Odd Lots - Ryan Holiday on Opening a Bookstore During a Pandemic
Episode Date: July 5, 2021Bookstores typically aren't seen as the most attractive businesses in the year 2021. Add in the pandemic, and that makes it even tougher. And if you're in Texas, dealing with multiple blackouts, then ...it gets even harder than that. Our guest on this episode did all of that. We speak with the author Ryan Holiday, the author of several books including The Daily Stoic and Ego Is the Enemy, as well as Conspiracy, a book about the takedown of Gawker. He talks about his new bookshop in Bastrop Texas, and all of the various difficulties he's faced over the last year in running the operation.See omnystudio.com/listener for privacy information.
Transcript
Discussion (0)
Hello and welcome to another episode of the Oddlots podcast. I'm Tracy Alloway.
And I'm Joe Wisenthal.
So, Joe, I feel like we're definitely still working through the economic reverberations of the coronavirus crisis, right?
We've had this massive recovery, but it still feels like there's further to go.
Yeah, I mean, absolutely. I mean, it seems like in many respects, like some of the sort of business disruption supply chain issues,
it's not obvious that they're getting better.
You know, we talk a lot about shipping and logistics,
and at least by some measures, for example,
that's actually still like as worse as it's ever been today
than at any point in the crisis.
Yeah, so we're still working through various forms of gridlock
in the supply chains as we've been talking about quite a lot on all thoughts.
But I feel like there's also these sort of deep scars
on the business environment from the past year.
Like, it goes back to that question.
I guess we've discussed it on the supply chain episodes, but what do businesses do about investment?
Are they confident enough to start reopening to really put a bunch of money in expansion?
Or is everyone going to be nervous for a long time that you could get a third wave or some sort of delta variant, something like that that could come in and I guess surprise everyone again?
Exactly right.
You know, I think like a lot of businesses were clearly designed for a sort of like predictable pre-pandemic like patterns, right?
Yeah.
And some things have like going back to normal and it's like, okay, like people are going out to eat again.
And it looks like people are starting to go to movie theaters again, though I don't know if it's enough to justify AMC's stock price, but people are going back to movie theaters again and so forth.
But obviously, like, things are just different.
And so certain types of businesses are certain.
types of behaviors are going to be different and certain types of businesses are going to be
affected positively and negatively. Yeah. So on that note of things being different, one thing I wanted
to do was talk to a specific business, like a single small business to try to get a feel of
what the past year was like and how they're now looking at the future. And I thought what could be
really interesting is to look at a business that already has its challenges, even without the
pandemic. So today we're going to be talking to a very, very famous author and someone who recently
started their own brick and mortar bookstore in Austin, Texas, and they actually opened that
store during the pandemic. And Joe, I know you follow the Texas news very closely, but there were
also all sorts of weather-related events that would have made the past year even more painful for
a new business. Yeah, absolutely. I mean, I think,
In the last few months, Texas has had both a historic freeze and historic heat all in a short
period of time, stretching a pretty, you know, that added to grid strain.
I mean, we saw like the crazy, like freeze.
I think it was back in March.
So just one thing on top of another.
Yeah, exactly.
So today we're going to be digging into all those various challenges from the perspective of an actual
small business owner.
And I am very pleased to be introducing our guest on this.
episode. It is the author, Ryan Holiday, and now the proprietor of the painted porch. So,
Ryan, thank you so much for coming on. Yeah, thanks for having me. You're right. It's difficult
to have a business during a pandemic. I think opening during the pandemic was so much harder because
you were completely flying blind. Like, you had no idea whether it would work under ordinary
circumstances. And then it was like, are people ever going to be in the same room with each other ever
again, that that was like the level of, of, like, questioning your bedrock assumptions about
reality that we had to think about a lot over the last 15 months.
So walk us through the timeline here then. Like, when did you start thinking about opening a
bookstore and why? And at what point did you actually start doing it? And how did that clash with
the pandemic? It seems like an eternity ago, but I was in the fall of 2019, I was,
We live near a small town called Bastrop, which is right outside Austin.
I was sitting in a restaurant with my wife in this small main street, and we looked out across
a street and there was an empty building that had been closed forever.
And my wife said, you know, it would be great there, a bookstore.
And I said, that sounds crazy.
But for some reason, we ended up, like, getting excited about the idea.
And so I think we, it officially became our space in January of 2020.
and we hired, like, our first employee started the process in mid-February of 2020.
So right before the wave crashed.
So what is the vision?
I mean, I'm actually, I used to live in Austin for a while.
I've been to Bastrop.
And I'm just sort of like imagining this sort of like idyllic little bookstore.
And it sounds very cool.
And I hope to visit it one day.
But besides, like, sort of like looking at a spot and saying a bookstore would be here, like,
what was sort of in your mind like the business opportunity for it?
So I have a couple advantages that your average sort of bookstore owner would not have,
which is for the last 10 years, actually more than that,
I've had an email list where every month I just recommend some of my favorite books.
And this started with like 50 friends and it's now, you know,
a couple hundred thousand people all over the world that get this one email that I do 12 times a year.
So I've been recommending books for a really long time.
and I know books that people like.
So I've loved supporting and recommending other authors,
even before I ever wrote any of my own books.
So I've kind of had a digital bookstore for a long time,
except almost everyone that recommends stuff online,
sends those people to Amazon, and you take affiliate revenue, right?
And so I've sold hundreds of thousands of books,
hundreds of thousands of dollars with the books over this time,
but just, you know, taking a minuscule commission.
And so part of it was thinking like, oh, okay, I've already done this before.
What would it be like if I actually owned the books and sold the books?
And what if I sold my own books directly to consumers?
What would that be like?
Then the other wrinkle, and this was a great piece of advice I actually got from Allison Hill,
who is the owner of Vromans and Book Soup in Los Angeles.
And now she's the head of the ABA, the American Book Association,
or the American Booksellers Association.
But she was saying that if you use the space, multi-purpose use of the space in bookstores is basically the only way to survive.
And so I actually needed my wife was tired of all my books being in the house, me being in writer mode around the house, sort of dipping in and out of reality.
And so the idea was I needed some office space.
I needed a place that I could do what I do, even recording this episode right now.
So I needed space.
I wanted to do the bookstore that came together in this specific location in this town,
you know, down the street from my house.
So first of all, let me just give a plug to Ryan's reading recommendations email because
it is really good and probably responsible for like a good chunk of my personal reading
every year.
But just going back to this idea of like a physical bookstore and a multi-use space.
So I get that in your case, it's a little bit different.
you're an author, you're looking for office space that you can use for your own projects.
But to what extent are most bookstores nowadays multi-use space?
Like I certainly know in New York, if you go into a bookstore, chances are it's probably
going to have like a coffee shop, maybe like a little area where they're selling
stationary and greeting cards and things like that.
Everything seems to have diversified and expanded to try to offset the giant that is Amazon.
on. Yeah, that's a huge part of the business. Wine bars or coffee shops, stationary gifts, accessories,
that's all a part of the business. But that, to me, is still makes you very vulnerable to, like,
in-person retail traffic. So I would say the real way that most indie bookstores are diversified
is that they also sell online, right? So having e-commerce and in-person, that's a big part of it.
But still, you're dependent on, you know, customers to sell books. So what I really wanted was some
way that, like, we could have a bad day. Like, nobody came in the store, which does occasionally
happen. And I wouldn't have necessarily lost any money. Like, it didn't cost me anything because
I still needed the space to write. When I was thinking about sort of risk mitigation of this
crazy, very expensive, let's call it, a vanity project. That's the wrong way to put it. I think
this rather self-indulgent business, like you're not opening a bookstore because you think it's
going to make you very wealthy. I'm doing because I genuinely love books, but I wanted a way
that like, hey, the mortgage or the rent or whatever it is is covered at least partly by things
that are not dependent on people coming in and buying hard covers or paperbacks today.
So what do you walk us through the timeline a little more? You mentioned that you had the idea
late 2019. Obviously, no one knew what was coming a few months later. How quickly did you put it
into motion? What did that entail? And what were the first like steps to turn like raw space
into a bookstore? Yeah, in March of 2020, that's when we just started the building of the,
the demo, the building of the shelves, all that work started, like, right as the world was
shutting down. I remember talking with some of the workers and going like, hey, guys, like,
this is going to get real. I don't know where this is going. And so, you know, then it did escalate
really quickly. We took, I think we took our youngest out of daycare on like March 8th, March 9th,
and sort of stayed at home, which is a few days before things really started in Texas.
but I remember a few days later, because no one was in the space, I could safely drive there and not be around anyone.
But I remember just walking through this space that had previously been set up to be a restaurant.
That's what the space had been.
It's been open for 140 years.
But the last thing that was here was a Mexican restaurant.
I remember I walked through the space.
It's now completely empty.
All the expensive kitchen stuff has been torn out.
The bar's been removed.
it's like worse than when we bought it.
And I remember thinking like that line from arrested development to, you know, I may have made a huge mistake.
Like it was just like, oh my God, did I bet everything on like a thing that's not going to exist anymore?
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So in March of 2020, when you're surveying the space and it's a mess, are you, what are you thinking in terms of next steps?
do you just press on with the plan, or did you maybe scale back some of the ambitions or have to
delay some of the work in refurbishing it? Yeah, the first thing we did was basically cut the plan in half.
So our space is technically two addresses, although they're joined in the interior through a door.
The original idea was like a bookstore on one side, coffee shop, meeting space, event space for the bookstore on the other side.
That it would be the bookstore would be like 5,000 square feet.
The second this happened, it was like, well, we're definitely not doing meetings anytime soon,
definitely not having events, definitely not having people sit for coffee.
Like, is that even going to be possible?
So we cut it in half just then, which was both terrifying and somewhat of relief because it made
the scope of the project so much smaller.
Like, of all the things we were thinking about doing that I'm the least qualified and have
the least experience about more of the hospitality side of things was the furthest outside my
experience. So scaling it down to just like, this store, that sells books. And it may be that
we're primarily online for the foreseeable future was like, that was the first radical shrinking
that we had to go through. Okay. So pandemic hits, total chaos. When did things start to feel for you?
like, okay, things are easing a little bit.
Like the chaos of the first couple months, you know, you start to get your bearings a little
bit, get more, you know, some sense of normalcy.
When did things start to gel a little bit for you?
We did end up pressing ahead with the work.
So it was surreal to see like shells go up and then the order of books came.
But there was no sense for us that it was remotely safe or appropriate to open.
So Texas, like in June, late May.
June was basically decided, kind of like Florida, that the pandemic didn't exist, that we had no
obligations to our fellow citizens, and that it was sort of every man, woman, and business for
themselves. So, you know, that was supposedly a pro-business decision, but it's actually
really kind of terrifying and overwhelming for, especially for a first-time business.
Like, we don't have customers that we're serving, right? Because we've never opened our doors.
But it's just like, are we going to take what is literally a sealed off bubble that is our lives and open it to hundreds of people?
And is that the right thing to do in a small town in the middle of a pandemic?
So it became this thing, well, now we can proceed with opening, but sort of ethically, morally.
And then also just as far as keeping our own family safe, we've got two young kids, can we, should we?
And we just decided no.
So we didn't even start thinking seriously that we might open until like 2021.
So we had to eat a year of like expenses going out, but nothing come in it.
So just to be clear, Texas didn't provide guidance on whether businesses should stay open or closed or what sort of things they should do to try to protect their customers.
Yeah, almost none whatsoever.
I mean, you know, at the beginning of the pandemic, there was like a mask mandate and some business closures and like some crazy lady. It turns out it was like sort of a not a stunt, but it was sort of a political sort of operation. Some lady and I think Dallas kept her hair salon open in violation of the policy. And then she was like arrested or fined. And then the governor like pardoned her almost like immediately. So it basically made.
it basically reduced masks and public safety in all the COVID regulations to like
meaningless theater, which made it so much harder to open.
Like, it made it essentially impossible for us to open a business for the safety of
our own kids, but then also just like in good conscience, right?
Like, I'm not indicting or criticizing the other businesses.
It's a totally different story.
If you have people who have worked for you who are, you know, sort of dependent on their jobs,
to whether your restaurant or whatever is open.
We didn't have that.
Because the government had punted on the problem,
it now made it our problem.
And we had to decide, like, can we look ourselves in the mirror
and be part of the problem?
Yeah, I remember hearing this from other business owners
that, like, okay, obviously there's some impulse
like people want to open up,
you want to sell, you want to make money.
On the other hand, you sort of like create this,
like, I guess it's like game theory
where it's like if you let someone, if you let everyone open, then you're put in this position where
you're sort of screwing yourself if you don't open, even if you don't feel like you could do it
safely or something like that. Like it was a pretty like, it was a pretty weird time.
It was, it was super weird. And, and, you know, now that we have the vaccines and we sort of have,
I don't even want to say we're coming out of it. But now it's, it's really difficult to go back
and remember what it was like in June or, like, was it coming just around the corner? You know,
And I think what I do remember of that time, in every step, like Texas sort of made the wrong
decision, and it got worse, right? So it'd be like, hey, you know, we're at 10,000 cases
a day. Well, you know, is that the peak? And then it's like, then 20, then 30, then four,
you know, it kept going higher and higher and higher. And so every time we thought like, okay,
we're going to turn a corner soon, it was this sort of self-inflicted, you know, like,
let's make it worse by pretending this thing doesn't exist.
Did you get any help or support from either the state or the federal government?
You know, I'm thinking about the Paycheck Protection Program.
For instance, I don't know if that applied to you because you were relatively new and maybe
there were restrictions on how long employees had to have been working for you.
But anything like that.
Yeah, I remember I applied for all that stuff at the beginning, you know, having just spent
all this money, all this time, and then not.
not knowing what it was going to do. And I remember we got, I think, like, all businesses got like
$1,000, you got like $1,000 for every employee, like at the very beginning. So I think we got,
like, $1,000 or something. And then I got approved for like a loan in the low six figures,
the PPP loan on the first go-around. And I remember just thinking, like, I don't actually need
this. And I don't feel good about taking it when other businesses are really.
struggling and do need it. So we ended up deciding not to take it. It was actually funny.
Like several times, they replied like, hey, you know, you're approved, accept your loan here.
And there was a large amount of money. And it was tempting. I just felt like, I felt like, one,
it wasn't the right thing to do. Two, I felt like because I have been successful, I mean,
it still wasn't something I could afford, but I have been successful. I felt like the optics of it
weren't right to accept it. And I also just didn't know where things were going. One,
thing I did end up doing that I think a lot of business owners or people in Texas where property
values have gone way up. What I did do was I refinanced my house at an extremely low interest rate
that just sort of relieved the pressure of like floating a business for a year, if that makes sense.
So I felt like I was benefiting from the government policy without having to take a direct
amount of money from the government. And I felt better knowing that, you know, hey, that that's going
to someone who would actually need it. And then, of course, you find out, like, all sorts of huge
corporations and businesses did take it that really didn't need it. But, you know, what are you
going to do? So, you know, Tracy and I were talking about in the beginning. Obviously, I think, like,
in the last few months, Texas has had at least, like, two very extreme weather, seen both extremes of the
weather that really stressed the power grid. There was the big freeze. And then, of course,
there's all these issues that companies, small businesses are facing both with logistics,
getting stuff, and with hiring. So let's take some of these things. Like, first of all,
you know, what happened to you and I guess your home, but also your business during the freeze?
I think that was in March, right? Yeah, it was out of the fire and into the furnace for us.
Like what happened was we ended up opening the business right after.
the surge crests at the, you know, the beginning of the year, sort of partial open, mass only,
only a few people at a time and mostly selling on e-commerce. And then this massive, unexpected
freeze happens that, again, the Texas government was totally ill-prepared for, had neglected
maintenance and basic responsibility of competent governance. And the result is the power
grid collapses in the midst of a, you know, a terrible freeze. It's a huge disaster because we don't end up,
we don't all live in the same reality. We don't see it on par with like a hurricane Katrina,
but it really was a disaster on that scale. I mean, hundreds of people have died. A state with like
30 million people is completely without power in many parts for for days at a time. I remember going
into my son's room and sleeping in his bed with him because we knew we would lose power during
the night and I'd heard of people freezing to death in their homes. Like it just the level like
that's a a thing you're doing in the first world is insane, right? And long story, sure,
what ended up happening is pipes at our at the building froze because we couldn't keep the heat on.
also snow accumulated on the roof and the weight of it cracked parts of the roof and water came
rushing in and ruined a bunch of inventory. So again, to go back to this idea that like, oh, the Republican
response or the Texas response is pro-business. We're not going to let these lockdowns, you know,
keep our businesses shut. Like pro-business is a philosophy, which means supporting business and making
business possible, the incredible incompetence and negligence, right down to Ted Cruz fleeing the country
for a resort in Mexico, like that costs businesses like mine tens of thousands of dollars to say
nothing of having to be closed and all that. And, you know, let's not even get into the sort of
perpetual denial of climate change, which puts us in the mess to begin with, right? So it was
extremely frustrating and just, again, I could afford it, but I can only imagine a business that
was struggling to hang on. That being the blow that finishes you off. Did you ever stop and think maybe
it's not worth it.
I mean, the beauty of the sunk cost fallacy is that it blinds us and we keep going because
of all of what we've already done.
So supplies.
So like, okay, you're like the snow, like it cracks the roof of your building, the pipes freeze.
So obviously that creates things you have to buy or think someone has to buy.
Anyway, you mentioned inventory damage and so forth.
We also know that coming into this, people are already talking about difficulty.
labor. I have to imagine it's not trivial funding construction labor or repair labor in Texas in the
middle of a boom. On top of that, how did these things intersect to the extent that they did?
Where like sort of like getting back on your feet intersecting with some of these broad shortages
and tensions that were building up even prior to this. I mean, I'll give you something even more
practical than that. Publishers have had trouble keeping books in stock. My own books have gone
out of stock, like three or four different times, different titles have, you know, publishers tried
to over the years get closer and closer to sort of real-time inventory management, to keep as little
in stock as possible. Amazon, the same thing. You want to have as little inventory sitting in
warehouses, but you want to speed up your ability to get books to people who need them. And so,
when the pandemic happens, that's bad because publishers are, you know, printers are struggling. It's hard
to get supplies. Everyone's dealing with, you know, sort of new COVID safety protocols, and that makes
it harder to do what you normally do. But then also this bumps into a good thing, which is suddenly
people are home and reading more. And they're buying them, you know, mostly online, but they're reading
more. So book sales have gone up during the pandemic, but the ability to stay in stock has been a
perpetual struggle. So like even right now, I sent out my reading list email yesterday, and I had to
decide what books I could recommend based on what books I could actually get my hands on
in high enough quantities to sell them to people. And these are, you know, publishers are,
publishers and booksellers primarily make their money off what we call the backlist. Yes,
new titles, celebrity books, memoirs, etc. sell. But it's, you know, it's books that are
five years old or 10 years older or 100 years old that sell. But those are the most dependent on that
sort of inventory management. So it's been a real struggle just getting books in people's hands
because stuff that people want isn't in stock. What do you think is needed to rectify that
situation? Is it just things sort of going back to normal? Maybe people, this sounds weird to say,
but people reading less as they go back to work and start going out to bars and restaurants,
or is it publishers and printing presses responding to the new demand and actually ramping up
production. Well, I hope the solution is not people reading less. As just a member of society,
I think part of why we're in this mess is people not reading enough. Like, one book we've sold a ton of
copies of is John M. Berry's The Great Influenza, which was published in, I think, 04, 05. Actually,
George Bush reads it and puts in place a pandemic response team that, as we know, is later disbanded.
and that gets us where we are. But books are timeless and good ideas are timeless. And it's by
studying the past that we can prepare for the future, avoid unnecessary repetitions of the past.
So I think we need to read more. But I do think publishers are having to figure out how do you
minimize costs, but also not make yourself dependent on this sort of Byzantine supply line that
really struggles. So one of the things I've made, I made these sort of brass coins, these challenge coins
that are emblazoned with some of the ideas in my books, right? We could have made them cheaper
in China over the years, and that would have helped us be profitable up until 2020. But the fact that
we use this small, you know, mint that's based in Minneapolis allowed us to never go out of stock
during the pandemic. So some publishers print overseas, but most printing is done in the U.S.,
which I think is why, although there's been trouble, it hasn't been a complete disaster.
Businesses are having to figure out, hey, you get stuff cheaper in China or Bangladesh or wherever you make it,
but that makes you vulnerable to very long supply lines. And the closer that stuff is to home,
the faster can be done. It's more expensive, but it's also more resilient.
Let's talk about that a little bit more, the actual physical publishing, because every once in a while, like,
me and Tracy, like, we'll talk to someone about writing a book, like maybe an Oblot's book
or something like that. And they're like, oh, if you start it now, you know, it'll like come out
in year 2027 or something. It's like, that's right. I'd rather just like write it, write a tweet and
have it be up two seconds from now, but, you know. But in all seriousness, like, it does seem
as though my understanding, like actual physical capacity of production is an issue. And there's
only like so much production. So how much like publishing capacity is there?
just in a normal state? And then, like, what really, like, happened to it and how strained is that, is that now?
Like, walk us through the sort of, like, publishing supply chain a little bit more.
Yeah, I'm not an expert on it by any means, but I'll give you an example. This was happening before the pandemic.
The success of the Obama books, particularly Michelle Obama's books, were so pronounced and so
enormous that, like, printers in the U.S. were running out of paper, right? So it can be, you know, a massive
hit book, you know, can suddenly suck up all the printing supply. And publishers have to make
decisions. And these are arguments I was having with my publisher, of course, is like, you know,
well, who gets the, you know, if there's however many pages available, how are you allocating
them, right? And who gets those pages? And so that can be a real battle and that, you know,
the customers don't understand is influencing what they can see and what they can order. But what you're
really dreading is like somebody decides they want to read a book and then they go on your website
or they go on Amazon or they go to a store and it's not available and you can't tell them when
they're going to be able to get it. And so that's the perpetual difficulty. What's been interesting
about my books is I think my oldest book is 10 years old, but all of my books remain in print and
sell sort of consistently. It's what they call a perennial seller in publishing. That's a good
problem to have, but it's also, you know, I have I think 12 titles. So that, that,
that's a lot of books to keep in print, right? And that can be a hard target and hard choices get made.
And suddenly, you know, your book is the one that they pushed the printing back, you know, six weeks.
But at your sell-through rate, that means they're going to run out two weeks from now.
And for a month, people that want to buy your book can't buy it. And, you know, what happens if that's the week that, you know, you get interviewed on NPR and suddenly...
Or odd lots. Or odd lots. Yeah.
I'm only saying that because we're not actually.
talking about my books here. But I just mean like, you know, maybe that's the week that some
celebrity mentions your book on Instagram. Right. And all that demand disappears in the wind because
they can't purchase it when they want it. A lot of this reminds me of, in some of our shipping episodes,
we've been talking about how you actually get spaced on a container ship. And it usually goes to the big
customers like a Walmart or an IKEA. If, you know, if you're the shipping company and you have to make a
choice about who gets limited space on your ship, you're going to give it to people that you know
are going to come back again and again and be worthwhile customers. So I guess I'm curious,
when it comes to authors, like, how are publishers making that judgment call? Is it just based on
who they think can sell the most books? Yeah, I think it's primarily based on demand and need and
velocity. The good news is most books from the big publishers are printed in the U.S.
But actually during the pandemic, I had bought back the rights and was working on a leather-bound edition of one of my books, The Daily Stoic.
And the only place we could get it printed was in Belarus.
So it got printed in Belarus in, I think, late May.
But we weren't able to sell it until August.
That's how long it took to get from Belarus to the United States.
I remember how it just watched, it was a crash course in global logistics to watch, you know, a book leave on a boat from Belarus, make it to New Orleans.
Orleans travel up the Mississippi in a container ship until it got to our warehouse in Chicago
and watching that happen, watching it unfold. And then exactly what you said, I mean,
as you pick your shipping rates, it's like, you know, here's what it costs to be in the container.
But here's what it costs to be the first unloaded from the container, right? And, oh, I didn't realize
that that was a thing, that that was like part of the price. Yeah. And, and, you know, here's what it
cost to put it on a on a on a on a plane you know maybe that's three or four dollars a copy which is you know
obviously destroys the margin so there's there's all these things that you doing my own books
having self-published a few sort of premium editions of my titles it did give me some empathy for
the struggles that my publisher was going through although you know I remember having one conversation
that was sort of like look uh the reason I sold my book to you was so this would be your problem and I
I would get the benefit of being a protected by the big guy, you know, the multi-billion dollar
corporation.
But I think one of the things I learned about the pandemic was like it really put everybody in
the same boat.
It didn't matter how big you were.
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How did you end up, so you had this vision for like a really premium leatherbound version of the book?
How does that process work?
Like finding the one printing press in Belarus that can like deliver the voice?
version you need. Yeah, it was pretty funny. My agent had been a long-time publisher before he was an agent,
and he recommended me to someone that they'd used before. It was like a Bible printer in the United
States. They're actually based in Dallas, but they print at a factory that they own in Belarus.
So, you know, we went through a bunch of different people. They gave us samples. But one of the reasons
my publisher didn't want to do the premium edition and why they sold the rights to me is that it felt like,
to them to be more trouble than it's worth. It actually ended up being a great idea, and readers have
really loved it because the Daily Stoak is a book you read a page a day every year, and you start over
after you make it through all 365 days. So it kind of needs to be a sturdier book than your
average hardcover. So it was a cool project, but yeah, you just realize like, oh man, now I'm having
to, you know, different qualities of leather, what do I want? And how do I get in a box? And, you know,
how do I ship it some to the warehouse in the UK and some to the warehouse in Chicago and what am I
willing to pay? And yeah, how fast do I want it loaded off the container ship? And, you know, what is the
capacity of the port, you know, during the pandemic? And then God forbid people whose stuff was going
through the, the, the, the, the, the, the, the, the, there's a boat stuck sideways. Like,
all of a sudden, these things that you read about in the news become like, your problem when you're,
you're the publisher or when you're when you own the bookstore?
One thing we haven't spoken very much about is, I guess, employment and whether or not it was
difficult to find enough people or the right people over the past year. I imagine some people,
you know, much like you were perhaps reluctant to open in the midst of the worst of the pandemic,
employees were probably reluctant to come into work. And then, of course, this year, as the economy
reopens, we've heard all this talk about a labor shortage. And I'm just curious if this is something
that you've experienced yourself. Yeah, we hired someone really great at the beginning of the
pandemic to be the manager. And then I think that was, you know, as soon as we did that and then we
couldn't open, it became sort of unconscionable to us that we would like, if we wouldn't show up at
the bookstore every day to send someone else to do it for us, you know? So we just decided that,
sort of first have this person set up everything and oversee the rollout of the bookstore,
knowing we weren't going to open, and then sort of repurpose them for other projects until
they felt comfortable and we felt comfortable. And then, you know, obviously the decision
for all of us to get vaccinated made some of this stuff less stressful. But, you know,
Texas, again, shoots itself in the foot, decides to sort of aggressively politicize the vaccine,
you know, to lift the mass mandate early. Again, the pro-bibes.
business state passes this sort of nonsense legislation about, you know, not being able to discriminate
in the form of vaccine passports. And it's like, okay, great. Now you have to deal in a universe
where you're asking someone, an hourly employee, to demand some complete strangers, much
bigger than them, to put on a mask. And, you know, this is a state where people can openly
carry handguns. Like that is a totally unfair burden to throw on businesses, but it's the reality of
where we are. So we said, what can we do about that? My wife and I have volunteered in the vaccine
clinic in town. We've tried to go like, we want to live and work in a town where people are vaccinated
and safe. We can't affect government policy, but we can sort of try to be part of the solution.
So what about like just sort of, I mean, when we talked about the power out,
and the power stress and the buying things, like buying shelves or like buying furniture or buying
lighting. I imagine this was like totally new to you. And again, we keep hearing about like shortages
and delays with all that stuff. What was that process like? Yeah, you definitely hear that
from contractors and stuff. They're like, hey, you know, I had to go to six different home
depots, you know, to get this thing. And you're, and I'm sort of going like, but I don't want you to
have to go to any home depots. Like, can we buy this stuff online? Because again, I've, I've,
I've been very conscious of not wanting to ask people to do things I wasn't comfortable dealing with
myself. But we're in the middle of this. We talked about the freeze. Well, now it's this crazy
heat storm. And lo and behold, the AC goes out in the building. And we're going to have to spend,
you know, a large amount of money on these two ACs. But like, we're in a line, in a long line from
the company. So like they have to wait to get it. And then we have to get slotted in with all the other
businesses and people that need air conditioners, most of which, you know, probably weren't
super well maintained during the pandemic and then to go through this freeze. So that's what, like,
right now, today, we were trying to figure out how to get this, this AC situation fixed and, you know,
sweating our asses off in the meantime. I guess that's a good segue into what things are like right now.
Have things improved? Are customers coming in? Does the business feel established?
to you? Yeah, it feels it's been just long enough that it's sort of part of a new normal,
but business has been better than we expected. People have, for the most part, been wonderful.
So many people have come in, I love bookstores. I, you know, I always wanted there to be a bookstore
here. I'm so happy you're here. And it's been cool to see other businesses pop up, you know,
in some of the empty storefront since we opened. So we're feeling good about where it's going.
but then like a lot of business owners, you sort of also out of the corner of your eye or
you're tracking this Delta variant and you're wondering, you know, could this all go back
in the other direction again and how can we be prepared for that too?
The other thing we haven't like really talked about is independent book selling in the time of
Amazon. Obviously it's been pretty, you know, if you're the sort of like chain physical
bookstores, like they got sort of obliterated. But there does seem to be the space for more
independent bookstores. Are things like sort of at an equilibrium where like sort of like true
book levers are supporting independent books, maybe more than they did in the past and there's sort
of like this balance or is there still like persistent Amazon anxiety in your community in your world?
I'm a little unique among authors in that like I don't get any of this Amazon hate. Like I love
Amazon. Amazon has been amazing for me. Not just because they've sold a lot of my books, but they've
surfaced my books to so many people that would have never heard about them. And that quite frankly,
you know, a lot of indie bookstores have never got behind them the way that Amazon has. So,
you know, when I go on Amazon, I know my books are in front of people. When I walk into a
random indie bookstore in Cleveland or something, it's not a guarantee they're going to carry my
book. So the vast majority of my sales come on Amazon that not only am I not going to bite the hand
that feeds me. I'm grateful for what Amazon has done. But I would say that our strategy is, look,
if you know, if you're looking for a very specific book, like you want to read the newest,
whatever, you're probably just going to buy it on Amazon because that title is in your mind
and you want it right now. You're going to buy it there. The need we're trying to fill is,
hey, exactly the need we felt when we were sitting at that breakfast restaurant, you know, 18 months ago,
which is we're having brunch. What are we going to do after? I love browsing bookstore. So the premise of
our bookstore is not that we carry every book, but that we carry books that we know you will like
that we have gotten behind that we want you to check out. And that was something that surprised me
when I was researching about the indie bookstore business. The average indie bookstore
carries about 10,000 titles, which is an insane amount of books. We carry about 600 titles.
We have multiple copies of those books, but my premise is I want to have a small amount of books that 99% of them I've not only personally read, but like, I can tell you about and I can tell you why they're amazing and you absolutely have to read them.
And I want to be able to display them in the store in a way that they stand out.
So we carry a smaller number of books that we know people will love.
That's the premise of this store.
So we're not competing with Amazon.
We're not competing with Barnes & Noble.
it's right back to this email list I've done this whole time, which is like, here are some books
that I'm personally vouching for that I think you'll love.
So I realize that we haven't actually plugged many of your books on the podcast.
So I'm just going to say that two of my favorites of yours are conspiracy, which probably for
our listeners is a little bit media navel gazing, but that's why I am very interested in it.
And ego is the enemy was also amazing and helped me a lot when I moved into a manager.
role at Bloomberg. So thank you for that. And I have to ask, are you working on anything at the
moment? Yeah. I mean, that was the other part of the pandemic, which is as expensive and costly and
crazy as all this has been. It was also wonderful to have a quiet, safe space just to myself that I could
write. And to know that, hey, if I show up every day and write this book, do my job, we're not
going to starve to death. It'll cover all this, right? And so that was the ultimate sort of
variable use of the space was that I could use the upstairs to write. And so I worked on a kid's book
during the pandemic. I wrote a kid's book about Marcus Aurelius that came out in March. And then
I'm just now finishing and it's going to the printers. I'm writing a book about courage that
will come out in the fall. And hopefully will be the first event that we have in the store,
depending on sort of where the pandemic goes.
My wife is reading the Gawker book, by the way.
She really likes it.
Conspiracy, yeah.
Oh, thank you.
It's great.
And the new one on Courage, it's called Courage's Calling.
Is that right?
I'm looking on Amazon right now.
Yeah, well, see, there you go.
Yes, Courage is Calling.
The subtitle is Fortune Favors the Brave,
and it's the first in a four-book series,
and the first one comes out in, I believe, September.
Okay, well, we'll definitely look out for it.
Ryan, thank you so much for coming on odd lots and talking to us about the challenges of starting,
not just a new business, but an actual brick-and-mortar bookstore during a massive pandemic.
Appreciate it.
It feels good to vent a little bit and to share the journey.
So I appreciate the opportunity.
Well, thanks so much, Ryan.
That was great.
Cheers, Ryan. Thanks.
So, Joe, you can probably tell I enjoyed that conversation, but I think it really helped
to crystallize a lot of the different ideas that we've been talking.
talking about. I know we've spoken individually on a number of these supply chain issues now
and a number of these sort of like high-level economic themes. But I feel like this one store
in, you know, a small town close to Austin probably crystallizes a lot of what's going on.
Yeah, totally right. And I feel like, you know, it's interesting like it would not have occurred
to me that like, if you know it makes sense that like publishing got curtailed at the same time
there was like a spike in demand for a physical book.
Like how many, like I just feel like that is such a repeated theme that we saw over and over again this last year, the simultaneous spike in demand and the, you know, the diminishment of supply all hitting at once.
I just hadn't thought about it at all with physical books.
And then everything he said about shipping was like super interesting.
Like I didn't even realize that, you know, track your own ship and getting to decide like when it gets unloaded.
Just all super interesting stuff.
Yeah.
And also publishers prioritizing prints from.
certain authors. I guess like intuitively it makes sense, but it's also something I hadn't thought
about before. But the other thing I'm thinking is getting back to that question of whether or not
these pressures are transitory, you know, this idea of does the publishing or, you know,
the physical book shortage resolve itself because publishers ramp up capacity in one way or another
or because demand starts to normalize and unfortunately people start reading less. Or maybe it's a
permanent shift in behavior and having spent a year at home, people decide that they actually
really like reading books and it becomes the new normal. I guess it's too early to tell.
It's too early, but again, it's interesting because like how many times have we seen like an industry
was trying to get like super lean or like just in time inventory or and again like books, it must be
suit. Like I get that impulse. Like of course, like you want to not have inventory, but also like
books are super unpredictable in terms of what's going to have a huge run. So,
Once again, you see like the sort of cost of like trying to get too, to lean, too fancy with your inventory.
Yeah, absolutely.
Okay.
Shall we leave it there?
Yeah, leave it there.
This has been another episode of the All Thoughts podcast.
I'm Tracy Alloway.
You can follow me on Twitter at Tracy Allaway.
And I'm Joe Wisenthall.
You can follow me on Twitter at the stalwart.
Follow our guest on Twitter, Ryan Holiday.
He's at Ryan Holiday.
Follow our producer, Laura Carlson.
She's at Laura M. Carlson.
follow the Bloomberg head of podcast Francesca Levy at Francesca Today
and check out all of our podcasts at Bloomberg onto the handle at podcasts.
Thanks for listening.
