of game listeners. You can find every episode on Apple Podcasts, Spotify, or YouTube. Prime members can listen ad-free on Amazon Music. Right. Oh, yeah, yeah, yeah. Yeah. Hey, Keith. Fuck that, d'ning them, d'ning them.

Listen, when I've done it, I won't light sauce, like sauce. Tragling like this, my damsie when I like sauce. I thought I always watch these niggas bait and phony I hire one of my homies Can I ice stop Smogie California My new garments got an odor

Crissurement full of coating I produces in my soda Moody Virgil Laces Look like walk hard Yeah Tell me up one gonna make it if you ain't grind Look at how far we made it I told them they thought I was crazy

You're gonna be hot Too hot Trap in the spot it got raided I custom to watch Two tone the Prisian Elliot made it The Cuban ain't look like it's faded We can't do the minimum wages I'm gonna feed all money

Tall like King Cone Curred those millions talk winning About me three phones I can't be long To the holy me be long I didn't cheat and churn Comfort you on till each year's own Had to find my space

I was just keeping my mind straight Why these broke niggas hate Hacking like down no crime pace I'm in a different mind state Money to the ends in the fast pace Glad to call me rat race Came out of head and got good taste Rested when I dine

And I won't light sauce Triggily This my thamesy When I light's off I think I always Watch these niggas Big and phony Phone and one of my homies

Can I ice stop Rost in California My new garments Got an odor Frizerin full of coating I produce in my soda Movie virtual laces Will I walk off

Go ahead Wake up in the morning Wake up in the morning Perkiceper I wake up, she'd be blowing me I'm blocking all my ass Get in top of you on the eBay, man I didn't miss my head

I can get my bitches Anything I get them off, get it He'd be tough for you When you come around her, she'd be scared I'm a gang star Take out my block, I'm like my daddy Ain't gonna lie Surrounding about some killers

I can't go lie Ain't gonna lie Fighting a murder with a public defender You better not trap I need a trap a bitch I ain't trying to trap a bitch Running her mouth and shit She's getting her baby with Chanel

She brought some knicks I ain't even had an actual bitch Now I'm bad broke around Millionaires Never asked me shit Fuck buddy Drug buddy That's my bitch

You got to be a little bit more excited About your shit You got to be Yeah Yeah yeah Yeah Yeah yeah Yeah yeah

Yeah I mean You got to be a little bit more Turned up about your shit man Listen we heard it before you all I'm gonna just say that man That's that take key Feetje and Gunna

and Dirk light talk Listen man That's that serious shit But right now You're now tuned into Mimimimimimim Mip Mip Mip million dollars worth a game

I do a little beats too myself I do a little sampling Take key Fuck these niggas up Yeah yeah Yeah Oh why you stop my shit? Oh man

That was the song I made Fuck that boy whole join up Oh he was feeling that shit He's trying to see He won that sample He might take my sample He won that fucking blend That was a nasty blend man

That was a nice blend man That was a nice blend man That was an NB Man I ain't talk about new balances But it was a nasty blend Listen, the day we got my man up here. Y'all been hearing him for, you know, for years. Take Key, fuck this shit up, right?

Listen, straight out of South Memphis, man. It's going down, man. He right here, man, came Philly, million dollars in a game. He said, we got to sit down. We got to chop it up. We got to talk about this business. We got to talk about these. We just got to talk about the game, man.

And everybody got a different game. One game that he mastered, he, listen, he mastered this producer game. He ain't no beat maker. He a producer. I'm talking about this. There's some producer and shit right here going down. Now, Tay, I'm going to get straight to it, man.

Take Keith. Fuck that shit Who the fuck is that man That's my boy Little Juice You know what I'm saying So a little juice I think I had

I had tweeted this shit Like 2016 And he ended up Being one of the niggas Like Hey I got a tag for you But just fuck me

On some Beaks I'm like I say a little I got you I'm gonna fuck with you He ended up sending me a tag I'm like Me at the time

I'm like I wasn't Fuck him with the one He sent me I'm like Resaid this way You know what I'm gonna I'm gonna add some shit to it but just do it

This way So he ended up doing it and I started using it on some beats right so um I fought with them on some beats but I started using it on my own beats like separate and I end up using it on um shoot so with block boy JV so when when I used it on on shoot I started we started seeing like the the trend of it you know what I'm saying me and bam just started seeing motherfuckers fucking well oh we like that new tag you know what I'm saying like who is that who is that young nigga type shit so we just kept using it kept sticking with then we just, you know what I'm

eventually like just knew we were going to be one of those monumental moments we're using them motherfucker now all we up from all the from when shoe came all over now why did you keep the tag because a lot of people

some producers don't use the tags you know some why did you keep using your tag? I mean it it wasn't a thing like I just intentionally kept using it it just was or kept it you feel me it just was a thing like

all right I I didn't made these beats a nigga three years ago a nigga might rap on that beat you feel me with this tag in 2020 you feel me a beat that I didn't made

in 2019 2018 2018 2019 it was like I make beats with no tags I make all types of different shit you feel me so if a nigga rap on the old ad beat you know the tag on that motherfucker would I look like

like nah bro don't take the tag out like you feel I just let them you know let it ride that they say now you you know you didn't produce for everybody from Travis to Beyonce Migos yeah baby

uh trap I'm talking about a Drake everybody like who are the people you was in that studio when you was like damn they ain't playing no fucking games like they ain't playing no games I had to put me on a fire because anybody don't come in there like

hold on before you answer that this episode of me and I was worth of game is brought to you by New Amsterdam Vaca now today we're going to do a little something different New Amsterdam

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the lemon hard tea i think i'm about the crack is open and see what it's about right Right. Now, let's get back to that answer. Uh-oh. When he was in the studio. Yeah. With all these greets that you worked with,

Beyonce and Travis and Dirk and like who came in there? Poo shiasty, free poo too. Who came in there and put that work in and had you let's put a table a little close to my fault? Who came in there and, you know, had you fucked up like, you know, because everybody worked different, you know.

But some people, you know, they come in there And they just like, oh shit, this motherfuckers, like, he's an animal. Yeah, so, I mean, you know, I ain't going to really even just say one person. Yeah, I can't say one person because niggas don't feel some talk about, you know what I'm saying? I'm going to tell you, I'm going to tell you, like, this is my brother, block boy, J.B. We've been working from, nigga, 10 years now, you feel me? So from, from him to be recording in the closet, starting off recording in the motherfucking closet and making hit out the closet you know what I'm saying

off a travel and the mix craft the program mixed craft on the beat I just cooked up on you know what I'm saying that speak a hell of value you know what I'm saying niggis not doing that shit and you know it's like from that point on like even today when we're working

you know we might fuck off in the studio bullshit waste a little time but we're going to record some music you feel we're going to make some hits we're going to do something we're going to make you know what I'm saying make some motion happen for show Absolutely And we just got that chemistry

You know what I'm saying We've been working So fucking long And it comes It comes first hand It's natural You know what I'm Now

If I'm coming up I'm doing my music And I need one of them Take heat beats Yeah What that shit gonna run me man You know You know

That'd be like Arm in the leg Real Arm leg God damn I fuck with nigg Though You know

Because you know I look at it Like Times change You feel It's new generations There's new waves It's new producers every day

You know what I'm saying If a nigga be stuck in his ways Gatekeeping and some That whole shit You're, you know what I'm saying You'll get washed up So me personally I always fuck with the new and upcoming wave

So all the young niggas Who rapping from Memphis I didn't fuck with him You know what I'm fucking with them And they'll tell you that they sell You know I'm tapped in in the city With all the young niggas who coming up And all the niggas who then blew up

After me You know So when it comes to When it comes to just, like, pricing with a beat, I can't really say, you feel me, it's one off a relationship. If it's my nigger, I ain't, you know what I'm saying? I ain't going to bust them up, you feel me? If it's a, if it's a label, you know, of course, you know, labor had different budgets

and shit, it might be a little bit higher, but when it, when it, when it be like a new artist who got my beat from this, this A&R and they didn't, you know what I'm saying, trying to not give me what I want on it and all this shit, you know, of course, I might feel disrespected. I'm going to charge in the strength. You know what I'm like? I'm going to come with no small bag thinking like, you feel, me like after you didn't being basically disrespectful that I ain't going to push out a look.

Right. Now. Coming from South Memphis. Right. You know, what's the feeling out there after, you know, what happened to young Dolph? You know, is they slowly recovering out there? I mean, you know, my mama. passed two days before doubt passed you know what i i really felt this shit you know i ain't

never speak on it but it's like it was just like one of the moments where you know i feel like you know it was just it was just like when it came to memphis for me it just felt like i don't know i can't even explain the feeling it was just fucked up you know what i'm saying because it's like damn my mama fuck my mama fucked up she didn't you know what i'm saying like she's been sick the past seven years you know what I'm saying she going through she got cancer and she going through mental issues you know so me and my auntie basically and I don't even speak on it but me and my auntie basically had to um fight for the rights conservatorship over my mama you know what I'm saying like to get her help and all that type of shit so you know every time I went to Memphis it was

it was one of them things like damn you know it just was a cloud over my head you feel it was like, damn, when that shit hit me and the dog shit, it was like, damn, I ain't really just know how to deal with you, feel? Yeah, that's deep. One thing I noticed is, like, in this game, you got a land of fucking shit up. Yeah.

But Memphis fucking shit up, too. Yeah. Like, it's like, it's so many stars in Memphis, man. There's so many hit records that came out of Memphis, man. It's like, man, what is it down there? Like, like, what is it? Shout out to the originators of that Memphis shit, eight ball of

MJG I mean they was Tony Draper and shit they were some of the first ones that I know to really put

Memphis on the mat like you know what I'm saying JuCJ DJ Paul Lord infamous yeah shout out to all the legends man

because because as young ins men y'all could never forget that by them opening the door for Memphis and made it

easier for y'all to be able to you know what I mean and also the niggas who didn't make it out the city who had

had a big influence on the city. Like who? Like Player Fly. For sure, niggas forget about Fly. Niggas forget that your dad and your Auntie, your grown-mom and them were bumping fly. You feel me? Everybody was running to this shit. Like, still know that shit to this day.

Word for word. Player Fly. Like, niggas don't get him the respect he needs. Shout out to Player Fly. Shout out to him. Because even him, he might have never made it big up out of Memphis, but he influenced a lot of young motherfuckers of Memphis to understand that I want motherfuckers

to sing my shit like they sing fly shit. You feel what I'm saying and then some young nigger came through and took that shit to a different level where they started singing this shit outside of Memphis and that's how it all started. It's called motivation. Thanks. Without a doubt now when you win that stew right?

Yeah. What is the keys man? What is the ingredients to making a hit record? It's really the vibe. You know when you get in the studio with niggas, You got to peep the vibe. You got to know, like, and when I say vibe, this is for the producers out there. Like, if you're not used to going to the studio with niggas, then just watch, sit back and watch how niggas move each studio session you win, you know,

because you could be coming in and thinking, I'm going to play this nigga this shit. All the time, he won't your shit. You feel me? Like, I'm like in the studio with a nigger. I'm thinking, like, bro, I'd have cooked up some beats on. I'm going to cook up some beats of his vibe or what type of music. He made a whole time. He might be in the mold where, man, I got take he coming up to the studio.

I got whoop to woo coming up. This young nigga, I know what type of beats he makes is what I'm of, you know what, you know what, you know what I'm in that type of vibe. So when it comes to the studio, first thing is knowing what the vibe is and what the art is on. Don't be on no too much ego shit thinking you know what, you know what I'm saying, you're doing. Of course, you have confidence in your music and your beats when you actually, you know, saying construction constructing it and producing it hands on

with the artist but like as far as like the vibe or whatever a nigga on you got to know what type of shit he on right because a lot of time when artists call you in they're calling you for a reason because they're trying to get a different sound than what they already got you know what I mean and they know

you for doing a certain sound bringing a certain bounce bringing a certain knock but then you go there as a producer thinking you're going to make some music for him and it's like No, no, no, I want what you do. I want that knock that you gave such and such. And I want that knock that you gave this person.

I want you to come in and do no shit that you think is personally for me. No, no, do what you do good. So a lot of times I understand what you're saying to break it down in a different type of way for the people who might ain't really catch everything. He's saying, when you go there, be you. Do you. Don't be looking for no certain type of sound or just play your hot fucking records. Hot beats is hot beats Who the artists are going in

And knock four or five songs out man Like it ain't nothing Who them artists? Man Shit Like who would you go in the studio Off the Rift? And just knock like five songs out man

Because you got people that Like you said that Hey by Bob is different Some people might just want to listen Man All night and just catch something And then some other fucks Just come in there and go crazy

Who going in and just snap the fuck out? See that's the thing See it I ain't the thing type of nigger to just say one nigger name or a couple of niggins. Because the thank is a nigger feels some type of way, and I ain't, you know what I'm saying?

So it's like when it comes to actually describing studio scenarios and shit, I kind avoid it on a simple fact that it's like I fuck with a lot of niggas, you know what I'm saying? Like in the music, you know, industry. So it was like, I don't want a nigga to feel this respect. He's watching this shit. Like, I had to

keep a kid. He forgot to say that nigga nine. Whole time. I'm just in a moment just not thinking, you feel? I was like, I ain't the type of nigga just want to, like, discredit the niggil, disrespect the nigger in a way where he feel like I ain't want to say his name or something. Well, you ain't got to say nothing. I'm going to just mention some names, and you can just say, you know, motherfucker, you know, they go in and make a bunch of songs, Future.

Yeah. Yeah, he go in. The n'n't go in. But Travis. Yeah, he go in, he go in. So every time I, like, when I have work with them, like, hands on, it's been. You know what I'm saying? Dead.

Like, just knocking them songs out. Yeah. Like, and when somebody in there and they're doing anything, outside of doing the beat, do you help write? Do you do any of that shit with anybody? Do you go in and, like, on the aspect of, like, give advice to, like, as a producer? Like, you know. Yeah.

I stay in my line, so. Okay. When you, when you're saying, like, a nigger, a nigger going to studio with a nigger, he might be on, he might got some personal shit going on. He might just got it to a. with it, baby, mama, he might have just, all right, I'm saying, some shit that came up in the streets with him. So it's like me, I come to studio, I do what I do.

We buy, we chop it up at Vinnythine, but when it comes to, like, construct the criticism and being more hands-on, you just got to know what artists you can do it with, what artists you can't do it with. Okay, so now, getting into this game, producer game, right? Right. Did you serious about it? How old was you when you got in the game, and who influenced you? Man, shit.

I had to be, like, like, 14. 15, 14, some shit like that. What's the first thing you was working? What's the first equipment you was doing your beats on? I had, I had an HP computer, you know what I'm saying? Then I ended up buying a, I bought a laptop from the Pond Shop, $4.00. It was at his Pond Shop called Easy Pond. I never forget.

$40, dang. Bought a laptop, $40. It was an E-Machines laptop. So I bought that motherfucker. that was like I had to be like I wouldn't say 15 then

then I end up shit I end up buying like a like a little piano well I ain't buy it my mama got me like a little piano I knew you little small Jones I was a big junk Oh it was a big one? I ain't never used it though

Oh crazy is it was I would Because I had moved with my dad and shit and some shit happened and they shot the house up early in the morning we waking up we heard gunshots my stepmom

she ain't the wrong with yelling and shit we get up and yeah and nobody get hit though you feel me just like bullet holes and shit in the house you was the reason they shot the house nah it wasn't me it wasn't but

but back to the point was she wasn't what the bullets the bullets had went through the house right but One of them went through my brother, Doe, and my keyboard was in the closet, and the bullet went straight through the keyboard. It didn't hit nothing else in the house. And this was like 2012, if you had 2013, some shit around there.

And it was just kind of like a sign for me, you know, because I'm like, damn, I ain't never used this keyboard, but they get to shooting at the house. And it wasn't nothing got hit with my keyboard, you know, the windows and the shit got busted. but it wasn't nothing hit but my keyboard in the closet like the shit was just ironic as fuck and then it was like

it was on after that yeah yeah yeah but I still I still don't use the keyboard up shit don't work I still don't use that motherfucker I still don't use

I still don't use it bro so you went into that now who influenced you though like who was somebody who the beat who the producers you was looking at like yo damn I was looking at

Metro of course Southside Lick Sluga Youngchalk You know, we go to Memphis I was looking at DJ Squeaky Memphis track boy You know what I'm saying Like

Just everybody, bro Like And what's crazy is like I just remember Looking at all these niggas Like, damn These niggas shit like these

You feel And just me being At a point Where I'm in my career Not being able to run it To these nigger Work with these niggas Like

Tap in with these niggas Work on some shit with them Like You feel? And it has to be able to happened. It happened, bro. I don't, I don't, I don't be, I don't be understanding this shit sometime, but it's like, I just remember, like, studying these niggas, like, looking up to these niggas, like, damn. You're in the same room. Yeah, exactly. So, you know what I mean? So

God is great, man. Keep putting that word in, man. Keep putting that working, man, keep putting that working because the same, I got to give you the young as the game, the same niggas you look up to. When you get in the same room up, you can still acknowledge that you looked up to them, niggas. see that's the humbleness i forgot drummer boy i forgot drummer yeah that's the humbleness that was the nigger who he was the nigger who made it out of memphis who who was really like a part of the whole trap era the beginning of it with Gucci you know what I'm saying like all this shit like even the Memphis artists he was working with but like drummer boy for show he

to get his flowers like that nigger did so much for the coach and niggas go back look even me I go back looking at his shit like damn drama did it there I always know knew like the sound and shit like hearing this shit but it's like damn like he really made this shit i like the fact that you give niggas they flowers man even though you in the same room as i'm now you know what i mean because a lot of young niggas come up and then they let the arrogance they let the money they let the i'm the nigger right now to take over the bigger picture you feel what i'm saying of and you know what i'm saying so i i commend you for just you know even putting that out there the niggas you looked up to the niggas that you admired the niggas that

you want to be like growing up and now you're in the same room as them that's what's up this episode of a million dollars worth of game is brought to you by two laws manage your music business all in one place with two laws two laws is worldwide music distribution for independent artists and labels made easy i'm talking about this made easy two laws offer unparallel control over your music catalog with two laws you can release your music to all major platforms as often as you want whenever you want two laws also makes collaborating easy you can seamlessly add payments splits for each release automatically pay your team and collaborate us monetize your music and over 200 i'm talking about 200 plus stores and services every week

two laws will be giving away a hundred dollars i'm talking about a hundred dollars cash to random new artists who sign up with the link in the YouTube description. Take control of your music at toulos.com. Two laws. What are you waiting for? Take control of your music. Two loss.com. Yeah, that's that, that's extremely, you know, like, like major.

But see, now you got your single coming out, right? Yeah. Why did that come about? Why did your own, you know? So, we basically had been, you know, just real, working real close with, Gunner, and I had been fucking with Dirk before, like, you know, he just really just blew up. So I used to pull up on Dirk when I was in Atlanta when I first, when I first had graduated school, around until I graduated college, I had got me a condo in the A.

So I used to always pull up on Dirk, you know, and he was still coming up, then this before he's shit just really, went super crazy. So Gunna ended up fucking with us on the song, and then we just had the song. We was like, shit, we got to finish this, motherfucker. We got to add to it. away whatever we need to do so i hit dirk up he hopped straight on that motherfucker and it's a sap sent it back i hit mike dean up like i need you to know what i'm saying fuck with me do something to or whatever you want to do like a okay did this shit in like two

hours sent it right back so so what's the album coming it's gonna eventually come I can't say that it's coming but I'm working on it for show for show I got some real I know you got some serious shit man like I wanted to like kind of show not but not go too far off but kind of show that I can make shit

outside of the ordinary OG sound of take key what niggas used to hearing it sound you know what I'm saying like niggas need to know I know how to make some shit for real I feel like I got the kind of show there with the You don't say shit before I let go, you know, but that, but beyond that, you know, I'm still trying to prove myself, me personally, prove myself to the world that I can do shit outside of, you know what I'm saying, the ordinary, which I think of take key sound now. And that's what's going to make you be great.

Definitely. Because you always got to, even when you get to your goals, you always got to set more goals. And that's one of your goals right there is to prove to the world that, no, I'm bigger than with the same. that y'all got me as now this sound got me rich you know i mean this sound got me but this next shit gonna get me wealthy right now now when it goes to the oh oh oh geez like who do you fuck with from back in the day when you think about you know some of these people you might know you might don't you know i know you know drey i know premier i know you know motherfuckers like Hank probably Hank Shockley he liked the did public enemy and all that stuff

do you fuck when any producers you go back and listen to any of that shit from back that era like the 80s the 90s is it any stuff that you listen to any of them producers that you fuck with yeah but but it's more when you say their producers it's because you got to think back in the day the south and the

north were too different you know what I'm saying like entities like yeah niggas had basically like it should would divide if you want to yeah yeah yeah you know like me when I'm thinking of producer back in the day

like coming up when I remember it was it was like it was like the the DJ Squeakies. It was like the motherfucking Juicy Jays. It was, you know what I'm saying?

The Jemaine DePrees and shit like that. That was saying, yeah, like... Dallas Austin. All that type shit. Yeah. So we was, when we was coming up, we was younger, we really weren't just too tapped in to who was actually making the music

until I got older to a point I knew and had an insight of what I was looking up. Like, oh, I'm looking up this song from 2001. Who was the producer on me? You know what I'm saying? Shit like that. One thing I see about you. And shout out the, you fuck with our people from Philly, Ryan Press.

Yeah, Ryan Press. Shout out to Ryan Press, man, over there at Warner doing his thing, right? Publishing. What, like, one thing I see about you, you got your fucking business right. Right. Every time I see you, you're going to another level on the business side of things when it comes to publishing and protecting yourself. Right. What is some of the game?

that you could give to that young producer because everybody is making beats. They're sending beats around. What are some of the ways that you can protect your productions when you're making, your creations when you're making beats? Like, as far as protecting your shit,

like, bro, like, if you're going to work with a nigger or work with an artist who big, you feel, me, now in the era where everything is streaming, so niggas gonna get paid off your shit regardless. You know, niggas gonna, it's gonna, niggas ain't putting out no music and they ain't getting paid. of it's on way somehow so if you

want to get no lawyer that's the first step get a lawyer you know gotta have an attorney you trust get a manager you know if you don't get no manager build you want to start from ground up with a nigga you really fuck with like me and my manager did we started from point zero yeah shout out to him good dude man

bam right here you know what I'm saying and he's still with me so they show you like when you got a when you got a manager you can trust in a lawyer and like you say you say start from the ground port bam ain't no shit at the beginning no shit Man was just like... That nigga was doing graphics. He was doing graphics.

He was doing like some media shit for me and helping me, you know, be in my shit. But we just kept it going, you know. But so, and the third thing I would say is when you, when you doing these, when people, when you get some type of motion and these people hand you up, making sure you ain't signing on anything, bro.

Right. You know what I'm saying? That shit will fuck you out, bro. Nigel milky like a cow, man. That's for the guy. When you say signing anything, what is examples of? It's like, uh, Like, so it'll be, it'll be people, people knowing you got these big songs with artists, right?

No, before you get in it, you know, I'm just talking about, like, before you even get to the big songs with artists, when you're coming up, because you got a lot of dudes out here, they got some good shit. They put their shit on YouTube, they passing their shit around, they sending their shit to everybody. They signed a Johnny Donut. They send them their shit to every artist, DM. Flipping a couple of e-balls every week. I mean, they, emails and shit. So what happened is, niggas. or find out that this producer has some type of motion, right?

And these niggas be from companies where they'll come at you like, all right, bro, sign to sign this paper, whatever. I give you a small advance, a couple thousand dollars, and I'm going to collect all your money on YouTube. All the shit you got working on YouTube, just say, if you're a producer and you just got YouTube beats, you know what I'm saying? Or you, oh, shit. But when I got a, got a song with a nigger in the South or something,

and the song got a couple of million views you're going to want to get some money, right? You're not thinking like, damn, it's publishing and shit like that involved, right? So you were signing these YouTube deals thinking that they just collect it on YouTube the whole time. It's not, the YouTube deal is not with YouTube. It's with some other companies.

There's some other shit, right? They're going to go get your money. Exactly. So what happened is in most of the situations, I'm assuming, niggas end up signing these deals and they be publishing deals. So when you do get that Hot 100 hit or that top 40 on radio hit and these publishing companies coming out until you trying to sign it there,

they're like, whoa, you sign with da-da-da-da, you know what I'm saying? Two years ago and you like, no idea. They were just collecting on my YouTube whole time. They didn't fuck you out a couple thousand, you know what I'm saying? You just signed for a couple thousand dollars and they'd have fucked you out your potential half a million dollar advance, a million dollar, two million dollar, fans for this hit song you got now so now you

asked out the publicist like we can't fuck with you. You shine with Ronnie you shine with Ronnie Reebok production companies where you're fucking with you. Back alley productions. So it's like you know to make sure you ain't just signing any type of deals

and when the time do come you know make sure you do a decent deal if you're in a position where you can do an admin and still get a bag, do the ad mid deal. Do the ad me a deal. And what is an admin deal for people to do with? All right, so an admin deal is basically a deal like a publishing deal. You know, they collect on your music and shit you produced on or wrote on whatever you done.

And they collect worldwide depending on the company. But the ad mid is basically the same thing. It's just they don't own your shit. But, you know, and the reason I'm saying but is because some people, the situation might be to work an admin deal over a publishing deal. but some situations it might be work of publishing deal over admin deal. You know, me, I just was in a situation where I was blessed enough to, you know, get a good enough deal with admin, but, you know, just say if I was in a situation, I was going to graduate college, perfect scenario.

I was going to graduate college. I got my decent hit song where I wasn't able to get enough. I probably would have a publishing deal so I can get my folks right, get this shit situated, pay out my student loans, you know what I'm saying, if the situation went wrong. right but you know some niggas might be put in a situation where they they can cash out on a bag bigger a bigger bag of front

doing pub and that might be best for you at the time but me personally I did add me it. All right now somebody make a beat right you make a beat they're going to artists a nice artist what do he got to do for that shit to be like a hit like how many streams is a hit

like you know how many streams you got to get off of one song and be like yo that's a hit I mean it's different when When you think about, like, what platform is on, you know, a song can go crazy on TikTok, right? It's like, to the kids is a hit. To the young niggas and shit out there, they probably be like, they're trying to tell their big sisters and brothers and their moms and dad is about a song. And you're like, what the fuck is this shit, right? But when it gets to a certain, I guess a certain amount of streams or whatever videos or whatever,

and they start catching on, then it starts, you know, flourishing it to other platforms. shit. I look at it like when it hits the radio, that's what makes a song a hit. You know, when it hits top 40. Well, a lot of songs in hits then. Because a lot of songs don't hit that motherfucking radio. I see a lot of songs

come out and they be on, you know, you get on Apple, Spotify, YouTube. But that radio is a different game. They're radio, because in a sense, radio is replay value. When you're thinking about songs, bro, you're thinking about a hit, you got to understand that a song can be

hot for two weeks, bro. Literally, that's how this shit go now. A song could be hot for two weeks, 10 million strings, right? Then you probably, that shit probably put, like, down there, drop to down there a couple hundred thousand after that,

you feel him? But when the song is on the radio, bro, and it's going crazy, it's hot, for real. It's getting replayed consistently, you know, so that's beyond just us hearing that we're in the music industry. That's a nigga out of little cousins,

the little sister, y'all kids, you feel? You know, like, motherfucker your grandma hearing the song on the radio and it's and it's it's constantly playing every time they get in the car they're hearing this shit you know they're looking at it like oh what's this song maybe i need to go download this show this opens over a million dollars worth of game is brought to you by roman swipes listen i'm talking to you right now you keep coming up short in the game she's looking at you different and listen she's losing respect for you because you can't deliver

you know why you can't deliver because you can't last long you can't stay strong listen You're really a benchwoman But she got in the game As soon as you got in the game You fumbled You fumbled the first time the ball You fumbled, you dropped the ball You was only in the game for 10 seconds

And you back out of the game You know why? She's looking at you like Oh my God, this guy I thought he was an MVP He told me he was an all-star He told me he was going to score this many point You can't score it

You know why you keep coming up short That's why you need to go ahead And get some Roman swipes Well you ain't got no Roman swipes What do you wait for huh What are you waiting for? You need to get some Roman swipes And right now you get 20% off

You need to go to get roaming.com Slash game Get 20% off And you'll be in the game Think about that Get roman.com Slash game Get 20% off

And you'll be in the game Roman swipes Stop playing And you know what's crazy I just want to say I want everybody to pay attention Especially the artist He said the radio

Because a lot of people They think the radio Was there Fuck no That's where niggas Get money That's where you're going that's where you're going to eat a producer that's where you're going to win your money you're not

like so so let me break this down me being a producer coming in a music insert i got my first hit like 2017 you know what i'm saying in the 2017 i'm almost five years in i've only seen publishing money i've never seen a dime on the record side releasing music you know what i'm saying i never released a song so if you're a producer you're thinking like damn you know you want to you want record whatever drop music that's cool you know you you doing tune core and you know whatever united masters that's cool you know you're getting you getting some money that's on the record side you getting money but like a producer like me who wanted to um release big records you know I'm just not getting to that point in my career you feel me just even just with the artists

and the paperwork and all this shit so I've only seen money on the publishing side and the way you get money with publishing is through radio through you know what I'm saying your shit going top top 20 top 30 40 whatever the fuck you know what I'm saying the song go

that's how you're getting paid out this shit so so at the end of the day once again radio is not dead it's not the reality is fuck what they said

fuck what they said radio ain't dead start tapping into these radio and try to get the song on the radio so you get them spins and you get that playback value

like he's talking about because you said something that's very important you said a song I'll be the shit for two three weeks.

I swear to God. And then that bitch a plane that just landed in the Hudson River. And if it don't if in them two, three weeks you don't push over to hit that radio, it's done.

It's done for it. But yeah, a lot of songs ain't hit no radio. A lot of niggas hold songs on the album. None of the songs drop and hit that fucking radar. I'm seeing albums last for two weeks and they're gone.

And ain't nobody playing, niggie shit. So the whole thing is this. Like you said, the key is to get it in the radio. now I never knew that you don't get no money from publishing off the record like going through the stream shit and all I thought you do you do but you where you're going to get the bag just through radio you're going to get some money out of this shit it's just not going to be what

you think you know what I'm saying I was I was saying more about me personally releasing a record you know just me on the record side releasing a record like I haven't made no money because I never released a record you know what I'm saying like I only been making basically publishing money and of course like through the publishing they collect on some streaming

and all this shit but the radio is where a nigga released if I make a hit like that's cool but if I make one of them just that I hear on the radio consistently that paper is different you got you did a brink struck backing up

it's different she don't want to brag with the end I ain't going to brag. I ain't going to brag. It's different. I pay a lot of taxes. That shit.

Oh, my God. I only want to hear about tax. That shit, man. I'm taxes. You know what's crazy, thing? When your accountant tell you, and you're like, this that, this that, this that, that, that, that hundreds of, I'm talking about that, there are hundreds and hundreds of thousands taxes close to a million-dollar tax talk

we're having right now. Yeah. When they're sending that money over and you get in your banking over, they, they transferred over and you see that shit, deducted out your account. You're like, damn. They just took that shit out of mine yesterday, man. Leave me in a little. Just go change the fucking subject.

Yeah, them taxes is rough, man. I don't need. I just don't, I, me, I just ain't never been robbed by a nigga with no gun, man. I don't even know no nigga named Sam, man. You just passing all that money over. The nigger just robbed me like that, man. But you know what, too? I just passed all that motherfucking beef bacon over.

That's shit different But it's good you can pay, because a lot of artists By the time, you know I ain't got to pay no tax No, no, a lot of artists By the time, listen, by the time they come And they tap into their taxes

They ain't got no money to pay them The money to ran out I was just talking to somebody like Nigger sign a deal for a million dollars Like you sign a deal for a million dollars You got to pay The money You got to, no, no, no

Before that, nigga You got to pay a lawyer You got to pay an administrator That's not 20 to 25% You know what I'm saying And when you think about this shit You got with 800 After it

You got to pay another 40% You're done You can't get mom of their house You can't go get that limbo You can't go You got to take that And you got to focus on creating your music Yeah they still go get that house

In that land Yeah yeah Niggas do that But you're fucked up You'd be fucked up You better have good credit So you can go and You know me leave

Let me get the nice condo I'm gonna tell you what I did Go ahead Go ahead give us the game I got, when I graduated, I paid out my student loans, bro. It was like $24,000. I looked at it as an investment because my credit was fucked up. I had money and couldn't get, I couldn't get a hell kit.

I had money. I had a chick, but couldn't get a hair catch. So I was like, man, I got to fix my credit. So I ended up paying all my student loans. And like the next week, my shit had jumped like 100 some points. My credit score, feel? So then I kind of knew the importance of credit because I'm like, damn. You know, my student loans had been built on the past for years.

I went paying that shit. That shit was kind of just stacking up, you know what I'm saying? Drawing entries out of that type of shit. So when I did that, they kind of, like, showed me the importance of this shit. So then I've been building it. She didn't buying property all that type of shit. Building that shit up. Yeah, you got to.

I'll be no fool. But it's smart that you was able to take your money and add value to yourself with your money. But you can save, like, you get the million. You got to break down a lawyer. the taxes, you can walk away with five, three, four, whatever. You still get creative, because that's when you're going to create mode now. Because now you're first learning the game. Most niggas blow their money off when they first get that bag.

Which is, you know, it's a celebration of coming up out of the struggle. Yeah, you're going to, because I fuck someone. He's going to see his first time. He wants to sit away and tell us the get shit, I paid my student loan. I'm going to tell you what I did. Yeah, what I did. Yeah, what I did about all the bachelbooks for your shit. I ain't a lot.

I'm going to tell you the first thing I did, I bought me a chunk. I spent like 10,000 on the chain And then I bought me a rolley There you go, come on, keep it real I went to Wafee I went to Wafi I spent like 30 You went to Wafing Wafi Wafi in Atlanta Went to Wafi spent like 30

I bought me a I bought me a I ended up getting a skate pack I can't get the hair cat You got the scat pack What's the difference between the scat pack and the hell pack? Spent another dub on his piece I'm into that shit, bro That's my shit right there

So the scat pack is basically like It's the same shit but it's not a supercharge It's a hemi It's the bigger heming actually And it's 6.4 liter You know what I'm saying And actually the hair cat is 6.2 liter But it's supercharged

So what you got now? I got a track hog I got a track hole Which is a hair cage jeep You ain't got the scat pack Nah hell yeah Don't try to hype the scat pack No, I'm going to get it.

I swear to God. I get a skate package. I get a skate picture. They, y'all love. I miss my skit. You know, I got it to a Rick. And they can hit me on the Y way. Nigger was going like a honey.

I'm on a sad. You don't miss that scat without the turbo in there. Man, regular ass engine in that jing. It ain't regular, though. They were a crazy. Now you shit got the lion king all of. Yeah, you're funny. You know, you're funny.

Because in Philly they grind scat packs to fuck that. Yeah, I heard him said that. That's why I was actually. Yeah, they do. Nicky, you got a scat pack. Nicky, shut up. You ain't this. I didn't like that.

Hey, listen, I didn't even know what it was. Now, in Memphis, niggas, niggas, niggas. That's what niggas on is in Miff's skatepacks. Oh, it's like, I heard nigger ground a nigger up because he had a skit. I didn't know what the fucking skat pack was. I just heard the rapper telling another nigger, you got a scat pack, nigga. I'm like, all right, cool. Sounded a little funny.

You know, I don't know what the fucking scat pack is. I guess it's my fucking fucked up a car or something. but you turn on me that is a hood savior swear to God he's saying this shit I mean cars you got now

shit like what you got see I got I don't want to talk that I got the track house they're my everyday I love my track hog

because it was a Jeep so niggas looking at the Jeep like if you don't know it's a track car you're gonna look at it like that's a regular car

yeah that's a hundred $100,000 a car and it's beating to like letter seat, suede panoramic roof

all this shit like it's fully loaded you know and niggas look at it like one third yeah that type of shit a nigger from the outside

look at it like that's a that's a jeep grand Cherokee but it's really a trackout that's my everyday car though yeah then I got the vet

the new vet oh yeah that's cool yeah I just souped it up did that thing to it I bought it for like 120

just put like crap with like 10,000 in it something like you got a monster yeah that motherfucker nice though

I got I gotta trade it in and I get the L6 I got to get this supercharged what else you got? I got the G-wagon too okay

got the G-wagon that's this there's like the the little flicks LA vibe type car oh okay look at what y'all what y'all got though we need to find out what he got some shit what you got what you got i seen i seen a beam of keys no no i got i seen a little bit

me yeah me and my wife no i got the i got to see i'm more old school shit old school yeah i mean so i just got the 750 my wife got the ex disrupt you know what i mean but then i got a a 1941 for a business coop I got a old shit like a custom 1989

he got a crazy Chevy with a 65 Chevy back on that money let me see that shit I got a 1974

Sting Ray oh that's hard he got some shit he got some shit I got three bins no I just got I got like the I got a

1999 560 white Ben's cool like the uh you know fuck dope boy special i got a uh 1993 300e with the bbs is on there i got a 2021 2021 amg 6 63 gt 63 gt gt yeah i got a gllie yeah i got a gllie i got a gllie that motherfucker i'm all the fuck a kid out of his kill shit i got a uh cop car yeah i got a cop car a cop car yeah he's a rat sorry to tell you the dudes

it's a black and white where they ain't got the cyrus on top but when you see it you got the mirror you see like oh cops coming you're going to get up out of it he's doing I got that right I got a motherfuckering I got a I got a he'll die to take that shit he's like

holy that nigga working with the book but listen I got a 2010 Dodge this is one of my favorite dudes a Dodge gray minivan right this motherfucker I got a 2010 Prius Toyota Prius

This motherfucker cool You don't remember running down $27 you could ride To New York and back I'm telling him on a half a tank of gas This motherfucker you fill a hole doing up for 27 I used to run back and forth from New York On a half a tank

That's an hour What 40 minutes Hour 40 minutes from Philly I used to have a tank This motherfucker was fast You didn't even hear this bitch I'm talking about it was like I'm talking about it'd be like

Talking about this shit was like He hyping up a fucking Prius fit Shut up with the dumb-ass shit Hey hey look Check this out Y'all know I ain't never really just

Been up here Like this is my first time in Philly I did not know New York was their fucking close bro Yo you know who said I think

I think Tuchang says And he said Yo jersey right I said yo jersey right I said yo jersey right there man Like you got to understand This is probably The only place in America

Where is though You can hit Four cities in three hours You got New York Then you got all Jersey You got like Trenton Jersey City Whatever

Then you come down to Philly Then you got Baltimore than you got DC in like a three-hour Yeah, it's right. Yeah, New York right there. Man, I looked at this shit. I said, damn, that shit, they're closed. Yeah, New York and I went 20 minutes, man. Well, I don't know how the fuck we look at this shit, but that shit there.

I ain't never put it together in context like this. Yeah, I'm talking about it's all like all these cities right here. That shit, a motherfucker hour, I went 20 minutes away from where we're at right now. Yeah, it's just like that. But listen, man. You got the record out, man. You got the record out. You got more coming.

You got bigger beats coming. Who you want to do, you know, produce for that you haven't yet? I got to produce for Jay-Z. I got to. H to the OV. That's one of the main goals right now where I'm in my career just like, it's like that the level of me admiring him is different now since I'm older. I can understand most.

But it's like that nigger going through the science shit I were going through when it came to like the situations with like the last. labels and you know just understanding more of how this shit go now it's like i respect to more i want to work with him i want to get in with him i want to do some shit with them for sure you know what that's the only person no no no no it's just like the person on my on my bucket list but you got uh post malone okay you know post make it happen hey sherry car hove tell him uh hook him up who else um she got names for niggas let me see if i if i want Andre 3,000 Yeah, and, you know, bro's putting it in the play for that, but, yeah, that's the legend, you know, for sure, for sure.

Did you do the baby? I ain't worked with the baby yet. I had made a peck for him, but shit, that had to be about. About Kevin Gates. Yeah, I got some shit. Kevin Gates gave me a single. He gave me a song, a song he gave me. It's a hard, a hard-ass song, though.

Yeah, I fought with Gates. Gates, a real nigga, like, and we just, we were, another thing, when we was, since you brought it up, we was in the studio. with him and you know we just got the talking bro and it's just like the nigger I have you just on some whole other shit you feel me you just like damn I forgot I'm in the studio I didn't talk to kid

me guys four hours yeah you know what I'm saying yeah well who else who else you who you think I mean you know I just like that you know I just like to see the high young niggas work with the high young niggas yeah and it's a thing too

like I want to I want to touch back on bro like if you're a producer bro you gotta fuck with the new wave like and i'm gonna speak from a lower producer standpoint what do you classify as the new wave so the the new the upcoming artist who who's who's who's like you know me we look in depth in this shit we're looking at like shit is this nigger is this nigger doing decent on on youtube this nigger stream well on on spotify and apple is he what's his following like what's his like you know what I'm saying. He ain't doing no bullshit, fake-ass-ass, you know what I'm saying?

We're paying attention to this shit. So, um, and then eventually we'll see, like, who's fucking with him in his city or whatever, you know, just... But your city got to be fucking with it. Got to. You don't think nobody could pop with all these things. You can, but you ain't going to stay, you feel you, because if you got your city support, you got that core fan, but these folks who know you, bro, like, these folks who you grew

up with and shit, like, these old people. And then you're, like, you just blow up out of nowhere, and your city don't, your city just know you from a fucking. TikTok's on like or oh yeah I think there is from Philly yeah yeah shit like that and then Uptown they lying in this shit Guess what when a nigga do shit like that bro

A nigga would then and I fuck with your shit no more Like oh damn I thought he was You know what I'm saying Nigger might ain't ain't even list to your shit no more Yeah because niggas like damn I thought he was the shit in that scene Yeah type shit exactly So so so damn that's deep

So yeah I was I was fin to say like From a lower producer standpoint when you when you When you working with the upcoming artists, they will get your leverage and build your leverage where you will be able to work with bigger artists because if you trained it with a, with an artist who's coming up, you know, shit,

that's kind of like a formula. She keeps me and I chop. Uh-huh. You know what I'm saying? Like, shit, me and Blockboy. Uh-huh. 21 and Metro. Uh-huh.

You know what I'm saying? The list goes on. But it's like a, like a wait for you to be able to get your foot in the door and niggas are fuck with you, you know, bigger producers like me and myself like when you working with the young niggas that's what keeping you relevant you know what I'm saying when you when you're a big producer every everybody know a big producer coming to game it's only like 10 of these niggas who come in and have a big

moment but guess what when that moment over bro you got to realize like I how I'm gonna stay relevant how I'm gonna keep niggas fucking with me me specifically I feel like if I fucker with the young niggas on like the the the street shit the young niggas who really turn up out here, that's what keep a nigga, like, in the mix, in the, you know what I'm saying, where niggas fuck with a nigga then, it's like, I'm blessing these niggas with them, I'm fucking with them, I'm turning them up. It ain't like,

I'm just like, I was shit like, hey, bro, here go a beat. I'm actually pulling up to the studio with these niggas. I'm working with these niggas. Like, we, shit, when Shites have been locked the way. How long Shites have been locked up? A year. About a year type shit, bro. I've been putting money on, bro,

books. I ain't talked to him. I ain't had a chance to talk to him, but I check in with his pops out of time you see him like I'm I'm I really fuck with him you know and I fuck with the whole shit or whatever we had going when we first got in the mirror's gang when he first got in the mirror's industry bro but it's like when when you're a big producer when you consider and fucking with the young niggas and the new wave you can't just be on no vortures shit basically you got to fuck with these and that's what it's about man real talk with him man she and it's like uh I was thinking about making beach uh you got any tips for me like I'm gonna start no nigga

I'm saying I want to make beats too I'm fucking I use airfield studio bro I use airfare studio What's that That's the program You can use that on the MacBook Yeah man

Ain't fucking body know that man Stuff of your stupid ass Man Hey listen you got the record out though We're gunning a little dirt Go check that out man Lights out Lights out

Go stream that Go buy that Download it TikTok it Instagram it Repost on Twitter Yeah I mean get that shit to the ready you get me

I'm putting my own bag behind that shit too I'm putting my own What type of bag Do you need to put it behind a record For real Like how much your motherfucker Need to put behind it

Because we heard different things It depends But you can put a 50 You can put a 20 With a team You know what I'm saying It depends But that's the thing

But niggas don't put Niggas don't be Want to put their money Into their own music bro How you how you were at You were investing You will go invest in

$100,000 It's worth the jurors to be icing And close But hold Tell you they think that's putting Into the music They think The market that part

Is gonna make people fuck with it But everybody got It do In a small portion It does because it's the image And the image now Because of social media It's very important

Right But when it comes to like The music And the business behind this shit Bro If you ain't If you get If you get 80,000

100,000 for a show Right And you're high You feel you man You're thinking Like the labor Got out of this shit But you still need to be in

the business with this you need to know what the fuck going on because for one you're getting fucked because you sign an ordinary artist deal and you get a smaller percentage of your music right i mean your money right for for your music but you got to understand that if the labor in the labor and whoever they paying getting a bigger percentage of this shit right you got to understand what the fuck their money going and how it's being used so you got to be hands-on bro if i'm if i'm if i'm basically in a situation where i got a song and i want to want to release the song or whatever I want to send it to the radio I want to do the market out of this shit right it might be a hundred thousand dollars in the labor budget

and you you break it down you say all this going here that's going here that's going here you might me particularly you might want to go in a situation where I look I'm going to put my own extra little money so I can push it this way I can do that I can do that you know what I'm that's how you do it bro if you're getting that money you ain't you ain't doing shit with it you fucking it off you feel you going to buying cars you're all this shit we all do it That's cool, but you also got to understand. You got to put the money behind the music, too. That's what got you paid in the first place.

That's what it's all about, man. You know, you're hitting the game rolling, you know, from Tate Keith, man. I think I'll be here soon giving you all game on these beats because I'm going to start making beats after this show. Shut up tonight. What, man, getting all that fucking money. I want to get some. Listen, though.

We appreciate you for coming through. I appreciate your mouth. Me and I was worth of a game, man. You hear me? Each and every week giving you. all the best of the best because that's what we doing is just like that.