OpenAI Podcast - Episode 19 - Inside image generation’s Renaissance moment

Episode Date: May 14, 2026

People are generating over 1.5 billion images a week in ChatGPT. In this episode, Product lead Adele Li and researcher Kenji Hata share some of the new use cases and trends since the launch of Images 2.0. Together with host Andrew Mayne, they trace the progress from the early DALL-E days and dive into the latest capabilities, including better text rendering, photorealism, multilingual support, world knowledge, aspect ratios, and character consistency. They also explore what comes next as image generation models evolve into more capable creative assistants.Chapters00:36 How Adele and Kenji came to work on Images02:27 Images 2.0 launch reception05:25 Productivity use cases and and 360 images09:34: Viral trends, authenticity, and imperfection10:51 Training breakthroughs and photorealism14:06 Evals, prompting, and creative control22:16 Creative agents and what comes next22:27 Images + Codex28:08 Prompt tips Hosted on Acast. See acast.com/privacy for more information.

Hello, I'm And Jumain, and this is the Open Eye podcast. On today's episode, we're talking about Images 2.0 with researcher Kenji Hata and product lead Adele Lee. They'll discuss why the new model represents such a major leap forward, the evaluations that mattered most during development, and what people are creating with it now that it's widely available. If Dali was the Stone Age as Image 102.0 is the Renaissance, it's not only great artistically and aesthetically, but it also incorporates, you know, science, art, architecture, all in one image. We looked at it and we're like, all right, this is better than image than one. Adele, tell me a little bit about how you became a product manager here. So I joined Open AI a little over two years ago.

And before Open AI, I was an investor in my entire career. Oh, wow. So I was in private equity and spent three years at Red Point Ventures investing in AI and software companies. And when I first joined Open AI, it was for a completely different role. I was thinking about how do we build out our data and compute infrastructure. And over time, made my way over to the product. side and for the last six months have been working on Image Dunn. It's interesting how you style yourself

going from one role than finding yourself into this space here, which is kind of cool, you know, to think about the idea that you have this sort of, you know, ability to be useful in different ways. Absolutely. And I think the role of a product manager is just to do the job that needs to be done no matter what it is. And for Image in particular, it's been really awesome to flex a lot of different muscles when it comes to building products, working with researchers like Kenji, but also thinking about like what is the gap in the market today that we want to fill and what is the opportunity that we want to grasp here. It's not the same market that it was a year ago when we first released ImageDon 1.0. Now it's a very different landscape. There are multiple

image generation makers out there. And ChatGBTGBT, as a very different company and product itself too. And so really thinking about the evolution of ImageDan and its role within Chat GBTD has been really, really exciting to me. Kenji, how did you end up working on images? Actually, like, when I first started at Open AI, I also started about two years ago. I was working on like some random audio project initially, just was my first project. And then at the time, I just found my way just working on helping them work on images 1.0 prior to the launch. And so gradually I moved more and more onto the project and then I became full time on it, basically. What has the reception been like right now for the model?

In the last two weeks since we launched the model, usage is up more than 50%. More than 1.5 billion images are generated every week on chat chit. And we've seen viral trends emerge across the world all the way from trends in Asia for color analysis and stickers to U.S. for crayon and scribble that are going viral. But also a lot of people exploring emergent use cases. And I think it shows the dynamic range of the model, but also how people are able to to visually grasp the advancement of the model almost immediately. I think the visual communication and reaction that we've seen from our users for them to say, hey, this is the best,

highest fidelity, highest quality in a static model that we've seen has been really awesome. This felt like a really big shift, almost worthy of maybe not even being images too, but almost like just a new paradigm, because just the capabilities are through the roof. What made that impossible. When we started working on this project, I think we sat down and we discussed, what is the step change of capability and use cases that we wanted to build towards? And we believe that image generation has the ability to do so much more than what it does today. You could distill every single output or visual content that you see today into an image. And so that was the mandate that we sought out to improve. And with this 2.0 model, we've improved. We've improved.

on various different dimensions. One is text rendering. The ability for text on a page is so much better fidelity. The language and words actually make sense in their actual words. The second of all is multilingual. So we've really focused on making this model work in various different languages. And we're already seeing that people across the world in Asia and Europe are really resonating with these advancements.

The third is photorealism. I think we really saw a lot of feedback from our previous models that the output wasn't very realistic or altered their face or their bodies. And so one of our mandates was how do we actually make the image feel more like yourself? And so all the things that you think that the model knows it does, because it hasn't been viewed the knowledge of the world into its conscience and is able to visually communicate that back to use the user. And so putting that all together, I think we really get a state-of-the-art image generation model that is the best aesthetic model out there on the market right now. That really represents a new paradigm for image generation, which is a huge part of, I think, AI progress at large that we have an opportunity to work on here. We often listen back, listen to feedback on social media too. So we kind of just take all these things and basically are just aware of it and try to make sure that they're mitigated or,

completely fixed in some cases and in the next iteration. What kind of use cases are you seen? What do you see people do with this now? I think one that's particularly close to like the research team as a general is like infographics, text. I think text in images is like so much better nowadays. So I think it just opens up a lot more productive use cases. And from like the research side, we kind of think, you know, image generation used to always

be about fun and maybe like, unproductive things, but now we're really seeing steps forward into productivity and image generation for any type of use case that you can imagine it for. So you mentioned text. I remember the early models, no disrespect to chimpanzees, but getting into the spell like opening I even looked like a chimp did it. And then now I'm looking at pages of text and finally detailed stuff. And I know that as models get smarter, variable binding ability to put things next to each other improves, but this was just a big improvement. Yeah. But I don't think it's like completely unexpected.

I think you see a lot of growth in between, well, first you see between Dolly 3 and, you know, GPD images 1. There was if you ask for a grid of random objects, you go from maybe like 5 to 8 in Dolly 3 to maybe around 16 in images 1. And then with 1.5, we went to about 25 to 36 consistently. And I think now we could probably do over 100. I think this is like a test that we might do internally. It's just we just ask Chapit GPD. Give me a list of 100 random objects, right? And then we just send that to our image generator and see how many are correct.

And usually, you know, it'll get almost all 100 correct. And that's, but you see the constant growth over time. So I don't think it's like completely unexpected. It's just a steady face. That was a test I used to use for like the really old models back with like ATA, Babbage and Curry, like, list 100 science fiction books. And then some of them would get by time I got to like 22, we just start repeating stuff. Because it was the model reached the end of it. So we've seen stuff to like 360, 360 degree panoramas.

How did that happen? Yeah, that really came from the emerging capability of the model, which is the ability to render images in any aspect ratio. We discovered that people were generating really long, amazing panoramic, you know, skinny bookmarks as well. And one of the cool capabilities with the model is that not only were you able to generate images in this panoramic aspect ratio, but you could also render images in the style of 360. And we saw that it was really fun to actually view these images in a 360 world itself. And so that was a really fun feature that we ended up adding into the product and it's available on chat GPT on web and mobile right now. First thing I did was I made a version of dogs playing poker. Yeah.

Put that in there so you could sit there like you're one of the dogs looking around in there, which. which was not something I expected, but it's fun. Yeah, I mean, it's really awesome to see how people are exploring new use cases and fun things that they're creating with the model, even far beyond what we expected users to be using it for. I think when we were designing the model, we were really deliberate and understanding what people really wanted to see from image generation. There was a lot of latent demand in image generation.

You know, people were mostly using it for personal use cases, but we definitely saw a lot of inklings of people wanting to push the model in certain directions that the model wasn't good at. So text rendering was definitely one of those dimensions that we really wanted to improve on. Multilingual was another. And I think world understanding generally is so much better in this model. And that typically means that, you know, now people online are sharing a bunch of examples of them creating image done for all different kinds of use cases that we didn't even think, you know, existed out there.

So I think the model's understanding of aesthetic beauty. across multiple different outputs, whether that it's like a fun meme, an image for a five-year-old versus a professional consulting deck. The expansion of opportunity and outputs has been amazing to see in this latest model. It's funny, too, how one of the things that was trending was taking popular images or photos of people and then having the model make like kind of janky-looking Microsoft paint versions of that. Yes.

And did you think that was something you would see was that? people are going to use this incredibly capable tool to then go make, you know, these silly-looking things? Yeah, it's funny because it takes a lot of intelligence to actually create something that is imperfect. That's what I tell people all the time. Yeah. And it's definitely very interesting in the viral trends that we're seeing online right now. One thing that I think people are really striving for is authenticity, imperfection, nostalgia. We're seeing that in the MS paint prompt, crayons, all different kinds of generations that people are creating. And that really feels like the theme of consumers is they want to interact with AI in a very authentic, imperfect way. They want to

show their imperfections and use AI to help make them look good, but also show a more fun and goofy side of themselves. And I think that's self-expression via AI is something that we're really excited about. And I think it's really part of our mission as a company to make it easier for people to learn more and distribute that intelligence, but also letting them express a version of themselves that maybe wasn't possible before. Kenji, was there a moment with this model where you're saying yourself, wow, I think this is ready to go? You know, as it's training, we take a checkpoint and then like we just sample from it, right,

and just see, okay, how good is this thing? And I think like, we just sampled a checkbook, a model, an image. And we looked at it and we're like, all right, this is better than images one. We were just like, okay. I remember watching the iteration of one of the early versions of Dolly and how at first it was sort of the wispy sort of weird sort of the tendrils sort of thing and talking to one of the researchers. Like, is that going to go away?

It's like, I think two, probably two runs away from that. And then just like that. The ability to predict that was amazing to be. And all of a sudden everything got crisp and clear. And then also like looking at, you know, years ago I'd played with like, you know, Gans and like doing those things. You have to squint and say, I think it's a pickup truck. or something like that.

Yeah. So it's interesting what you see is you say, okay, this just all of a sudden got much better. Yeah, I mean, it was just very obvious. You just take the early checkpoint. You just sample an image from it. And then you just sample an image from, you know, images one. And you just look at the two and you're just, there's just,

why don't I like this garbage? This is. I don't know what the image was. It might have just been like a picture of like a woman on the seaside. Like, you know, overlooking a seaside. We just looked at it and we're like, all right, there's like no question. That was the big, the big, the big jump was the photo realism of going from something that looked that was more of a glossy idealized magazine cover to somebody look like a really good photograph. So help me understand like besides just more compute, how did this happen?

How did you get a model that's much better? And also that doesn't take an hour to generate an image. The times are still, I remember in the Dali days. We would literally have to, you know, tell us what you want. And then an hour later, it'd be on Instagram to now these things are. in chat GPT and it's faster. How is it getting both more intelligent and you're maintained in the same speeds?

I think we learned a lot in each release, like between 1, 1.5, now too. And so we take each of the learnings that we've made and we've, you know, like, for example, speed, right? You know, one of the things is like, oh, can we make the model more token efficient or something like that? And, you know, we did a lot of work to make it,

to make it produce very good images with less tokens? I think the post-training for this model was very interesting in the sense that we really had to think about not only does the model understand world knowledge and how things look in, you know, science, concepts, math, et cetera, in an image, but also what is the tastes that will resonate with users? You know, what makes the model or output beautiful? How do you make it look realistic? These are all questions that we had to grapple with when we were post-training this model because I think that one of the things that was really important for us was that this model was the strongest aesthetic model out there right now, which means that it has more creativity

in various different outputs, no matter what that output is, if it's a professional output or a personal output. And so that range of training and the range of use case, I think made training this model a very interesting problem. Do you have any personal favorite benchmark tests you like to do things? You say, I want to see it. image of this? I have an e-vow that I call the me, me, me eval. It's essentially a hundred photos of myself and my friends and my family. And I put everyone in goofy positions. I have about a card or birthday for every single person. And I think it's a really great eval in the sense that you only know the people around your, you know, faces the best. You also want to create funny

things with the model and they do things that are relevant. And so one thing for me is the product manager that I'm testing is not only is the raw capability of the model really great, but also does chatGBT understand what I want in that context? You know, chat GPT remembers, you know, that I have a brother, that I have a mom and dad, and what they like to do. And so does the model accurately know how to insert pieces of personalization in the moments that matter in the images? These are things that I'm testing for. How about you? Besides the grid one I mentioned earlier, that's probably the one I've used the most.

For a while, I think Divya and I were doing a lot about photo realism. We were trying in real hard to push on that. Just basically, I know Divya's favorite one was like a woman holding a jug of orange juice. I don't know if you see it. There's like so many images of a woman holding a jug of orange juice. Well, actually feel like the researchers had a more standard set of images. Like, then they like to bleed on. Yeah, and you get like the stand.

Can it do somebody writing with their left hand or watch on their right hand and a clock showing this? I think the big, the big leap of the images like probably one or one point five was like a half full glass of wine. The wine glass full of the room? Yeah, yeah. Yeah, exactly. And there were ways I was able to prompt it to do it. But it was, oh, it was really had to get a really descriptive like, you know, red liquid inside this. This one is so fun to prompt.

There was a thing. People said, oh, can it do like, you know, can it do like pixel accurate? pixel image style art and somebody was like, no, it can't. And when I hear that, I'm like, okay, let's try. And I found out if I gave it like a 64 by 64 grid and I said, go, go draw the art in there. It did. It just was able to put art into there. And that was amazing to see those kinds of results. And that's the promptability of this is insane. How do you plan for that? Is it just happen? You're like, oh, wow, this is better understanding this. People come to image done with very vague prompts. Yeah. Make it better. Make me.

look better, you know, make me cuter. All these things are really vague. And I think it's really the job of the model and the harness to distill that into actually what users want. And I think that's a personality of the model that we've trained over time that we've really harnessed the power for. And honestly, I think it also yields a lot of really surprising results that people may not expect. And that surprise is just part of the fun of using image gen. I've seen like two kinds of prompting sort of emerge. And I remember back with Dolly, I thought, like, oh, I'm a prompt engineer. I'll be great at this. Like, I'll be really good at this. And I, and I'm, you know, I'd make a raccoon in space, like, feel proud. And then I'd see an artist, somebody who wasn't

a prompt engineer, somebody who actually came from that world. And I'd watch them use their language. And they were doing amazing things. Yeah. And that's, that seems like it's that still holding true. Definitely. I mean, we work with a group of artists very closely when we develop this model. And we're very inspired by artists. designers, marketers, all these different professions that I think have a different way of approaching their profession. And one of the things that was very important for us is we wanted to take the inspiration as well as the best practices for those professions and distill that into the way that people interact with the model. And so that's something we've deliberately tried to

focus on. One hack that I've seen work really well is the ability to upload inspiration or context into the model. And the model has an incredible ability. to take the spirit of that context and translate it into the output. It's interesting because I think that a lot of people worry that, oh, I just push in a button, I get something beautiful. And each model, that gets better. It's easier, as you said, did not have to put a lot of effort into it. But when people do put effort into it,

they are getting even more amazing results. And it seems like actually that if you're artistically inclined, you're getting even greater control because now it, like you said, it understands more about what you're talking about when you talk about depth of field and these other things or whatever you're trying to do. And as you mentioned, it was exciting to see with earlier models, artists who said, oh, I gave it my originals and it gave me these variations and I know which one works and just seeing that as this real creative amplifier.

Yeah, definitely. I think having creative direction or taste or judgment and bringing that to the model is the best way to push it further. I think one thing about this model that I'm really excited about is how it expands the creative outlet for people. I think the ability to create multiple different styles or types or variations has never been easier than with this Imogen model. And I think it's also understanding of different contexts, like the way that it's able to shift what it's like to be generating an architectural diagram all the way to the aesthetics of a children's book. The ability for it to move so seamlessly

across these vectors has been really awesome. The ability to do great infographics and diagrams is very powerful. What kind of feedback have you been getting from people in research and education? We actually have an internal alpha channel where we test our models. And in that, there's like a sub-channel dedicated specifically towards educators of any level, like elementary school students all the way up to graduate level. One of the coolest things I saw was there was a biology, professor and he put like these graduate level textbook rendering pages of things I had no clue about.

And he said it was perfectly accurate. I think the ability for this model to distill very complex topics into something that is really easy to understand within an image is one of its strongest capabilities. And we've seen this with students, with teachers who are using image done to learn different concepts to also help them create study guides to help also create personalized content. I think personalized learning is a huge trend that we're very passionate about. And I think the image gen model helps you as a teacher create something that every kid can understand in their own language and an own preference.

And that is something that we're really excited about. We're thinking about this in the context of also how do we bring more of the elements of ImageGen into chat GPT at large so that when people are trying to learn, learn concepts, we're teaching them with ImageGen. I remember when I was in school and kind of prior to a lot of kind of multimedia blowing up, posters were a big thing, classroom posters explaining stuff. This really reminded me of how powerful an infographic can be because it allows you to bring as much attention as you want to it. And you can spend the time looking at it and seeing it and you can put a lot more detail into it. I think one really awesome visual shift that I've

seen with ImageGen is that now in internal presentations, over 50% of the slides are created with ImageGen. Wow. And that permeation of communication via images is so powerful when you're trying to explain your concepts or illustrate what you mean. And I think infographics and the text rendering capability, as well as the composition of the text on the page, is incredibly powerful with this model. The model's understanding of not only what to say, but how to present it.

is a superpower. And I'm really excited about future explorations of this, where we can think about how do we make this even better? How do we improve the composition, the different kinds of outputs, and also make it editable in the product. These are directions that we're really excited about. How do you see the progression of this? This is great. But typically anytime I talk to somebody opening eye about what they're working on, they're like, yeah, this is good. But I think we're still super early in exploring all the different use cases that people are really trying to push the model win. And so one of the things that we're really excited about is what is that next stage for ImageGen, which is to create the creative agent. Ultimately, the agent that can work alongside

you, be your creative assistant, and really understand how you work, what your preferences are, what is the output that you want to get to, and built the product and model ecosystem that, helps users kind of have a personal interior designer, personal architect, personal, you know, wedding planner, et cetera, all in one image done. I'll tell you nothing. It was kind of amazing. It was like, all right, books. And so like every now and I have a book come out, I've got to change my social media headers.

And I just went and I said, oh, find my book cover and write, no, create a, you know, create an appropriate size social media header that I can put on X or Facebook or whatever. I'm like, let's see first shot, first shot, right aspect ratio, everything. We basically did that from the start or trained the models. It'd be good at that from the start. I remember, like, I worked on the initial de-ris of basically it could do any aspect ratio that you ask. Yeah. Yeah, you can now really just easily specify the outcome that you want.

Yeah. Like in the case of yourself, you're like, I want promotional material. I don't have an idea. I didn't specify exactly what I wanted. But the model was able to do the research and then give it to you in the style and aspect ratio that was relevant to you. And that's super powerful. We're already seeing this. You know, you're an author. I've talked to real estate agents who are using Imogen to help them create listings for their apartments or stage their listings. YouTube creators have talked to me about using Imogen for their thumbnails

and promotional content. I've talked to top artists who want to use Imogen to connect with their fans. And I think the ability for all different kinds of professions to start to use ImageGen to help them with visual creation is super powerful, especially if you're working in a visual and a creative industry. ImageGen is such a hack in your professional toolkit. I think it has to be a part of everyone's everyday workflow in the future. This does feel like the, I think it feels like the first time where anything I can reasonably come up with, it does a pretty good job of it. We think it's a new paradigm for image generation altogether. Like if, you know, we set this in the launch video if Dolly was the Stone Age's Image Gen 2.0 is the Renaissance. Yeah.

And I think that is so true because the model, it's not only great artistically and aesthetically, but it also incorporates, you know, science, art, architecture, all in one image together. And I think that composition and knowledge that the model has just means that the outputs are so much more trustworthy, are more powerful and enable so many more use cases. I think that ImageGen and Codex is also an amazing intersection of the capabilities that we're setting out to create with both ImageGen as well as coding agents. So many people are using ImageGen as a first step to designing a new website or creating a new app. And I think that intersection of having a really strong aesthetic model, which is image generation, in combination with strong coding abilities, means that now you're able to zero shot really amazing apps. from scratch with both of these tools.

Yeah, I asked it in Codex. I said, I took my website, I said, could you make me, like had the image in? Could you create me some, you know, some different concepts for it? And I did these contact sheets? And as for contact sheets, did that? Give me like four images there.

And I said, oh, the one on the upper right, can you go make that? And I watched Codex go make that, which was like, this feels like magic. And then they've implemented as part of pets. And so like, if you're using Codex and you say, hey, I want to have like, I have like, I love Raven.

So I have like a Raven. I said, can you make a raven? And then I watched it pull up the ImageGen tool and iterate and make the sprites for it. Yeah. Yeah. Sprite sheets are going viral. Yeah. Same with game design.

People are loving using ImageDen to help them create new worlds. Any hints on how to do better sprite sheets? I mean, I've tried to make, you know, jiffs internally. And I think if I just use like the thinking mode or codex and you basically just ask it to generate one initial sprite, it's really good. And then you can just say, can you make the rest? The consistency across multi-images has been amazing. We've seen a lot of people try creating 10-page comic books with consistent storylines, you know, multi-page slides.

I think that consistency of characters and aesthetics is completely unique to this model. That was an example, too, where there were a lot of workflows out there for working with image models that you had to were kind of janky, but you had to figure out how to do. And it's great now because I can do stuff where I can like create characters and say make a character sheet with the different poses and stuff and just go feed it back in and say, okay, now doing this, now doing that, now doing that. And that's just such a, often sometimes what we need is obviously a smarter model, but like context length did so much for chat GPT, did so much for coding. And with an image model, it's able to reliably reference these references. It was incredibly capable. Yeah, for sure.

And we're still trying to improve that as well. It's not perfect today. We're really trying to develop this visual creation layer for people because every single person you have an aesthetic or personal style or preference. And we're really trying to imbue that into the product that we're building so that people can get to the output that they're wanting easier and faster with image done. Any parting prompt tips for people? Well, one of the things I would suggest people try is,

image gen thinking so if you navigate to the thinking or pro models we have a more powerful version of image in that experience and in that model you actually are able to search the web analyze files leverage tools under the hood which then yields a better quality and higher composition photo and the suggestion that I have for prompting that experience is be open-ended I think the model will go and do the expert itself to understand and try to reason and find information that matters. And I also think giving it a sense of an aesthetic is also super helpful. Using grounding that in a style has been really fruitful for a great result. Good one. Good one. I think just being very particular about the

style or like what you like in general, like for me, I like minimalist infographics. Sometimes I think the model can be a little dense. And so I just, maybe I'm just a simple kind of guy so I just like very very clean a very clean look so I like that Adele Kenji thank you very much