Office Ladies - The Convict

Episode Date: July 29, 2020

This week we're breaking down The Convict. We reached out to this episode's director, Jeffrey Blitz, and actor Wayne Wilderson, to get their memories and insights of this episode. We start with a haunted hotel story, the ladies discuss Pig Latin and Jenna explains the language of Ab. Then we get the origins of Prison Mike, and the scoop on how hard it was to get through those conference room scenes without breaking or sweating. To wrap it up, we discuss the scene with Andy singing Rainbow Connection and get some final insights from Jeffrey Blitz. Tanks for listening! It’s been a good life!

I'm Jenna Fisher. And I'm Angela Kinsey. We were on The Office together. And we're best friends. And now we're doing the Ultimate Office rewatch podcast just for you. Each week we will break down an episode of The Office and give exclusive behind-the-scenes stories that only two people who were there can tell you. We're The Office, ladies. Hey, everybody! Hi, you guys! This week we are talking about the Convict Season 3 Episode 9 written by Ricky Gervais and Stephen Merchant and directed by Jeffrey Blitz. There's some powerhouse there. Oh, yeah. Oh, yeah. Oh, yeah. Well, I'm wasting no time. I'm gonna hit you with a summary. Hit me, baby, one more time. Oh,

baby. Just give me a summary. Oh, my God. Oh, Brittany, we love you. All right. In this episode, Michael learns that one of the new Stanford transfers, Martin Nash, is a reformed convict. When Martin tells the other employees about his time in prison, the staff says it sounds like it's better than working at Dunder Mifflin. Well, Michael is heartbroken to hear that people would rather be in prison than at Dunder Mifflin. So he responds by turning into prison Mike to scare them all straight. And then also, Andy asks Jim for advice on how to whoop ham. And we get a little bit of a prank. He's gonna whoop ham. There's gonna be some banjo

playing. It's a real special. Jenna, I know you're about to hit me with some fast facts, but I bet I can guess two of them. Hit you with some fast facts. Oh, no. Right now, we're hitting fast forward. They're like, please, can I skip past them doing Britney Spears? Is your first fast fact that Ricky Gervais and Stephen Merchant created the office for the BBC? They're the OG of the OG? Yes, Angela. It is. Yes. And also, this is the only episode of the American Office that was written by Ricky Gervais and Stephen Merchant. I didn't know that. Well, our pilot was sort of technically written by them because, yeah, we really, we used so

much of it, but it was also adapted by Greg Daniels. But this is the only original American office that they wrote. Now, Stephen did direct an episode. He directed customer survey in season five, and Ricky did a cameo in season seven. And they were around. They would come visit us. I remember Stephen Merchant being in the writer's room a lot. Yeah. He would come by whenever he was in America. And you know, Angela, I did a movie with Stephen Merchant. You did a movie with the tall man from England? Yes. It was called Hall Pass. Oh. And it was a Farrelly Brothers movie. It shot in Atlanta, and I was so happy that Stephen

Merchant was on this movie because this movie had like these huge powerhouse comedic stars. Okay. It was Owen Wilson. There was Jason Sedakis, JB Smoove, Christina Applegate, and then like me. I remember. I remember you going off to do this and you were like, oh my god, I'm so nervous. I'm so nervous. I was so happy that I knew someone. Yeah. So I kind of glommed on to Stephen Merchant when we were on that set because I was like someone I know. Because otherwise, when you go do those movies, I always feel like the new kid in school where it's like, where do I fit in? I don't know anyone. Yeah. I was so nervous. But there

was another reason why I was very nervous on this movie, and it was because I was staying in a haunted hotel. What? Yes. You remember this? No. Lady. Yes. I got to Atlanta and they put me up in this hotel. I would get woken up in the middle of the night at like 2 30 in the morning by the sound of clumpy footsteps on my ceiling. Well, that happens in hotels, lady. Does it happen when your hotel room is on the top floor and there's nothing above you? What? No. I was on the top floor. So I called down to the front desk and I was like, excuse me. Do you guys do maintenance on the roof at like 2 30 in the morning? Are people walking on the

roof? What? Well, the person on the phone was like, no. And also just because you're on the top floor, they're like, that doesn't mean that like your ceiling is literally the roof of the building. Like there's stuff in between. What? The ceiling of your hotel. Like a secret floor? That's what I said. Yes. I said, what's happening there? Like when you get to an elevator and there's no button for it? Yes. That's what I wanted to know. What is happening in this space? Something is happening. People are walking. They insisted that I was not hearing these noises. They insisted. Angela, I wouldn't let it go. Well, so I

went to a travel website and I googled this hotel. You did a deep dive on the hotel. It's a haunted hotel. No. There were tons of stories of people who had stayed on the top floor who had heard the footsteps. Shut the front door. Okay. So now I can't sleep, right? Because you have a full-on ghost. I'm in a ghost hotel. I have to go to work tomorrow with Owen Wilson. I'm sleepless. I'm nervous. I called Lee crying in the middle of the night. Lee, who was my boyfriend at the time, who's back in Los Angeles writing a script, I was like, you need to fly here and you have to come keep me safe from the ghosts. You have to stay with

me during this movie. And he's like, what am I a ghost buster? What the heck? Jenna, just move hotels. That's what Lee said. But I was like, I am not about to call this production company and insist that they move me from this hotel because it's haunted. They would think you were Looney Tunes. They would be like, oh, this actress is convinced her hotel room is haunted and she wants to move. I get it. I get it. So Lee flew out. He stayed with me while I shot that movie and protected me from the ghosts. And by the way, when he got there, he heard it. He heard it. I would be so freaked out. Well, oh my gosh, that fast fact took a turn.

But I like it. It really did. I'm here for it. I'm gonna steer us back onto the episode with fast fact number two. This was the first episode directed by Jeff Blitz. We love Jeff Blitz. He directed 11 episodes of The Office. This was his first. He is a wonderful, delightful human being. I adore him. We reached out to Jeff and he sent in audio clips about this episode. We're so excited. I also told him I really need him to come back on because we need to discuss Save Bandit. Yes. And when I threw that cat in the ceiling, that has to be talked about. Because he directed that episode too, right? Yes. But you guys, I want to give a

shout out to a movie that Jeff had done. I had watched this movie. It's a documentary. I was a huge fan of it and a fan of his. So I kind of geeked out when he finally got to direct an episode. But he directed a documentary called Spell Bound. It is a fantastic documentary about the script's national spelling bee and it follows eight of the young competitors. It is wonderful. So if you're looking for things to watch, watch Spell Bound. It is so good. It was nominated for an Academy Award. Yes. Oh my god. I forgot that. Yes. It's so good. Well, we asked Jeff, how would you get this job? And I loved his answer. So Sam,

will you play that clip? When Greg was meeting people to talk about directing on the pilot, I got called in to meet with him. He was flirting with the great and probably crazy idea to bring a true doc filmmaker on from the start to kind of overlay a more authentic doc style onto the show. I had just done my first feature doc Spell Bound about kids in the national spelling bee and Greg thought the idea to have me on was an interesting one that he'd explore with NBC who immediately said, not a chance. I think it was almost two years later. I hadn't seen Greg at all and I got a call out of the blue. Greg wanted to know now what I

like to work on the show. At this point, he thought that he could talk NBC into it. So the office season three, I had my first gig in the world of TV with the episode, The Convict. Yeah. So this was his first scripted television show that he ever directed. He was just coming out of the world of documentary, which I love. I love that Greg did that, right? That he wanted a cinematographer who had shot documentaries. And now he wanted to hire a documentary film director. He was really interested in preserving the integrity of this documentary style for the show. I also love that Greg is such a champion of people. You know, he doesn't

give up on you. NBC said no. He was like, I'm gonna get you in there, Jeff. You know? Yeah. And then he did. I just love that. We also asked Jeff what it was like to shoot his first scripted television show and here's what he had to say. The thing that stood out to me is that I had done all this prep work figuring out all these shots. And, you know, I just had a ton of thoughts about the way each line might be. And then when the shooting actually started, I realized that all the prep work I had done, it just didn't fit for the kind of show that this was. The first or second set up, I think, had me standing right by Pam's desk. And I

realized that by then all of the prep work I had done, it just didn't make any sense. And I think that I just, I just dropped all of it into the trash can right there. Well, Angela, I remember Jeff standing at reception for that scene. Yeah. And we really bonded. I felt so fortunate that I got to have him up at reception with me because I just loved him instantly. I feel like reception, you got that sometimes. Like just sitting where you were sitting. A lot of times that directors and writers would be sort of perched up there either on that sofa. You know, they would sit on the sofa right there and watch the scene. And I

was a little jealous that you got to have all that time with them. Well, the other thing that used to happen at reception though, Angela, is that people would stand like a wall in front of reception with their back to me. And they would also steal my pens and they would also leave their water bottles on the reception desk. So there's an upside and a downside. There was. There was. All right. Are you ready for Fast Factor number three? I am. Fast Factor number three, Wayne Wilderson, amazing comic actor played Martin Nash. We also reached out to Wayne and he sent in some audio clips about his time on the show. He

did. Jenna, this time I was sliding into someone's DMs. Oh, I loved it. I loved it. I loved it. Now you and I are just these two ladies in their forties sliding into people's DMs. I know, right? Wayne is fantastic. And we started by asking him how he came to be on the office. And here's what he had to say. Hey, guys, it's Wayne here. How you doing? Thank you so much for letting me come to the party. This is great. I dig the podcast. I'm jumping right into a question one. Can you share how you came to be on the office? Yeah, I got to be on the office. It was just a regular audition call. They had this role was

two episodes, working two different weeks. And I already loved the show. And I was a big fan of the British office. So I was very excited for this audition. I knew Steve and I knew Adam just worked with those guys and Evan Almighty. Nancy, Steve's wife is one of my oldest friends, but they swore they had nothing to do with getting the audition. So that's what they said. But I got the job and was super excited. In that particular episode, I'm not sure if I knew when I got the part that Ricky Gervais and Stephen Merchant had written it. And I think it was the most two episodes were the first ones that they ever did for the U.S.

office. So that was a that was a bit of a no on. I did not know that he knew Nancy. I didn't either. But it makes sense, right? I mean, they're both really funny, talented people. They were in Boston. I don't know. I know. I see them crossing paths. No, they have the comedy connection and the Boston connection. So yeah, I guess that makes sense. Well, you know, when we were trading emails with Wayne, too, we asked him if he still gets recognized for being on the office. And he said yes, all the time, especially now with the research on Netflix. And he's so tickled by it. But he said it's all young

people now. Oh, yeah. I mean, we're crushing it with middle schoolers, guys. Because we talked about this on the merger, he had a big recurring on Veep as well. But I think he gets recognized more for the office, even though it was only two episodes. Oh, Veep is so good. So good. You know, we exchanged a lot of emails with Wayne about this episode. And we were talking about what it was like to rewatch this episode in light of everything that's happening in our country with the Black Lives Matter movement. And here's what he had to say. Wow. I just watched it again. I watched it, you know, maybe

every year. So it's such a good episode with everything that's going on in the world now. You know, it feels a little even edgier at some points, but it's super poignant, I guess, for all of the issues that we're dealing with now with race and how we deal with it and what's funny and what's not funny and who can say what when. And, you know, this puts a magnifying glass on where we've been and how far we've come along, what comedy we can do. So it was very interesting. I probably hadn't watched it in a year or so. And to watch it during these times was very interesting. With that, the comedy and its commentary, I think it

holds up very well. I think it's kind of a classic office episode. I'm gonna say it's a classic office episode. Boom. Well, Angela, I had not watched this episode since it aired and I definitely found a new poignancy when I was watching it. Oh yeah. And there are definitely lines and moments that stood out to me and I'll bring it up as we go through the episode. Same. Well, why don't we take a break and when we come back, we will break down the convict. We'll see ya. Okay, so we are back. This episode starts with Hannah bringing her baby into the office. She is setting up for her baby staying all day. Clearly, she's got a

pack-and-play. Yeah, there's a pack-and-play. I mean, she's moving in. What's happening? Yeah, we had a fan question from Ellis Friedman, Victoria Lava, and Megan Keele. Why did Hannah bring her baby into the office? Yes, ladies. Why? Why? We don't know. I watched the deleted scenes. I have a lot to bring to this episode that is explained in deleted scenes. We'll get to that. This is not. There's a whole runner in the deleted scenes with the baby. There's no explanation. People holding the baby. Yeah. I saw that in the script because I have the script for this one and there are all these scenes of people with the

baby but never is it explained why the baby is there. I would like to point out that this is a very progressive choice by Michael to allow a new mother to bring their baby into the office for the day, so I appreciate that. Although, what we didn't need him to do was get under the table and do an impression of LaCouse Talking. Do you remember those movies with Kirstie Alley and John Travolta? They were a huge hit. Wait, is Bruce Willis the talking baby? Yeah, Bruce Willis. So, Kirstie Alley has like a one-night stand with this cab driver played by John Travolta and they have a baby and now they have to figure out how to, I guess,

co-parent this baby when they're not a couple. Of course, spoiler alert, they're gonna fall in love. Yay. But all the while, you're getting commentary on their parenting and their romance through the voice of the baby voiced by Bruce Willis. As a grown man. So, because he's not doing a baby voice, he's a grown man voice and a baby voice. He's doing his own regular man voice. I want to be in that pitch meeting. I want to be in that pitch meeting. I want to see the person that's like, here's the thing. The baby talks and it's Bruce Willis. The same guy that said Yippee-ki-yay, mother of her, is gonna be the baby. It's gonna be great.

Here we go. Okay, well, in the deleted scenes, there is a baby runner. I mean, Karen holds the baby and flirts with Jim and Pam watches it all. I read that in a script. Mm-hmm. Kelly holds the baby and just jiggles it in front of Ryan and Ryan finally is like, what, Kelly? What? Are you holding a baby because you want me to want to have a baby with you? And she's like, no, what are you talking about? Whatever. And then three seconds later, she's like, oh my god, I want a baby right now. It's actually really funny. And then there's a very funny deleted scene where Andy and Dwight have like a baby off. Like, they're so ridiculous. These

two are so ridiculous. Like, Andy's like, I was a baby model, not gonna apologize for it. I was a beautiful baby and I modeled. This is like their whole competition in the last episode about who has seen more movies. Exactly. So they're arguing about themselves as babies. Andy was, I guess, a gorgeous baby and modeled. And Dwight was like, well, I weighed 13 pounds and my mom couldn't walk for three months. So take that. It's so weird. All right. Well, this scene with Pam having to watch Jim and Karen fuss over this baby was deleted. But the next scene in the episode is Pam watching Jim and Karen kind of flirt at

the copy machine. Yeah. And at one minute 47 seconds, you can still see my zit from the week before. Stop it. From from the merger. It's a little smaller, but it's still there. You have got to stop pointing it out. None of us noticed or maybe Hadley did because I know she, you know, she noticed Dwight's it. But Jenna, you like to track things. Stop tracking your acne. Well, I think my zit's gonna be gone next week. But I mean, we'll see. We'll see. It'll make your list, I'm sure. All right. So then we have this, you know, Jim talking head and he says that he is seeing Karen. He is. He admits it. But he's ready to talk about it

openly because he doesn't want some people, you know, treating them differently. I have a beef with Jim. I just wrote not cool. Not cool. Yeah. This goes back to my wishy-washy Jim. Yeah, wishy-washy Jim. There it is again. All right. So now we move into the conference room. We've got Angela, Kevin, Michael and Pam. They are all on the speakerphone to Jan. And they are discussing this mysterious check that has arrived. Yeah, I have a question, Jenna. Yeah, I get why Michael's on the phone. I get why the accountants are. Why is Pam there? Is it just because Michael just likes to have Pam around? She's like keeper of the minutes or something. Yeah,

he sees Pam as his personal assistant. She is not his personal assistant. She is the receptionist, but he doesn't have a personal assistant. And so he sort of, you know, makes her play that role. Yeah. She's always in these meetings she shouldn't be in. That's right. Always. There's many episodes of meetings of Pam in conversations between Michael and Jan. And I love it because the camera will just like pan mid scene. And then it reveals Pam has been sitting there with a notebook the whole time. I mean, she's always in these scenes. So awkward. I loved it as an actress. I loved it. I bet. Jan eventually explains that this check is

something that they're getting in exchange for hiring an ex-convict, which Michael is like, I didn't hire an ex-convict. They come to realize that one of the Stanford transfers must be part of this program, meaning that there is someone from Stanford who has a criminal record. All right. So, Jenna, when Jan said, oh, they're probably getting the tax break because they hired an ex-con, I was like, hold up. I know this program. Why did she just jump to ex-con? Because several people qualify for this program because I worked at a company that had employees that qualified for this federal work program. And guess what I did?

Well, I'm sensing a deep dive here. Then you sensed right, lady. All right. I went on the U.S. Department of Labor and the IRS websites for like three hours. Real fun stuff there, guys. Real fun. I love you. And I deeply love you for that. I really do, Angela. I love that you did that. I know because this is coming from someone who spent, I think, probably five hours of her life researching an alpha womb. So, go on. Anyway, so it is called the Work Opportunity Tax Credit. It's a federal tax credit available to employees for hiring individuals from certain targeted groups who have consistently faced significant barriers

to employment. And there are several types of people that qualify for this program. There are veterans, all right. There are recipients of SNAP benefits, which is food stamps, people with supplemental security income, people that have long-term unemployment. So, a lot of people qualify for this, not just ex-cons. And the companies that hire this group, depending on the hours they work, there's like a certain categories they have to check off the list. But your company can get a tax credit anywhere from $2,400 to $9,600 per employee you hire through this program. Wow. Yeah. Oh, am I getting applause for my deep

dive? That was a really well done deep dive, lady. You're deep and you dive and you're deep in a dive. What was your song? Your son made it. You get a deep, you get a dive, put them together, get a deep dive. Well, Angela, I have a beef with Jan, right? Because all of us ask, like, oh, who is it? Who's the ex-convict? And she's like, hold on a second. I'll find out. You'll find out. What? Jan, what are we going to tell this conference room full of people? This, like, private personal, this feels like an HR violation to me. Toby, where are you? Toby, where are you? Jan, you would have to go to a special HR meeting because you just

crossed the line, lady. I feel like she crosses the line by giving out this information. But while we are on hold, everyone starts trying to guess who is it. Michael guesses, basically, they're just looking out in the bullpen at who they can see. Hannah, Andy, then Kevin says, Martin, and Michael's like, how dare you? He goes, you just said that because you think Martin is black. And Kevin is like, well, no, he, he is black. So they're kind of bickering about it. And then Jan comes on the phone and she's like, it's Martin Nash. They're all wondering, well, what did Martin do? Yeah, why did he, why was he in jail? And now,

Jenna, we are coming up to this line that Michael has. You and I talked about it. It really stood out to us in light of the Black Lives Matter movement. Yes, this is when Michael says to us, a black man can be arrested for just about anything in this country. Yeah. Yeah. I mean, we were rewatching this episode in the middle of a civil rights movement in our country. People are literally in the streets protesting this very fact of black people being arrested for just about anything, but not just that being killed. So yeah, this, this line hit me hard. Mm-hmm. And, and I have to say, I expected Michael to make a joke here, but he

doesn't. No, he doesn't. And I'm so glad that he doesn't. I know me too. Well, you know, I think Jenna, as the viewer, we're always expecting Michael to play it up for the cameras, right? He thinks he's like an entertainer and anyway, but he doesn't in this moment. He's just truthful and sincere. And I think it made the line that much more powerful. Yeah, I agree. I agree. And you know, also, and while we were prepping this episode, I was reading the book Just Mercy by Brian Stevenson. And it's, it's an amazing book. It's a memoir. It's about, it's the story of this lawyer, Brian Stevenson, and how he helps to overturn the sentence of a

man who's on death row for a crime he didn't commit. But it also goes into ways that our criminal justice system is in need of reform. And it's just, it's a really powerful book. And I feel like I learned so much. We can actually, we can link to it in our show notes, but just to rewatch this episode right now and hear that line. I mean, it just, yeah, it had a lot, it had a lot of added poignancy for me. Yeah, for me too. I know Just Mercy is also a movie that's out now, but Jenna, you love the book so much and you're sending it my way. So thank you. I am. Yes, I'm giving you my copy. Thanks. Okay. So getting back to the scene, what

happens next? Okay. So next, Michael tells them, you know what? Do not share this information. No one needs to know about this. Yes. I mean, he's oddly the voice of reason in this moment. He's like, it's no one's business. It's, it's not a good thing to share, right? Kevin says, cool. Pam's like, okay, Angela, have a hard time with that. Angela needs to know what was the crime. Right. And she's also very, you know, she's not a very trusting person. She's a very fear based person. And she starts to spiral out. Well, she's also not a very forgiving person. I mean, don't make a mistake around Angela. She'll remember it forever. And it's no surprise

to me that Dwight has a similar reaction, because the two of them are, you know, they're soulmates. And so they both spiral out, but we'll get to that. All right. So next, we're out in the bullpen and Andy calls Jim. And this is what I wrote on my card, Jenna. Why does Jim even entertain this conversation? He calls him on the phone because he wants to know which woman in the office he should hit on. And he's like, starts naming all the women. And I agree. Why does Jim not just hang up? I think Jim sort of sees a way to prank Pam. I don't think he wants to be part of Andy's grossness, but he suggests Pam. Yes. So next up, Michael

takes Dwight aside to tell him about Martin's past. And Dwight has this talking head where he explains that he is upset simply because he does not like criminals. He doesn't like criminals. And we had a fan question from Mary Coors, Nicole Bridges and Jet Fenton. After Michael tells Dwight about Martin being a convict, he has this talking head in front of a window. But normally his talking heads are facing into the office. Why the change now? Okay, people have really been tracking where the talking heads are and the whole window thing ever since we shared about it. So I just want to put this one to rest. This is

because this is one of those on the fly talking heads. This is next to the window that's next to our Dunder Mifflin sign in the little lobby as you walk into the office. This is not, this was not done in the conference room. This was not a formal talking head. If it was, I'm sure they would have sat Dwight down in that same chair with the bullpen behind him. But since this was on the fly, that's what that window is. It is not significant of our previous talking head theme. So the symbolism happens in the conference room, not so much talking head on the fly. Right. So Dwight, like Angela, starts to spiral out with

this information. He's gonna try to get to the bottom of things. Yes, both Dwight and Angela are preoccupied with the fact that they don't know why Martin was in prison. They can't let it go, like Michael suggested. And meanwhile, Andy is quizzing Jim about what are Pam's interests. Yes. And Jim lists off all of these crazy things. One of them, Andy really jumps on, which is frulf, frisbee golf. Yes, it becomes very clear that Jim is actually listing all of the things that Pam hates, but presenting them as the things that Pam loves. And he says, any frisbee based competition. To which Andy says, oh my gosh, I guess he invented

some sort of combination of frisbee and golf while he was in college. No, he didn't invent it. He was on the team. He played frulf at Cornell. Andy doesn't say he invented frulf. I think he did. I think he says he was one of the founders of the frulf team at Cornell. Cornell's team, but not of the sport. It's an actual sport. No, no, no, Angela, wait. Yes, it is. I thought that was made up. Frulfing? No. No, there is not something where you play frisbee and golf at the same time. That cannot be true. Yes, there is. Stop it. Yes, there is, Jenna. So Andy is just saying that he founded the team at Cornell. He is a founding member. I did a

deep dive on frulf. Also, my husband was like, yeah, frisbee golf. I love frisbee golf. I was like, wait, what? He's like, yeah, you play it in the park. I did not Google frulf because I thought there is no possible way that is a real thing. It's a real thing, Jenna. Oh my gosh. It's a real thing. You can go on YouTube. Oh my gosh. And I went on the eHow YouTube channel and basically you have a frisbee and you have to throw it in a basket. There's courses all across the country. You can actually go to the Professional Disc Golf Association website. That's the PDGA. And you can find out where there are frisbee golf

courses in your area, in your city. And it's a whole thing, Jenna. Wow. Yeah. Well, I just Googled frulf and I'm reading on frulf.com. This is my favorite thing I've read so far. Everyone and everything in the world is part of a frulfing game. Every tree, street, sign, building, car, person, animal, everything is a part of the game. Everything must be taken into consideration when playing a whole. Wow. I have played frisbee golf and I played it like out of college in New York and Central Park and it'd be like, okay, now we weren't on a course like the PDGA where there's like a park with the baskets, but we were just like, okay, the first hole

that you have to get is between those two trees and then you've got to get it onto that fountain and then you've got to get it onto that park bench. You can play frulf anywhere, Jenna. Anywhere. You can play frulf in your backyard. Make your own course, Jenna. It's still so insane to me that there's a part, there's a very, very tiny part of me that is convinced that you have planted all of the frulfing websites on the internet just to like prank me right now. Well, that's, that is absolutely something I would do, not, all right. Wow. Honestly, my mind is blown at that frulfing is a real thing. Okay. Here are

the more of the things that we learn that Pam hates, that Jim presents as things she loves. Hunting adds for six flags with the old man. Do you remember those? I do. I do. It was a guy in like really creepy old age makeup. He wasn't actually old, right? He was covered in this latex makeup and he did this like intense dancing. Yeah. He would like break dance. It was creepy. Yeah. Yeah, it was creepy. And then also Pig Latin. Yeah. I got in a conversation with my husband about Pig Latin. This is when you talk about like bring your work home. Yeah. This was like, I'm like, babe, do you play Frisbee golf? Babe, do you speak Pig

Latin? Apparently, I've been doing it wrong. Shocker, not a shocker. Oh, wait, we had a fan question about this, Angela. Demetria wants to know, can you speak Pig Latin in real life? Angela, you thought you could. Well, my friends and I, we did our version of Pig Latin, but then when I looked it up online, online, it says it's the first two consonants. Okay. And we just did the first letter of each word. That's how we did it. We did the first letter, add it to the end and add a y. But when I looked it up online, it said it's the first two consonants. Is that how you guys do it? Well, what is an example of a word with two consonants?

Psaat. Authe. How would you say Authe? Okay. So my friends and I would say hote. Oh, that's so wrong. Did you guys know what you were saying? Did you guys understand each other? Did you struggle with Pig Latin? No, we had a fine time. We were fine. It was even more secretive for you because other people could not understand your Pig Latin. So how would you say there? Are they? Okay, so we would say herte. Wow. Our way. Well, my friends and I, we actually... Ude, uye. We spoke something called the ob language. It's called the ob language. My friend, Sara O'Haleran's mother taught her the ob language. So Sara's name and ob would be

sabaraba aba haba labarabin. Stop it. That was always my favorite thing to say. That's ridiculous. So you put an ob sound before every vowel sound that you hear. So a word like really is spelled R-E-A, but you don't put ob before the E and before the A. You just put it before the vowel sound. So the word really would be roba lobby. Aba saba roba lobby kabo labengwabij. Aba nmabifraabin. Sabaraba aba haba labarabin. Aba nkabisabignabigabo. Aba n aba labengwabint. Yabas tabus babik dabas. Aba nhabis kabo. Okay, this is ridiculous. And could your friend understand you and speak it back? And would you guys walk around talking like

that? We were so cool. We were so cool. So would my name be abangaba loba? No, your name would be abaladangala. Abalad. Oh my gosh. How do you say Angela? Abangabalaba. Kabanzabi. Kabanzabi. Is that Kinsey? My name is Jabanabafabashabar. Oh my god. That is insane. This podcast is produced by Kabodabishfabashabar and engineered by Sabamkabifabar. All right, all right. Okay, okay. Where are we in this episode? All right, so I have a couple of fan questions from this scene with Jim and Andy. Are you ready? Okay, yeah. Fan question from Sarah Hodges, Liz Franco, Rachel Hayes, and Donna Miller. Are any of the things that Pam hates, things

that Jenna hates too? They want to know, did I get to collaborate on what items Jim chose? No, I did not give any consultation on that list. Clearly, because you had no idea. I had no idea. I don't even know what frothing is. The frisbee golf was a real thing. I hated it, because I didn't know. And then also, we have a mystery. Many people wrote in about this mystery at six minutes and 50 seconds. Christopher Jake, Donna Miller, again, Amy Cruz, and Chelsea K, all wrote in to say, it looks like there is a mini fireplace heater in the background on a desk over Jim's shoulder. What is it? Okay, there really does. I don't know what it is, but I was

mesmerized by it. Mesmerized. Guys, go to six minutes and 50 seconds. What is it? I'm writing this down on a note card, because I want to go check it out. It looks like there is a little heater that has a light, you know, where and then it blows the little, you know, thing to look like a flame. Yeah, it looks like it's sitting on that desk where Luanne always used to sit. Oh my god. Right in front of Toby's desk. One of the things that used to sit on Luanne's desk was a little zingarden. Do you remember? And I wondered if that's what it was. I wondered if there was some light reflecting off of her zingarden. It could be. She had like a

little sand and a ray. Yeah. Okay. So at seven minutes, 17 seconds, Michael does the thing that he does, you guys. He cannot hold on to information. You can't tell him anything. He won't be able to hold on to it. Much like how Michael had to announce to everyone that Oscar was gay, Michael now feels like he's helping. He thinks he's helping. He's just gonna say, Hey, let's just come clean. And you know, he lets everyone know of Martin's past. It's an amazing scene because he walks over to Martin's desk and he's like, Hey, I just wanted to come over and say, like, how are you settling in? And Martin's like, Oh, yeah, thanks for

coming over. I'm settling in fine. And then he immediately says attention, everyone. I just want you to know that Martin is an ex convict, but I trust him and you're not allowed to judge him. And the look on Wayne's face is so amazing because he's he's clearly like, I'm so sorry. I I thought we were making small talk and now apparently we're making a grand announcement about my past. I mean, Wayne's reaction is so good. It's what sells it. And we asked him what it was like to do these scenes with Steve and do these big sort of bullpen scenes. And here's what he had to say. The show at that time was getting hugely popular.

Steve was a huge star, which was just wild because it was just Steve. You know, you're the guy from the FedEx commercials, aren't you? But yeah, I watched the show and I watched the British version as well. I was a big fan of the show. It was really quality work by all people in front and behind the camera. You could tell that you had this feeling it was going to be a historic show and it was going to be around for a long time. So it felt felt really good to be to be a part of it. But walking on set, everybody was so nice, so welcoming. Everybody knew what a great thing they had on their hands. That kind of improv is my favorite

improv. That subtle, understated thing that's best done on camera. And everybody there was so good at it and they were already becoming this well-oiled machine. It was nice to jump in and play. So yeah, it's pretty great. I think that's true. I really feel like at this time on the show, we were just this machine, like the cast and the crew and the writers. We had really gelled and as I rewatch it, I can feel that and I can see it. You know what I didn't know, Angela, was that Steve was in those FedEx commercials. Oh yeah. And I went and I googled them and there's like a ton. He was like how

there's like a Verizon guy and then there's flow from progressive. Like Steve was the FedEx guy. Yeah. I did not know this. Are you serious? And I asked Sam to pull a clip. So the Bundcake was bad. The Bundcake was abysmal. But you're missing the point of the story. The entire staff has food poisoning, leaving packages to be shipped, deadlines to be met and one sales manager to do it all. Just one. One. He had the Bundcake. He had the Danish. Stay with me. He jumps on FedEx.com. He's shipping. He's tracking. Getting confirmations on his cell phone. His pagers, PDA. He's got a PDA. Everybody's got a PDA. Nevertheless,

packages arrive, he triumphs over adversity. He's got a PDA. There you go. Well, wait. I have a piece of trivia about that specific FedEx ad that Sam just played. What? I want you guys to know Steve is saying that everyone in the office got food poisoning. The first person that runs to the bathroom to puke in this commercial is Eric Stone Street. What? That's crazy. He's an extra in this commercial and he's running to the bathroom to puke. Eric Stone Street, who's on Modern Family, is in this commercial as a puking employee. I love that. Oh my gosh. That's amazing.

All right. So also in the scene after Michael announces to the entire office that Martin is an ex-convict, he then challenges everyone to name a white man they trust and he will name a black man he trusts even more. So he's like, Pam, name a white man you trust and she says my dad and he says Danny Glover. In the script, there is a Martin talking head and I don't know if this is in the deleted scenes, Angela, but it made me laugh out loud. It was so funny. Martin says, Michael's an all right guy. He told me he trusts me more than Kirsten Dunst and no one's ever told me that before. I love that talking head so much.

There's three sentences, but it is so rich with information and was that in the deleted scenes? Can I see that talking head or no? No, it's not in the deleted scenes and I'm really sad. There is a Martin talking head in the deleted scenes and it's this one. He says, usually when people find out about the prison thing, yeah, they get pretty weird. That's a good one. All right, Jenna, now we're in the break room and we find out why Martin went to prison. Yes, Martin says, do you guys want to know what I was in for? And he explains that he went to prison for insider trading. Now we move into a Kevin talking head that I love. I laughed

out loud. He says, I asked Martin to explain why he went to jail three times because it sounds a lot like what I do every day here at the office. Yes, Jenna, there's a whole theory online that Dunder Mifflin is a front, like a money laundering front. Yes, there is. There is. And that maybe Kevin and I and the accountants are in on it. So here's a fan question from Thomas O'Brien. He says that he knows about this theory and the main reason for this is that Scranton consistently outperforms all the other branches despite the rapidly decreasing paper market. And Thomas wants to know, what do we think about this theory? Do we

think it has any merit that Dunder Mifflin is actually a front for money laundering? I would say no. I don't think it really is a front for money laundering. I mean, if that was a part of the story, I believe Greg Daniels would have revealed that to us in the finale or somewhere in the last season. So no, but I am curious. It does sound like Kevin is participating in some sort of something shady. Yeah, right, because that's what it is. It's insider trading. It's not money laundering. Martin didn't go to prison for money laundering. He went to prison for insider trading. I know, but this is the theory online that

Dunder Mifflin is a front for money laundering. And I'm going to say I could see it. Oh, no, I could see it. I could see it because if you were going to have a money laundering front, by the way, I've also been watching a lot of Ozark, and that's all he does. Okay. If you watch Ozark, he has to launder money for the drug cartel. So I'm like, oh my gosh, yes, a paper company. And you have to, you have like all this inventory and then you have sort of like a boss who's kind of incompetent, who might not catch everything. Right? I think I can see it, Thomas. I can see it. All right. But I'm also watching Ozark. So maybe that's

informing me. All right. Well, in this scene, Martin fields a lot of questions from all of us about what prison was like. And he gives a rather sort of rosy view of prison. He's like, oh, yeah, we had outside time. We got to watch TV. I got to take some classes. Pamela had watercolor classes in prison. And then we're like, wow, Michael, it sounds like prison is better than Dunder Mifflin. You're kind of teasing Michael, right? And then Michael is just very upset at this implication that Dunder Mifflin is worse than prison. What you have to remember is that everyone at Dunder Mifflin is Michael's family and Dunder

Mifflin is like his home away from home. So basically his family has just told him that prison is better than home. Yeah. Prison is better than this world that they've made together. And so Michael is really hurt. Michael had no issue with Martin until right now. And it's because, you know, somehow his employees, which are like his family, think that there's some other cooler place to be. Yeah. And he's like, no, this is the best place to be. You guys, we have it amazing here. And he can't believe that they can't see Dunder Mifflin the way he can. Well, I asked Wayne what it was like to shoot that

break room scene because here he was, he was a guest star and he had to really drive that scene, you know? Yeah. And I mean, I remember what it was like to be a guest actor on shows and how intimidating something like that could be. And so I just wanted to hear what was it like to do this scene from his perspective. Here's what he had to say. Coming to work on your guys. Awesome show. Even though the show was so huge, it wasn't intimidating just because everybody was having like Christmas morning fun, like they couldn't believe they're good fortune. They couldn't believe the people they get to work with

both in front and behind the camera. And they couldn't believe how funny the writing was. So that scene was, I love that scene. I love sort of being the fish out of water getting into the water so everybody can get out of the pool. If that makes any sense, I don't really know what I'm talking about. But yeah, it was an easy environment to do your best work. So yeah, that's, I knew that day like, oh, gotta redo my reel because that's the shizzle. I thought that was the sweetest response. All right, Jenna, I have something to say to you. What? Pamela ding dong. Oh boy. Yeah. So it's 10 minutes, 38 seconds. And Andy is

hitting on Pam in all the wrong ways. No. And the look on Jim's face, it says it all. This is a great prank. It's going great. And then we have the talking head from Pam where she's like, that was, wow. So she loves this prank. She's into it. Well, she's impressed at Jim's ability to prank her in this way. I think she's like, wow, I see where you're going. Now, Jenna, there is a deleted scene where Pam gets him back. Yes, that is in the script. This is a portion of this story that got cut out. There's a bit of a prank war that happens, right? Yeah. Yeah. So Pam gives Andy all this information about all these things that

would just be a horrible night out for Jim, like drinking white Russians, like just going out. Yeah, going to this German restaurant. She basically is like, you know what, Andy? I'm not available, but Jim would love to hang out. He would love a buddy. Yeah. And so Andy's like, what are you doing tonight? We're going out. And Jim's like, whoa, whoa, whoa, wait, wait. So she does get him back. She does. But that did not end up in the episode, which I think is a little bit unfortunate because later when Jim is going to suggest to Andy that he go get his banjo and sing in a high falsetto, that was actually in

response to Pam's prank on Jim. Yeah. So that was like Jim one-upping her. Yeah. But instead, it sort of seems like this one-sided prank. But in the script, it was actually both of them doing it to each other. A two-sided. Yeah. Well, we had a fan question during this talking head, Angela. A lot of people wrote in, Emily Soto, Tori Quill, Angela C, Harshita V, and Monica Jax all said, is the necklace that Pam wears, a horse or a unicorn? Do we know its significance? And do Pam's necklaces represent different periods in her life? Well, guys, it is a unicorn. Mm-hmm. And Pam used to wear a little

heart necklace, but it was a gift from Roy. And so when they broke up, she took it off. And with the wardrobe department, we picked a new necklace for Pam. And this is what we picked. Now, I am curious. I did a deep dive on unicorns. Of course you did. I'm sure my search history on my computer is like IRS, United States Department of Labor, unicorn, unicorn, unicorn. Okay. Why did you guys pick it? And then I'm going to tell you what I found on the internet. We just liked how it looked. Okay. You just liked. We did not assign a particular significance to the fact that it was a unicorn. Okay. Well, lady,

unicorns have been depicted in ancient seals that go back as far as the bronze age, the ancient Greeks. Unicorns are mentioned in the Old Testament of the Bible. What? A symbol of strength. Yes. Unicorns go back to the Bible? Yes. The unicorn is mentioned in the Bible several times. The first verse I found was in Numbers 23, 22. God brought them out of Egypt. He hath, as it were, the strength of a unicorn. I mean, okay. So the unicorn symbol has been around for a long time. It's been associated with strength, fantasy, rarity, purity. It is Scotland's national animal. What? Yeah. When I was in Scotland,

you would see it in places like you go into Edinburgh Castle and it's in the crest, you know? There's also another meaning for unicorn. You might want to take a minute and put some earmuffs on your kids ears. The unicorn is also known as the third woman of a threesome. Oh, it's called a unicorn, which I probably jumped too far on this, but you have Jim, you have Karen, you have Pam. Wow. Is Pam the unicorn? I don't know. I don't know. Okay. I need to reach out to Carrie Bennett in wardrobe and ask her if this unicorn pendant was as arbitrary as I thought it was. Because I like both of your explanations of

unicorn. When you were describing the significance of unicorn, I'm like, yeah, strength, change, perseverance. I'm into it. Right. But then your third woman thing, I don't know. I'm just saying. I'm just saying. It could be. Well, listen, lady, on that note, I think we should take a break and then we will come back and see some of the changes that Michael has instituted at Dunder Mifflin to make life more like prison. Oh, fantastic. All right. So we are back. Michael announces to the group that he is quote, instituting some changes to make this more like prison starting with

one hour of outdoor time. So he makes everyone go down to the parking lot. They're all freezing. One of my favorite things about the scene is that he has two and a half pound weights in his trunk. Yeah. Well, he's not trying to bulk up. No, no, he just wants to tone. We had a fan question from Kali Corrine and Bernadette. When you guys were bundled up and went outside for wreck time in the parking lot, was it actually cold out? No, no, it was not cold at all. I looked it up. We shot this the week of October 2nd. But October is hot in Los Angeles, you guys. It stays really warm. Every October, I get

suckered in to try to recreate like a fall Woodland scene to my front yard. Like I buy all these pumpkins. I have like an autumn wreath. I do this whole thing. And every year, my pumpkins like explode from the heat and turn to mush. And I have to like shovel them off the porch because they're so flattened. Yeah, it was not cold. But I felt like we did a wonderful job of making ourselves look cold. We did great. I was like, Hey, and they put all the ice on the ground and on the cars. Look at us acting. And we look cold. We sold it. All right. So then we go inside to the break room where Michael is setting up

a very sort of grainy television set for Kevin to watch. And Martin shares with him that the TV in prison was a lot bigger. Yeah, yeah. Well, we had a fan question from Graciela, Sydney, Joe, Brooke and Leah. Was the weather forecast that Michael plays on the TV an actual weather forecast from a Scranton newsroom? Or was it an actor? I don't know. Well, lady, I looked this up on the internet and Dunderpedia, if you are correct, you say that it is the actual Scranton weather that it is the NBC weather station. It's WBRE NBC. And that that weather guy is Josh Hodel. Oh, so is that true, Josh Hodel? Is that you?

You know what? That tracks for me. I feel like we would have that detail. I feel like we would. I feel like Phil Shea would have been all over that. Just like all of our menus were local Scranton restaurants, things like that. I feel like Phil Shea would have been on that. I agree. So now should we talk a little bit about how this prank is going? We mentioned it before. Andy is at Jim's desk and Jim's suggesting that he play, you know, the banjo for her and asks if he can sing in a high falsetto. And he's like, you know, I can't. I loved it. It's so funny. Ed is having so much fun in that moment that I loved watching Ed

get to do that. Well, what we didn't talk about is that Karen comes up. Yeah. And she's like, what are you guys doing? What I want in? I want to play. I'll be part of the prank and wishy-washy Jim shows up. He's like, Yeah, because he's caught now. He's caught now. And now if he had to explain this and who she was to him and all their pranking that they did together, now there's accountability and now he's backpedaling. Yeah, exactly. All right, Angela, should we go into the break room so that we can meet one of the most famous characters from the office? This character is so famous.

I mean, Jenna, I love roller skating. Stay with me here. All right. And I have found a community of people who love to roller skate online on Instagram. And I was just sent this gal won a roller skating competition at Prison Mike. It's like amazing. Oh my gosh. I know. It's amazing. I might have to post it. It's so good. I put it in my Insta story, but she is phenomenal. But this character, people love Prison Mike. They love Prison Mike. Jenna, I found the origin story for Prison Mike. What? It's in the deleted scenes. I have to read this to you guys and

made everything make so much sense for me. All right. Okay. Hang with me. I'll look at my notes. Michael Scott has a talking head that's in the deleted scenes. Listen to this. All right. He says, when I was just a little kid, we had an assembly at school where a giant owl came out and gave a very impassioned speech about giving hoots and not polluting. And you know what? I never polluted again. It was right then when I realized the power of saying things as a character. People listen to you when you are wearing an elaborate costume or speaking

in a voice that is not yours. I can't even speak. I... Wow. Michael thinks since he was a little boy that the way you get people to listen to you and make changes is if you are a character. That's how they listen to you. I am so sad that this was deleted because not only does it speak to Prison Mike, it speaks to every character Michael has ever done or ever will do. Because a giant owl told him something and he paid attention. Okay. Wow. He goes on, Jenna. There's another talking head where he says, this isn't the first time

he's done Prison Mike. What? Yeah. He's done Prison Mike before because he developed Prison Mike in improv class. And he said he was in improv class and he was doing a scene and these two college kids, they just wouldn't stop talking. So I became Prison Mike and I turned to them and I said, hey, shut up or I'll stab you twos. Okay. Yeah. Wow. Not only had he done this character before, but he does characters when he wants people to pay attention. This is huge information.

Angela, I know who came up with the idea of Prison Mike in the writer's room. Who? All right. So this script was written by Ricky Gervais and Stephen Merchant, but we've established before that after a script is written by the original writer or writers it always goes back to the writer's room for punch up and rewrites and that scripts really are a kind of like collaborative effort, right? So when I was watching the scene, I thought to myself, this sounds like BJ Novak to me. Was it? I texted BJ. I was like, BJ, I know

that Stephen and Ricky wrote this episode. Did you come up with Prison Mike? Because I'm putting it on like you or maybe Mike, sure, but I think it's you. Here's what BJ told me. Well, in the lore of the writer's room, I get credit for Prison Mike, but it wasn't me. By the way, I love the writer's room has a lore. I want to know more about the writer's room lore. Well, I'm paraphrasing. I'm not saying lore, but he basically said I have the reputation of having written Prison Mike, but it actually wasn't me. So he

said it was late one night and he was in Paul Lieberstein's office. It was him and Paul and Mindy and they were tasked with having to punch up this scene in the conference room. The idea of the scene was that Michael was just going to convince us all that Dunder Mifflin was better than Prison, but how? And he said that at the beginning of the meeting, Paul kind of offhandedly said, what if he plays a character, you know, like, I don't know, like Prison Mike or something, but they quickly glossed over it and

they kept spitting out ideas and this and that and this and that. And then near the end of the meeting, BJ said something like, well, I really like this idea of him playing a character, Prison Mike, and that Mindy and Paul were like, Prison Mike, that's a brilliant idea. And BJ was kind of like, well, I was really just giving you your own idea back. But somehow he gets credited with Prison Mike. But he said, I think I would give it to Paul Lieberstein. But it was the three of them together that

then wrote those Prison Mike jokes. I love that. And I love that he had the crazy guys and dolls. Yes, that's in the script. Oh my gosh. We actually had a ton of fan questions about this because it's, it's such a good scene. So Kristen went, Jordan C, Gina D, Megan M, Mark M, and many more wanted to know, were any of Steve's lines as Prison Mike improvised? Yes, some, because I looked at the script. But like the main ones, the ones that you remember, like about the gruel and the

dementors, that was all in the script. That was all scripted. There's little moments, like little things that Steve kind of added. But I would have to say for the main points of Prison Mike are scripted. But I feel like we can't do this episode without hearing a little bit of Prison Mike. Agree, Sam. I'm Prison Mike. You know why they call me Prison Mike? Do you really expect us to believe you're somebody else? Do you really expect me to not push you up against the wall,

Biotch? Yeah, yeah, yeah, yeah. That's just the way we talk in the clink. Amazing. Tanks. Tanks. Tanks. Guys, I wrote about this scene in my journal. And I have to tell you guys what I wrote. Oh my gosh. This is kind of a big thing, Jenna, because I said, in the conference room scene when Steve became Prison Mike, the first time he turned around with that bandana on in his crazy guys and dolls accent, we all lost it. Even Steve, which never happens. Because it was so ridiculous.

We all cracked up. And then I said, but if you watch really closely, you can see John and Phyllis are barely holding it together. And if you go to 16 minutes, three seconds, you can see John breaking. I feel like all of us are near breaking through this whole scene. We emailed Jeff Blitz about this. And we were trading messages about this scene. And I said to him, my memory of this was that we were in this conference room doing Prison Mike for like three days. I'm sure it wasn't

that long, but we spent a long time on it. He sent in this audio clip about it. I think for scenes like this, that the goal of it, for me anyway, as you guys well know, I wasn't trying to do it with the most speed. I'm picturing you guys are laughing right now. Yeah, I do. I know that for scenes like this, there's a way to get through it where the whole of the scene gets really boiled down. But something like this, it felt like it needed to, it just intuitively felt like

that if I could give Steve more of a run at it, that the whole thought of the scene was just going to come through. So yes, I know. I know for the cast that it was a slog. I know the way I did it was a slog. And yet, man, I love this scene. I do. I just do. I love it. Well, we were all breaking. Wayne emailed us, Jenna, that he broke in the scene as well. And we asked him what some of his favorite moments were. And here's what he had to say.

There were a lot of really great favorite moments shooting that episode, the convict and shooting the one before that, the merger, the moment with Stanley was great. But the one I remember most is obviously the whole prison Mike thing was hilarious. And take after take, you know, it was so very hard to not break while Steve was doing prison Mike and we broke a lot. And then that conference room, it was pretty hot. I remember had to get wiped down for sweat a lot. But there's

one moment towards the end of his prison Mike routine. And they use this particular take in the episode, I believe, where he goes and thanks for letting me be a potty of life because you got a good life. You got a good life. And that was the first time he had done the second you got a good life. And the camera is behind me and you can see my cheeks bulge because I'm about to explode with laughter. I don't want to ruin the take. But that whole day in the conference room with prison

Mike was pretty special, I have to say. Yes. And by the way, I looked at that moment he's talking about and you totally can see him smiling. It's like on the back of his head and you know he's smiling. It's one of those. That's how funny the scene was to us when we were shooting it. I rewatched that with him in mind as well and just you got a good life. It just made me laugh. It did really make me laugh that he remembered how hot the conference room was because

Jenna, the guys hated the conference room because they would get so hot. It was the one place where my body temperature actually felt okay. Yes, same. That was something about conference room scenes that I loved. I knew I wasn't going to be cold. Yes, we knew we wouldn't freeze to death. But meanwhile, the guys were like a sweaty mess. So that made me laugh. We had a fan catch in this scene as well from Allison Kamada. She says around 14 minutes and 23 seconds

when everyone's in the conference room, I saw like someone's knee in a pair of shorts and boots. Was this the camera operator? Yes. Who? Randall or Matt? I think it was Randall. So it's right after Prison Mike asks you, Angela, if you really expect him not to push you up against the wall, that clip we played, the camera widens out to show the whole group sort of being like, hey, whoa, whoa, whoa. If you look in the far right corner, I think you can see Randall's

knee because I think he's like perched in the corner there and he's got his camera on Steve and then Matt probably had his camera on you and the group. Yes, because Matt would get reactions and Randall would have Steve and yes, you are right. I bet it's Randall's knee. That's a great catch. Yeah, I thought so too. I thought so too. So the group is not sort of giving Michael what he wants. No. So he resorts to locking them in the conference room. He's like, if you want to feel

what it feels like to be imprisoned, here you go. And he walks out of the conference room. Now here's a little something. That is such a fakey fake lock. That door did not lock at all. I don't even think it shut very well. I also think that if you look at it, you can see that like Steve is doing a bit of sleight of hand. I don't even think the key goes in the keyhole. I don't think that that keyhole has always been locked in there. Well, now I can't be sure because I know

that Jim locks Dwight in there. Yes, Jim, it's not the first time someone's been locked in there. Dwight was locked in there. But in that one again, I meant to point out that it looks like there's nowhere to lock anyone in. Yeah, there's no keyhole. I see no possible way that Jim actually locked him in there. It looks it's all very fakey fake sleight of hand. Alright, where are we? Where are we? We're locked in the conference room. Pam calls Toby. Pam called Toby and

Toby explains to Michael, Michael, they're just teasing you. Of course they know that prison is worse than Dunder Mifflin. They'll look on his face when he realizes he's being teased. He like he immediately forgives everyone and he's just so delighted to be part of a joke. Exactly. He's like, oh, they do get it. They do like it here. They do like me. They are happy here. It's a joke. Oh, I get it now. So now Michael has a talking head and he explains

that Martin has quit. And Jenna, do you blame him? I mean, no, I don't blame him like how do you work there now? And also you have to remember this fulfills a story arc for the show that each week, a Stanford employee is going to go. Yeah. Well, I noticed something. When Martin is leaving, he's getting into the elevator and you see him. He's carrying his box of things. Meredith is walking out of the elevator back into the office. And that made

me realize, wait a second. She was not in the prison mic scenes in the conference room. No. And then we got a fan question from Joy Moran that says, wait, where was Meredith all this time? Is there a deleted scene that explains why she's so late to work? Angela, please help me enjoy out. All right, ladies, there is a whole runner in the deleted scenes and it explains all of this. So Meredith says that her car is in the shop and she needs a

ride to go get it. And Martin offers to give her a ride. Dwight and Angela, because they are so suspicious of Martin and why he went to prison, they have this whole like sort of like, I don't know, like their detectives on the case. They have a whole runner as well. But Meredith goes to get her car out of the shop. So that's where Meredith is. Yeah. I feel, I feel bad for Kate that she wasn't in the car. I know. That's what I thought

too, Jenna. I was like, oh my gosh, Kate didn't get to sit in there and have to bite the inside of her mouth so she didn't laugh out loud at prison mic. I thought the same thing. Cause you got a good life. You got a good life. All right. So now we have the final scene. Andy is playing the banjo for Pam and singing Rainbow Connection in a high falsetto. A lot of people wrote in about this scene. Let's hear it. What'd they

say? Okay. Leslie G, Ashley G, Ava H, Alyssa C, and Carrie C all said, Jenna, how did you get through that scene at the end when Ed is singing to you? Did you ever break and laugh? Yes. Like a million times. But I have to say something. I love the banjo. I love the banjo and you and I, Jenna, have talked about this a lot and we've told Ed that some of our fondest memories on set with him are

when he would get out the banjo and Creed would get out his mandolin and they would play. I did not want this scene to end. Yeah. This was very funny. As Jenna, I had to love a prank and hate the banjo, but in real life I hate a prank and I love the banjo. So I loved doing this scene and I didn't want it to end and we filmed it at the end of, I think we filmed it at the end of the

week. And so it was, again, one of those scenes where there weren't many people around. It was just a few of us and it always felt like you could take all the time in the world when that was the case. No one was waiting on you. And it's one of my fondest memories is doing that scene with Ed. I loved it. So we asked Jeff Blitz what it was like to shoot the scene and this is

what he had to say. So that final scene, that song, I loved that too. I loved it so much. I loved it for Andy. It's so sweet and for Pam, it's so bad, but it's so sweet also. I don't know. Boy, you know, I will say about it though. I think it was about trying to figure out to what extent should it be such... The funnier the song is, it just means that Andy's sense of himself

in the world has changed by that. So I do think there was a lot of talk about it there, you know? So Angela, something that I noticed in the script about this scene is that Jim is not in that scene. It's just in the script Andy playing the banjo for Pam. And it's so beautiful the way it is now, right? That you have this rack focus from Pam looking to Jim and then Jim looking to

camera. It's perfect. And I asked Jeff about it and he said, yeah, that was his idea to add Jim at the end. He actually said that he forgot to tell everybody that that was his idea and on the day they had like started to send John home and they had to like get him back. Yeah, they had to be like, he said it was a little bit of a mess with his schedule. Here's

what he said. He said, I really do love revealing Jim there, enjoying the lunacy of what he's put Pam through. And in a weird way, even though it's heavily ironic and played off as a joke, this is the closest Jim can come in that moment to serenading Pam himself. Aw, yeah. Well, yeah, to me, that moment doesn't work without Jim there because that final

moment is him and Pam getting to flirt and have a connection. Yeah, they just now have to do it through a conduit. Like once again, they can't like communicate to one another because there's other people in the way. So they have to find ways around it. Yeah, that was all Jeff Blitz. I love all of these audio clips, Jenna, that Jeff gave us and Wayne and they really just open up

the episode for me so much. And I don't know if you guys heard this and it's something Jeff will go on to talk about, but Jeff has a stutter. And he was a little nervous about making the audio clips. Then he actually sent in this audio clip that we want to play for you about how he felt like his stutter was an advantage to him. Here, listen to what he has to say.

As a side note, I want to say this, that the stuttering thing, which I'm sure that is coming through loud and clear for some of this stuff, it is part when I started working with you guys, I was so scared that the stuttering was going to make it such that when I wanted to share notes with you that I would, that the amount of time it would take to do it and then I'd be embarrassed

and all that stuff. But anyway, I do think it inspired something where like, rather than shout notes out to the cast that I would go and that for me it just, it felt like a better thing to not do that. And so I think it turned into something where the note had like a thoughtfulness to it and I could talk to people about it and it felt like I could spin it in a

way that it made that for me anyway feel like a good thing. It's not as good on a podcast, I'm sorry, but anyway, yeah, just wanted to say that. Well, it's interesting, Angela, because my memories of working with Jeff are of close intimate conversations that were very connected. Yeah. And so I never found his stutter to get in the way of connecting with him. In fact,

I think he's right, I think it actually created a deeper connection because we had these one on one conversations. Yeah. My memories of being around Jeff are of these quiet intimate conversations coupled with laughing harder than I've ever laughed. Yes. Yeah. I absolutely agree with that. And that's why I cannot wait to tell the story

of Save Bandit with Jeff because it was me and Jeff and Kent and Greg on set that day when we rehearsed it, getting the cat in the ceiling. I'm not going to get into it, but let me tell you, I am living for that podcast because I want all of them. I want us all to retell the story. Oh my gosh, we should get all you guys to come together and we should do a

special Save Bandit where everyone speaks their memories of that scene. A Save Bandit deep dive. Yes. Yes. I love that. Well, guys, we also have a final audio clip from Wayne Wilderson. He's just letting us know a few of the things he's doing now and where you can find him. Well, I did upload on Amazon Prime with Greg Daniels.

I know they've been picked up for a second season, so hopefully we'll be seeing me back on that. You can go find reruns of work I did with another office alum, Randall Einhorn, where I played the principal on the mic. And yeah, oh, where can you find me? On Twitter, I'm Wayne Wilderson, one word. On Facebook, I'm Wayne Wilderson, one word.

And on Instagram, I'm Wayne Wilderson. That's one word. You guys miss you? Thank you so much for letting me come on your awesome podcast. It's been a lot of fun. All right. Later. He makes me laugh. The way he was setting that up, I thought he was going to say something different for his Instagram, but I know his Instagram is

Wayne Wilderson, one word. Yeah. Anyway, by the way, it's not Wayne Wilderson, one word. It's just Wayne Wilderson. Yeah. One word. Exactly. It is his name combined, guys. And you can find Jeff Blitz on Twitter at Jeffree Blitz. Jeff, Wayne, thank you so much. Guys, that was the convict.

That was the convict. Thank you so much for listening and sending in your questions. We will see you next week with part one of Phinney Hanna Christmas. It's Christmas already, and it's going to be a two-parter. And we have guests. Oh, we're excited. See you next week. Bye. Thank you for listening to Office Ladies.

Office Ladies is produced by Earwolf, Jenna Fisher, and Angela Kinsey. Our producer is Cody Fisher. Our sound engineer is Sam Kiefer.