Ouvre ton jeu avec Marie-Claude Barrette - #161 - Alain Lefèvre | Ouvre ton jeu avec Marie-Claude Barrette

Episode Date: June 19, 2026

Alain Lefèvre est un pianiste et compositeur reconnu à travers le monde. C’est un artiste hors norme qui a su s’imposer dans l’univers musical par son talent, mais aussi par son tempérament. Il s’attarde à l’essentiel, au ressenti et à l’authenticité. J’étais particulièrement heureuse de le recevoir.Une rencontre où rien n’est ménagé. Il va droit au but. Il aborde, entre autres, l’intimidation qu’il a subie pendant des années, l’éducation qu’il a reçue de ses parents, l’amour qu’il portait à sœur Berthe, qui a changé sa vie, le grand amour de sa vie, Jojo, avec qui il partage son quotidien, ainsi que l’évolution de sa carrière.━━━━━━━━━━━L'épisode est également disponible sur Youtube, Spotify, Apple Podcasts et les plateformes d'écoute en ligne. Vous aimez Ouvre ton jeu? C'est à votre tour d'ouvrir votre jeu avec les versions jeux de société. Disponibles dès maintenant partout au Québec et au⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.randolph.ca/?s=marie-claude+barrette⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visitez mon site web :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.marie-claude.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ et découvrez l'univers enrichissant du MarieClub, pour en apprendre sur l'humain dans tous ses états et visionner les épisodes d'Ouvre ton jeu, une semaine d’avance. Avec le code CLUB15, obtenez 15% de rabais sur l'abonnement annuel..━━━━━━━━━━━00:00:00 Introduction00:21:44 Cartes vertes00:46:58 Cartes jaunes01:14:01 Cartes rouges01:28:06 Cartes Éros01:40:46 Carte Opto-Réseau━━━━━━━━━━━Ouvre ton jeu est présenté par Karine Joncas, la référence en matière de soins pour la peau, disponible dans près de 1000 pharmacies au Québec. Visitez le⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.karinejoncas.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ et obtenez 10% de rabais avec le code OUVRETONJEU10.Grâce à Éros et compagnie et notre niveau rose, obtenez 15% avec le code ROSE15 au⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.erosetcompagnie.com/?code=rose15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merci à Opto-Réseau, partenaire d'Ouvre ton jeu. Visitez le⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.opto-reseau.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ pour prendre rendez-vous dans l'une de leurs 86 cliniques indépendantes.Découvrez la nouvelle collection MarieClub : Espace mieux-être et Ouvre ton jeu de notre boutique en ligne. Une sélection inspirante pensée pour vous accompagner dans votre quotidien.✨ ⁠⁠⁠⁠⁠⁠https://boutique.marie-claude.com/⁠

Hello, all the world. Welcome to Open Your Open to Open Your I'm for me today. It's a superbe journey.

I know that the encounter that's going to be having to be long time. I've heard to be able to

get to get what to what? After having remerced my be my be my be

my best my team, and especially after after having done of your

part. So, all I'm first, I start by my team, because they're

so important. Without the team, I don't think not that we have been three years

because we're a little more three years. The team he's quite, the team is there, we're always

entusiasmed by this project that that's over your own your own you know, we will you

know we're on you're on the show, it's a game also of table you know the game

there's a game, the game like we do this around the table that you

can you can't get in many magazine, at Quebec. So,

it's that, O'ReTon Jue, it's all, and I just you'll say something that's

really to be a lot of a message of a friend of an fiddle of an old,

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on aid to your name of your question to which they're going to respond,

they start, they start, and they say, even sometimes they say, but it would be the time of an open-tone-to-job-the-job when they're going to talk. And that, I've found that magnificent, absolutely touching, to understand

that, so, time more if these questions that can't permit to others to be sure on some things, some of them in fooed profoundly.

So, so, thank you to me have partaged that, because, honestly, it has made my journey when I've used

your message. So my team, Caroline Dionne, at the coordination, Jeremy Boucher, Reso Social, Elizabeth LeMew, Mised in Line, Jonathan Frachette at the creation numeric, Etienne Laurent Doe, at the captation. The partners so precious and so fidell, Karin Junkah, is the mark number one in pharmacy, in Quebec, in 1,000 points of vance

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the Quebec. At the beginning, at the Mary Club, the platform numeric, but finally, on the field of the time,

the platform number, in the sense that has taken really the place of a community, and we've added,

because it's what we're doing, at the members when they're taboned at the platform, there's a lot of

there's so much of this community there it's a world. Numeric

obviously. It's these atollies, it's these masterclass, it's these entreties, it's an

interview, it's these causery also with you, where we do you have your own-one

with the members of the Marri Club and it's also the present we've had been a

event, and when we do you have done on the time, we're always

a moment that we pass with the members who I'm present. And today, I've been at a pen

50 sous per year. You're you're on Mariclaw and the

code promo and the code I'm you're going to you're in the

marie club so the comment Maya reigned on the episode of Anick

Mott was inspired I'm always I'm I'm I'm

I'm I'm you're you're you're also what you see

I'm see I'm I'm I'm I'm going to listen the podcast in bringing my

march and when she has talked of the old, I'm going to exactly at this endro,

because I'm in Bonaventure and I've had been in these frisons. Oh, that's special. Thank you, Maya,

to have partaged that. Nadia came on the episode of Kevin Kyle where she says,

wow, Kevin, I'm going to be sure to me surprise, he has a great

force of character, a great personality, human, it's a human in or. Your entourage is chasteo to have in their life. Bravo

for your courage, you can be able to be proud, to where you are ready. And that, for Kevin, we've had been a message that

this same line that's, so, thank, Nadia, thank, Maya. Now, I'm you'll be you're going to

you're a prodig, in fact, it's a old old a child prodig, I know,

I know, I'm not that the children, it's a person, it's a person, I'm

a man, I'm of Alain Lefeb. Alain, it's a pianist, it's a great composer, also he has

made his preven with all the albums that he has made. It's, how I, how I'm,

how I'm, how I'm, I mean, to say, it's like a chevalier of the music classic.

It's someone who put the music, I've had a school of music at

Rivier Dul, and Alin went to us to know, Alin, he did

do the concerts benefice for offering, for Offer some money for our students

have more service. Alain would offer also completely gratuitely of course of our teachers

to our students in piano and really for a great master like you to bring this time that

to offer his time it it's always you'll have Alin Lefeb and if you listen your music and

take the time to go to listen to the music of Alin Lefeb it's a good, it's the music

that makes the music that do you have repri of great compositor but he has also

his So, to know that it's Arreight here today there's a story that's a little

a story that not always been a lot of and I'm a hard to see what the game will be

to offer but I'm that we learn, and I see that that's that person

that's being to be able to heart, so you place to Alin Lefe at a

moment of you realize that you have not no money and you and you

have been have been very helped, but I wanted also to, so I'd

don't know the course of piano, and I did also the piano of accompaniment for the

class of ballet. It's not the class, it's not the class, the opera of Paris,

it was the 12th and the 13th arrondissement, it was, there, I could say,

it was a trough of broad, it was a certainitude for me, and I had been,

I'd have made, and I'm like, and, as, As I like I like

always the perfume I'm I'm going to be in the perfumery because at Paris

there's a lot of there's a lot toilet that I wanted to have been

created by a mark that's a name a car who's called Ocandre

and I realized that I had I had I've not I'm not I'm so I'm

not. So the courage not necessarily to say I'm not the for

it's but to get in the perfume and to say with a modesty to

the dam that I know that I'm I'm going to and I'm sure and I know that in the

people are sometimes what's I've made at the time a concert at Paris in a cell

that was a little and I had I had to if one of

some of some of demonstrators you have And one plus, I would invite to, I've had pretty much my little chants.

I've invited to my concert. She's, she's, she called Madame Martin, I remember again. She had been

at Villeille there where there was the market. And it's I'm very much because I'm very much of courage

for a moment, not quitted, a cardo, but to tell them to love a perfume. For me,

the perfume, it's impossible to me leve, to me perfume, it's... But it's You're arrived at at

your moment of your life? I was 17 17 years. You know, you realize

you realize, because as you in the side of the house, you know, I don't really,

my parents had, we were, we were, were not, we were getting, but you,

but when you, you realize what's that's finally, that to be able

to be and that you have to make in place these ideas. So,

it and after to tell, to this The ladies, you know, that I had started a little collection of miniature.

I've had an enormous collection of the one of the world in this moment. I've started to do some of the private, in the salon private.

That, person, no, see. It's the first when I've got to talk. Open Your Show is presented by Karin Junkah,

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original and the edition Couple are available all to Quebec and on Randolp. So, he

is there before me, it's really a person for who I have a great, grand,

admiration for the man who he is, for the career that for the fact he's, a big

pianist to come around the world, a great composer also. And then, and then we'll forget, I think, for Alain, because he has interpreted the grand, but, uh, the other than the grand, he is also a grand.

So, well, so, I'm here. I'm here. I'm really content. It's a long time that we've seen, and then-tort,

you're not there when I did the open up when I said to people that I did the school of Music of a Rivier Dulw,

and you've been to offer, to offer, these concerts Benefices, among other to us help us

to be in a school of music. You've even been made to make a concert benefit for the reparation

of the piano, the center cultural of Rivier of Loo, because you said, there's a problem.

I'm a maestro, but I could be an problem of sound, but I'm continue the

concert, but I'm going to you're a elegance rare, and you're also offered

some class of MET gratuitly to be able to it's not nothing, you let, you let's,

I mean, it has left a trace incredible, but I know with our students also, the grand Alain Lefeb who's arreight for us, who we look

and who talk of posture, of dootet, of musicality, it, it's, it puts all the rest of your life,

these comments that, you know, it's bizarre because I said to France Gagnar, who is my attachet

of press for pretty 20 years because I'm a man I think, I think, the fidelity

in the love. That's, it's a little the line a little, who do I'm

doing to do more long term. And I said, I'm in this morning in a car of this experience

that I'm with you have with you know, and to the cause of the cut of mutual, because the

the coup of only only that the coup of just some that's some of the passion,

of the moments where the minds and the people and the and the

time the force to pursue in the life. Because all of everyone,

we know today that the life is not easy for many, many people.

And what is what you know, we're going to talk in the field of the action. I'm

implicated this year for the foundation Holbroory. I'm I'm rammace I'm

I'm I'm going to get a lot of for that there is some of there's an

amelioration. I'm here for also the opera of Montreal. Tomorrow I see at this

concert of this cell of concert Beaux, etc. When, I'm a infant, apparently

it's a cent on my accent, but the Quebec me have all I'm all right, I'm in the Quebec. And that, I don't

for trying to be kindy, but I've always had this idea that we had a to redone when something

we're a part, and I'm I'm a pianist, why? I'm a because I have been

by the seurs of the Congregation of Notre Dame, the seurs that were devu-a-deged, of the

women who made a very much, I'd have to have a year of course of a year of

a year of a year, I have often six hours of and as herbert was a

goodmande and they had no to have a lot of no, the Saturday,

it was St. Hubert with some placate of chocolate and I

was just like a malade mental and I'm like yesterday I've

had been the van I was the bar Kitt-Kate the chips that's, yeah,

I mean, my, my chips, it's, I can't. Because it's an interdue when you total, total, I mean, my own

my own my own there's been, there's been, there's, you know, to see, access, now,

very, good health, me, but Alan, if you're a six great, health,

it's because your parents, you're very made sure, and I, and it's special, it's been special, a,

infance, when finally, your mom, we, we, we're in Villeemar, at Villeemar,

you, It was a park where the people and my little colleagues of the school my mother, she, at the prenton

culled the pies to make some light to so you'd imagine a little the decalach the guy who did the mrs.

The mrs. The man of the fend, it's full, you know, it's, but that's a little

my infance but, but I'm there's, no, no, any part that are

many people, but it's sure and certain that the chips, the hot dog, the hamburger, the pizza, There's a real pizza, not the new pizza

that's all-dress, that? Yeah, yeah, right. With the crote and paste? Yeah, okay, okay, we're trying to. That's always an exitation for me. Okay, it's rest, so. Always. So, yeah, wait, we do you have pleasure.

We'd tuff a pizza. Listen, this night, I'm invited, well, it's not important, and the guy really would be gentie. Listen, the list of the propositions was extraordinary, I don't know, we're in a feinted of pinted,

and I said, I mean, no, can you have the time of the barbecue, the hot dog and the hamburger. I think that the guy no croyded not. They thought it's a joke. But because, you know,

the music classic is associated to something to something of a, I don't know, very, very pure like an alimentation.

Yeah, I'm doing that, and France made a good a good car do and I'm to get with the

friegly and move. Because I like I'm like, mouloges the world and the verve

but apparently it's not necessarily what you the better than the vitamin C. Well, I just didn't know so. So, when we're to

make a pleasure, it's so. Really, sincerely, totally. I mean, I don't know if you

you'd remember the restaurant, Dillalow, who was, especially Villeamard. Look, for

me, it's these souvenirs, but it's always in cachette. At that, in my

chamber, I made the newriture that I made in cachette in a in a little in a

place, in a place, it's, I imagine? I'm, it's bizarre, I'd

have to be sure to do you because with you're good, so it's always dangerous for me. I detest

all the censure. It's to say if someone want to do that it is a

good, I'm sure, I'm sure. If someone want to get many,

many of things natural, I'm very, very, but if someone has

had an want to be beer, to have a hamburger, or do have a scotch or to

not do do not do not do a sport, I I think that the real liberty is really, at a moment a moment you're

always there's always a lot of you do have able to tolerate the things. And we're in a society today who is

terribly intolerant. We have a visage extremely severe on the people who are too megres, on the people who are not, on the

people who don't know my parents say that the main time is before 10 hour the other moment it's very

very good for the health psychological. And at a moment when you voyage in Spain or in Greece or in Italy and that you know that

until 8 a 1⁄2, he makes 40 degrees, well, the people will not be in bed at 10 o'clock. They're dinn at 10 hours of the night. It's said to be that all the Spanioles, all the Greeks, all the Italian are so fused, because he's scoffrey. He's not going to be around 22 hours? I'm, I love the tolerance. I love the idea

of the tolerance. But it's good to hear of that, because justly, we're in a air of restriction, of remise in question that just to just to be to see

it's what you see, it's to be, we're not, we're not to judge what you're

doing, I'm, I'm, the children, for me, it's important, it's important that they

can't, it's important, that music, I'm not to be a time of the case, the people, the people,

the people can't, the school, on the States, 17, time, it's a chirogy plastic,

you're not in doing, you're in measure to be in question. We're not

not all all in a curdard, I'm, I'm, I mean, let the world

live. But for to come to your parents, I think that it's can't

to be to be to be in the position to in the way. In the

that, you that's what, you're that's what me don't there, but there's other other thing, and it's

your life, so you, your relation with the food. My dad, if you're in a dog, if you're at least,

but I'm for me, what's the better than a good dog has been a whole, there's a little bit of

a little, I like, oh, no, I like that, apparently, it's not chic to say that,

but I'm on, I'm not, but it's that's so that is that, is that you're ready to

to come to come to come and, it's but it's that. I said, I know that the danger with you I'm saying, you see, I do you see, I do

I do you see, I do you see, I'm saying the other day, yeah, in the pieces baroque that you have interpreted, I was sure, you know, I was BBC, you know, the, the tri that you're a little bit serried

and are a little bit far, and I'm, you know, I'm still, I'm a guy of Villemar who has been batted at Villemar, so if you, if you push, you can me try, you can't,

so, the dam, she said, yeah, but in our also, you make a little of pedal. And, now, I, I know, I'm I'm gonna, I'm gonna, so I'm gonna, you know, I'm gonna,

Scarlatti, Aramow, I'mo, I said, they're gonna, it's gonna, it's, you've got, you, you've got, a long, silence, I don't think not that I'm gonna be my response.

You know, we're gonna say, you know, say, the tri, I've, did what I can, I say, I'm, I'm gonna, I say, I'm gonna, but, you know, if you know that Scarlati,

you have telephoned, the art of to be interested. Yeah. Some, I mean, I mean, it's a thing,

I mean, but you're going to but you're going to it's a lot of, it's not, it's going to it's going to it's not,

you're not a problem with your pedal and your tautry and all, no, no, no, no, no, no, no. So,

there, level ver, it's a question of order generic, and that's your question, you're going to

see, Alain, you, you're part of, you know, yeah, yeah, yeah, yeah,

yeah, so, yeah, it's the question that's a little bit of questions that, it's for you. I like that the cardo.

So, we're going to the level of, we're going to give you. The level of young, it's some of the questions that are more specific than you.

Okay. The level rose, it's some often, well, that are more intimate, in the sense

of reflection, in the sense of impact on the life. Okay. Nivo ERAs and it's, we talk, we're

talking, of sexuality. Okay. Obviously, you choose, the questions to give to respond.

Opto-Reso, it's And it's a question all in d'uessor. Often it's a very much it's a bit like a very much

we're going to see how much we're going to get to the answer to you know that's you're too long that you're having to be on the table

I pass to the question super you pass to the table. Okay, because you can you're going to you're doing

five. I'm going to give five. Yeah, exactly. So five five of the same color or five? Five of the

same color. I'll get it I don't. I'll look not, I I do that Like that. It's so. You're all

They're all They're all right. They're all Yeah, so, they're very little cards. One, two,

three, three, four, and two, five. So, I'll tell you to let me to read,

okay. You're going to choose one, to the to have to get a one in the

four that will be okay, okay, okay, so, so, so,

when I look, when I'm what's that's that's what you're vulnerable,

What person has made a difference in your life? For taking Soin'clock to me, I do, and what importance accord you to the regard of the other?

Ah, it's these best questions. It's, it's, yeah. I'm, I'd say that my car goes to this

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So, what's what you're vulnerable? Why? I like all the questions. I would have been to answer to all the questions, but this, for me,

is very important today. I'm a optimist. I'm a man, I'm a good person, who's been in every morning, who were often

malice, anguously. And, I decided that the bonner it had to be able to do you know, it was not

something natural. So my nature and my nature is, my

motor number one, it's to be made. I think that the sole thing that

could make a difference in the life, is the love that you

don't and if if I did of niesery, you have to be you cut, you

mount. Here you're these invities of the Spaniiensry yeah. But I'm maybe maybe

a little example, I'm a little example, I am a lot lot of the natation, I'm a

right of because when you're a pianist you have to make attention to the arm,

and I'm, and I see always when I'm in a place, the plasements, the plagues

which are a bit what we're called so-s- people, it's people, it's

people, And, and, I'm, I don't know, I'm not the language, but I'm saying, I say, I'm going to,

you know, it's my nature. And there's a woman who, who, I'm going to, I'm saying, me, look like that,

and saying, ah, she's a, very, clearly in English, you, you're always

very good, what's what I'm, what I'm, it's, it's, it's, I'm fatigue,

I'm saying, I'm, I'm very, I'm, I'm very very, I'm very, I'm very,

So I said, the trisomex, I said, are more than we're more than we. So, she's I wanted to, I want to I want to enter in his game, because her question had been, she was suspicious, it's not

you're very good, but it's that it's fatigued. Yeah, she had to challenge because she, because I don't know to the love. So what's what he makes the more vulnerable

even more today, is that when you decide to aim, to be made, to make, to be in a matter of automatically

you're exposed, you're exposed at these grief, and I'd say that my life, unfortunately, as it has always

been the choice of my life, it's to say, to be made, I've always, I've often been

blessed, well, you'll be people my bloodsure is not, it's not,

it's not, it's the Olympic of the but when your your heart is always pre-a-eming, to know,

yeah, then, then, you know, so that's what I'm vulnerable, it's the

infidility of the traitors, the inconstance, and also all of a coup, to discover

that, finally, what you don't or what you want to do not been interpreted

as what was at a part, it was a don, or an amoo, or a

but that's been there's a there's a distortion. That, that's, it's a

very vulnerable, it's a year to be a more more good more aggry, and I'm

the same little little little little bit of nine, 10 years, who's was in an

school and was made systematically because he was different. So, it's a traumatism

that I have of my infance. So, you you rest the

same. I've not changed. And then I'm, I don't, I'm not, malofficment. I would be able. Because you'd protect, not. It's not. Yeah, because I'm always to

always to aim, and to do it. Is it like, is it like, is it like, you need, like, some reason, to, certainly, because I wanted to do the conquest of my parents and a conquette not been, not been

received, by my part, because my parents, it was, all had been, much more interior. I'm, I'm someone of expressive. So I've puttete had to

the impression that it there was a question, but let's say it's not necessarily easy. It's not easy. My

youngness, my parents were not easy, not do you. But now, you just did you

do you, that you did you, that you're doing, we, we, we, we, we've already in a sense. Yes, we,

it's absolutely traumatizing, because it's a repetition. It's to I think that today, it's bizarre,

we're, we're talking, we're, I'm a I have a good memory, I remember, I remember, of this show of TV, yes. What I'm derange a little today is that, now,

there are a lot of people who are not, not the personalities public, but who do a sudden it, they discover that there a capital affective to say that they've been batten. I never

wanted to attire this capital political, and I, and I, I'm, I'm always, I've been always, the Quebec entirely. I've been one of first to

support the young gay in region who was made to be back to make a very that's a

little group of young that I had to be these young who were systematically batted.

It's always been an appeal for me because I know that you you are the victim

chosen in a group of people your life is a a cochemar so the fact that

I wanted that I wanted to the conquette that I'm put

some perfume, et cetera, but I had all had all Fouh, it was all were all me assassinated. And then plus you had,

you had, when you're to have a accent, you had an accent very far, oh, yeah, more of that,

I had all, no, no, I had too full, I mean, you're at how old, you're at

Vilemard? I had four years, Vileemar in the in the years in the years in the

six, 67, 68, I'm, but it's, I'm at the D'Coh, it's a a milieu kind of

that was, who were, who were there and it's not that's not that's the fault,

it's not that I'm saying, the sole thing that I'm today say,

is that the harassment at the school is an horror. Sough that you

know, that's that's that's that's now, it is by the

social the harassment, it is in these people who want to

volle your identity in time citizen, the harassment he is in the mechancestate that can be said on

the resos social, it is everywhere, everywhere. So, for me, today, it's almost

the the chomachmars of my infancy, and it's for that I've put this card

and it's for that I've composed this last disc, I want not

to talk to they're they're they're they're they're they're

because they're because we have because we have been We have not the right to put it to judgements,

and we have to protect the other of what he's and that's a problem. So, no, I'm not defatist, no, I'm not pessimist, but I think

today we're pussed long. I know that I've been on Facebook for some and it's not not put six minutes to say to my

company of disc I'm not sure I'm not a moment of a I'll say it's good that we're I don't the

word to the world, but I've had any of any of the point I'm there's a

there's a there's a question, I'm going to I'm going to I'm trying to the winter to go to

New York and they're in some of the people who say, click, a other Quebecor

who does not pay his impos and that finally pass their time, so I'm what I've

did, I've telephained to my company, I said, a word because you have to make attention

when I'm saying I'm going to pay my provincial, to federal, to municipal I'm never to get to

and I'm going to get to that. So, Instagram, yes, I'm going to because I'm

really, the chas, the panda, the lapin, all that's that's the other, my company,

I said, me, why you're like, you think you to come to make to make

in a sense because I'm in Germany where I'm in Chiqui to make a cheque,

and to make sure, I'm trying to to show I'll like, et cetera, I'll do it. It's, it's a dyesage. But I like many the animals,

because I think they're perhaps they're perhaps more dangerous than you. But I'm still curious to know when you were young and you

had that at the school, because we're if she's there were some of the restrictions important,

and at the school, you have kind of there's to have a question, at what

you have the place? She the seurs? Ah, it's really that. It's my

Sir Bert. It's, it's not what I'm to say, but I'm my first grand amos.

Sir Bert, it's my grand amos. It was this person that who was very veiled in life. Oh, who had you

were in, it was, it was, it was, she was little, she was pretty, she was

very important, and she had me total. She said always, she had me called my

little chian, I'm saying, my little chian, my little chian, you're the pianist of the seigneur. You see,

she, she had, she had these these were my great-amor-a-law. It's a, it's a, it's a, it's for that this society

that constantly talk to is a society episant, because the love to the the cut, it's due to get a few seconds. The love, it's

eternal. I live with the souvenir of Sir Bert every year. So, this Sir Bert, she's saved. She's, you

have a, you have done the hope that the life didn't just that you lived. The life could be other things.

Because when I was when I was back to the house, my parents to flake in a volley. Because it was I'm the

culpable. Oh, man. The education French. But it means that you're in

a force, I mean, it's a matter of there's a need to be to be able to that's a time.

I'm, I'm babed, you know, I've got to get to the insominy I had nine years,

not dormier, having a fear to be the morning to live the and Today, I'm always insomniac.

I'm always... It's even... It's even... It's for that my desire of my desire to love. And that,

by example, they've never in-euvre. Because you're always the choice. So, that you

want you want to be to be able to love, I'm going to love more. And my response,

it's always the love. You have a puret by the love? I think that I'm

this... And Sir Bert has been about that. She said, there also. We have so much said, I've got

told some I've done on what it's it's sure that there's there's sure that's

but I'm my, the sir Burtt had been extraordinary it's, it's, it's it's quite a reality

that's not someone who's invented a son Auntoneette Macsicote has ensued

to do all over and she's and she's this person has done a different in your oh,

you know the that the love that a woman can give that's for that I'm that I'm like I'm

the same, when I'm like the life, for me, the future of the humanity pass automatically by the

woman. And as the humans have not not quite that, they're always in

this, so I think, so I'm say what I say, in this kind of

of a mantra, to have people like the president actual American,

and of people who are the belliqueue, mechant, tenue, orgueue, pretentious,

and who have no, no, no compassion. There's no unempathy, there's no the love

that you know, the love of a man to be able, the love of the woman, it's extraordinary,

and Sir Bert was not a sister, it's a woman, and for me, the woman has always

saved, at the school, I'm I'm going to be able to talk, you can't

you can't you can't imagine, what's what's what's what's a group

of young , Dolores Tutsia And there was another who's called My God it's been

that's the time equerated to me to be able to be able after four years. It was

these women who had made this little group of intervention policeier for me defend. The woman

my family me has always I'm always when the men want absolutely me want to

make sure me like that I said no, no you have you have not

I'm not I'm not I'm not the person for that. I'm content you have you ever, I'm sure that there's a lot there's not, but I'm not, it's not my idea

of the family. You've made allusion to your last album. I'm when I listen this album, I'm very much of melancholy. Yes. It's, it's,

it comes to us to cherish at the interior. There's something of, and of real, of melancholy, nostalgia.

But the nostalgia, sometimes, it can be a certain moments, we sense that, but there's can't even, something,

we're going to like to what you've been to talk about, I'm a about a lot of a lot of

you know, I'm not, you know, it's always Spotify, and the stuff, the album,

it's, the million, the millions, and the million of streams. Is, is, the piece

consolation is the, I'm not how many a hundred of million of times per

a week, is, but you know, this disc has been also, he has been during the pandemic and after the pandemic

and after the pandemic, we were all full of the sport. We said, well, the poor is behind us. And when we have seen the number of conflicts and of wars that have exploded, I, I like, I'm,

I like the story. I've got a lot, I've been a lot of history. And to see that, finally, the human are pretty always always, in the war, it's tonne. I'd nomer person, but I

know that you're a woman intelligent and you, you see the news. I'm all these governments, as they're called, to us are, we're saying that now,

in this moment, we're going to do the investment in the defense and in the army. No, no, attend, the guy,

there are these people who are many who are some people who are some people who can't have not eat,

you know, I do you do you do I do you find these million for the armament because

you want to create the power of war? The fear automatically emendra de war?

But is necessarily the chem to learn to I'm going to be, I mean, I mean, I'm saying, I'm, for the President French, he's army nuclear, but, arreterate,

stop, we're not not even, ever after. There's not even though there so, I know that in France, listen, when you see, when you see some reality of 60 years, it's a reality, of 60 years, that's

the publicers, they're systematically, they're systematically, they're grand magazines, of food, they're not, they're not, they're not, they're in France, so, so, I'm,

I'm, maybe, I don't be very intelligent. I've not been to be at the school very long time, but I don't to find how they can't find out of

six grand budget for so-d-day- so-d-day- while that finally, we'd perhaps think to

to be to our concitoying, to my view, that's what is essential. I've heard recently,

an interview of Renéleavek, young, and who had a bit of his infance, he was,

he was, and I'm I said, ah, it's not an idea politic that I said, but it was kind of a other. It was a dimension of an end of an end up who had this space of an echo and of earring for the population. Is that our politicians today have set orleans for the population? I don't think. When we saw, you see, the President American who has said that, well, yeah, you know,

the inflation is a catastrophe, but they're so full. But, I think, there's the danger of the politicians, and, when I'm con know, I'm say, you know, to have the impression to meet the people by the

social. That also. And not to go in the door to say good old people. There's a great difference

between the two. When we say, we're now, we're talking, you don't know, it's not

the same thing, it's not in their milieu. When we get, when we go over the people

where they are, we know, we understand the middle, we're talking on the the lacuene,

the carance, but you don't know there's no, there's no, there's not there's not,

There's not a... So it's important to continue to go to to go to where the people. I think it's not in your

the people is not the public is not going to be the public is at their people. When I was doing to the port-a-port we had to come

to all the and more to say, but I'm still at the position to continue to go to go to

people who will be at port to turn to but you don't know to be it's that you that's that is that

it's that that's what it's that's what it's that's what we're in a presential at a moment. It's more simple to their response,

you know, I'm I'm in quite with you, when we see, when we understand. It's a new year, you know, it's bizarre

today because we've got to start an interview, you were talking, you know, my visit in the school,

et cetera, and the lady who me talked to my visits at Valdor because I

adore the Bittibia. I know, you know, you know, you know, you know, I like Dubai.

You know, Val-Dar. I mean, I'm in Baltimore. But Caroline, with me, it's a Val-Dor.

She's not. She was in my concert, but that she has made my concert that I did my

valour. That's my recompense. You know, when the people do, it's what your

more my big my my own my great, it's

when I had to , I've been, and I had been to sit a few

of the one of a few that had not a a very noise, and that I was,

I'm very attentive to their response in saying, we've been all these people are

I'm talking, you have heard the music of you've been not much, why? And there's a

little that said, because we had been in this music that had suffered. And there

I'm just to play on the scene, because I play also. And it's that the

people have made a song, the of liberty, there's that there's

that's true. The rest, the glory, there's no, no importance. An infant an infant that that's

it's worth a million of dollars. It's beautiful. It's be beautiful. I'll ask you,

when I when I look in the mirror, I see. Oh, boy. I see, when I

look in a mirror, I see a person who finally, it's bizarre. D'bore,

I'm not to be able to because there are people who Oh, yeah, yeah, the Yeah, it's good, that's

very positive. I love this very positive. And when we say that I'm telling the age, etc., I'm still a little

surprised, that I'm not going to to say, oh, my God, I've been my God, I'm my God,

I'm doing, because in the earring you're going to have the earringing, apparently. I don't

that's a end up. It's always it's always. You're you're just you're the point that

and in the knee, but not in the good of the but I look

I'm I'm I'm I'm I'm a man of I'm I'm

there's a there are there are some of there some that's the 21th

year is a year of a year of spirituality or it's not a

that's a question that's a little in my carwold who says when you

want you want to you have a reason you I think there is an

espoor. I think that the is today, it's to say the hope and that there is a concern social, worldwide,

that there is that there are there are there people who are there we're not in this dynamic,

to always talk, like we have many people who are people that when I look in the mirror,

I'm not like a, I'm not like a Christ, I'm not like a hero, I don't know not a hero, I'm

not to do all but I see like someone who will always insistently,

constantly me bat for the values of love, of tolerance, of compassion. And when

I look what I see that these three values are in trying to disappearate. The

social is very interesting, but actually it serves a lot to

the verbalization of the hate, the mechancey. Well, but unfortunately, and it's not normal. Because there are

these both co-cote, but the movey coat take a lot of place and have a lot of impact by the good side, you know,

it's a bit so I'm saying, I'm going to not, I'm don't know, I'm going to be a good quality, so

I don't know we're not not even before what we're, in the my eyes function. But,

yeah, but that is that is you a crin, by example? Well, the eyes,

the the do you, the do you, yeah, so, in the stress to to

You know, it's to do you, it's, it's a it's a mean, we, we're always attentive.

When I'm always always there's I'm in the water in the eyes, I do you know, I've always

been minded to make attention to them, no. Yeah, because you have to understand your

sound, you can't you can't you can't when I'm when I'm in Cheki I'm in Chiquet

I'm playing the concerto in Fats Gorshwin and one of the music of

a musician that was a musician who a musician, among the millions, of millions of notes,

and he had a first note. So, one of the one of the two of I'm not,

I'm saying, excuse me, excuse me, excuse me, it's, there's, there's not a

phas that you do you have not, it in my partition. When we me know,

it's a no, no, it's not in your partitions, it's not the people are a bit surprised because

when you have the orchestra on the orchestra who plays to do blue forte, that I'm that I can't

an note of an instrument. So it's let's, let's, there's been there's

my eyes when I'm when I'm when I'm did you know, I'm doing the school of the entire of course,

which had, you know, you're also, the ear absolute, and it's and it was really,

because she, she, my, my own nothing money, What, in French, it's, well, the right of the absolute, it's

a lot, you know, you know, you know, you're always, you know, I'm trying to, is it very fatigant, the london, can even,

to have the ear absolute? Yes, yeah, because, yeah, because, you know, there's, there's a time,

an animator of radio, that's not, Radio France, Radio Canada, etc., there had always this research,

the voice that's posed. I, you know, I'd tell I'd, I know, that tonality is good,

and you have a tonality that's just. So, it's not a question of force or of febless, it's that you

have the voice just, I don't give a compliment. You have a people who are other accents, other voice,

and maybe maybe they're false. And I'm it's false. They're that they're never on

the note. But that's it's an animator of radio that I'm not, that I'm not

to hear- fool. Because you you're like without the dissonance. You don't know, you're not, you're trying. Oh, yeah, like, as well, like, as I would say, I'll

I'll be, I'll be, I'll be able to beardot. We'll be able to be persuaded. Ah, no, no, no, we'll not be pursued. You have like a duance of the orreys. I've got a disease of the ear, yeah. Niveau-gone, Alain, you give me four, four, four. So, well, I'm going, vitement, and I'm going to

four, two, three, and four. I think that I'm the, I'm the né absolute. Ah, yeah. In fact, I, I sense, I feel, there, When I was in When I was in the head they're going to be

They're in saying, oh, yeah, I'm saying, I'm saying, I'm going to be in a reparator of the frigo,

I felt like the friego, but I felt like the frayon, but I'm not, and there's sure that's not good, a flood, it's not no, no, no. And in fact,

there had anything, but we're in being, it's in front, in the house, I'm going to get in the car, okay,

I'm not, I'm not sure, but, you know, I'm not a real, that's even a , you're a in a meal?

That I'm like like you understand, you have a too of an awful that's difficult to see

to be able to because the I don't know if it's not a few on the mission, but I've made a roll, I'm trying to

the way very elegant at a a man, a quote of an car, an car, a while

an car, a man who had said a man who had certainly very mal-manger the veils, and

he had had considered that his siage of an airfield was like a fire at a fireball and as

we're in Quebec he's let's loose and I'm at 15

minutes I said I did go to the bathroom and there he said no no

no no no I'm he's he's he's he's he's

he might disappear there there there and I'm there you know

I was in my other toilet I'm at André Jocomo, I was,

this fudleur. I was going to see the gentlel of the van, I said, Madam, I said, I'm going to

go to be a moor. And she had been there was a there was, it's not a fereon,

it's an other style of foot. But, yeah, yeah, I'm, that or

the ture of bra. Ah, yeah, yeah, it's, it's like, it's like,

but I'm, but I'm, but I'm, but it's very exigent, the odor. It's, very,

challenged by the odor. And it's like if all it's all right. In my head, I have made that way to think of it. Yeah, yeah. Yeah, yeah, it's very, very prenant. I'm doing it with that. We're going to sound like that. We're going to censure this edition. She's not... She'll be made at... At the end. That's all, it's all right?

That's all right. No, but I think there are many of the people who are going to recognize in the room. What's what you have not received of your parents and who you've been able? You're still have you already arrived to not to not to feel at the height? How your

relation with the money has done? At which you knew that you would be

pianist? That's a other level of question. Yes, yes, it's a other

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How your relation with the money has elvue with the time? Well, she's sure, with the great misery that I've known. because so, so, until the age of 16 and a and me, I'm, I'm so

I'm at the level collegial on piano at Marguerite bourgeois, and we say,

it's going to be to have to be the first, I'm going to start, because it's,

first, it was a very grand professor of music. It's a woman musical

it's a grand, grand professor. And the school Juilliard At the time, I I'd talk to

1979, I think that it was it's already 25 to $30,000 US per

year, that it was just for the students. Not only my parents had not the money

to say, my father and more and more that, it's impossible. And there

there were three great schools. You have New York, you have Paris, because

Paris you had Pierre Sank who had a great master, and you

had Dieter Weber at Vienne that a grand professor of piano,

but there, it had a little the language, and you had Enrich Nehaus at Moscow. It had

four, four. And, um, so, we decide that I went to to Paris,

but my parents, my parents, my parents, they've been left to to Paris, if you with a

little sum of that my parent that had done, which was at the time, of what we

would say, 10,000 franc. And, And he had done also a piano, a piano and I'd have been in a chamber of bonn.

A chame dexterous, it's a fourth-eighth of two square Emmanuel Chabriere. And the chambonne were two-estead the sixth-em and the seventh-est-est-est-est-est-est and

it was, basically by people very poor who'd in the construction. There had a toilet per each, so it

so it, it's to revere to my love, of the perfume. And the Chambre of Bonn was, there was a piano, a lice, and a little, a lavabo. And there, I had been,

so, this co-con familial, because it existed, I had been plonged in what I could tell today, with the more sincerity, a cochement, where I pleaded for the weeks and the time. I'm just to find, at a pain, to manage. Because you had

not an hour. I had nothing. I had nothing. My loy my loyreys, I think, it was 390 franc at the time. We're in 79.

And a day I went to my course to piano and I'm going at the time you have, when you were

at a conservator, you have the NEP that's an insurance for the students. We're

to get to the hospital. And there, I'm reminded that my pair me had said, you know,

we have some that I've that I've had been when my parents were French

and he called Kito Ginette Baruch. It was the only person to who I called to Kito, he said, oh, you're the son of Andre, and I said,

yes, I'm at the hospital, etc. And I don't not that for to make the effect. I don't, I don't know to do anything.

So, so he comes right to get to do a certain age. He comes with his car, he came with his car, it's not

a young, very rich, and he came to see the hospital, you, and it's a It was a Vandredi, we're to go to the campaign tomorrow, you go to

get to be in and I'm I'm going to let's see do you know, I'm catapulted at Paris

with the French conservator of the it's, it's rigid, I imagine. Yeah,

of the man, and, you know, it's, it's, it's, you know,

you know, and if, always, everyone did, they'd all the people,

they'd get, they'd some, they'd be chofrette, some of, de naysery,

you know, you're not, I'm not, I'm a pianist who's in a good mood, and it's not, and it's not,

you know, I don't know, I'm going to to do it, I'm going to do the artist, and I'm interested not,

and the night, and the night, so I'm going to be part in, and there, it's going to

last time, the night the night, the night, the first night, so, I, I'm pleaded

all the night, and they're all the night, I'm I remember, and Jeanette Quito, it was like a person, a great person, and Jeanette, his wife, they had a few, he sashoa, pretty of my bed with Jeanette, and it's very, it's authentic, like two and two, they're four, he said, "'Ecourt, my son, our wife will be married, there's a room in the house, you

can rest, you'll be our son.'" That, I've been, that in my life. And he had adopted, they've been like, like, and they've been adopted, like, they've been They were treated like a son, they've been like him, they've all done. All, all, all,

all, all, all. They were, surprised that my parents had had taken the responsibility to envoyed a young

without defense at Paris in the Cajoloo. So you've quitted the apartment Bonn?

I've all did, you have quit you. You've got to be a conservator,

no, there's a conservative, but I've been Cucunet, em, had been difficult, and I've had been these beautiful miracles.

There are some of them there are some of, Kito, Kito, but, no, I've had a lot, beaucoup, beaucoup, many, the love that Kito and Jeanette

have done, it's for that I also, you know, all what we can understand of hate against the Muslims, against the Jews, that, it's,

it's, it's me gout, it, it's, it's, they're, they're not Jewish, they've all done, and they've been treated like a

a son, it's, That's been a turner in your life? Total. That is enormous, because I'd have not put up to do you imagine.

I'd have not put continued to at a conservator. At the course, the course were public, and it was a level, and in

the space of six months I was found in one of the more great cell of a party, to play with a more

grand violinists that's after that I had been catapulted at Milan, I've gained the concour,

and there, the countess of the the countess of the main that's the it's like that's like

it's always with them, because the motor of my life was not my success, as it's the

love that's the love that I receive in the interior, just that's this recognition to say, cudeon,

you know, you do you, you're really, you're really, that's never been, that's my big, big problem,

I'm not, I'm not, no, no, because what you do you know, I said, it's,

I know, it's not interesting, I'm, well, that I'm, that I'm, I'm,

I'm, say, but I'm, it's really, it's, it's, it's not, of the false modesty. I have

no, I'm going to, I run to the same nervousity. No, no, I've got no, I'm not, no, I'm confident. I'm confident. I'm in what God can make me, because I'm working, because I'm trying, and I think

that being in some there are some resultant, but that are these values who are very yacht, you'd say, but, me, when I go to see the children, I'm talking,

me, he's going, I, say the word the most vulgar of humanity, he'd be not also surprised that when I'm talking of love or to be to be in the

they like that they have they're doing they're going to this we're going to when the young of

a country I'm to be delicate to hear their president to have a language a

pre of the pubel how they think that it's a reality and it

is a there's there's not of the hypocrisy that to be polite

and being well the politest be well-element and be able to be to be able to

be able to be in a society that's a very much in a form of democracy but there

when you're saying, the people say, well, the people are you do it's, but it's

not, it's for it's so, it's all, the, it's, I can't, I,

know, I'm, I'm, I'm, all the idea that he had been there's,

and you can, and you can't do you, but you, your life, in the in the ,

it's the relationship. Yes. It's that the sense of your life. It's a way.

Yeah, I know, I know when you're young, you're doing, you're doing, uh,

a day, you go to do you go to do you go to the Carnegie Hall. You know, you're at 17 18,

19, you you, you, you're having, it's, it's like, when you you do it, I've done,

to do you get to my hotel, and what's I did, I'm trying to the pot sandwich,

you're a and I'm you're just that's really that that's that's the that's the

change my life, is to be able to be able to have some and have some and I'm and sincere

and to like to constantly be at the listening to how many a lot of you can't

about people, and the person, you, you attend that they and you're

you, and it's always you will say and how you, it's, so,

So, yes, the success is what we it's sure that's sure that's sure that's sure that's

a good concert, but I'm when I'm a concert that's a year I'm

I'm sure I'm to 15 minutes due to and I'm yeah, I'm well,

I'm very I'm quite and I'm not quite. And that's it's a impere. Yeah,

but it's an exiogyn that's because it's can't that, you know, that's the

time regard. In the same time, it's also the possibility, you know, what's what's,

you, you, you, you, you, you, you're all of, people,

and it's always impusant, to get someone who has always in a time, that's fatigant.

Someone who doubt, is someone who remit in question these things who is capable of

listening, who is capable to want to learn, but someone who don't know,

it's, it's, So it's a motor for you. It's a motor. The doubt, you don't don't p'clock. There's a certain person that the doubt

will make in sort that's right. You're right. The doubt you can't make an advance but you keep living,

you're still in the and also modest. It's never think that you But that's it's often in what you

mean, the modesty. Yes. Because you come always of where you come.

Yeah, yeah, I see. The little Alin is always there. Always there, yeah. I see

exactly I said, I've got to say, I won't not to say who I've encountered, but, let's not come to the the most great head-coronated of the planet, and I've encountered a lot of people. But one, I had a dinner that's the most grand lesson of my life. It was a great artist, which I've

had a name, it's a new like that, and it's a dinner, we're 10, a table-round. And, of course, it was he, the vedette, this grand artist there. And when he'd say a bit of it, betties, but that he's if he was always he'd be comic,

I'd think he'd think he said something he'd consider he was a trist, everyone

would be be a trist, and everything had turned around to his ego, like some that we

know. And I'm said, I'm sure to never be like that. So, I've started

to make an interview, to talk to my piano, of my concerts, of my

if you if you me pose a question very precise, I'll you'll

tell say, two years I went to Athens, I had a dinner, and the people say, ah, parlay me

to your next time, please, if you please not, demand me to talk about, the perfume,

demand me to talk about to say, I don't, I don't, I don't, I don't, I don't,

I'm interested, that's not. You know, it's the relations that's the interest.

Yeah, but it's true, because what you do you do, see, these people

they have, like, they're like, they're, they make, in value, to, You know, you're

You know, they like that They like, they like, in all the different ways, you're going to find out of the people who are like these people who

are always to be there to be there, it's correct, yeah. Yeah, I'm sorry. We're not, we're not, we're, we're, we're,

I think we're so, it's, for me, don't, it's not, it's not, don't, it's not

, you're talking, but I'm talking about, I think, I'm really, I'm interested, this question, on what,

what's, you have not received of your and who you've to make, and who

you can't and that's it's a question, you know, the question at the

people will be able to, and it's not a story that's not a person, because I'm not

not the people, no, but the people who never, they're never to train

their parents, but it's the fact. No, but it's a reality. We're four men, and I

do care and at a moment I'm a day of the first Canadian to to make an immense concert with orchestra at the Chans of Ilysses. And I just the concerto of Matthew. It was the first time that Matthew

played. The cell was archipleine. I've had an ovation as a long. And there was an amy who was present, who, malicement, is partied, who was in a rear-sene. She had had my parents.

And it's sure that for me, I thought that Papa-Mama, seeing the little Alain who came of Villemar, who has made all this

that he's that I don't say that he was in the Tehr of the Chands Elis I mean, I had the planet

that. Plamondon, he pleured, all the people were. And my my mare had said,

oh, yes, yeah, so to my a friend who's a psychot, but he said, you know, I have a other of my Fis who played in a little church, you know, like, still, I have a son of a church that in the Grand North of Quebec, she's, she, she has not wanted me a Puce.

And this ami, psychotra, has said, you know, Alain, I've pleaded long time after having to have your parents because I realized all that you had to suffer. My parents, no, won't have not done a push. What's a bit of the reconnaissance? In the poor than that. My father said always,

Jill, Philippe, David, we're sure, but Alan, we never knew if it's the factor, the leitier

or the liverer. And we're also, Alan, he's, there's, Alain,

is vulgar. No, I, no, I'm too, knew, I'm too. Vulgar,

because I wanted to because I'm to have to be because I were, because I'm

because they're bad-euro, it's not a question, and it's not a I'm a critic of my parents, it's a reality, because my critique, it's a demi-monsoon.

But, you're new, your vision of the view, is your is a half-plain? Or a-half-sive-old? A-moly-full. That's that, huh? Yeah. My joy is present. My joy is present.

It's, I mean, you know, when you're up, the morning, that your father is, your mother-at-trice, and that your friends are in a new bed. My choice had been to be able to be able, and I'm going to be able to be able to to be planted for after that, to enter, and me to have been back. Because you

have been your life in the mode of your life? Yes, but you live?

It's the mode love. It's in your own. It's not that means. It's not

that I'm right. You know, and I'm a great risk. Well, you know, you know,

that's the, it's the more vulnerable. Yeah. It's accepted to that to be a choice. It's been

always, it's it's for that, you know, no, it's not, it's not It was easy, and Maricloid, we could have made eight emissions.

My parents have even not wanted to my marriage. He's not he wanted to and he's a man, he said,

if you've been not on a marriage, I'm not going to make a marriage. And why he wanted to be married? Because my parents wanted to be married.

And I, when I had met Jojo, it's the love of my life. Jojo, I talk of all these women who who have,

what Jojo has for me, what Jojo has for me, but nobody can see. I said, we're surely to jojo

at jojo at a moment of a moment of done that. Jojo, well, Jojo, she's in me,

she's a part of Jojo, I'm in the result of her love. I'm not there's not

there's not there's not not ever be not doing that. For them, I'm trying to I'm tromper,

here, is it's, is we're is a pay with the parents like so? Yes,

I've made the part internally yeah, yeah, yeah, because I

have always to, I, to people that people had in war with their parents, they're said,

you can't ever grandir if you continue the state of war. That you don't know not what your

parents have been at least but their love to be in war, it's absurd. I, Papa, Mom, I love,

I'm, I'm going to be able, I'm with my parents, my parents have been a life terrible,

my parents have had a very very much, my parents come from a family, of a

poverty, but you can even you can't you can't A guyson of farm, at five a five-year, his own own, his own,

his own, his own, for he's been in a firm? Is that I'm the right to judge my father? My mother, has six years, to work in a old old of France?

It's been in misery. So, yeah, my young, my parents, my parents, my parents, my own, my own,

they've done what had to do you and in and in the same time, you never be challenging for us, oh,

yeah, this liberty that you'd offered, were confronting for them. It's for that I'm. You just said, you came to say the thing. You came to say the thing.

Yeah, yeah, I'm a crisis of the challenge. And that's been terrible for them, and it's a lot of fatigued. They were in admiration, but it's fatigued. It's sure. Yeah. It's sure, it's sure, it.

Because you touched the inaccessible for them. Yeah. You know, you were the first who he comprehends that, but that I'm a lot of impressioned. It's that. The phone, it's that.

And, somehow, I'd say that, the challenge, there had a little jealousy also that was included there's a lot of yeah, you're so

that he'd say, but is he came to it's not, because there that's tough, you know,

but that's, that's something to feel to feel like, different of his, but you, is that,

your father, you said that, but you did that, but you're different at the point that,

of your family? Oh, well, yeah, well, yeah, I mean, at eight

I'd I'd repassed my chocet, my pantalong, my chemise, I'd always have done

I'm doing I'm doing I'm a bit the my mother had not used I'm I'm

I'm making I'm making I'm I'm saying no no no no I'm a different

for that I'm I'm I'm I'm compassion for my colleagues at Vileemar

who didn't not who I It was a little special. At eight hours when you're at the school and that you sound the lavender and then you sound the

dosco, not the lavender. But you know, it's always different because, you know, even when you're coming in music, they've seen a prodigant,

you're in, so, so, so, so, so, so, so, then, you're not, and even in my macket,

I'm fatig, I'm different in my because, because, because, yes, I'm I'm a pianist

classic, but I've been with a many people, I've made a concert with Alice Roby. I've known Gino Brito. I've made the lute. I've seen, the life has no no no

frontiers. The life is beautiful. The life is fantastic. I mean, when I metry to, I got caught. It's my idol. Listen, Gino Bravo, it's is kind of something. And at a moment, I remember, I've made, I've made a concert benefit because a guy

had had been with the money, and Gino Brito Brito is coming to me, in case, if you have a day, We're we're blot, you know, it's like, you know, I mean, to see,

on the case, on the house, I'm not, I'm not, I'm doing, I'm doing, I'm doing

think you're not doing, it's not that you're things that are beautiful. It's extraordinary,

it's the life, well, I'm a , but I'm not, you know, I'm not, you know,

I'm, you know, but, but, but, but, but, but, it's a

part of, you're not just a pianist classic, because I, You know, there are musicians when he talk,

it's a fancy to the phrase of Coluch, which is the most be the best best phrase, in my

question, a politician and that he has finished to answer, you can't put your question.

And that, sometimes, you, you, you, you, you, interview a musician

classic, you, you're talking to be to be the question, it's, it's going,

it's, it's not, it's for that there more than many of the music classic because your responses are null. It's null. The things do not be esoteric.

Today, we have a crisis, real. The people have do have the mal to put oil in their car, the nouriture in their sack. Think you that, I, it's that I think that I'm going to

talk, we've discovered a partition where there are four notes that changed during the 7thepsymphonia, because it's during an hour and a lot, what is people are going to think? For that there's a young in this moment, in Quebec,

they're an job extraordinary. There's a young chouaniar with his orchestra, he's a

work who he touched a lot of things. It's that you know. It's a point to

people that the music classic, it's do good. The young of Cite De Prairie,

it's a young, you know, city of the prairie. But they have liked. But if

ever we they're them can't they're that, they can't not they're not,

so, is we are really in a democracy? No. Is the fact that the Limnational of the election of the last president-American is the William Ciyah, is it a Fier?

Is it a fearty? No, it's not a fierreth. If there were an imme national in Quebec, it would be one of the piests of André Matthews. It would be the consto of Quebec. There will be the St. John. Again, again, zero music classic. The Fade of Canada, zero music classic.

The music classic, is not that the people don't like it, they don't know. They're not. If we don't know to our children, They don't they don't know if you say they're going to if you're doing another thing,

no, we'll just they don't know the music classic, it's not true that he's not you're not, you don't make the effort democratic to propose to the infant.

Don't he the chance at least to open a little window after that he will decide if he decides that he likes if he likes.

But you can all take it in the same time exactly. You know, it can't say, it's it doesn't it doesn't

The music classic, it's not... See, I'm going to... See, I'm going to be the music classic, the day, in the day, and in... And when there are some people who are, it's good, it's what?

You know, it's... Well, yeah, but the proposition we're not made, but... But, I think, the music classic, we're a lot of

the restanty. And we have got to be certainly, presentment, to be at the interior of so, with all what

what's going to see, with all the I'm... But, in the you know, you you're really a... Tantto,

how I said, a chevalier, of the music classic. It's a I mean, I presented like that's a before you're

because you have this this way, you have this this whole you do the action for, you

go to do you know, we know, we're democratize on the music we, we all the apport,

we're doing, we're depose. Niveau Ruge, Alain, you give three questions,

you will respond to a single question of this one, one, two,

and three. Thank. At how time to have you have you have been to be

respond tell? And what is your report with the death? It's

these best questions. I've talked to Jojo a little so I think it

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create the best beauty products for all people. Visit loriel.com to learn more. At what moment of my life, I've got to be courageous. I'd say that the moment the most... It's a response to my rapport with the money, is when at a moment of day, you realize that you have not an hour. And,

uh, yeah, Kito and Ginette me have been but I wanted also be able to, so I'd don't know

the course of piano and I was also the piano of accompaniment for the class of ballet. It's not the class, it's not the

class, the class of the 12th and the 13th arrondissement, it was, there, I could say

that it sent the trough to bra, that was an certainitude for me, and I'd had been,

I'd pay four, four, four, five, of a year, and they'd had done

like that. And as like I like I'm always I'm going to

I'm going to be in a Paris there's a there's a lot of

a toilet that I wanted absolutely to have been created by a mark

that's called a comoe who's called Ocendre and I

realized that I had I had not I'm not so

so not necessarily to say, I'm not the money for it but to enter in the

perfumery and to say with a woman, that I know not, I'd like, I'd

like, I'm like, I'm sure, and I know that they're often they're called the demonstrator.

Yeah. And I had made, at the time, a concert at Paris in a

cell that was a little, and I had, I've said,

if one of demonstrators, you have one of more, I would have put all

my little chan, I've invited to my concert, she was she called Madame

Martin, I remember she was she was at the there there was there

was the market, and it I'm sure, I'm sure, but it takes a

good, I'm a moment, not quitted a a cado, but to tell much

want a a perfume, the perfume, it's impossible to be to be to be perfume.

But it's arrived at what of your life? I was 17 18

years. 17 and you see, you realize you realize because you're in

the the same of the house you know, my parents had,

we were we're were, we're getting goted, but you,

but when you realize what you know that's finally that to have to be

there you have to make in place some so it's and after

that to to tell all. This dame, I had started a little collection of miniature.

I've had an enormous collection and one of the most important in the world in the moment. I've got to

do some of the house private, in the salon private. That person, I know, I'll see, the first time

I'm talking, I'm in 1989, in 1989, I'm in those music, the pianist an

one will play at your play with all these chentions. All the grand family of Paris

had And all the, maybe 20, 30, 40 little bottle of shantillon, it was the norm to go to have to be in a

perfumery, we're offering these be these chantions that now, today we're doing it, and I've

made a minute with some, with some people, and they were super content, and for us had been to get a

same, I'd ask, I'm not, I'm, and it's for that I'm a collection, yeah,

quite rome, but part of your collection, it's, when you do a collection it's rare. For you

I'm, by example, I have two Ones the last old colony that Napoleon has brought on the

St. Ellen. I'm, I'm, the Quir of Russi, the Zarin who has

been killed. I get got to that's in these arms. I never to get it always

gradually gratuitly. Oh, you're all that actually in the house,

private. Okay, but even to today, I said, I've said, I've said, I've

said, I I've done, I've done, it's It was... Yeah, it's... Yeah, it was the era

It was the time It was the first thing, it was the first thing that was that had been a real thing, and if you came to a day, you

see it at the million of the bookings, that I've got to that I've that's got to that's... What's that

do you know, what? What's that does that have been that? For me, the perfume is not an

artifice. The perfume is not something of artificial. If you demand to a Muslim, is

that Mahomet Scented Moway? He will say no. If you ask a Christian,

is that the Christ Sante Move? He will say no. If you demand

a Jew, if you Mose, never they can't make the thing, but they

will all to say the same thing. The perfume is not something

of artificial on you to be to be, but it's an idea of the eternity.

You feel your toilet, You'd perfume a little. I'd say not to be to perfum it, to make a perfume that a perfume that will make a lot. But it's always the moment, I mean, I mean, the perfume the morning, it's, Jojo and me, we're together

for us together, she never, a matron, not me met monotolette. Never, never, she never, she never, ever, she never, have a far as far as, is, is, is, is, is that, is, is, you, it, you know, I, no, no, yeah, I, Yeah, I would say that, oh, I would have a moment there's a

one of the one of the yeah, but I'm going to be a knee? Also, I fugh, I've used,

I've had a good grand medet of cinema that's, because the perfume is with the

character, the power, the perfume, you go not in a magazine because you say, ah,

well, there Fissel Larrant that's a perfume, I'm bad a boutique, no,

no, the perfume, it's special. And there, and it's chymic a perfume also.

It's, A reaction chemical with the Po? Is it a good? It's very, it's very,

important. It's very important. I see, by example, I know, what is the perfume that's,

and who would be full, and who would make, what you're doing? What is? What's the is?

I'm going to to do you me say, it's the only condition in saying, Alin, you're not

fool. Okay. The Mace Marley, yeah, yeah, a perfume

extremely discret, there is an rose, fabulous, and I see your poe, your eyes, your character, and I make $1,000,000 that you will say,

I'm gonna get, I'm gonna get it, yeah, yeah, yeah, oh, but I'm done that, so, so, it's the first that someone me, that's a first time, I love that, I, I'm gonna, yeah,

I'm gonna, yeah, because I, I, I'm, I'm, relatively, you know, I'd have, I'd be to say, I'm a good pianist, but the perfume, I'm never,

but, it's, but it, it, you're not, it, Like it's allume? Well, I mean, I, I see the eyes, I see the character. The perfume, it's not, first, the perfume, it's not a question of mark,

it's not a question of si, it's really, you talk with the person, you know, you know, you know, the character. Delina, for you, it would be extraordinary. But if they're, they're going to propose, there are three Delina, you'll say the original,

the first Delina. Because you know, you know, in plus. Tuss. Toss. I've taken the avion, I've passed two hours. I've read the magazine of UTIFRI

at a moatier, in saying, a moment, how you can make a point, you can't get a point of a

new perfect, I said, but I'm saying, yeah, it's even not, no, no, no, no,

never I never I can't say, I know all the piano in the but you have no,

you have not no, no, no, no, no, no, no, I know,

I know, I know, I know, that's, it's about it's, and so it's what the

main perfume that's that's that's puted, I would say, I'd say, that I

have a very, I'm very to make me concierge. So I am still in

the experience. And as I want really well, well, I'm very know,

and I'm more the man who will experimenter and I will be going to the other.

I, I, I, I, I've been this time, and it's

many times it's difficult, because the They're very important. You don't say to someone, oh, yeah, you port that.

Now, at this moment, we're talking of the social, the number of pseudo-coneceer who say, yeah, the game is very simple. You've got

a lot of people who do tell, tell, tell, perfume, and you receive these caests of the company. I'm saying,

Mr. Lefeb, you'd do you'd do you're doing, it's quite and it's true, I know, I've made some conferences

on the Parfine, I've made the conference at the University of Montreal, I've talked with the Figaro magazine, I've done it's a lot, I never wanted to do it, because I don't want to be

tributary at my own if I say, by example, there I'm saying to I'm sure, I'm sure, I'm sure, and I'm sure, it's certain that the mark of perfume are too,

there's a lot of problems, there's what we call the perfume of niche and all that, there's some bathees that's also the flowers that have been very of many maladies,

So the odors are recreated to make sure when I'm talking to Delina. It's for that that it is a little more than the other is that's really

the odors natural. I've told you the word subtility and then it's already it's on you. Oh, well,

I'd portray of the delima. I mean, when I've used the perfume. Yeah, of Siskin, yeah.

It's been, it's been, it's been, I've had, I never, I didn't, I had not I had not

the whole olfactive for create a perfume. Here, atraction, there's

Ruby Brown who is a knee also and I've participated to, we're creating like a

perfume, you know, and I didn't, see, to see, to see, to see,

that's who said, that's having exactly , but it's, but it made,

it's, it's why, it's why, it's why, it's why, it's why, it's why, it's why,

it's why, it's why, because it's fascinating, an universe. Listen, I'm modestim. Modestim, I don't know. I like, I've worked with Annie Guttallel. I've worked with the house of Gerland. Yes, I love so.

But, I'm not. But, you know, but you're not? Yeah, because I don't know. Because I don't know. You're with the house at Garland. At a moment, yeah, with a, with a woman who had to have been to have been with John Paul Gerland, and I had even

I made a concert in Montreal, I had made a piece of Skriabin and she had created a perfume for me to diffuses in the cell of concert of the Place of Arts

and it's an idea that I had used because there's a great mystic that says that each note corresponds to a color and

a other. That's at the time of Blavatski who was a great spiritual and Skriyabin he had made

a piece that's called Promete and he wanted that the not certain of an org, project a color on the cell

and that there is an odor. And I had said to my friend of Gerlin, why not create a perfume,

we're doing, but we're on this operation where finally the people have been there's a

allergy and that when the perfume had been diffused in the place of it's

it's too few diffus by fear of people who say, but it's to be

that the perfume, if I if I'm talking to if I'm like, because it's the finesse, it's not the perfume that

will be boom, in the face of the other, it's the perfume that will want to want to

be able to try to be to be able, to your eyes, it's that the sensuality. You know,

the more the more page erotic are the one of the education sentimental, when the

young pose the man and that he's The people have nothing to be the love and the

sensuality. The sociality it's a gesture, it's a word, it's a word, it's a word, it's an odor.

It's an odor. It's an odor. But it's fascinating. It's fascinating. I mean, the first of the table that,

that's a part of that, it's, it's all my life, I'm all. Parfacute of my life,

there, I'm there, you know, the house Caron, they have, the newon, uh, who is really,

really, really extraordinary, and I, I've, I've, I'm not a publicity for person, I'm I'm off, I'm completely independent, and he just

and he just a lot of toilet very classic, which was for a man of caron, which is a lavendar, he came to do it for an man of caron

the night. And this version, it's brilliant, I've read, oh, Mr. Lefebvre, yes, you know, you're a pianist,

I adore the piano, me also, and you know, I'd have been, and I'll have an cup of a bouttele gratued. I'd buy my boutte,

I'd never, I'm going to have you for that. But I know when someone does something to be and to be it to do it's not, you know, no. When something is good, we're going to have to be able to do it. So, you see, you've been to talk to sensuality, we're going to arrive in Eros.

So, you me don't, you know, you know, six, you're supposed to have six, four, there's five, oh no, it's five, you're five, you know, four, so you'd be. Four. Yeah, because before I'm doing six, that I'm four. One, two, Three and four.

So, you, you're going to answer? Is you comfortable in the sphere of the intimacy,

what do you to get to the intimacyity emotional in your life? Is that the sexuality is a subject

taboo in your family? What is your language of the love? Oh, well,

I think we can respond to all the questions in some questions in some

first, the sexuality not a taboo in my family. It's was a family

who were, yeah, yeah, yeah, and I'm at no, I'm at my time, I'm at a lot of course,

I'm not jeaned, and I'm not and it's, I'm going to, I'm going to I'm going to, I'll remember,

it's an mission even that's still and I'm and I, and I'm, I'm, sometimes, I'm

I'm in a year of time, but I'm don't want to be in pajamas or in bobbette,

so I'm, so I'm so, I was crying, no, but, Alan, the fenettes are there, all the world can't watch. I said, I'm all for, they're able to guard. And I'd mrs. And I'd have to be able to work.

So, no, that's for me, don't arrange not. You see, the affairs of ban, in Japan, where you're a gang of guys, you're trying a ban, that's, I'd be perhaps more sceptic. The Osam.

Yeah, yeah. I'm perhaps not to make the bison, or other guys, make the bison, I'm going to... I'm going to... I'm going to... I'm going to...

There's a... also. No, I'm I've been in my chamber in my chamber, I've got to

understand, it's when I've opened the door and everyone is all new and I'm and then you

know, okay, so that's that's, you know, not, you know, I'm not,

I'm not, I'm not a taboo, I'm not but I'm my limit and, and the language

of the language of the love, the language of the other, it's, to be able to to be

to be the other, it's to be The most great difficulty of the couple is the longevity. It's the instant where, finally, it's install the habitues and the non-respect. I'd say that I have more respect for JoJo, I have some of people that I know not,

because the longevity of the love is the culture and the school of respect of the other. And that, for me, It's, it's maybe for that that today, well, I can't even I can't even to understand, that it's been 42 years that's with Jojo,

and that's been two months. Because, because, when you've seen, the first time, is that you saw? No,

she, she was, I know, I, I, I, I, I'm, I'm,

I'm, I'm, I'm, I'm sure, I'm, I'm a lot, Theophil Gotti and he's often

to be Proust, and Proust, more Proust had O'Different and when I had been

at the concertator of Paris, there was a pianist who had an family noble

and I'm imagine that it was a there never never had never any of

any change of but I had part in this idea that just

the day that I'm I telephone to he he

and he my and it's my professor of piano who

he So he said, so that's a profferson of piano, who had 70 years, cached with the elev, who had an

19. And there, it's a very great great deception for me. A pain of love. It's been a

man, because I said, well, I've thought that a bit ordinary that the guy does that that's a, I think that,

I've worked with the children, I'm know, I'm sometimes, I'm think it's ordinary, and I've thought so ordinary

that she, for the reason probably of career, because it It was still more more easy. And I

would have found that very very deceivant. And I had met Jojo

the year and it's I'm defended at the time. But after having had been

to two Pierrot with her and with his friend because his friend was I'm

I'm back to my and I composed all the piece that I

composed was the first composition real that I had been for Jojo, the space of a new

encounter. Finally, I had been really a love that's that's a but I'm

scared. You know, you know, you know, you know, when we're, when we're, when we're,

when we're, some, sometimes, we can be, and it's me've been dissu, me,

all these stories, we know, I'm in a middle where I'm seen, you know,

who's, the people do the people do they want, with the raton-lover, with the I mean, I'd

judge it, I'd never person. But, I'm about a my, I'm good, I, I, I, and it's

that, it's so, it's met with, we're married, and we're a year, it's, it's,

it's been, before the marriage. Before the marriage, yeah. And we've been, we're in we're in since, I'm

married at Salone Westmont in 1981, I think, or and to, and to, and to, and to,

you, it's, JoJo, you know, has a lot to be finally

the love evolved in a life it's, it becomes

a kind of a construction of cathedral that is a

that it's a part integrate of the thought is, is

can is can be not without the or

the or the the one, I know. I know I have some of the

I'm going to imagine that she's not there. I'm not there. It's for that I'm

trying to every day in every little little little perfume that I've used to to find that I'm going to

I'm at the cout, but we have always also a couple over on the other. You know,

the couple that's refirm on, you see, to go to restaurant, I'm going to get to

a You will eat, you want to eat a night. No, it's not that. It's not that's not that's a more profound. It's a much more difficult. The most part of the people can't batheer to couple because there are enormously difficulty. And the difficulties are not the frein at eternity, but it must be the fuel to the eternity. The difficulties reinforce the love, reinforce the couple. A couple

can't react to 10 years after to be the same manner that the first semester to say, it's fantastic, we're doing we're doing the Kama Sutra to complete

at their right to be. It's normal. There's always a evolution in a coup. But the thing that

exists, is this kind of construction that we do really, I'm doing on the Jojo is there.

Jojo is always so malade today when I go to when I'm in today. And Jojo

repus my joe my pain, my chagrin, my anguasses, like I repus the same.

Is there there is a real response to the love, I don't think not. Is there

a real a real school? I don't think not, because that's that's

very particular. But it exists. There are some people that are that's not that

is still it's modest. And you have a great communication in a time?

All the we, we, we, we, we, oh, yeah, yeah, so,

many, I feel, yeah, many chums, they snude with their bonnuffe. They're in the phone. So, I try to be delicate, I don't know to hear, I'm at each of us, we're in, the morning,

we're talking about, we're in the night, I know, I see, not, I don't, I'm saying, no, no, no, but it's apparent when we're going to a coffee,

after that, we'll probably a cigarette, we'll bring another coffee, no, no, no, and we're not, we're not sure, we're just, we're just,

but it's apparently, it's not, it's not, it's it's not, I'm not, I'm not, 42 years, it's two-four years,

because we're 24-on- 24-on-old. Yeah, because she'll she'll see in... Jojo and the directories, is the productress

of solo artist because I've been in the grand house of an agency, but now I prefer that

she's her who, who, who, that's a big story, it's a great story

of love. Listen, I, I think, but that I don't know that the people are,

it's not that exist. All right, all the what I see, it's possible. It's It doesn't say that there's not

difficulty, because I have a lot of people who live these moments penible. And I say before, before to

have been to have been and think it if there's a thing there's something that's the only thing

that's recoup not, it's the words of my parents. I thought that it was too radical.

All was repar. All so pardon. All so is pardon. We are

We are all human, we are we are all our moments of passion, there is nothing that is impartonable. So, I want to to return, to President American, it's what he makes more shied,

is that in their philosophy, all is condemnable. All what they do not believe is condemnable. Nothing is condemnable. Nothing is condemnable. A manor

an amour between who is be it's he's he's he's there's we're going to

we're we're not we're not we're not we're not same time that's two men

people who love to I've seen passionately I've seen their chien nothing me regard nothing

is judgeable we're we're always up the cause of those we're

saying listen you're all I'm sure I'm there I'm there I'm

there So, I have these couples who are once are a day with some pain, these great difficulties of and I'm always the same, now Jojo and me

we're not on the same line. Jojo, she said, no, pardon. A error, it's a error, it's a matter,

a copan who has really a moment penible. He wanted to, you're, you're, you're going to get a scotch, I'm going to,

It's not great. It's not it's not it's not it's not. I think to know the

pardoned. But you if you had not that you're not even in exactly. So you

know what you know what's the pardon? Well, yeah, and you see the

impact of the pardon in your life, if you have been in the

age of eight years, where I'm crache on me crucifier, that we pissed

to, that we'd be able to be back to be different, I'm

parted on the entity to me vanger. Exactly. I said, no, I

will be more. But that, it will not say that's not mean that you can, it's

legitimate in the fact of because you're past in the and you're past the impact of that. So,

after you can't you can share what it's on you, it's, it's,

it's organic that's it's been it's, you know, it's situated in this dynamic

of the always, well, to want to to Venge, etc. When we know, I've got, when we know how many

New York, I've passed some called the places where the people are going to mourn before in the hospital.

I was doing the and you look and you say, no, it's not it's not worth the pain. It's for that

we've got the interview. The, the years not val not the pain. You don't amourue

of someone and try to you remember to you're trying to to be amourou, and you will retrove the field.

Well, after that, the rest of the life, the life, it's normal. The life, it's these, the whole, debas, any part of

any neasery can arrive. I know, I'm going to get to be going to happen to be able to be there.

But, you know, you know, why? Why? Ah, why, why, why,

he, it's a after you batty, you pass a other appeal, and it's all. It's good.

Optor-Resau, last question, Alin? Okay. Is that the What is the little Alain

would be that's the man that's I'm going to be pretentious I'm the right The T'all right The little

Alain, I think he would be Fierre The little Alin who he'd because

Yeah Yeah Yeah Yeah yeah I'm I think that the

Petit who in an Abribus and he was he was to be

to be to be back for after during 40 minutes he neger

and it was I was I'm piced on the I'm humiliated

I'm I'm sure I'm sure I'm that you're I'm doing to play to have the

modest success that I think the little that was I'm sure of that I'm sure of that

yeah is that would be by which should be the question oh yeah

yeah it's like I'm it and I'm it and I'm You know, if you were

if you said, you know, in the career, there's always a moment of a moment, a, a thing

that can't be able to tell, I'm not going to tell in my mind, my conscience, what is the thing is not

my work, none, my hope, I don't, maybe there's there's little angels who are going to be

there, I think that Sirbert has been an angel, I think Kito and Ginette have been the angel,

I think my jojo, is my angel, you know, you know, I'm just I've worked with

a lot of people, I don't say not because she's there's a other Ange,

I've been a other angel, I've been protected by different the rest, we're saying, the rest, we can't

I'm in the people, there's a dishealing, it's always deceivance, let's, it's a fevers,

in fact, it's, it's not a relation, it's a moment, you know, I, I, you know, he's,

he's, he's, he's, he's, he's, And the other day he was telephoned

when I said he said Alain I'm you know I'm sorry that's a man of 70

old he's that's when he's $18 to $19 million cash cash

he has he has that people have in his life and he

he's and he he's very he's very he's he's

he's totally alone he's he he has he has because

he has fear that we demand something. Well, surely when it's it's worth

so. So, I don't know, I think I'm, I think, most of me

to me say, I'm going to be in a place of smoke meat and that I'm going to move smoke meat

with some frit and a coke. I think that's the real bono. Courer

after to be more rich, more celibb, I don't, it can be extraordinary.

But it's some, it's these moments. You know, it's these are these moments, but it's not

the life. No, no. The life is not that and you know, that's a question that's interesting because,

yes, you're forced to do you, I think, if I'm if I'm revoire, if I see,

I've been you know, I've been told that when this restaurant, um, on the rue Lorye,

that's a bracerie. Oh, the Merck? So, I'm with Guy Lepage. Guy Lepage, it's he who had produced my first disc of composition. And we're sat sit, we're talking a little, and all of a sudden, there's a dame that comes. And she made her by the genus, and Gia, she's on rapped,

and she'll have pleaded, she, she's, I'm excuse, I'm excuse, I'm excuse, I'm excuse, I'm excuse, I'm sorry, so. I said, I'm sorry. And she said, she said, I'm sorry, she'd be there. she had in the same school I've seen

I've seen and I've had been and I've seen and I've seen that it had

sounded because it's certain that you can't that you know when someone came to show

that I see that he had been in the arm and yeah that it was

it was difficult because there was not be not beau it was noire I'm

I'm called to grosomodo so that your question is I'm sure that I'm sure, I think

that's I'm saying boy, how you're doing, but I'm very much like you're using he's said

yeah, I think he should be very important of the fearty we're of the misery sometimes

to the but how much important to that really important to that yeah

that's a thing that's that's a thing that that's change that that's change in the

way, to be to be to be yeah apparently the My sagesse, it's

that. That's not not quite, but I'm going to I'm doing it. I want to see, you know, you know, you know,

but you know, it's a part of it, you know, I'm not too thought, you know, I'm not too thought, you know, the little who,

who, you know, who does, but how we're going to be able to we? Yeah, it's true. It's been that,

because in your car, you're not in trying to think to think to see, no, I'm in your way, you're

in your mode, you're in your mode of to get to be in the Abribus? No. How I'm going to return to the school? How, you know,

how I've been face? And it's a bizarre that you say that's a because you're talking a little, it's sure that I'm

a little a glimpse, when I've made the Rhapsody Romantic of Matthew with Janick, Nesesiegeen, at the mountain

and there was 602,000 people, it's sure that has a reason, it's not what you do, that's true, that's,

it's true, that in all the, when I'm to go to stay on the time because you want to you're going to move. When you're a ton of people,

yeah, there's a lot of money, yes, there's a there's always to say, what is I'm not, I think, but I think that's always a little present. Yeah, it's just.

Yeah, what's he said? Yeah. How's that I'm that? I don't know. I've worked. But there's

a great party that you're there's a great part of your angels, you they recognize to your angels.

Yeah. And it's not all the people who recognize these angels. There are there are

people who are there to see a very of and to be able to be a

to be at the entire to be in your own you know, you know, you know and you

know and you're able to and you know, and there a lot of humiliation

also to recognize and I think that it has been a great quality of presence

also to recognize I'm what you say what's what's you're

interviewed, many artists, you have an impression when you're talking, they're

they're always them, I'm not to say that, I'm the result of all, for that

I'm said at the time, the Quebec, I'm at all the time, and you know,

in all what we would call the system of immigration, which is a system

that is very, very useful and very positive for a society, but it is able to

be able to remercate the accue, I'm had been in Quebec. It's not It was easy.

And I've been acuey, I've received. So, it's a redone. And that, you have

able to be able. It's just what you do you do, to say, well, I'm, I'm the result of

and it's not me, more, I'm not, I'm not, I'm able, for example. But you're

no, more, but to say, to recognize that you have been there's a lot,

yeah, that I'm that I'm, that I'm, they're in, that, they're, they're,

they're, they're, that, that or the more that you put, that you're dead or not, you put your

to your and you're in the same. The angels never. I live with the more that's my own.

I know that's I'm going to I'm in the men, I'm in they're in they're sure and certain

that there's there's things to you know that's he's 601 or 72 when I when I've

been 63 I'm saying you know, you know, you know, you know, we're trying, I try to not me

to tardy. You see, you know, think to the past not, I'm not I'm not

to present. To be for me, for me, today, it's an moment important. And I don't

because you're there is important. It's some some of these moments that me make me and make

me better. And if you can not appreciate the thing and that's in what you would or what you

wouldre? It's a matter Roosevelt, she said, you know, yesterday, it's, it's a story,

tomorrow, it's a mystery, today, it's a gift, that's for that we

call that, the present. That's what you say, that's the phrase, the most important,

to my view, that's the phrase the first important, but that, it's,

many people think, for that's for that I talk in the story of a couple, you've

never think of past. No. In fact, the present we can't understand. Also.

You know, you know, you're not not going to go back to your course, your present and the accumulation of

your past. Yeah. And then, you're in trying to create the future, but you know because you,

is, is that presentment, you're in a great period of your life? Ah, that's,

it's to that is to that I'm for I would be more of the truth, I'm

I'm a bit discouraged of these humans. sincerely I'm I'm in a good

period but I'm it's for that's for that consolation has been written a new disc

and I think it's going to the same and it will what the title? I've thought

I was too too decouraged to the human I had to have to be

the name to be so clobed in the end. So, no,

I I'm a little, I'm a little, I'm a little discouraged, the human. When you do with, when the people so, it's a declares, when the people, it's a reconciled? Is it, you know,

do you know, to do you know, that's a bit of, my brain, my brain, my brain, I'm, I'm, what we're

called an hyperactive of the, of the boat-a-poo. But it's sure, today, I, I know if I'm the sole,

or I'm, or if I'm exager, but it's sure I'm a little more discouraged than I do. There are these situations at right to goche that I'm perturbed

because I don't really to be really to understand the utilised the massacre, the utility of the war,

of the torture, I don't to understand. But why I don't know to understand? Because, I'm at a

little little scale, I've been victim of the brutality. And when we think to the war that when we're going to be any of any nuance in

in what it's I mean, it's just that are just that you're able to you're capable to think to each one of the person who's subis the war. And it's not just a

title. It's not just the name of a country that is in war, it's some individuals who are The war. It's the great

thing. It's for that my composition and my editor me said, you know, it's so

it's so much your idea, consolation, it's so much I'll say consolation, I don't say, I'm not,

if I'm not to say, I think there's a few thousand people per every week. Yeah, and I'm

quite to generally, just a question, to go, just a lot, I'm, just a lot,

I'm, well, I'm, I'm sure, I'm sure, I'm happy, you know, I'm happy,

you know, I'm happy, just a idea, it's that you're saying Delida and you're yeah,

but I'm also, I'm going to I'm going to be a good, I'm going to be a little bit because I'm

an anguasser but it but it's capote I'm downing yeah, I can't, I can't,

I can't I can't understand, I can't but continue to compose, continue to continue to

it, it it's a piece, and just in these period there I think your

music, that has always been, that's always been present for the years, but I'm

like the impression that she'll give a sense and she brings a sense in our

in our life. It's perhaps, it's perhaps the grand revolution of

my life in this moment. It's Alan Lefeb the interprete

of the great composers and Alan Lefeb the composer who

does do good to the humanity. That's perhaps something is very

troubling. When I I've done a concert and that I'm too much of success that I have a bitch and that I do people, want you to be a piece of Ravelle, of Debussy, or want you to hear one of my little compositions?

The people, they're, your compositions, your compositions! And there, I'm in trying to me pose, and there I, and there I, I'm a company of disc. The people want to listen my compositions. I have these musicians, classic, who me, who me say,

That, I, I, I, I, I'll rebutt, I'll I'm a lot, because that's, it's, it's a, it's a problem, Bucco. That's, it's an element of grand trouble. Bocco. Aver pastes

many years on, well, and then a sudden, realize that your public is fool of what you're the same you compose. That's bizarre for me.

And it's to be a, it will be able to be to be able to be. Thank, Alain Lefev. Thank you, thank you.

It's a, it's a, it's a, it's a good. It's been to be able to talk to someone. I don't know that I'm the capacity to know who is intelligent or who is not intelligent, but your

heart, your name, I've always so it's a gift for me. Thank you to be able to be there's a lot of reactions here.

I'd say that those and they regard or who can't, we can do, to vote, there's a good of good-reveillance,

there's a lot of apprentices the people grandists in listening and they're doing this

and they're and it's pre on serious it's not it's, that's, that's, that's,

that's, but it's, but it's, but it's, it's, and the people have no the heart

and the people, the arrivists don't know no, in the here, there's a

time, there, there's a thank you, I'mbrace, thank you thank you, thank you,

thank you, thank you, we're doing, we're I'm not sure quitted. This episode was presented by Karin Junkah,

the reference in matters of the co, in the Mariclob which is a space consacred to

be a lot. The Jue Debtable O'ReTon Your Edition Original and Editions Couple

are available in magazine and on on