Motley Fool Hidden Gems Investing - Twitter Takeover
Episode Date: September 23, 2016Is Twitter about to get acquired? Is Bed, Bath, and Beyond cleaning up its act? Will Facebook's latest admission alienate advertisers? Our analysts tackle those questions and share some stocks on thei...r radar. Plus, television critic Andy Greenwald talks AMC, Atlanta, and the future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Chris Hill. From Fool Global Headquarters, this is Motley Fool Money.
It's the Motley Fool Money radio show. I'm Chris Hill. Joining me in studio this week
from Million Dollar Portfolio, Jason Moser. From Motley Fool Rule Breakers and Supernova,
David Kretzmann. And from Motley Fool One, Ron Gross. Good to see you as always, gentlemen.
Hey, how you doing?
We've got the latest headlines from Wall Street. We will analyze the television industry with
Andy Greenwald. And as always, we'll give you an inside look at the stocks on our radar.
But we begin this week with Twitter, which as of this moment, guys, is still a standalone
company, but shares of Twitter up as much as 20% on Friday on reports that several tech
companies are interested in a potential acquisition. The two names being floated are Google and
Salesforce.com. Jason Moser, I'll start with you. Google's got the money. We know Salesforce.com
has got the interest because they were looking to buy LinkedIn earlier this year before Microsoft
swooped in. You're a big Twitter fan and a shareholder. What was your reaction to this
news when you first saw it?
We were a bit conflicted, I guess. Everybody likes to see their stocks go up,
but by the same token, I think I've said all along, I would much rather see Twitter have
the opportunity, at least, to try to make it on their own. And I think, really, the
key is, because we're starting to see, with this move towards the live streaming arena,
I think it's really embracing this notion that it's a full-fledged media company. And
live streaming really does play into its strengths. It's the operating system of news, real-time
information, tremendous network effects there. Now, with that said, it's also understandable
that it would be an attractive acquisition target for a company like Google. Salesforce,
I think, would be a little bit more of an intriguing suitor, because they are so focused
on customer relationship management, and I think they see a lot of valuable data in that
network that Twitter has. I think that we're seeing, both on the Facebook side and the
Twitter side, those are increasingly becoming more and more frequently used channels for
things like customer service and whatnot. So, they work out very well. Like you said,
Google, it would be a very easy purchase. I mean, they could buy that with the cash
they have on the balance sheet. Salesforce would be either stock or debt or some combination
thereof. There was an interesting tweet earlier today from Vala Afshar, who's the chief digital
evangelist at salesforce.com, talking a lot about why he likes Twitter. He sees it as
a personal learning network. He loves to focus on real-time. He feels like it democratizes
intelligence, and it's a great place to promote others, businesses or individuals.
And so, you can see, both sides obviously would have benefits there. I mean, there is
no real understanding as to whether this is just buzz, or actually there's something to
it. But it seems like, at least, these rumors have a little bit more substance behind them
than rumors of the past.
Ron, what do you think? I don't know. I hear what you're saying, Jason, but the
salesforce.com, other than the fact that they were looking to buy LinkedIn, I don't see
the, and I hate to use this word, I don't see the synergy. I don't see it in the same
way that I would with a Google.
Yeah, I'm not a shareholder of Twitter, but if I was, I don't love the fit there.
I would much more prefer to see it go to someone like Google, or even a media organization,
of a news-focused organization, because the more and more I use Twitter, the more I do
so because of things like getting my news quickly. So, I think it would be a great add-on
acquisition for somebody who needs more digital presence in the news and information business.
O' David?
Yeah, I kind of worry what Salesforce, what their strategy is here. If they're going
after LinkedIn, they're possibly going after Twitter, these are big companies for Salesforce.
company has $1.3 billion in net debt, an acquisition of either of those companies would
not be cheap. And I just sort of worry that the company is stretching to find growth.
So, I don't know. I question what Salesforce is thinking here.
I mean, I think clearly when Jack Dorsey came back, Jack and Adam Bain have focused
specifically on that live sort of presence that Twitter is so good at. And every move
they've made up until this point has really focused around that strategy. And so, from
that perspective, I agree. I think it's a much more obvious media play, because I think Twitter
is genuinely a media company. I think two weeks into this NFL agreement, we can see a lot of
promise there, and it's not going to just be the NFL. There are going to be more sporting
events and leagues joining into that fray. So, yeah, Google seems to be the more obvious suitor.
Salesforce, again, it would be more intriguing. But, hey, these guys are all smarter than me,
so I'm just going to kind of watch this one unfold.
On Friday, Facebook issued an apology, not to its users, but to its advertisers. For the past
two years, Facebook has been overestimating a key video metric by as much as 80%. And David,
the advertisers and media companies that have been paying a lot for video on the social network
are not happy at all. Not surprising. This is kind of a reminder that online video is still
the Wild West right now. Companies are kind of making the rules. They're defining the game as
they go. So this actually might push platforms like YouTube and Facebook to lean a little bit
closer to embracing a third-party verifier, if you will, like Comscore to validate video views,
average time spent watching a video. Because in this case, Facebook, they've been overestimating
the average viewing time of their video ads for two years. That's obviously a big deal for
advertisers. That's what you're paying Facebook to do. They were only counting the average viewing
duration if a video was played for more than three seconds. So that also impacts statistics
of the average percentage of a video viewed. So definitely a cause for concern. But I think
longer term, this won't impact Facebook too much. There's still a huge opportunity here with more
than 1.7 billion users on the platform. And Mark Zuckerberg has really made it clear that he wants
Facebook to become video first over the next 10 years. So going forward, users will see more and
more videos on the platform. I don't think advertisers will shy away from that, although
this is an unfortunate case for Facebook.
Yeah, I think it's definitely surprising. I was surprised to see this myself and
see that it had gone back so far. I think what this does, in the near term at least,
it gives marketers a bargaining chip over Facebook. I think in the short run, it certainly
plays out on Facebook's ability to raise prices on that ad inventory, because now they have
to go back to square one and prove that value. But by the same token, I think what this doesn't
do is fundamentally impair this business in any way in the long run, because the bottom
line is, the eyeballs are still going there. There's no question there. It's just a matter
of coming up with an ad strategy and metrics that they can really offer up to prove advertisers
and marketers are getting the most bang for their buck. I suspect they'll figure that
out. It'll be a fun one. It'll get batted back and forth, I think, in the media a little
bit, because Facebook is a pretty polarizing company to talk about. But long-term, yeah,
they'll be all right.
Yeah, this is obviously a short-term hiccup, but like Jason was saying, there's still a
lot of value on Facebook's platform that you can't find in any other platforms. And online
video, we're still in the very early stages of this market. So, it will become more uniform,
more defined as we go forward.
However bad your week was, it probably was not as bad as that of Wells Fargo CEO and
chairman, John Stumpf. He testified before the U.S. Senate Banking Committee. And Ron,
he got taken out for a ride by both Democrats and Republicans. There's no gridlock between the
two major parties on this issue. Remind me never to get on the bad side of Elizabeth Warren,
because it was brutal. I actually don't think he did himself any service. I don't think his
performance was great. He said all the things he needed to say. He said he was deeply sorry,
and he takes full responsibility. But I don't think it went over that well. This, what we
originally thought two weeks ago was maybe just going to kind of blow over, seems to be a snowball
running downhill. And there's steam gathering for Stump's head, and people really want him to
resign. We have Justice Department subpoenas going out. Stump recently, just this week,
resigned from a San Francisco branch of the Federal Reserve, an advisory board he was on.
People are calling for criminal investigations, and they certainly want him out.
Yeah, if you want to be the next CEO of Wells Fargo, you should just dust off your LinkedIn profile.
I think the successor has been set for a little bit of time now.
Timothy Sloan, the president's COO, is the person that is most commonly accepted as the person that would take over.
Wells Fargo has a policy of when you hit 65, you must retire unless Human Resources deems
it is in the best interest of the company for you to stay on. Stumpf is one and a half,
two years away from that. Timothy Sloan being promoted to that presidency level was commonly
accepted as the next step. I think Stumpf, if you'd asked me a week ago, and in fact
I believe you did, I would have said I think he was going to work this out and be able
to stay, I'm becoming less and less convinced of that, and I think it actually might be
time for him to go. In terms of the stock, you've got some
people saying this is a buying opportunity. It's been knocked down around 10% over the
past month or so. I don't know. Jason, given everything Ron just ticked off in terms of
the potential clouds, the potential investigations, maybe it is Sloan as the next CEO, or maybe
it's not. I don't know. Is this a buying opportunity here?
I tend to think we'll probably have at least another shoe to drop. I mean, I think
it's an investigation that will probably be drawn out for some time. Obviously, it will
play out in the court of public opinion. But I think at the end of the day, when you think
about Wells Fargo and really what butters their bread, I mean, it's mortgages, right?
The banking is obviously a very important side of the business, but this isn't going
to be something that really impairs their mortgage business, I don't think. Because
sure, maybe you won't go to Wells Fargo to refinance your home or get that loan, but
there's a very good chance that Wells Fargo will end up buying that loan anyway. And I do believe
that in today's day and age, it is far more difficult to extricate yourself from your
banking relationship than it was 20 or 30 years ago. I think those accounts are very, very sticky.
So, I think that Wells Fargo has a number of opportunities here, perhaps through changing
leadership, perhaps an advertising push, and certainly some incentives to their account
holders that are loyal account holders to keep their accounts there. So, I think there
are opportunities here to sort of make customers whole again. And from that perspective, yeah,
I think there probably is an opportunity here for investors. As far as when, that's difficult
to say, but I think we'll probably see the stock get worse before things get better.
Yeah, but it is hard to time. Of course, we really don't know what will happen in the
near term. If you believe that the business is not permanently impaired and they will
take care of these culture problems, which I think they will, then at 11 times, it's
historically cheap for a company of Wells Fargo's strong operating results and would
probably be a good entry point. The one thing we haven't heard yet is something from Warren
Buffett. And when we do, I think this will kind of solidify or clarify a lot of things.
Coming up, we've got a hot IPO and we will dip into the Fool mailbag. Stay right here.
This is Motley Fool Money.
Welcome back to Motley Fool Money. Chris Hill here in studio with Jason Moser, David
Kretzmann and Ron Gross. Guys, stop me if you've heard this one before. Second quarter
profits for Bed Bath & Beyond came in lower than expected, and same-store sales fell even
more than expected.
Okay, wait, I've heard that before.
And somehow, Jason, shares up a little bit this week. What is happening with this
stock?
Sure. Well, eventually, things are so bad, they can only start to get better, right?
I think that Bed Bath & Beyond, I mean, we've talked about this one quarter in and quarter
out for a number of years. This is a really good example of what I think ultimately is a value
trap. And we talk about this from time to time. And what does that mean? I mean, ultimately,
you're talking about shares that look cheap, but they're cheap for a reason. And there very well
may not be necessarily that catalyst on the horizon that turns things around. And I think
that Bed Bath & Beyond has a lot of challenges. And when you look at the business itself, I mean,
The top line is not growing. Comps are down. Earnings growth, really, is supported more
by share buybacks than actual leverage in the business model. Questionable acquisitions
there in 1 Kings Lane. You go through their call, you see some similarities there between
what's going on with this business and what JCPenney has been going through.
Ooh, that's not good.
Then you have to ask yourself, Ron, I think you posed this question a year or so
ago, does the world really need JCPenney? Does the world really need Bed Bath & Beyond?
I would argue, no, it does not. And let's be very clear, too, the share buybacks, that's
all fine and dandy, but they have about $577 million left on that balance sheet, so the
share buybacks can only go so far. Then you've got to really start asking yourself, what
makes this business grow again? And I don't know that there's such an easy answer.
Yeah, but we talk about businesses that have optionality. I mean, if you think about the
word beyond.
I mean, that's the wild card.
That's the wild card right there.
Didn't go anywhere with that. Finally, some good news for GoPro shareholders. Shares of
GoPro up more than 10% this week in the wake of two new product launches, the Hero 5 and
the Karma drone. Those are good names, David. And the gadgets appear to be getting some
good reviews. Is this a situation where the next move is making sure that these are on
the annual list of must-have gadgets for the holidays?
Yeah, I think that all eyes are toward the holidays. And I think GoPro has a good shot
of a good holiday quarter. Obviously, the bigger question with GoPro is, how can you
sustain any growth? All the company is, is consumer electronics, and they're not branching
out into software or media, which is what they were hyping up around the time of the
IPO. Then, as investors, you need to ask more questions. But the HERO5 camera line certainly
looks promising. The cameras are waterproof right out of the box. They have voice controls.
The touchscreen is built into the higher-end camera. Then, they also launched a cloud service
where you pay $5 a month, and it just makes it easier to upload, edit, and share videos
across your phone, computer, and other devices, just trying to make that a more seamless experience
from transferring the content from your camera, editing it, and sharing it.
The drone, like you said, initially has some very strong reviews. It's a competitive price
point compared to the DJI drones that are out there. So, we'll see. Like I said, bigger
question, beyond this quarter, even if they have a good holiday season, if the company
is dependent on pumping out more products. I have questions about the future.
O' And they've got Garmin going after them now? Garmin has now moved from GPS to
this type of camera? Garmin's doing all sorts of things.
They have watches, cameras, wearables. O' What have they got to lose?
Yeah. Worst-case scenario, I think, or one of the worst-case scenarios for GoPro
is that they become more like Garmin, which has underperformed the S&P 500 over the past
several years, the past five and 10 years. Being a consumer electronics company that
doesn't rhyme with Schnapple is tough. We got a hot IPO this week, Valvoline,
which operates over 1,000 oil change centers across America, went public on Friday,
and the stock trading above the IPO price of $22 a share. I like this just because this has been
a slow year for IPOs, Ron. This is actually the fourth biggest
IPO of the year, which shocks me. But you're right, it's because it's a slow year. This is
a spinoff of Ashland, which is a specialty chemical company. They make chemicals for
sunscreen and laundry detergents and things like that. It's a good situation for Ashland
shareholders. I think it unlocks some value for those folks. Valvoline raised $660 million.
It puts them at a market cap of about $4.5 billion, which is about 23 times 2015 earnings.
So that's not cheap, that's not expensive. That seems reasonable. 85% of the company
is still owned by Ashland, but after the 180-day lockup, those will be spun off, those shares,
to Ashland shareholders in a tax-free transaction.
Do you know how to change the oil on your vehicle?
Do you think I know how to change the oil on my vehicle?
Our email address is radioatfool.com. From Nick B., who writes,
I'm a recent college graduate. I landed my first job a few months ago. Having built up
an emergency fund for myself, I'm wondering where I go from here. I don't have a huge
amount of money to work with, around $1,000, but I figure the earlier I start, the better,
no matter how small. How should someone in my situation think about investing, and what
kinds of companies should I keep my eye on? Great question, Jason. I'll start with you.
And great that he's starting. Congrats on the job, Nick. Great that you're putting money away.
And the emergency fund is great, too.
Absolutely. I think that sometimes when we get this question, it's, okay, I got $1,000,
maybe not a huge amount of money. Do I go all-in on one stock? Do I spread it out? How
should Nick be thinking about this?
Yeah, there are a lot of different ways to look at it. I would argue, probably
in Nick's case, I think that when you have that limited amount of money to work with,
but then you also know that you've got a lot of years to go, I would look at that $1,000
and maybe take half of that and put it in an S&P index fund, get that instant diversity.
And then maybe the other $500, you could look at adding an individual stock to your portfolio.
As far as what stock, you want to look at those names that are real, solid-state names
that are part of our everyday lives out there. Companies like Alphabet, Apple, Starbucks,
things like that. Perhaps even a stock on our radar might tickle your fancy.
Ron?
Yeah, Nick, the other thing I would say is, be careful about the commissions as a
percentage of the capital you're going to commit to any one stock. So, if you're going
to pay $10, let's say, and spend $1,000, that's a 1% commission you're paying, that's reasonable.
Try to keep it under 2%. So I would say, if the $10 applies, don't spend less than $500
on a stock. David?
David Gardner Yeah, the younger you are, the longer time
horizon you have. So any companies you're looking at, aim to own them for years and
decades. O' Alright, guys, we'll see you later
in the show. Up next, TV writer Andy Greenwald gives us his take on the battle for the living
room. Stay right here. This is Motley Fool Money.
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number 3030. Welcome back to Motley Fool Money. I'm Chris Hill. Andy Greenwald covers the
television industry for The Ringer. He is also the co-host of the very popular podcast, The Watch,
and he joins me now from Los Angeles. Andy, thanks so much for being here.
Oh, thanks for having me.
Let's start with the Emmy Awards since those just happened. And once again, we see the theme,
the broad theme of the cable and streaming networks crushing the broadcast networks.
And you tell me if I'm wrong, but I look at this trend that we've seen develop certainly over the
last 10 years or so, and I don't see it ending anytime soon. I feel like creatively, the broadcast
networks are really behind the eight ball. Yeah, there's no question. The Emmy Awards
basically have turned into what the cable lace awards used to be um which was specifically a
ceremony that kept the broadcast networks out now um they're very hard-pressed even to get a seat
at the nominating table uh i think the emmys have become really the most interesting of the awards
shows and i'm not just saying that because that tv is a beat that i cover i think they're really
become more reflective of the industry and also responsive to the industry in a way that that
really bears watching i think if you look at the top of the ticket the best comedy and best drama
and Best Limited Series winners, which were Veep and Game of Thrones
and The People vs. O.J. Simpson on FX.
Those are the kind of shows that drive conversation week to week.
We used to talk about water cooler shows.
Now they may as well be called Twitter shows.
And they're really, unlike the streaming services,
which also had a lot of nominations,
those are the series that unspool themselves week to week
and allow for that kind of overheated conversation and speculation
that I think brought a lot of people back onto the TV train in the last 10, 15 years.
But the more interesting takeaway from the awards, in my opinion,
was really what was happening at the margins,
where we saw a really surprising number of nominees from shows
that may be critical darlings or niche favorites,
but not really ratings powerhouses.
Shows like The Americans, shows like Master of None,
or even Baskets on FX, which Louis Anderson won an Emmy for that show.
And not just getting them nominated,
But actually starting to win, this is really a surprising change, where I think in the past, all the winners in some ways reflected a broad, broad, broad consensus.
I mean, remember, it feels like a million years ago in many ways, but it really was only just two years ago that Modern Family was coming off its fourth or fifth straight Emmy win.
And that was about as, and it's a very good show, but it's about as consensus and down the middle of the show as you could possibly have.
So it's an industry in transition, and it's exciting to see the awards show in transition as well.
You mentioned ratings, and I'm curious if when you talk to people in the television industry, if you sense any frustration on the part of the traditional broadcasters.
because if we're just talking raw numbers, and I mean, let's take the winners of Best Comedy
and Best Drama. If you just look at the raw numbers of how many people are watching Veep,
how many people are watching Game of Thrones, those numbers are dwarfed by the top-rated shows
on CBS, ABC, Fox, NBC, that sort of thing. Is it just that they simply have a broken business model?
Because certainly they're getting a hell of a lot more people watching.
I think that what we're seeing, I mean, you could, I think you could look at it two ways.
You could say the business model is broken, or you could say, once again, in a polite way, it's in transition.
You know, there's an argument to be made that certainly networks like AMC have made for a long time,
that it's really, it doesn't really matter the number of viewers you reach, it's who those viewers are.
And so Mad Men may have only gotten a million people watching per episode,
but those million people were the type of people who companies like BMW felt very happy to have direct access to.
and it's a very wealthy advertiser.
So that in and of itself has some value.
But the thing that's been interesting to me to watch
is that we're seeing it.
We talk about the TV business.
There really are multiple businesses at play right now
all at the same time.
And it's not really a fair playing field.
It's not really an even playing field.
The broadcast networks, for the most part,
are operating the way they always have,
which is based on advertisers
and based on returning a certain number of eyeballs
in the multiple of millions to those advertisers.
You have bigger players like Amazon and Netflix who are basically running content bubbles at this point where they're just pouring apparently unlimited amounts of money into production to build up content libraries that they believe will keep their subscribers paying them direct fees for many, many years to come.
And then you have these cable companies who I think are really the most interesting ones to watch at the moment in many ways.
And I mentioned AMC a minute ago, and I'll go back to them, because a company like AMC is basically trying to make the margins work in the short term in order to win in the long term.
And the example I often use is a show they have called Halt and Catch Fire, which is in its third season now.
It's about tech startups in the 80s.
It was set in Texas.
It just moved to San Francisco.
The show is a critical triumph.
It's outstanding.
I really recommend people watch it.
It has minuscule ratings.
The miniscule ratings for a network that I was just saying was happy with the 1 billion people watching Mad Men.
Somehow it's gotten a third season, and the economics of that are very fuzzy, but somehow they're making it work.
It helps that AMC owns the show, but it also, I believe, helps that what they're doing is putting money towards a future that isn't here yet,
a future in which having three, four, five seasons of a critically acclaimed show like Halt and Catch Fire in their ownership library
help them as they transition to becoming an over-the-top service or a subscriber service
or whatever the heck is coming.
Speaking of the ways in which television is transitioning, one of the things that you've
written about is how much more diverse television has become with shows like Empire, Black-ish,
Fresh Off the Boat, the new show out now called Atlanta.
And one of the things that you've written is in order to succeed in America, you have to have shows that endeavor to actually look like America.
Is Atlanta really the best sort of most recent example of a new show that actually looks like America?
I think Atlanta is, without question, the most exciting show on television.
And that's partly for what it looks like, partly for what the makeup of the writer's room looks like.
It's an all-black writer's room.
The director is Japanese-American.
It's an incredibly, unprecedentedly diverse show in front of and behind the cameras.
But I think the thing about TV that it always comes down to is, is it any good?
And that's really where Atlanta shines.
It is absolutely, deliriously creative and exciting, veering wildly from really clever
comedy to fascinating political commentary to great encapsulation of the music industry.
and with just some terrific characters.
I think the thing to always remember with the diversity conversation
is that just as a human being on Earth, I want diversity.
I want stories that reflect the wealth and breadth of experience in this country.
But I also think it's not necessarily wrong to think about TV as a business
because that's what people often do.
And one of the things we've seen as the content bubble has swollen larger and larger
is people searching desperately for that next story to tell.
And there are only a certain number of lawyer stories and cop stories and doctor stories,
stories that we've seen before, and it's sort of, you know, painfully obvious.
But stories told by people who haven't had a chance to tell the stories before,
which in the case of, you know, mainstream American television is very often people of color,
this is an enormously underutilized asset.
These are stories that we've never seen before,
told by people we haven't been given the chance to tell them. And so I think it's a rare moment
when we can feel good about something, but we can also be excited creatively. And as a lot of
these networks like Fox, Bounds, and Empire, they have a reason to be financially excited about it
as well. You're listening to Motley Fool Money, talking television with Andy Greenwald. Let's
shift over to a tiny little startup public company called Walt Disney, which has really been in the
headlines in 2016 for all of their success in movies and theme parks, etc. The story
this year continues to be, for Disney and certainly for Disney shareholders, about ESPN
and cord cutting and the concern about that revenue stream declining. I'm wondering what
you think when you see that playing out. In particular, when you think about how the business
of cable television works, and you have a lot of these smaller networks that are essentially
piggybacking on the likes of ESPN, if ESPN goes away or is severely diminished, isn't
one potential ripple effect of that that a lot of these niche cable channels just disappear
altogether?
Yeah, it absolutely is true.
I mean, I think the majority of the people might not be aware that it is kind of a collectivist
mentality on cable that it that the amount of money you pay for the channels that you
well i was going to say that you watch but the channels that a lot of people watch that a lot
of people feel are essential like like espn that money is distributed in carriage fees to all the
other networks which made cable tv really the best rack to be in but we talk about businesses
in transition um the reason why networks that you've never heard of networks that you didn't
even realize you had started programming aggressively and programming aggressively
with original scripted content in particular is precisely to prepare for this moment when
people could begin to choose an a la carte package or cut the cord and thus make these
fringing networks less dependent on. So that's what I mean when I talk about how AMC, which is
part of a, you know, they have sister networks. AMC networks includes IFC and Sundance. They want
to make themselves as attractive to potential subscribers in the future as HBO or Starz or
Showtime or Netflix. So it's really about building up the library as quickly as you can, because
they're all in, I don't know, I don't want to say panic, but they're all certainly concerned about
the uncertainty ahead. I'm going to ask you to get out your crystal ball and do a little
forecasting for me. When you think back to the summer and NBC's coverage of the Olympics,
ratings were down overall. NBC made the case that they were pushing a lot of stuff to digital and
that sort of thing. But they've got the Olympics for basically the next 20 years. They've got the
broadcast rights for the Olympics. How do you envision that changing either for better or for
worse? And that can be what it means for viewers. That can also mean what it means for NBC and the
money they're shelling out. Yeah, I think in terms of viewers, I think a lot of the problems that
people are talking about in the industry, whether it's ratings going down or there being simply too
much content, these aren't really problems for viewers yet. These are luxury problems. I'm
getting a little full of the all-you-can-eat buffet problem. I think in terms of what it'll
look like going forward, I think there'll just be more and more options to watch the Olympic
sports or events that you want to watch when you want to watch it, which isn't necessarily a bad
thing for the consumers. I think financially and for the networks, I think, if we're being honest,
they have no idea what to do or what's to come. It's a very prominent example of what a lot of
the recent business decisions in TV have been built on, which I think is sort of magical
thinking. No one really knows how much these things are worth or specifically how to monetize
them. You know, I came from the world of magazines, which was a bumpy world to be in 10 years ago,
or even the world of music when I spent a lot of time writing about music. There's no question
that people are reading more than ever and listening to more music than ever, but people
weren't really paying for it in the ways they used to be paying for it. And TV is going to have those
growing pains as well. And when you look at these enormous multi-billion dollar deals first,
generally around sports packages. It's a question. It's an actual question what the return they're
going to be getting on these investments will be. And if I knew, I could be doing a lot better out
here in LA than I am already. Let me go back to broadcast television. Do you envision a point
in time where the broadcast networks decide, you know what, what they're doing in cable television
in terms of how many episodes they're going to put up in a season seems to be working for them.
let's abandon this notion that we're going to put up 20, 22 episodes for a season
and let's start producing shows that only have 10 episodes per season?
I think that's already started.
I think we've seen a lot of experimentation with it.
And one of the biggest shifts already is that, well, we're in the fall now
and there are a lot of new series debuting.
Networks have begun to hold their most promising projects,
their most prestige projects for January, for mid-season.
It used to be a dumping ground,
But now it's a chance to give things sort of a shorter runway and make a bigger splash.
I think one of the biggest successes of Empire, in addition to all the creative choices it made,
was that when it debuted, again, in January, it debuted with a limited season.
And it felt like an event week to week.
And I think the show has struggled both creatively in terms of ratings as it's expanded to a larger network model.
I mean, look, the networks are always going to want more of a good thing.
That's generally how it may happen.
I was not a business major, but that's generally my understanding of how things work.
they want consistency. They want to be able to deliver a product both from a production standpoint
and from an audience standpoint that people can count on and that their bookmakers can
rely on as well. But in terms of
creative storytelling and attracting talent, we are definitely headed towards a place
with more anthology series, more prestige series.
If you look at the Emmys the other night,
really the only network series that was rewarded was ABC's
American Crime, which is an anthology series in the style of American Horror Story or the
O.J. American Crime Story, they're noticing that.
The network's noticed that, and they want to be in that business, too.
It's just a question of balancing it with the business they're already in and, honestly,
still doing okay with.
You can follow him on Twitter.
You can listen to the very popular podcast, The Watch.
If the topic is television, Andy Greenwald is on it.
Andy, always good to talk to you.
Thanks for being here.
Thank you, Chris.
Coming up next, we'll give you an inside look at the stocks on our radar.
This is Motley Fool Money.
As always, people on the program may have interest in the stocks they talk about,
and The Motley Fool may have formal recommendations for or against,
so don't buy or sell stocks based solely on what you hear. Welcome back to Motley Fool Money.
Chris Hill here in studio once again with Jason Moser, David Kretzmann, and Ron Gross.
Before we get to the stocks on our radar, guys, I have good news, and that is the creative minds
at McDonald's are at it again. Starting next week at locations in Japan, McDonald's will be selling
pumpkin chocolate french fries. That's right. Fries drizzled in chocolate sauce and pumpkin
sauce. Ron, you're something of a gourmet. Can I tempt you with pumpkin chocolate french
fries? You cannot. I don't mind pumpkin
flavoring in general. Even pumpkin beer is acceptable, but not that.
I don't think my body would forgive me for eating that.
Steve Broido, let's go to our man behind the glass. Steve, before we get to the radar
stocks, come on, a little trip over to Japan, we test these out?
No mas. Alright, let's get to the stocks
on our radar. Ron Gross, you're up first. Steve will hit you with a question. What are
you looking at this week? Just a radar stock, not a recommendation.
SeaWorld, S-E-A-S, recently announced they were going to cut their dividend and then
eliminate it altogether. So, why is it interesting to me? It's interesting because if they can
use this money, if the stock is truly cheap and they can use this capital to buy back
stock or invest in their theme parks in certain circumstances, they could turn this business
around. But the business is struggling. Let's make no beans about it. The attendance is
down. They've come under heat, obviously, with the killer whales, and business is weak.
Is it a value investment or a value trap? We'll have to wait and see. They've had some
upgrades actually this week. For people who think maybe now is the time to jump in, I've
got to look at it a little bit more deeply. O' Steve, question about SeaWorld Entertainment?
Not really a question, just a statement. No way, man. I saw that movie Blackfish.
It is a terrible company. I've written them two nasty emails. This may be going for a third.
O' Wow. I don't like your chances for Steve
Jason Moser, what are you looking at this week?
I'd volunteer if we read one of those emails on the show next week. I am looking
at Markel Insurance, ticker MKL. This one should be very familiar to listeners, but
I think that with the market hitting all-time highs, it doesn't mean you can't invest, you
just really need to focus on getting the highest quality businesses out there. Markel certainly
is one of those. It has a trifecta of ways to win there on insurance, investments, Markel
Ventures. They have a co-CEO structure now, which I think gives them a position of strength,
especially with Tom Gaynor as the chief behind their investments operations as well.
And Markel, on the investment side, they own a lot of foolish businesses as well. Alphabet,
Facebook, Walt Disney. So, this is a good long-term, indefinite-style holding. Shares
are trading right around one and a half times book value today, which is not too terribly
expensive for such a high-quality company.
O' Is this Homerism on your part, because it's a Virginia company?
Partly, and it's also just self-serving as well, because we own a million-dollar
portfolio, and I own shares personally, so ...
O' As do I. Steve, question about Markel?
What's the most unusual thing they insure?
Rodeos. I think that's one we always talk about that just seems to be so far out
there is rodeos.
David Kretzmann, what are you looking at?
Well, restaurants have had a tough time lately. Traffic in restaurants is down
for five straight quarters. But one restaurant that sticks out to me is Texas Roadhouse.
This is a casual diner operating 500 restaurants in the U.S. They have a handful of international
locations as well. Even though a lot of restaurants are struggling, in the first quarter this
year their same-store sales were up 4.3%, up 4.5% in the second quarter. The company
really has a unique culture, thanks to the founder and CEO Kent Taylor. One example is
the restaurant managers earn 10% of the store's operating income, so they're really incentivized
to drive the performance of the stores, which I really like. This isn't going to be a high
flyer, but I think this is a company that can generate slow and steady expansion over
the long term, since they're such a strong operator. They have some fledgling restaurant
concepts as well. I think it's one worth looking at.
O' And the ticker symbol?
TXRH.
O' Steve, question about Texas Roadhouse?
What is the gold star restaurant stock that I should be looking at and say,
wow, if only they could be this good?
Chipotle before the E. coli issues.
issues 2013 chipotle right uh steve uh i'm not gonna mention sea world because i know how you
feel about that markel texas roadhouse one you want to add to your watch list so i am a markel
shareholder so let me take a look at texas roadhouse all right thank you steve all right
ryan gross jason moser david kretzmann guys thanks for being here thank you chris you can check out
past episodes of motley fool money and all of our podcasts subscribe to them on itunes and spotify
You can also check out past issues at podcast.fool.com.
That's going to do it for this week's show.
Our engineer is Steve Broido.
Our producer is Matt Greer.
I'm Chris Hill, and we'll see you next week.
