Podcrushed - [Rerun] Jonas Brothers
Episode Date: April 29, 2026[Original air date: July 23, 2025] Well folks, they’re here. The Jonas Brothers — a once-in-a-generation trio who’ve helped define pop culture for the past 20 years — join the pod for a candid..., unfiltered conversation about their early years. From playing mall shows in Wyckoff, New Jersey to headlining stadiums across the globe, they reflect on family, fame, and the road to their monumental comeback. Plus, they share a sneak peek at their new album, Greetings From Your Hometown, out August 8. 🎧 Want more from Podcrushed? 📸 Instagram 🎵 TikTok 🐦 X / Twitter ✨ Follow Penn, Sophie & Nava Instagram Penn Sophie Nava TikTok Penn Sophie Nava
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Lemonada.
So 12 years old, just started new school in New Jersey,
and it's actually the year I picked up the guitar.
Oh, okay.
Yeah.
I started a day to just picked it up.
He didn't do it.
I just picked it up for the first time.
What is this way?
Welcome to Podcrushed.
We're hosts.
I'm Penn.
I'm Nava.
And I'm Sophie.
And I think we would have been your middle school besties.
Craming for finals 15 minutes before they start.
Shit.
Welcome to Pod Crush. Sophie and Sari, where is Penn Badgley?
He's here. Not to worry. Do not click away, listeners. He's coming. He's actually coming with his three honorary brothers, the Jonas brothers.
He filmed one TikTok with them. People pointed out they were all brunettes. And now he goes by Penn Jonas and he refused to do this intro with us.
So, you know, there you have it. Before we jump into this episode, which we loved, I was smiling for days after. I think you all will love it too.
We want to thank our friends at Sirius XM who allowed Penn Jonas and the rest of the Jonas brothers
to use the studio today for filming.
We're so grateful.
We couldn't have done it without you, especially a shout out to Adam and Gian who made it happen.
I do not need to tell you anything about the Jonas brothers.
You already know who they are.
They have been at the beating heart of culture for the last 20 years, which is such a crazy thing
to be able to say about such young men.
Yeah.
They're back today in support of their.
a new album called Greetings from Your
Home Town. There's already a few singles out that you can listen
to and their album will be out August
8th. We talked all about it and all about
so many other things. You think you're going to
love this episode. So, don't
go anywhere. Stick around.
So I'm not sure if you're aware, but
what we do here is, you know, it's pod crush.
The idea is adolescence, middle school.
We start at 12th because that's a
formative time of life for everybody,
right? Definitely. Particularly for
performers. It is the case.
You guys are right there in the pocket
because your adolescence was, well, largely documented, right?
And there's like...
Too largely documented.
Well, exactly.
And we want to go to the highs or lows, everything.
But we like to start just at a snapshot, like daily life at 12.
Now, obviously, you're not all the same age.
So I was wondering if maybe we could just get, you know, like Kevin at 12,
Joe at 12, Nick at 12, and the way you were, as much as you can weave it together,
just like, you know, the way you were influencing each other's adolescence.
And you all had a different life, right?
But let's just get a snapshot, maybe just from the eldest to the youngest.
Yeah, so 12 years old, just started a new school in New Jersey, private school.
We came out of a public school thing and went to a private school.
and I was the only one at this point
still going to like to school.
Nick was already starting to work
on Broadway.
I was doing slightly some commercials,
some commercial work
and I was like in and out of school a little bit
but mostly I was just in school
and it's actually the year I picked up the guitar.
Oh, okay.
Yeah.
I started it, he just picked it up.
He didn't do anything.
I just picked up for the first time.
How much is this way?
Yeah, I was homesick from school
with strep.
I used to get a lot of strep throw.
All year.
I faked it for another week,
but I had it for like a true like, you know,
we've, fevers, the whole thing.
And I, at that point, obviously,
like it's not like today
where you have a million things to watch at any given time.
So I got really bored
if the price is right at 10 a.m.
Oh, wow.
That just gave me a flashback.
It's like Nick Jr. was on,
you know, like it's just like Nick Jr.'s on.
Then it moves to Nickelodeon,
but you're just kind of like waiting
for any content that you might like.
So I was bored of it
And I picked up a teach yourself guitar book
And that was when I started like doodling around on the guitar
Wow
Did you have to
Was there a guitar at home already?
There was.
We grew up in a very musical home
Our father is a great musician
Grew up singing, playing in different like country clubs
Not like golf but like actual country western
Oh right.
Okay.
Like singing and then like led
Then we were in my dad was a pastor
Arda was a pastor of a church at the time
So we were also like music was a part of the church
and so like growing up playing and being around it a lot.
And when you were 12, how old were you guys?
Maybe you would know better?
We're what, four years apart, five years apart?
Yeah.
I was like eight.
Okay.
10 and a half, depending on how old camera was when he was 12.
Okay, can I ask how you do you remember?
It's getting real specific, so it doesn't need to be better.
How did you at 12 when you were 12, let's get you at 12,
and then how did you perceive your older brother?
Because older brothers are a thing.
By the way, I'm an only child very much.
Okay.
And also just for our listeners,
obviously you know,
we all know who you're pointing to and talking to,
but just anyone who's listening,
you all,
because your brothers,
sound remarkably similar
when you're just listening in headphones.
Yeah.
Yeah.
Just what we're like,
who is it?
That was Kevin.
I just told my 12-year-old life story.
Yeah.
I did say we were starting eldest.
Thank you.
So.
Yes, yes.
But then just now you said,
and you, and you?
And you?
And you couldn't say you more.
Joe.
When I was 12, these guys were both very athletic, and I was not.
So I would hang out with them or go to a lot of their gymnastics meets or they would go skateboarding a lot.
So I was the guy that would film skateboarders.
So somebody hit a nice Ollie in the documentary.
Was that you?
I was you.
I was Kevin.
I lived my best life with skating.
I like there's like I will listen to the music and I watch the documentary.
I like you pointed out something from it.
You're prepared.
You're prepared.
I appreciate it as a prep.
Thank you.
So, yeah, 12 years old, I was just starting to think about music because the crush that I had at the time, I brought her to see Nick on Broadway.
Nick, Nick, the youngest brother.
What show was the end?
You remember?
At the time, I think it was Le Miz.
Okay.
So it was Le Miz.
That was your first or second?
When you were 12.
When you were 12, he was in a late Miss.
Yeah, yeah.
Yeah, when you were 12.
I just sent me out to sound like a jerk there, but yeah, it was my third.
Yeah, okay.
his first Broadway show.
And seeing that show with somebody that I had a crush on,
and she was like, wow, that is so amazing.
I immediately wanted to get into theater or be an actor of some sort.
So I was interested, and Nick was already doing theater.
Kevin was doing commercial work, so we started all kind of acting.
And I loved comedy, but I was also funny because I was too shy
to stand up and do anything with comedy, but I love the idea of doing something in the comedy world or space.
So, again, not very athletic, but I would hang out these guys all the time.
So I would go and film, like, with, I bought, I think my parents bought me for Christmas one year,
like a Sony, like VHS cam.
So I could go and film pretty much whether it was home videos, home movies, or these guys and their talents.
So, yeah, that was me at 12.
That's thoughtful that you were, I mean, it was the 90s, right?
But you were, but like that you were filming your brothers, that feels to me like,
I don't know
that's that's giving
you know
to not necessarily
initially want to turn it on yourself
yeah I mean I wish I could have
I just didn't have to do
I didn't have
I wasn't as
gifted in those talents
as they were
and then
how I viewed my older brother
Kevin I
it was great to be the middle child where
if one of them
didn't want to hang out with you
or if Kevin when he started
like his first I guess girlfriend
I was
Then I was able to be like able to be like
Well Nick's gonna be around
He's gonna hang on me too
So I was always able to like kind of have somebody to befriend
And I think those years
Like we were just starting to get into music too
The idea of
Of listening to the same kind of bands
A lot of like emo punk pop bands
Jersey was like
They would do shows
You'd see these funny videos of people performing in little
I hops or basements of clubs
we were like one day we're going to go see these concerts.
So music was just on the forefront.
Right.
And so by the time you're 12, Nick, it's really there, right?
I mean, because you had started so early.
Like, you really, I mean, if, to whatever degree,
the documentary reflects all the things that were happening.
I know stuff is left out, but it seems like you really kind of...
You started super early.
I started, yeah, about eight years old.
Right, okay.
So by the time you're 12, where in the evolution of,
Your own path and also the Jonas Brothers path, are we?
Yeah, it was early stages for the Brothers Path.
But basically during my 12th year of life, I was making a solo album.
So I'd been signed by Columbia Records as a solo artist first,
coming out of the Broadway shows that I was doing as a kid.
I did shows from the time I was 8 to about 11.
And then somebody heard this song that I'd written with our dad
for a Broadway cares, Equity Fight, Say,
Christmas compilation.
And, you know, my dad and I would,
I did too, our father and I would...
I get it.
It's my story.
You know, we would write songs, basically,
silly, fun songs on the way to New York City
from our home in New Jersey,
just as a way to pass the time.
And then eventually it started getting
more and more serious, and we started, you know,
really kind of writing real songs.
And so when they, you know,
said that our show was going to do a number
for this compilation,
and my dad very boldly asked if we could present an original song
as Beauty and the Beast's contribution.
And they very boldly said yes.
And someone basically that we knew a family friend
who happened to be our chiropractor of all people,
Dr. Wallony, shout out Dr. Walney,
played it for somebody that worked at Sony Records.
And we thought that could be anybody who knows who this person is.
And it turned out that it was the head of international affairs
for all of Sonny Music Group.
Wow.
Who then brought me in to have me meet.
This guy David Massey, who had signed, you know, incredible acts
and happened to have signed a couple of acts of brothers.
Good Charlotte.
Oasis.
Oh, wow.
Some, you know, major acts.
Some people.
Some people.
He named me kind of on the spot at 11 years old, and I spent a year working with songwriters,
so I would drive into a city with my dad or our mom,
and basically kind of be dropped.
Can I interrupt you to ask you a question?
Is it normal for them to allow an 11-year-old to write part of the songs?
Like I would imagine that they would not include you in the writing process.
Like how did you end up being able to be a songwriter on that album?
Yeah, it's a great question.
I think the thing for me was that I was so ambitious.
And I credit our parents with instilling a lot of confidence in us at an early age
and empowering us in our desire to create music and not just perform it,
but to create it.
To where, you know, when we were negotiating the deal points for my album, my dad said that,
you know, it was important that I be a part of the writing process.
And so I'm sure these songwriters were all rolling their eyes going, yeah, sure, this is 11,
12, okay, is going to walk in, yeah, and be a part of it.
But what ended up happening is I cut my teeth in that time and really learned the craft
and kind of went to school, getting to work with some of the, you know, the best writers
here in New York City.
to a point where basically I would come home and listen to Kevin and Joe through the wall
workshopping different songs each night.
Kevin would play, Joe would sing.
And I one night went and heard them singing a song called 24 by the band Switchfoot,
an album that we all loved, a beautiful letdown.
And I was taken aback by just how brilliant they sounded together.
And then we started working on a song together,
and it was the first one we'd ever written.
So really the genesis of the band happened when I was 12.
and formed kind of out of a wild set of circumstances
to where that song that we wrote that night
ended up being the song that got us all three signed
and ruined my life.
There is a fourth Jonas brother.
You have a younger brother, Frankie, who's quite a bit younger,
so I think from an outsider's perspective,
it makes sense that the three of you
have gone on to form this band.
But I'm curious how that has played a role,
or, you know, was there ever a time when
it would have maybe made
sense for him to join you all, or was that ever something
he wanted? How much younger is he, can I ask
for us? He's 18 years younger than me.
Okay. But 12 or 13 years younger.
13 for me, yeah, right, right. So he was,
you know, he was not a surprise.
Wow. Which our parents,
you know, they wanted to have another
child and, thankfully,
you know, God, God
did God's things, and Franklin
appeared. And he, you know, from the time he was born,
he was like, he was,
just so full of life and funny.
You know, like, I have a three and a half year old now,
and I'm sort of watching some of the same character traits
that Franklin, her uncle, possessed, you know, at that age
where he was just funny and carefree
and had a really interesting perspective on everything,
and she kind of shares that same thing.
It's fun to see that connection points generationally.
But, you know, I don't know if there's ever a point
where he wanted to join the band,
but I think that naturally growing up,
you know, with your brothers being on TV and touring and, you know,
it can certainly affect your sense of reality and your perception of, you know,
kind of what life is or what normal life is because he had only known one speed.
We had, you know, at least in my case, 12 or 13 years of real normalcy
or perceived normalcy and a very sort of simple life, you know,
there's not a whole lot of money in ministry, turns out.
You're doing God's work.
We were, you know, we were, I think, really fortunate to have early days where we had a real sense of what hard work meant and, you know, that great things could be achieved, but it takes time and how to treat people.
And so I'm sure for Franklin a bit disorienting, but he's really grown into to be the absolute, like, most wonderful human beings.
being who's got the biggest heart
and shows up not only for the three
of us in so many ways,
but for our kids and our family.
I'm lucky. I get to do a show with him.
We didn't do this season, but we do a show for ABC
called Claim to Fame, so we actually co-host it together.
Which is really fun because the concept is,
you're related to someone that's extremely famous
because you're trying to keep that a secret
and trying to figure out who these people are.
That's the whole goal of the show.
And so for him, it's like he just plays along with them
as like the younger brother,
even to these cast members,
which is so cool and so fun.
And his whole energy.
You get to like say that you're related to us,
which is just so great.
I finally know.
I'm also related to celebrities.
Yeah.
For better or for worse.
I want to go back to this point you were making
about having these years of normalcy
and they're not being a lot of money.
And I think at some point I read
in one of these things that you were essentially
like a touring family band,
living in a really small apartment.
You did get some money from the album.
had to be split with like the whole family and they were extended family members maybe coming
into the picture at some point. So can you tell us about that time when you're like in the small
apartment, you do have a deal, but you know, it's it's a simple time. I think because we didn't
understand like the complexities of what our parents went. And now as parents were all like,
you guys are unbelievable that you did. You went through this. Our mom was pregnant with Franklin
at the time and we're just kind of starting as a band and our dad is kind of weighing two different jobs,
three different jobs.
And also just like kind of letting us chase our dream, which is amazing,
but teenagers who don't even know who they are yet.
And also living this life of quote unquote rock stars.
So you'd go and play these concerts with thousands of people in the audience.
And then we'd go live in a bedroom of four boys in a small little house in New Jersey.
That are, I think the police chief that was like cool with our dad gave some mates rates
and they gave us like a cheap rental
so we could all live still in New Jersey at the time.
So basically, yeah, when our father finished
at the church that he was pastoring,
that also meant that we had to move out of our home.
So the parsonage is the home owned by the church
that the family of the pastor will live in.
And you'd grown up there.
We'd grown up there.
I mean, yeah, we'd been there for about 11, 12 years.
And so this very kind sort of friend of the family
had a home that his mother,
who had just passed
that he said we could live in
for very little to basically
no rent because he knew how
strapped we were
because my dad had basically self-funded
our father had self-funded
the band because at that time
you know this is, keep in mind it's like
0-4, 05
when you really needed a spark
for a record label to invest
any money or you needed
to have a champion they would say
I'm doing finger quotes for people listening
in the building who is an executive
who has enough clout or power to say
yeah I believe in this project so I'm going to
commit to spending X on
supporting the tour or supporting
the album budgeting stuff but
we didn't have that and we had basically
been shuffled around the building with a bunch of different
champions to the point where our dad was
deeply in credit card debt
just by buying gear for us to play shows
and we would
kind of roll up to these school auditoriums
this was the record labels genius
idea and it kind of worked so
I'm not being facetious here,
but we roll into school auditoriums at about like 8, 9 a.m.,
play a 30-minute performance,
which would then be followed by our uncle,
Uncle Josh, shout out,
getting on stage and doing like an anti-drug speech.
So it was the strangest way for us to sort of like loophole
into being able to play shows before we had any fans.
And then we would leave that and go to shopping malls
and basically do the same thing,
which came full circle for us this last, what was it, March,
we did an event at this mall in New Jersey called The American Dream,
where we celebrated the 20 years of his band,
kind of going back to our roots playing at malls.
Because, again, we would just go set up and play,
hoping that people shopping would stop and listen.
And, you know, eventually something clicked and things started to happen,
but it was a grind at first, for sure.
So there is this period where your father is no longer,
what we say?
Pastor.
a pastor at the church
at the church
and that was
that was a big departure
because it was sudden
and unexpected
as I understand
correct
right and and it
and it really felt
probably in many ways
just like
like you were being
I'm just imagining
I'm reading a children's book
to my son right now
where these
these actually their troubadours
interestingly enough
they get kicked out of the
the town they're in
because they're playing
so loud. And I'm just imagining
like, you know... Similar.
Yeah, so, you know...
Exactly. It's actually about that.
But I'm just thinking, for you guys,
you're still, I mean, I know that you're into your teens
and stuff, but you're young, your kids.
Definitely. And we felt it
slightly responsible, too,
for the departure of our father.
That's what I mean. So this has an origin story to me
feels very potent, you know? It's kind
of like it's now or never,
it's a lot of pressure. I mean, look at the three of you were
here being like,
all right it worked
but that also made us feel like
anything could be stripped from us
any minute so it's hard
it took us a long time to enjoy things
because just like our
dad losing his or I guess leaving his job
and the record label
at the time dropping us
it kind of was like one two punch and it happened
within like the same month
because by the time that you guys were
known as the Jonas brothers
nobody was
that none of that was
the image that was presented initially
right yeah
We definitely had a full album and videos and all this stuff.
And when all that happened, we were feeling a little bit of shame,
but also like embarrassed and frustrated,
a little like mad at our dad at the time.
Like, why would you leave this great, like our home and our amazing life?
And you have no idea as a kid.
That's like that's the best thing he'd possibly be doing for us in that situation.
And it was like kind of treading water, at least for us,
As we're going and feeling like we're living double lives,
which it is what it is,
but we're so grateful for those humble upbringings now,
but sharing that room and then going playing these shows,
and you're like, this doesn't feel like real.
Are we supposed to be living in like this luxurious home while we're doing this?
But now it's like you see why we think why that's like probably why we're probably somewhat normal people, I guess, mentally.
And then there was a record label who was a record label who was a.
associated Hollywood Records who was underneath the
Disney like umbrella
gave us a call and was like hey we want to
meet with you we have an idea for a
pilot for a TV show and we want to sign you
a record label but we want to meet with you guys first
so we literally packed our bags and moved to L.A.
and they put us up in a one Toluca Lake
Estates Drive which is
right off universal
so when I was 12 years old
I moved to North Hollywood first
and then when I was 13 I lived in Tulsa Lake
not exactly but everyone was in that
beginning everyone was in that little neighborhood
and we took a meeting and it was like the dream pitch
it was like we want to do a TV show and maybe a movie
and then we're going to sign a record label and we're like
where do we sign? And of course our dad's like
let's just wait. Our dad's like
but then that feeling back to your question like
or I guess the Tribador book
we kind of felt like well like what if it happens again
we wouldn't allow ourselves to just enjoy those things
and we kind of talk about it in the documentary a lot
just some of those like I want to call them traumas
but those feelings of being abandoned.
Let me call them that.
I'll call them that.
Okay, the dramas of being like...
The traumas.
We'll call for now a small tea, but...
Yeah.
A spicy memory.
Something that may or may not happen to us
because we're going to enjoy it.
Yeah.
It took us years before we could just look back
and be like, wow, that was...
Now we're here.
Celebrate the winds.
We're good.
We're like, celebrate the day,
not the, I guess, milestone
or like massive year that you had.
Was this right around the time?
I mean, I just watching the duck,
I was thinking like,
this is a moment
of the kind of the silent quiet sacrifices
that like all people in music and entertainment make,
particularly people who make it to that level
of a certain kind of pop stardom.
And you guys weren't there yet,
but when you had this diabetes scare?
Yeah.
Yeah, I was diagnosed at 13.
Yeah.
So basically we were doing that school tour
and I started losing a ton of weight
and drinking a ton of water,
using the bathroom all the time,
all the signs now that I know are symptoms of type 1 diabetes.
but I think it's actually a testament to kind of the lack of information and awareness there was around type 1 at this time.
And so I had no idea.
I just knew that I wasn't feeling well and was losing all this weight.
Joe and I went ahead of our parents by like a day to this place in Lancaster, Pennsylvania,
which there was like a convention at every year for pastors and their families.
So we jumped ahead.
Joe was 16, so he was sort of like chaperoning me.
We went to the pool one day and he saw my back and called my parents and said,
you know, something's really wrong.
You had to get down here.
Because you're so skinny.
So skinny, yeah.
You can see every bone.
And I, yeah, I was, I was, uh, I was feeling just awful.
And anyway, so I went to the doctor and normal glucose should be between 70 to 120 for a person
not living with type 1 diabetes.
Mine was like north of 900, which is, which is, which is very high.
But I, you know, had great doctors and a couple days in the hospital and was back on stage,
within a week's time of being diagnosed.
I'm coming up on my 20th year
living with the disease,
which coincides with the 20th year of the band,
coincidentally.
Don't call them that.
The band.
Just the leaps we've made, though,
it's pretty astounding, you know,
tech-wise and even just information
that we have now as opposed to what we had then
is really wild.
Yeah, wow, that's amazing.
And we'll be right back.
There's this moment in
the documentary. We keep mentioning it. Everyone just pause the podcast to go watch chasing happiness.
It's so good. Yes, can very much recommend it. Thank you. There's this moment where Kevin takes a phone
call and you're on the phone with someone named Danielle. I'm like, is that his wife? Is that Kevin's
I had to go up and look it up because Joe says at one point like, that's your future wife.
Like tell her you're so excited to see her. It was such a cute like brother moment, which was so nice to
see.
It's all AI.
I'm pretty lucky.
All AI, actually.
Amazon Brian has lots of money.
Yeah, exactly.
I'm pretty lucky to have that kind of footage, like, of that call,
me inviting her to see her first show.
Yeah.
That's pretty cool.
But there is a question that we ask all of our guests on the show,
which is to tell us about their first crush and maybe first heartbreak.
And yours will be interesting because, sorry, so just to interject,
I just want to give the framing.
It's interesting because, you know, so much about your,
adolescence is completely abnormal,
as are many people on the show, by the way.
It's like, it's more or less, nor was mine.
But, you know, finding those places
where you were just normal kids.
Yeah, right.
Everybody has those feelings.
Yeah.
Who wants to go first?
Elder's brother.
Where are you at?
Elder Kevin.
Elder Kevin.
We were so, Elder Kevin.
Speaking of church.
I will say it's a little surreal, by the way,
talking about this age right now
and thinking to myself like, oh, that's my daughter.
now.
Is she that old?
She's about to be,
she'll be 12 next year.
Yeah.
So it's like,
it's a little bit like,
oh, no, like her.
Everything I'm doing
will affect her life.
Oh, no.
You know,
like I'm doing that a little bit
in my brain right now.
She just graduated fifth grade.
It's a big deal.
That is a big deal.
It's a big deal.
As you know,
middle school, you know.
Yeah, I used to teach fifth grade.
There you go.
It's such a good year.
God bless you.
Anyway,
first crush.
I think like first like real girlfriend,
like I felt like was my girlfriend
was in,
from when we were in church,
we actually kind of dated sisters at one point.
I never dated, is that, Lauren.
Yeah.
I never got there.
Never got, okay, well, I did her older sister.
And she, yeah, it was definitely, like, early, like, definitely into,
see a girl fall in love right away, thinking you're going to marry them at 15.
But that didn't happen.
Yeah.
But, like, you know, back and forth, on and off again, the entire high school, like years, actually,
which is pretty crazy.
We were born a day apart.
Just as an aside, did you end up graduating high school?
Yes, I did graduate.
You mean like in a school or you mean it's just in general?
In a school.
Oh, well, kind of.
We went to...
We're homeschooled.
So junior year, I left like traditional, like...
It's not your question.
I thought she was actually like, do you have a high school diploma?
I actually graduated high school.
I was like, arrested.
I thought you were asking if I graduated high school, like...
I just see like visualized Kevin's middle school.
I just see like visualized...
school principal burst in the doors open with handcuffs.
Yeah, she's put on her middle school principal.
Just because you said they were on and off through high school, so I was curious.
Yes, high school.
I associate that until I got my license because at 17, I was a junior, but I left our Eastern Christian high school in New Jersey and went to a homeschool program.
But I was on, I was in AP courses through high school.
So once I got to the homeschool program, I was pretty much done, except for two years of Bible.
So whatever school my parents picked knew that I could be done pretty quickly.
So I spent about a month and a half of just ripping through two years of that.
And I graduated.
New Testament, no big deal.
Exactly.
And I pretty much graduated when I got my license at 17.
So just so you guys know, I'm in a similar boat.
And again, they've had such normal lives when it comes.
A lot of their lives is not.
But when it comes to their academic, they're just like,
So did you finish high school, my love?
Are you, oh, I don't.
Teenal multiplication.
No judgment.
Yeah.
I do have a diploma.
I don't know where it is or where of what school is from, but it's somewhere.
I like that.
I did the proficiency test.
Next oldest.
Tell us about your sort of first infaturation for a break.
Her name is Becca.
We can believe her out.
Becca Idaho, shout out.
And she was the police chief's daughter that let us rent that home.
Oh, wow.
That family just kept in you a solid.
Watched me in every movie made.
The four ring cameras, so it was good.
And, yeah, big crush on her.
And I was going to, like, you know, early age, helpless romantic,
started listening to a lot of, like the weird time earlier,
Copeland, emo pop music, there's a band called Copeland.
Look them up, they're great.
And I was going to show up, and at this point I'm homeschooled.
And I was going to show up.
My big plan was to show up to her school,
that I used to go to school, at Eastern Christian,
with roses on Valentine's Day and ask her to be my girlfriend.
It's going to be like the next step.
And her sister, I guess, called Kevin to tell me not to do that.
That's right.
Oh, she found out that you were going to do that.
And that we'd be better as friends.
And then I cried in my room and listened to the whole album,
this Copeland album, which encouraged me.
I was like, I'm going to write songs now.
For real.
I was like, I'm going to write sad music like this.
I want to do what these guys are doing.
So there was a little happy outcome to it.
Thank you, Rebecca.
Yeah.
But that was my first crush and first heartbreak.
Oh.
How about you, Nick?
My first crush was kind of a two-part deal here.
It's kind of embarrassing.
But I was doing a show called The Christmas Carol, my first show,
technically off Broadway, but I was around people who
love to sing and dance and tell stories for the first time
and I really felt like I belonged in this
community and specifically
one of my castmates
named Lily but I also
I had a crush on
the child wrangler
oh
for those who don't work in the business
that's uh
hold on this is a whole different
so basically they're
chaperuns because the parents can't be there
on site for the production right so if you drop
your kids off they go and do their job
and there are adults there
to oversee both their school
work, and also
just to make sure that they don't die
on set. And, yeah,
so I was really concerned, though,
this is at eight years old, you know,
that Lily, my, my, you know,
co-actor and the child wrangler
would know that I had a crush on that one of them.
So I was having to keep cool, you know, I couldn't let them...
Imagine yourself in a love triangle.
Yeah, exactly, Eddie.
It was very, very sweet.
First heartbreak.
You know, I think, yeah, probably around 11 or 12.
It's not a fantastic story, but just another school crush or something that didn't materialize.
Probably because I was seen as sort of weird because I like to go and sing songs and tell stories.
But similar to Joe's story, it sort of like forced me to music as a way of being able to process my very big feelings at like 10 or 11.
And I'm really grateful for that outlet because it is.
has turned out to be a good one.
Yeah.
You know, you just said something that jogged my memory.
Like you, I feel like I think all three of you, at least two of you have said in interviews just along the way when you began performing.
Or at least I know that you said it about acting or at least being on stage, Nick, that it was the first time that you felt like a part of accepted, a part of.
accepted a part of
something and I really do feel you there
a lot of performers feel the same way
at the same time it's interesting because you know
you guys were you were like
as you also say in the doc
sort of the first family of
the church where your dad was a pastor and you were
it sounds like you were very much a part of
a community and it
sounds like it was
a real community you know
and so I'm curious
like
if there were like
pressures of being in that position within that community that, I don't know, like, would later mirror the stardom you would enter and just this thing about feeling accepted, this thing, you know what I mean?
Absolutely. And I think it wasn't very much a mirror a little bit. And Joe kind of touched on it a little bit, like not enjoying the moments that we were celebrating or things like that. Because I think one for sure was that everyone's watching, right? And how you are perceived, or at least this is my, my,
my version of that, right?
This is Kevin for all those listening.
Sitting in the front row of that church,
being all eyes on you and having to behave
and having to be a certain way and playing guitar on stage.
Like I remember my dad, you know,
cutting my teeth with my dad in eighth grade,
going to Indonesia, Singapore, Malaysia, Kualempur,
like flying there, performing, you know,
worship songs and music with him.
But he, his music there while I was playing guitar.
So you were already flying, that's interesting.
I didn't quite gather all that.
That was like church music with my dad.
Like his music was,
He would go visit churches and play for like three weeks.
And I went to some amazing places with him and did that.
But I yawned on stage because, you know, 12-hour difference.
And then I was on the screen or whatever behind.
And he literally said to me after he goes, like, great job, but never yawn again on stage.
Wow.
And I like, Will, there are times for like.
I'm going to call him up and talk about it.
Yeah.
Come on, Kevin.
Come on, senior.
No, and I will say, at first I was like traumatized.
Like, oh, my God, I messed up.
I messed up.
You're not traumatized at all now, right?
Yeah.
But now, like, it's pretty funny.
Scott's so mad at you for doing that.
I'll be, like, listening to them doing their show,
and I'll be wanting to yawn and, you know, no, I'm just kidding.
And, like, I'll be wanting to yawn on stage and just, like,
doing everything in my power to, like, do not yawn.
Surprise.
I'm just, you see somebody yawn?
It happens sometimes.
I'm just saying it happens.
I'm just, who knows.
Yeah.
But it's more or less about yawning, more than it's about always being excellent, right?
And I think that that maybe is what you're asking,
kind of like how we perceived in like the public eye
and how we let things affect us
and definitely myself.
And it was hard.
Like at the time being,
it was hard being the firstborn,
but it was just me going through things first.
Sure, sure, sure.
Well, and then I guess there's also, you know,
look, the adolescence is a time.
Life is a time where we're all struggling
to feel accepted.
Like, no, I mean, you learn that in marriage.
You're like, oh, I thought I felt accepted everywhere.
But like, I realize there's parts of me
that I don't accept
because my partner is reflecting that back to me.
You know, all that stuff.
Marithood, I mean, I mean, how old are your kids right now?
Four and two.
Four and two.
You have a three and a half-year-old.
You have a 12?
I have an 11-and-eight.
So I fight with myself every day.
Right.
So you guys know exactly what I'm saying.
I'm just, you know, I'm just, and maybe my lovely co-hosts can help me
throughout a question here, but I'm just thinking about coming of age in the public eye.
It's something that, it's a topic well.
tread, but you guys also seem like super well adjusted all that considered.
I do have a question.
Maybe this will fast forward us a little bit, but I did listen to your episode with
Dax, Armtrakspurt.
Great episode.
And as you guys get into the breakup, I thought it was interesting thinking about how each
of you felt like maybe one of you felt underappreciated, maybe one of you felt like
things were being taken too seriously, maybe one of you felt like you were working too hard.
I was like, oh, those dynamics are so familiar.
like I've certainly felt that in different group settings.
And so I'm just curious like as in the podcast.
Which one does Navajo feel in this dynamic?
But yeah, I was just curious like as you're coming of age, your brothers,
you're each on your own path.
You're also in this collective group.
You're struggling with feelings that at some point, you know,
do lead to breaking up.
How is that all coming to the surface as you're going through your career?
I guess it wasn't coming to the surface.
Yeah.
I think we were really good at not talking.
talking about things because, you know, we didn't really have the time to.
The meteoric rise was so intense and it was so busy.
And we weren't really armed with tools yet to be able to communicate when there was issues
or when we felt a certain way.
So when you combine the pressure cooker of just time with the fact that we had no tools,
and that's nobody's fault, you know, it's, I've had a lot.
I've had a lot of conversations
I think we each have with our parents
about what a great job they did
and I truly believe that
and especially as a parent now
I can't imagine
some of the decisions they had to make
and some of the instincts they had
that helped us sort of turn out somewhat normal
but once you get
past
once that bubble bursts
and you're not an adolescent
innocence is kind of gone
you're left on your own
a little bit to tread water
and figure out how to make sense of
communication and family
and this other dynamic, which is
the fact that we work together.
So I think it took
us saying we kind of have to blow this up
to be able to put it back together.
And I think there was
at different points
fear that
it wouldn't get put
back together perfectly.
We weren't even imagining that we would
get the band back together. I'm just talking relationally.
but I think it was never
as toxic or as
you know
sort of wrong word here
but like violent in the conversation
in the breakup
it was actually an understanding
like this is painful
and this sucks
and we all have to figure out
what the hell we're going to do now
but
you know sometimes ripping that bandit
is better than
the alternative
I don't know how do you guys feel?
I wasn't listening
you're suppressing
that was my opportunity to check out
no just kidding
I think
I was really taking back
about your comment
question but because it is true
even just growing up
trying to figure out who you are
somebody said this to me recently
you were trying to figure out who you are
where the world all assumed
you are very confidently
knowing the path that you're on
whether if it's like
for us, I guess
call it famously, we were known for
like purity rings, which were something
in the community of the church
where that was like what everybody else
in our age were doing
around 10, 11 years old was like
we're going to wait for the right person.
But one person on an interview
when you're 15, 16
ask you about it and you're like, I don't want to talk about this.
And then they're like, well, I'm going to write that you guys are
in a cult. And we're like, well, we'll talk.
10 years for waiting.
Yeah.
That's awful.
What about asking a 10-year-old?
I wasn't 10, but I did, I don't want to interrupt you,
but to the point you just made, which is so real,
is like, think about how far we've come in just the conversation and dialogue,
and I think it's really a good thing.
Where it would be, it would be so outside of the realm of possibilities
or something someone would do to ask at that time a 14-year-old about their sex life.
I mean, it was every interview.
Yeah.
Every interview.
It wasn't just us.
It was a whole class of young people coming up.
It's so gross.
It's almost pedophilic to think about it.
Or even asking us why we're not having sex.
I'm like, yeah.
You don't, and I didn't, of course, have that.
Because by the time I was getting that, I was more like 18, 19.
But I do remember the first times I was doing press, you know, for like Cosmo Girl or something.
It's like a dating column.
And I was 17, and it's like a big deal to even be in an interview at this time.
And I remember being asked about dating advice.
It's like,
and I remember feeling so much pressure
to say something that sounded coherent and mature
and adult and sexy
and it's like I don't have a single thing
to say or add here
and the pressure
I'm just that was tiny
magnified on you guys
but it's very similar
I mean that's pretty much where we were at
so figuring out and whether if it was sex
it was even religion or Christianity
questioning things that you for me
like questioning if I believe in God
what is God
is there a god. And save for Rolling Stone
please. Yeah, exactly. Exactly.
And it's on the record and you're like,
uh, and so you felt
the pressure, I can
definitely speak for all three of us here,
felt the pressure being like, well, we have to live these
lives because we kind of said it in a paper
once. It's in print, so you've got
to do it. Whatever.
Things used to be in print for our listeners.
Yeah, exactly. You would go by them.
So yeah, it would obviously be
scary and freak us out. Until
we got to a point we're just like, fuck this.
and probably the time we're like,
Frick this, because
we were like, we're like, we can figure out
who we are on our own terms.
And I think it honestly was that leap of faith
that Nick took kind of saying, hey, I want to go
to my own thing and experience what that
was like on my own. And even though it was scary
and kind of confusing,
putting us in those situations, like, all right,
some of us need to go live our life and generally just
figure out what that is. And then maybe
go experience, whether it is music
or acting, or even just being a
because we were always together doing music and as a family when we were old enough to be like living on our own we're still living together so yes and also yes and we always left too there's this assumption and and it continues now which is it's totally understandable we all do this in in different ways and don't realize it but like to that point about we did everything together all the time even now you know deeply in our 30s no in our 30s people assume we're together
all the time.
So I'll come up in the stream
like where's your brothers?
I'm with my family.
Like my daughter.
I'm like a firehouse
and like
I was speaking about
like life changes once again
kind of like it almost like I reverted right back
to that moment when we left the church right
and everything changed all at once.
We were about to have our first
you know child band breaks up
going back to New Jersey
building the house that I think I'm like cool
I'm going to be like settled in this place
we're going to go on tour and it's going to be fine
even financially, like whatever.
Well, everything's up in the air now
and life's changing completely.
And yeah, it was a weird time.
Like, I really didn't know what to do.
You know, I tried to be complacent about it.
I tried to be like, okay, well, what's next?
And like, what can I do?
And, you know, I think it was, it's just difficult, you know,
to really know in that moment where you were headed.
So I just focused on being at home, which was great.
Which was, in a way, the best thing that could have ever happened
because I don't think I prioritized, looking back,
I don't think I prioritized the amount of time
I would really want to spend at home
having my first child,
knowing that I would want a significant amount of time at home.
And so it actually was a blessing in disguise.
Yeah, I mean, you guys were not,
since you were coming of age,
fused together in this way
that in some ways reflects, like, you know,
the integrity of your relationship,
but it's also what the business did,
the image thing,
your career, the band,
you refused together in this way
that I would imagine
as a person who grew up in Hollywood
and then got on this big show
when I was 20,
when I got off of that show,
Gossip Girl, for those listening,
I'm not sure.
I felt like kind of I was allowed
to enter out of less,
certain parts of me
that maybe weren't free
to just, you know,
do what one does
when one is coming of age.
Like, I just kind of got to do that.
I'm curious if maybe in this period
is that what you...
I mean, you still had the eye on you.
You know, you still had, like, public gaze,
but, like, did you feel like you could just sort of...
Be?
Yeah.
In a way, I feel like the transition was just as much a part of, like,
the transition out of, you know,
what we were kind of doing together
and some of those expectations on us,
you know, took just as much time to, like,
find new things that sort of, like,
like create the public persona and then you have to privately
create your real life person.
Your dynamic 360 person, which isn't always the same thing.
And that's not to say that you're not authentic.
But, you know, I'm sure as an actor, there are a lot of times where you're like,
I'm becoming this other person.
They're going to think of me in this way, but you as you're a very different guy
than the characters you've played.
And to some degree, you know, there were like archetypes of us created that we had to
sort of deconstruct and reconstruct
as adults, which I think when the band got back together,
we were really able to do.
And it wasn't just through like interviews
and kind of showing who we are today,
but really through the music.
And, you know, something like the documentary,
which gave a lot more perspective and context.
And the other thing about that I think was exciting for us
is that some of the bias
that was there early in our career
because we were these like, you know,
we were in the Teen Magazine,
And, you know, young guys were jealous and were mean about it.
And girls, you know, it had its own sort of thing.
And I think with age, you sort of let some of that go, that pettiness go.
And there was a real warmth to hear the story and actually engage in, you know, kind of not just the music or a song, but actually who we are as people in a way that we hadn't felt before.
For instance, like, we'd go to sporting events and get booed and it would, like, break our spirits.
Oh, my God.
Do you mean when you would just go?
Yeah, like, as fans.
And they're like, we're like, we're just like you.
Like, we love this, this sports team or whatever.
But some of those bias just existed.
And there's nothing you can do to control that.
I can't imagine, I just want to take a second.
Like, I can't imagine being at any age, this age, but especially a teenager.
And a stadium full of people booing me.
Like, what, how that would feel.
I just, that's awful.
Yeah, it certainly doesn't feel good.
And I only bring that up not to be like, whoa is me.
but I think it's like maybe healthy context to get to like the other side,
which is now when we got back together in 2019,
we were shocked.
We went to a sporting event and like they cheered for us
and people were like warmer towards us.
And I think what that really stemmed from is that we were authentic
about who we are as family and as brothers for the first time perhaps.
We were awarded the chance to be authentic and real
in a way that we hadn't previously.
And it was a really exciting and very liberating feeling.
Well, congratulations on that, because that's not easy, by the way, for anybody, and then to do it in that fashion.
Thank you.
Stick around. We'll be right back.
I'm curious how you have been able to find ways, if you have been able to find ways, to safeguard your relationship just as brothers.
Like, I think about working with friends, like even Nava, Penn and I, we, Nava and David, my husband, as a producer on the podcast, we went to grab
coffee the other day and it's like inevitable we end like it was just as friends but we inevitably
start talking about the podcast about ratings and whatever just talking the most shit about me I'm sure
just yeah but it's just it's inevitable and I'm curious how as brothers like in your coming back
together and working together again have you been able to find ways to just have time as brothers
sure yeah this is joe we we still will find ourselves just talking about work I mean it happens
We love what we do too, right?
So that's part of it.
It's exciting to talk about.
Or sometimes we just want to complain to each other about one of the other brothers or somebody we work with or just like vent through some stuff.
But we do.
Franklin.
I think like being, look, we're all girl dads and that's probably one of our like the biggest pride and joy.
And that takes us that we have to take the work head off.
And we just get to be pleasant with each other and like watch them around and run around and play.
Because they don't care.
Yeah, they don't care.
They like the best thing.
They're like, oh, that's cool.
it's your song playing in this grocery store, but they don't, for them, it's like, they just want to go to a playground with each other or see their cousin.
So that's like, that has been, I think, a huge win as a family for us and as brothers.
And we do have similar favorite, like hobbies.
And there's obviously teams that we like to support sports teams and stuff.
But we do try to like, we spend a lot of time together as well, like even off like a touring schedule.
but usually after post-tour, we're like,
okay, I need to not see you for about a week or two.
I'm like, I'm good on that.
How long is a tour these days?
It depends.
I mean, we go, it's quite seasonal,
so we're going to go on a tour for about three, four months
starting in August, and then we'll be on another break
for like a month or two.
So depending if we go on like a Europe run.
So it can go for a while.
It's like a TV production or movie production, I guess,
where it's a couple months and it's full on.
Every day.
Every day we're seeing each other.
but we also, I think at this point, being in our 30s,
we know when we need space and we know, like, all right,
I mean, I need to, like, not see you guys until showtime.
Love you, but I need a little bit of a break.
Well, it feels like that's a sustainable place to have it.
Yeah, definitely.
And we do try to do things when we're on the road
that are just, like, on the day off or something that's, like,
fun, just like us, like, just to go, like, you know,
do something outside the mix, like, simple as going to see a movie
or going bowling or something.
you know, something brunch, you know, and just hang out.
Sorry, I don't want to, I don't want to dwell on the breakup too long,
but I do have just one question that I've been curious about for a while.
In that time, obviously, Kevin, I think you did, like, married to Jonas with Danielle.
Yeah.
Nick, you're doing your solo stuff.
You're also, like, venturing into film.
And then, Joe, you have DNCE.
So you all find a lot of success with that.
How are you, like, reaching out to one another?
Do you share songs with each other?
like do you consult?
Like, how's the brother relationship at that time when you're when you're solo and things
are really like popping off?
During that time, I think we probably all have a different answer for this.
I think we were supportive, but probably not getting a, I think that was when it started
to like only give advice when advice was asked for.
Like we started to realize that like we wanted to go do our own thing and celebrate
each other and not feel like it was competitive either.
Like they all were so different avenues that it was nice to be able to go.
to a Nick show not feel like jealous
no pun intended of him
this is Joe speaking by the way
and to be watching
him on stage
or even Kevin having this beautiful home
and starting a family and being like
there's a jealous side of that or envious
side of that too and being like
I'm not there it was nice to be able to celebrate them
and be like wow this is so I can see the joy in them
and then also just like how me and Nick
would end up like playing a lot
of shows together like we would be build
So we'd be able to hang out in cities and be able to do our own separate things.
And it still was nice to support.
And so it was definitely strange, I mean, to not have them around all the time for, I think it was about six, seven years where we were doing our own thing.
And then eventually being comfortable with that.
And I think we were really terrified of even unpacking so much because we healed as family.
Or a lot of it was like, let's just not talk about it.
So that was part of the healing process
but like let's just move on.
Like we're building these amazing memories
and we can be supportive
and like I respect who you are, you respect me.
Like we don't need to like
be in that thing anymore.
And so to step back in
it was like, all right, well,
we're really going to talk about all that stuff?
And that to the documentaries
like highlight
was really selling this doc today.
It was like accidentally
got it back together.
It was not.
It was never like.
Joe's last one on.
I was the last one of board
because I was D&C the band that
I guess I should say I'm in as well
like we were doing our thing and we were
writing the success that we were like
we're not stopping this is awesome I'm good
I'm in this funk party band
I don't need to go back to the guys
and it wasn't until we were in I think
Cuba filming we went down to just like hang
and film some content stuff
we were playing I think it was
Lovebug one of our songs in like this
apartment complex corridor
and this like stairwell
and it was been so long since we performed it
that we're like kind of just fell back
into singing harmonies together
and it was like organic
and I remember after that being like
yeah like right after
I think I'm ready to do this in some way
but so yeah
that kind of I guess answered your question
long way to answer there
I guess what I'm curious about
is how this funnels into the way
have there been any transformations
in the way you approach material now
you know like songwriting
what you want to bring into it
like again
to me at least you know this this new track
love me to heaven like it to me
is such a it's
you can hear the growth you know
you can hear you as men like and that's awesome
you know that's that's a really cool thing
I'm just curious what you feel there
yeah I think we looked at
new music that we were creating and saying okay well
how do we all we all have very different
personalized and that was always the kind of the
ingredients that we would use and throw it in the pot and say okay
Well, we're all similar, but that doesn't really make
total sense anymore.
So we end up being kind of boring
if the songs are only about, you know,
things being good.
We're all girl das and the last really good.
Going on tour in August, come see us.
You know, Kevin likes to yon on stage.
Yeah, callback.
It's a callback, joke.
So we now, like,
sometimes you have to put on, like,
you're like a character hat and say,
okay, well, like, let's put ourselves in a,
in a situation that might be like
relatable though something we've been through in the past
and it is a bit celebratory
right like it is 20 years of this and we're
celebrating and like loving heaven is a bit
like of a love letter to our fans
which sounds cliche but it's true
and
oh now you can record
sorry we got to restart over
he's fine
12 years old yeah exactly
let's go back to first crush
I will start speed round
first time we started writing again
for the happiness begins album
coming into it kind of much more outside of the music scene.
I've spent a lot more time doing, like you said, some reality TV stuff,
just being at home with my family,
and meeting them in the studio,
but having multiple rooms going at the same time,
which was really kind of cool and different from me
than I've ever written, we ever wrote together like that before.
They were doing it that way, but I wasn't.
And so to see them kind of doing that,
having working with people that Joe loved working with,
seeing people that Nick loved working with,
and them, like, switching and kind of going together
and different spaces.
It was such a cool, organic weight of like kind of blending the two sounds that they had created that were so independent and so cool.
Your upcoming album is called Greetings from Your Hometown.
And you just previously talked about in this new music being able to feel like you've grown up and the music has grown up with you.
But you also talked in promoting this album, you talked about how it's also a return to your roots.
So I'm curious if you could tell us about that.
How is it a return to your roots?
Both musically and also I think with some.
of the themes on the album.
You know, we're talking about
everything from, you know,
tables, for instance, which in a lot of ways
is a song about, you know,
people being very bold behind
their laptops and kind of what they're
saying and how
difficult that would be if those tables turned around
and they were met with, you know, some of the same criticism.
That's one thing. And then, you know,
Love Me to Heaven touches on a completely different thing.
Joe mentions Love Letter to the fans. It's also,
for me, you know, totally
a song about,
my wife and my daughter and the love and beautiful things in my life.
It covers a lot of ground, but musically, you know, we were able to kind of dip into our early
influences that our dad raised us on.
You know, we have one of those, you know, CD holders in our minivan with, you know,
BG's number ones and Beatles number ones and Carol King Tapestry and Stevie Wonder, greatest hits.
And he really took us to school musically.
and the BeeGs were always, to your point about singing brothers and harmonies,
were always a huge inspiration to us and, you know, just the music that helped shape our sound.
And about seven years ago, I was in Nashville doing some songwriting for our album called Happiness Begins.
And I was working with this guy, Julian Benetta, who's an amazing songwriter and producer.
And we started kind of jamming on this BG.
sounding track and eventually the chorus melody
became staying alive and we're like
we'll never get cleared. So for those that don't know
if you want to use or interpolate
a song you have to get it cleared by
the artist or the publisher or the
estate whatever.
And so we just kind of put it on the shelf
and then we were shooting something at the end of last year
and I was listening to a bunch of music that's just in the vault
songs that have been written years ago
that never solve a light a day that I'm still
like I think this is good.
should finish it and played it for him and
they loved it and
basically within a few weeks we
had finished the song and sent it to
Barry Gibb and his team
and he approved it and
you know he had come to
shows with his family down in Miami
a few times so you know there was
a real sense that it would be warm but who knows you know
it's a legacy song and
obviously legacy artist and yeah so
to get a collaboration basically
with the Bejie's on this album is pretty meaningful
and full circle for us yeah
and that's a legacy song. And then
And one of the other things that I think we were all excited about in naming the album,
Greetings from Your Hometown, is this notion that your hometown isn't always great.
Your experiences, you know, we touched a lot on that today and feeling sort of pushed out and told that we don't belong.
But there's also moments we've walked those same streets and looked around and gone,
wow, this is the place that built us.
This is a part of our DNA.
And no matter what the exit was like or what some of those negative experiences were,
so much of this, this time that we spent here
help shape who we became and who we've become.
And I think that's true for anybody in their life.
And one little extension to that is that, you know,
we're fortunate enough to be blood, to be family.
And we feel like our fans are an extension of that family.
And if you come to a Jonas Brothers show,
you really feel that warmth and sense that they've chosen this family.
and it's an amazing thing to look out and see this now sort of generational effect.
Parents who brought their kids when they're teenagers still want to come
with their now adult kids, and those adult kids are bringing their kids.
Wow, with three generations.
Yeah, it's just a wild thing, and it's cool to see.
It sort of represents our family too.
Our dad and our mom still come and sit now with our daughters and watch the show.
And it's just a crazy feeling.
And yeah, we're really fortunate, just felt like it was the person.
perfect title to encapsulate kind of all the thoughts.
It is such a good title.
There's a track on the album called Can't Lose, which I was thinking is such a good
hype-up song.
And Joe, I know you released a song not too long ago called Honey Blonde, which you had said
is, like you had written it for a perfect, like a day, city biking in perfect weather,
which I loved just that visual.
It's a great visual.
It's a little sarcastic, but yes, it's true.
I like it.
Oh, really?
Maybe my game doesn't work.
No, no, I'll go with you.
Let's go.
But I wanted to play a quick game if you are all down.
Sounds good.
I want to go down the line, rapid fire, and give you each a scenario.
And I want you to tell me it can be a Jonas Brothers song.
It can be not a Jonas Brothers song.
What song you think is perfectly written for that scenario.
Cool.
Are you down?
That's interesting.
Oh, I love that.
I like that.
For the record, I cannot do rapid fire, so...
Yeah, I'm not very good at it.
Either of all, do my best.
Bring it on.
Okay, okay, okay.
Joe's very good at this.
Okay, we'll start with Joe.
Joe, Red Eye Flight.
What's the perfect song?
A Red Eye Flight.
Just pull up the playlist right now.
There's a full playlist for this.
Oh, really?
I don't know what eye flights?
Yeah, yeah.
I don't know exactly what platform you use.
there's a sleep playlist.
Gonna go to something like this.
Anymore we can't afford it.
Yeah, so essentially a sleep playlist.
I'd say if you're gonna be on a red eye,
and you're sleeping.
You're sleeping on a red eye.
Or a good podcast, maybe pod crushed.
Yeah, okay.
I've never heard of it.
Kevin, a hype-up song.
I'll go with I Can't Lose.
She needs Jonas Brothers song.
Yeah, that's a great one.
She said it.
Nick?
Yeah.
Yes.
Yeah, we can attribute that to me.
Nick, summertime drive with the windows down.
Ooh, I'm going to go with the way you make me feel.
Good.
Yeah.
Okay, one more for each of you.
That's right, yeah.
Joe, a sad song that makes you feel sad, but also good because of how sad it makes you feel.
It's like every Pixar movie.
The first 15 minutes.
Yes.
Yeah.
I sparks by Coldplay.
Okay.
Kevin, a big romantic.
moment. Three by five,
John Mayer.
Interesting. Was that his first record?
Yeah, Room for Squares.
Kind of like the one that made me
want to understand. Has he been on the show?
No, no.
He didn't actually...
He was never a 12-year-old, that's why.
He was never 12.
Yeah, that song...
It's the first time I saw...
The rules you must have been in 12.
He must have been 12.
He famously is in 12.
Yeah, true.
Not those licks.
Those were never 12 years old.
Never 12 of those licks.
That song is the one I was like,
oh, understanding metaphor.
in song.
Right.
It was like the first time
in songwriting
I was like,
it blew my mind.
Mm.
Whenever I think of that record,
I just think,
Sky blue gets dark enough.
You know,
just the,
yeah.
That's good.
He started it.
Yeah,
that's why it's in my head.
Yeah,
yeah.
Yeah.
Okay, this is the last one.
Nick,
the end credits of your life.
Oh, jeez.
I like it.
The Hozier yell.
Oh, yeah,
yeah, good.
What song is that?
Nice.
All right.
Now I got three for you.
one, two, three.
Great.
Okay.
Anybody can hop in and you really have to use a bathroom.
And there's a really long line.
Oh, I'd want something to really slow things down.
I said it earlier and so my mind is on radio head.
I'm just thinking like just play the moon-shaped pool record.
It's like it's contemplative, but it's very engaging.
So I'm just, if I got to wait, that's the one.
It's great.
It's a good call.
Okay, for the school teachers in the house,
you have a bunch of rambunctious kids,
and you need to put your headphones on
and listen to something that's going to just take you to a different place.
Switchfoot Awakening.
I love that song.
Nice.
Didn't they mention Switchfoot earlier?
Yes, we did.
Yeah.
We have a song on the new album with Fishwood.
The title track is called Greetings from Your Hometown with Switchfoot.
Oh, I don't think we heard that one.
Are they got a chance anywhere near from where you're from?
No.
No.
They're from San Diego, coast to coast.
But they were like our biggest influence.
Yeah, okay.
I got one more.
I'll do one more.
Feel free to pitch in here.
Yeah, it's just fine of lost.
Actually, I was making my husband come up with some scenarios yesterday
because I couldn't come up with the last one.
And everyone he came up with, I was like,
actually, you're not very good at this.
All right. What's your, okay, so you're like, it wouldn't be guilty pleasure because I don't think, I don't think guilty pleasure is really a thing anymore. But what's your, like, favorite, your song, you're like, you've, it's always top of your, you're like, you're wrapped. You're like, this always sneaks in. And it could be anything. For me, it's Mr. Mr. Blue Sky, but Yolo. I just always will have that ready. It's always in the top ten somewhere. Well, my cake by the ocean is always in my, like, top three. I was fishing. Just kidding. No, that's great.
You know who always sneaks into my
my rap is Olivia Rodriguez.
I think smart.
It's great.
I do it for.
Fantastic.
Mine is the entire
Brad Paisley
fifth gear album.
I thought you're going to say
probably also
Moana.
Oh well, yeah.
Oh yeah.
Now it's a happy song by imagery.
I do not have a Spotify rap that makes sense anymore.
It's like it's really.
I actually.
started a different account so I could try.
We did that too. Yeah, we had to do that. I need that too.
Some autonomy. I don't know if there's a question here. It's maybe just unabashed praise,
but maybe there's a question. But I saw, I loved the series Songland, which I don't think is
out anymore, but you guys had an episode. And I wasn't, as I'm older than like your demo
when you were younger. So I wasn't as familiar with your work. And I didn't know what kind of
band you were. But when I saw that episode, I think you guys had a song called, I don't know why I'm saying. Greenlight is one of my favorite songs. I was to do it all the time.
It's become like our family always requested. I don't know. Maybe it might have been called for you. We've never played it live.
We've played it live once. Do we? Oh my God. It's amazing.
Anyway, you guys produced on the spot. Like I watched every episode of that show and I really, I honestly texted people like, oh my God. I didn't know the Jonas brothers were like so brilliant, like such brilliant producers. I at that time didn't know you were so hands on in your music.
And I felt like that episode really stood out.
That show was great.
Yeah.
Ryan Tetter did a great job on that.
Yeah.
But anyway, Greenlight Amazing.
Thank you guys as producers and so creatively involved in your music.
It was really revealing to see that.
That's cool.
Yeah.
Thanks.
So we want to respect your time.
So we have a classic last question.
Wait, wait.
I have one more question before we get to that one.
You guys did a roast, and I can't imagine ever subjecting myself to that.
So I'm curious.
It's a good idea in theory.
Why?
Why did you do it?
and which joke hit each of you the hardest.
So oddly, we had a perfectly, I shouldn't say, oddly,
we had a perfectly planned holiday break after that work-wise.
So we didn't see each other for a week,
which was like kind of good, I think.
But we were approached by Netflix and they were like,
hey, would you guys want to do a roast?
And we're like, yeah, let's do it.
We pretty much got everything else.
So let's do it.
But then once we started getting into the writer's room for doing it,
we're like, yeah, I don't know.
When I go there, and they're like,
I don't know why people are like,
well, it's somebody.
made this joke before. I'm like, but then coming from
my mouth is different. Yeah.
If I'm saying that, this is Joe again, if I'm saying
that to Kevin or Nick and I'm like,
I just, there was
a kind of a code
of conduct behind the scenes
of being like, hey, this is
off limits. Like I, like, you can make fun of
that, but I don't want to be talking about. I don't,
like, don't make fun of this. Like,
whatever. Like, like, don't
make fun of something that I can't, it's out
of my control. And
so that was kind of known.
but the one that
I think
I can't really think of one
that like hurt the most
or like got me the most
but let's try to find it
and bring it back up to it
Yeah
like hit the hardest
like could have been
your favorite
just one that
I think the
I think the
there's a comedian
from
what's his name
from England
that he came up
that he's so funny
yeah
why I'm playing on his name
Whitehall
White Hall
yeah
Jack Whitehall
he's hilarious
if you don't know his work
you should check him out
he's so funny
and he
he like did
a brilliant, Pete Davidson was really funny too, but he did the brilliant thing of like, as a comedian,
he was coming into a situation where the audience wasn't too familiar with his work.
So he pretended to be an obsessed fan.
I like that.
And it just came off creepy and funny and the things he would bring up, even though they were cringy to us,
he was like, no, I'll tell you why this is cool.
I think it was like, it was very clever.
It was a very clever comedy where that's cool.
And that to me, I think, stood out.
He was a standout and Pete Davidson came in for like,
five minutes and crushed it. I think he was
kind of defend Kevin the whole time.
That's great. I love it so much.
That's great. It just sounds good.
I kind of... I needed it actually a lot of day. It was pretty funny.
There was moments that were good and there was even stuff that never made it because it was so
bad. Yeah.
Well, honestly, half's off to you guys being willing to do that because I think there's something
in comedy where I don't know about those roasts anymore, to be honest.
I don't know. I don't know. I feel like...
So if you're comedian, I suppose fine, because you've ended.
into that pact with the relationship
to the world and your career.
And I think often comedians have a lot more
agents. Well, no, they do. I mean, they just do.
They can get away with a lot more. They have more agency.
Also, just in the way they start it. It's a different
comedians are their own thing. I don't know
about. So anyway.
Yeah, I agree. It was like
weird. I felt like I was doing something wrong
all the time there. Yeah, yeah, yeah. It felt weird.
Yeah, it's... It says a lot
about me, but... No, it also says a lot
about comedians. No, I'm kidding.
Nick, how did you feel about the rest?
You know, I think it was a great
exercise in being able to laugh at yourself.
I don't think I would ever want to do it again.
It's the real. It's kind of like
they asked us who we want to roast next and we're like, no one.
Yeah, I just don't want to do this.
It's not that it was a negative experience by the means.
And I think actually, as an actor,
you know, it better prepared me to be,
more free and have more fun
and not take myself so seriously than I
realized.
But, you know, there's just
things that you just are like, man, that's
that funny to you?
It's like, yeah.
If you think it's funny, then that means you think
it's true?
Exactly. Yeah.
It's a strange thing.
I swear I'm going to let you go to the last question, but
I want to ask one more thing about your album.
Is there one song? Jack Whitehall over here.
I love it.
I love it.
I love it.
I'm just as a joke for the fan.
Ever since Greenlight.
what song from your new album do you each connect with the most?
Yeah, that's a good one.
Great question.
This is Joe.
I have a song called When You Know.
It's featured on our live album that came out a couple months ago as well.
And yeah, I don't know if there was a why there, but I think it's a beautiful song about knowing when to stay, no one to go, heartache, heartbreak, healing.
It's like, it's a beautiful song that came out of a writing camp that we did in Miami.
And some of our favorite people were there that we've worked with over the years.
Actually, Justin Traynor, who I wrote Cake by the Ocean with, was a part of that song.
And Alexander 23, who I worked on, we worked on this new album,
and he worked on a bunch of my solo album that came out recently.
And blush.
Blush, yeah.
Yeah, so there's a...
That's my favorite song, too, to be honest.
Probably one of my favorites I've ever been a part of writing.
It's, I'm really excited for the world to hear it, and I didn't mean to interrupt you, sorry, but you stole my answer, so.
It's Nick talking.
say something different, but mirror to this guy is like
one of my favorites. I honestly
forget what's on the album. I forgot that
song was on the album too.
It just makes me feel like I'm
16 again sitting on our bed listening to music
for the first time.
We had separate beds, by the way.
I said my bed. You said our bed.
You never said our bed.
Think of the proverbial way.
In our bedroom.
My bed, in our bedroom.
I was like, oh.
So actually, that's a perfect segue
way back to our classic last question
and we'll just sort of
maybe we'll start with
we'll start with youngest this time Nick
if you could go back to 12 year old Nick
what would you say or do
if anything? I would say
take a deep breath
start therapy now
also you have diabetes just to
you're about to get diabetes
just go down
just avoiding the
physical
do it physical.
Yeah, but just to
to take some of the pressure off myself.
I, yeah, I feel like I lost
like so many great
moments because I was
anxious and I was dealing with things I didn't realize it.
And also I think that, you know,
I'm sort of on
the borderline
age-wise of like when it
became okay and in culture to talk about
therapy and like you know mental health and I'm glad that I'm like I'm right there because
these two are so messed up within her talking about yeah I think it's come a long way and it's it's
it's it's great to see because I'm sure there's a 12 or 13 year old kid like gearing up to go
on some crazy life journey like we had who is probably going to be better prepared because
they're going to have some tools to kind of work through it but that's what I would say
Thank you.
This is Joe, a little child here.
I'm assuming I'm next.
Yeah, yeah, yeah.
Okay.
I would probably tell him all the little quirks and funny things that you think are embarrassing.
You keep in hiding.
Like, you're going to be celebrated one day for those things,
and people are going to think those are so cool.
And they're all going to come back around.
I would say, hold on to those Pokemon cards, my friend.
One day, you never know.
He knows what's going to happen.
Yeah, and then I think probably, you know, you're doing great.
You're like, good for you.
And I think the idea is that you're going to, you know,
that went so many different journeys through my life thus far
and learn something from each of them.
And, you know, I think really protect a relationship
with your brothers as best as you can.
Treasures those memories.
Treasure those memories that you don't even know that you're making.
I mean, there's so many amazing times when we were 12 or whatever age,
riding our bikes all day long, playing out.
side having each other and then sometimes rolling your eyes like I was sure we could hang out
with other people it's like really treasure that I think I would tell myself that some kids picked
a keychain instead of a purity ring and maybe do that same commitment less broadcast maybe that
maybe that but at the same time I would say just don't forget that the people around you will always be
with you for the rest of your life.
So treat them with kindness.
And like everyone that we work with
is still working with us.
That's cool. That's a testament.
There's that one guy.
Neil, yeah.
You know, we asked that question to every guess
and we get often repetitive answers,
but you each gave an answer
we've never gotten before.
Nice.
Thank you.
Good story.
Well done.
It was so nice to meet you.
Thank you for coming on.
Come see us on the road.
Thank you so much.
That'd be awesome.
I'd love to.
You can check out the Jonas Brothers new album.
Greetings from your hometown,
everywhere you get your music starting August 8th,
and you can follow them online at Jonas Brothers.
Pod Fresh is hosted by Penn Badgley, Navacavalin, and Sophie Ansari.
Our senior producer is David Ansari,
and our editing is done by Clips Agency.
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podcast ad free on Amazon Music with your prime membership. Okay, that's all. Bye.
Joe, well, Nick uses the restroom.
I'm going to take some of you to tell you.
Obviously, huge fan.
DNCE is amazing, but amongst your many huge fans,
there is an 81-year-old man, my father,
who Cake by the Ocean is one of his all-time favorite songs.
Oh, wow.
And he makes me put it on every playlist.
We go on road trips together.
Every playlist, so it's always on my most repeated songs.
Oh, my God.
That's so awesome.
Thank you.
Thank him for me.
That's so cool.
His name is Tommy.
And he's always like, Joe is a genius.
DNCE.
Oh my gosh.
That's one of the best songs of all time.
I also just want to say that this is a man of like,
I think of like refined taste.
He's like, he's from another era.
He's like a presenter and a perform
and feels like from another era.
Wow, that's so cool.
That's a huge compliment.
Thank him for me and thank you.
I appreciate Tommy.
Shout out to Tommy.
Tommy.
