Mindfulness Meditation Podcast - Mindfulness Meditation with Tracy Cochran 05/09/2022
Episode Date: May 11, 2022Theme: Harmony Artwork: Dorje Drolo, One of Eight Manifestations of Padmasambhava; Central Tibet; 18th century; pigments on cloth; Rubin Museum of Art; gift of the Shelley & Donald Rubin ...Foundation; F1996.31.14 (HAR 528);[http://therubin.org/34a] Teacher: Tracy CochranThe Rubin Museum presents a weekly online meditation session led by a prominent meditation teacher from the New York area, with each session focusing on a specific work of art. This podcast is a recording of the live online session and includes an opening talk and 20-minute sitting session. The guided meditation begins at 15:57. This meditation is presented in partnership with Sharon Salzberg, teachers from the NY Insight Meditation Center, the Interdependence Project, and Parabola Magazine. To attend a Mindfulness Meditation online session in the future or learn more, please visit our website at RubinMuseum.org/meditation. If you would like to support the Rubin Museum and this meditation series, we invite you to become a member and always attend for free. Have a mindful day!
Transcript
Discussion (0)
Welcome to the Mindfulness Meditation Podcast presented by the Rubin Museum of Art.
We are a museum in Chelsea, New York City that connects visitors to the art and ideas of the Himalayas and serves as a space for reflection and personal transformation.
I'm your host, Dawn Eshelman.
host, Dawn Eshelman. Every Monday, we present a meditation session inspired by a different artwork from the Rubin Museum's collection and led by a prominent meditation teacher from the New York
area. This podcast is a recording of our weekly practice, currently held virtually. In the
description for each episode, you will find information about the theme for that week's
session, including an image of the related artwork.
Our Mindfulness Meditation Podcast is presented in partnership with Sharon Salzberg and teachers from the New York Insight Meditation Center, the Interdependence Project, and Parabola Magazine.
And now, please enjoy your practice. Hello everyone. Welcome to Mindfulness Meditation Online with the Rubin Museum of Art. I'm Dawn
Eshelman. So nice to be here with you to host for you today. We are a museum of Himalayan art and
ideas in New York City and we're so glad to have you all joining us. This is our weekly program
where we combine art and meditation online.
Inspired by our collection, we take a look at a work of art.
And we hear a brief talk from our teacher today, the fantastic Tracy Cochran, with a story for us, I'm sure.
And then we have a short sit together. Tracy leads us for 15 or 20 minutes.
Happy Asian American and Pacific Islander Month, AAPI.
Happy Mother's Day to those of you who have created anything, which is all of us.
And we're just so happy to be coming to you here from New York City, where it's a beautiful day once again after much rain.
New York City, where it's a beautiful day once again, after much rain. And we're bringing this artwork to you as a way of exploring this theme that we have this month, which is harmony. And
that's really coming out of the exhibition currently on view, Healing Practices, through
the lens of Tibetan Buddhism and through Tibetan medicine, healing and health and well-being
is all about balance. So finding harmony in your body, in the elements, in what you're eating,
and all of those things. So of course, we love to take that metaphor to different places here
in our meditation practice and think about what makes our lives harmonious and what benefit
that can bring to our lives. What can we discover through exploring this theme in our meditation
practice or in a conversation around that? So that's what we'll do today. So let's take a look at the art that we've chosen for today. This is Dorje Drolo.
This is one of the eight manifestations of Padmasambhava, known as the second Buddha who
brought Buddhism to Tibet. And this was made in the 18th century Bhutan or central Tibet.
And this was made in the 18th century Bhutan or Central Tibet.
It's pigments on cloth.
And Dorje Drolo, also known as the wrathful Vajra.
And Dorje Drolo is one of the eight different manifestations of the legendary Buddhist master Padmasambhava. Again, revered as the second Buddha in Tibetan Buddhist culture. And it's believed
that Dorje Drolo manifested in this expression to fly to 13 places and the Tiger Slayer and to subdue and work with and transform and harmonize local deities. So he bound them by
oath to protect the teachings and imprinted his hands and feet in the landscape. And here you can
see feet and hands here. And we'll see them again in these kind of lower areas of the painting here.
We were just kind of in a close-up
there. And this is amidst the images of Padmasambhava meditating in caves and in different
locations throughout this narrative painting, which really tells a story sort of like, you know,
different frames of a comic strip in some ways. So where he made these imprints and rocks and hid
his teachings as treasures or the terma is also depicted here. And I think that's a really wonderful story. An element of Padmasambhava's narrative is this idea that he buried these treasures that would be revealed at later dates.
and there are actually two handprints on the left side inscribed as Namstow Cave,
which is the place where Padmasambhava is said to have left such marks himself.
So let us bring on our teacher today, the wonderful Tracy Cochran.
Tracy has been a student and teacher of meditation and spiritual practices for decades.
She's the founder of the Hudson River Sangha which is now virtual and open to all the link for her
weekly meditations can be found on her website at tracycochran.org and in addition to teaching at
the Rubin Tracy has taught mindfulness meditation and mindful writing at the New York Insight
Meditation Center and many other places she's the writer and editorial director of Parabola, an acclaimed quarterly magazine
that seeks to bring timeless spiritual wisdom to the burning questions of the day. Her writings,
podcasts, and other details can be found on her website and on parabola.org. Welcome,
Tracy. Thank you. I'm so glad to be here today.
As Don was talking, it was enchanted by the little hands and feet of that beautiful image.
That beautiful figure.
And at its most simple and direct,
it's a reminder,
I am here, I am with you,
this great second Buddha.
And the teachings,
the term of these buried teachings
also can be felt, can be understood by us as reminders
that this great ally, this great presence is with us.
Which brings me to the short story that I would like to tell today. Very short.
And it's a story about being with what frightens us.
Being with what's inexplicable or difficult or not easy to control.
So anyway, decades ago, I was assigned, I'm a writer, and I was
given this juicy assignment to write about ghosts and hauntings. So the very The very first one haunting I was sent off to explore was right here in New York City.
And it was in a stately apartment on Washington Square, one of those storied-looking places.
So up I went to the apartment, and I met a young woman who was an acclaimed
photographer. And she sat me down at the kitchen table and told me an amazing tale that one night,
just like any other night for her, she heard a knock at the door. And she thought nothing of it because they were going to have a dinner party.
She was very happy and excited.
Except when she went to the door, there was this dark, hunched-over figure that hurried past her.
Not solid, she said, but more like smoke.
If smoke could be cold.
And it huddled over and rushed down the hall and back and disappeared.
And she was incredibly shaken.
But at the time, she lived with her older mother and she didn't want to frighten her.
So she said nothing.
and she didn't want to frighten her.
So she said nothing.
Until a few days later,
she was sitting, reading in the living room and looked up to see her mother standing
in an archway in the hallway,
shaking with fear.
Because she too had seen this dark huddled over figure walking back and forth
quickly in the hall and several other people reported the same sighting
so they they called in at the time the the equivalent of Ghostbusters, people who were trained to look into this, who came in with Geiger counters and infrared photographers and so on, trying to find out what this apparition was.
was, I think was conclusive.
And on her own, she looked into it.
She looked into the history of the area and discovered that right outside the apartment, and I remember standing at a window observing this myself, there was a huge gnarled oak tree. It was enormous.
And she discovered that in that
very tree, in the 1800s,
a serpent had been hung
for stealing. Can you imagine?
What a drastic punishment.
But as I went into
my investigations, I discovered from all kinds
of psychic researchers that ghosts most
often appear where something terrible has happened.
A battle.
There are many, many people, thousands of people have reported seeing ghosts in Normandy,
for example, at the site of the landing strip for that great invasion.
But over the years, what haunted me is that they were more concerned with somehow controlling, with knowing scientifically, with pinning down this apparition rather than making space
for why, why was this haunting taking place? And it began to occur to me that in
my inner life too, and probably in yours, there are ghosts. There are visitors that return to me again and again
at the scene of the crime, so to speak.
There's a person inside me who's still five
and remembers being hurt.
It doesn't have to be as drastic, of course, as a hanging or even a major trauma,
though many of us have those. But the tiny traumas of rejection, and feeling not accepted at one point, different than my peers, too
much of a hippie or some such.
A trauma is anything that separates us from the whole of ourselves, from that sense of presence, awareness
that we're called to when we practice together here and alone. But the reason I love this image is because it reminds me, reminds us, that what really
brings us into harmony isn't banishing the parts of us that have been hurt or damaged. It isn't repressing them or controlling them,
but welcoming them with a kind attention.
You are welcome, 5-year-old Tracy or 18-year-old Tracy.
or 18-year-old Tracy.
All our ghosts are welcome to come into the wholeness
of our awareness.
And we begin to discover,
like that image beautifully portrays,
that real harmony
isn't any kind of outrunning the bad or the fierce or the mysterious or the unknown.
It's not freezing in the face of it.
It's not any kind of repression.
It's taking our seed and bringing light to those dark places.
It's becoming whole.
And not meeting these parts, these split-off parts,
these painful feelings, like a judge from on high,
but as in the image,
just like them.
Just like them.
So I love and wish to leave you
before we sit with the idea
that our practice
is not one of judgment
or banishment,
but of taking on a powerful friend, a best friend,
who will go with you everywhere and do all the places that scare us and that will remind us again and again
that we are not alone.
So let's take our seat.
Just sit together
and let your back be as straight
as you can comfortably make it.
and let your back be as straight as you can comfortably make it.
And that's so the whole of us can be present, body, feelings, thinking.
Just let the eyes close or lower your gaze.
Close eyes as best as you can.
And notice how it feels to be here today.
Without thinking about it, without judging or commenting.
Just notice.
Noticing that there's an awareness inside you
that you don't have to strive for, that can be with what comes.
And notice that this attention soft go to that, can bring the attention to the feet on the floor, or the hands and
the lap, or the weight of the body as a whole. The rhythm of the body, being here.
And that this presence also includes seeing and being seen by an awareness that's spacious and compassionate and kind. And notice how it feels to let everything be touched by this presence, this awareness.
So that even if there's restlessness or worry or sorrow or fatigue, notice that it can be touched, met by this awareness.
And that it can open. Notice how it feels to let yourself be soft.
Just soft. Just soft. Not striving for any better state. Not running. Not clinging. Just letting yourself soften and open to what's here today. Thank you. And notice as we do this, as we let ourselves just be, that we open to a light of awareness that's than what happened to us. We are also a presence that sees with compassion and innate wisdom, the wisdom of kindness and letting be. Thank you. And notice that if you meet some fierce protector, some defensleness, with appreciation, knowing that this part This part was protecting you, defending you against pain. but welcoming it into the light of presence
can allow it to soften and open. Thank you. Notice how it feels to be completely acceptable.
Every part, every thought, every feeling. and worthy of care. Thank you. Notice how it feels to meet worry or fear with kindness, with acceptance, with compassionate interest. Thank you. And notice how it feels to open to this presence that accepts the whole of us, the whole of our experience,
as a compassionate friend. Thank you. Completely acceptable, forgivable, and worthy of love and interest.
Everything that comes up. Notice how it feels to begin to remember just by a presence and awareness that sees with
love and compassion. Thank you. And notice that as we're seen, we come into a new kind of harmony. their place, body, heart, and mind. We are welcoming ourselves home into the light of an awareness that sees with compassion and no Amen. I'm sorry for the noise. I'm sorry for the noise. I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise.
I'm sorry for the noise. I'm sorry for the noise. Thank you, Tracy.
Thank you.
That concludes this week's practice.
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