Ottoman History Podcast - Cümle Fener Burada

Episode Date: September 30, 2026

Namık Erkal, Firuzan Melike Sümertaş ve Haris Theodorelis-Rigas Sunucu: Can Gümüş | 1719’da Bükreş’te yaşayan bir âlim, İstanbul’daki bir dostuna yazdığı mektupta, “C��mle Fener burada; artık İstanbul’u hatırlamıyorum” diyordu. Koç Üniversitesi Anadolu Medeniyetleri Araştırma Merkezi’nde (ANAMED) açılan Cümle Fener Burada: Hane, Mahalle, Saray ve Şehir sergisine adını veren bu ifade, Fenerlilerin tarihini yalnızca bir topluluğun yükselişi ve dolaşımı üzerinden değil, İstanbul ile Eflak ve Boğdan arasında kurulan mekânsal bağlar ile nesnelerin, siyasi ritüellerin ve kültürel pratiklerin dolaşımı üzerinden düşünmeye davet ediyor. Bu bölümde “Fenerliler Çağı”nı ve 1821 sonrasındaki dönüşümü, voyvodaların atanma merasimlerini, Haliç kıyısında yaşanan mimari ve mekânsal değişimi ve Fenerlilerin maddi kültürünü konuşuyoruz. Aynı zamanda, bir araştırma sergisinin üretim ve sergileme süreçlerini ele alıyor, dağılmış ve çoğu zaman kaybolmuş bir mirasın nasıl görünür kılındığını, küratoryal anlatının bilinen ile varsayılan, mevcut ile kayıp arasındaki boşluklarla nasıl çalıştığını tartışıyoruz. Maddi kültür, mekân ve gündelik hayata odaklanan bu yaklaşım vesilesiyle, Fenerlileri ulusal tarihyazımlarının sabit kategorilerinin ötesinde, farklı coğrafyalar arasında şekillenen çok katmanlı bir topluluk olarak ele alıyor. « Click for More »

The abutus Abutas Sending from Europe from from Aflavovadalal Mankul and

u serbestiet u s'nusp under sadaatakat Mottomisky podcast on Welcome, I'm Cian Gimush. Today, Koch University,

Anadolu Medinieter, Arachyrnment, March, 26, to the show and in sergues, and in Choiras, Thea,

University, Mimalick, Faculty, of Aude, Gnardor, Rek, Ayrgyz, Coupan,

Deguice, Rosh Ruezz, and Rheusanne, and Rheusanne, Recta, Rectom, Rectom,

Theodore Ellis, Rigas, with us. Welcome. Oh, good. Hoopled. Good, thank you. Thank you. Thank you. Thank you.

Well, first, serggy in, maybe an actorlerns talking about, we can't actually really who's maybe you'd like I'd like I'm not like you're,

who's-nolid, who's, they're, they're much to be much-the-the- this is-mechul-lure life in life and the, you know,

the, you know, the issues, in the issues, you know what, a little bit like a don't know a time a lot of

a loton fenelilers there and but then in 1821 in a year to be there's a

maybe deenerke a quick a good give-es if you if you say let's say we're

saying we can't say we're we're literate fenerli or fenerlibe or

or fanariot or getting group social a group actually in 17 year's

the son-in-door, in the world, a upseller topulul-lok. In the time in time in the center in the time in the

in the time in the in patricaneda, and the Ottoman-Deglet dres in in the uptellan, and the

enderlerler. Fenerly and Fenerder's being, the, Harsitin' about, which this,

because this this, it's, particularly, in-liction- in- the, Also, again, economy-den, this

trade-failieter, the economic capacities, one-and-a-nation, and, especially, Osmanlian-corophias in within within their ownings, they're making,

in Italy, to the, very popular-of-allel- in the meddick, Paddowa, like, in the,

again, the other than the type-eitim are, but, but, and, and, they're

in-a-I-Rup their their, they're, And this is social-in-law-in-lawed their, the state-network-in-lawed, more-go-nors-looking,

more-heclic-clics, that's in the administration, positions-lodduring they're in, especially in the sarae in, in the,

because, especially this, the, the, and diplomacy- like, the, in Europe-in- about,

and in the time, and in the time, the time, the time, the time, the time, Fenelelerns

are, now, more high-posion to get me back-of-do- especially Eflak-Bo-da-l and Vojoling

curses, first Lever-tercun-Lis-Losion position, they're all- they're, and after-send-tercum-lion from, Eflak-Bo-Dol positional-Lososioning

positional-boxer. Maybe I can't also, Ters-Henny term-tercumannlid, this time, again, on their

their new, the other mevike, this serg, in Fener-Ca-Ca-G did-N-E-S-10-1-1-1-1-1--Cal or the tariffism in the history of it's in

150 to actually we're actually we're and the funerlerler dened and the time with the

last language about back into there's very another two other one of

tucer elit from the parliament system in Istanbul in Istanbul part

partions and and kupruler family using the Gikas

family and Arnaut Kokenan and again directly another

another another another from romay in Boyar-Lar-Larer-Dish get-making,

and then Kanta-Kusinos-Lar with it and classic in the last we've seen, first the term,

and then- Wovada system, actually, in the time- -in- -and-s-an- -in-send- -to-n-

-all-a- kind of, this-l-he-she-sha-- And, the cat-lars-n- you've been a little a-reene-

I'm a-o- on the conund, and banilic in the culture as a very big good good fanatual

about fanariot are big kitap collectorler and the some of Kantemir like,

kantemir, kind of such as kind of bestekar or partiet he asserted

and also the banilic and and the bestekly and There are, in the way of the other than, geography-altern-o-law-law-lawful,

actually, in a time-lar-old-artic geography and a culture, we're talking, but now, in the Balkans, in the Uanthana, in Turkey, parched-lety-alleled-all-lid-all-lis-all-old. A lot-upac-culture, actually, after, after, part-pare-dur. And, actually, the sergiening big aim is, these fragments be aaray

get them. Fragman of what's easily clearly, I'm sure really a pretty much

really a deal with we're doing after once you asked you and it was actually

fenerly tanning the time to the fanariot and negative a negative

a way and negative a out but the sergin'

the reason the funer here here and the

Alintin'n't'n' oldenny, 19, down, nearly as farnterly time in the first of the world, there's, in the Zinandah, in theisman in the end of the end of the following, actually, fenerly typhas, or, we're going to bein'n't, in front of the thing in fact that, actually, to get-yrenelic-of-like, too-go-lily-old-law-lawful. But, heredarding, as, as I'm,

in the haris'n't, like, And the different tariff has been out of the and their actually there actor from the time in the

time in the time in the time of the termed in the formosos group of their

people are in the people in people in people who are men 1821 Eflak

to a actlanmally and then Egey Morae yeah but but it's

interesting a actually again EFBodan and there's That was in that time in the relationship in a more a new yearn't

it shows in 18211 I think that maybe a good good end up last year how many than back hellerlilers

during far in many years, these families in again to come us usllante family's one of 1821's one of 1821's

the time of before from after many times the family uioldo or the penelis system in in different

position in the power cordatae alias this 18121 One, the other than the most-in-crued-en-cru-land-crumsus, Yunnan-Nistan-Devleting, the prime-Pocan-ocellar-dorough-en-an-a-oelian,

the end-up-en-en-choling, one-en-soy, along, Alexandros Mavra Kordatos, again, soy-soynd, along-so-luck-old-old, we're talking, and we're different, and different roles, from, we're talking about, this part-in-a-lars-chawned,

the time, and in a lot-d-dunel-lars-a-old, and every-a-l-l-l-lis-uner, Every person's, her family mensub, and kind of role in back because, you know, either soy or everybody, or sometimes, the same family in the same

time, and also, I'maqorado's, the different positions, one, the one of the Romano's in the geography in or the other than

in the Uanistan's backpacan or something and, like, we'll bring us, we're allucte a lot of course to look into also, the

end in, actually, this heterogenely bence, I'm really good This is this partial-lily, this the co-raphy-o-referial-lawful, actor-in-de-chiefts, in-suffet in-in-in-same-in-a-harmes in-hackings. It's a good, I think, a charce. Now, a certain-per-in-a-mer, Istanbul-cently-ensterned-one.

Hem-Fennelililenellas, Istanbul, how an Istanbul? This is a little detal-linderey. You're odact notarerings-despethers, actually. This is a quay-in-the-cuy-n-cary. Actually, Fennell Lerlian-unuchel's during the 18th-year-this-year this is a very muthier-a-bally-savis-havis-havis-havis

a new-your-old, a new-dunish-mdue, this is a new-nir-culture eticelan-sticelan-a-culture-itlisn. And, maybe, there's, maybe, maybe you know, and then can't be able to

say-ebbelses. Fenerlililers, of, of, kind of, kind of, infidelering have been of

them in the in the not a a manned in the fenerdike

everybody fenerly didn't, and a group asinlis tariff, actually

a rum orthodox nufus was in Istanbul, a certain, a

particular, the and the in the people, ferner mahals than

than a way a lot of there a a way to be

a where we We're doing We've seen In the people's In the Aban's

the Abani, of the tigarate mecanes again tershane Fener

right's Bawazzz all the all the Fenerler's in the people in people

and other groups or the other in their in the Fenerer in getting

when in especially Istanbul Kent topographias in a interesting different

different we here here here the 16th year

in net-of-work-known, actually, Fetheatten-Berra-W-da-old, the quid-dick-allick-all-al-a-allu-a-law-eval-a-eval-a-eval-a-evaled here. Here, the durnishmuh, much the patricanenanen Pama-Castostan Petrion-Calus in-a-lases, and it's-inmess,

and it's-cancor-crap-er-a-top-lark-a-er-er-susususus, And, you gettick-in-insan people in the quiddering, actually, like the balac-eve-evlar in the land, kind of an land-achmation,

and it's a very time in we're going to we're going, so, and, for the, Constantine-Branco-Wannu,

the family's there, Fenerer, in the, the, in the, this year's in, this year,

this, we're going to we're going, we're we're we're going to, and, the, and, the,

the, the, the, the, the, Karsaluricean in, but khyya-do-lawed-lawful, but the area-mecannes big-doing-do-we're a part.

One part of the part of the part of a half-up a part. This doco is a-of-y-oom-do-lossure-ky, and acroballic-lick-lars-le-backed, and in-one-habil-a-law-law. I mean, I've been called, in-habil-a-boh-bott-bittier. Balat-bitt-blet-blet-l, and this, 3,000-met-lit-hout-old, iskele-er-dishind, nearly-se,

a lot of about about we're talking and it's a thing, the balic-eve-evary like, bit more virane,

the shard-down back-and- back-and-s, we're in-a- also, we're very end-er-old, we're-en-a- kind of,

and other-enar-lil- and a thing-she-sue thing-old, the, fernal-the-- fan-l-the----------

---------------------------------lionion, very, very if I'm a very mimary doku, that's very much really much the time.

Tenerlilern from about about we're also, maybe Boas to do this also bauxh fenerl's out of course,

and fenerdick and far as the pasty and the community and other cemate and other groups, and also

the ticart networking between, the other other lilies to work, and other family network

and networking together, soolicely the, the geography and mecansansal capital from the

But one of the other than you know, in Istanbul's, again, and, again, and then Fenerlii Oda'a'Odala

especially, Dornemade where in the Bannere in Bawas'a's a, a where we're in getting,

a year, time in it's in, as a m'amukh D'an'an' D'an'an'n't D'an'n'n'n' being,

we know'n'n'n' in the... Serg'n'n'n'n' one one one fenerlars only fenerl

but in it's not even in it's not it's not notalara in the we're in

we're in we're in we're we're doing we're also so I'm people in even in

fenerlian than than fenerlililic mecan so emperor of godin and

after emperatorlors in other other other parts I'm I'm I'm sorry I'm

I'm sure I'm I'm sure funerler fenererererer Istanbul, how is a Istanbul sort of? Maybe today's

Istanbul to payaslayerate, a big big a big big a benzerlick about I'm a lot of water, so,

traffic and the traffic and the time that's the reason, so much, our gulfes with ourit

we're looking very one from each other, because we're having, because we're in the time,

that's actually much, boas, we're in, boas and fener So, actually, that's one

other than from one one of non-offy mevotes, even Boas and Halijee in the

second is a better than as far as the time in the time in Istanbul in a transit city,

and a going, the people, and this fenerly, and we know,

we're asking us we're there, who, who, who's, who,

who, whether, or do you, or, or, it, Panariot, so-isimler, how Bissomber, as far asinian-a-lawly-lawful,

gochman, adalards, balkan-a-dolud, from Trapzond, Capadokia, and. And, interesting way, this one-year-kindle to look at home-buembe-be-bele-fenerly-old-old-old-old-old-old-old-old-old-old-old-old. This fenerly kimly in a very quickly, Just I'm just from there's formative years of my years. I've got, I'm going to benerly am, or they're saying, they're saying, maybe everybody's in in in in in in-laws.

Did we're in-the-lawed atmerely. But, I mean, the time of the New Istanbul are as arile-lawful. And in time in the time in-in-courtment-chebagh in. So, so, that yearlilic figure is, it's very interesting and our own kind of way. and a little partly. Kimliing mecan-in-me-lis- in-lisksine

work is very very important, and that's the same, it's about, asne, or the kind of

kind of kind of the work as the end up that's that's much so much. Now,

now, we're, maybe, the temalernal how you, so much , co-o-o-o-

-o-o-o- -o-o-o- -to- a-mere- time, I'm sure, I'm sure, I'm so-mere-

such-ststit- , and very much cheshitly, and eilasmases and using using video is there,

it's a big bigotly and digital grandlandernerment there's, so much that's quite a lot of

much more that's all about, I'm sure, I'm sure, it's really, that's them, the time,

the time, the time, the time, you're in, because, the chorapelel over it also,

so much collection, a archive, and I'm kind of using, maybe, it's

also, maybe, maybe, this way with with each-billy with the topululululululing in a lot of

actually, firstly, this is the this is a very a research product-sur-sur-urcation. A-a-serggy. A-a-a-a-a-ast-ergis,

it's, it's also, also, maybe the answer, more, more, more, more, that's the questioner,

that's the catman-lars- with, and more more than-so- the, the, more so, the sergion-the-

the, the first, the, first, we, Am-Met with We've got to come and Aamedin's cultural cultural project and this

this is a work a group's much more we've got up usherstable to we've got to we've got to this particular we're going to

geography over we're trying to we're in Romania to our menistansansansans to our conuely community to

got to some with with ushue and over we're using other than about internet email we're

What's the one of the in the Unahynehaki Mues Culphanes Unanistan's, Romania-Milly Sanat Museums or Belediya Mises is there. Temasta in many there's, I'm asking, I'm saying, I'm here, maybe she's saying it will

a show me over, a series of a book we're having, the book to be the workernerner, I'm asking, I'm this research to, I'm doing, we're having, every other socialism

We have done in a other than a other than a little bit of a kit upynaue. So, so much in this year-in-a-alleled-a-clican, I'm a couple of times like Christine Filio,

Constanza Wintilla, or Adrian Majuru and then, we're in this process. So, so, quite a lot of all ourisel

community's, different ways, but our personal researchvelerums our stances in ourteshings, too, in the time

to put up together, we're doing, for us, we'd do it. This is this is going to

after the actually, actually, actually, we're going to our chives, but in the our shivler we're

doing a lot of we're doing a actually, Fenerle, the other where we've got, I can't, maybe online or

physically or irishableable where there's where, I mean, British Museum, from, Victorian, Alberta, and,

and Hattitraslibrary, and Mottetrae, And then, another, I mean, in different dillers, I'm trying to, I'm in the British, we're in, our capacity of

not in the time in, but Romancey, Romancey, romainecee around, restop around, and I'm doing that'sep

a group of background on yes, I'm doing that way he's also that's also that's all right a lot of,

that's sort of, and mecan over-aselor- and mecan- -as-sernmoney so-o- -l-en-

and, and, and, also, our our researchmall our times,

a can't and meharmes and mimalook under the open, an esn, macket, there are.

Again, our own our own other about edibiat and the and the art,

Omer-Coleck collection from those good book, and a other axe also,

the, the, other act of, the, also, the, so, Some time in Humanities,

too popular, the doysal don't adder, actually we, this world, this parre-pare-pare-old world, have been puttunlety

with the community as the same-scape and music like factors to be a factorlerly as the

name of the name of the we're actually, we're actually them all and material

is And curatorial carerlar our little I think think the first from very materiality

I mean a materiality, I'm a material thing over this actually a real real deal it was a

because really a big one a thing, we're we're going to think we but that

both mecansal and material culture factor us we're always he organized a way that

the showgues the music are very And, we'd, you know, there's a lot of the issue in, so, you know, so it's,

so it's, like, people, like, in the pastions, in the, in the yearsnation, we're in

we're getting to get to make us to, and so much making sure. As soon, Harris, dututely

about, it, but, the, part of, it's, part-partial, the,

certainly, the, the researchable, the, the otherciliers, isleicler, and everybody have very different

people have quite the idea around there. We also the different methods, different materials, different mediumsler, we're also

this, we're also our own, NAMC, as long as many-Boytly macetler and their, and their different

different than, more than, those are actually, one of those, they're actually, a special, art-lachers, yet,

our life, our life is, we've got, and we're, and we're, very interesting imcanes I'mavra

Cordatos, I'm in Proudatos, I'm in the Somally and getting together, I'm looking a real-etement cherthevesen

a little bit more a little bit get up, I'm really like that's there's a little, some,

some highal gulgues and even the idea of course I'm, I'm very much, I'm very much, I'm in the personal way to

give me some of some of the because, because mecanin' in case, is to see-ebeling, a place in a place in a

place in the time actually, I'm in actually a different from a way of a kind of a

idea of a a new year we're doing we're going to we're in the yeah, we're first we're in first we're

first we're a fairly a new year, we're going to we're also we're even we're even we're we're

we're also our issue, or we're we're also we're also our humanly geography to our time, but

sometimes we're we're a different a big of a icon I'm, a unanca-y-yazut, I'm a American-yazit, I'm this is a lot of a lot of different thing.

I'm a different thing I'm, or, asa, in the first-Griestead in the first-year-old Shetheal'-Jusel chesmits, I'm sure make, I'm sure, any, any, any,

any, any, any, any, one of the time-in-lac-as-it- in the, actually, the sergiener, actually, the sergents, actually, really, kind of,

the show-a-stststiches, you, actually, you know, you know-s, So, you know-toddars with, but, actually, you know-s-like-hack-a-hocally-harmes-habil-a-politic-a-politic-harmes-a-harmes-a-harmes because it's risky. Risky.

No, a superi with us, I suppose, I mean, we're three-mutes. So, so much control-luck-lawy-all-law. I'm a lot of you know, cochunercesean-lawful, part of, obviously. So, you know, we've done, and, uh, we're-usage-in-asuriming-in-to-per-per-per-talleled. But, but, but, you're a... Yep, the way we used.

We're in a, a tableodan, for example, fanlander, we're doing, what did you? I mean, we're, we're doing.

Innski, I'm doing, the music, the metinels, original, the original, one-in-cy-kind- and,

both-en- and, sometimes, the person, to be used, and authentic, music, music,

we're all- the music, They're very fenerly, bestekar, I mean, so just really, actually, actually, actually, actually, it's actually

doing, and it's used to, in the way, in the works, in the works, or, or, or, the a matter of

I, but I'm, but it's being, it's a certain, it's, we're actually,

a- way, we're trying to, we're used, we, it, and it, we're not, it, and,

It's a quick, a e-c-allelra, one of the menace-othered we're never-of-looking us, we know us, Elchikabulu-gible-gible like a place, but kind of tourn't-ed-ed-lomish,

myself, kent, and, the treas-it-hach-outhern, we're-an-a-imaj-lid. That's-a-lunders-law, like, more, you know, emina-Fet-Fead-A-Larer

in miat-Ulars to give-e, It's a actor, a moment, on the end of it in front of, and it's used to be used to make, and we're also a researchment as a result, we're a sub-it temisil not, I mean,

the area, the area's part of, how we, kind of, people, obviously, odacted things out of,

such, the same thing, actually, the show, but, academic-sinor- in the, academic-sin-sor-

-sor-sid- -sou-lid- about, I'm-we-sard- talk-lick-lick- to workulamak I'm like,

and the digital material material about we're talking talking about. Sergi in the time, the time in

the time in the fenerlil in arsinderlars around, on their life and also the some of the

some other those, sometimes, sometimes, also the actor's sense it's also, maybe, maybe a

little bit of little little bit of us might be we're going to be able to maybe

get back there, but allentent and the allentin's the fenerlilil network

that's, the great network in a place of a part of people they're added they're at so that's

the different catmalfing we're doing we're doing because as only as we're many far as

some fenerlil there's many other fenerli history in and it has been just a

or literature in the literature in there's sometimes, however several fowowowowow networked

having been however many different an in-itid-it-cidter-chare-dlet-o-dhawned, a in-draffin'i-a-clic-op-a-op-a-op-a-op-a-uped. Those people, and those are, those are, actually networking partias-old, or, those are actually,

like, in-ew-o-dolarer, like, voivou-doller, the kind of the children's-a-annibal-as-a-a-lis-a-lis-a-lis-a-coyed. But, I'm notarck-a-lapism. We're not-hurted-a-lap-old. We're, we're not-linted-lety-one-law-we'd. Sometimes, bilare,

time-tors say the allentries put it, and that the different perspectives and we're

making to the kind of about the idea of we have done, but I agree with, I'm a

kind of a kind of kind of kind of kind of we're quite, but we think a

good a hierarchy to putmation we try to quite quite to

come much yes we can't give and it's there. Now, actually

actually the thing, there. I mean, the temal and a way of the

natural reality of a house in we're in front we're in front we're in we're doing. This chrifat

merasimels there's actually a lot of fanallelelers for the time, maybe this detail-lendr we're,

this voyvodal these lawy looking us you're also here here here, here here,

here, here, hem-isubed in, after Eflak-Bo-O-Dan this merasim unurlars, what, the mack,

the, kind of, this merassi, Like like a fenard-dike-downe, then, Saraya, Patricane, and then Eflak-Boadana-us-usan, the process, maybe detail-lendurably. Techefort,

of, too, phenomena-dush-out-in-kind-old people-in-uped-an-kind-old and, or the, of the Wenerl-Ler-Therners, in a general-genish a chert-eweeutututin-you-ut-all-

in Istanbul-N-Urown-Mekan-Mekan-lark-lick-lark-l. and the in the FAC-Bodan-D one-one-one and a geography-of-law-y-law and geoffy-lars,

it's, it's, and the turn-es, and, in-sard-e culture-a-cult- culture-as-an, so it's when,

the fener-and- actually, it's, actually, a-m-a-l-a- one-a-l-a-------- Here, Eflak Sarai and Bodan Sarai, two other mecansarer, there are 16th year's

tasked-ed-el-mish-mecannes. These are our funerlerler-dorned-a-drawn-downe in the time, when in, actually, fenerler, in kind of men, the vizier-do-old-old-old-you,

like, saddra-z-lard-olde and the, macam-hally we're doing. So, so-lisly, the, the, a-tam-an-chari-s, the con-a-gere-old,

and, and, beck-lite-a-lough, This is a shema, of each one in, totally, like, repeated it would be different times in, different aciolieter and different ways

but it's classic theme, the first Saddrasam in the macam came to, there's a job underlety and thener

again and patricanea in a patricaned a time and on it and on the other in actually,

actually, a higher doazes and together a topto-ututement there. There's one, A one day

after Fenerd's conacted top-cop-sarina going to and sultan's in the honor of the

adrazzam in the vowsing of voevnae goevere and it and it cidar-se

and kukka giederlio and it has been and then after this these tonnels in all

in all fenerlerlerly about maybe say perhaps say rum-orthodox onmals however a

russian a-o-o-o-o- -o-o-o-o-o-o-o-o-er-ski-o in the sift in the school and a-simmon, you know, a-sac-bri-sla- bat-b-b-sla-

bat-bin-and-a-eve- and-and-a-eve- and turner-an- turn to, and then, the whole-userned a better-lick- and on

it all-lid-est on, actually, the years-lars- people-and- people-an- there-l-an- the-o--- --------------

a woman girl's not. Because Vojvoda's the exhina and the name's in the woman, and the other

their own their oldulner in the Romagna gettick to there's there's there's also

Domna's the turnerlety there is as a m'c mentioned Amik Kovsettig as a calabalic

a enturaj with a kaffel in Istanbul in the time and in the time in

every time the year to partyinin after a group and then the last yola

out of the way of two-min'clock 500, 1,000-5-200, 2,000 people to reach-in-lawed, a coalfilely with a foyer-go-a-cafieless. And, like, you know, the Yenicherriller, Mehter-Takombe, like, like, like, a lot of entourage to dolew. And, you know, all the kewscied during a certain, a certain

curation. Because, the show we're in, the show, there, like, the durklardard-duner one, a show. But, for the country's, getting, and, in the area, romayca dance-etting, The Dora Doreau-Darrales.

And then, the house of the Vovoda, in the city, and Voivodan's in the country, Domna's, in the life-alana in the same in the same turn, and two-a-dren, one of the other the other than the the event-eachem-ectivist

this ishick-e-eared. So, Fenerd's in a time, again a chub-yak-a-cath-a-cath-a-cath-a-a-a-a-cath-a-a-a-a-a-a-a-a-a-a-a-a-a-lap-a There's a messles. There, Topkapus sarahy in the Newcherilers together with chorba-itchelmany. It's very important. The new chelagh's a very important.

I mean, usually, they're in the sultan's in-unner-in-upon-upon-upon-sur-old they're in-over-olde together chorbo-it-lis-lis-lis-cli-court. Bucrecht'stek-lisdick. Bucrecht'stacketka-Turin, the turner-chewsho-as-o-o-o-harmes in the show-a-old-old-old

something that's-hulled-allel-the-culturned a little bit of a thing here I'm going to I'm in in the sultan tabiated phenerly Voivodal

and the abas and hebass and he's and then the power of his power and support and this particular

material culture and the mecansal temsill and also a more ince capable a bit more more

more saking a more of the decorum in but we're but

but Bukhhyeh in he's he's the prus Vovosos over and that the in-itid-dard-dallot-a-kkaid-lawed-o-khoder,

in the time, in the renal boyar-a-aftan-gied-eat-a-bo-a-lawed-a-law. Boyer, what do you mean? Boyer, Romagna, in Bucrecheon, the real-tud-a-tud-a-lid-a-lis-a-lis-a-lis-a-lis. This is an important, because, in Flak-Bow-Dan-Eisenk-a-lis-a-oldeus There's no time

has been. So, there's old aristocrat boiard did we're there. And the

fenerlian especially about the boyarler's the social d'narsely with

because fanariot time in the first of Eflak Bogot from

three impar- -and- and the and the Ottomanl especially

the good- good-e economy in a location, the yearly boyalra

to get in a point from from a contemir I think the only yearly

voevs and Russia to be sadic on guenelel and aflac

bodas and organic and a aristocrat an an property like an

room elitie in penerlil and that by and obviously by the

by this new tigar tucar panerly Ailer, Yer aristocracy with,

eval, interpation to get a job of the we're doing, we're doing, actually, the inputchler

gave us, podcast's in the podcast's in the podcast's the idea of the idea of

the, the idea, with the ability, maybe, I'd it, maybe,

it's, this time, panard, ta, buchrysh to Madi culture how? How do you look yourself?

That's the material and the insurlary Nelor, Nelor, the sergiening in the book in the

particular, what I'm, the kind of, the new-el-rechel as in, as in the music,

edibia, a bit, a kind of a kind of a kind of a culture, the, this isulner

in the orderly and the other things about a thing, you can't be,

maybe, more a large to be and 18th year of the year's

about about it not a human not a not a fenerli and the

maybe indistan kind of many national nations and and the and the

and in the the movement in the fenerlil fenerl the

kind of the things in other under the cultural art

rather so get us. So, we're in 18th year's in the year's in the end of the

charchevey in the partil-lajama like, if I've said it's things, some of

those are the government and chematic not and this cultural actarum under the general

material culture, us, uh, the of the life of the

life of the community in Chalalalian Kauris, dened in the conactors, you're looking the same kind of

kind of kind of, kind of very thing and it's very and it's good, and it's being in the

life and the way, industryleashment not, but an undisrileashm and the industryleash

and the power's more than a dozen, in a time in 18 20-1 years in

this, in the in the relationship in the issue is. I'm the same Namu's said as the 18th

year, especially the Ottoman for the suffa and a kief, the cutitim, like,

you're dishing from, from, from the textile and we were we're also

the Ottoman-C in the non-ca in unan-ca in un-gnernering

in there. Sometimes in actually back- actors from, Kisch-

and patricler, normally the thing, more, more, more sceptic a life people, that's cefa

and keyfe, boaz in chie in the world we're, we're in front of we're asking us we're doing.

The second is not let's not let's we're in a new time in this time in the moderned a

modina so. This is this very very similar phanererlera fernerlars maybe

maybe the more uh... Eflag bowdoin but we actually affected us you know that

normally in a museum or a show in the object in the same first you think you're provenance

and original in situ ballam and make a lot of many many objects for we're

not possible because the production where it's different, and then much the

subvening there's a bambasca a borgue there It's in a little of that's notherglet meresim,

actually it's a good good, a purgou, it's a good, this object to these objects, this is on the same

in the same now we're, now we're we're going to beckled we're saying. Actually, the dogus

he's from partial and a hardactly and a different, cultural objects between you

or a mirast than B'Rashh between, 2,000 people, maybe, 20,000 it's with

with going to good-sure good-dellic in the idea of the money to be in many times.

Chihalic-even It's also. Cheez is very a case, because, the time is, because the people,

maybe we're saying about this today today, we're talking about, all the Fennerli networks'n' curled in the women's

also a lot of also a lot of because, as long we've been given around or a, or, catledled by,

and, cat how they're givenererable, in a family's devalance in, this year-boy-sure-a-dalen, the time of the time-liction-doxenely through the time, so it's due to be,

or the misadere-ed-ed-lis-muller money-and-as-in-as-nuskeregare women-as-in-lawed. Other, other, the other, family-lick-in-as-know-lety-old-old-o-o-o-o-o-o-o-cultures. That's a-a-lunders-old, a very, a woman-temassive-eckon-law-lough.

I'm in the sergideming or the bilgideming or the information we're going to talketemising sohbeting

here. There's here's the partial, very farceal, so co-oraphial a world, the world,

the information to give you about, this both-look-lululululul- how bashed you? Billin-en-

and the what's-sail-an arasindersinders how-lis- because it's, you think, it's very good

you're, actually, actually, actually, actually, actually, actually, actually, in a

in the talking you're in the people in the part of the thank you.

Actually, you're in the serggy in the series in the issue in the way,

everyone everyone a kind of a particular and the one of

everyone in the kind of and like a kind of kind of kind of

kind of kind of we're we're we're we're in the certain

the sergien in the I'm a, like, the idea and, actually, actually,

the symposium and workshaps, with the workshaps, with the people, we're in the present,

and, actually, the sergiener the person, the, the same, the, I'm also, I'm

this, I'm, this thing, the, their, and the different, and the other,

the Tad University with us our, Sirai, Turkey, Bashchch, and Esatjana Jocun,

I'm I want to look at them. They're, especially this sergid, a, actually, a more

kind of a land and a lot of a lot of an area and a lot of a lot of the designers,

this is actually, the designergan, and the court, and the form, the course, the workmsal

about, the, um, the, the, the, the, the,

the, The demiseling, especially Sergining in itsn't the end uproletesquely and bilimmedsickler and in fact, in every con the area in terms, he has a lot of a lot of,

you know, a lot of a lot of also a lot of misnizek-golder. This is really mecanes when you're more net

you're not you're, a binan in there has been in a bit of a half-o-o- or something of the tamsill-it-eget-

-e-eget-me, like a heritada how they're given in the carlars, this sergit the person who are all the same

the time the people who are in the their own their idea they weregulamak they're actually, and

this is actually this, this, this nests, thisnern, thisnern, net-of- their places, this,

this person's in a people's still in alexed not, like, like, nine-and-s-

one-s-and- back-sern-s- -sr-sr-srull-sion- in the backsina surlangen but serggy taserimed all their all in each

each to get you and partial and all over the between between us in one of us in a lot of you're all over you're looking

a thing you're going and you're going and back again especially our actual actually our time our case

everybody kind of who's everybody's people a putterler oughted we think

we're this sergid actually in the first in the Architana Archivine in Amet's bestay with a

work. That's an issue in our work in the special bas-shelries again a fayorough as soon we that people who'll see

there. TABB Taze are actually our research we're a little kind of sometimes, kind of

many of our interesting sometimes. Patricane Arachyrmasan meyer, but the sergining in

the the shesmely about the handcherin the 3thi Ikaa this chemely the

I've got to mectub to come to be, the result of when the research between the work when it's all over the point out of there's actually

that's all over, but those those are allotelable. I think the the end-keifly things that's, but these are also, you know,

yet, yetismending their people, but the people who are, the, of an, impor-lour-lour- art-er-a-

a-art-all-a-all- and a-lety-a- and all-lety-a- different ways. Christin-LIN in the empire-in-Inty- in the imperilion, Fennerlilers for, so,

I mean, a imperatoric-in-in-in-imparator-like, a total-tun-all-culturned-culturned-a-lactment-a-vis-all-a-culting a lothabiled-a. He's-a-a-larshering, a lot-up sullia, so new questions and new research-a-lanlarser, and it's just a bit of course. You're in, actually.

Now, I think, the story-as-a-uping-uping-uping-cap-a-uping a good-carnish-charcevers. Now, the ododdally is, actually, the realeach-eal-a-it-it-lish-old, a... So, a georaphial, a place of a groupulok in which, in Turkey-dice-tie-tirehism

in the Unanistans'nation's military-tri-hisman, and in Romania-dic-tri-hazimn't the Romagna-dic-tri-hazimn't-it-a-old community-harmes'n't-a-old-applarser part of the mediaeat-chartyisman annaut-in'nation, and it's very good, actually, to be sure about,

Now, you see these stereotypteroops in the fenalilera in a lot of how dozeno over comes to what you're I'm a I'm a

I'm a think I'm a one of the problem onus one is fenerlars algues and the

second is the fenerrilar and the term my ownerr if you're a little a looke

see and and I'm let's say I'm Ikeke I'm what you

What do you say, do you? I mean, maybe, one of the show you need to, I mean, this is the idea of the time-in-a-law-

like, this our, this is, this isthmusal a issue, actually, actually, the issue, the people,

totally of, when, who has been, in the world, and the way, this, this,

the, very, community, and, this, community, and, actually,

the, The researchmallarer's an artic deal is made, I mean, a kind of a single-dil using using

not much, this is actually from the real dillers, and the homelice, and the other's

those kinds of kindnacklers, the different, backish-achuller, and Romania, but again, the,

you know, the his ownetikis' there is a thing there, so there, in any time

back, it's, not, a thing not a and it's first to this

the yorgad from the kind of people in the community

by the Byzans's after the business with this the world

in the world times in the interesting a old

cultural culture culture and actually this this this

also. This is also the economic and the marchism part of

there So, so the world-tick-like-and-like, and, you know, lux-tuketim, a lot of negative, but, you know,

than than more as about about it, let's be able to, then the new work in the new work, like,

these ways of, like, in the, which, where, maybe, er-kitalist duzener,

there's, there's, actually, the, the, the, in, the,

like, fact-gern- -like, fact-er- -gely, So, very, very very-ins-a-hazim in Rommanya.

Hala, classic charcheal there are there's in a year- in a year- and inel- in-of-a-sac-

education-as-a- academic dil-acturiming using, now more English-Cy in-Nigli- language.

Echol-O-Law-Recture in a deep-is-Brack-Mas Farnariot-Ca, and I don't know a good-be-be-a-mend. But, but, as,

let-le-Devimina, that women's a otherkeleastirme than we'll talk about it's in the same,

the same the same, the leicterrists, manipulative, women, materialist, opportunist, a taba,

and so, it's a few few times film, Roman films from, fragment giving us

but Yunanistan to get we, I think there there's there, there's

very, a, really, a, really, a chelish there, in the

in the Uan's in the Uan's history of the history of the history of the how can't, and back a lot of, we're talking about, we're saying, I'm saying, the first U.N.

President, Alexander Mavra Kordatos, is a very important a fenerli day with deng, because Fennerl, they're, hem, the social tergues, and intellectual

levels are very, too, are much, they're in, parliamento to get you know, the new

new-elit is a very important part of the and the edibiat in the archaeology

in the role of their there. So, the edibiat first the new,

the new, the new, the government in the new, the world,

the panariot don't, I mean, think, 18130, 1880 80-

80- and 80- and feneril in Guant in-D- -Ebby

in- in the but, also, the big parts of the church in the government in the time in

the same, and the then the same as the last I'm saying, asmanlia to give

and an important role who are, he diplomat as, and the government of the

so that all right and you know you know, the for the middle

the thing, the Turkey. Turkey. Turkey. Turkey's also in Afghanistan

as in a certainly chetrefilly and carmaish because you knowinistan of the during the government overation

and in the time in the year's year and it's year going to be over but there there's a one of course

there's one year one year year again hellenism or the human culture or the

room and the great people still still still still and

this fenerlilil and actually even even even in again we're

we're we're we're one 18121 one a a not,

we're not even Istanbul, and Fennerde be a sure going to be sure in the physical in life in life they're in

the pera'n and beyeauhul' being used year's in the year's year year's early beginning, I'm going to,

I'm going to, I'm going to, I'm going to, I'm going to it's a time, and also, it's a lot of,

maybe, the termionion bureau is curled again, a, I mean, a room, a room,

only can't comeulm over over, or, in the Ottoman's, in, you knowetian in the year's in the year to go to rooml'er

going to get me and then Istanbul in the room, in the community's in the community in the inmenerlick annatism to make things about

more much as much year, and in the Latin-Literatured, and the Islamliterate in Istanbul, Istanbul,

Istanbul is a great a great-andatism coming to obviously, maybe, the medietchill kind of

a very important, but it's about 20th year back in, So, the wars are uptick, the Unan Georaphias, and inundra the toprakiplers arttick,

more than a hathlete will be able to make that these two Ulus, the militaryitial in one against, so, eight, one hundred hundred one,

one hundred one, one, one against, one against, one of the , it's the time we're going to continue to our time we're

our time, we're actually the time in the time, we're actually the time, maybe, the course,

almost, maybe, Or in 19974, I'm, Selanik's a lot of a menerlomer symposium

dozening. And, even a lot of roman in the time in the lot of the time,

and then we're in 50 years after, 10 years ago, we're in the second back us

in the process to the part-of- many-of- many-st- many-stil- people-

and much-lety- part-of- a-tall- a-l-l- part-l-l-l- about a-l-l- -lars-n- I-L-Lan-Turk

years-lars- I guesslars. I'm, I'm a fenerly onus a big different

I'm like a certain in a signer in ignore it, fenelelerns meaning

uh... Gozard to Yes. This is But, but the

Unanistan is very a problem we're really a polemic we're especially in 19th

year in the in the name the name the name of Yorga

the Byzant's from Byzantzance of the The United States' year's in the first year's in the enormous neoclasism in the neoclassism in there,

in Byzant, actually, in the United States' year's second year's in the second year's in the first year's in the world paradigm's, and in Romania, and Yunnanistan, but these people, Byzantzance, like, Osmani, like, imperialist, they're so much undertakleadig for, this kind of otherkite-eatrilla,

and they're military-devlet, France's-A hacklamation hit-elming city-cler are also a very important

factor, I'm probably, but this isssilic movement to get to be under, it's much, I'm, especially,

I'm in particular, because, Osmali-Nus- because, Osmali-Tar-Lis when-Nellarlars about aboutsetting aboutsettin'n we're saying,

the same, the same, the same, the rum-fes-D the term-Mas-D under, But, especially the new Fenner Lins, in Istanbul in life, new Federlian-dened-Nus,

like, kind of fenerly, ailerle, in the Ussmala's in the Umbudsman-in-in-in-in-in-in-in-in-in-in-inism in in-in'-in'nation in-in'-lawinging. Here, as, Ahmed Ceddette, the, actually, the thing, the thing,

the thing, and, for, the sherry-lety, but, sort of a lot-lust-a-old in a very place to be a certain way to in-a-larsed-a-lars-a-old, this artismmeremeremeremeremerement, because,

that there Osmandan in the people are not in the people are in the people are in

their in their in their sort of term it's termination it's actually a

really a in fact and it's really it's an out of the first bergelerer

and we know it and this and this quite in this quite a kind of

kind of kind of and it and it and it and the and then

it's it also here we're talking actors, Genitjherner, the

Boston's the time, the first Robert Walsh's three in Istanbul, in the in the

European and the terms of the fact of the time of back from because

the Ottoman himself in the time in the time in the one year

in the part of everybody and everybody and the himmary mecansal

and in some in be, so good networked that they're, they're,

they're they're in their way, they're in the way of the time of the fact of the , I'm not,

the Ussis people, he's, and, you know, and the diplomacy, it's all, when that, that's all over those,

actually, I think, the, thing, really, the thing, really, really,

the, the, the, the, the, the, and the, the,

the, the, matter, really, So, 1821 and in the 1826 Crillness,

2nd Mahmuth and Tanzimata-giden Yulun and this with, you know, with the thing, with the year,

and the year of the times of course, I'm actually, maybe the Ottoman's year's the first year,

the very one of one of the time of the partishment and the end-etkies, this music-e

and collections and the art-tarrief in Fenerlii the Fenerlii-O-D Kvarmininin, It's again, or, or, or,

totally yoked or a specific in a very specific ballam to and I'm a big big part is the

point of, we're, we're in, we're in using with our book in and the in the

faner yot fenerly, sanat art of history, or, or, I'm not,

I'm, I'm, certainly, I'm, I'm sure, I'm sure, I'm talking,

I'm saying, the provenance messess, For example, usually, especially, a very a very common way to get, so termination for the termination whence is order to

whence the correctal when you're in, this time, this timelammally, that's the way, that's quite, could make, here.

Here, maybe, maybe, maybe, new, the, you know, in the, in the, post-Bizans,

to make, year, like, vizance-s- don't, or, the, the,

get-mene- opportunity, maybe, more, more, there, It's a betteredable, it's in,

in Rombia's in terms of using it, they're in particular cultureal in the world, actually, because they're

in the old-in-Ca- American-Mask dedic-N-E 17-year-on- -son-un- in-office- a new-Ewe, actually,

fenerlerler, basically, on the fact-euro and we're in the, in the 18th year-I-

really, too true-tap-lian- I'm, I don't, but, it's-in- it-l-one, Bere-one,

Nessnes, it's in a way and it's a way. Mekanlar the way very,

maybe a very a special their and the provenance not much not much

not much it's, he's really, it's true, it. Like, Boazza

gittin's, the Boaz's the time, the time, on the other thing in the

time of going to be able perhaps, it's very, thank you, thank you,

thank you, thank you, Your Aas'a Saugned. Takeer your hand you to be in your to be

our for your thank you. Thank you. Thank you. Thank you. Othum History

podcast in this this University Anadoo Medanieter Arachsmah Marquis

March 26 to the series, Juno Fenner here, Hane, Mah and

Marle, Sarai and Marae Miliuze Sumertax and Maris and Haris Thelis

Rigas with we're with the showgider some Gursarser.

Autumne history podcast in website in the website in the website to be able to get back, and give me and get me podcast to

get to be able to get to get to get to good. Good. Good.