Motley Fool Money - Hit Makers and Hidden DNA
Episode Date: December 29, 2017On this week’s show, we revisit two of our favorite interviews from 2017. NYU business professor Scott Galloway talks big tech and shares some insights from his book, The Four: The Hidden DNA of Ama...zon, Apple, Facebook, and Google. Plus, Chris talks about the business of popularity with Derek Thompson, author of Hit Makers: The Science of Popularity in an Age of Distraction. Learn more about your ad choices. Visit megaphone.fm/adchoices
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From Fool Global Headquarters, this is Motley Fool Money.
It's the Motley Fool Money Radio show. I'm Chris Hill. On behalf of everyone here at the Motley Fool,
we hope that you are enjoying the holidays. This week, we are wrapping up 2017 with two of our
favorite interviews from the past year. Later in the show,
we will revisit my conversation with Derek Thompson, author of hitmakers, The Science of Popularity in an Age of Distraction.
I had the chance to interview Derek at a Motley Fool event this past fall.
We talked about how things become popular and about all of the disruption that is happening in the world of media and entertainment.
But we begin this week's show by talking about what is behind the success of four iconic tech companies.
Google is God.
Facebook is love, Apple is sex, and Amazon is consumption, so writes Scott Galloway,
Professor of Marketing at NYU Stern School of Business, and author of the brand new book,
The Four, The Hidden DNA of Amazon, Apple, Facebook, and Google.
He joins me now from New York City.
Scott, thanks so much for being here.
Thanks for having me.
These are not just four of the biggest companies in the world.
They are also among the most heavily covered by the media, and I'm curious when you
set out to write this book. What did you think you were going to find? And what did you actually
find? Like most people of these companies, I would say the biggest dominant they are. We know they're
influential. We know they're great at what they do, but we actually add up the numbers. Their
market capitalization combined is approaching the GDP of India. And when you look at the respective
markets they're in, they literally are not only kind of dominating the markets they compete in,
but they begin disrupting markets before they even enter them. And they're able to kind of
nominator, if you will, grab the mic away from every other business and have sort of co-opted
old media into being there, you know, their outsource investor relations department.
And I would say finally, it feels as if society we no longer worship at the altar of
kindness and character.
We worship at the altar of innovation.
And these companies have taken on almost like a Jesus-like status in the eyes of the consumer.
So in terms of the competitive landscape, is the ball of.
game for all intents and purposes over? Because we've certainly seen over the last 50 years
various companies, and I'll just pick two from the tech industry, IBM and Microsoft, at various
points, they were the dominant player. And not that they aren't still big companies, but they're
no longer on top of the mountain. How much longer do you think the reign of these four companies will
last. Yeah, it's a fair point. About the time guys like me saying these companies are becoming
too dominant is usually about the time they start to go into structural decline. Having said that,
I think each of these companies doesn't show really any signs of letting up or at least increasing
their market capitalization. However, I think you can distinguish a little bit between the four.
If we were going to do a sequel and call the book The One, I think the company that is dominating,
not only its respective sectors, but beginning to eat into the other three,
businesses is Amazon. And that is, if you look at where Amazon butts up against Google and search,
44% of product searches were conducted on Amazon. That shares grown to 55%. If you look at where
Amazon overlaps with Apple and streaming video during prime time, it's gone from the number seven player
to the number three. Four and a half billion dollars devoted to original content just behind Netflix.
If you look at where they compete with Apple and computer hardware, the most innovative products
of 2015 and 16 weren't the Apple Watch or the Apple Pods, but Amazon's Echo device, and you can kind of go
on and on and on. It looks like Amazon is literally running away with it, if you will, in terms
of being the most dominant company in business. Now, having said that, if you have a child in a
developed market, affluent household, I think a life expectancy now is near 100 years old,
none of these companies will be around in 100 years of the Dow 100 from 100 years ago. Only 11 have survived,
and as the business cycle speeds up, so will the mortality rate? But in the short term, I don't see
anything stopping these firms other than maybe regulatory intervention. I want to get to regulatory
intervention, or at least the possibility of it in a minute. But I'm curious if at least part of
what makes these companies so dominant right now is the fact that if you look at each one of them,
the journey to where they are right now in terms of their dominance is not this
boulevard of unbroken green lights. They've all had pretty significant business challenges
along the way. With Amazon, it was, well, they don't make any money and how can they make any
money? And they pretty quietly were working on Amazon Web Services and made that the financial
engine of their business. With Apple, right out of the gate with the iPhone, there were a lot of
people saying, well, they're never going to be able to maintain the pricing power. And they
have absolutely done that and more. Facebook, when it went public, was not making a dime off
of mobile advertising, and they have answered that challenge. And with Alphabet, with Google,
for so long it was seen as a one-trick pony, and even though it was one heck of a trick,
they've managed to turn YouTube into an incredibly dominant search engine on its own.
I almost think if you're any other business looking at competing with
these four, it's got to be so dispiriting. Yeah, again, you bring up a lot of issues. A lot of people
focus on how just aggressive these companies are in terms of taking big, bold bets, which they can do
either because they're so incredibly profitable or because they have such access to so much cheap capital
that what would be a devastating disappointment for most companies is barely even a speed bump.
these guys are able to access, I mean, if you look at, so you talk about Apple, Apple is pulled
off the impossible. They've, companies are usually the low-cost producer and go for volume or the
premium price product and go for high profits niche. What Apple has done, no companies pulled off in
history, and that is they're both a low-cost producer, they have the best-selling phone, and as a result,
are able to extract the best value in the supply chain. At the same time, it's the premium-price
product. So the auto equivalent would be an auto brand with the margins of Ferrari and the production
volumes of Toyota. Most profitable company in history will do double the profits at this
quarter than Amazon has done. It's an entire history as a company now. On the converse side,
Amazon purposely runs its company at break-even and has changed the, kind of changed the relationship
between companies and the investment markets, and that it's trained the market, or specifically
investors to value vision and growth over profits and has been given sort of the mother of all
hall passes in the world of business in that it doesn't have the profit expectation that other
companies have to live up to. So as a result, it can reinvest 100 cents on the dollar in the
consumer value proposition as opposed to most companies have to get to reinvest 60 or 90 cents
on the dollar in terms of the actual value to the consumer. So different dynamics, but we have
companies, you know, in the case of Apple, we've never seen a company that's profitable. And in the
case of Amazon, we've never seen a company with this market capitalization that is this
unprofitable. You mentioned the regulatory landscape. At this point in time, who do you think
is the betting favorite in terms of the risk of being broken up? Again, a thoughtful question
that is complicated. From an antitrust.
perspective, the one that is most vulnerable is Google because it commands a 90-plus percent share
in a lot of the markets, whereas the rest don't have nearly that type of dominance. And when
you're talking about the search category where Google has a 90-plus percent share in a lot of
its markets, the search market is now a bigger market by dollar volume than the entire advertising
market of every nation with the exception of the U.S. So from traditional antitrust standards, you would
say Google. Now, having said that, what Amazon is now able to do in terms of looking at industries
and disrupting them before it even enters, that is probably going to create a decent amount
of tumult or anxiety in Washington and Brussels. Between the time it announced the acquisition of
Kroger's, the largest pure play grocer in America, and when it closed, Kroger shed a third of its
value. On just as past Friday, when Amazon hinted they were going into the, potentially into the pharmacy
or drug business.
You had not only drugstore retail stocks,
but also manufacturers' brands
and the drug industry declined four and five percent,
just off of a press release.
When Nike announces that they're distributing through Amazon,
Nike shares go up,
and all the other footwear companies
and footwear retailers' stocks plummet.
So we're headed to this weird singularity with Amazon
where the entire consumer marketplace
experiences big moves based on what Amazon does or does not do.
Facebook is the one facing the most regulatory anger right now, I would say, from Washington
because of the news that their platform have been weaponized by Russians.
So to your question, who gets regulated is the honest answer is I don't know.
What I'm more confident of is where the regulation will come from,
and it won't come from where people think it's going to come from D.C. It's going to come out of Brussels.
The U.S. registers tremendous upside from these companies.
with some serious concerns around privacy, job destruction, tax avoidance, but we get tremendous
upside in terms of national pride, economic growth, the largest recruiter from my class at Stern as Amazon.
Europe registers a lot of the downside, but very little of the upside.
And that is, they're not a source of national pride in Europe.
They don't recruit nearly as many students out of the Bocconi or the University of Cologne as they do from MIT or Stanford.
and the regulators there, I think it's stiff in their backbone,
and I think you're going to see the mother of all fines or regulatory intervention come out of continental Europe.
The war against big tech is about to break up, breakout in Europe.
It's interesting because if you think back to 2000, 2001,
and Microsoft was very much in the regulatory crosshairs as being a monopoly,
and there was talk of should Microsoft be broken up, should they proactively break
themselves up and all that sort of thing. But if you think about it, there was no love lost with
Microsoft, even people who used it in their work every day, just sort of did it because they
felt like they didn't really have any other choice. And these four companies that you've
written about, to varying degrees, are loved by consumers. And there's not nearly the same
amount of animus towards them as there was towards Microsoft. And I'm wondering if that
alone helps them or at least guards them to some degree against regulatory risk?
It's a great point. And your instincts are correct. They've learned from Microsoft that it's
important. Your perception is really important as it relates to regulatory intervention or the
timing of regulatory intervention. These companies wrap themselves in a neon blue, a pink, or a rainbow
blanket, and they're very open about their progressive values. And they'll fly Cheryl Samburg
around to talk about leaning in. Tim Cook, first openly gay Fortune 500 CEO. And I'm in no way
doubting their principles or that they, I believe they do believe these things. I think they are
all inspiring people. I think Tim Cook and Cheryl Samborke are impossible not to like. But they
purposefully put this image out there, as I believe the progressives are seen as in general,
as nice but weak, which is the perfect cover for companies that during business hours
act more like the spawn of Darth Vader and Ayn Rand.
So whereas Microsoft had sort of this conservative bent to it, and Steve Bomber and Bill Gates
were seen as super smart, but kind of mean and cutthroat, which made it easier for elected
officials and regulators to go after them because the public didn't have a good feeling.
The public, until very recently, has had very warm and cuddly feelings about these companies.
If Cheryl Samburg was vehemently pro-life, I don't think Facebook would be setting up meetings and presentations for her
for 500 industry executives in Cannes to all the female executives there.
I think they purposely promote their progressive values to create an illusionist trick
such that people think they're softer and cuddlier than they actually are.
Coming up more with Scott Galloway on Amazon, Apple, Facebook, Google, and what keeps those companies up at night?
Stay right here. You're listening to Motley Full Money.
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Welcome back to Motley Fool Money. Chris Hill talking with Scott Galloway.
author of the Four, the hidden DNA of Amazon, Apple, Facebook, and Google.
Jeff Bezos, Tim Cook, Mark Zuckerberg, Larry Page.
What do you think keeps them up at night?
Is it each other?
Or is it something else that worries them on a business level?
I think it was each other until a few months ago.
Now I think it's Washington.
I think the person they're most scared of right now is a woman named Margaret Vestager,
Margaret Festerger, excuse me, who's the EU Commissioner on Competitiveness out of Europe.
I think she has, if you will, I think she's the first regulator whose testicles have descended
and is absolutely not afraid of these guys.
And I think you're going to see the first $10 billion plus fine come out of Europe.
Again, look at it this way.
If Italy or Belgium looks at the four and looks at what they've done, they've welcomed these companies,
if you look at what's happened to their economy, their jobs, their media companies, their technology companies,
and then they look at China, which basically stole the IP of these companies and then created their own version,
their own copycat versions of these companies. Who's better off?
Just think of the morality or trade agreements. Who, what country made the better decision?
And I think there's a decent argument that China made the better decision by stealing their IP and just ripping off these companies.
Now, and I realize that's, you know, that's not how we do business in the West, but I think these companies in Europe are starting to say, you know, if there's job destruction here and they can be weaponized by a government that's an adversary of the West, and we're not recognizing a lot of upside, there aren't a lot of university buildings or hospital wings named after Facebook or Google Millionaires in Europe where there's a lot of them in the U.S., I think they're coming to the conclusion that, you know what, there's not a lot of down.
downside to going after these guys because we're not getting the same upside as America's getting.
I'm sure your publisher, even though your book has been out for just a week or so, I'm sure
your publisher is already interested in a sequel. Let's just go ahead and assume it's going to be
called the five. If you had to add a fifth company to the list that you've put together,
who would you add and why? So arguably there is five and the fifth would be Microsoft. They've
performed exceptionally well the last two years. I think they now have the third largest market
cap in the world. Number two in cloud, they've just done a fantastic job on every dimension. I didn't
include them because I think of them as more B to B, to B, and I think of these companies is having
more equity among consumers and being B to C. But what's fun is to say, well, who among the
unicorns or the new guys could be the fifth horsemen? A year ago, I would have said it was Uber
right now if you were to bet what company could get to $3, $500 billion right now. I would
would say it's probably Netflix. As at the end of the day, when you look at the four,
they're really just operating systems for different key components of our life,
whether it's information, media, or retail, they're operating systems. And Netflix
is becoming an operating system for the joy in our lives, which is television,
or the operating system for the second most important screen in our lives, which is, again,
the TV. Millennials watch more or spend more time on Netflix than they do on the rest of
cable television combined, meaning arguably Netflix should be worth more.
than all of the rest of cable television combined.
Their use of artificial intelligence,
their momentum, recurring revenue business model,
Netflix is probably the good money for the next horseman.
The mother of all battles or celebrity death match,
everyone talks about Amazon versus Walmart,
people starting to talk about Google versus Facebook.
I think the real big battle,
the Ali Frazier of the information age is shaping up,
and it's going to be Amazon versus Netflix.
I think Amazon is lining its troops up
and is about to invade Netflix's core business.
The book is The Four, the hidden DNA of Amazon, Apple, Facebook, and Google.
It is available everywhere you find books.
Scott Galloway, thank you so much for being here.
Thank you. Thanks for your time.
Coming up, why does something become a hit?
Is it superior quality, superior distribution, or something in between?
Why should Facebook and Google consider sending Netflix a fruit basket?
And what can the history of Sears tell us about the future of everything?
Amazon. Those are just a few of the questions we will cover with Atlantic Senior Editor Derek Thompson.
That's coming up next. Stay right here. You're listening to Motley Full Money. Welcome back to
Motley Full Money. I'm Chris Hill. So what makes something popular? Earlier this week in front of a live
audience, I talked with Derek Thompson, best-selling author of Hitmakers, The Science of Popularity in an
age of distraction. Let's start with just sort of how you got here. What was it about popularity?
that got you interested to the point where you thought,
oh, I think I've got a book here.
I think popularity is inherently weird and inherently interesting,
and that's a good intersection to write a book about
because you sort of have to stay,
you have to take so many months to write it and so long to read it.
Coming up with a subject that was both small,
why do things become popular and big?
Why do things become popular was the challenge here?
And for me, the article that I wrote for the Atlantic
that really taught me,
or showed me that this book would be possible and interesting
was an article that I was writing about the TV industry.
And it was about Mad Men and AMC's strategy
when it green-lit madmen.
Typically, throughout television history,
the role of a TV company is to array
the largest number of contemporary viewers
around the television at once.
Big Bang Theory, Chuck Laura Comedies,
you want the biggest possible audience.
But the business model of cable television
is such that a lot of cable companies
make the most money,
not from advertising,
but from what are called affiliate fees,
from money that is essentially sent from the subscription,
the household subscription, straight to the television companies.
And so the goal of AMC wasn't to maximize audience,
it was just to stay on the cable bundle.
And the really clever strategy was what we need to do
is we need to create a show that elites on the East Coast love
and will call up Time Warner cable
and complain very, very angrily
if AMC is taken off of their cable
bundle. We need to create something that is unmissable for a very small segment of the population,
and that turned out to be madmen. And it was interesting to me the degree to which invisible forces
of economics and business models that you can't see explain the content that you see.
There's something perfectly capitalistic and somewhat craven about that story you just told,
because ironically, it's about the advertising industry. That's where the show is.
set and they are very mission focused and in this case the people at AMC are the same way that
they're just like here's our one goal how do we create a show that does that yeah it's it's
ironic that a show about advertising was actually created to minimize advertising revenue
which is all which is also pretty amazing well I was going to get to this at one point but
why don't we just go there now since you've sort of touched on the the business of cable
television and sort of you know because that's one of the things that you write about in
the book is
We are now at this point in the business of television where unbundling is becoming a real thing.
But one of the things that you touch on is we may actually get to a tipping point where re-bundling needs to happen.
Yeah, I think there's two interesting tipping points that are worth looking at.
The first is that obviously a lot of young people in particular have switched from the cable bundle, from pay TV, from linear programming,
to these sort of mini-bundle internet-only products like Netflix,
or Amazon or Hulu.
And eventually, I do think
that there will be so many
of these Netflix-style products.
Disney is talking about creating its own Disney Flicks.
If that's successful, Time Warner's going to try
to create its own standalone product.
If that's successful, 21st Century Fox
is going to create its own product.
For those in the room who are investing
or looking at Netflix,
that's sort of a scary proposition.
The idea that an incredibly exciting company
in Netflix, that doesn't make an enormous amount
of profit is about to be joined in this market by the largest content and entertainment companies
in the world trying to create perfect competitors.
That's a little bit, I think, of a scary thought.
But another interesting thought that I think is really worth thinking about as an investor
and as a sort of 30,000-foot observer of the advertising and content space is, all right,
pay TV is a $40 billion ad market.
Television is the biggest medium for advertising in the United States, $40 billion.
annually. But young people under 35 now watch half as much pay TV as they did just seven years ago.
They are migrating in droves toward Netflix and Amazon and HBO Now. And what's one thing
that all those products have in common, Netflix, Amazon, HBO Now? They're all advertising
free. So, you know, Madison Avenue is used to reaching its 19 to 48 demographic,
or 20 to 49 demographic through television.
But now that demographic is the single most likely
to be leaving television.
And where's the advertising going to go?
Historically, it hasn't gone anywhere.
Advertising has hovered between about 1.5 and 2% of GDP
for the last like 80 years.
It's completely metronomic.
So where does the money go?
Well, it goes where the eyeballs are going,
and a lot of those eyeballs are going to,
in terms of ad-supporting mediums, Facebook and Google.
So in a very strange way, sorry to connect so many dots here, but hopefully there's a dot connecting thing that's forming in your brains.
That was my most articulate passage, I think, of the morning.
In a weird way, Facebook and Google could not have better designed a corporate assassin than Netflix.
Because Netflix is for young people, destroying the advertising business, destroying the advertising viewers,
and pushing them toward the duopoly in mobile and digital advertising,
which is Facebook and Google.
So that I think is a big idea that I'm looking at,
that Netflix, the biggest winner of the Netflix disruption
could be Facebook and Google.
Let's come back to Facebook and Google in a moment.
In terms of the potential,
the real incoming direct competitors for Netflix, Disney,
when you think about the content library
that Disney has. And if we're just talking in terms of original content, yes, Netflix has original content,
but it probably doesn't stack up all that well against all of Disney, all of Pixar, all of Marvel,
all of Star Wars, all that exists right now, and all that is in the pipeline. And yet, as we were
talking about earlier, it is not that Disney is dealing with a content challenge. They're dealing with a technology challenge.
How big a leap is it going to be for not just Disney, but 21st Century Fox, all of these other companies, Comcast as well.
How big is that tech challenge for them?
Because Netflix, just as a user interface, I mean, that's part of, I mean, if you just look at how popular Netflix become and how quickly it became popular, first it was DVDs by mail, which was so much more convenient than going to the blockbuster.
and then came streaming,
which is so much more convenient
than going to your mailbox.
Yeah, I think that when it comes
for a lot of these
really powerful content owners,
like Disney, like Time Warner,
like 20th First Century Fox,
I think it's sort of,
I think it's 2008 right now,
which is to say that a dip is coming,
everybody can see that a dip is coming,
but it's not a perma recession.
It's not a permanent depression.
This isn't going to be like,
post-Soviet Russia. Instead it's going to be... God, I hope not. Yeah, instead it's going to be
you have a lot of really, really successful, incredibly talented, brilliant people at these
companies managing the transition from cable television, probably the greatest business model in the
history of the world. Just pause for a second. Think about, there's never been anything closer
to a private sector tax regime than there has been with cable television. 90 plus percent of
American households paying $100 to seven companies every single month. That's what U.S. taxes are.
Every year, about 100% of American households pay taxes to the U.S. government, and it supports
a bundle of goods, including defense and social security. That's basically what cable television
was. It was a private sector tax system. You'll never have a better business model than that.
and that's going away,
and it's going to be replaced
by a much more competitive streaming-only system.
That transition is going to be rough.
There's no way around it.
It's going to be rough.
They're not going to make money hand over fist
the same way they did when ESPN, for example,
in the early 2000s was probably
the single most valuable brand in the world.
That's going away,
but eventually they will build
these tech distribution systems,
and then they'll be relatively equal
on distribution and they'll win, I think, on content. Because as wonderful as Netflix is, I love
Netflix. It's been investing in original content for five years, six years maybe. Disney's been
investing in original content for nine decades. It just has more stuff. It has better stuff,
and it's used its richness in order to make some really brilliant investments in Pixar, Star Wars,
Indiana Jones, and Marvel. So I think that going forward, I think Disney is, is,
is a long play. But if you're looking to make money in the next few years, I think I don't
know what Disney's short-term outlook is going to look like. I think it's actually going to be
very rocky. Coming up, more with Derek Thompson. You're listening to Motley Fool Money.
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Welcome back to Motley Fool Money. I'm Chris Hill. Let's get back to my conversation in front of a
live audience with best-selling author, Derek Thompson. What role does luck play in all of this? Does it play
any role at all? Because when I think about business and I'll go back to Netflix, you know,
Netflix, Reed Hastings, he's a tremendous leader. And Netflix is a great.
great business. They did get
lucky in the early days that
whoever was running Blockbuster at the time
was completely asleep at the switch
did not take the threat of Netflix
seriously at all. And I think it was six
years went by before Blockbuster
decided, you know what, we're going to try this DVD
by mail thing and give it a shot.
So when you look
out, whether it's content creation, distribution,
does Luck
play a role?
Absolutely.
It absolutely
does. And one
of the reasons why I think people who read my book, I think some people read my book and were
frustrated because I couldn't give them a perfect formula because I take so seriously this issue
of luck. And you can't have a foolproof formula if luck is a huge part of this equation.
So a quick story about luck. In 1954, an artist named Bill Haley recorded a song called Rock
Around the Clock. It was the B-side to a song called 16 Women and One Man about a hydrogen bomb
exploding and the world being left with just 16 women and one man. You can kind of guess
where that was headed. This song completely flopped. It was not popular at all, even though Bill
Haley was a relatively popular artist. It came out, people had a chance to listen to it. The label
pushed it as hard as they could. It just had no uptake. No one wanted to hear this song.
One of the few thousand people who bought the vinyl record was a fifth grader named Peter Ford.
And Peter Ford was the son of a Hollywood actor named Glenn Ford, who was in a movie called
Blackboard Jungle. And one day, Richard Brooks, the director of this movie, visited the Ford's
house in, I think it was Malibu, Beverly Hills, and said, I need a jump-jive tune to kick off
this movie. It's a movie about juvenile delinquency. It's a bit like Rebel Without a Cause.
And I need a song to kick off this movie. And Glenn, the father, says, I only like Hawaiian folk
music, so this is not going to work out for you. My son, however, is really into like this weird,
new loud music. The son, Peter Ford, hands the director, Richard Brooks, a stack of vinyl. One of the
vinyl records in that stack had the word Bill Haley on it, and rock around the clock ended up playing
at the beginning of Blackboard Jungle, in the middle of Blackboard Jungle, and at the end of Blackboard
jungle, in 1955. And it is only then, three weeks after the movie came out, the song became the number
one song in the country, the first rock and roll song to ever hit number one on Billboard,
and the second best-selling song in American history after White Christmas by Bing Crosby,
which is cheating because people just buy that for Christmas. So is rock around the clock
an intrinsic hit, right? If you are an investor in some marketplace of music hits,
and it's 1954 and you hear Rock Around the Clock, and you hear Rock Around the Clock,
is the smart move to bet on rock on the clock or to bet against it.
Both.
In 1954, the song was a flop.
In 1955, it was the biggest hit of the century.
So, yes, luck plays a role.
Timing plays a role.
No world in which the biggest hit of the century,
in which that song's outcome rests on the thin little shoulders of a
year old of fifth grader boy named Peter Ford in 1955, you can only discuss that world through
the lens of probabilities and likelihoods and not formulas and inevitabilities.
Let's go back to Facebook because in its relatively young time, a short amount of time as a
company, certainly when it went public and it grew in popularity to the point where
people's grandparents were getting on Facebook, and there were plenty of smart people at the time saying, well, that's it. It's over now for Facebook because it's no longer the cool place for younger people. It's no longer the popular place. It has only continued to rise in popularity. When you look at Facebook today, what do you see in terms of a company that is not only one of the biggest public companies in the world, it is one of the most popular stocks, it is one of the most popular businesses.
How is it able to maintain that popularity?
Is that the biggest challenge they face?
When I look at Facebook, I see one of the most impressive companies in American history
that is going through a very serious existential crisis at the moment
that doesn't really understand what it is and what it's built.
It knows that what it's built is valuable.
but it doesn't know what it's capable of,
and it doesn't yet understand how to talk about it.
So the best way to understand Facebook briefly, to me,
is as a piece of information infrastructure,
the same way and a national highway system
is a piece of transportational infrastructure.
Facebook owns practically no content.
It owns the proverbial roads on which the content reaches consumers.
It's done a magnificent job of stitching together this proverbial nation,
which is actually international, this international polity.
But in doing so, it's not only created an incredible place for advertisers to reach people
and people to reach people, but it hasn't understood that other equivalent.
with roads, which is that when a state builds roads, it also hires police officers to make sure
the roads are safe and erect signs to make sure that cars don't hit each other and paint lines
and do the decades of thinking required to build a safe and truly effective national highway
system. And Facebook right now has become profitable before it's become self-aware.
in a weird way.
And what you're seeing right now
with the fake news crisis
from the 2016 election,
another fake news crisis
with yesterday's Las Vegas shooting
where it turned out
that Facebook was heavily promoting,
I believe it was either
right-wing
American propaganda
and or Russian propaganda
in its trending news section.
And is now
buying advertisements
in Burma to, in newspapers,
to teach Burmese people how to read Facebook.
So I joke today on Twitter, I was like,
this is a grotesquely ironic version of Amazon
getting back into brick and mortar,
like Facebook buying advertising in print
to teach print readers how to read Facebook.
So this, and then on top of that,
you have sort of,
Mark Zuckerberg said like semi-political, semi-presidential tour around the country to like talk to
farmers in Iowa about like who they are and how they live. I think, I think you put this all
together and you have an incredible, amazingly successful company at the crossroads of an existential
crisis, not understanding exactly what it's built and how to control what it's built. Because
Zuckerberg founded this company thinking that connecting the world would simultaneously serve a dual
purpose. It would be good for humankind as the connections between individuals have
always been, according to his philosophy, and it would be insanely profitable, because connecting
people tends to be profitable and tends to grow GDP. But I think he's now realizing that there's
lots of people who are not good, and they, according to Facebook's algorithms, are just as valuable as the
people who just want to talk to their uncle and on and share a CNN story. So I think that in conclusion,
I would say that Facebook's biggest problem going forward is not economics, it's politics. No company
that has so quickly achieved what is essentially quasi-monopolistic power in its industry,
no company like that wants to be on A1 of the New York Times and Washington Post every single time
there's a national news story, and it turns out that they've given enormous backing to some
piece of fake news.
I don't think the Trump administration is going to be the one to regulate them, but you look at
some of the people who want to be the next president of the United States that are Democrats,
and a lot of them are picking as their boogeyman, not elites, but big corporations, and Google
and Facebook are duly afraid of that future.
Derek's book is Hitmakers, The Science of Popularity in an Asian.
of distraction, it is available everywhere. That's going to do it for this week's show. Our producer
is Mac Greer, our engineer is Steve Broido. I'm Chris Hill. Thanks for listening. We'll see you next week.
