Mindfulness Meditation Podcast - Mindfulness Meditation 5/23/2018 with Kate Johnson
Episode Date: May 24, 2018Every Wednesday, the Rubin Museum of Art presents a meditation session led by a prominent meditation teacher from the New York area. This podcast is a recording of the weekly practice. If you... would like to attend in person, please visit our website at RubinMuseum.org/meditation to learn more. This program is supported in part by the Hemera Foundation with thanks to our presenting partners Sharon Salzberg, the Interdependence Project, and Parabola Magazine. Kate Johnson led this meditation session on May 23, 2018. To view a related artwork for this week's session, please visit: http://rubinmuseum.org/events/event/kate-johnson-05-23-2018
Transcript
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Welcome to the Mindfulness Meditation Podcast.
I'm your host, Dawn Eshelman.
Every Wednesday at the Rubin Museum of Art in Chelsea,
we present a meditation session led by a prominent meditation teacher from the New York area.
This podcast is a recording of our weekly practice. If you would like to join us in person,
please visit our website at rubinmuseum.org meditation. We are proud to be partnering
with Sharon Salzberg and teachers from the Interdependence Project. The series is supported in part by the Hemera Foundation.
In the description for each episode, you will find information about the theme for that week's session,
including an image of a related artwork chosen from the Rubin Museum's permanent collection.
And now, please enjoy your practice.
Hi, everybody.
Welcome to the Rubin Museum and to our weekly mindfulness meditation practice.
My name's Dawn Eshelman.
I'm head of programs here.
Great to have you all here.
This month, we are talking about discovering.
And so far this month, we have been talking about that in terms of our practice, how within moment to moment, what that experience is like as we meditate, that kind of
return to the breath and the rediscovery of that. And we're talking about it on kind of a larger
scale in terms of our process of life and development. And today we're going
to bring teachers into the mix a little bit. But this is all in relationship to this exhibition
that we have up on the sixth floor called The Second Buddha, Master of Time, that tells the
life story of Padmasambhava, who was the second Buddha. He brought Buddhism to Tibet. But he didn't do it by himself. I know
we've sort of made him into this big kind of hero figure. But in fact, of course, it was this
lengthy process. And he had many people helping him to do this. And one of them is the figure
that we're looking at today. This is Shantarakshita, and he was an Indian monk
and teacher who helped to bring the practices of Buddhism to Tibet over a period of time.
And so today we're looking at that, and this thangka, this painting that we're looking at,
is what's called a narrative painting.
You can see that there are different kind of scenes from his life here that are represented all over the painting in different areas.
And if we were going to make a film of Shantarakshita's life, this would be our storyboard.
So you can kind of imagine these scenes being enacted.
And if you want to learn a little bit more about each of these scenes
and take a closer look at the painting, you can meet Jeremy right afterwards.
He'll take you up to the sixth floor, and you can take a closer look here.
But today we're really focusing on his role as teacher
and this idea that discovery is a process and takes some time.
And so with this in mind, I'll ask you to just think about the teachers in your life,
you know, perhaps the formal teachers like that we have here as part of part of our practice,
but elsewhere as well for you in education and elsewhere, but also the informal teachers or people that you don't necessarily expect to be your teachers who teach you a lot along the way.
So speaking of teachers, it is fabulous to have Kate Johnson back here with us. Thank you,
Kate, for being here. She teaches mindful yoga in New York City public schools and Buddhist
meditation at the Interdependence Project.
She holds a BFA in dance from the Alvin Ailey School at Fordham University and an MA in performance studies from NYU. She's trained at Spirit Rock Meditation Center, the Interdependence
Project, Laughing Lotus Yoga, and the Presencing Institute. And she's writing a book all about
waking up to power and oppression as a spiritual practice. Please welcome
her back, Kate Johnson. Thank you, Dawn. Hi. It's good to be here. Yeah, so this theme of
narrative painting and the structure of it really is something that I'm excited to explore
in our meditation practice today. And to use it as an opportunity to talk about two
concurrent factors that the Buddha talked about together in the instructions on mindfulness.
In most of our meditation instructions today, we emphasize the development of mindfulness.
The word that is used in the Pali text is sati.
So we emphasize the development of this quality because it's so important to be able to notice
what is actually happening in a moment-to-moment-to-moment way,
internally and externally, and the way that those relate with one another.
So that's one way to think about mindfulness.
In the Satipatthana Sutta, which is the, I'm sure many of you know, the discourse in which
the Buddha talks about mindfulness and mindfulness meditation.
He talks about this quality of sati, mindfulness, together with another quality that we talk
about a little less, but that I love, and I'm excited to share with you today. Sampajna or in Sanskrit
sampajna and this quality is usually translated as something like clear
seeing and so it's the idea that together with this ability to really
attune in a moment-to-moment way, you know, what's happening
in the realm of thought, emotion, body sensation, external conditions, which is the mindfulness part.
The Sampajanya is kind of like the wisdom part of that practice, where we're able to actually
know, you know, how those moments of mindfulness relate to one another in terms of cause and effect moment to moment,
and even in terms of making sense of an arc of experience or even the arc of a life.
So that's what we'll be working with today in the practice.
I was thinking that we could start by just settling into a basic kind of mindfulness of breathing practice. And then I'll just give you an overview
of what we'll do so you don't feel like I'm, ha, like stunning you with some wild contemplation.
We'll do the mindfulness of breath practice as a way to gather and unify the attention and settle
the mind. Of course, we all know that when
we sit down to settle the mind, it rarely feels settled. It feels like it's ping pong all over
often. But the wonderful thing about the mind is that it settles on its own, you know, in its own
time. So we can kind of relax, feel that we're sitting here, notice that we're breathing and
allow the contents of the mind to settle just as if we had a jar, notice that we're breathing, and allow the contents of the mind to
settle just as if we had a jar, you know, full of water and glitter and we shook it up and then set
it on the counter, you know, glitter settles to the bottom. Mind does the same thing. It might
take a little longer than the time we have to sit today, but it will settle to some degree and we
can experience that. And then with the settling of the mind and with
this cultivation of this quality of sati, of mindfulness, this other quality sampajanya
becomes possible. It becomes possible for us to actually clearly see the way that this moment
relates to the moments around it and even the arc of our experience, you know, how we got here.
in the arc of our experience, how we got here.
So at that point, I'll just invite us to do a brief contemplation about kind of spatially the way that this narrative painting works
to kind of zoom up from a bird's eye view,
take a look at where we are in our journey at this moment,
and to generate some questions that I'll ask.
If you're willing, you can share with the person next to you.
So I'll guide you through this whole thing,
but just wanted to give you a sense of where we're going together.
Does that sound okay?
Okay, cool.
We'll do it together, and then, as always,
we'll have time for discussion or questions afterwards.
So I see many of you have already done it, but go ahead and find your comfortable meditation seat, as comfortable as possible.
I know that, you know, body doesn't tend to be super comfortable, whatever we do, but we can set ourselves up as well as we can,
letting the feet rest on the floor to whatever degree that's possible and letting the seat be firmly on the chair.
meditation posture by letting the spine become long and reach up towards the ceiling and letting there be some openness in the heart.
So there's a little bit of brightness in the meditation posture, as well as the relaxation
of the softening the face and the shoulders, letting the belly relax hands can rest
and then just taking a moment
to enjoy the fact that we're
sitting down right now
not doing much of anything
it's so nice
I love sitting that we're sitting down right now, not doing much of anything. It's so nice.
I love sitting.
I notice that in addition to how nice it is to sit,
there might be many other thoughts and emotions
that are present right now.
Life is complex.
The world is complex.
So that doesn't go away when we sit to meditate.
Seeing if you can notice all that's present for you at this moment.
Just commit to, for the next few minutes minutes turning your awareness towards the feeling of breathing
as a way to care for your mind and heart
to allow it to have a sense of rest and steadiness
so that we can then be of benefit to ourselves and to the world
when we get up from this seat.
And so without doing anything fancy, just noticing that you're breathing. and allowing the mind to become naturally curious about the sensation of breath,
the shifting temperature of the air.
The parts of the body that expand and contract
or relax with each inhalation
and exhalation. Perhaps we can even connect with a soothing quality of the breath.
We can allow it to ventilate our experience.
The rhythm might be calming to us.
And taking pleasure in the fact that we don't have to change it at all
or do anything different.
We just get to feel it.
or do anything different.
We just get to feel it.
And knowing that by really feeling each breath,
the mind naturally starts to settle down. Thank you. So so every so often we can just remind the mind that we're meditating right now there'll be plenty of time later to plan you know our shopping list or our next vacation
and plenty of time to you to worry or ruminate later.
But for now, we can sometimes find it's quite easy
to just drop whatever thought train we were on
and come back to feeling,
oh, this one breath in,
this breath out, so refreshing. Thank you. Thank you. Thank you. Thank you. Thank you for watching. Thank you. And I write so often just reconnecting with the feeling of the breath.
Letting the mind rest there Thank you. And then staying in the meditation posture, the meditative mind, I'm just offering a couple contemplations before
we close the formal practice today. And for these contemplations, it's not so
much an invitation to think as it is an invitation to drop a question into the deep pool of wisdom
that is available in all human beings, including us,
and then to listen for the answers that bubble up.
So if you could, at this moment,
kind of move up and see your own life
as with this painting from a bird's eye view.
And the whole narrative arc of your life
has spread out before you.
Where are you right now in this arc of your life?
What is this period of time about? Thank you. So, And then again from this bird's eye view, but now looking at the arc of our evolution as a society, as humanity, you know, where do you see us collectively at this moment in our arc of development?
And in the narrative arc of our painting together, what does this area of the frame look like? And then just given your reflections, whatever came up for you in these last two reflections,
one final reflection,
given where you are in the arc of your journey, where you see us collectively in the arc of our journey as human society,
what are the questions that you want or need to ask yourself right now?
What are the questions that you need to be asking yourself right now?
And then just letting go of that contemplation a bit and allowing the mind to relax and soften
and really touching into the felt sense of the body again
for a few moments, perhaps taking a few deep breaths feeling that the seat
is grounded
the feet are firmly on the floor
and spine is tall
open heart soft belly, soft face.
Top of the head open to the sky.
I was really feeling into the dignity of being in this human body at this moment and all the possibility that's here.
And then I'll go ahead and close the practice by ringing a bell. And when I do, feel free to close in whatever way feels good for you. You can open your eyes and stretch. Thank you so much for your beautiful practice today.
Thank you.
That concludes this week's practice.
If you'd like to attend in person,
please check out our website,
rubinmuseum.org slash meditation to learn more.
Sessions are free to Rubin Museum members,
just one of the many benefits of membership.
Thank you for listening.
Have a mindful day. you