Podcrushed - Naomi Ackie
Episode Date: July 9, 2025Naomi Ackie (I Wanna Dance With Somebody, Blink Twice, The End Of The F***ing World) swings by the pod to spit some heckin' righteous Bible raps from her days as an 11 year old auditioning for the sch...ool play, and gives the BTS scoop on her intriguing new project, A24's Sorry, Baby.And preorder our new book, Crushmore, here: https://www.simonandschuster.com/books/Crushmore/Penn-Badgley/9781668077993 Click this link https://bit.ly/3HDsVsc to start your free trial with Wix.Look for the blue box at retailers everywhere or shop jlab.com and use code PODCRUSHED for 15% off your order today. Want more from Podcrushed? Follow our social channels here: Insta: https://bit.ly/PodcrushedInsta TikTok: https://bit.ly/PodcrushedTikTok X: https://bit.ly/PodcrushedTwitter You can follow Penn, Sophie and Nava here: Insta: / pennbadgley / scribbledbysophie / nnnava Tik Tok: / iampennbadgley / scribbledbysophie / nkavelin See omnystudio.com/listener for privacy information.
Transcript
Discussion (0)
Lemonada
Do you remember any of the rap by any chance?
Of course I do.
Okay, it goes like this.
We have civil angels, as you can tell.
The nativity show may ring a little bell.
If you look in the Bible, you will see your face of Jesus and Mary as happy as can be.
But hey, he's an all-star.
I could continue.
It's fucking good.
Just imagine.
Like, I'm fucking 11 years old.
Yeah.
Welcome to Pod Crushed.
We're hosts.
I'm Penn.
I'm Sophie and I'm Nava and I think we would have been your middle school besties.
Seeing your favorite pop star literally ripping your heart out and actually throwing it at their literal face.
Because you love them so much.
Welcome to Pod Crushed.
How are you doing today?
I am joined by my dear co-hosts Navavon and Sophie.
I'm sorry.
That was a rhetorical question.
aimed at our listener slash viewer in case.
Nava, for those who aren't watching,
she just sort of laughed and shook her head.
Like, who are you talking to and why didn't you let us answer?
Yeah, yeah.
It was like, who is the how are you doing for?
Well, they can pause it and they can answer.
Sometimes people tell me that they listen to our podcast,
and every time we ask the guest a question,
they pause and answer it themselves.
Is that your mom?
Is that a Helen and Dale?
She doesn't listen.
So, listener, assuming that you have,
have paused and answered the question
we're doing great
we're doing great over here we're just
living on cloud nine
I have a question another question that people
can pause and answer question for you guys too
a moment in this episode with the lovely Naomi
shares this like moment where she goes to her mom
and she's like mom I want to be famous and I'm curious
if you guys ever had a moment like that where you were
like mom dad I want
something where you just had this like moment
of seeing
well I did say
at about four years old,
I want to be a singer on a dancer stage.
A singer on a dancer stage?
That's cute.
I loved dancing.
I absolutely love dancing.
And I did love singing.
And I mean, you know, something about,
I mean, that was the era of Michael Jackson, of course.
And, and, well, you know, actually I write about this in the book.
I do write about this in the book.
But also, you could perform on,
you could sing on dancing with the stars.
You'd be a singer on a dancer stage.
Well, you were saying I could go on dancing with the stars and sing?
Yeah.
They have a musical.
They have people sing live sometimes.
They do allow that.
Oh.
That happens sometimes.
I did one.
I said to my parents many times I want many things, but one that comes to mind is I want to play the violin.
I was desperate to play the violin and they were like, absolutely not.
I think they did not want to hear the learning stage.
Yeah.
Yeah. Wow. I really, I think I was 14. I told my dad, I want to be a broadcast journalist. And this dream was alive until I was 18 and then I read a book about it. And then it was like they made such little money. I think honestly. It was very materialistic. That deterred me. But I was so then you were like, I want to become a teacher.
And then I was like, I'm going to go into that much.
Actually, that actually was it.
I was like, they made about as much money as teachers.
And I was like, well, if I'm going to make this much money, I don't know why I was
like, I should just make more money.
I was like, then I should become a teacher.
It's like less work.
I'll have summers off.
Whatever.
Anyway, both sound really like lame reasons to pick jobs.
But pod crushed, I feel like is the closest that I'll ever come to being a broadcast journalist.
Yeah, that's true.
I do the research and, you know, some of the elements.
I'm living out my childhood dream.
Yeah, sort of.
sort of
Oh, Tommy really wanted me to grab it
Yeah, he was so sad
Yeah, it's your parents
He was very sad when I gave up that dream
And then you're like, fine, I'll draw
I'll just draw here at home
Let's get to Naomi
Yeah, let's get to our lovely guest
She really was lovely
He was lovely. He was lovely
I shouldn't say in the past tense
We have today Naomi Aki
Incredibly talented
Who you might know from Star Wars
The Rise of Skywalker
Blink twice more recently
Possibly most iconically
She did play Whitney Houston
And I Want to dance with somebody
A remarkable performance
She's been in shows like end of the effing world
As well as Master of Nun
Her newest project
Is the 824 film Sorry Baby
And I mean what more do I need to say
it's an 824 film, right?
And it's got Naomi in it.
We loved having her here today.
You will too.
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Let's just start with a snapshot.
Twelve years old, how were you, how is 12-year-old Naomi seeing
the world, what was day-to-day life like, you know?
12-year-old Naomi was extremely shy.
I had it, like, my mum would actually put me in, like, loads of different, like, little,
you know, we called it Saturday School at Home, which is, like, little drama school on a
weekend where you go and you learn how to sing, dance, act.
I remember around that age, like, my phone took me to a tap dancing class, that I only
survived one lesson because she left me
I had abandonment issues and she left me
and I cried the entire time
did not learn how to tap
which is a shame
so I was really shy
but I was obsessed with
reading and
I was really good at being
alone so I
would probably read
I was really into fantasy
it started with Harry Potter
and suddenly
I was like completely
immersed in like the fantasy world realm so like everything from like Lord of the Rings to
Wheel of Time which is now a TV show which I'm just like quite excited about I would read like
a book a week I was just absorbing so much and living very much in my head and I guess at that time
then yeah yeah I I was in year 7 which is like 11 12 but I was always the youngest in my year
was when I did my first
performance
which I played
I played Angel Gabriel
in a Christmas
in a Christmas play
about the Lord Jesus Christ
and I
What is Angel Gabriel's role
in all of that?
So Angel Gabriel was the one
who came down and told Mary that you're
pregnant
were you so did you get to fly?
So we didn't get to fly
And instead, so this is, no, this was cool because this was such a flex in my school.
There was two groups of people.
There was the year 11s, which is like 15 to 16, and then there was the year sevens.
And I had got my little like group of friends together and I was like, okay, we had to audition to play the angels.
And I was like, I have such a clear idea of what the angels should be doing.
And I was like, guy, I can't believe in the time.
I thought it was like so cool.
I was like, guys, you know, the Bible is like so traditional.
and like, oh, like, let's
and sell some rap into this.
But it's actually insane when I think
about how instinctive
the creative impulse is, because
that night, I went
back home and I spent the whole
evening writing a rap
of Angel Gabriel telling.
That's actually amazing.
It's insane. It's insane. And it was
fucking cool. Am I allowed to swear on this?
Yeah, yeah, yeah. Is that okay? I don't know.
I mean, we might tell your mom, but...
I won't go crazy.
Do you remember any of the rap by any chance?
Of course I do.
Okay, I guess it is.
We have civil angels, as you can tell.
The nativity show may ring a little bell.
If you look in the Bible, you will see your face of Jesus and Mary as happy as can be.
But hey, he's an all-star.
I could continue.
It's fucking good.
Just imagine, like, I'm fucking 11 years old.
Yeah.
Anyway, we did this kind of like,
like this kind of rival like audition and we get the part and I had like made them do this whole
choreography and we did the performance and I I can't remember anything but the feeling of the
applause when we were done and walking through the school halls I was at a girl school and people
stopping me and going that was so cool that was like stopping me and being like yo that's so cool
And I think at that point, I was in a space where I was having to put on the costume of being a confident girl.
Like, I think the whole acting thing was from being young.
I'm naturally extremely shy.
This was like a gateway for me to be that girl.
And it was kind of immediate.
I was like, oh, that's your identity.
You're the drama girl.
You're the theatre kid.
And that's where I got a lot of my.
confidence from because it was always something that felt like it was in me.
Okay, so actually this question started because I saw that you have your birthday's November
2nd. Is that right? No, it's August, it's August the 22nd and it's so funny. This has been going
on for years. There's someone on Wikipedia who whenever I get someone to change it, changes it back.
So I keep on getting happy birthdays on November 2nd and someone is insistent that I'm born on that
so I actually have something similar where on Wikipedia, for a while the internet thought my son's name was
James and his name is not James
and I would change it
I mean I wouldn't change it but somebody would change it and then they
would change it back and I would get people
you know sending us Christmas cards and stuff
being like to all the and they would name James
and I'm like guys his kid's name
is not James and his name is so
far from James as well it's just
I'm trying to leave him nameless as long as
he can be you know because he's four
but like but like what
I think it could be the same person
I feel like there's someone who's just taking a lot of joy
and spreading misinformation well I think
someone might be out to get you because my daughter was born November 2nd.
And anytime I would tell people, when I was pregnant, people would ask, what's your due date?
Literally in the line at the grocery store, I would say November.
It was November 5th was her due date.
I'd say November 5th.
And they would like cower.
They'd be like, oh, no.
She's going to be a Scorpio.
I'm sorry.
It was really bad.
And yeah, so whoever's changing your birthday is like.
Yeah, no, I'm a Leo, but I'm a Leo, but I'm a Leo on.
the last day of Leo, which is hilarious.
My dad is a Leo, if these things are true, like my dad is a Leo when the son in an astrological
chart is at its highest point, so he's extremely like gregarious and like confident, like nothing
sways him.
Whereas I take on a lot of my like Virgo side, like I'm actually super like insular with
a big ego, which is a hard mix, a perfectionist with a big ego and I have a
You're like, I'm quiet, but I can wrap.
I can wrap these bars.
Oh, that's amazing.
Naomi, I clocked the Harry Potter reference,
and I heard you in a talk show not so long ago talk about a reread,
and I was thinking about Mickey 17,
and I'm just so curious if little Naomi knew
that one day she would be starring alongside Cedric Diggery,
how do you think she would react?
Do you know how hard it was not to mention?
about to him.
Be cool, be cool, be cool, be cool.
I feel like that's the maddest thing.
It's like being, this is probably a bad analogy,
but it's like being a frog in a pot of like slowly boiling water.
Like you don't realize the changes until you stop and look back.
And it is fucking mental.
But, you know, I'm actually like, and this is like where I'm at now,
Now I'm in a space where I'm taking a big break.
Like I have recognized that I'm in a kind of burnout cycle and I'm like, okay, I need to rectify it and I need to stop.
In this time now, I'm like, wow, what an amazing privilege and luxury to be able to recognize you in burnout and choose nominate for yourself to stop for a while.
Yeah, that's amazing.
And that's when I'm like, oh, I'm fucking lucky.
and also acknowledging where I've come
and how, what is taken to get to that point.
Because, yeah, like, going back,
I threw myself so deeply into the acting stuff.
I got so obsessed, hyper-focused on it,
that, you know, I could argue that I neglected
a lot of other very important parts of being a person.
Which even happens practically
because the shooting hours are just so long.
You know?
It's like from the moment you wake up to the moment
you go to sleep you're like you're kind of you're just doing this and so it's it's it's almost like
it almost is a fundamentally logistical kind of conundrum you find yourself in 100% especially in
America I must say like oh that's right that's right you guys have the yeah so the one time I've worked
in England we were like you know what we're gonna fucking do American hours and we just pushed it
it was just it was just constantly being pushed you know so I didn't quite did you not get the
so the first half of the season we were doing
proper British showers
and then we went to French showers with no lunch
which actually I kind of prefer the no lunch
you just swing right through
yeah and but then by the time
we got to the episode I was of course
directing it was like we were
weeks behind pushing it
pushing it and then I was directing it and I was just like
okay I have no
there's nothing yet there's no space or time
for for anything else
I totally get that
but I like that is when I've worked in the States
I'm like I am bold over by
like how
people working in America
on film sets manage
their entire life
I'm like it's
it is insane
and I think you know
you have to
you have to love it
and I you know
I was prepared for that
at the beginning
I was so I was preparing myself
for that
you know I feel like
I look back on my younger self
and I'm like damn
you were like
real serious lady
so let's actually
let's go back to your younger self
still
Because we have, we want to spend some time there, we always do.
Yeah, I love that.
We will get to the rest of your career.
But basically, like, give us a sense of, you know, when, so it sounds like that play actually was your, this moment where something crystallized.
But, and then I'm sure it became something of a, of a, not just a hobby, but it was like, of course, the next logical step isn't, I'm going to do this professionally, but it is, oh, I want.
want to dig in, you know? So like give us a sense of that arc.
Yeah. So interestingly, at that time, I, at the same time I was like, I love acting
was the same time, I'm going to mention again, Harry Potter came out. And I was the same age
as the actors growing up. Like, every year it came out, I was exactly the same age. So I had just
watched the first film and didn't realize that kids could do it too. Like, that there were like kids
like doing this really fun thing that I had just discovered.
So I equated being an actor with being famous.
And I remember going to my mom and being like,
Mom, and I didn't say I want to be an actor.
I said, I want to be famous.
Yeah.
And she was like, what?
Like, for context, a London, live in East London,
working class, black girl, no connection at all to Hollywood or anything like that.
So there was, you know, my parents worked in the public sector.
completely normal, normal lives.
And my mum, who has passed,
she passed when I was 22,
she was extremely wise.
And she was actually a seamstress.
It wasn't her main job.
It was her hobby and her passion.
So she really believed in craft.
And immediately it was like,
she didn't say this,
but like, what the hell do you?
you're talking about what the fuck are you talking about like and i remember having this
really long lecture from my mom being like fame doesn't mean anything like fame is something
that um it's an illusion um fame doesn't equal quality and it doesn't equal um means that
it doesn't mean that you're better than anyone else she and she was like if you want to be an
actor you can be an actor in uh a local theater you can act anywhere aiming for fame is a completely
different thing.
So at the age of about 12,
she was like, if you want to do this, it's about the craft.
You have to get to the nitty degree of it.
You have to understand every angle of it,
especially because, you know,
it's going to be harder to get in there.
And so I, you know, I didn't take that well.
I remember being like,
what the hell is she talking about?
I'm seeing these cool kids in Harry Potter
walk down a red carpet and be cheered on.
I want that too.
And that was kind of like,
attitude around acting at the time now I realize was like it was the acceptance that I got it was the
love that I received even though it was temporary and in a controlled environment it was like even then
it felt addictive um to me and was something I was really craving and hungry for um and so my route in
was like I'm going to learn the craft so I can get that love because like I know I'm time
It kind of takes away the romance of like wanting to be an actor, but like I'm just a really honest person.
And I understand these things about how my brain work then.
Like I was like, I need that love.
And I need more importantly that acceptance.
I felt so out of place in my body and in the world that I was desperate for that.
So just a little flash forward when you started to experience fame, did it feel good at some points?
Like how did it feel?
It felt awful.
It's not what I wanted.
it was and look I have a really normal life more or less like especially living in London I dip in and I dip out for a reason I felt uncomfortable I felt looked at I felt like I was having to perform myself which is this weird brain thing where you're like the thing of having to have to
the pressure imagined or otherwise of having to
live up to what people think
you should look like and what they want to aspire to
and living in that illusion bubble is weird to me
like how do you like how am I as an actor
who's telling a story also meant to be someone who's an aspirational figure
like I don't want anyone to look up to me I'm just telling the story
I really just want you to focus on the story I should be invisible
and I that's me personally it's just not something
No, I definitely, I've been thinking about this more and more.
Like, I, when I watch things now, I'm sorry, call it what it is.
I feel like I'm just, all I can think of is like,
oh, there's that famous person doing it, delivering a performance.
Yeah.
Celebrity culture is actually like robbing us of stories.
Because there's, because, you know, in some ways,
the craft of cinema is becoming more and more elevated.
It's, you know, people are getting more and more specialized.
We're capable of more and more,
but the stories are full of the same celebrities.
And I'm sorry, it's just like, let's be real.
That's what we all think.
We're like, wow, Timmy Chalemay is killing this right now.
That is that person.
And I also love their style of the thing.
And like the whole idea of branding is just like corrupt to me.
And I think living, having to play that game,
like also understanding that this job is a business.
My body is a business.
I started to have a real problem with the fact that
I felt like a walking billboard
that I
wasn't only supplying a story
but I was supplying a want and a need
to get people to want to buy more things
So if you could just hold a moment
this episode of Podcrush is brought to you by
I know
that's the funny thing right
is the space in between
like how do you create art
how do you work your craft
how do you make money
how do you get people to see it like at the same time
as all of those things juggling
Yeah, it's crazy
And look, the thing is
I love fashion
I love things
You know
And I enjoy the craft of them
But I'm a craftsperson
So like even when I go to fashion shows
I'm just obsessed with how
The Atelier's made the thing
I'm not really thinking about
Who's sat there
I'm like, that's a really fucking cool dress
And like the pleading and the thing
And oh wow, how many hours did it take
And what fabric did you use
And where did this reference come from?
Like that's just kind of how my brain works
I'm just hearing you talk, thinking about that conversation that your mom had with you, the lecture that she had with you.
And what you tying it back to what you said in the beginning, which is that you realize, you recognize you recognized you're in this burnout cycle and that you've actually decided to take a little bit of a break.
And I was thinking you acknowledge that that's like a privilege in itself to be able to recognize that and then to be able to take a step back.
But I also think it says a lot about your frame of mind too because I think specifically Hollywood,
it seems like there's this, there's like a, or any job where you're freelancing or somebody
else is giving you the job, there's this scarcity mindset or there can be. And then there's also
like, I need to stay relevant. Like I need to be at top of people's minds. So I feel like, I'm so,
I think it's admirable that you can be like, it shows like some security that you have,
but also just like some detachment. Like, yeah, I can take a step back up so that I can
focus on other things in my life. And I'm curious if that comes back to this lecture from your
mom and maybe what else you feel like what other gifts your mom has given. Yeah. Yeah. I totally,
totally agree. Like it's something, I say this to some of my friends and stuff, like if they're
going through anything. I'm like, I'm not talking to you right now. I'm talking to like the future
you. Like there are some things that like seed within us that we can only understand later.
like I think it feels quite circular that I am in this space
but I definitely had to go through the jungle as it were to get back there
I think like a big thing and a totally like scarcity mindset thing
and feeling like the what are you going to do next
and how are you going to impress people and it fuels
this level of insecurity within people
but creativity is an endless source
and it's not necessarily always going to be creativity
just through acting I can be a creative person by like
I don't know cooking a meal for someone I love or I can be a creative person
by just like daydreaming for a bit like it's not something that needs to be
commodified for me no I think that's for all people
Yeah, right?
I think let's not even make a clarification.
Yeah.
Yeah.
It's a human truth, I'm sorry.
But yeah, like, I think my mom, the other really amazing thing my mum said was life-informed art.
And she said it at a time where I was so obsessed with acting.
It was the only thing I talked about, it was the only thing I did.
You know, like I'm, you know, at 13 to like 17, I'm reading more.
I'm reading monologues and recording myself doing famous monologues to check whether it was believable.
I'm reading through Shakespeare and learning stuff just by myself.
I'm Googling American agencies and figuring out how one day I'm going to get an 01 visa.
Wow.
You really were on it.
I was, yeah, for a really long stretch of my life, I was so on it.
I actually think back now
and I'm like wow
like thank you past Naomi
like you really
you really did a thing there
like I wouldn't
just you know
now being older and a little bit more tired
like I just I just don't have that energy
anymore
but yeah I think like
there was something in my mum that saw in me
that I had the ability
to lose myself
in something
and so she was always encouraging me
that there was other things
like that she
I remember her being like
there is beauty in the ordinary
there is like beauty in everyday things
there is beauty in boredom
that the thing that you think is so sparkly
isn't as sparkly as you think
May like there was a bit
she knew me in a way that was like
oh nay has the ability
to lose herself in this
so actually when things did start to get more
when I did start to get a bit more
well known. I always had that in the back of my head, which did allow me over time to
keep myself grounded and instinctively know when to step back and go, I really don't need to be
at this party. I'm not having a good time. I don't need to do this role that I don't believe in,
but would put me in a good light in the industry.
If I don't want to do it, I don't have to
because even if I haven't found all the qualities of life
that are special yet,
I need to give myself space to do that.
I do not want to die thinking,
ah, fuck me.
I worked, you know, every fucking day over the week for this thing.
But I missed out on, like, walking down a street and life and children
and burning toast and being late for a bus,
I don't know, like the real shit.
That's fucking life.
Yeah, so I feel pretty passionate about that
and also about de-glamourising when I speak on acting in my career,
like de-glamourising it and grounding it and it's not as fun.
I don't think it's definitely not as like entertaining for a lot of people,
but, like, I just think there should be more people talking about that.
This is a job, but it's not my life.
And we'll be right back.
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Naomi, let's talk about your life.
We will get into your career, but some life things that we do like to talk about on this show.
First love, first heartbreak, and any kind of like embarrassing memories from childhood.
Oh my God, so many.
Oh, God.
Like, every time I tried to be cool, I just wasn't.
I went through a phase in London where I was trying to be an emo girl.
I was having this whole, like, identity crisis thing.
And I just imagine me with, like, plump her skin and, like, a big afro trying to be an emo girl.
It's just, like, it doesn't work.
And we would...
I had crushes on guys with very deep fringes.
you know and they did that
the skater boys
oh I love me a skater boy
and at the same time
I was like customising a lot of clothes
like I went through this phase of like
trying to take after my mum and like sewing a lot
and so like the awkward thing was like
being in these spaces
that I really didn't like bit into
but like really trying like going to Camden Lock
which is like in Candlech
and there's a canal
and like drinking loads of
strong bow
which is like a cider
that you can get
from a corner shop
for like at the time
like two quid
like and just really trying
on these different costumes
and like really being insistent
on being alternative
and different
like just trying to be like
so different
to what people expected of me
my first crush
wasn't a
like
I went to a girl school
so like I didn't
have
like boys my age
in my life
my first crush
was Daniel Radcliffe
like
classic
yeah and that was
pretty powerful
I feel like
that's why I can understand
like
I guess the girls
who love
the K-pop boys
I don't know their names
unfortunately
but like
I get that
like when you're like
what is it
like 13 to like
15 and it hurts
yeah
You love them so much.
If it hurts, you could just, like, rip out your own fucking heart
and, like, chuck it out their faces.
Like, you're just like, I know you're like...
So, hold, do you think, and I guess I'm posing this to maybe everybody on the call right now,
I feel like maybe boys don't get that as much
because we're not marketed to in the same way.
I'm just wondering if, like, the fire of that is turning.
turned up and goaded by, you know, because they're packaged very specifically to be like,
I'm going to talk about everything but the sex and then act like it's just prepubescent love.
And I'm going to dance.
And I'm, by the way, 10 years older than you.
Yeah.
You know what I mean?
And it's like you have these men children singing to girls, to actual girls.
Like they're baby, baby, baby, all this in the rain.
You know what I mean?
And I mean, so I think it makes sense that you're like, I can't take it because they're not even being transparent.
And well, I love them.
And they don't, you know, I mean, to me, it's like, it's not just being a girl.
I want to give you guys credit.
Like, I think it, right?
I mean, isn't there something to that?
Yeah, I would agree.
What do you guys think?
I, you know, we actually were interviewing the Jonas Brothers the other day, and I was watching a documentary.
And they, there was like a point in their career where they were like, you can win a date with the Jonas Brothers.
And there's all these girls in line who are like, I can't wait.
I don't know, I was, I was, I knew that that's a thing, obviously,
but I was like, wow, it's so late.
Like, it's so in your face.
And I think it's true.
It's crazy.
I totally agree.
I feel like, actually, we were talking about this today.
It even made a really great point that that time of your life,
you live in fantasy a lot.
Yeah.
And the thing that is amazing about having crushes that are very far away,
is that it's far enough to not feel threatening,
but allows you the space to start stretching those muscles
of what you're attracted to
and your first, like, feelings of desire.
Yeah.
But it's safe.
And if the line is ever crossed,
like I'm pretty certain, like, one of those girls
who was like, I need a date with the jargoner's crackers!
It was also, like, if she sat down across the day to tell them,
would have nothing to say.
Do you know what I mean?
She's 11.
We live in that.
Because she's 11.
And also, but I do think you're right.
Like, the marketing of that fantasy is the beginning of what ends up being when we're older, you know, everything from like, God, I need that bag.
Because if I have that bag, then this lifestyle will unfold itself.
Or, Lord, I need that, you know, I need that body because then suddenly I'm going to be really happy.
Like, it is the beginning of those things.
If I have this thing.
Everything will be complete.
And it is, I think, is that kind of winner date with the Jonas Brothers thing
is taking that fantasy and then turning it into something marketable.
But I think the fantasy thing is a real thing within itself.
What was the other question?
So my first love...
And then first heartbreak.
First heartbreak.
My first love was actually really complicated.
It was when I was in my early 20s.
Is that allowed?
Whatever you're comfortable sharing.
It's boring.
It's too old.
We want something tried.
It's actually way more interesting.
If you're open, we're open.
Yeah, yeah, we're totally open to it.
My first love, I would think I was about 20.
No, 21.
I was a really late bloomer.
I was actually quite scared of boys.
Is that partly because of the,
because you went to all-girls school for all-girls school
for a long time. Is that right?
Yeah, yeah, until I was
16. Like from
the early days too?
Yeah, no, so primary school,
it was a mixed school and that was fine.
And then from the ages of 11 to 16
I was at girls' school. And totally
lost my confidence, had no idea how
to talk to boys. And then
I went to drama school, which
was like, I don't know
what you guys call it here, conservatory?
Yeah.
And then I was amongst like so
many boys who were amazing they're still my friends to this day but was like trying to get used to
it and I met my first boyfriend at the Edinburgh Fringe Festival and it was it was kind of a whirlwind
situation that lasted far too long um you know that thing like I don't know why you keep going
back there's no point um and that he was also my first heartbreak and it was around you know
it was slightly more complicated
because it was around the time that my mum passed.
So there was a,
it was bittersweet
and I think I was also holding onto
that first love
in a way that I think
like a young person
without any of that trauma
wouldn't have potentially
and it took me, you know
I, it took me a very long time
to work my way through
that heartbreak.
it was actually very complicated because it was mixed up with grief.
So that was just like a, it was a whole, you know, my 20s was a whole time of divorcing myself from that pain.
But like the big, you know, afterwards actually it was, I kind of went the opposite way.
It became quite detached from the idea of relationships and love and the fantasy of being with someone safe and kind and all of that.
And I was like, you know what, I can do it all myself.
And actually, that's when the workaholic part really ramped in.
And I was like, I don't need to go home.
I need to do a job after job after job.
I'm going to do this for the rest of my life.
And, you know, now 33 years old, happily, I have a wonderful partner.
And that has totally calmed down.
And that's actually probably been the thing that's helped me to pause
and be like,
ah,
there's so much beauty in the world.
Like,
you don't have to run on the treadmill.
But yeah,
it's just the concept,
I think it was so interesting
when you're young
is the,
how your attitude to love changes.
Like, I think when I was young
and at first love,
it was a deep need.
It was kind of like
maybe the crush thing
of like, oh God,
need you.
Yeah.
Like that thing of like a fantasy, but like maybe toned down just a little bit.
But that the need, I've never felt a need so strong in my life.
And I don't think, you know, I think like when it comes to like love and stuff, I think it should be a want.
Definitely.
Not a need.
Like need, I need water.
I need air.
I need a home to live in and I need clothes on my back.
But I, the need thing.
puts it into this ownership, possession,
grabby feeling that I think can feel,
make someone else potentially feel quite claustrophobic.
Whereas I'm happy to say now I'm in a space of one,
I want to spend time with you, I want to share things with you,
and hey, that gives us the choice.
It's more romantic to me to want to be together
and choose to be together than to need to.
That feels eventually destructive.
At least of your own identity.
When you need it so much, then you can overlook, at least in my case,
you overlook so many things that if it was just a want,
you'd be able to be like, I don't want that.
The red flags were flagging.
There were so many, look, I can't even go too deep into it
because this is about to be broadcasted everywhere,
but the red flags were fucking flagging.
Like, are you insane?
I just sometimes wish, like, if everyone had the power to, like, have a time machine,
like they would just go back and just like
hold yourself by the scruff of the neck
and be like, what are you thinking?
You know?
But it is mad that thing
where you just have
that rose-tinted glasses is a real thing.
Yeah, it is.
And you know it but you choose not to know it
and that's mental to me.
Question I have about your sort of upbringing.
We didn't touch on.
You know, I don't know how much,
you definitely don't need you to go into like
intense detail with your family.
and stuff want things to remain private,
however much you want that.
But are you the baby of three children?
Is that right?
The youngest of three children?
So as an only child, I mean,
I do have a shout out to my half-sister, Jenny,
but we are 17 years apart.
We are both only children.
These two have siblings.
They're very much.
I'm the baby of three as well.
You have the baby?
Yeah.
So I'm just curious how that, like,
you know, you were saying before,
and this can maybe launch us into their career
bit um you know you were you were saying something um uh how did you phrase it you said
you know you wanted that love you wanted the acceptance and love that you felt kind of that
that first turn at 11 years old as angel gabriel shout out to angel gabriel by the way also
delivering the Quran to Muhammad telling Mary you're the same guy right rapping bars this man
has bars he's like he's just delivering constantly um I just want to
I just want to say that.
So that love, though, that love that you, and I mean, obviously, your mother,
it obviously sounds like there's so much love in your family.
Of course, that always looks and feels so many different ways.
I'm curious just like what you think being the baby of the family contributed to that,
if at all.
Oh, man.
Yeah, like so my brother is 10 years older than me.
Okay.
We didn't live together
He's my half-brother
And then my sister lived with us
But seven years older than me
Okay
She's also my half-sister
But like, you know
I just call him brothers and sisters
The
I think
The interesting thing about being the youngest
Is like
You know
Your parents have done it before
So they're like dab-hand at it
They get it
And I think they're older
So maybe more tired
But also I guess
within my family dynamic
I came from
a home where people were
actively healing
and I was seeing it happen
and that's not always a pretty thing to
witness you know there was
as any family arguing and
conflict and
I think as the youngest
you
and I think every family member
holds a role
I
out of a survival technique
decided that my role was going to be
the sweet one
there is safety
in being the one who goes, oh, she's fine
because she's always well behaved
and, you know, I
was told at a very young age, oh my God, you're so cute,
you're just so sweet
and then, you know, being the baby, that's something that
usually happens
and so that
kind of pattern of survival
you know, that every kind of
families are so strange in that
way. Everyone knows what their role needs to be to keep uphold the, I don't know, the family
dynamic. And that to me was the thing about being the youngest. It was like, I need to be well
behaved. I need to be quiet. I need to not cause a ruckus because everyone was dealing with
something and I can't add to that thing. So, if anything, the love I was trying to receive,
even though I had huge amounts of love from my family
was a very specific type of love
because it was something that I was controlling myself.
There was a power in being able to dictate how people were loving me
and why.
There was something really attractive about how contained it was
to a performance, not to who I was.
I think I had this.
Does that make sense?
It does.
I don't know if that means.
No, it does.
Sounds like you've actually reflected on this quite a lot.
Yeah.
Oh, yeah.
Yeah.
No, I mean, because it's well, you're you're kind of naming it in this way very, very well.
Thank you.
Yeah, I think I'm trying to, at this point in my life, really trying to understand it.
And I think understanding it means that now I have compassion for myself then and then who I am now.
Yeah, there was something about control for me.
me. If you're the youngest, you're very much not dictating the relationships in the house.
You don't have much power. You're the cute one, yes, but you don't have much power about
creating the dynamic. The dynamic has already been set up, so you're just slotting into place.
So acting and all of that was a way for me to control the dynamic and express things in a
contained space that meant that when I walked away from it, everything I felt stayed in that
space and I could go back into being the good girl, the quiet girl, and everything like that.
But as soon as I was in that drama studio, everyone listened to me. I know what to do.
You know, I think that was the thing. I felt powerful doing it.
Stick around. We'll be right back.
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So Naomi, you are in a new project called Sorry Baby.
Can you tell us, you're at a point in your career where it sounds like you're being really thoughtful and really selective about the projects you choose.
So why sorry baby?
Yeah, my gosh.
You know what?
It was such a gift.
It was during the strike.
I was so stressed and bored.
And I had just done the year before,
I had just done Blink Twice and Mickey 17,
which was quite elevated.
It was quite heightened performances.
So much fun.
And I was really hungry for something that was pared down.
I did a project of good few years back called Masters of Nunn with Aziz Ansari
and that was such a special experience of not feeling like I was acting but being really present
and I was really hungry for that again and this story came along
and I hadn't read anything that was so honest
in its tragedy and humour
and there was something so attractive to me
about following this friendship
and having that as a study for myself
in this time it was like a
it felt like something new to do
and the writing
oh God, Ava's writing
I've said this and I don't know if this is going to make sense
but it kind of reads like butter
like it's like smooth and easy
and spreadable
like it's just it's just it's just like
the kind of like the story was just
telling itself to me and can you give or lucid or some context
just you know a brief arc of this story not you know not the arc
yeah of course so the something
bad has happened to Agnes
and this story is about
the slowness of healing
it's also the story about friendship and
that is a huge impetus for someone to heal,
not just because of how people interact with each other
when they're best friends,
but also watching your best friend
begin to live their life
and going into a new stage of their life.
It's just, I got really, like,
I watched it for the first time at Sundance
and with a really huge audience,
and I've never quite had an experience like it,
because what I had read on the script felt good,
and obviously like what we did on set
felt really good and honest
but the energy of this piece
is about like love and healing and support
and humor in the tragedy
like the humanness of how awkward we are
and how non-linear healing is
but how everything is kind of always going to be okay
yeah
I think that's what is.
Naomi, I was curious, and you definitely don't have to go there if you don't want to,
but my mom passed away when I turned 30, and it was really sudden,
and I was reading sort of a little bit about your journey,
and you talked about your 20s kind of being a fog,
and I was thinking about the film and how part of Agnes's healing,
what's crucial to it is that friendship.
And I was thinking, when my mom died, I had just moved to a new city,
and I really didn't have any deep friendships.
So that didn't help me.
Like, I think that I just didn't have that to rely on.
And I was curious, like, for you, how friendships played a part in your healing journey if they did.
Oh, man, hugely.
I mean, so when mom passed, I actually, I went so deeply into my shell that I don't think I talked to anyone for about nine months and, like, barely left the house.
It was a very deep depression that I fell into.
I think what was so beautiful to me in that time and looked, like, death is.
is something that I think really shines a light on who people are
and how they live in your life.
The friends that I have now who saw me through that time
are the ones who allowed me the space to retreat
and come back without judgment
and say my arms are always open.
But also I know you, Naomi, and like I'm quite an insular.
I think if you can tell by the way I talk,
I'm quite like, I live in my head quite a bit.
and I have to take a lot of time away
just to jumble through all the things that's going on.
The kindness of my friends to give me that space
was really important
because I think when I kind of went into myself
there was also a lot of shame and guilt
about the need to do that.
And it's funny actually,
I think about that time of deep depression
and I used to be so terrified of it.
I used to be terrified of going back to it.
But I also think that was so fucking necessary.
I, like, and you know this, like, when someone passes that it's such a pillar in your life, you are torn a fucking part.
Yeah.
You are ripped to fucking shreds.
And it's like, I think of like a lion or something like, you know, like if they're injured, they go away off by themselves.
There's something, I think, quite sacred about giving that that time and allowing it to, like, I think I really got comfortable with the ugly part of being alive in that time.
in that time
and the friends I had in that time
who allowed me to live out that
ugly space
and ugly not in like a ew ugly
but like the kind of robust
ugliness that is grief
that is kind of fucking beautiful to
it's like an evidence of how much you love
it was
I'm still hugely appreciative
of those who could hold
that space for me and allow me to
change my form
in the way that I needed to
to survive that time
of the things I can remember
I'm in EMDR right now
trying to work through
a lot of stuff actually
and it's really helpful to reframe that
and it's really working to
help me kind of go
oh wait like this is a human process
this is actually fucking normal
well done for being like a human
yeah that's so true
you know what I mean
I would imagine people ask you a lot about it
So forgive me if it feels like a bit of a broken record.
But the unique challenge it is to take on a role of playing somebody who's a real person,
especially somebody who's died.
In this case, Whitney Houston, and I want to dance with somebody.
Somebody who means so much to so many people.
Yeah, I'm just curious about how you approach.
and I want to maybe give one frame that you can take or leave.
So among the many things you've said about the film
and your performance is incredible.
Thank you.
I did read about your literal hunger while you were playing with her.
I was so fucking hungry.
I had to lose a lot of way for that.
Well, because she was so thin.
And then, of course, she was so thin.
By the point, she was deep into addiction.
She was even thinner.
So, I mean, you know, yeah, so that's just a necessary facet of planning her.
Yeah.
But I was wondering if the altered state that fasting and like low calorie mind can bring,
I was wondering, you know, if that brought any unexpected insights into Whitney's state or anybody's state
when like a drug is overtaking you or even just, you know, fame,
the lack of autonomy she had in life in general.
I'm just curious if you.
Yeah, you know, I think, and it wasn't intentional for those things to intertwine,
but I think it actually helped me in that time.
Losing the weight, I lost about 30 pounds in about five months.
Wow.
So, like, it was a very intense time, and it was something that I wasn't necessarily like.
Did you have a nutritionist while you did that or anything?
Like, no, mate, I went, I went, I just went cold turkey.
I don't know what I was thinking.
Cold turkey on food.
Cold turkey, no more for me.
I think it's insane.
But also, like, there was this thing of, like, I have to, you know, I don't look like Whitney.
I knew I could act like Whitney, but, like, I needed to, it felt like I needed to convince people as closely as possible.
Like, I could do this.
What I realized in that time was that, like, food as a sustenance, like, fills a space.
And it is not just about, like, nutrition, but it's about comfort and grounding.
And in that time, I didn't realize that.
I was so deeply ungrounded in that time, but that, you know,
and you can equate that to the ungroundedness you may feel with fame or if you're an
addict.
Like, there was something about feeling like I was floating, and the lighter I got was
the more I was floating.
It was like I couldn't quite ground myself, and there was no comfort source available to me.
And look, I'm a comfort eater, like, at the best of day.
Like, it really, I had two cookies this morning.
I, like, six in the morning.
They were just on the bed.
I just had to.
But, like, I think it tapped into a part of me that I wasn't aware of.
The biggest part of me was I was so irritable at that time.
And I was so sensitive.
I'm a sensitive person, but I was so sensitive.
I look back at some of the things that I was freaking out about,
and I'm like, oh, babe, that is not a bit.
big deal. But for Whitney, the stakes were so high. Yeah. From a very early age, the stakes were
extremely high. She was extremely famous, had huge amounts of money, huge amounts of influence and
adoration, and a family that she needed to look after, let alone, you know, her future, her future
partner and all the things she was juggling. The stakes were always very high. And so while doing it,
The stakes felt high for me, and there was no outside comfort.
You know, I had to maintain that.
I had to keep thinking about my weight.
And look, like, I wouldn't recommend it.
I actually, like, I think it was extremely reckless of me to do,
and there was work to be done afterwards to heal myself from the body dysmorphia
that I had putting back on the weight because you cannot sustain.
things that aren't natural to your body
and you know
that was something that I
kind of had foresight of but was like
ah future Naomi can handle that I need to get this job done
I would never pay that price ever again
I would never do it ever again
I'm proud of what that performance was
but when I look at the film now
a part of me is a bit sad that I put myself through so much
you know
to tell a story
that I was extremely passionate about doing right
and I do think it fed it
but also at the same time I'm like there are other ways
to fabricate those feelings
outside of putting your body in danger
and like speaking on that you know
there are I guess we see it often I think we mainly see
with men male actors like when they lose weight or put on weight
and there's a reward system around that
the idea of like an actor transforming
but I think that's pretty
dangerous, if I'm being
really honest. If not to
anyone, then just to the actor
themselves, just in terms of how
your metabolism works and how your mental health
state is when you're doing those
things, I'm
a middle ground kind
of girl now.
You know, if I
ever do an action film, yeah, put me in
a gym, I'll try and bulk up.
But I believe
in, I believe that
doing the extreme for something
that is temporary, even though it lives forever in cinema, my life is more important than
whatever I make.
Yeah, it sounds like you've come to a healthy...
A healthy understanding.
I want to ask really quickly about Blink twice.
There was this incredible moment in the beginning where Frida and Jess are talking and
kind of being like, isn't it, Jess is like, isn't it weird that they laid out clothes for
us?
And Frida, your character says, I don't think it's weird, I think it's just rich.
And I thought that was a brilliant line.
It captured how it can feel to, like, kind of be dropped into these, like, high-powered spaces
and the kind of things that you just, like, let slide.
You just let half of.
Maybe this is how it works.
It's what they do.
Yeah.
And I was curious if you've experienced anything similar to that in your own career,
like having come from, like you said, a working-class family, being dropped into Hollywood spaces.
And have you ever experienced something?
like that where you're like, I guess it's just how
it's done? Oh yeah.
I'm not even sure if I can...
Just nod and blink thrice.
I think like
I think the
biggest thing I've noticed is like
freedom
of options
that I didn't know was
a thing
you know
I've seen
without giving too much
like I've seen
people who I would not think
would do certain things
doing
crazy things
and that was definitely
when I was younger
like I actually now
I don't see anything
because I don't
I'm not in those spaces
and there's a joy around it
like I just
what I really have observed
is that
it's all kind of like a game
a little bit
I feel like it's like
past like a cool kids club or like thing
like there is something of a performance of it in itself
and that makes me feel a little bit icky
and that's not all spaces
I like there are so many people who are very successful
who I absolutely adore
but the institution kind of vibe of it
I think like I'm like oh what is this
where are we? Yeah it is weird
where are we and why are attaching value to these
things and like who are you again and a freedom of movement and options that for some is
liberating and for others I go what are you running from sometimes not my business but I see it
I see it and I go I wonder I can't help but wonder because you know there's that saying like
you can earn a certain amount of money and you're happy and then like there's a tipping point where
like, you know, there's almost such a surplus of opportunities and options that everything
kind of becomes a bit boring and dull and you feel kind of empty inside.
Yeah, you end up creating an island or buying your island and bringing people there.
Yeah, exactly.
And like, I think the thing that I've really noticed within the industry and only some spaces
that I've been in that I now avoid is either the one where it's like I can do anything and
I'm invincible
or that I'm hungry
to be invincible
and both of those
energies make me feel
always uncomfortable
and that's when I know
when to leave
if I feel
myself slipping into that
feeling for me
it's the hunger thing
whenever I'm in a space
where I'm like
I really want to impress you
I really want to be in that fucking film
I really need that photograph
then I'm like
this is probably not the space for you now
because I'm just
I'm just absorbing other people
people's energy and I'm like that's not actually me I just need to go home and go to bed and have a
cookie that actually in some ways is a natural segue to our to our classic final question
because what I heard just there was it was something of older Naomi or future Naomi going back
and talking to 12 year old Naomi so so our question is to everybody at the close if you could
go back to 12 year old Naomi what would you say or do if anything
I would give her the biggest hug.
I would just give her a really, really fucking big hug
and be like, all right, buckle in.
Stay aware.
Keep your eyes open and know how to rest.
That's lovely.
Yeah, yeah.
Thank you so much for making the time of coming on.
today. Thank you. Thank you. That was really fun. That was awesome.
You can see Sorry Baby in theaters now and you can follow Naomi Acky online at Naomi Acky.
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