Ouvre ton jeu avec Marie-Claude Barrette - #118 Sébastien Delorme | Ouvre ton jeu avec Marie-Claude Barrette

Episode Date: August 25, 2025

ébastien donne peu d’entrevues, ce fut donc un privilège de le recevoir à Ouvre ton jeu.C’est un homme sensible, à l’écoute, intense, brillant et combien sympathique.Il a répondu aux questions avec une grande générosité. Il aborde entre autres la relation avec son père. Le lien qu’il a avec ses enfants. Les enjeux du métier d’acteurs qui sont souvent constitués de hauts et aussi de bas. Il s’ouvre sur sa vie amoureuse.Rencontre avec un homme qui croque dans la vie!━━━━━━━━━━━00:00:00 - Introduction00:13:23 - Cartes vertes00:47:11 - Cartes jaunes01:11:54 - Cartes rouges01:25:59 - Cartes Eros01:41:50 - Carte Opto-Réseau━━━━━━━━━━━L'épisode est également disponible sur Patreon, Spotify, Apple Podcasts et les plateformes d'écoute en ligne.Vous aimez Ouvre ton jeu? C'est à votre tour d'ouvrir votre jeu avec la version jeu de société. Disponible dès maintenant partout au Québec et au https://www.randolph.ca/produit/ouvre-ton-jeu-fr/?srsltid=AfmBOoo3YkPk-AkJ9iG2D822-C9cYxyRoVXZ8ddfCQG0rwu2_GneuqTT Visitez mon site web : https://www.marie-claude.com et découvrez l'univers enrichissant du MarieClub, pour en apprendre sur l'humain dans tous ses états et visionner les épisodes d'Ouvre ton jeu, une semaine d’avance. ━━━━━━━━━━━ Ouvre ton jeu est présenté par Karine Joncas, la référence en matière de soins pour la peau, disponible dans près de 1000 pharmacies au Québec. Visitez le https://www.karinejoncas.ca et obtenez 15% de rabais avec le code ouvretonjeu15.Grâce à Éros et compagnie et notre niveau rose, obtenez 15% avec le code rose15 au https://www.erosetcompagnie.com/?code=rose15Merci également à Opto-Réseau, nouveau partenaire d'Ouvre ton jeu. Visitez le https://www.opto-reseau.com pour prendre rendez-vous dans l'une de leurs 86 cliniques.

Hello, everyone. Welcome to O'ReTon Joe, the podcast. Evident, I like to you read these comments like every week. And there are a lot of The O'ReTon Joe

of Simon Booleris. Simon has talked, of intimidation, the impact of the intimidation, how we've reached to

get to be in and there a testimony that I'm not before me, but I'm you've been you're going to

you I mean I said, it's a few, what we're doing, what we're doing, Simon, in talking of those who they've intimidated, there's one who has written, there's a man who wrote to say, well, I'm, I'm going to be, well, I've been one of those who are intimidated other people, not necessarily Simon, but I've been an intimidator, and I that I said that I caused to do a certain

person and I decided it said it's a long time that I think it's but after the testimony

of Simon Bulriss I've decided to make the pay with that and to go to

get the person that I intimidated for to understand the impact that I

had in their life and and certainly me excuse so I

think that magnificent as as a part of his part to

to us partage this reflection, and I'm saying the people, if it's

going to find out the people who are intimidated, I imagine that's for the person that also

it will do something, it will be perhaps they'll have brought also the peace to

say okay even this person that now regret the thought that I think that I'm

really fantastic to us to us to us Alexander he knows also

concerning the episode of Simon Bulleris, he said, it's a man that I knew, that I knew a few, but I'm afraid to discover

thanks to the podcast, his joy to live, his merveillance, his spontaneity, his creativity found to him a person

fascinating to discover. What he has the most interpolled, and without the passage

he has talked of the intimidation that he had been to say almost exactly

the same things than he, what he was boulversed at the point. This

This interview has made remounted to me these souvenirs difficult, but today

pardoned, all like Simon, I have this faculty to me say one year the things

are different and it's what I'm going to change of life and environment at

17 so. So, thank Alexander. We've had been much

of the testimony on the intimidation. There there are for who the

pre-rest can't quite difficult, but even in 2025, we've

continue to be talk because it exists in our course in our course in our course on our social

so there's young presentment who live what's the time, what Alexander has been in many, we

know that's still, so you have to rest vigilant when we can't talk of intimidation, we can't

the impact that it can have on the life on the moment present but also on the life

future. Today, we're just before I'm just before, I'm going to you're talking

of the team. After that, I will you talk to the person because

it's a long time that I'm a lot of that. So, obviously, I'm

very much, I'm thank you, you can't be able to listen the podcast

to fashion all quite great on all the platforms

of podcasts. So, obviously, there's Karine Jonka who

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TV, I said I've got to do you have to be the experts and professional that I've met through

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are really well, we'll be in the space Sintiacinth, the 27th September next, and the theme is to remit to be to core of so so.

So if it's interest, rendezvous on mariclaude.com for see if there's still still the place because it's open to all the

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that, of this community there, we'll offer 10% of rabbe on the abonement and the code promo,

it's Club 10. So, rendezvous on the Mariclob.com. So, obviously,

a great thanks to my team, Caroline Dianne on the coordination, David

Bourgeois at the mission, Jonathan Frechette at the creation numerical,

Maelle Leu and Geremi Bouchet on social. I'm

you're I've been a long time, because when I to start to do the

TV in 2019. He worked on a series that was in a TVA

and we partaged the same place to make make and coaffed so I would

regularly I've invited at many times to two feet the morning and Marri

Clode at the radio he was he's someone that's someone who

isn't he doesn't and now today he is with us so I'm so I'm

I'm know but it's the first that's to do you. I'm talking to Sebastian DeLorme.

It's an actor that you knowse he is in the pageage public, in the case he's in our pageasel,

on the theater, the cinema from already 30 years. So we're very, very very fared to receive Sebastian

DeLorme so place to Sebastian. This day, I've seen all the facet of my

life, me reappar to be in face? By pure azzar I don't why, but there's

30 years when Claude is deced that's it was, so it's it was, and you

you, you, you know, you'd see the evolution of what you were,

and the moments, oh, you're in face, the life has decided that,

today, I, today, I was, the, I was the resumed of,

that, he had arrived, so, the that's all the house of that I was

that I'm that I was that I was in France with him and Julie and after that the separation

and then it's like it's like it's like it's it was really particularly it

particularly so I'm Overe Tone is presented by Karin Jonka

the reference in material for the Poo Dispon in three

of many pharmacies at Quebec, and by the Mary Club, which is an space consacred to where we're there's a lot of

hundred of class of mrs. Directed by these experts disponible on mariclode.com. The games table,

OvreTon Geu Original and the edition Couple, are available everywhere to Quebec and on Randolph

point CA. So, I've been I'd until 2009 that I've done to the TV and I

order to it's over to be to open your It's a guy who has a talent fool that

we've seen many years for 30 years he's in the middle in the middle of the industry, we have the impression

that it's our family, and finally, when we start to say, but what's we know of he, we know

not a time of this. So, we can't get it more more plus, in the

question, and I know, I know, it's your welcome, Sebastian Delorne.

Hello? You'd you're going to get to until that's all right, because you're

want to be here, now, and why? And why you're to talk a bit more

than you know? Hey, I'm just the world change, is that you would be imagined to have a

podcast? No. No. You, T. V.A. all the structure, and it's it's not

the same, and, uh, you've been at two feet the morning. One one,

two, eight, three, two, three, three, yeah, yeah,

so, and it's, it's, it's, it's, it's, I thought, I'd

never, in a podcast. It would have been in a podcast. So, so I think I've changed, and there's some of my, probably that we're about that we're going to be able to and they're going to

I'm going to face of your. Because you've never I mean, in fact, you're... Sovage. Is that you're timid? How'd you explain that? Oh, it's the timidity.

The power. A gross motor in my life. The fear. Fear of what? a fear of to have air of the regard of the other

I've chosen a new new mity but it's that's the regard exterior okay so

when you and then I'm living let's my life personal you'll be I'll resist

at some I'll let's the I'll launch the defy so so so you're

to try to open yeah yeah that's that's that tend that tend to

it's attend to to join to join to want to want to So I'd explain. But I'd

thank you. I'm very, well, I'm in balled to me to come to this already. So the

Niveau Sebassin, it's a question of general, that I could pose to all the

people who the show had been made for you. It's a question that will be in other

other other guests, but this melanched that question, it's in thinking to it's been

to be made. The Nive-Gone is, we're coming to be more personal, it

becomes more specific. We're like we're in a cafe of Normand-d-Amour for I've got to see what Normand-d-amour I'm associated

with him, Humano is associated with Randolph because this year there, there's a there a game, there's a game

and there, we're a year we're in order more general. So, we've made a for the couple and for the

dating also because in dating it's a bit abettant where is it's where it so it comes

aid the discussion. You know, so it's so that Norman of Amour had been the second

And then we've made an entente ensemble. So it's not bad so it's not so we're

going to play at open your own your inspector. Well, yeah, the level

rose and it's company, we talk of intimacy we're about the question

Spaceman is the question for the Patreon and it's you know it's a

question absolutely that's usually with the question opto-rezo and so

it's a question that's a question that's your command

You know, I have three. Eros, Spacemann, Opto, Rezo. And then we, we're Karen Junkah, but it's also the world of podcast. We have partners. I've seen that. But, I mean, I adore, the partners. Well, yeah. It's, because we have the

same values, we're working ensemble. You know, before I was doing the financement cultural, before to do the TV. And I've always liked, there's like, it's like, it's like, it's like, it's like to question to the management. No, not if you

think the product, and if you I think you know, if it's a partage a part of your identity, it's perfect. It's a... It's never, it's never forceant, in plus at this moment.

No, and I think it's offered an opportunity. I said, look, we're embarked with us, here's what we offer, and we

know, it's so that we're going to, so... And you're your Joker, Sebastian. If, in my few questions, when you say,

hey, I'm, I'm, you're tan, you, you make the Joker and I respect to the Joker, I pass to a other question,

I say not, so, So I'll give my questions vets, you go and you will be it back, and you will me on give my own five.

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There's a bit a bit more than a seven in a minute. So, you want to five, I'll tell you

read. I'll I'll read the questions and you will respond to a question that

and I'm and I'm on choice one also in this level there. So, so,

how do how do you to the authority? Ah, it's real, you've been to

talk. What is the importance accord you to the regard to the other when I look in the

mirror I see, at which where you feel you in plain possession of your

money, what's we're the most often? I'm choose one? One,

yeah, I'm going to choose one after. That's that. So,

so, so, you choose, how how you , He was invited to college private

more young and there there were, obviously it was a veston cravats, surveying, and there

there was a surveyorer in particular who used the kind of method of the army. It's to

say that if the code vestimentary were not respected, he had the there were

there were there were there two times by year and they he's

installed before the three, four, four, of the four-s-eleves who were there, and then he punged a little young of a dose, 13-year,

and he'd humiliate before the 400-elect, and the 400-elev, who were a little traumatized of this monsieur, that, ried. And that,

of the abl of authority, I, at part of this moment that, I, I detested that. This monsieur, he used a technique, and it was like

accepted. It was like the fashion to do do you think is it accepted because there was a post that

that he was there was a moment that it was like that it and by the after the authority or the

notoriety or the hierarchy I think maybe the but the hierarchy to permit to be authoritative

more yeah yeah later I'm going to work in France

at a moment and then and effectively the hierarchy when you when you're

when you're of the pyramid, and it was an actor known, French, there was, he decided, so,

the destiny of each of the employee who had placed, the France Three, he'd

had this bedette and he decided to, I'm, I've got the technician, he's the

realisator, nah, and he decides, he decides who is there, and if he is forged

against him, he, he's far, and I'm my God, okay, it's not, it's not

like She's a point of this moment that it's been in the 90

in France I'm sure I'm very content finally to work in there's not that

like an kind of a space of a structure hierarchical And what that's

you're to receive this hierarchy or this authority to suburb that?

I'm I'm I'm I'm I'm I'm when you when you

come all the years all the time of the pyramid you subied And finally,

a fact that you're on the road, there you can find shie. So, there were some of the comportment

imbubable that I had reached to make enter, we were, we were, we were,

the property were the propertyter were Jewish and he had reached to find to

the saucyson in the house. And he did not that, I mean,

but he had exiged, I want to do He's provoked, in the fond. I feel like a respect in a house.

But I can't, I can't do that. You'll have to do. Because it's what I'm doing. I did. And, and,

it's that. But, but, me mimey well, you know, when you're, you know,

you're not the young comedian principal, I'm, me protect, so we're all the

stuff, we have all the kind of different around the authority, how you get to

save to just to not be in the, like being person non-grata, you know, an espouse

like that, and be able to be able to get to be able to be able to be a little what the people do you

know, they can't, they can't they're not, you know, you're trying to try to find your place,

to rest close, and not make too to be to be able to be to be to become

a yesman We're We're running in politics American, but it's No, no, but it's interesting And when you've got When you've got You've got

You've got You've got You've got to You're Uh, yeah Yeah, just where Effectively At a moment

At a moment At a time, sometimes when you're at both you can You can pass the bonn in your comment

And then And you're You're obliged to get to To bring to the order And to And to find

No, That I'd not There, effectively but it will be never also dictatorial than what I've seen

than what I've seen because she's because she's you're not the authority parental I'd say you've not no no no

no no no no no or you have it's so but I'm able the authority of a coach it will be correct

in sport who'd cry after or that's to be motivated to a certain limit it's so

but I think that's I think it's quite with the years. With the

years you're not you're talking to you're going by the insult the denigreement

the foote foote fute uh uh your your

your personality I've said you're you're you're provoked for

it's not like so with me you're good I'm I'm

I'm so it has been much changed as a commentary. I mean, I see with the realisattor, and more young, I don't know

but I'm not very good, that's not very good, you know, that's not, that's, you know, that's, if you mean, if you're not good, it's sure that you, you've, you know, I'm brannily, and you go, I'm going to be better, if you're going to be happy, and you'll see, there, I'm going to move

and, you know, I'm going to, you know, I'm being accompanied, like, Now, presentment, you my companion in my first podcast. But, you know,

to be saying that we're not bad, I'm not always, I'm going to be to get to what they're

to say, how they're going to see, because when you're not good, I just

just want to say, well, I'm going to say, but today, I'm going to today, I'm going to

at the time, at the time, but how you can't make a better if we're not, he's not,

he's, he's, he, he's, he, he's, he, to arrive to what he had in

head, maybe he would say you have more more than you know, but when you say it's not, but when you say it's not good, at the school

at the theater, I mean, I said, in the case, all the direction we've said that you were a good actor, but I,

I think it's fun, that, we're just super difficult, it's not disable. How we pass on this commenter that?

I don't know. I don't know. I, The theater is a little the same kind of game. It's sure that's the

talent, but there's a job of power all the time if you're if you're close to

a tell professor, he will do you have your evaluation to your advantage because there

a system of Elimination at St. Therreys and other, so,

yeah, but I just quite got to that, finally, after one

I'm said, okay, if you're not, if you're not, if you're

He has the power, he has the power. And if, let's on, this evaluation that's going to be very well, it would be kind of safe because I've been the support of these professors, because he had returned, we'd, we were 25, at the beginning,

in the schools, the theater. I think they're 40 when they enter, but elimination at Noelle, at the end of the year, at the end, the end, which is that you create these links with, with the world,

and they're all through foot at the door, and at the end, you finish, 10, 11. It's kind of anguish, yeah. And then they say, well, it's like

like that's like like that's oh, hey, but look, we're there, we're there, we're there to learn

and the, the filter will be naturallyly after, but here it's red a little.

Is it a way that's been there before you had been there before you've been

a doctor? No. He's not pantote. But I was very timid. Very, very, very timid. Is that you're...

Is it as you've got to... No, no, that's... That's... I had my friends. But, you know, I'm going to be on a scene it's impossible, too ghaned.

My parents... Yeah, say, good, no, no, no. I'd have to be to be in the second-air. Evidentment, like,

there had, the authority, and that if you you'd have made remarked, the moindrement, well, you'd have an

space of guardian, the caporal, so... So I've reached, probably, to become the most invisible possible in this school, I've never put me emancipate and I never had the pleasure to really participate

to the life active of an school secondaire. Like, let's go see my fee, and she's everywhere. She's implicated in all, my son, my son, my son, my son, my son, that's the main way to do that I...

It's easy. Which is that at a moment of any, there were any of any, there were any of course who knew I was trying, I'm sorry, I was in a moment of a minute,

I was quite appreciate certain professors, and I'm in a show of Michel Mark Bouchard, and there are

two professors and other who had made marked, and there was a young who had my doubleur?

I said, you're at at the college of Notre Lambe, you know, you know,

you know, you know, the professor, you're doing to do you to do you to do you to Mr. Carman,

and you to do you to Mr. Brough, and I want to be that, so that's

that. But they're going to be in the cul-less after and they're saying, I'm not sure to me to me to say, it's not grave.

It's, it's it's so. But you were you're talking to two other and how it's

to happen? And how it's I think it should be bote the time and time not that we're going

to get some things. It's you have provoking provoking its power to be

to tossing the power that in my case is a great motor of a

and the impishment, to go more long. And he's gone to Segepp. I've put the risk,

you have, there was the work to do you know, I'm going to be more easy, it's

going to play in. And in the same time, it would be the fun. And what is the

time for my timidity, it's been to be to me to be behind the personage,

to do do things that I'd never, and to say, it's my excuse, if I've

if you have iry, it's perfect, but it's so. And, I think, there was, there was a, there was a, okay, he had, okay, he has. And it's the responsible of the theater at this moment that, so I've made, oh, yeah. Fade the piece, I, I felt like there was something, I know, and, and really, I'm just sure, oh, salue, I'm I remember it again, my parents are there in the

cell, we're saluted, and then I said, Chris, it's that I do in my life. Yeah, it's that I'm doing my life. You know, there are these moments of illumination. This moment that is markant. We don't know. No, no, there are two.

There are two or three, but that you do, there are these signs that are sent to send, if you port the more than attention on different subjects, but there

it was clear, net, at a moment of clarity. And it's been that, after that everything,

after that right now. But it it's like existed in three dimensions before all the world.

You've put your place at a travel of a person but that has due to

do do do be to exist to be in tapestry, you know, to t' to t'

deface but to say, that. In fact, I had, I had, I had, I was, I was, I had, I was able to have an identity

at a travel a team. I've played to hockey, and then, and I decided, okay, all the world

to play football, in the case, and it's a good sport, I had never been so, and I'm not the most,

muscular, rapid, and so, and so, and I've made, it's a time, how I'm trying, to me, to mehue,

that, because, in the same, there, there's a this kind of of fierreth to port

the coat of foot of the team that's going in plus I'm just I'm going

to do soccer I'm I'm trying I'm trying I'm I'm trying to be able to be able to

for this team that so that I'm going to see hey I'd like I'd

that'd be your butter I'm a little nervous okay so that

he me he me he's he's he's he's he's It's all right. He said, okay, we're

trying, we'll have Tessay. Now, he envoys, obviously, the first practice, they'd have with the great guys. But the guys who pease 200 livres, I'd have pussed 140, and he made pass with them over time with us other. He wanted

to test my character. And I'm, ah, and that's a other drill, it's you're all, and you're two, three players defensive, who are at the other end of the terrain, and you're not at court, and

ball, and it's done that the more violent the defensive is there, face to me, and you have to pass, and you

traverse. You have to get the baton, the ballon the way possible. It's so, and you traverse,

so, using that my courage, I'm using that, and he's crinked, and he wants to be,

come on, man, I'm just, I just, I just to the team, like, even you'd be detruire

there, and I arrive carerment at the finted and he he tombe

in the wind and he he's sacraming my point to pay the next time

and then my head I said I'm human and I'm still even and it's just

perfect so I so I have done to make the team to make

part of the gang I have an identity by a part to the group that

and what he's made by the following to continue to play to

football also to CEP and I had a certain talent in the same time so I, I've reached

to have my place. So the group you've had and the characters have been able also.

Yeah. And the reconnaissance, you know, when someone says, well, it's so.

Vresumbably I had been doing that if he wanted me recruited in several schools,

well, several CEP. And even an invitation to go to the United, I said,

oh, I'm going to rest I'm going to rest here, but it's so. Finally,

I'm going to agrasset. But it's a great reconnaissance. Yeah, yeah, it's so.

And finally, I'm going to get to do that, and the theater is arrived, and I'm, the football,

it's going to be more important. Yeah. You've got to that? No, no. You know,

you know, I don't know, but I think there's there's a bit of our life where is we

have done certain things for a bit of time and after that, we pass to other

and we And to do you have a talent also, it's the fun, to exploit. Well, resumably, the other, you know, something.

I have a feeling. We know, we're saying, we're saying, to be persuaded, by example, that's, you know, when you're

to get a school of theater, after that, you doubt at a number of reprise, when you're in the

new matures, you doubt at a numberuse and at a every time, you do, the place, that's the

place, is the more, it's the , you can't, it's, it can't, it can't, it can't,

to advance. That's that's a part of some of the some of the time of the question

it's not a question I'm going to ask you go when I'm when I'm when I'm

look at the myroar my regard and the regard and the regard and the other

is not the I I'm I'm to learn to learn to be indigent invers

there there exists we exist you know we project the image of the image of a

a, a, a life perfect there is The children, he's a lot of In our head, how we're

programmed sometimes, you can, hey, could you be able to me to be in

I'm, during a long time, I'm saying there was a piece of a little,

who said, you're not bad, you're, you're not capable, you're never capable,

all that, fair, this space of, it's a time, it's, it's,

it's been, it's it's that even that I that I that I'm to make

count to that exist that exist and said, it's not right, this part that of

this part of this side exterior or this aspect of condescendant that

that I had been too it was not right and it was me that

I'm trying in the period regularly so so to lute

it's the everyday to try to be very with me with me to make to me

encourage to me and you did you have done of that when you had

this this little that that that's that I'm

I think it's a filter that change the vision of the view that

all to have had had been that probably that I

and I would realize probably more more of things more early. Yeah, I'm even going to go at a moment

Guy Joodwin me said, my belle-Mair has made the hypnosis. Oh, yeah, we're working

on the Derape and we're at Quebec and I think that been a badmere

at Three Rivier tell me my own I'm going to be hypnotized and I will eliminate

this espesse of personage that that He's called Kevin. Kevin, I've got to... My Kevin, I've made me

to do you. I'm afraid of whatever. I'm not that I'm not that I'm not I'm doing at the hypnosis, absolutely, but I'm I'm running there, I'm... But it's a technique that is recognized? Yeah, it's so.

So, what is interesting of this moment that, is that effectively you put in image this kind of personage that that exists, and you let's

finally in the lines to arrive at your fins and effectively I think that the brain

I'm sure you'll have I'll talk I'll talk about the espressions on the space of a space of language

in image I have an impression to see some of the things and you know at you're at

a measure we're going to we're we're talking there's like a cinema effectively that's

that's it's it's so I'm materialized this image and I'm at creole

at a number of times but it but it's not so long it's a recent

is a certain is that you have the people do you know that had something that

so that all so everything and so Kevin that you've accompanied

all your not the last but just at the moment

that because you've Of course. Evidence, I've, these people who are for that,

but, yeah, it's the work, it's a work of a life, to,

to, to bring confidence. I'm, I'm not, my times, I'm not,

you know, I'm doing, you know, my, I'm not, I'm not, I'm not, but,

you'd be never that to, my chum, and, and today, how do you do you

talk, how, how, how, how, I'm, I'm, I'm conscious,

and I'm I say, hey, you're good, you're nervous, it's normal. It's because when I'm nervous, I'm a mechant over me. So you're going to be capable, you're asking a metiard, you've seen, you know, you know, it's all the same. It's true that, we know, it's not what it's going to be. At the interior, who micro, here, there's been saying,

how she said, how it's a language that is due to her ownver herself. And what I saw when I when I look at someone who is in a doucher, you know, it's a grid, but we don't know

what's going to what you're doing. No. You know, what you say, it's like a fring invisible that other has

at the other at the exterior you say, but why he's not, why he's not, why he's not, but we know,

all the barriers that can exist. You know, we're talking to talk about before, to enter in

number, I think to do sport, the endorphine embark, language that disappear. Yeah, it's a

a little bit of a crisis, you're like a piece of kind of a piece of your own kind of and the life is like a great beautiful natural and

all right, so I suppose a certain person to do make a sport just to be and to stop and stop that, who can

rule in book for long time. Yeah, and if I change not of place and if you rest in a piece, let's on,

you can do make it, But, you know, just out just to get out. But it's that's the start,

the nature now. Now, all the other things mean to where's the bien-ed

that can be able to just the fact of to get in full of nature. Incroate.

Just the little Kevin becomes more little. You know, these voids.

But for the nature, I, I've passed to the reflection, it's

all the things, the nature. It's a microcosm. You know, you're out of the

little, and in very a little of time, not if you rest on a piece of ski that has been razed and that you're really going to march in the little sentier and that you

do just, you will be impregned as quickly the rhythm of life the sand, the feet don't. The rest of the nature is occupies to diger these feats, to

have to do lengrette for that just a repose and it's like if you And then it said, Sebastian, here it's not the same speed.

You go, as a don't know that they are majoritarian, you can't you can't be calm and

to come to follow the rhythm. In the The Seigneur of the Anno, there were there were

there's a but it's a bit like that that I'm I'm, I'm

I'm never to get to chalette but last. But the last year I've

tried too far on indefendable the process in the more fined,

I'm chained, and I've passed an year to get a time of a minute

I'm doing I'm able after braier, I said to my blonde, okay, now,

we're not, I'm not going to be able to get a hike, and please do we,

do we, no, no, no, it's, it's, it's, it's,

it's, we're, we're, we're, we're, we're in the performance, can

Well, but what you did that, what you have, district 31, after that we were in indefendable in the two

case, it's a presence in several scenes, so it's a very much of text, and it's a constance

that, it's a, once that the train is part, you have to you're trying at the

guard final, then. And it's so far long time that you 've been, it's

for the It's almost the 10 year. The 10 10 years 100 days of a year

we're approaching 1,000 days of I'm a choyed I'm sure, but we can understand

the pressure that you have at the interior to perform and be present at the TV four nights

and to be able to boofy the text to sometimes it's 100 pages of text

per a week. How we do you do you know? I don't know I'm at the school

to the theater and I repented a scene of theater that would be a minute and I

had a it's tough and then I'm chained a film per a month and then

you know you're trying that and you get to you're able to you get a

I'm a I'm a I'm a one. So I, you know, I can't play with hockey because if I if I'm pet

a clavicle, we can't be in the continuity direct, so I can't not do you can't do these affairs

dangerous, my productors would be my would me wouldre. That, and the memory,

well, it's really a discipline, and then it's a practice, effectively, I'm,

so, I'm amuse to check these what the techniques of memorization there's really

there's really a competition of memory it's it's I'm intrigued and I

develop my proper technique I know in three three sessions I'm able

I defrish after that I'm second time I'm enregistry and write the text

and I developed a space of language pictogram where it are the images

a process is a marto so we say that the code these letters to

frein the access to my memory, so that that I redsine with my

pletoiries my counterinterrogator but with these pigtogram for have a regard

very rapid on my text and in time enregistry that and I pass

an image in image in image in image and in time these images

these images are more color of my person it's to say that I'm

more didactic I'm less more abated we're like it's like it's like it's like it's like

on paper he's not vivant and I'm and I'm vivant in making in image

in image in color and in emotion in the same time so the talent that I

in the talent that I'm to be able to be able to that that is in and to let's the only talent

that's the only talent that's a lot of because you're in our TV, and we stand not, so, so, that's, so, and a text of racine, that's, I don't know how many, that's... You're all right. And this, that, I've laced.

And, well, of my design, Rome, but I'm certain, and then that will beendra the destiny of the reign, Poulin. Of the rene and of me, that's the way public?

Parley, can't you? You know, and so it's all right, but it's it's like 1814, so And you can't remember?

Yeah. It's 34 years. Yeah, 30 30 years. But I'm It's a time, it's

so, Berenice, of racine, and then, and then, I'm, but, at what,

but, but, it's a, you know, I'm, you know, I'm, and I've seen,

and I'm, and I'm, and I've, I've seen, also, this court, a sincere, to make, always too soo-soignoes

to pler, these crimes of Neron to prove the horror. I've seen, a geno, consacried

his furoror. I don't point for judge, a court idolatre for Lain. I'm a

more noble the theatre. And, and, and, and, and, and,

without prete the voice to the voice, I want, I'm listen, all the

cures, you've promise. The respect and the creant firm t' around me

the passage to the plaintiff for more to hear and to hear more in the

case, it's so. It's it's a fascine, we have the racine we,

and it's the partition probably the most difficult to play when you comedian,

it rime it, it's these old affairs, the various references of tell

empire, and tell reign, and tell, boy, how you're trying to call it, how you're trying to

talk, this text that? Because we're, we're in the communication. It's always the defy that I'm

at each time, it's how to communicate with you it's, it's free, but there, how

arrive to interest when I have a pletoiry to play in indefendable, I've, obviously,

a monologue. So, that's, At part of the moment you say, I'm a monologue, okay, it's going to be tough, no,

it's what you, it's what you do, it's important, it's the message that's important, is how you convict a jury, who is not

culpable? And is, is it, in martelant, the fact, you will me and you go and you

go to put my point of that's, it's not the good way to try to to try someone,

to go, to go, to get the to go to get it you know that you're able even in

having the time like that's because it's going to happen to get to attire the attention that even

if it's a jury and it's made to say to not move and to not be able to give to

give an argument if he clinging the eyes if he hoche of the head and you

will be naturally even at the figurates you will you will you will

know if they are if they're So, it's that. And it's always, and it's Richard Duby who made really

leged this, Richard, who was the author of an indefendable, ideator, and that, and that's disappeared in

way too rapid, who he's interested, to the mode of communication, because he, it was,

he had to convince that the person was innocent, create the doubt, depose, Lentimant in the earl of

the person the idea that perhaps he is not culpable Is it you're in your life

now? Effectively it's it has it's a place yeah sometimes

we can be able to talk not, but if you're capable just to

get the person to connect with you and it's that that

it's in something it's like it's like it's like that we let's

that trace in the life, I think, if you the exploit that's realized,

is you what you're or it's more the moment that you have passed with someone

and to have partaged these moments and there has been a change and it's that we

can't that we're so, the rest it's the price that you know you've got

got to get the people, you can remember 24 hours after a year

after two, years after, hey, the gemo of, well, it's, it's the fun during, but the moment. It's so, but,

but the moment, what's it said, but it's all the thing. Yeah, but I'm sure that I'm sure that my life,

it's, so, we'll be the moment past, and not, and not, a CV, no, you part not

with that. You part with what you have left in, that's the of the heart of the other. You know, it's the trace that you let's.

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You braise Paray, you M'en 4 in the level Jone Ah, okay We're not

We were, we were in the more general, we've been more specific In what In what Devene

Pair T have changed? What trait of character Have you Irited of your Pair?

Hmm. What type of amourous are you? And is it easy for you're going to ask you? So,

you'll choose one and I'm to choose one after also. So, yeah,

I'm so you're on the character, have you have you in your

serious? Yeah. My father I... I have a lot of admiration for him

he's very erudy and very very serious he has worked long time and

all right and I irritated to him in the sense in the structure the

structure mental um how I say he's devoured core and arm

and my father was a medicine and in fact I I thought it very, very serious, and exigent,

inver himself. Inver us also, it would be so perhaps not too, but, and he's, certainly brilliant. Listen, he's capable of, we're going to, we'll pose, for the first, a chat, GPT. And chat, GPT, will be so wrong, and my father will have reason on him. Chad, GPT, has buffed, I don't know how many of information,

also at a travel the world and he he will be to be so.

So, so, then I have been being medicine it's sure

it's a good job and it's some you can do you can do

do with that but you don't if it's not it's

that you're a person endant and with the time, it's that that I'm that my father is very,

very aidant. It's like if there were the fiber for that. The people have problems and of

health, and he's always present for all the persons. And he they use so the

intelligence, his knowledge, for aid. he he is been in a

there's not a lot of money and it's important the success for he has he had been

he had been he had been even a career international and he would be one of the

great chirurgeon I think there had enormously of talent for that but he

decided to choose the family and we're finally rest at

Montreal but he had I've been to go to work in France. I've been in France for a minute because he was in stage

with the more grand chirogian plastic of the planet at this moment that, so I've got irritated of his rigour also.

Is that it may the bar out to have a pair like that? I'm content to have a quote

rebel, because I'm not of one. I have not the talent for that. I just thought that there was

a question for that I had a job liberal But I've been content to really me to listen to have got

and to come to come to return a bit to what I'm and I'm decided at a moment of

to know to be a comedian and it's me who you're doing that you're yeah,

yeah, to me to me to make to be to that but I'm not an idea

not an idea not an idea of what I'm a day of a day after my salute at my theater

I've said, but it's that I'm going to do with us apart to those other of my parents, and they're sure

that's what you do you're saying? Yeah, I'm trying. They've been good to accept that. I think

today they will say that I've said I've had a reason but at the time it was not

evident to accept that. But you know, the first they're going to

see, okay, we came to come to come to come to come to come

to get The first of Lucrez-Borgia at theodore Denise Peltier and it's the grand final and who is my Mary? And Lucrez-Borgia finally me announce that she's my mother

my father is stressed at the boot and when there's a grand moment of silence he's totally nervous that he'd cross the program that had rolled

in his hands in a jeffat I don't know he was sitting like in the first ranger he was with me

but really nervous You can't track it until at the end. And, you know, and you have a good in a relation with your father?

Yeah, again. Again, yeah. No, it's, and, you know,

we don't not count at what point it's, it's stress- the career, and when you're the

mindreement of ambition, you're you're doing 10, 12-hour per day,

you're not to be the , you know, you, you've got the also, and it's that's so.

It's so. But he's for us to, you know, to, he, he'd coached to hockey, you know,

and, and, uh, for, for, for being present. Is that long time

have to be to play? Oh, I'd like that would be to be better to hockey and

and the soccer, but what's you, but what's, you do all, maybe I'm maybe,

you're better, you're maybe, but, no, it's so, I think I think that we're,

yeah, well, we're all right, but we're all right, but when it's your coach, you know, you're talking to, you know, yeah, yeah, yeah, you know, sometimes it's, in the same time, I've made, oh, it's just my dad that's all right, so, you know, I'm playing a good volunteer,

in the same time, you say, oh, by rapport to them, the other, they'd try this cool, hey, it's your father who coach, There was no no notion of soccer But it was like Devene in the mode There was a manic

He was a Like a moor It's like An explosion What I'm Reppes That's like My dad had

A few station wagon And then And it And it And it was The most of The team It's put

In the chair And then And then And then the Vitts It was down And then You have

Like two skis He cried Like the Dechnie And had to You had to Anvert Invert

Inager That we We had And we We had We had a station with a bar, it's like in faux

wood Yeah, yeah, my too, my too, my see my barque,

it's like, she had also the park there's a in the park, there's a man, it's really cool.

So, so that's these good so forth that's a point that's serious, so serious

in a structure, a reflection intellectual I think that's, that I'm that I'm

might be for indefendable there, there are there's probably in the fashion to talk

and, and, what, what, What's what? What's what I've chosen? I guess. I think of it.

I'm going to do with that. What type of amourer is you? What do you? What I'm trying in a mo? It's, hmm. I have a partner.

I want, I'm a partner. I want, I want, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I, I'm, I'm, I, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, someone who I think I think I'm trying to I'm But you're

How do you In this Equip Yeah I I I I'm

I'm When my Blonde When I They're They make When she She makes

She I'm Impression and She She my impression By their Volontet

By their By their talent I'm I'm much Met the

light. You know, we're we're talking to tap in the door. Yeah.

The way for me to give a table in the door is to to do you

to make to make a count at a point, it's extraordinary what the

person does what the person to the end, to give completely

confidence and that and that to be puted by that by the suite, is

to have these projects common in being in being related like that

that's professional or amoeue it's my refuge in the

same my relationship and and then it's confidant confidant

it it's my base and I want that that

be ferviscent creatrice I feel that we can't exchange some ideas that we can brainstorming

that is not of judgment that we can that we can be visionaire of an not so long-tain I mean

not at long term but to be able to be able to be able to be able to be

in and then and then and to And to be concretized also. Yeah.

And is that in the couple, your, your little Kevin, that's this voice that we can call, among other, Dr. Marky, he's created a book

Pansuillard, Hamster, it's a little so, this little that, which is our saboteur, is that?

Is that it can't when you're in amour? Yeah, yeah. No, it's not there.

Kevin, he's there in a other because it exists not at this moment because you're entirely in your

relationship? Yes. Is that your genre to be sentimental nostalgic? You're doing do you

do you have to say to eat to eat? Oh, yeah yeah, I'm going to

get to pay the treat, to get a scooter let's let's then,

and what's how mervious fashion to be together together collier

one on the other when it's it's it's about the city to try and

to go to go to go to get to when you when you're when you write

his first his first of a sort of a love yeah you're

that's you're going to with your chom no he's he's he's

he's going to you that go it no but it's it's

it's mo you're in Right, it's right. And then there's like,

you're like colled, you're colled the same, he's seen the sun, you're the wind in front,

and when you turn to turn and say, you're doing and you're to say, we're saying, we're to get,

we're going to be there, be there, be there, to be to be to be putter by where

is that you go, and it might be the same at the world entire,

you know, it's like, there's there nothing that you can't you're effectively

of these little pensions, to make pleasure, aid the other yeah,

collie. So you're a collie, collie, cuckoo-ne when you don't know when you're not

beautiful but and also to have the curiosity to go in the universe

of the other you know often you feel and you say, ah, no,

I'm I'm the same he will change not and all right, we're not really in a studio we,

we're not really the world of the other point of them yeah, they're going to do they're that's not,

but they're not talking for example. Okay, okay, so I'm. So, I said,

no, you know, you know, you know, you know, I'm like, I'm like, I'm like,

I'm like, yeah, yeah, no, but, guarded this curiosity that,

this flamble that, the space of an open of, of, the

debut, but to rest young in love it's super important to be surprised, there's

there's nothing there's there I'm in this place huh? Farr me confidence.

You know, a kind of an espouse we're, we're going to with the time we do, no,

it's not not, then you finally you do anything. But no, there it's like,

with Virginia, I'd say, today we're going to shoot these images we're doing, we're doing we're doing,

we're doing, we're, you know, some, an agency of influence, but we trip,

presentment, there's really an enormous changement that's past presentment in the world of the

communication. She's in plain in the center of all, she's young and she, she's there,

I know nothing on on the social and she she, she,

she, she, she, she, she, she, she's, she's,

she's, but, visionaire in some part, of something that's that all

the world is not capable to see, that's the post of television, that's

the radio, that it she's so, she's in plain, anched in some time, and I'm, I'm,

I'm, I'm, I'm, I'm sure that, that I want to participate to that with the

things that I have acquired with the time even if it's not me that's in production and shooting and shooted

these images let's go we, we're we're we're on the micro of drone of all of

all we we're we're creating yeah well and you're and you're on the

we're at jow we're at I'm just I'm saying my my defile the first

the first that I've made the apparitions on TikTok and Instagram It's got jazes.

It's a lot of time of time. And my goal was actually to make a connection between the television traditional and the radio social. It's a fact

to react because the people don't necessarily the people don't necessarily. They say, it's just that's not

what. Olivier Primot has published something this morning like the marketing of influence

has passed the marketing traditional. this year. We're on 33

million of dollars. What is what and I'm the impression to be in there

to be in a bit, I think at the beginning I said, I don't know to say we're if we're if you're

because you're so you're so, you know, initially I was super be able you,

you have been completely of an man liberal it's like if it's a campaign

you're of publicstair and stuff Because, you know, in these things there, you have to what that's a lot of that's a lot, and after that,

there's a lot. So, I'm attended a suite. I'd say, I'd like, you know, if there's a chend-d-o,

you know, but I'm not I'm just astoned to, to, I've got to I'm used a language

TikTok or Instagram that other influencers are that other influencers, go to not not know me, and I've made, and I'm

that, that's a march, I'm going to do it, effectively, it's attire attention and all,

We're not, we're doing, like, well, don't, okay, it's that, it's not that function. Yes, it's all these modes, of the trends that are really, it's, it will change, it's, it will completely be transformed, but for the moment it's that, that's it's a lot,

completely numeric, that's not at the TV, that's nothing, we're in, we're, and it's exceptional, you know, what we see, in this community, and it, it's, it's that response to,

we have, we're very experts, the real specialists And, you know, we're going to do you know a great event presential, and we had a pen, we're at a pen, and we had already almost 1,000 inscriptions. You know, you know, there's like the people create their proper universe. We're in, we're in, we're in our own, we're on our own show. Our own of television.

But, yeah. And we're responsible of the content. And the partners financials are the same thing. They're going to, there where they have a clientele potential. And, of all that it's Cibled You see

You see the You know the Chiff all right Right Tend of men, the time of

time of age to tell age And And everyone is gaining And the publicitar

or the partner financial Arn't to make his money for some

campaign Lettons a panel on on the auto route or

you know who you who will finally consume his product if let's

adjoin to Sebastian who and I had surprised the Chiff, where's what you've got

you're doing, on a 30th of years that are my group majoritarian of person, it's to say that 25 to 55 155 years, it's that,

it's that the people who are, I think I'd have a tranche of age that would just my age to me and all, well, no.

It's these women in majority. If you're a producer, if you're an announcer, you're saying, well,

it's this clientele to who I, to what? The chief are at the and then it's sibled. I mean,

I said also the television traditional if she was able to have a publicity for her

auditor. I said, if I'm actually, you know, we're on our telephone and we say,

we'll accept the cookies. Yeah. If, let's the TV, like that, you accept

the cookies, then, then, then, so you let's the traces, and so you're,

and if you had, effectively, the publicic that had been on on the

things that you consume you know, the pub arrives, and it's, it's, it's,

it's a thing, for Sebastian. I'm, it would be shoes. It would be some of the

chosue. And then there, and then, and then, you know, I'm done, I'm going to

consume the shoes, I'm so, the shoes, and how it's that's in my TV? It's been

a way, it would be a few times, if, because, to all the it's all the same modicable,

who's called that of the TV, what you see, of the internet, so I look on my gross TV, it's the same

thing. We're all all the same world. Yes, but now, you, you've optimized

in fact of an announcer, you go to directly to get directly to spend your time with the

other, you know, for your money, your piece that's, that's, the piece,

that's vesty and who is much more higher than in a pub that you're made made, she's

exponential, not exponential, but multiplied by five, it's more rentable. It's a lot of

and that's a question, what type of amoeu is you, yeah, but it's because that's what

I'm trying to develop that with Virginia. But to have seen Virginia, who is

kind of more more young than you that's quite part of another

than a other generation than, what's what's you discover of this, it's like

a a point in two generations, two persons who are but who

have kind of an experience different, a reality in the they've not quite the same,

is that does it does that do the force to unir these two universe, all right.

But, but boom, she, she, she, she, she, she, she's

an old experience, I'm a notoriety some, and we uny our force

to go to the adventure. I see even not at the Quebec, it's not

it's not not you, I'm trying to try to get to get to this. Because there

there's a there's a man to gain in television I'm I'm obliged to develop

like an other crenow I'm but you try to to try to do that

with that with you know I'm I'm booked a voyage for

just to come you're with Sebastian of we're we're going to

Bama house, we'll shoot shoot some of my house, I've got to get a drone we've got, I'm going to nage with the racquins,

I'm going to produce, yeah, it's that, and I'm trying to let's see, a car, let's a car, so I'm going to

drive, so I'm doing, well, in coming here, it's so that we pass at the route, and we'll see what it's just

feel me, we'll try to try to find an accident. It's, these things to make, you know,

you, you, you, in the, I I've made discover these things at around

my regard, my experience. But the force of that's that you talk directly to people individuallyally.

Yeah. It's that the force, I think, I think, I think, I thought, I think,

I think, I think, I'm doing, I'm doing for real. Yeah, it's so. In plus,

we did, like, yesterday, we did a zoom, like, I can tell to someone

that's okay, you run, you're coming to come on on the and we,

I'm able to to do you. It's like if I'd return in the house of the world. And I'm at least, and this proximity there, and you know, like you, like

you know, like you know, like you know, when you go to talk about your voyage, they will be able to make the same

voyage than you you know, and it's that that's that that's that that gives a sense to our career also

to get to get the notoriety? The notoriety the entrent in the same the life to, hey,

he me feel to to have a good to have a good to voyage like like to do do you know if I'm

let me let me let's go I'll go I'm going I'm also you know it's so you're going to

the mode of life you're the yeah yeah but you yeah

but it's you're all you're totally the contrary but you we're talking we're talking you're saying

you're you're the impression to talk directly to people yeah we also

we're we're going to when you You have that I interest the world, well, we're in a mode of communication that's changed

that there's before we're having a semblance to not see, I'm addressing a camera directly like that, it's a bit

strange, okay, I'm always to have used to oh, the contact is there, but now, I can do it,

and I'm I've been, it's all, it's evolved, it's so. Yeah, it's a problem to talk,

I'm doing this about, it's a barque, it's all, you know, are you going to see, you're in trying to baili? You know, you're talking, you're putting questions. And it's for that I like, I like, I know, I'm going to see.

And then, the last time I was going to see, if you had these cameras automatized. Oh, he's always who worked with that, imagine. Person. There's person. There's just the guy who's met the micro, and I said, but, boy, don't, there's no, there's no, there's no,

it's a cameraman who, I think, when I was at TV, you know, the team technical, it's, it's so much important they're saying to laugh, they're saying to react, and then they'll find some comments that's okay,

that's good because, but when you, he's, there's person, there's not, there's not a bit of

place, I thought that arid, really arid, I said, oh, no, it's not it's not

I, I've tried with the same cameramen than you're probably when I yeah, so he didn't

not for to laugh in plus, no, it's that, it's that, it's that, it's,

it's, it's, it's, is you're ready to pass to move Roos. Yeah,

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This episode is brought to you by Defender. With its 626 horsepower twin-turbo V8 engine, the Defender Octa is taking on the Dakar rally. The ultimate off-road challenge. Learn more at landrover.com. Okay. I'm not, I'd have you wanted to want to be that the time to stop? The light change.

Yes, it's true. You know, we're We've made the packet That you're Impressionne Yeah, that's These little Lumier

Oh, wow We're We're concept At which Beasone To Ablainte To tell What is

The most Grown You have To have You have To surmount You're On

We're On one One One One One One

One One question. Mm-hmm Mm-hmm That's that, that it's sure, that's That's true.

Well, yeah, the more The more yeah, the more it's always it's been but it's good Yeah, yeah,

but it's good but it's the deyes in a life that is the most great repreve that you're at

surmounted the deyes but I'm incapable to live these dewe the deyes the death

or, by no, of the dewe because I'm people who someone who has just it's all

just s an on on on some on a vion I'm I'm I'm

I'm I'm but I'm the depart The depart I see not for what I'm

I know I'd even not the person in a salon funerate and there and there

there's sure that I'm attains and devastating and it and that I'm cool and I

don't know because the departure it's what the difficult? Oh oh

but our lives are parsom of deye Well, Yeah, the deweigh Amourous

The Dei Amourou You, you You've had a relation with Julie Perrault during the years, it's the

mother of your and I don't get to get in this in this

intimacy that, but is that, that's finish, that this relationship

that amourous is that is that had been a great deye?

It's a great deye because it's, obviously my parents are still

together and for me it's that's the image of the marriage of love

and all it's a kind of a code to see I imagine and I think it's

the only thing that was it so yeah it's it's been to me

reprogram by that and to do the family today it's

maybe it's perhaps other so it it takes it takes it takes It's a time

to reorganize Is it hard to announce also? Ah, that's,

hey, that's tough, uh, those children, yeah. Yeah,

yeah, there, yeah, yeah, yeah, to live after that also,

and then return to your parents when you when you, I, I don't, I don't,

I'm a, I'm, I'm, you return, live in the sous- cell

Wow, what is that? I thought I'd never live that. And, well, what is, what is good, is that we're able to pass over the same. Yeah.

We're, it's that. I've always been a lot of respect for, obviously, the athletes that pass at the difficulties, so it's without any of the separations in a life.

One, then two, and three, And it's that. And I'm the kind of nostalgic and effectively

it's a minute in the head for maybe too long time. And finally it's a minute it's

part and there's like the vibe change and I'm able to pass to other other things.

I'm not if there's going to it's finished and it and that's it but I'm but I'm

it's not like that there's there's quite there's a story, there's a part of the

when you when you're when you're to say it's difficult to say you can't you can't

you can't you can't you can't you can't you know, you know, when you're when you're

there's there's plenty of moments I said, you know, it's never every day and have

something, and have a resemblance of the other in the regard of your then there there's a

turn, oh, you go, come on there, and then you don't know, it's just

there's just there's just so, man so, but so, so, so, so,

even if you've been the image of your parents of a couple that's due to all the there's a lot of all over to it's, you know, when it's the time to do you know, it's because sometimes we're doing

like that, we're like something, some of the obligations, but they're not util, that they can, at the contrary, nuir at the quality of life. I'm talking there, because it

has been arrived, Claude Poisson, the matter-in-in-since, is dead two weeks, in the same I've had been the new news

it's at the fact of Julie it's a very strange and strangely and strangely I'm going to me on the same

of my coppines so that this day that was like tinted of

Clote Poissant had been the first metor in scene that I'm engaged at the

the school the theater it has been my guide it's to he's

he's he was he he made at this milieu that. He was

engaged at four repris and he he was presented Julie, who is

to be the man of my and my and so Claude Poisson has represented

the dewee of Julie after the other the dewe of a party

so there this day this day that I've seen

all the facet of my life me reapp to appear in

face by a little I don't know because there are 30 years when Claude

is deced that it was so it and you you you'd you'd

to revoir the evolution of what you're and of all the moments you're

you're in face you the life has decided that today today I

did the resume of that, he had arrived, the children, that's

that, that I, that I was in France with him, and Julie, and after that, but the

separation, and the type, it's like, it's like, it's like, it was it was really

particularly. So, so, gros deye, when Claude is parted, and he

had left some, and he has some, when you to me to leave on all the reason

that's this person has left his own there's there's a lot

of people of my middle that's that I frequently that I'm that I'm

that's that's that you have lost your grandparents yes

yeah yeah I live my my grand mother you

have she's she had 97 and she had proposed to

I'd like that I'd like that to get to your condo. She hesitated and finally

she'd she's she is decided, I believe a year after. Is what

what she represented for you to your grandmair? Oh my my my

grandmair it was it uh it's we're uh, yeah

it's it it was the bankier, the same that said to be in place your money,

it was the that's the yeah, she's that she's so, she said, guard it, and invest it

and put it at the bank and it it's that it was my grand ma'am it was what

no? It was it in Florida also? Mm. The winter she had lived there.

It's a mode of finally, that, you know, that's, you know, I'm in a it's very

great agreeable to go to get in Florida the winter. I don't know if it's that you do you know.

No. And it's it's bris carably if it's beautiful, all of a all of a

all of a all of this and I'm not that not that I don't know a lot of

but you, you know, there's there's a there, there's there's very there, I think

we can allonged, etire our years in being happy. It's tough what we live in Quebec he nege, it's

it's free, and it's just to go to the episserie. We don't know part, sometimes in a car there's a lot of there's a bit of there's, you

go and you go to start and you you go to your commission, you'll come to see, you go to see all, you're simple

and he's beautiful, you're of good, you're automatically. So you could be a snowboard there.

With Julie, we had had to buy to what, but obviously we're But it's It's

It's the fun It's really the fun But I'm But I'm But I'm going to But I'm What's what you've What's what you've

What's that's What's that's You've got You've got You've got You've got You've got I've been

And I've And I'm At around I'm I'm still I'm I'm still You're

You're That's the My When it's You've been the more view, so I feel

I've been to see what I'm in Asia in Turkey a bit of I'm a bit I'm afraid

to voyage because I'm allergic to mortally those arachettes those amande to know so it

I'm all the time I'm all the time I'm but but I'm but I'm at that

I'm going to I'm in a month even if I'm I'm in a couple of times

that you do you talk to mourn of Mooray? Oh, yeah. Oh, yeah. A pleasure of reprise. I think, yesterday, I was in scooter on the

Pontia, I've got scared of metallic, you know, I'm trying to sit. Because you've got glissed, you know. But I'm not for you, I've evertsy not to go to motor or in scooter there, because it's... It's the first time, that you're going. But in a car, it's a car, it's a car. In a car, it's a few scooter

You're trying to change to voice. I said, but it's not a bad bad sense. It's not to go ahead.

Have you? Have you? Have you? Do you start to mourn? Do you part of the mort? I've had been to partire before,

a 19th I don't know to the volant. I was suspended a head at an over on

on There are some bits of plates, it's at least, they're saying, well, it's so. So, that, it's been to pass, I don't know, I, I know, all the allergies that I've used, the,

the food, I was going to, and I was on a plateau of tournage, the promise, he me amends to the urges, he plog,

to part, of the oxygen, lantestaminic, cortisone, vent-o-line, and, then, I do you do the night,

and I'm doing the okay, doctor, there, you know, you don't know, all the dope that you have but I'm

a show to say I let's go it's go there's probably you'll have to give my conge at a

hour and the OTAN are the same oh boy oh boy oh boy oh boy did you

I'm going I'm free I'm I'm going to you're to have to be like the

epipen it's it's reu and I show must go on I'm on I'm on

you're on you want to something Sebastian and You put your costume, your epi, all that,

classic, you know, you're going to go to do this one of a little a little bit it's a bit of

it's like, you know, but you, you've got failed to move in the day, yeah. There's always

never soestimed that at a point, it's very that you know, you know, you know, you're sure

to be sure of what you need to be to the , you know, I'm allergic mortellellable, but I'm

probably have some, you know, the gai and the bordeons, the abey, it's, It's, it's a lot of the

tournage, the autumn, I put in my conditions in my contract when it's at the other old. The word of gas on, where's the gay are they're razzmott,

like that's it's a lot of that's my great crain so I'm going to go to the boise I'd like to go ahead

in racquet the winter than the year, you understand? It's right that's it's ordinary.

It's ordinary so I'm I'm more on the board of the but it's because in the time,

I think it's always it's always it sometimes it's you know, hear a little a bit of or

you know, if you see not too, you know, it's so it's so it's so much, you know,

I'm in it's dangerous, it's dangerous about about about a bar of arachier and all right but it's

but I'm time, you know, and with the telephone now, but you say, okay,

I'm allergic to the Chinese, in Thai, it's, so, so. So,

so. So, so. So, you've, you've you've been froled at

some, so it's not something that's, He'd do you feel No What trace You let

This summer today? Uh, that I'm that you're I've been Uh, that I'm

Kevin No, no, I've a good Really, I'm I'm profite plainly

And I've I've got the intention to be Yeah, yeah, yeah. Now,

the Nipo's company, it's that there Okay. Ah, yeah, yeah, yeah, I'm on the Q.

The first time there's a person on our lives, you're going to give me on four of this level there,

in fact, there are five, we'll rest one on the table. So, so, how well, how

how you life sexual on the time, how your story of amour, had they commenced,

what place accord you to an intimacyity emotional, and is that the sexuality

had a subject taboo in your family? You have the time to to read with your lunettes,

there's not no in the I'm not right. But there's, the details, and there's,

there's even one you know, you're, you know, but is the sexuality

was a subject to do in your family if it's a bit well, it's sure,

but you're having to have to have chosen a but it's it's

a story of if it's interested really but okay I can

Requel, you choose finally, how your story of love had tels okay

anecdote, how your story of love has done well obviously you're you know

you have you're you know, then you see, now it's now it's so

that's so you're talking to you're talking to you know, and then,

then you see not how far you start put up the pandemic, and all that, then it's not

my time, but you're trying to try the applications. It's a lot of time. So, so,

so, bah, I've even tried one application, it's a encounter sportive.

I mean, look, the women, the fie who have been perfect. But,

Colin, and, on the all the way, they were denounced, and they said that I

made pass for Sebastian of Lombe, and that the responsible of a conversation of a excuse to ask you to

ask you, I'm sorry, to tell is it really you're really me, it's really me, and then finally

I've let's get to this, you know, Instagram has made the job finally,

for encounter. Wait, how you can't on Instagram? You, you talk with the

people, you're in all, you don't, I'm just understand, you know, but you're

on Instagram and you click on a count Well, yeah. Okay, and then, at after that, you change,

you're going to write. Well, yeah, but you just start to start a discussion with a person who's

viewed the profile and you've said, man, it's so. But, but someone that's

that's at the table, but that's he's got to that's he said, yeah, that's,

yeah, that's, yeah, that's, yeah, he's written, oh, hello,

hello, hello, hello, so, you're you're then, eventually,

and eventually, I don't that's it's just it's right long and you can you can

talk about and it's it can foyer but let's it's a a way

it's a way is that's not the relationship the relation sexual let's let's

let's let's it's contrary to Tinder and other platform

that's so I feel I'm I'm I'm I'm I'm

I'm good Instagram well So, yeah, well, yeah. So, we're going to write on Instagram, you decide to respond,

and then the exchange is made, and how it's passed the first meeting, there's a meeting, there's a meeting, there's a

presential? Is that it's a parent? I think it's super important to talk about during

very long time via, to be texted and to exchange and to not see you'll have really a

good idea. But long it's in terms of two weeks? Oh, of a day? Yeah, yeah,

let's on a two a two seven. Okay. And then you change on several

subjects, the life and you will see a compatibility and it's pretty much you're fun.

But let's do you're with many people? You know. You know really rapidly.

You know. If there there's some there's any there's not compatibility, if there's a fashion

to think completely different on the vision of the life. And you can,

effectively, in exchange you can talk about the difficulties of the life, and exchange

there's where is you're there's and you have the right to say,

I'm not so long and it's not the way of the other rest there can't

be, but, you know, when you know, you know, you've got nothing to

have nothing to be to be frank and honest, and to make, it's there that that I'm there's a, you know,

you'll, you'll be able, you know, when you're when you're talking about, you know, but you're

an impression, at a moment of the person, you know, yeah, at the end of 14, 10,

10, to text, yeah, things that's it's created like, no, it's right,

it's so, so, so, so, there, there, you know, you know,

you know, you, it's, you, You feel, you know. And it's... And it's...

Yeah. Your voice has been to change, there. Well, it's at the way I rest prude

by a... But it's correct. It's what I do to do. But, I've got much more than all

that I've heard more than that. It's so. But it's that, it appartime. But you're

very presentment? Yes. It has been good. Yeah, I mean, it's, it's, how can't I mean, I think,

I've tried the mayor partner, the, the, the, the, the, creation of this nooyal there, the creation,

vying, the adventure, and the, the danger and is at two, let's don't, the, the, the,

the, the, the, the, risked. I'm not gambler, but she and me,

we have confidence in an kind of an espouse of a route where it we'll meaner I don't know

but when you're profoundly convinced that's the good thing in fact the instinct

we're very long of our instinct we have both be of the animals or these animals,

we're doing really to that but when if you you're if you have attention

to the message or I don't know what that's they're that with this person

that I see that's that's that's fringed not, and that's

that's the fun and that's that I'm that I'm that I'm that's over. You're

in a love. A more form of love. I think that the love

has been many of the way of the way of our measure of our existence, and you have

the amorue transi, the amorue who suffers, the amourue who, who can

who can't be in the months, I think we've seen a panoply of relations and in

the case in a moment of an moment of this, well, this is

different of all the other which is how you're Califery, yeah. Which

me amends at the mayor of myself. Like I've been the major of

my own in my life, but along a other point of view, along... But you know,

in the time your time, your parents are your are quite relatively

young, but six years, she is what is what's what's that the

famous power, the famous motor that me am to be appeased

with this person that. It's a fact that you become more liberal. I'm a good

to go to volet. What's we can be more than the good to volet? Jonathan

Livingston the guy is Leland. It's when I quit the district 31

Cynthia view Mahe she does give a book like some

like that. And they they're for more to do and they at a moment to put in

in the parking just to know that she's I'm trying I'm trying that's my

gift that I'm don't know that I'm said Cynthia you can

you can't you can't you can't you know I don't how it's you're coming that's

it's the way that's you could be not you can't you can't you can't you can't

be able to be free and it's what I see what I I would have

Fere. I imagine for you Tantau who had said that one of the one of the

end of the rest of a person murder, assassinated and that's his last scene

who quitted a team with what you said that's not to be easy like,

is it has been an effort that to quit in this

that even it's not you're not you not you're not your character

the of your mark of your character? But what it says that's you pay your job and we're we're working autonomous and

it's at the rupture with an team also? Yes, that's sure. But what is what is anguassant

is that you know, you know, you know, you know, you'll say, you'll be in the district

he will be well be not doing no job. No, I'm just that sometimes it

would be just that would be fun to know before what it's for profite

sometimes of the array in two projects. Because when when we are in a job

autonomous, we're not from because we know there's not that you have a

other that's and that's difficult. Okay, we're on so you're with that. You're not

you're not not, you don't know, because you know, if you do you know, you'll see, you know,

you can get, you know, you can do you know, some years, but when you'll see

not, is there is, is you can't ask, if you're doing this question that after District

31? Yeah, but it's when the promise had finished I'm going to be

a lot without having to work and I'm going to work in a business because after

having been these pancarts at the side of TVA if there had nothing

there was there when I were in audition when I were able to decroche

the role but I were just nervous and I didn't be able and all

and the confidence bass and and so in per district

I said it's return in this zone where is that where is really you're

you're, you're, you're, you're really like the marble, so I'm made,

oh, no. In fact, it's the more great, it's the more great publicity that could

not be the most service that could not me to make to make more, and finally

to create a space of a space of me, that has made the few

months that I've had been not had to be my value as comedian,

the space of dewee that had of this person's there, and we're in defendable

it's presentate. In fact, it's a great service. You know, with the recule. It's like

that's like you see, but you're completely and then you're in plus when you get in a day,

and then you know, and you know that's all and you know, and you know, it's not evident,

but I know that Patrick Lab had been the same that I had not so long time.

Yeah, Yeah, well, it's, but, but, uh, but, uh, but, you know, fascinant, uh, to receive of the message

of dey on a personage while you're, that's, that's, you're living, it's, it's really special. And, to,

to, to find the one, to find on Twitter, the subject number two on Canada, the more of

Pupu, and to have 16,000 message of Facebook, and Instagram, and that's and he's

a little everywhere in the journal you say well, let you know it's really just a

personage but in in the same time it gives an indication important of the role

or the impact that's been, well yeah the role of your impact of your

but it's a bit like in the life it's when when we when when we're

when we're that people sometimes will not you want to give

the value that and it's what they're that they're that

they're but we're but we're but why and then you say that you've got used your message

it's but it's there's there's there's a time that's the third that I'm

again and I'm but you but you it's that it's so it's like it's

it's funny how it can't it's the emotion to travel the television

and at the attachment yeah the attachment and there there was the pandemic four

four Four-Jose-Semines, it's, it was really far what Luke and Fabian have made, it's to create something of eventable and that, and that derange me not, I regard to district. It's, it's, it's, it's, it's, it's, is that? Is that the pandemic has helped? Probably, probably, probably. Certainly, because the pandemic, you, the TV has become very, very important in our lives.

You know, it's our way to sort of to the house. Well, all right. It's at the across the screens, you know, it's. And then we were – and there, to have some, you know, also, you're too, you know, many of the actors that we've known to, so. So, there's a line of confidence. And then, after that, we're embarked in the history, in your new characters. It's a –

I think it's not for anything, also, that maybe Legoe had reauthorized the tournage for meitize, in some of the full or the opinion public, to be disenuying, and it's arraging for that, hey, it's for that – It's going to be able to – You know, because, you know, the same thing and all the – All the fiction, the fiction us out of our cotidian, you know, before

to my end up I'm in front of my fiction, just it's it's, it's, but it's so I imagine in pandemic,

how it's important to neutralize all the exterior a couple hours or a few minutes per year. Dernierre question

is Bacin the, the emperors Romain, they'd divertic their full with in the colis

just for the disenuied but it's a it's a little like so. It's a little it's a little it's a little it's a little

it's more violent oh yeah it's it's a lot of because at the time we're not in the fact there's not there's a fiction

there's the culture in general has per due many of the letters of noblest in the in the way

that we're in the way that we're in the way in the mark of the lack of at which

at which the point the culture has part of our our life on our our life on

and often we're not count and at the point we see, we have these artists incredible, these artisans and we're...

And we're doing these miracles with very few. Yeah, I see. All the people who are

at the exterior when they're not. The last question, yeah, opto-rezo.

When you look, oh, well, we've got almost it, it's all right,

it's the last level because the next level should have been, because there we were

practically on the coach in the changement of color. When you regard your

parkour of life, what was the most beautiful period? CELK CELK

That's to do. Oh. Yeah. Live in the moment present.

The past is the past, it's the past and can be changing. The future I would

be able to say, I'm going to do the way will be to be to be

and it will be imagine. So, so well, me say that's now that's happening that's going to that's the control there's a lot of

and then yeah, you know, the past it's been of the history, and tomorrow, but today, she says a phrase

very well, she says, we call that the present it's called, you know, she said, we're,

we call, we're, we're, we're, we're going to see that like a cardo,

it's a present. And it's It's true, when we see that the present like the notion of

a gift of I think it's a great force because it's right, tomorrow it's not

here, it's finished the moment present. You know, it's like a cardo that means

that means we're living also. Is it a long that you have that you

have done the time of importance to the moment that we've in the

moment present. Not to do it's new. Because the power

it's not the power, yeah, the A pair, yeah, and I I'm really progeted in some of the truth, you know,

the life perfect of family, that's been brisied. I'm, I'm, I'm imagining in some career international, I'm just,

it's all not arrived, not at all. He says often, oh, project it in the sky, and perhaps

that's not real, I said, you know, you've donece in the universe, but it's not to be

not, so, no, so, so I'm, I'll rest concrete, and I'll profite to,

of these moments here and now. Is there an hypnosis that's had you know that's you know

you're talking it's to talk about to focus on the moment present? But I went

really for to fair this space of voice that I I think

it's the debut of an type of treatment well

is is that if the hypnosis it was like it's like a point

to it's not say it's not that's a point of entry that, in the

where it has made this day that you're to get to get to just a it's the

the debut of something the premise the, you it's on the years tassed the power,

tassie the regard and all that, all this cheminement that, have you have you

got to dovenet your power? I'll come to come to

the podcast when I don't know. You don't But... Many there are there's some

there's some of the fear. I don't know. You just come to

me to pose, then, and, uh, where it's where it comes.

I have no response, it's poach, I'd say, but no, but you don't,

you'd be able to have the answer, and you can't have to be there's,

but, you, you know, to identify, d' of where it's, it's, it's

to understand many of things for the rest? I see not. There's a

image that's, you know, when I were in the crisis to get to eat

and all that, I'm trying to make these crises to make a hospital, and I

have the flash of me that's in a space of a place

with a lot of plastic because I'm in an universe controlled

and my my mare who's because she can't not be in the hospital and that I'm in my

in a man a film of horror for me but you know it's the we're talking to that

that's a man and I'm going and I'm going and I'm like that I'm going to that's it's a

it's just it would be the depart but the fear but the I'm sure the

I mean what you're what you're what you're you're young for living that and to be hospitalized

and to understand something like a pinot It's a poison So I'm not You're a reason But it's just There's just a pair Partout

Sebastian in your In your life Fear of Manger Like something So that the Nourriture is everywhere

Strangement In the moments Ofstress more young Also A final of hockey A final of soccer

I I did lastm And that I could not perform in these moments that. I don't know. All the moments

stressant, where you're supposed to be well performing, your body and your body and just to physically be inapt

to perform. And in these moments, I'm not a psychologist and one, but rest that in these moments

that's there that you have the more of other on you're the when you're when you perform.

You're supposed to be the mayor to be. But it's a great pressure the

regard of these other in these moments that also. And the pressure that's made also over to

myself. Well, you know, I'm found in the primary theatrical or is you

expect that that's all the middle artistic and there and there the critics that are

in the full. You see DeCep it's plain to crackerke and you

know, you know, you're on the list of all the people and you're

supposed to be the mayor and it's not that you're not that you perform

the because you make the because you're in Tabarwell. Yeah, yeah, the Menter-R-Anseine, the

The text. I think of not to forget his text, but what Pression. Yeah, but, but it's, it's tough there, you know, there's there, you know, there's athletes who are in those Olympics

who are trained their whole life, and it's got their best performance, he coer, like Brunie-sur-in, it's there, it's there,

it's a, you know, that you're the way, that you're never been, it's just put that you counter-perform. St. Gilles M. had said, a day, we had made a mission

on the cheque, and she said, she said, I mean, I've had been more, I've used much more of a classility in my career in athet to get the check

because a time that you've got caught at top, that you've got your medal of the hour, the people don't get to

that's at that. When you when you're not the medal of that is considered like a cheque, you can't just have

in sport. But when you you've seen, after that, you can just decever. To see, at what point it's hard to gerry the deception in the regard

of the other, but you've got already done, you'd have been able. It's been able to be able. It's been very much to think, you know, I mean, you know, it's difficult to perform. But, but, certainly, but, you know, I do with a public

like you do you. But I do it, I'm doing regularly, perform I'm in front of the Kodak at all the other. And you don't the power. You know, if I'm, you know, that I'm, you know, that I'm credible.

It's, you're so. And it's you, we're going to go on the affix. It's too. It's more, you know, you see, I'm going to go. It's going to, it's a speed incredible. That, it's, you know, I'm able to leave. Sometimes, you say, but why I'm going to...

Tellment, often. You know, what's your response at this moment that? We're not up to all. Because, obviously, I turn, I have a little plan, two chance to be good. I arrive there, I know my monologue,

I don't repeat it I don't person I'll do you know I'm a few and we're

I'm in I'm sure I'm not it's what the way I'm in place and that's I'm good

and that I'm doing with two Kodak in the fact I have two value

of plan I'm at the part the plan large and at the whole the whole

the so is is that I do you talk is that I'm more if I'm

just not that's just not that sometimes I'm just these films francis, I record

these series they've got they've got empathy and I think, they've got to get the time. They've

they've been the time. They've created the art. There are there's a danceoes of ballet

in the street. The room is blocked in the old Montreal. They've had some

to barry the and there's person who pass and they have done there.

Martin David Peters in another scene dance on the door

on the on the door with a dra, behind him, and it's

charged emotionally of sense and emotions. And at the end of this scene there, you have the

camera that's like the famous dra that had behind him was down the van,

he'd be to be in the piece, and I had taken the time, they've

put the money for doing something like that, I'm it's It's different

we're we're we're all we're all right and overn't we're all all along

o'clock it's not we're not we're not we're not turn to Montreal our

emissions some some make the music certain make some make these shots

of drone certain but but visually we're we're ressemble and I

am to these series for they regard also, not just for you're going to play in

empathy? Wow, but I'd enjoy in several series, but empathy me, me,

me, I don't this envy that, yeah, the discourse. But it's not the

first time that Florence did these things that are unique and that she interests the people

with her world, I think that's really people She has some It's incredible.

Yes, these universe super-interessing, and it's a far. And I think that's a good of abandon to actors. Yeah. And she's been well-accompanied of what I've seen of his realisateur. They have, it's been reflected or it's been resented, especially resented, before to let in image. There's an espouse of connection that's made of creator

which makes that it travers But, you know, I look at the Cont of Monte Cristo with Piannini I said, but I want a film like that, a film like that, with these images also incredible, with I, I want, I want. But I'm so to

because you see that you're not in trying to think at the retrait, you know. No. You're on your case of decolage, we're trying to try to really, you know, you're trying to

really, you're trying to of the altitude. I've said vollied all right. Jonathan Livingstead the fear I continue

to the to pass it's, yeah, but why not? Why not dream?

Rave. Ah, yeah, there's a sereno of Bergerat that said that.

But, but, we're going to terminate with Serrano of Bergerac that.

I'm not to quote this this time this Never,

never, never, and live his moment present. Yeah, rave, progette,

to, to have, to live his cinema interior, and be to be to be,

never to have, to guard this this passion that, this, this,

this envy to communicate to all the ways possible, visual, auditive, olfactive,

touch, touch, the people, let's a trace, like that by the art well

thank you Sebastian de l'embe what yeah it's a very nice that's all it's all

it's all right you can respond to all all malle like you and I will you I'll offer

also the open your you'll play with virginie well thank

thank thank thank thank you I'm I'm sure I'm thank

the transfer of the television traditional to this new world and it's it's a lot of

quite, I'm going to make a lot of conviction I'm doing, I'm doing, I'm doing it's what I'm doing my podcast

and for the beginning you're saying you're going to you've got to a podcast it's a bit like I'm

I'm very you know, you know, I was sent in the regard of certain person and I'm

and I'm it's it's fool the fring huh and I'm the fring the fring of

our entourage if I'm if I'm if you're if you're not But, I'm not sure. I have wanted to do it, I've done, I've had an

team incredible, I've said, well, I'm going to be your first invite. I've already done a podcast. I've got to tell you, and it's been number one. You know, it's, we've also to have listened to the good people.

You know, there's just a pair, and it's like, but why you're going to be there to do that, but why you're doing? Is it the power of the other, finally, who's a great, there's a grand, there's a grand,

there's a grand, there's a bad thing, in the life, it's the power of, If you say you say you're going to do you have to make a chemist? Well, well, you know, well, you're going to be old, you've got to be

And then, you say, how it's not the reverse? But it's because they're in trying to say, why those other they'd like, because they're doing some, yeah,

there's some, yeah, there's a lot of people, but you're still be able to detected and not to be able to do the things

at cause of the other. And, then, when it's our proper power, it's other other things, it's a,

it's a, it's a combat in many to my money. But, I mean, I said the podcast, it's what I've done. I'm going to do it. I'll do it for me, there's never of little things in my life. There's just with all. With all the experience that you had.

You've done? You've made an interview,000 before? In more than that, yeah. 2,000? Yeah, yeah. I've made some of the documentaries. I continue to do more of the series documentaire. I'm just what I want to do. In fact, what I like, it's the fun.

And it's, yes. To be of his time, of his and to you know, you know, you know,

you know, I'm very touched on the end of podcast, to be with people who know,

the posture change. All right. When we are with people who have to see in

that we're going to be with you, you're going to be to be over. Some that you

get in question, well, you're going to let's imagine, you want, you don't

that in your team, face. You will have some vandal. And when the vent of face is too far, I think it for that you know, I think it's worth of change to position for that

become a vandeau. You know, it's boy to be a captain, but there's effectively, it's all the time against you. No. No. I'm like, I'm like, I'm in the gang-de-box. Sometimes, we want to depose, you know, yeah, we can't be depot. Yeah, yeah, we're don't know, there's a bit, but it's

later, not at the day. No, no, so, I'm, you know, I'm totally content, I'm 100 lib, and, you know, I'm returned to do that, but, you know, I decide what I'm going to do, you know, also, I've advanced in age,

so, so, so, it's so it's worth of something, and what we're to, and what's we're able, we know, we,

we know, we know, we know what we can't be able to get to other, I think, it's, and I'm also, you know, I'm still, you know,

when I was young, I, I'd say, I was already many volunteers, after that, I said, the politics,

I had to do the port-a-port, the TV, we're at the people, and I think the podcast,

it's an other course of with the world, the platform. So I think my motor,

it's a world. So, when we know our motor, after it's how it's

coming, you know, so, so, so, well, thank you, thank you,

thank you, to have to have accepted the invitation. You know, that communication, and the emotion,

we, we'll be never with that in the life, it's, is, is it typical

of us like we know, I think it's international, it's universal. When we're when we're universal, it's,

it's, it's, we know, we know all, we know we're all the same need to

our life. Peeport, where we know, we're always we, we're the need to see

in the life. Again, thank you. Thank you. My first podcast, Madam,

Now, you're going to be asking, after me, it's not your last. There are plenty of people who are to ask them to participate. Oh, but I'm not. No, I think not. I think there's still there's a lot.

There are plenty of cards that you've not responded. So, so, thanks, to have been able to accept to talk to you. I appreciate grandly.

Thank you, all the month, and we'll see to the next podcast. Bye-bye. This episode was presented by Karin-Jonka,

the reference in matter of Soin' For the Poe at Quebec and by the Mariclob, which is a space consacred to Mews-E-Ecter. The Jewe-Dohrote

Your Exition Original and Editions Couple are available in the magazine and on rogelph.ca.