Mindfulness Meditation Podcast - Mindfulness Meditation with Victoria Davis 06/01/2023
Episode Date: June 9, 2023Theme: ImpermanenceArtwork: Pages from a Mongolian Liberation Through Hearing In the Intermediate State (Bardo Thodrol) Manuscript; Rubin Museum of Art;http://therubin.org/36uTeacher: Victori...a DavisThe Rubin Museum of Art presents a weekly meditation session led by a prominent meditation teacher from the New York area, with each session focusing on a specific work of art. This podcast is recorded in front of a live audience, and includes an opening talk, a 20-minute sitting session, and a closing discussion.The guided meditation begins at 10:43. This meditation is presented in partnership with Sharon Salzberg, teachers from the NY Insight Meditation Center, the Interdependence Project, and Parabola Magazine. If you would like to attend Mindfulness Meditation sessions in person or learn more, please visit our website at RubinMuseum.org/meditation.If you would like to support the Rubin Museum and this meditation series, we invite you to become a member and always attend for free. Have a mindful day!
Transcript
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Welcome to the Mindfulness Meditation Podcast presented by the Rubin Museum of Art.
We are a museum in Chelsea, New York City that connects visitors to the art and ideas of the Himalayas
and serves as a space for reflection and personal transformation.
I'm your host, Tashi Chodron.
Every Thursday, we present a meditation session inspired by a different artwork from the Rubin
Museum's collection and led by a prominent meditation teacher from the New York area.
This podcast is a recording of our weekly in-person practice. In the description for each episode,
you will find information about the theme for that week's session, including an image of the
related artwork. Our mindfulness meditation podcast is presented in partnership with Sharon Salzberg
and teachers from the New York Inside Meditation Center,
the Interdependence Project, and Parabola Magazine,
and supported by the Frederick P. Lenz Foundation for American Buddhism.
And now, please enjoy your practice.
Hello, everybody.
Tashi Delek.
And welcome to the return of in-person mindfulness meditation with the Rubin Museum of Art.
I am Tashi Chodron, Himalayan Programs and Communities Ambassador.
I'm so happy to be your host today.
Wow, it's June already.
And in June, we celebrate pride. And in the Himalayas and the Himalayan communities here in New York and New Jersey, we've been celebrating Sakadava, which is one of the very important spiritual significant month in the Tibetan Buddhist calendar.
calendar and that falls actually in the fourth month of Tibetan calendar. The significant of the holy month is this is the month, the fourth month is where the Buddha was born as well as reached
enlightenment and Mahaparinirvana. He passed away on the same month, of course after many many years
each occasion. So for those of you who are first time,
we are a Museum of Himalayan Art and Ideas in New York City.
And we're so glad to have all of you join us for this weekly program
where we combine art and meditation.
Inspired from our collection,
we will first take a look at a work of art
from our collection.
We will then hear a brief talk from our teacher,
from our Spirituality Week
teacher, Victoria Davis, and then we will have a short sit, 15 to 20 minutes for the meditation
guided by her. Now let's take a look at today's theme and artwork. We have been following the
most newest exhibition called Death is Not the End, and as part of that, we select the monthly theme. And so for this month, the theme
is impermanence. And the art connection for today's theme is this beautiful illustrated
manuscript of the liberation through hearing in the intermediate state, which is called Pardo,
or in fact, Pardo-Tödrell,ation Upon Hearing. And this is origin from Mongolia.
It's 19th century mineral pigments and ink on paper, and is about 7 3 by 8 into 24 1 by 4 into
1 1 8 inches. This is a beautiful manuscript with mineral pigment and ink. The Pardot Thirdrill, commonly known in the West as the Tibetan Book of the Dead,
is a Therma text discovered by Dhritun Kamalingpa in the 14th century.
Padmasambhava hid many treasures called Therma,
and then along with Lady Yeshitsogya,
and treasure revealers were born to reveal the treasures to benefit future
generations, and they are known as dertun. In 1927, the text was one of the first examples of
both Tibetan and Vajrayana literature to be translated into a European language and arguably
continues to this day to be the best known. This manuscript, origin Mongolia manuscript of the
Tibetan Book of the Dead, a guide to navigating the intermediate state of consciousness between
death and rebirth, features a vertical Uyghur-based Mongolian script that was instituted by order of
Genghis Khan in the early 13th century. Painted illustrations translate the written word into easily recognized and memorable forms and shapes,
both peaceful and fierce wrathful, that are meant to be visualized during the practice in preparation for one's own death
or as part of the ritual at someone else's death performed by a ritual specialist. In the
bottom folio, various female forms are depicted in active postures, each with a different animal
head and body color. The colors relate to elements such as fire, air, and earth, and the animal heads
are derived from the Central Asian species of wild game,
along with iconic Indian animals such as the elephant and boar. The text describes and is
intended to guide one through the experiences that the consciousness has after death in the Pardo,
the interval between death and the next rebirth. The text also includes chapters
on the signs of death and rituals to undertake when death is closing in or has taken place.
The text can be used as either an advanced practice for trained meditators or to support
the uninitiated during the death experience. And now let's bring on our Spirituality Week teacher
today. Our teacher is Victoria Davis. Victoria Davis is the founder of Wellspring Mind, a New
York-based company offering in-office meditation and genuine happiness training. Victoria is an
avid meditator, yogi, and mental health advocate.
With a mind labeled obsessive-compulsive and disordered before the age of 10,
Victoria was an early adopter of mindfulness and movement-based practices for mental flourishing.
She first turned to the Buddha Dharma in 2012 and has dedicated her life to sharing practices that settle body, speech, and mind
in the cultivation of genuine happiness.
Victoria, thanks so much for being here.
Please help me in welcoming Victoria.
Hello.
Hello. So today, I have the great honor and the privilege of being able to teach. And I also have the great, let's call it an honor and privilege of teaching a little bit about one of the most
important texts in Tibetan Buddhism or any Buddhism globally, which is quite the endeavor. And my presentation on this, I'm just
going to explain to you a little bit about what I understand about the Bardo Todro, the Tibetan book
of the dead. What happens when we die? And why is it important that we look at what happens when we
die when we're living? Because when we look at death, what is implied? Instead of life
implying death, perhaps death implies life. But the biggest thing that it really implies
is that everything is changing all the time. And so when we look at something like impermanence,
what does that imply? Impermanence then implies karma. What does karma imply? Karma implies dependent arising.
What does dependent arising imply? That implies emptiness. So if we start from the back and we
just give everything a little bit of a definition, we bring us back to where we are right now.
Emptiness. Is emptiness a void? Is it negative space? Absolutely not. Emptiness itself
is creative effulgence coming from a dependent origination.
Where do these images, appearances, experiences, how do they manifest? They arise dependently
upon what? Causes and conditions. Karma that we plant. These imprints then we water or not.
And if we water them appropriately, they ripen into sound thoughts,
speech, everything that we experience in this life, which then becomes impermanent,
just like birth, life, death. How do we know we will die? Because we were born.
How do we know we're going to be born? If you're in
the Buddhist lineage or something similar, it's because we've died, right? So then when we begin
to look at the bardo, specifically the bardo of death, of dying, what happens? Creative effulgence happens. These wrathful deities after the peaceful deities. Once we recognize what these wrathful
and peaceful deities are, in your mind, if you're creating a parallel between the bardo of dying and
the bardo of life, of living, you might be quite accurate here. If everything we experience then
is a creative effulgence coming from our own mind, fantastic. Then perhaps
recognition is simultaneous to liberation. Because once we recognize that everything is
impermanent based upon our karma, based upon dependent origination, based upon emptiness,
and then we can take that all the way back to say, if everything that is empty because everything is
empty is arising dependently and it's based upon my karma, so everything is impermanent.
And if I'm making it all up anyway, fantastic. Isn't that great? Why aren't we always meditating
on impermanence? Because that then means if what we experience in the bardo of dying, if what we really experience then in the thereafter, when we review our life, we have this grand opportunity.
When we recognize that everything we experience, and body, speech, and mind, whether we're here on this earth or we are wherever the next place is.
wherever the next place is, if we recognize then that that is creative effulgence and is what I myself am creating in the space of this mind, then maybe recognition and liberation
are simultaneous.
Let's find out.
How about we meditate?
Coming into your comfortable seated position.
And what defines comfort for you here?
Let's just take a moment with the posture.
With your seat firmly rooted into the cushion beneath you, allow your spine to be straight.
If you need to sit up in your seat, that's just fine.
In this first minute or so, if you need to shift around, no problem. Let's take a collective deep breath.
And if you want to breathe out the mouth and make a noise, you're welcome to it.
Breathe out.
Your feet firmly rooted into the ground.
Your seat also rooted.
Spine is straight.
Arms are resting.
Perhaps your hands are pressing down into your legs.
Grounding the body.
Stabilizing this foundation. Recognize this earth element, anywhere you notice pressure, weight, this stability that
is always supporting and upholding you.
Maintaining this mindfulness of this physical form.
Now, what does mindfulness mean?
Mindful. One definition, to bear in mind, Now, what does mindfulness mean? Mind-full.
One definition, to bear in mind, to not forget.
Ah, this is my body.
Okay. Okay.
Feel that. Now what else do you notice in the space of this body?
Perhaps movement.
Can you feel the abdomen expand naturally and gradually as you inhale?
Can you feel it contract?
Just gently on the exhalation.
And if you can't quite feel that,
this is the invitation to relax a little more deeply.
We're not changing anything here.
We are becoming aware,
mindfully aware,
of these passing and changing sensations.
You see a theme here?
Each moment of the inhalation,
slightly different than the one before.
Each moment of the exhalation, slightly different than the one after.
This body, in its micro cues, is our greatest demonstration of impermanence. And if you notice,
as you stabilize this awareness,
that you become a little lax,
inhale just a little deeper.
Brighten it up.
And if you notice that your mind is reciting anything else,
take a long exhalation.
Let that go. And then tune back in to the grounding sensations of this physical body.
If hot air is rising and putting your mind into hyperdrive, bring it back down.
Ground down through your feet. If you notice tension or discomfort, these too are impermanent.
If you want to help that cycle along,
allow your breath to be drawn to that space as though magnetically.
And then on the exhalation,
release that tension, that discomfort.
Allowing it to leave your body completely. Thank you. Cultivating Mind in this way polishes our lens,
through which we see everything. through the changing sensations in our bodies, or changing feelings, thoughts, behaviors, desires, and even the changing
sounds of the environment.
If you don't like it, it's going to change.
If you do like it, it's also going to change.
Recognizing even how that makes you feel.
That's information.
And through the power of your own mind,
perhaps utilizing the breath as a tool,
Perhaps utilizing the breath as a tool.
You can ease the body.
Ease these feelings.
And continue to gain a greater understanding of the true nature of everything. Pain implies pleasure.
Just as life implies death, or should we say death implies death. Or should we say, death implies life.
Your body, this room, and my voice are all the creative effulgence of your own mind. Thank you. Thank you. Tune back into this body. Tune back into this body.
Whatever it is, you may notice. If you don't like it, no problem.
It's going to change. Tune back in to this breath. It's movement as a helpful anchor for guiding your attention. This inhalation as a helpful ally to energize and brighten,
and this exhalation a close companion to ease and release Thank you. As we polish this lens
through the practice of mindfulness,
we begin to see clearly
the true nature of absolutely everything.
that also implies the true nature of the mind. Shifting.
Changing.
Arriving and becoming.
Observing. observing and just being. of its own effulgence.
This radical creativity that is everything inside and around. Thank you. Now together,
let's take a deep breath in.
And when you feel ready, open your eyes. Thank you so much for that beautiful session, Victoria. Thank you.
That concludes this week's practice.
To support the Rubin and this meditation series,
we invite you to become a member at rubinmuseum.org membership.
If you are looking for more inspiring content,
please check out our other podcast, Awaken,
which uses art to explore the dynamic paths to enlightenment and what it means to wake up.
Season 2, hosted by Raveena Arora, is out now and explores the transformative power of emotions
using a mandala as a guide. wherever you listen to podcasts and to stay up
to date with the Rubin Museum's virtual and in-person offerings sign up for a monthly newsletter
at rubinmuseum.org slash e-news I am Tashi Chodron thank you so much for listening have a mindful day.