Nobody Should Believe Me - Introducing: Our Ancestors Were Messy
Episode Date: March 21, 2025Our Ancestors Were Messy, is a show about the ancestors and all their drama. On each episode, host Nichole Hill and her guests unpack the ancestors’ historical schemes, feuds, and quests to examine ...how their relationships with one another shaped who we are today. Before the 1960s nearly every major city in the nation had a newspaper written for, by, and about Black Americans. During their “Golden Era” between the 1930s-50s, there were over ten thousand newspapers with an estimated subscriber count of over 1 million. The editors, reporters, and columnists for these papers included legends like Ida B. Wells, Frederick Douglass, Langston Hughes, W.E.B. DuBois, Mary McLeod Bethune, Zora Neale Hurston, and James Weldon Johnson. They reported on local, national, and international news from the Black perspective. They also kept track of what everyone was up to in their segregated neighborhoods and spoiler alert: there was never a dull moment! *** Listen to Our Ancestors Were Messy: https://thesecretadventuresofblackpeople.com/our-ancestors-were-messy Learn more about your ad choices. Visit podcastchoices.com/adchoices
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True Story Media
Hello, it's Andrea and I have a special treat for you today. The first episode of my absolute
favorite new podcast, Our Ancestors Were Messy from the incredible Nicole Hill, who was also
our story editor for season five. This new show covers the gossip, scandals, and pop culture that
made headlines in the black newspapers of segregated communities in pre-civil rights America.
It is a history show, but told as gossip with all of the juiciest bits. Who was beefing, who was canoodling,
who was posting saucy love letters. It's so fun and fascinating and just makes history come alive.
I'm telling you, I only want history in the form of gossip going forward. Our Ancestors Were Messy
was an official selection at the 2024 Tribeca Film Festival, and I just really think you
will love it.
You can find the show wherever you listen to podcasts, so go check it out and we will
include a link in our show notes.
Enjoy!
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and all 2025 Escape models. For details, visit your Toronto Area Ford store or ford.ca. The secret adventures of black people presents our ancestors
were messy.
Craigwell is poor having only his wages to depend on.
Oh my gosh.
Today, a forbidden romance threatens the future
of one of DC's most elite families.
And Lulu was probably like, I don't care about this side
of the track, that side of the track, I'm in love.
And provides fodder for two of DC's busiest gossip columnists.
Dear Louise, your letter to the household last week was read with a great deal of interest.
This episode stops.
Junkulin Hill, host of the podcast Explain It to Me for Vox.
Black Delilah.
And your host, Nicole Hill. Oh. Diyot. I think it's D great day. So, I'm gonna go ahead and sign it to me for Vox. Black Delilah. And your host, Nicole Hill.
Oh.
Diyot.
I think it's Diyot.
This is Our Ancestors Were Messy,
a podcast about our ancestors and all their drama.
Mm-hmm.
Where did you grow up?
So, I bounced around Kansas and Missouri for a good chunk of my childhood.
But I feel like when people ask where you're from,
they're asking where did you graduate from high school?
And the answer to that question is Albuquerque, New Mexico.
Albuquerque, New Mexico, which I mean, I love it there,
but wow.
Yeah, like the number one thing people say is like,
oh, they got black people there.
And the answer is no, and that's why I am not there.
So where are you now?
So I'm in DC now.
I moved out here to go to Howard.
Like most Howard grads, that's probably the longest
I've gone without saying the words I went to Howard.
And I just stayed ever since.
And what would you say is your relationship to the city?
Oh my gosh, I really do feel like it raised me.
I was talking with someone recently,
and I asked, how long do you have to live in a place
to no longer be considered a transplant?
Because I've lived in D.C. for 15 years now.
And my friend was like, you're good.
Yeah, you're in. I've been on and off in D.C. for 20 years.
I'm not there now, but I'm only ever away
for like a couple years at a time.
But I count myself, and I keep leaving, so you're in. You've been there the whole time, steady?
No.
I essentially bleed Mambo sauce now as far as I'm concerned.
Yeah.
["The Star-Spangled Banner"]
Now what kind of a black are you?
Ooh, okay. I've been thinking about this.
Um...
And I feel like...
original recipe. Like, I am just a regular,
a very regular black person.
Like, not a new black, just old-fashioned black lady.
Well, okay, I'm not an old-fashioned black lady. Let me not say that, but you know.
I was like, what is the old-fashioned,
what's the original recipe?
I don't know, I don't have all the bells and whistles.
Like, I'm not like, ooh, post-racial society.
Even the conversations, like the diaspora wars,
I think I'm a little original recipe in that
because I'm like, y'all, we are all black.
What are you, and like, people will argue
about the one-drop rule, and I'm like, mm, you're black are all black. What are you? And like, people will argue about the one drop rule.
And I'm like, mm, you're black.
I also, I think I have a very good black dar.
Like, there are people who are black and I clock it.
And I have friends who are like, that's a black person.
I'm like, I know when a negro is in my presence.
TITUS HAWKINS Okay.
So this might be, this is awkward.
This is the third rail, but we're gonna,
the story is about class.
So on a scale of one to five, one being trash
and five being like free, clear, honest, easy to do.
Can you rate the quality of the conversations about class
that you've witnessed within the black community?
Oh, it's hard to do.
It's hard because sometimes it's good
and then sometimes it's bad.
Like I said, I went to Howard
and there's that tweet where someone's like,
I hate Howard bitches.
They're always in the bathroom arguing about slavery.
And it's like, I, that's, I am, at the party,
I am the person in the bathroom arguing about slavery.
Mm-hmm, mm-hmm.
Also, the thing is, everyone tends to get blinded
by their own experience and there's a defensiveness,
like an inherent defensiveness.
I'm gonna give it a two.
I'm gonna give the conversations a two,
especially if they're happening online.
Oh my gosh, don't even try.
Oh my God, I know, then it's like zero.
Yeah. Why do you think that is?
Why do you think class is such a like, it makes people defensive?
Okay, I think no matter who you are, class gets sticky.
It's that whole thing.
It's like, don't talk about politics and money and it's both those things together.
But I think for so long, class and race has been married in this country.
And for good reason, like understandably so,
there have been systemic things that, you know,
make a lot of black people part of the same class
and make it very hard to have upward mobility.
But when that upward mobility does exist,
it can get a little sticky because it's this thing of,
well, you're still experiencing racism.
And it's like, yeah, but also like, there are privileges that come with having
money. And then there's all this like class anxiety that's harder to move up
in the world. And then you feel defensive about it. And it's just, it gets sticky
so quickly.
How comfortable are you with discussing class?
Oh, I'm pretty comfortable with it. But again, I think that's because I've been arguing in
bathrooms about slavery for the past 15 years.
Okay, this story is about class and is actually in D.C.
Ooh, back when it was really Chocolate City?
Back when it was becoming Chocolate City. Mm-hmm. We are in the Gilded Age,
AKA the Victorian era, AKA the 1880s.
Mm-hmm.
In society news, President Grover Cleveland
has become the first and only president
to get married in the White House.
Yeah.
His bride is 27 years his junior,
and she told their Reverend, Dr. Byron Sutherland, that they would be changing her vows
from honor, love, and obey to honor, love, and keep.
Oh, a progressive lady.
A progressive young lady.
Reverend Dr. Sutherland is like, fine,
we can do whatever you want
because I've already been in so much trouble.
Because he'd married another DC couple recently,
and in doing so, he'd ushered in one of the biggest society scandals that the black elite
had ever seen. This is the story of a battle between romance and class. This is
the story of the scandalous loves of Lulu Francis.
Ooo!
I love, first of all, I love love. I love scandals.
I love drama.
This is the story for you then.
Okay, so slavery ended 20 years ago.
Black people are moving all around the country
now that they can and they're trying to decide
where do we wanna be,
what city are we about to turn chocolate?
A lot of them decide on Washington, D.C.
Period.
So there are a lot of really great black schools there.
Obviously, H.U.
You know.
There's a ton of other black people around.
That's very attractive.
The highest concentration of black people
in the nation at that time.
And in the city, there's a class of Black elites.
Mm.
They are wealthy.
They're from the D.C., Maryland, Virginia area,
which obviously we call the DMV.
Mm-hmm.
And they're known as the First Families.
Oh.
So there's a couple different ways that a person
can become a member of the First Families,
the Black elite.
And I'm going to tell you how one man did it.
He is the father of the star of today's episode,
and his name is Richard Francis.
-♪ Piano music playing. -♪
Richard was born enslaved in Virginia.
A Southern gentleman never mixed his own drinks,
so they would have enslaved Black men do that for them.
So this was one of Richard's jobs.
He did it really well.
He didn't have a choice.
So when he was freed, eventually,
he went to work at a white-owned tavern
up the street from the White House.
He rises from basically like a bar back
to the most popular bartender at this tavern.
It's called Hancock's Old Curiosity Shop.
Ooh, I'm drinking an old fashioned,
and I just imagined the old fashioned he would make me.
Oh, they would be so good. And you're black so he'd really hook them up.
Well, you're a black woman so and it's the Victorian era so maybe he wouldn't.
So he'd probably be like, why are you drinking you hussy? Go home.
He is a really, really good bartender and because of its location it's really popular for politicians from across the country to come, and they all fall in love with his mint juleps.
This is his specialty.
Mm-hmm.
One of his patrons is a senator, and he tells Richard
that he wants to help him get a job running the private restaurant
in the U.S. Senate.
And Richard's like, I would be very into that.
So the senator puts in a good word, and Richard gets the job.
He's not the first black man to hold that position, but it's still like a really big deal. So once he's
there, he seems to be making good money. He takes his earnings and invests them in DC
real estate. Brilliant. And so then he makes more money and he can afford to now be a member
of the first families. So in order to be a member of the first families, you need to have a combination of the following.
This isn't an exhaustive list, but to start,
economic security.
You need enough money to not have to worry about money
and you gotta be real classy with it,
meaning you need to own a beautifully furnished home,
you need to dress well,
you need to vacation in the right spots.
Harper's Ferry, West Virginia actually,
is super popular with them.
Frederick Douglass and his family have a house out there.
Richard is financially set,
and I don't know how he decorated his home
or where he vacationed, but he has money,
so check, that's one thing.
You have to have a prestigious job.
Running the private restaurant in the US Senate counts,
so check.
You need to go to college.
I don't know Richard's educational background,
but he's obviously very intelligent, but he did not go to college, I don't know Richard's educational background, but he's obviously very intelligent.
But he did not go to college, I'm assuming.
So no check for that.
And you have to be from the DMV, which he is from.
So check.
Oh, they're strict.
They are very serious about those rules of...
Very serious.
I would not be grandfathered in my 15 years.
They'd be like, girl, you are not from here.
They would be like, no, you're out.
Richard has made the three out of four.
So that means him, his wife, their son, and two daughters
are officially members of the first family.
And so that brings us to the star of today's story.
This is one of Richard's daughters,
Miss Louise Marla Francis, whom everybody calls Lulu.
-♪ LULU THEME SONG PLAYINGan
Lulu is likely a fashionista, a little spunky and opinionated, likely educated.
She would have been doing things like attending organizing meetings for women's suffrage
at the city's first black Presbyterian church, the 15th Street Presbyterian Church.
She's a woman described by the Washington Post at the time as the Belle of colored DC.
So basically she is our ideal rom-com heroine.
I wish I had a picture of her, but I do not.
But let's cast her in our mind.
Who do you think could play this person?
OK, it sounds like she's that girl,
and this person is not an actress.
But I'm just imagining like Gilded Age, Lori Harvey.
That's so funny.
I was thinking Lori Harvey.
Yeah, like Gilded Age, Lori Harvey, she's that girl,
know the girl, et cetera.
Just remember that you're the prize always.
So once Lulu hits marrying age,
inquiring minds would wanna know who's it gonna be,
who's she gonna pick, much like Lori Harvey.
At this time, she could have ended up
with a young W.B. Du Bois, they're in the same class,
or maybe his mortal enemy, Booker T. Washington.
Let's say you're Lulu.
What would your ideal husband at this time be?
And for context, let me just tell you,
that her sister married a man with a good government job,
working at the pension office.
So that means they're economically secure,
socially elite.
Her brother goes to Howard University,
and then the University of Michigan,
where he graduates magna cum laude,
and then he comes home to DC, marries an elite black woman
at the 15th Street Presbyterian Church, becomes a doctor.
Alright, so you're Lulu.
Do I have to pick from the men you mentioned,
or can I make my ideal man up?
Make your ideal 1886 man up.
Ooh, you know what? I'm gonna go with a doctor. I'm gonna go my ideal man up. Make your ideal 1886 man up.
Ooh, you know what? I'm gonna go with a doctor.
I'm gonna go with a doctor.
Somebody that, like, all the Black people go to,
they're like, uh, he is that doctor, he is that guy.
And I'll be like, yeah, that's my man.
Okay, so Lulu starts dating one of her dad,
Richard's employees.
Oh.
He's an aspiring young barber named John F. Cragwell. Can I have you read how the papers
described Mr. Cragwell at that time?
It's on page one.
Oh my gosh, this is so rude.
Cragwell is poor, having only his wages to depend on.
Oh my gosh.
That's your man.
He's probably a nice guy.
He might be rocking her world in one of several ways, like...
But also, like, what else are we gonna, I guess, family money,
other than wages?
I mean, yeah, ideally family money or real estate investments.
Ugh, so rude.
So rude. She likes that boy.
She likes him. Okay, so, okay, so this is the thing.
Cragwell is a barber or a tonsilary artist,
which is what they're called at this time.
Black men were like finding that they actually really enjoy
the experience of like going to a shop together,
talking reckless, hanging out, also getting their hair done.
So men are like, oh, okay, you guys like this?
They start opening barber shops somewhat regularly.
They can begin popping up all over Black communities.
And people are starting to be like,
huh, this seems like it's a community hub.
This seems like a potentially lucrative business.
So being a Black barber does have the potential
to become like an important role in the Black community
and a profitable job.
So Lulu's like, maybe she's like,
you know, there's potential here, Dad.
Like, just let him cook.
Like, we don't know what he can do.
So they keep dating, and they do fall in love.
Aw.
So like, let's picture a romance montage.
You're Lulu. You're with your Craigwell.
Can you just like describe the world
that you two would build together?
What kind of dates would you want to go on with him
in the 1880s?
Oh my gosh, I'm gonna tell you one thing. We are getting ice cream. We are going to an ice cream
parlor, okay? We are making eye contact at church and he is walking me out while I fan myself.
He's courting me. He's sitting in my mother's parlor, and we are drinking tea under the watchful eye
of my father and siblings.
Mm-hmm.
I don't know, like, is there a promenade that we go to?
Definitely.
Is there?
I don't know what things are open.
There's probably no zoo yet.
Probably no museums, but like, whatever the version of that
is, maybe he's outside my window at night and throwing rocks,
and we're writing each other letters.
Maybe we even sneak a little kissy kiss
and no one sees it.
Being fast.
This cross-class, kind of upstairs-downstairs romance
is not something that the first families
would have been cool with.
They're very snobby.
So, like, just to put it in perspective,
there's, like, 230,000 people in D.C. at this time.
Seventy-five thousand, or 32% of them, are black.
And then 400 of the 75,000 are members of the First Families.
Okay, so it's giving literal talented 10s.
You took the words out of my mouth.
That's what we're talking about here, the talented 10.
So the talented fifth, really.
So, the First Families, they're exclusive. If we're talking about here, the talented 10th. So the talented fifth, really.
So the first film is their exclusive.
If you're wealthy and black, but you're coming to DC
from like Philly or New York or Detroit,
they call you a foreigner or a stranger.
And if you're poor or uneducated and black,
they don't call you anything at all.
Because they're living by this mandate of lift as we climb.
The saying is everywhere, it's a huge part of the strategy
that the race has come up with during a time when they literally had to move in
next door to the people who used to enslave them.
So it's like, not a good time.
So they think like, okay, how are we gonna change this?
How are we gonna make things better for ourselves?
And Debbie B. Du Bois and a lot of people come up with this idea
of the talented tent.
And they're like, all right, we need y'all to go in there,
be as respectable and as elegant and educated as possible
to put these white people at ease
and show them that like, see, I'm a human just like you.
See my hands.
You can't really reason.
You have to be like, it's okay, it's okay.
Or you have to just fight, but they're outnumbered.
Yeah, like, it gives something that I would have thought to do
when I was like in my 20s and felt like I had something to prove.
And this is like, they're the first generation of people.
A lot of them were slaves and now they're free.
White people are not okay with this.
It's not like everybody's like, oh yeah, you earned it, good for you.
Like, they're under duress at all times.
So yes, you're having to like overcompensate, overprove, overdo all these things.
And the idea is if we send y'all in there to do that,
then white people will be put at ease
and then go around to the back of the club,
open the door, and then you're gonna let
all the rest of us in.
Here's what the strategy didn't account for.
It's hard to be in something,
but not of it.
What did Audre Lorde say? Masters house, masters tools, et cetera.
Yes. So the talented 10th start to adopt the traditions and the customs of the elites they're
meant to be imitating. And then they come back to the black community and are these
enforcers of the politics of respectability and brutal critics of anybody that doesn't comply.
Ooh, I wonder if that had any long-term consequences.
You know what I keep thinking?
I'm like, you create a strategy that'll really work for you.
But then, uh-oh, we just kept the same exact strategy for like hundreds of years.
We didn't update it, you know, as like modern people.
I think we're trying to update it now.
But it's so hard for me to judge them ever
because I'm like, it did work.
I am here.
Yeah, it's also this thing of like,
if you're barely one generation out of being enslaved,
you know, I'm gonna have sympathy.
Back to Lulu.
-♪ MUSIC PLAYING. -♪
Lulu has a friend who she does seem to turn to for advice.
The papers don't name her, but I'm imagining her
to be like a level-headed, best friend archetype,
like Dion and Clueless.
So, I just want to call her Dion.
Yeah, every rom-com needs a best friend.
Every rom-com needs a best friend.
Of course. All right, so I'm imagining this next part.
But indulge me.
Dion probably would have listened to Lulu go on and on and on
about her great love and these walks along the promenade,
the ice cream. She's like, girl, come on now.
Do you really think that this is gonna work out?
He is a barber and he is broke.
And we are royalty.
Like, what are you doing?
And Lulu was probably like,
Dion, I don't care about that.
I don't care about upstairs, downstairs,
this side of the track, that side of the track.
I'm in love.
And not only does she and Craigwell continue dating,
they get engaged.
Ooh! But someone and Craigwell continue dating, they get engaged. Ooh!
But...
Someone finds Craigwell, and they have a conversation with him.
We don't know what they say, we don't know who it is.
All we know is that afterwards, he goes to Lulu and he says,
I can't be with you anymore.
Our engagement is over.
And then he moves to Pennsylvania.
Oh my gosh, she has to stab him!
He broke her heart.
Lulu is so sad.
I'm picturing her like running upstairs
and then flinging herself on the bed
and crying and crying and crying.
And Dion's trying to console her.
But she's also maybe breathing a little sigh of relief,
along with Richard, Lulu's dad, and the rest
of the first families.
Because Lulu was probably going to end up
like Lucinda Seaton anyway.
Allow me to tell you a cautionary tale of Lucinda Seaton.
Oh.
30 years before Lulu's forbidden love,
the DMV had another it girl,
and her name was Lucinda Seaton.
When a famous German American painter painter came to D.C.
looking to paint the portrait of the quintessential
African-American lady to be displayed across Europe,
do you know who he chose?
Lucinda Seton.
Not, uh, he's going to paint her like one of his German girls.
No.
So, Lucinda's, all this happening with her, her like time to shine, it's 1850.
So the Civil War is 10 years off.
Slavery is in full effect, it's the culture.
But also we have a community of free black people and that's what her family is.
But that year the census was taken and for the first time it recognized and counted as
separate Africans and mixed race people.
So half white, half black.
So it was reported that there were a little over three million
enslaved black people in America at that time,
and 250,000 of them were mixed race.
So these 250,000 people, for the most part,
they're not born of, you know, like,
loving, consensual relationships.
That's not what we're talking about here.
You know what I mean?
So we're talking about a horrible, like, mass rape
from white enslavers of black women,
and then black women are giving birth
to these hundreds of thousands of people.
These are just the people that they counted.
So the white men who fathered these children,
at that time, there was like a culture,
among some of them, of claiming these children
and either giving them
better jobs on the plantation, like in the house.
We know what this does to our community,
but they're bringing their children inside.
All right, time for colorism to start.
Mm-hmm, mm-hmm.
But they're like, you know, you are my son,
you are my daughter, you work inside.
It's disgusting and weird, but this is what they're doing.
Or they're freeing them
after a certain age, or sending them off to Europe
to be educated, or even sometimes leaving them
inheritances. Some of the elite families got their start
this way, or they claimed to have gotten their start
this way, because it was seen as a respectable thing.
It was like, you were special to your dad.
Obviously, we know this is how we came by being light-skinned,
which is among the most important qualities
a member of the Black elite could ever possess.
Horrible beginnings, what we did with that trauma
is multiply it, but this is how...
This is part of their story too.
So, Lucinda Seton's family seemed, from what I can surmise,
to have partially gotten their start this way.
I mean, they are very light.
She's like part Indian, part white, part black.
OK, she's a red bone, as we say.
She would be in the Fenty 300s.
She would be in the Fenty 300s.
Thank you for translating that for modern audience.
So, you know, they're free through all this, you know,
weirdness and grossness,
but they also, somebody opened up a grocery store
and it would eventually become the largest grocery store chain
in the DMV, and so that's how they came by a bunch of money.
So Lucinda's doing great. She's living the dream
until she marries a blacksmith.
Mmm.
So the blacksmith is doing okay for himself.
He's doing, you know, the best that he can,
but he's also middle class, so now she is too.
She clearly married for love because she has to move
into a middle class neighborhood
in a quaint little home on I Street in northwest DC.
Which is like, now...
Now it's like, girl, that's money.
Yes, exactly.
So she moves to I Street, where the men go to work
and the women raise kids, and nobody comes
by to paint their pictures.
Oh, no.
Lucinda has six kids, five girls and a boy named William.
And she seems to have been searching for a way
to get back in to the first families,
like get back into the life she'd become accustomed. But they need to make some money.
If Lucinda Seaton's six kids get educated, they can get good jobs, make real money, and
put their family back on the map.
So all the kids are sent to school.
William goes to the prestigious private elementary school in the basement of the 15th Street
Presbyterian Church.
So now all Lucinda has to do is just wait.
Unfortunately, in 1863, tragedy strikes.
Her husband is murdered during a robbery.
Oh no.
So now Lucinda is a widow with six kids to feed.
I don't know if her family helped her out a bit,
maybe they did, but she does become a dressmaker
and she starts an ice cream shop to make ends meet.
Oh my gosh, did Lulu go there with Craigwell?
Mm-mm, they are gonna cross paths, we'll see.
But she has to pull her kids out of their schools
to help earn money for their survival.
Some of the members of the First Family
probably still stop by her little house on I Street
and wish her well, but it's clear to everyone
that Lucinda is now even further away
from being one of them than she was before.
She'd married into a precarious financial situation,
and now she was a poor with no hope of ever advancing.
The end.
So now, we're back. We're back with Lulu and Dion in the 1880s. We left Lulu. She's crying
in her bedroom, probably making it up, but you know, she's sobbing. Dion is there, she's rubbing her head.
She's saying, don't worry about Craigwell,
all men are dogs, it's gonna be okay.
Then, our picture, Lulu's father, Richard,
poking his head in the room to check on his daughter.
Lulu, she doesn't notice him because she's sobbing,
but Dion looks up.
The two exchange a knowing glance.
What was that look?
Cut to Lucinda's house. LUCINDA LAUGHS
Lucinda's scene is still in D.C.,
in that little house on I Street.
And she would have likely been watching
the Lulu-Cragwell affair with a lot of interest.
LUCINDA GROANS
Maybe because the story mirrored her own,
or maybe because she had made it her
and her six kids' business to know exactly
what the first families were getting into
and to tell everybody. Oh, that is nasty. her and her six kids' business to know exactly what the first families were getting into
and to tell everybody.
Oh, that is nasty. Lucinda, don't be nasty.
They may have counted her out, but they shouldn't have because Lucinda has a son named William
Chase, and he's all grown up now, and she's taught him everything she knows. William and
Lucinda are coming for the first families, and sadly, Lulu will find herself
caught in the crossfire.
Oh my god.
But you know what?
I watch a lot of Housewives, so I do understand when you get iced out, like the alternative
is like time to be a gossip monger and start some mess.
Coming up, Lucinda starts a beehive and Lulu prepares to become a bride.
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Questrade. We now return to Our Ancestors Were Messy.
Back to Lulu.
She's single now, but then she meets a man.
His name is Mr. Sneed.
Mr. who?
Mr. Sneed, S-N-E-E-D.
Okay, so she's back outside.
She's back outside.
All right, she got her toes.
She doesn't have her toes out.
It's the Gilda days.
No, no, no, no, no.
Whatever that version is, like, hey, girl,
we've got a new man.
Forget that old one.
We're moving on.
Mm-hmm.
Mr. Sneed is a waiter at the Arlington Hotel,
which is one of America's most opulent hotels
and the first families would have been like,
this is a great look. The papers call him swell.
Not poor.
A waiter's a great look?
Yeah, because it's at a really, really, really fancy hotel.
Okay.
And because at this time, to put on a uniform
and work in a hotel, and work for dignitaries
and all these things, this is really, really important to them.
Okay.
So, Lulu and Snead begin a courtship. work for dignitaries and all these things. This is really, really important to them. Okay.
So, Lulu and Snead begin a courtship. Lulu and Snead get engaged.
Lulu's dad, Richard, agrees to give them
a wedding present, which is a house.
Ugh, love that.
Mm-hmm, we love a house as a wedding gift.
That's amazing.
Lulu and her parents and maybe Mr. Snead
draft an invite list, and although I couldn't find it, I could guess who would be on it.
All the first families, the famed suffragette Mary Church Terrell and the Terrells.
Love Mary Church Terrell.
Langston Hughes's great uncle, John Mercer Langston, and the Langstons would of course
be there.
Obviously, they have to invite the founder of the 15th Street Presbyterian Church, John
F. Cook and the Cooks, the McKinley's,
the Cardozo's, the Grimkeys, everybody's gonna be there.
As in Cardozo High School Cardozo's?
Right, I know, it's wild.
Wow.
I was like, all these last names come from this, what?
I know, I heard Seaton, I was like,
wait a minute, I know that street.
Mm-hmm, and the school.
So, then this question arises between the couple.
I'm guessing Lulu is the one that asked this question.
She says, Mr. Snead, should we invite Mr. Creadwell
to our wedding?
Would you ever invite an ex to your wedding?
Okay, and this is gonna sound messy.
If y'all are cool and your current partner does not know the extent of your friendship
with this person, yes.
But if it is well known, girl, he does not need to be there.
No, stop being messy.
Okay, well, Lulu's parents send out the invitations and the household prepares for a royal wedding. Two people who most certainly would not have received
an invite from the Francis family
and would have been in their feelings about it
were Lucinda Seton and her now grown son, William Chase.
So if you'll recall, she had to pull him out of school
when he was nine to help support the family,
and he started selling newspapers.
And that's how he got to know a lot of the editors
and the newsrooms and the reporters in Black DC.
He grows up, he goes to Howard Law School,
he passes the bar, he becomes a lawyer.
And he also continues reporting
and working in various newsrooms.
And he lives at home on I Street with his mom
and his sisters, they're all very close.
William has got this flair for the dramatic.
He has dreams of becoming a renowned actor.
And he actually ends up falling in love with
and marrying another actor.
And the two of them are in little plays together and stuff.
It's very cute.
Mainly though, his time is spent
lawyering, reporting, and jockeying
for political appointments
because there's another way that a person can become a member of the Black elite, and
that is by doing the absolute most.
If he can become a combination lawyer, reporter, and politician, he will be economically secure,
have the most prestigious jobs anyone can have, be lifting as he climbs in matters of
law, news, and politics.
Okay, being a politician and a journalist at the same time gives me pause, but I do respect the hustle.
It's a wild combo, but it's totally fine back then.
Like, how are you going to do both these things, sir? But okay.
Totally fine. No questions. We're all on board. No notes.
But the problem was, when it came to the politics, he never seemed to get the political appointments
that he went after.
And when he was rejected, he did not take it in stride.
He would go into the office of whatever newspaper he was working for at the time, he would sit
down at his typewriter, and he would go absolutely insane on everyone he held responsible for
him not getting the jobs he thought he deserved. So like one time Frederick Douglass was like I will hook you up and
he said great great great great and then Frederick Douglass is like no I can't.
He publishes all this like I hate you I hate the way that you dress I hate the
way that you talk, I hate your hair like just... petty.
Well okay but if you're going scorched earth like that that's why you're not a And you can paint your hair like just... Patti.
Well, okay, but if you're going scorched earth like that,
that's why you're not a politician.
Like, a not insignificant amount of having a career
is being personable and getting people to like you.
And if you go scorched earth when you get a no,
you're gonna keep getting nos.
Right.
But he doesn't care.
People describe him as handsome, a climber, and very, very combative.
Oh, he was handsome? I see why he's like that.
You're like, oh wait, that changes everything. Okay, got it clear.
That's why he acts like that.
So finally, William does secure one of the jobs he's been going after. He's named the
editor of The Washington Bee, a brand new weekly paper serving the Black citizens of DC,
whose motto was, stings for our enemies,
honey for our friends.
Oh, oh, oh.
It's estimated that at this time,
there are like 12,000 newspapers serving
segregated Black communities across America.
But when you get to a major city like DC, there's usually a few, so the competition is really fierce
and you need to do something to stand out.
So William is like, what's up, sisters?
What's up, my wife?
You all are now going to be on staff at the Washington Bee.
And he makes all of them like reporters and cultural critics
in addition to some outside people.
And then they set up offices at Lucinda's house on I Street. There, they turned the beat into appointment reading.
So was it like the shade room, essentially? This was their shade room?
Well, okay, so it was, they primarily cover news related to the fight for civil rights
and social justice. They're like covering news that all the white papers are covering,
but without all the racism and with black people in it. That's like the idea.
Mm-hmm.
But they also make sure from time to time
to just let William get behind his typewriter
and do his thing.
["The Last Supper"]
He'll be like, what's up, white leaders?
I am so sick and tired of all the ways
that you do not point black people to positions of power.
You are so racist and you're so hypocritical. And then he'll be like, what's up, black leaders?
Nothing that you're doing is going to make a difference in the black community because
you are too intellectual and you're too theoretical.
And then this is his favorite.
He's like, what's up, first families?
You think you're so much better than us?
You think I don't know what's going on behind closed doors?
A lot of his readers, who the bee refers to as the household, that's what they call Black
feces.
Hey, Rumi, he's like, okay, I know about the shade room, but it's giving the shade room
at times.
Exactly. It's good branding. It's good branding. You got to brand your audience. The household
feels looked down upon by the Black elites
because they're working class or they're poor
or they're dark skinned or they couldn't go to college.
And so behind their back,
the household calls the first families the Fust families.
The what families?
Fust, F-U-S-T, which is slang for musty.
Oh, not musty. Jesus. Okay, I think being called musty. Oh, not that musty, Jesus.
Okay, I think being called musty
is the worst thing that can happen to you.
Do you know?
I agree.
Because musty isn't just stinky.
Musty is like, you're funky
and you've been funky for a minute.
Can I have you read on page two
what the bee said about them?
Yes, let me see.
Oh, they wouldn't be caught dead with an ordinary Negro
and they foolishly expect to become absorbed
by the white race.
Ooh, drag them.
No, okay, but here's the thing.
You're Lulu.
So you're the fusty one.
How would you feel reading this?
Okay, and this is what, okay, this makes me think.
It's that thing of, hey, we're all black people,
et cetera, et cetera.
But, and I admit sometimes when I see tweets about this
where people complaining about quote unquote black elite
or like black college educated people,
there's something in you that inherently gets defensive,
even though you'll have these conversations about men,
about white supremacy and you say,
hey, you gotta take a hard look at XYZ.
But when the finger points to you,
it admittedly does not feel good.
And I do feel like people start bringing out their, like,
no, no, no, no, their cards, where it's like,
well, my dad, my parent, I'm first-generation
college graduate, like, I don't, don't put me with them.
Like, my family grew up with no money,
you just wanna start, you do these things.
And it takes a lot of work to check that and say,
okay, only hit dogs holler.
If I'm hollering, what am I doing?
What's happening?
And that takes a lot of maturity and a lot of thought.
So, back to William.
He is assaulted twice and sued five times for libel
over his articles. He's like, I don't care.
There's this section of the paper called the Clara and Louise column.
Every week the paper publishes a letter from an anonymous Clara to an anonymous
Louise or vice versa.
And in the letters, among other things, they share the torrid details about the ups
and the downs and the scandals of the First Families.
Okay, Lady Whistle Down.
The Lady Whistle Down to a T.
And the First Families hate this column.
Their complaints about it reached such a fever pitch
that William, who is normally like,
don't care, don't care, don't care,
has to release a statement being like,
sorry, I don't know who Clara and Luis are,
I understand your pain.
However, I am never gonna stop.
I'm never gonna back down.
Every week, tune in because I'm going to be publishing
all of their insights into your scandals
and your hypocrisies.
Mmm.
-♪ ELECTRONIC MUSIC PLAYINGan's voice in background.
-♪
On November 27th, 1886, just five days
before Luluhans and Sneed's wedding,
the Washington Bee publishes a bombshell in their weekly gossip column,
which as you'll recall, is written in the form of letters
between an anonymous Clara and an anonymous Louise.
I have compiled a medley of the letters that Clara and Louise wrote to each other
over the next two weeks about the scandal,
which I would love for us to read right now if you would not mind. I think I'm playing Louise. Okay, perfect.
If you will play Clara.
Dear Clara, I hardly know how to begin or what to relate first, but the most sensational
thing that has ever happened in our society is the elopement of Miss Lulu Francis.
Girl, not you eloping.
Chuh.
Dear Louise, your letter to the household last week
was read with a great deal of interest.
I never was made more surprised in my life.
It will be remembered that Mr. Cregwell had been going
with Miss Francis for a number of years,
and it was understood that the engagement between them
had been canceled.
for a number of years, and it was understood that the engagement between them had been canceled.
Mr. Cregwell was persuaded to break the engagement
by a lady connected with the Francis family?
Oh!
Deon, I think it's Deon.
Nasty work, nasty work.
Then Miss Francis went to Harrisburg on a visit,
and Mr. Cregwell did not greet her with any respect, nor did he write to her for over a year.
Still, she said that he was the only man she ever loved, and if she married another, it would be men play? Let's just continue because I have,
I have a lot of thoughts, let's continue.
Mr. Sneed expressed tender feelings for the lady.
He gave her his heart and they were engaged
and he went to the expense of making their wedding
a brilliant affair.
The lady asked her friend,
would it be wise to give Mr. Cragwell
an invite to her marriage?
She was told no.
Mr. Craigwell, on the reception of an invitation from Miss Francis and Mr. Snead announcing
their marriage, immediately left Harrisburg, Pennsylvania and came to D.C.
Once in the city, Mr. Craigwell remarked to his friend that he would never leave D.C.
without Miss Lulu Francis.
But finding that he could not persuade her parents
to bless his reunion with Miss Francis,
he returned to Harrisburg.
Mr. Craigwell could not rest in Harrisburg,
so he returned again to D.C. and inaugurated another scheme.
This time, he solicited the services
of the sister of Miss Lulu.
While out walking with Mr. Sneed,
Miss Lulu called at her sisters and with Mr. Sneed, Miss Lulu called at her sisters
and told Mr. Sneed to wait outside
as she wanted to see her sister about a dress.
Mr. Craigwell was there and he pleaded with her
to become his wife.
Mr. Craigwell told Miss Francis that he always loved her
and that it was hard to see his first love married
to another man who would make her life miserable. At this juncture, Ms. Francis said,
but my invitations are out for my marriage to Mr. Sneed.
Oh, I could fix that, said Mr. Craigwell.
After deciding what steps were best to pursue, it's said that Ms. Francis, Mr. Craigwell,
her sister and her brother-in-law traveled to the residence of Reverend Dr. Sunderland,
who married President Grover Cleveland.
In the afternoon of Wednesday, November 2nd,
the marriage license was procured and they were married.
Dr. Sunderland said that he thought the affair a romance
and that it did not excite his suspicions.
It was settled and poor Mr. Sneed
was made a victim of despair.
The household is started and society is up in arms
to think that Miss Francis would be guilty of such an act.
Mr. and Mrs. Francis are heartbroken to think
that their daughter would treat them so.
She has been reared a lady and looked upon
and respected as such.
Her parents consist of the best elements of our society.
This is Snead's last song.
Where has my Lulu gone?
Is the song I shall sing.
The chestnut bells are ringing and the boys are singing.
Snead, Snead, Snead, oh Snead, where has thy Lulu gone?
I have been told that Mr. Sneed has received
a just retribution.
It's said that he had many sympathizing friends
who regretted that he was disappointed
and many young ladies who were pleased.
I saw Mr. Sneed at the fraternals last Wednesday evening
and he approached Major Fleetwood and said,
Major, I carried you an invitation to my wedding
but I suppose that you have heard that my intended has gone
off with another.
The Major laughed and said, yes, Snead,
I don't know whether to congratulate you
or to extend my condolences.
Mr. Snead in reply said that he would like
to have his congratulations.
Yours, lovingly.
Yours truly.
Louise.
Clara.
All right, girl. Go ahead, go on. I truly. Louise. Clara. All right, girl.
Go ahead, go off.
I have so much to say.
I have so much to say.
And it really is giving Lori Harvey.
I'm glad that's who we live with.
I feel like Mr. Sneed is Michael B. Jordan.
Oh, Mr. Sneed is Michael.
Mr. Sneed is Michael B. Jordan, which, you know, Michael,
call me.
I'm around. I have so many thoughts.
Because on one hand, it's better to end a marriage
before it's miserable.
She clearly was not into it.
Um, he was, although, you know, at the end, he's like,
it was, it, it, he feels very Drake-y.
It's very like her loss.
And I mean, that derogatory.
Oh, mm-hmm that derogatory.
That being said, don't spin the block. Like no, if that man left once, he'll leave again,
and when he does it again, you're gonna feel so stupid.
I just, like, oh, I'ma get you back, baby,
like I guess, but she let that man spin the block,
and here we are, what a scandal. I think it would have been better if she had said,
you know, I'm not feeling it. Call it off.
Maybe wait some time, lay low a little bit.
But to run off and get married?
Also, her sister was in cahoots.
We can't forget this.
It's not all on Lulu. Her sister was in cahoots.
Also, who was it? Was it her mom who was all like,
don't marry that girl? No, they said it was a friend."
So that's why I feel like Dion... Okay, so,
this is my conspiracy theory that I had cooked up
in my head based on no evidence.
I feel like Richard, Lulu's dad, went to Dion,
Lulu's best friend, and he was like,
-"Dion, my daughter cannot marry that broke barber.
I need you to go to him and tell him that if he really cares best friend and he was like, Deon, my daughter cannot marry that broke barber.
I need you to go to him and tell him that if he really cares for Lulu, the best
thing he can do for her is to leave her.
And so then Deon like went to him.
She said that Lulu was like, oh my God, he left me.
I want to be with him.
And maybe Richard gave him some money because you know, that's how rich people do it.
That is true.
So then Mr.
Cregwell leaves town.
Lulu was like, oh my God,, I can't live without him.
Dion's like, you'll be fine.
Lulu's like, should I invite him to my wedding?
Dion is like, girl, no.
Then boom, boom, boom.
He's back in her life, they're married.
Also it's this thing of,
and this is something my mom always said,
and of course there are exceptions to this rule,
but it's a thing of if your child is dating someone
you don't like, don't make a fuss,
because that will only drive them into their arms.
Ooh, yeah.
And that's exactly what they did.
Yeah.
You came for the mess.
Now stay for the rest.
When Our Ancestors Were Messy continues.
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And now for the thrilling conclusion of this week's installment of Our Ancestors Were Messy.
After the elopement, it's reported that Craigwell
went to sea about making arrangements for him and Lulu
to get to Pennsylvania, and Lulu and her sister
went home to face their parents.
["The Last Supper"]
Allegedly, Mr. Snead is also there.
Me, I would just fake my own death.
Yeah, how would your parents react to you showing up
at the door being like, okay, Mary.
Okay, the thing is I'm an only child.
So the amount of conniption that would be had. Yeah, yeah, yeah, yeah. You would never survive it.
Mm-mm.
Unfortunately, there's no record
of what went down at the Francis' home during this meeting,
but at the end, Mr. Snead is sent away,
and that's the last we ever hear of him.
Now, Richard Francis, Lulu's dad,
and his wife, Lulu's mom, they are humiliated in front of all the first families,
the household, and potentially hundreds of thousands
of recorded black newspaper readers across the nation.
Because I found articles about this elopement
in papers in New York, in Alabama, and Missouri,
and a lot of them were pulling their reporting
from the Bee.
So this is bad.
Also, since Lulu was on the radar of the Washington Post, white DC may have known about all of
this too.
And so Richard may have had to deal with his coworkers and clients whispering about this
in the U.S. Senate, as well as everywhere that he went in DC.
Not long after the scandal in 1888,
Richard passes away suddenly.
Aw, he's stressed.
His funeral is held at the 15th Street Presbyterian Church.
Today, bartenders still remember Ann Revere Richard
for his incredible mint juleps.
When I was doing the research for this episode,
I kept getting linked to all these magazines
and all these articles about like famous black bartenders
and recipes, famous recipes created by black bartenders.
And there was Richard's.
It's the Dick Francis special for a mint julep.
And I will link the recipe in the show notes.
I never did find another article after the scandal
that mentioned Richard and Lulu together.
So I don't know what their father-daughter relationship
was after that or at the time that he passed away.
But in the bios of his that I came across
and in his obituary, he's listed as having left behind
a wife and one son, and that's it.
Dang! So both the daughters got gut?
Maybe both the daughters.
I don't know.
Dang.
Day heard daddy strict.
I know.
The Washington Bee continues to grow in readership
and prestige post-elopement scandal,
and they gain a reputation across DC and in history
as a paper that fought fearlessly
for civil rights and social justice,
in addition to the Clara and Louise gossip column,
but that's less so in the history books.
That's in the back.
In 1893, Lucinda passes away
with the Washington Beast still running
from her home on I Street,
which she managed to hold onto against all odds
and then pass on to her children.
So shout-out to her children.
So, shout out to Lucinda.
I know, that's right.
William keeps the paper going
right up until his death in 1921,
which made it, at that time,
one of the longest running black newspapers in America.
The DC First families, you know, it's hard to track down
exactly what happened to them or all their wealth.
Obviously, DC people will recognize some of the names, Seton, McKendley, but unfortunately,
those places are named after the enslavers that the first families shared names with,
not the first families themselves.
Oh!
Although I will say Cardozo is named after Francis Cardozo, who was a famous black clergyman
and politician, so we got that one.
But here's what we do know.
Charles County and PG County, Maryland, right outside of DC, are the richest majority black
counties in the nation. And they have been for a very long time. And I don't know why these
places in Maryland became bastions of black wealth, but it does seem like in some way,
the legacy of the first families in DC still lives on.
But I wish someone would look into this because I would love to know, like, why do they congregate
there?
What is it about Pretty Girl County that we can't stay away from?
Uh, uh, uh.
As for our newlyweds, Mr. and Mrs. Craigwell, they spent a little bit of time out in Pennsylvania
and then right before the turn of the century, they moved to Seattle, Washington. And once they get
there, they make their way into Black history.
Now, I can only find a record of what Mr. Craigwell did because of the times, but I
know, I believe and feel that I know, that Lulu was there right beside him holding him down.
Can I have you read the summary of Mr. Craigwell's life,
which was written up for his obituary
and published in Seattle's black newspaper,
the Northwest Enterprise.
Okay, Northwest.
Mr. John Fields Craigwell, pioneer resident of Seattle
and veteran barber, died Monday
morning from a heart ailment.
Mr. Cregwell was born in Virginia in 1862.
After graduation from high school, young Cregwell moved to Pennsylvania, but later returned
to Washington where he engaged in the barber business.
In 1885, Mr. Cregwell was married to Miss Louise Francis by the same minister that married
Grover Cleveland.
They moved to Seattle in 1890, where the young barber again started his business.
His shop was a gathering place for business leaders during and after the days of the Alaska
Gold Rush.
During his 56 years as a barber, he shaved many notables including Presidents Theodore
Roosevelt and William McKinley, John Jacob Astor, Alexander Graham Bell, and many others.
Besides his business, Mr. Craigwell was interested in several civic affairs.
He used to take an active part in politics, and at the time of his death,
he held one of the highest offices in the Presbyterian Church.
Surviving are his widow, Mrs. Louise Craigwell, two daughters, three grandchildren,
and one great-grandchild.
On November 24, 1935, Mr. and Mrs. Craigwell
celebrated their 50th wedding anniversary,
which hundreds of Seattle citizens attended.
Oh, they got a happy ending. Good for you, girl.
Okay, you can spin the block this one time,
but never do it again.
Craigwell passes away in 1937, and Lulu passes away in 1942,
and as much as I would love to tell you that that's the end,
I want you to have this happy ending.
There is one last part.
Oh, no!
Oh, why are they like this?
See, don't spin the block.
I told you.
I told you, don't do it.
Do not text that man.
Yes.
Lulu and Craigwell were among Seattle's earliest black citizens
and members of Seattle's black elite.
And yeah, Craigwell does go on to become a barber
and the city's most successful black entrepreneur.
He has a staff of 11 tonsilary artists
in fashionable downtown barber shops.
But about those shops.
So, why people really like to be waited on
by black people immediately following the end of slavery,
but they didn't want other black people around
also being served.
So some barbers would guarantee
their all-white clients tell that the staff would be all black,
but that they wouldn't serve any black people.
And members of Seattle's black press
accused Craigwell of this practice
and they call him a segregationist barber.
It's very hard to be in it, but not of it.
Mm-hmm.
Of course, there's so much more that happened,
but for now, that is the story of the scandalous,
cross-class romance
of Miss Lulu Francis.
Wow.
Gilded age, Lori Harvey.
You took me through a lot just now.
A lot.
Do you think it's possible to be in it but not of it, to be operating in these spaces of power but not adopting their practices and their ways of thinking and treating people?
Ooh, this is a question that I think about a lot, just living my own life and living
in DC.
I would like to think that you can be around and not be dragged down
by the grips and allure of power,
but I know that as humans we don't do that.
It's almost like the ring and lord of the rings,
like you're around it and the pull becomes so strong
that you can't say no, and then like, what do you become?
You know?
I would like to think that someone is strong enough
to do it, but I don't know if that person exists.
Yeah, that's real.
How are you feeling about the tactic of lift
as we climb as a strategy for 1886?
What did we gain? What did we lose?
Okay, uh...
Honestly, there are things about it
that worked at the time.
So I can't begrudge them that. And I guess the other option would have led to
even more death and destruction for black people.
So I get the route that they took.
And talk about Monday morning quarterbacking.
But what if we say, okay, we're just gonna do this for two years,
and then, like, we have to be real people after this, you know?
We can't be doing this in 2024.
Like, they devise a plan where this strategy is sunsetted by 2024.
What would you have us do?
Probably disengage completely, just stop caring.
Like, just being like, nothing is going to work.
If people want to be racist, they're just gonna do it,
and they will find any and every reason to do it.
At this point, who cares about the white gays?
What are we up to?
That is the strategy I would deploy now.
What do you think about looking at Black history
starting from the messy beginnings?
Because Craigwell is, like in Seattle,
that name is a big deal.
He is like seen as a big pioneer
and as a person who's done this incredible thing.
And you start the story from the time
that he got to Seattle.
And then you kind of talk about all the hard work he did,
everything he overcame,
his incredible resilience and business acumen.
And he's an amazing black capitalist.
But we don't talk about this other part.
Yeah, I don't know.
I kind of like the mess because it's also a reminder
that something my mom would say to me over and over again
is there's nothing new under the sun.
And I would think, I don't think that's true.
But this makes me realize, no,
there really is nothing new under the sun.
And I think we would all give ourselves a lot more grace
if we looked at our ancestors as people
and knew that they could get messy too.
Sometimes even messier.
Because this is wild.
I'm like, five days before your wedding?
Like that is wild.
Like she loved that man down.
Why visit Nova Scotia?
Well, let's hear from actual visitors. The looks of the sea, the mountains, it boosts you.
It recharges you. The people too.
People are nice. It's like more relaxed.
Like not everyone's in a rush.
You haven't left yet, but you are already making plans when to come back next.
Nova Scotia is your ocean playground.
Hear more from actual visitors and plan your own trip full of seaside fun, charming locals,
incredible seafood, and more at novascotia.com.
Why visit Nova Scotia?
Well, let's hear from actual visitors.
The looks of the sea, the mountains, it boosts you.
It recharges you.
The people, too.
People are nice.
It's like more relaxed, like not everyone's in a rush.
You haven't left yet, but you are already making plans when to come back next.
Nova Scotia is your ocean playground. Hear more from actual visitors and plan your own trip
full of seaside fun, charming locals, incredible seafood and more at NovaScotia.com.