Passion Struck with John R. Miles - How Your Environment Shapes Your Life (And What to Change Today) | Leidy Klotz - EP 794
Episode Date: July 16, 2026Today's episode will change how you think about the places you spend your life. Most of us believe that if we want to feel happier, more productive, or more connected, we need to change ourselves. But... what if one of the biggest influences on your well-being isn't your mindset—it's your environment? If you've ever felt drained at work, disconnected at home, or wondered why certain places instantly make you feel calm, creative, or like your best self, this conversation will help you see your surroundings in a completely different way. Joining me is Leidy Klotz, engineer, award-winning researcher, and bestselling author of In a Good Place. His groundbreaking work explores how the spaces we live, work, and gather in quietly shape our relationships, memories, happiness, creativity, and even our sense of who we are. Together, we explore why your environment may be one of the most overlooked drivers of flourishing—and the simple changes that can dramatically improve the way you live every day. In this episode, you'll learn: Why your home and workplace influence your happiness more than you realize How the places you spend time in shape your memories, relationships, and identity The surprising reason where you are matters more than you think Why children experience the world differently—and what adults can learn from them How to create spaces that reduce stress and increase creativity The simple "Space Before Screen" habit that can change the way you start every day Why building and creating with your hands strengthens confidence, belonging, and connection How your environment quietly communicates your values—to yourself and everyone around you The truth is, we don't just shape the places we live in. Over time, those places shape us. And once you understand how your environment influences your life, you'll start seeing opportunities for positive change that have been hiding in plain sight. Pre-Order The Mattering Effect: https://matteringeffect.com/. Take the 90-second diagnostic to see if you're disappearing.Explore the Show: https://passionstruck.com/starter-packs/. New to Passion Struck? Start with the best episodes curated for you.Connect with JohnWebsite: https://johnrmiles.comBook John to Speak: https://johnrmiles.com/speaking/Substack: https://www.theignitedlife.net/Children’s Book — You Matter, Luma: https://youmatterluma.com/Support the Movement: https://startmattering.com/. Every human deserves to feel seen, valued, and like they matter. Wear it. Live it. Show it.Passion Struck — #1 Alternative Health Podcast. 85M+ downloads.DisclaimerThe Passion Struck podcast is for educational and entertainment purposes only. The views and opinions expressed do not necessarily reflect those of Passion Struck or its affiliates. This podcast is not a substitute for professional medical or psychological advice. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Transcript
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Coming up next on PassionStruck.
I don't think anyone would argue that, okay, we want people to be more engaged in the physical world.
And the distraction is the phone or the iPad or whatever.
And I think instead of fighting the distraction, just using the distraction as a cue, right?
When I reach for my phone in the morning, I think space before screen, I'm about to check my email.
And now instead of doing that, first, I'm going to take in my physical surroundings.
And I just think it's a practice that we can get in the habit of.
You could also put a picture of the physical world on your screensaver.
That would remind you when you looked at it.
But I just used the screen as a cue to say,
no, have I taken in this physical world around me?
Welcome to Passionstruck.
I'm your host, John Miles.
This is the show where we explore the art of human flourishing
and what it truly means to live like it matters.
Each week, I sit down with change makers, creators, scientists, and everyday heroes
to decode the human experience
and uncover the tools that help us lead with meaning, heal what hurts, and pursue the fullest
expression of who we're capable of becoming. Whether you're designing your future, developing as a
leader, or seeking deeper alignment in your life, this show is your invitation to grow with
purpose and act with intention. Because the secret to a life of deep purpose, connection, and impact
is choosing to live like you matter. Hey friends, and welcome back to episode 794 of Passionstruck.
This month, we're exploring what it means to flourish.
We began with awakening, learning to pay attention to ourselves, our bodies, and the practices
that keep us granted through uncertainty.
Last week was about rewiring.
Nick Ordinner helped us understand how old experiences become lasting patterns, and John Gordon
reminded us that the habits we practice each day shaped the people that we're becoming.
This week, we're focusing on cultivating.
On Tuesday, Dr. Dana Susskin showed us that human beings are raised through connection.
that curiosity, resilience, empathy, and belonging develop in relationship with other people,
and through the environments that surround us.
Today, we're taking that idea one step further, because people shape us, but places shape us too.
Most of us spend a tremendous amount of energy trying to change ourselves.
We download another app, start another habit, read another book, yet we rarely stop to ask
whether the environments we're living and working in or helping us flourish, we're quietly working against us.
My guest today is Lighty Clots.
Lighty is a professor at the University of Virginia, where he teaches courses on sustainability,
design, and innovation, exploring how the environments we create shape the way we live,
learn, and relate to one another.
He's an engineer, a former professional soccer player and the best-selling author of Subtract,
a book that challenged our instinct to always add more when less might serve us better.
His new book, in a good place, asks a different question.
How do the places where we live, work, and play help us thrive?
In today's conversation, we talk about why proximity predicts friendship better than shared interests.
While children notice things that adults gradually stop seeing and how our homes, workplaces, and communities either support or undermine our basic need for agency, competence, and connection.
We also discuss the simple practice of putting space before the screen.
What beavers can teach us about human flourishing and why creating something together often builds deeper relationships.
than merely consuming something together.
And one of the most moving parts of our discussion
centers on Lighty's daughter, Josie,
whose life and spirit shaped this book in profound ways
and whose story reminds us that places don't just hold memories.
They carry love forward across generations.
If you're enjoying this flourishing series,
please share today's episode with someone who might appreciate it.
Please follow and subscribe to Passionstruck on Apple Podcasts and Spotify.
You can watch the full video version of,
today's conversation along with additional clips on our YouTube channels. And if you'd like to go deeper,
you'll find today's companion workbook and reflection guide at my substack at the ignitedlife.net.
Now let's dive in with Lighty Klotz. Thank you for choosing Passion Struck and choosing me to be
your hosting guide on your journey to creating an intentional life that matters. Now, let that journey
begin. I am absolutely thrilled today to welcome Lighty Klotz to Passion Struck. Lydie, how are you
today. I'm terrific, John. It's great to be here. Well, I'm so excited for you to be here. And just this
week that we're doing this interview, I released an episode with Dr. John Lepuma, who has this great
book out called Indoor Epidemic. And he is arguing that many of our modern health problems
come from spending so much time indoors disconnected from the outdoor environments that humans
involved in. And what's interesting is the book we're going to discuss today, your brand new book
that's about being in a good place, the title, In a Good Place, I think really picks up a different
piece of that story. You're not just asking how environments affect our biology. You're asking
how do they affect who we become. Is that fair? That's amazing. I'm going to check that book out.
I've been thinking about this too in terms of, I know Maslow's hierarchy of needs isn't necessarily,
and there's more advanced versions of it.
But if our basic needs are the biological, physiological needs, right, and the shelter needs,
and then you come one level up to the psychological needs, right?
So I love being able to map how different ideas fit in.
And I think that that is accurate that my book is taking on this idea of, okay, we're going to be surrounded by something,
whether it's the outside or the inside, and how do you put yourself in places that are good for your
kind of thriving and well-being?
I do a ton of interviews with authors who talk about how their book is focused on changing ourselves.
Right.
Your book begins with a different proposition that one of the most powerful forces shaping all of our lives is the places around us.
Why do you think we become so focused on changing ourselves while overlooking our environments?
I think a lot of it is it seems easier to change yourself, right?
It's okay.
This environment seems very static and I don't know how to hang a piece of drywall or whatever.
You think of changing the environment is this really hard thing where it is changing yourself
is manageable or feasible.
And I think, but the reality I think is that there are a lot of things you can do to change
your environment just by moving, for example, right?
not even moving houses, just, okay, I know that being outside is better for this activity and
there is access to outside somewhere around me, right? So just tuning in more to how we can move
among the spaces to which we have access. But I think a lot of it is just viewing it as the static
thing that we don't know how to change that just gets handed down to us. And then maybe a second
piece of it is that it's just really easy to stop paying attention, right, to just assume that
this is the background and it's not something you're thinking about as a way to make yourself
feel better. You'd rather go to the yoga or to the meditation apps for that, right?
Yes. I remember growing up as a boy, my grandparents lived in Lenview, Illinois. And I remember
the back porch being one of my favorite places because my grandfather was a whiz on a Weber grill.
And he would never use a grill outside of that barrel Weber.
And his chicken and pork chops were just something that I can almost taste when I think about it.
And as I was reading the book, you wrote that every screen porch reminds you of your grandmother.
And I think many listeners probably have a place like the screen porch or the back porch that instantly brings someone back to life for them.
Why do you think places to preserve people in a way photographs and stories often can't?
That's a beautiful example of your grandfather.
And I'm glad the book got to bring it back a little bit for you.
And I will say, I'm going to answer your question.
I do this with the students in my classes.
It gets my icebreaker, the first day of school or the first class.
And I say, what's your favorite place in the whole world?
And the dominant answer is a grandparents' house, like some random part of a grandparents' house.
But what's happening in our brains is that when you remember something, the place is giving you
extra hooks to hang it on, right?
Your grandfather was there.
You actually mentioned some other senses too, right?
So you've got the physical place with the porch.
You've got your grandfather, whatever he's telling you, whatever he's modeling to you by
cooking.
You've got the taste, the smell.
And so in all of these senses are like creating anchors in our brain.
that help us bring back the memory later.
And the way that our brains work is that it's not just filing a memory over here and then the place over here.
It's, if the memory happens in a place, it's filing them both together and it's giving you extra hooks to hang the memory on.
And then it's super cool because it can work both ways, right?
You could be on a porch like I described and that brings back memories of my grandmother or memories of your grandfather just brings back memories of that place.
And I think there are two parts to this, right?
One is, okay, this is, now it's cool.
I understand why I have these memories, but it's also when, how do you reverse engineer
this going forward, right?
So I just had a conversation with my son this morning.
And I had gotten frustrated with what he was doing.
I didn't yell at him or anything, but I didn't explain why I was frustrated, right?
And I just walked away.
And I was like, all right, I need to talk to him, explain to him what my frustration was,
explained to him how I shouldn't have expressed it as frustration and should have just
talked to him about it.
And I'm like, all right, instead of talking to him where I always talk to him, I'm going to talk to him in this different spot.
We had just a little courtyard at our house.
And I'm like, okay, I'm going to talk to him out there.
It's a place we haven't talked before.
And hopefully the space is giving him another way to remember this.
So, yeah, great question.
I remember I was interviewing Bob Waldinger about his book.
Oh, yeah.
The Good Life.
And I asked him if a listener only understood one idea about what it means to live the
good life, what would it be? And he focused on relationships. But I wanted to ask you a similar
question because you got a similar name book. If a listener understood only one idea from in a good
place, what does it actually mean to be in a good place? If you force me to boil it down to one idea,
I think it's like a place that you feel like you had to say in making, right, in some way.
And I'm not saying you needed to build the house, but it's like you chose it and you are able to mold it as it goes on.
So I think it really comes down to that.
I did this, right?
I made this.
And again, whether it's you feel like you made it because you earned all the money to buy the house or whether you feel like you made it because I went to my grandmother's house every summer and spent the time on that port.
and I made it with the time and the effort that I put in,
that is part of what makes it good.
And I would also, you know, I know this, you asked for one thing,
but I do think that the relationships are there, right?
And this is like, relationships aren't independent of the space.
If you think about who you're friends with, right,
everybody's friends with the random people that they got assigned to live with,
like the first year of college, right?
and the 25 years later, they're still tailgating together.
And the places that you frequent throughout the day or like the people that you live with
is family.
That is totally tied together with relationships.
And I think that a good place definitely has those relationships in it, right?
Whatever the relationships are for you.
Lydie, you dedicate the book to your daughter, Josie.
And throughout the book, Josie appears almost as a teacher.
Before we get further into the science, what did watching Josie interact with the world teach you about the place that decades of research never could?
Oh, that's beautiful. And she was a teacher, that's for sure. But the kids are just, they're seeing things for the first time, right? Things that you have just processed and moved on from and have your assumptions about. But when you're broken out of this,
that mindset and you're able to hang out with a kid and move through the world like you do,
you just notice so many new things. Whether it's, you notice that the countertop is sharp because
now it's a hazard, but Josie was always exploring, right? And I've went so many places in my
neighborhood that were amazing, that were always there that I never would have been to if it wasn't
for her. And then the way that they marvel at a really small thing, right? You're like looking at a
brick and looking at the pores in the brick and understanding that there's this beauty all around
us in the world and just the privilege of being able to follow along with them and see it through
their eyes and notice it. That was a tremendous gift that she gave me. I've been fortunate enough
over the past three or four months to be spending a ton of time with kids who are four,
five, six, and seven because I released a children's book. And going into these different schools,
man, has really opened my eyes because my kids are now in their 20s to remembering how much wonder
kids at that age are filled with and how differently they see the world than we do.
I wish we could all at times take off the blinders we have as adults and see the worlds as kids do because it is so different how children experience places than adults do.
It appears we get older, adults stop seeing.
And one thing that I loved about the different experiences that you bring up with Josie is that she seemed incapable of not seeing.
Right.
Yeah, exactly.
So it's so interesting that I saw this dichotomy of what children understand about places that adults gradually lose.
And I happened to do an interview a number of years ago with Gretchen Rubin and she had this book called On the Five Senses.
And I started this practice after interviewing her that when I'm on my early morning walk every day, I spend the first 20 to 25 minutes purposely not listening to anything just.
trying to absorb the world through my five senses.
And it really is an interesting way to experience it
because you start sensing smells you probably would have ignored
or hearing insects or birds
or just seeing stars or other things.
So it really is a wonder for me
and something I look forward to every single day.
Do you think a lot of people are missing out?
Yeah, 100%.
And that book was very influential for me too.
And I mean, especially for chapter two of my book,
is all about like, how do we engage with our surroundings?
And one of the simplest ways is just to tap into all those senses.
Because obviously, one of the things that our physical spaces can do
is speak to our smell, right?
I haven't seen AI do that yet, right?
And the sounds that are in the world.
The sounds are, if people haven't done this,
try sounds after this.
And you will hear things that have been there all along that are amazing,
that you have never noticed. And then, yeah, the reason this happens is we just habituate to our
environments, right? And it's a helpful evolved mechanism, right? I wouldn't want to,
every time I walk through my house, have to scrutinize the rug and the baseboard and the doorknob.
And you want to tune things out so that you can focus on what matters. But then what happens
is you tune out important things. There's a classic study of fire extinguishers where you ask
people, where's the closest fire extinguisher to your office? And this is literally like bright red
thing that's designed to be noticeable, that's life-saving, and people don't know where it is, right?
And it's just because you've just tuned out these things. So the habituation helps us in some
ways and not overloading us cognitively, but it also takes away our opportunities to notice
things that are beautiful, also to notice things that are harmful, right? Sometimes people are
working in an office all day and there's like some annoying ambient noise. And if they don't notice
it, they're actually more stressed at the end of the day, even if you haven't noticed this,
And same with smells.
There could be off-gassing carpets or something that's kind of give you a headache at the end of the day.
And if you don't consciously tune into it, you might just take it in and you'll still get the negative physiological effects.
Yeah.
Tuning into your senses, though, and that's, Gretchen Rubin is a very smart person.
And I think that's very good advice to start to engage with the world around you, but also with our physical environment, right?
It doesn't, I love being out in nature, like the natural world.
You can also do this in your bedroom when you wake up in the morning.
And it's not as good as being in nature probably, but it's better than going right to your phone.
Yes, I've had the opportunity now to interview Gretchen three times.
And one of those was in person.
And I can see why she clerked for the Supreme Court because, man, is she quick on her feet?
Very intelligent woman.
Yeah.
Well, one of the most fascinating sections of the book to me was your discussion of beavers.
And I understand your dad studied beavers, which I can't imagine many people grow up having a father who studies beavers.
But you argue that humans like beavers are builders, but unlike beavers, we get to intentionally redesign our environments in real time.
maybe you can talk more about the beavers and what does our desire to shape our spaces reveal about
our human nature? I'm laughing because it's funny to just think we always would make jokes about
my dad studying beavers and now it's funny to have it on a podcast that people are going to listen
to the jokes about my dad. So the reason they're super helpful for what I'm talking about in the book
is okay, you know, this goes back to what are the things that are environment?
give us, right? And so it's always helpful to look at evolution. And when you're looking at evolution,
you can look at other mammals or other animals and what does the building do for them. And obviously,
there are all these animals that build shelter. So what's building shelter is basically trying to
change your environment to make it better for you. And then the beavers are very good builders,
very advanced builders. They can build the dams to protect themselves. When you think about it,
they build the dams to create a whole new ecosystem that's advantageous to them, right?
Because now all of a sudden got this lake that their predators can't come into and they can
build a hut in the middle and then their fish come to the lake and they built the whole world for
themselves. But they don't do it deliberately the way that we do where we have this ability
to say, okay, I'm going to move these things around over here and it's going to create this
outcome. And then, so we have that ability. But the other part is, okay, if there's this like physical
instinctive need to create shelter or this instinct that to create shelter is going to be helpful,
then what's the kind of psychological pull that's going to help with that, right? What in our brain
is going to make it feel good to build. And that's where you get to some of these basic needs that
interacting with our surroundings meets, which is, okay, agency. So agency is basically, you probably
had 50 guests who've talked about agency, right? And agency is this super important psychological need
that we have to feel like we are in control of what's happening, right? We have the ability
to change our situation. Well, where did that psychological need come from? Probably from this,
if you feel like you need to control your situation or you feel like you can control your
situation, you're more likely to move sticks around. You're more likely to have shelter.
You're more likely to get out of the elements. You're more likely to be safe from
predators. So now there are all these ways to feel agency, including completing tasks or doing things
in the world, but probably the original way is to shape your environment, to do something about your
physical situation that is going to make you better off. And so all of, and then all of these needs,
the main needs of agency and then the other one is competence, right? So if agency is, I feel like I can do
this, competence is, I did it. And now I feel good about it, right?
And so this feeling of competence, this is why students give me an extra paragraph on their essay
because they want to show that they did something.
But again, that's probably coming from this basic psychological pull to change our surroundings
and to do something about our environment.
And so the beavers illustrate that this is something that animals are doing.
And then it goes into like, why do we have these psychological needs in the first place?
And then how do we continue to meet them in our environments, even though it's not life?
saving now to be able to change them. Does that make sense? No, it makes a lot.
No, it makes perfect sense. Okay, good. Before we continue, thank you for supporting Passionstruck
and for helping us bring these conversations to people around the world. One of the ideas that
stayed with me from this discussion is that flourishing isn't only about changing ourselves.
It's also about paying attention to the places where we spend our lives. Our homes, our workplaces,
our neighborhoods and the small spaces that shape our habits and relationships every day.
That's why we created a companion workbook for every episode in this series.
Today's guide includes reflections on the environments that energize you,
places where you feel a sense of belonging, and a simple exercise to help you think
about how your surroundings align with the life you're trying to build.
You can download it for free at the ignitedlife.net.
And if you're enjoying these conversations, please follow Passionstruck on Apple Podcast or Spotify.
subscribe if you haven't.
Most importantly, if someone came to mind while you were listening, share this episode with them.
Now, a quick break for our sponsors.
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You're listening to Passion Stark right here on the Passion Struck Network.
Now let's get back to my conversation with Lighty Klotz.
Lydie, when I was younger, one of my favorite portions of my career was having the opportunity to work at Lowe's Home Improvement.
And a great experience of that is we did.
a lot of volunteer work with Habitat for Humanity.
And I was a big advocate from it because being an able Academy grad,
Jimmy Carter was huge in Habitat for Humanities.
I always love supporting that cause.
And outside of that, my wife and I occasionally build beds for kids in need.
And where I'm going with this is in the book,
you tell this story of helping build a preschool on the Northern Cheyenne Reservation.
And something that I related to,
from whether it's habitat or building beds,
is that when you're doing it,
you end up meeting a whole bunch of people you don't know
at the beginning of the project
and by the time you're done with it,
you've created all these amazing bonds
with people who you would otherwise have very little in common.
And it was just this really,
I'm glad you brought it up in the book
because to me, it really shows how creating something together
often generates deeper connection than simply consuming something together.
And is that what your research has found as well?
That's a beautiful way to put it, creating something together,
generates deeper connection than consuming something together.
And this is again, it ties back to the beginning of time, right?
Like the original reason that people came together out of hunter-gather bands
was to build large structures, right?
And then civilization came from that.
So it's okay, we're here.
We need to work together to try to make this monolith that we're all going to worship or whatever it is.
And now we need to coordinate.
We need to be able to communicate.
We need to be able to live in this place for a long enough time to manage this thing.
And they think that the first government came from managing irrigation canals, right?
It's like now we need to figure out a way to fairly use this system.
And so this is the original way for people to come.
together. And there's this habitat-esque or volunteer building traditions in every culture. In Norway,
there's one called Dugnod, which is shared building. There's barn raisings on the American frontier.
There's one in Brazil called Muratau. And it's, again, bringing people together through
shared effort. And 100% that builds stronger bonds than just bringing people together to
talk about something or to watch a movie.
No, it absolutely does. And man, I cherish those builds that I worked on. And also, we would spend a lot of time in the stores. You probably remember the little projects they would do helping kids build. Yeah. Well, we had a whole facility, a whole store that was set up when they were doing merchandising. You would go there in nine months before Christmas. They already had all the Christmas displays out because they were trying to see how they would work. But one of the things,
things they would also do in that facility was they would come up with these contraptions
of projects that they could give to kids. And I loved getting to participate in that in the local
stores and seeing the wonder and the kids just working together on these projects.
Yeah, the individual. And it's just it's something that it I wish more kids would participate in
because I'm just seeing this shift where instead of letting them
experience creativity and doing stuff with their hands on weekends when they could be doing that,
they're playing video games instead. And I think it's going to create a gap as they get older
of not getting to experience things like that. Yeah, and you put it the exact right way.
It's not getting to experience. Some people frame it as, oh, these kids aren't going to know
how to build stuff. And it's, yeah, that's part of it. But the bigger part of it is I had this
experience with my son this weekend, we went to at the food pantry to volunteer. This isn't
something we do regularly, so I'm not bragging about it. It was just, let's do this. He was just
cutting peppers with a knife, but it was a super sharp knife and he had the glove on and the guy
was teaching him how to cut the peppers. And you could just see, you could see the sense of
accomplishment in him, right? He's, I'm doing this thing that I've never done before. And when we're
just in the virtual world, we're like taking away that our.
opportunity and that cycles on itself, right? So I can cut the pepper. Maybe now I can eat a pepper or
maybe I can help in other ways in the kitchen. And so I think, yeah, just like getting people into
this world and the pepper isn't exactly building, but you said doing stuff with your hands and
feeling like you can, again, make change in the world around you. I was in the middle of
writing this book and I'll have another sun example that's more building oriented. And so it's
talking about agency and feeling like you can shape your surroundings. And we've got these steep stairs
in our house that are slippery for older people especially.
And so I'm like, oh, let's put some carpet, just carpet tile down on that so that there's
traction.
And I'm going to let him pick the color.
And I'll have veto power, but I'll let him pick the color.
And then all you have to do is stick them on, right?
So it was a relatively easy home improvement project.
Okay, Andy's going to help me stick them on.
And he created the template so that you could get them on the right way on each stair.
And he loved it.
So you can look for these opportunities.
to help kids see that they can do something about the world around them.
And I'm just laughing because one of my neighbors down the street recently painted their house,
neon green, and I wish I had veto power over that.
That's chapter seven of the book, right?
Your space is reflecting your values.
Like, what are you thinking?
Seriously, like, what exactly?
What is the message you're sending about what's happening in this house?
Well, I wanted to return to this for just a second.
I think when we talk about the kids making those objects at lows or participating in things like that,
what it brings up to me is just like kids who are not doing those things anymore and
who aren't getting to play as much as we used to, I think as adults we're becoming a society
that's increasingly outsourcing the building, fixing, and creating aspects of our lives.
And I wanted to ask you, what do we lose psychologically when we stop participating in the making
of the spaces around us?
And again, this isn't something that I made up.
These are like our basic psychological needs for agency, competence, and connection.
And this is like self-determination theory and it's been studied robustly across cultures,
over time, different contexts.
And we're losing those, right?
If you stop engaging with the physical world,
it's not the only way to lose those basic needs that we have,
but it is a surefire way to do.
And so we're losing arguably the most important things
that we need after these basic biological needs.
So that's what's happening.
I was hoping we could go from here to you introduce this idea of space before screen and maybe for the parents who are out there listening to this.
What's this concept about and how could they help to apply it?
So obviously everything we've talked about so far, and I don't think anyone would argue that, okay, we want people to be more engaged in the physical world.
And then the problem is the distraction is the phone or the iPad or whatever.
And I think instead of fighting the distraction, just using the distraction as a cue, right?
So it's like when I reach for my phone in the morning, I think space before screen, right?
And it's okay, I'm about to check my emails or I'm about to see who texted.
And now instead of doing that, first I'm going to take in my physical surroundings.
So that's like the most explicit meaning of it.
And I just think it's a practice that we can get in the habit of.
You could also put a picture of the physical world on your screensaver, right?
And that would remind you when you looked at it.
But I just use the screen as a cue to say, no, have I taken?
in this physical world around me.
In your chapter where you talk about decide and you go into agency and control,
when I was at Dell, what was interesting is the only person at Dell who had an office
was Michael Dell.
Okay.
Interestingly enough, everyone else was in a sea of little boxes.
And we were doing this experiment in the IT group where we stopped even giving people boxes.
And we went into this open floor plan that every day, if you chose to come into the office,
you could just pick any random space that you wanted.
And for me, it was the first time that I didn't have a dedicated workspace.
And I found it to be really psychologically challenging because I,
there's something about having that familiarity of coming into your workspace and having
pictures of your kids there and the common things that.
you're used to seeing. And I found it really psychologically harmful to me in some ways. I felt
like I was just out of place and it was always difficult for me to get into that work groove.
What do you think was going on? And do you think when environments like that are creating open
work plans that in some ways we're doing ourselves a disservice?
I have an article that's coming out in the Wall Street Journal. It'll probably be out by the time
this gets released, it comes out in June about how to use these ideas in the work environments.
But one of the things is, I think open versus closed is a good question. But before we ask that,
it's how do we ask about agency competence and connection, right? And I think when you're
constantly, first of all, there's just the pure adjustment that needs to happen to an unfamiliar
place. Right. So if your desk is always changing, every day, the first time you come in,
it's just like, all right, where's the drawer? Where's the plug and just getting used to it?
It's small, but it's like a micro version of moving into a new house, right? And you don't know
where the light switch is. And now all of a sudden you're having to use your mental energy
for that instead of just moving around and thinking about other things. So, you know, we need to,
that needs to be a design criteria, right, basically. But then also when the space,
I think it's going to be disorienting if you don't feel like you have control over it, right? If you don't
feel like, okay, well, if I put this private paper here and leave it, it might not be there
tomorrow, right? Or I can't, like you said, hang the photos of my family. And again, I'm not here
to decide how office design should work. I think it's different based on the different tasks
that are happening in the office. But I am confident that we should think about, okay, like,
how is this space meeting the basic needs of the people who are going to be in it? How is it aligned
with the tasks that we want them to do and then design to that.
Yeah, and I know some people who are probably listening to this are saying,
what do you mean?
And open environment is the best thing that ever happened.
But for me, it did the exact opposite.
It made me much less productive than I would have been in an environment
that I was comfortable being in and used to being in.
And I just give it as an example because I'm sure many people have a similar experience
as I did. I'm an introvert too, and you need a place to go and be able to recharge. And I love
talking to people, but I can't just be constantly bombarded with it or else I will just fatigue or
not be my best self. So I think companies are doing better with giving flexible spaces and different
spaces for different things. And I totally understand, too, that this is one of those places where
we started the conversation where I think people don't think of this is something they can do anything about.
right but the general employer isn't going to influence the actual renovation of the office but i think
oftentimes the general employee has more leeway than they think to move among different spaces right if you're
like okay i'm going to use my office for this or you haven't given me a private space so when i need to do
my deep work i'm going to go into this conference room and lock the door or whatever or i'm going to
start to do my team meetings on a walking meeting because i want them to engage with their senses and
break out of their regular mindset. I do think that there are a lot of cases where we aren't
making full use of the spaces that we have access to. And that's something that is on us as
employees, but also the leadership can help people see that, right? Can help model that behavior.
It can help make explicit. Oh, this common area over here, it's not just for when we have the
company party. If you guys want to use this for you've got this new hard team project coming up,
Do you want to set up over there and make this space yours for a while?
And so starting to break out of our fixed mindset of the space is always used for this thing and this thing only.
Yeah.
And since we're talking about these spaces, I thought one of the most touching stories in the book involved your daughter, Josie, learning to claim our own space at preschool.
And that you connect physical boundaries to emotional boundaries.
Why are those two capacities so deeply linked?
And again, this is, I'm sure you've had people on talking about boundaries, right? And this, a very physical term that has been.
Liz Fossiland.
Yeah.
Yeah.
Now all the talk about it is about emotional and relationship boundaries.
Yeah.
So the story, my daughter, she was in our playroom, but the laundry is off the playroom and I came
walking through to do her laundry and she's sitting there playing and she's like, space.
I'm like what?
She's like, space.
And so she had learned this at school that if you yell space, it means that people have
to give you basically a 10 foot circle around what you're doing.
And this keeps them protected from other rambunctious kids running.
them over when they're trying to play with blocks or something.
And she was having a ton of fun yelling it at me because it's forcing me.
So we were negotiating and eventually we got to, yes, I can walk around her circle to get
to the laundry, but I wasn't allowed to look at her.
The reason they're learning this at school is because it's the first step in seeing
themselves as an independent person, right?
As this is Josie and this is dad, right?
And they're like, we're connected in some ways, but I have my
own little world that I can say something about and it's like a tremendous gift that they're
giving the kids to be able to do that spatially and they know that by doing that spatially that is
eventually going to carry over to these skills of emotional boundaries and relationship boundaries
and no that's not appropriate I don't want to be talked to like that so yeah there there are a lot
of ways in which you know if you these concepts that have are applied to other relationships in our lives
have originated in our relationship with our physical surroundings, even in a good place,
the title of the book, right?
And that's typically used to be like, I'm good, right?
But it's a physical term.
Lydie, I can't do an episode on Passion Struck without talking about mattering.
And you made it easy in this book because you have a whole chapter on belonging.
And so obviously it was one of the first chapters I went to when I read the table of contents.
And one of the most striking claims in the book is that you say proximity predicts friendship better than shared interest.
And why are physical spaces still so important for belonging when we're an increasingly digital world?
Yeah, it probably gets back to that like multi-century experience, right?
I'm loving talking to you right now.
This is amazing.
It's an amazing connection that we wouldn't have been able to make a quarter century ago.
but we're not able to shake hands or hug or we can see each other's facial expression,
but we can't see everything about the body language.
And being in the same place with the same people, having similar experiences,
doing similar things.
There's just not really any substitute for that.
And I see this with college students all the time, right?
And I look back at my own college experience.
It's like you're friends with these people because you're in the same place at the same time
with them and it even zooms all the way into literally where you lived on campus, right?
And it's almost like this perfectly controlled experiment.
People are randomly assigned to dorm rooms and you end up being friends with the people
who are on your hall freshman year.
I've got a friend who's the biggest in the nicest way.
He's my friend.
He's like me super nerd, right?
He makes jokes about logarithmic functions that you only get if there's like,
if you have a deep understanding of logarithmic functions.
And his tailgating crew is an art teacher, a retired NFL player and a finance guy, right?
It's like the only thing, you guys are just friends because you were together freshman year.
So in that that proximity, it just matters.
And we, it's something to think about.
I think if people are asking me, oh, how should I buy?
You're like, well, where is it?
Who is it going to make you interact with?
And do you want to interact with those people?
So I'm glad you brought that up.
Yeah.
Because one of my favorite things you wrote was we don't just belong to people.
We belong to places.
And for some reason when I read that, it reminded me when I was at Lowe's before they moved the headquarters to just north of Charlotte in a town called Moresville.
It had been in Wilkesboro.
And for what they ended up doing is they took the town mall and converted it into the Lowe's headquarters.
And so when I, oh man, it was phenomenal.
because think about the food court and being able to see everyone.
But what was so interesting to me is you would talk to people who worked in that environment even today.
And they were so proud of where they sat in that former mall.
I ran a call center there that happened to reside where Sears used to be.
And people in the call center were like, I used to be in sporting goods.
And I used to be in automotive.
And it was part of their identity.
my boss to his office used to be where Orange Julius used to be. And so they developed this identity
based on where they used to shop in the mall and that those stores brought them joy even in the
new function that they were in. And I just thought it's an interesting parallel.
I'm going to use that in a good place too. That's a great story. I would have illustrated these
ideas. And I think, yeah, I'm glad you brought up the point because we do think about the longing
in connections with humans. And I do think that's the primary way, but you do feel some of that
same belonging and connection and mattering with places that you've put a lot of time in. I talk in
the book about this beach cottage that's been in my side of the family, my dad's side of the
family for over 100 years. And every time you go, every time you have an experience there,
it's like kind of building this connection with a place, which again isn't a substitute for
human connection, but it is another connection that kind of keeps you grounded in the world.
and makes you realize that there are things that can't be taken away from you, really.
You're absolutely right.
And I'm going to use this example of the mall here to illustrate another chapter of your book,
which is on how space is influence.
Where I'm going to take this is when we were at that headquarters facility in the mall,
you would see the senior executives walking up and down the hall all the time.
And they would stop and talk to people in cubes.
You could approach them in the cafeteria.
interior environment. And I remember Lowe's was really big of talking about core values. And so I
remember our president would talk about the core values all the time, almost every time you got to
meet with them. And then when they moved to Mooresville, they ended up positioning the senior
executives on their own floor. They hire secret service agents. And only the top executives
were able to get in.
And even though I could use my card to screen my way into it,
I still had to be vetted before I could even go see my boss in that environment.
And then they had their own chef.
And so what ended up happening is they stopped frequenting the rest of the employee base.
And I saw over time that this constant reinforcement of values stopped happening in as much.
what I saw physically happen was that the culture started to change as the physical environment
started to change.
And to me, when I was experiencing it, it was one thing.
But now when I look back upon it, I really think there was a profound change.
And I think your book, and especially this chapter on influence, really goes into this.
And I was hoping you might be able to expand upon that illustration.
That's a great one.
I yeah the main idea of that chapter is that our spaces are advertising our values and they never turn off right and and yet we have the same kind of habituation tendency that we talked about before to not notice it right so in the company example where it's like every company has these values that are like what you're describing at lows where oh we're inclusive we want everybody thing to be open but if then your space is saying something totally different
than what's being said on the mission statement.
That's worse than if they were just aligned about,
no, we have this hierarchy, right?
You're actually contradicting what you're saying through your spaces.
And that's a message that just gets reinforced every day,
every time somebody walks into that space.
And so I think it doesn't require a whole renovation.
And this Wall Street Journal article I was talking about one of the tips,
takeaways is like when you go into your office next time,
look at do a values audit, right?
What is the office saying about what you care about?
Are there things here that are counter to what you actually value?
And can you remove those things?
And this applies to our offices.
It applies to our personal spaces, right?
And you've got the house that painted itself neon.
And I don't probably says a lot of things.
But one of those things is, I don't know, particularly care what my neighbor's view is.
And all the way up to larger social things, right?
I talk in the book about being in Sweden and Copenhagen, Denmark.
And just the level of playground over there is so absurd compared to what we have here.
And absurd in a good way, right?
There's self-service zip lines.
There are four-story high tree houses with slides that have been built out of massive timbers
and look like they could last for 200 years.
And it just sends a very clear signal about how kids are valued in this society
and how public space is valued in this society as opposed to me having to drive my son to kind of indoor.
you have to pay climbing gym, right? And so again, this is a case where maybe it seems a little harder
to change your space than it is to send a social media post about something you care about. But
when you put it into the environment, it's like it's advertising and messaging that is always on,
never turns off, and then can kind of propagate around the world. Yeah, I love that mention of
parks. My parents have lived in Chattanooga, Tennessee now.
40 years.
And they live on this mountain, Signal Mountain.
It's actually called Walden Ridge, but everyone calls it Signal Mountain because it's the largest city on it.
But they have this park there that was built by the community called the pumpkin patch.
And my kids, all they could talk about was going to the pumpkin patch because it was one of those wooden type playgrounds, but had these super long slides and the zip line, like you mentioned.
And as my siblings and I got old.
it was funny because even without the kids,
we as adults would go to the pumpkin patch
ourselves and run around in place.
So it was a space that became such an influence on us.
So I love how you bring that up in the Nordic countries.
Yeah.
Well, Lydie, I want to talk about the final chapter
because as I was reading it, it felt like to me the book changed.
Earlier chapters were exploring like how places shape behavior,
shape behavior, learning, belonging, influence.
And then you suddenly are writing about grief, memory, and love.
Did the circumstances with Josie change what you believe the book was about?
Or what were you hoping to do with that final chapter?
So Josie died on Christmas when she was four and a half.
And in 2020, she just got a, she got sick.
And two days later, she was dead.
And so first and foremost, what I was trying to do with the chapter is just tell the truth.
I think that the book was always, she was always in the book, right?
You talk about all the way.
And I had drafted the book at that point.
And she was in there illustrating the stories.
And the last chapter of the book was always going to be about how spaces transcend.
Right.
One of the reasons our physical spaces are interesting is because they predate us.
they outlast us in many cases.
And the chapter was the same.
And now I'm going to talk about what happened to Josie, but then also how to use spaces
to keep her spirit alive, right?
And I think one way that this is my first major experience with grief and loss.
And one of the things that in my thinking about it is, well, people are still here in
the stories and just in like the way that they've put themselves into the world.
right? And so it's a privilege to be able to share her stories with you and with your listeners. And I think a little bit of the spirit gets into people that way. But then also the thing with spaces is, okay, how can you create the grandma's porch version of Josie, right? Where it's, okay, people experience this space and they have a little bit of how she moved through the world. So one of my favorite stories of Josie, which is just so perfectly encapsulated her character. And I tell in chapter eight was we'd walk between our house and this pond that's on the university campus. And we go over and.
find frogs or like just throw stuff in and she'd always go a different way. She'd always like
trapes through people's yards or walk all the way around the block just to get 100 yards. But
one day we were walking through a house that the university owns, but it's just an old house.
And we walked up through the yard and up through the English ivy and then there's a path going
from the porch to the street. And on the path, the, there was the owner had etched their family name
in marble. But of course, Josie can't read. So she sees
the path and she says well that says josie's way she like named the path after herself and so after she
died I'm like okay it would be cool to create a josie's way and so next to the best playground in
Charlottesville that we made a about a quarter mile path that like runs adjacent to it but it also
has paths that lead off of it and so it gets kids down into the woods but also more importantly
just gets them feel like they're on an adventure
And then other people have made Josie's way.
I've had graduate students sending me, hey, here's the one in our backyard that my daughter's walking on.
Right.
And so it's nice to see the spaces out there in the world.
And also, like, people using them for in a way that Josie would love.
And that's helpful to me.
And I think you don't know for sure what a four-year-old would want.
But I do think that she would absolutely love that.
I was out there at the original Josie's Way.
And there were these two little boys who probably were three or four.
And they had hiked to the bottom, but the moms had stayed up at the top.
And the moms were like, all right, guys, it's time to go.
And the kids just ignored them.
And then the mom said it again.
It's time to go.
And the one boy looked at the other boy.
I'm like, what's going to happen here?
And the kid just yells up.
He's like, we're not coming.
And I'm like, Josie would have absolutely loved that.
And they're like, we're just going to do our.
our thing down here and explore. And that's something that Josie would have totally appreciated.
So mighty. And finally, I wanted to ask, after everything you've learned as a researcher,
designer, teacher and father, what does it mean for you to leave a good place behind?
I think it's all in the people, right? It's, are you giving, are you having the knowledge,
sure, but also the courage and agency to find the places that,
put themselves in a place that is good for them, right? So it's like the book has the ideas,
here are the attributes or ingredients, but also the empowerment, right? That, no, you can do it.
You can do it. You can find those places. And I think that that's what it would be.
Well, thank you, Lydie. And where's the best place people can learn more about you?
My parents give me a good Google name. So L-E-I-D-Y-K-L-O-T-Z.com. And you can get information about the books on there and
other stuff that I'm doing, but the best stuff's in the book. Awesome. Lydie, it was such an honor
to have you today. Thank you so much for joining us on Passionstruck. Oh, it was my honor, John. Thank you.
That brings us to the end of today's conversation. What stayed with me is how rarely we stop to think
about the environments that shape our lives. We pay attention to our goals, our habits, our mindset,
but the places where we live, work, gather, and raise our families quietly influencing all of those
things every single day. Lighty reminded us that flourishing isn't only an internal process.
It's also about creating spaces that support belonging, curiosity, connection, and a sense
that we have a hand in building the life we're living. I especially love his observation that
proximity predicts friendship better than shared interests. When you think about your closest
relationships, many of them begin simply because you kept showing up in the same place at the same
time. A neighborhood, a school, a workplace, team. The environments we inhabit become part of
our story. And then there was Josie. Lighty's reflections, ungrief memory, and creating spaces that keep
the people we love present in our lives were among the most moving moments we've had on the podcast this
year. They remind us that places aren't just physical things that become containers for meaning
memory and love itself. Next week, we'll begin the fourth movement in our flourishing series,
contributing. My guest next Tuesday is Jess Eekstrom.
Jess is an entrepreneur, bestselling author, founder of Headbands of Hope, and someone who has spent
her career helping people pursue ambition without losing themselves in the process.
Her new book, Making It Without Losing It, Ask a Question that resonates with so many people
today.
What does success look like if it costs you your health, your relationships, or your sense of who
you are?
In our conversation, we talk about identity beyond achievement, building a life that reflects
your values and why contribution is often the thing that gives ambition its deepest meaning.
Because flourishing ultimately expands beyond ourselves. It grows when our gifts, our experiences,
and our work begin serving something larger than our own success.
There was this interesting study at Vanderbilt that looked at dopamine. Dopamine is honestly
the feeling that we're all chasing. It's the feel-good hormone, that happiness chemical that
we get when we call a friend or eat a good piece of cake or something.
and we're looking for that feeling.
And this study at Vanderbilt thought that we got that dopamine hit at the result,
when we get the raise, when we hit a certain number or promotion.
But this study showed that we're wrong.
We actually, it studied our brains and we get that hit of dopamine
in anticipation of the results, not the result itself.
If today's conversation resonated with you,
please share it with someone who helped create a place where you felt seen safe and supported.
And don't forget to death.
download today's companion workbook and reflection guide at the ignitedlife.net.net.
I'm John Miles, and you've been passion struck.
