Podcrushed - [Rerun] Ramy Youssef
Episode Date: April 8, 2024In honor of our friend Ramy Youssef's recent SNL performance, and the overwhelming success of his Academy Award winning film Poor Things, we're rerunning our episode with him! Come join us as Penn fal...ls in love with our guest, Ramy Youssef (award-winning actor, producer, and stand-up comic). Ramy shares what it was like to be a Muslim kid in New Jersey the day after 9/11, why he loves Jesus but won't eff with Santa, and why in middle school he literally would have rather shit his pants than miss out on a good time. See omnystudio.com/listener for privacy information.
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Hey, it's Lena Waith.
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artists who've changed the game and paved the way for so many of us.
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Hey there. Friend of the pod, Rami Yousef, recently hosted SNL, not to mention his film, Poor Things, has been, well, it did score a handful of Oscar nominations. So to celebrate Rami's continued success, we're rerunning his episode. We love Rami. You love Rami. You should love this episode. Take a listen.
I had FOMO really bad. I didn't want to miss out on anything.
And so I would have to go to the bathroom. Like, I'd have to poop.
But I'd be like, well, I don't want to go poop because, like, while I do it, something cool could happen.
Oh, wow.
I love that.
But then I'd shit my pants.
Welcome to Pod Crushed.
We're your hosts.
I'm Penn.
I'm Nava.
And I'm Sophie.
And I think we could have been your middle school besties.
Practicing our secret handshake that we do publicly, but is still somehow a secret.
You know what?
I was going to ask you guys about this might be too much.
We ask every guest's question, but I think we let us.
ourselves off the hook when it was our episode.
So I want to know about your first crush.
I know.
I'm pretty sure I mentioned mine.
Did we answer that?
I'm not, I'm not.
The clock is ticking, Sophie.
Go.
Penn is not participating.
I was just filled with feelings.
Really?
I mean, where, which one?
You know?
Your password was Boy Crazy 99, wasn't it?
Yeah, Boy Crazy 64, I think.
But, you know, kind of like our guest today, you'll hear
him say that his first crush
he can remember was in kindergarten
I think me too
like it was so early
I think I was six years old
I remember there was a boy who was like a neighbor
and we performed the tango
for our parents and he had held
a rose between his teeth
I remember that when you were five
yeah that's amazing
you have very colorful like romantic
stories I love them
as an aside I like really one day
want to write a screenplay about Sophie's different
love story. She knows this. I interviewed her once and I still
think about it. Maybe one day. Maybe one day.
My first crush was also in kindergarten. His name was Giancarlos
Ortega. He had beautiful green eyes and I would think about him every day at
nap time. That's so cute. At a nap time.
I would like fall, I would like drift into nap time thinking
about Giancarlo. That is so, it's funny because it's poetic and it just seems so
mature and you were five? Five.
It's just, it's funny.
Nava's always had it in her. Yeah. No, look, I mean, I can remember those very
deep stirrings of like that feeling at that age and and and having a crush there was
I don't quite remember her name it was like Christine or Christina I don't remember which one
and it was it was a it was it was it was a it was a thing you know a crush but wow the
fact that we at that age are having whatever notions those are it's just I want to know more
about the like the the psychology and the biology of that you know who isn't going to be able to tell us
anything about that is uh is uh well not only none of us but not our guests today uh we've got um he
so much else that this was a lovely conversation i was going to say it's one of my favorite
conversations i might say that a lot but it ends up being true in its own way every time um just
wait because pen in this episode there is a moment where he falls in love with our guest yeah you'll
hear it and i will name it but there's a moment yeah and actually i'm not kidding but watch this one on
YouTube because you can see it on it. I'm like,
I think Penn is about to propose to Rami.
Like, Penn is in love.
Tears came to my eyes after
the moment passed because I was just like,
it was refreshing, you'll hear it, whatever.
You don't need to build it up. Now the bar is
really high.
But yeah, so we have Rami Yousef.
If you don't know who that is already, he's
a comedian, actor, writer,
director, he's got a huge show
that he won, we're still unclear
if it's an Emmy or Golden Globe.
for his show, which is his own name, Rami.
It's about a millennial Muslim American
navigating the realities and absurdities
of modernity and identity.
Could we get any more itties in there?
While the fictional Rami struggles
to find his place in the world,
that is just not the case with this one.
He's killing it.
He's killing the game.
He's got a Peabody, two Golden Globes.
He's co-created Netflix's Moe,
from the comedian Mo Amir.
I think I'm saying that name correctly.
I hope I am.
Rami was just a delight,
and he really, really drilled into our very premise
of this whole middle school period.
So we hope you stick around.
I don't know if you know this.
On the way up here,
there's like the guys who do the scanning card.
Yeah, down at the front desk.
Yeah.
Okay, they love you.
I know.
They know.
Because they know your whole IMDB.
This guy was like walking.
Yeah.
through like Easy A, he's walking
you through all the seasons of you.
Like, he was just like, you know who you're seeing, right?
And then I'm just like,
that's so cute. And then he just like went
through the whole
tech of you.
No, I was actually, I know,
over time I've discovered that and I'm, you know,
the few of them I've spoken with a lot
and, yeah, it's
He takes them to coffee every morning to brief them on
how to greet a guest.
Make sure you know how to tell them.
Don't forget that I was the other talk to.
I had this.
Don't leave out the stepfather.
Yeah, yeah.
And they didn't.
the stepfather came up
I mean this was all during just the check-in process
yeah we should get it was ready
it's a two-minute process that
became 10 because
there's just like genuine enthusiasm for you
but we had this like you know conversation
about EZA which is such a good thing
that's so fun that's true
I'm just going to have a real hot takey
first question please
you were what around about
I think you were in middle school
as a Muslim in America
after 9-11
Yeah. Is that accurate?
Very accurate.
So what was that like?
You know, it's wild.
I've been thinking about this period of time a lot.
I didn't think about that period for like 15 years.
Like, I just didn't even, it like happened, and I think it was really intense,
and then I tried to just act like it didn't happen.
Then we did this episode of it in the first season of my show on Hulu,
and then we got to, you know,
I was writing all this stuff about the period, and then I was like,
whoa, there's a lot that I didn't ever process.
And I think the big thing was, it was just this thing of like,
there was only a few Muslim families,
and then you kind of see what's happening on the news and whatever,
and there's this fear, and we were right outside New York too.
So we're, you know, my dad's working in New York.
Everyone has family there.
And I think I realized many years later,
the level of fear wasn't just people kind of coming in
it was that self fear of like oh wait is what people are saying
about us true so there's this like fear you have of
yourself and I think that to me was the most
interesting thing to zone into as I was writing
and now we're doing this like really wild animated show set
in 2001 in middle school it's about this family that
which I think is kind of real to where we were
where you're kind of getting looked at so much that there's this
performance you start doing of like no no we're so cool
You can't be afraid of us
And so the animated show is about this father with his kids
And it's a whole family really
But he sets out after that day
To say that they're not just going to be the best fit
They're going to be like the number one family
And the show is called number one happy family USA
But that act of that performance though
And kind of like
I think you know we're performers
And we have like a natural desire to want to be liked
but then it was like really amped up
where you're like oh man I feel like I'm on
I'm playing mega defense right now
Right this idea of like
Oh is what
As you said it's like they
Say about us true
You know the quote unquote they and the quote unquote
Right like can you
I'm kind of interested like at that time
What were some of those things you know
I mean like I always put it this way where it's like
You know
This is where like the word minority feels really real
because you're like there are just fewer
of us. You know, there's
like the majority, there's the minority, you know? So it's just
like quite simply, there's fewer of us.
And then you're like, okay, so who are the
Muslims I know? My parents, right?
And then I'm a kid and
my parents are my enemy half the time.
So, and then everyone's like, you know, and Muslims
are the enemy and I'm like, well, these guys have already been
like telling me to clean my room when I don't want to.
These guys, like, I kind of have some
beef with them to begin with. I love them, but
you know, they're difficult. And
and now there's a larger case being made against
them you know where do I fall what side am I going to be on and and obviously you know joking aside
it was just this uh this you know this fear of like not knowing you know there's just this not
knowing and uh you know you when you don't have information and everything's very emotional
uh yeah that self fear was a part that i didn't realize for really long time uh and then you know
I think it, for me, created ultimately an intimacy with my faith and intimacy with the various communities that I'm a part of because there was that fear.
And then I was like, well, wait, is that true?
And then realizing, of course, it's not true that, you know, the way we're being painted has nothing to do with who we actually are and how we live.
But there was like a closeness that ended up being created in that quest to figure that out that I'm actually really appreciative of, you know.
just that thing of like yeah going through those experiences but you know being uh yeah being in middle
school at the time it's it's yeah it was wild so you said you didn't have maybe any of their
Muslim friends is that right or like there were just a few other families you knew it was like yeah
it was like two families in our town um and and then it was yeah there was like a couple people
we kind of knew but it wasn't you know we weren't in the middle of a community i know people
who move to the states
but then they like
a bunch of people from their home country
get spots in the same community
and they all go to the same activities
and do all that we weren't part of that
that wasn't what we had going on
so it was maybe like
I know that for like a young
white kid
during this time period
happens to be the same time but just middle school
is like I'm trying to think of what I might have thought about
identity and I think one of the strange things about whiteness is that it has the myth of like not
being an identifier you know it's the sort of it's the it's the the the the myth of a universal
identity and now I think like our current middle schoolers are thinking so much about identity
you know so there's kind of like opposites there and I'm just wondering maybe if this was like
the one it must have added a new dimension to the way you were thinking about identity right
I mean, yeah, it did.
I mean, like, I already had the, I think it was already front and center just by, like, not doing Christmas, which is very traumatic.
It's, like, deeply, like, whoa, you know, I mean, this is big, you know.
Like, so when you're young and you know the truth about Christmas, it's like a really big burden, because you kind of can't tell anybody.
The truth.
Yeah, the truth.
Is it about Santa or Jesus?
Which one?
It's about Santa.
We, we rock with Jesus.
We do.
Oh, that's what you.
Yeah, yeah.
That's, of course.
Yeah.
There's some, like, different specifics we have on you.
I actually do know that.
I want to clarify,
we are Baha'i.
All three of us happen to be Baha'i.
Have you ever heard of the Baha'i face?
Of course.
Okay, so is this true, Nava and Sophie?
I don't think you grew up with Christmas either.
No.
Yeah.
And I grew up in Puerto Rico, which is intensely Christian.
Oh, yeah, they love Christmas.
And there aren't even like Muslims or Jews, really.
There's like a few, not in my school.
So I was the only other religion, and it was very strange to not celebrate.
Yeah, I spent my formative years in the Philippines,
which is, like, very Catholic, very Christmas heavy.
So, yeah.
And when you said it's kind of traumatic.
I feel you.
Oh, right?
I mean, just like to not go, like, and then you, yeah, you feel cynical.
And, you know, it's like, it's like you don't have an imagination.
And then I, and you can't say it.
I remember being pulled, like, a teacher was like, dude, you got to stop.
Wow.
You got to stop saying.
And I'm like, saying what?
You know, she's like, that Santa's not real.
I'm like, but he's not.
And she goes, yeah, I know, but.
Let's just keep it down.
And I'm not getting in trouble for telling the truth.
I mean, this is crazy.
And the thing is, like, real life is.
is magical.
Like a small seed,
I couldn't agree more.
A small seed becomes a tree.
Yes.
Why do we got to say
this big dude goes through the chimney?
I know.
The parents don't get credit for
like maxing out their credit cards.
The whole thing is dark.
Like it doesn't make any sense.
I fully,
fully agree.
So, all right.
And still have Christmas.
It's just the Santa part.
Why?
Right.
We're going to name this episode
taking down Christmas
with Rami Houston.
No, but see,
but the problem is
that'll be really valuable
because there's a war against Christmas,
which is a whole other.
It will be really like for us.
So you will fall under the bus.
I don't want to be far from the war.
Okay, here's what I'll say.
In terms of the war against Christmas,
I don't like happy holidays.
I like Merry Christmas,
especially when it's Christmas week.
Right, because of what other holidays are there?
Just the week of Christmas?
Sometimes, though, it will be Hanukkah.
Sometimes it'll be Hanukkah.
But I know my friends who do Hanukkah.
I know my friends who do Christmas, you know what I mean?
So I guess it's like, okay, maybe if you're Macy's,
you got to say it.
But don't say happy.
You know, let's just say Merry Christmas.
Yeah, that's fair.
So just for anyone out there who might think I have a word against Christmas,
I really don't have a word against Christmas.
I say it's against Santa, who is not in the text.
Yeah, who's not real.
Santa's not in the text.
None of them.
So if we want to get textual, there's no issue with what I'm saying.
I'm curious, you describe feeling more intimacy with your faith and with your culture.
and that's so interesting to me I feel like you can go one of two ways if you feel like you're not
fitting in with the mainstream you can either like eschew what you what makes you different or you can
you can embrace it and become really close to it and I wonder at that young age I think it's
tempting to to try to fit in and so what was it in your life was your what did your parents do
what was it in you that sort of pushed you to just become closer and more intimate with the things
that made you different.
Yeah, I think you're totally right.
There's sometimes this wanting to erase.
And I never, and I just knew that felt really incorrect.
I just knew there was too much love I had felt in those spaces.
That's cool.
And so I said, okay, well, I'm scared.
I have, you know, this is like a, I know I'm young and I feel this like information issue.
But yeah, so it just, it kind of set me on a bit of like,
a fact-finding mission where I was like, okay, I'm scared. It's created a self-fear, but I also feel
like that's probably off to, I just need to know the truth, you know? And so, and again, I think
the thing that I also felt was like just watching the news and seeing everything. I did know,
you know, these are the same people who also propagate Santa. So they're probably lying about this
too. Yes. I mean, that's true. It's a good joke, but it's also true.
That's why I didn't laugh
Because I was appreciating the profundity first
You're not wrong
I did just get it out
At 10 he already knew that late stage
Capitalism was ruining everything
Don't get me started on the Christmas industrial complex
I have two follow-ups
What was your relationship like with your family
Like I mean you made the joke about sort of
hating them and loving them
But like what was it like
And tell us more about your faith
Sort of like at it seems to be a really prominent part of your life
Is it something that you felt early on?
Did you ever struggle with your Muslim identity?
I'd love to hear more about that.
I have the best parents.
They're awesome.
My favorite thing about my parents
is that anything that bothers me
about our relationship
or anything that happened as a kid
was truly just like, well,
they didn't know.
You know what I mean? It's just like
we all, like it's so clear.
And it's like you don't, like, and I think
it's also interesting too when you look at grandparents
because it's like you look at grandparents and you look at parents
and you look at how your parents parent's parent
and then you can get a vibe off your grandparents
and then you're like and I love my grandparents and they
did the best they knew but it's like you kind
of look at it and I was always like oh man
my parents are dope
like they do things really different
from both their sets of parents
you know so I really appreciated
that and then any frustration I was like well
not everyone can do anything
you know
can do everything I mean you know and so
so I definitely always had this deep respect for where they were at
and what they were trying to do
and, you know, especially, yeah, just not being from this country, right?
Yeah.
And then I think just the simplest way I can even put the faith relationship was
I just, since I was a kid, knew there is this, like, I loved praying.
Like, I just loved this private conversation with God,
and I knew like that, I do that.
No, no, I'm just like, I do.
I love you, Ronnie.
Like, that's so real.
How is that not?
It's, I knew it.
I knew it watching your show.
I knew it.
I was just like, there's no way this man won't say this today.
Of course.
And they even laughed at me.
Because I had a question about that, you know.
Yeah, he does.
He does.
It's just, you know, it's just beautiful to hear somebody say that unabashedly.
Because you just don't hear it that much.
Sure.
And like, you know, you know.
Or people say it and apologize.
Right.
Yes.
It's that unapologetic, you know, just.
clear, direct
faith, you know
and that can mean so many things. It can mean so many things
but it's like, look, we all have a relationship with
the unseen, right? And so to me
prayer is this really beautiful
faithful
leading
with love connection to
the unseen as opposed to sitting
in like only my fears
and anxieties, which is also
like sitting in your fear and anxiety is a form
of praying because you're just sitting
with the unseeing.
You're just sitting with what you can't see, right?
But it's like what version of sitting with what you can't see do you want to have?
And so it's like, do you want the one that's aspirational?
Do you want the one that's like building something that is, you know, has accountability
and has love and has, you know, I mean, and I don't blame people for not saying it really openly
just because, you know, like religions become like a dark business.
So it's like I'm not, you know,
The last couple swings at it, you know, the immediate, I would say,
preceding generations, not great.
You know, so I'm totally, I get the landscape, but also, to me, this is real.
Yeah.
Can I just say as an aside, sorry, Penn, I know you're so happy and you want to jump in?
We only have so much time, man.
I love talking about religion publicly.
One of my favorite things to do for a number of reasons.
But I think also that it's like not fair to not.
knowledge that religion in
our hands is subject to
all the forces that everything else is. So just
like science is subject to the forces of late stage
capitalism and there's corruption in that.
Of course there's also corruption in religion.
It doesn't mean that you throw away science.
So why do people who have faith
have to throw away religion or pretend that it's not
like a part of their lives that is meaningful
just because it's touched by those same forces?
It's like anything emotional and intimate, right?
So it's even like the business we work in, it's like
a set can be the most
loving, amazing place.
that people are at their creative peak
doing something that's like an offering for the world
or it can be like a really dark, twisted, ego-driven thing
and people go along with it
because they know there's something at the core
that's really beautiful
but it's like in these really bad hands
and so it's like you see it in almost anything
that means anything.
There's like the version that's awesome
and you just feel like the most alive you've ever felt
And it's aversion, that's just, yeah, dark.
It's manipulated.
It's true.
Yeah, totally.
And we'll be right back.
All right, so let's just real talk, as they say for a second.
That's a little bit of an aged thing to say now.
That dates me, doesn't it?
But no, real talk.
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responsibilities, I know myself, I'm a householder. I have two children and two more on the way,
a spouse, a pet, you know, a job that sometimes has its demands. So I really want to feel like
when I'm not getting to sleep and I'm not getting nutrition, when my eating's down, I want to know
that I'm being held down some other way physically. You know, my family holds me down emotionally,
spiritually but I need something to hold me down physically right and so honestly I
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You have found this way to almost everything we've been talking about.
you have converted into some kind of award-winning
or in development and probably soon to be.
You know what I'm saying?
Like you don't have to acknowledge it or whatever,
but it seems to be true.
Like, you know, from your stand-up to your show
and to the things you're developing now with your company,
it seems like you're just directly translating
the things you care most about
into, like, really relatable projects,
which is ultimately the work of an artist.
you know i mean it's like so i guess i'm curious about
two things so one is
is we it's a podcast but also just we culturally don't hear a lot of
younger cooler people talking about prayer and like mysticism
like the mystical dimension to religion and spirituality
and because you said as a child you loved
prayer that to me like as a person who was not encouraged to pray until i found faith on my own
in my 20s and then have just
just like reclaimed it with such
a vigor you know and I'm just like where was
this when I was 12 and depressed
you know literally like yeah so I want to hear about
what that was just what was your relationship
to prayer or to
to that special
mysterious place in us all
and then and then art like what was your
because that's related to art that's part
of the news process and what was your relationship
to like what kind of artist were you
becoming performer or whatever
when I was a kid I just loved cameras
and I think it's because
I watched my dad
my dad would work like crazy shifts
but then he'd come home
after doing like an overnight or something
and we'd be waking up
and he'd pull out the video camera
like he just loved videotaping us
like it was like his you know
and it was that area it sounds sweet
oh it's so sweet we have all we're like
well documented children
I can like look back
and I don't even
know if I have memories of being a kid or if I'm remembering the videos
because I've seen them. Like I'm not sure. That's kind of precious. Yeah, yeah. Like I feel like
my memory is like online starting like 11. Like before that I
don't know how much I actually know. Um, in general
I have kind of not the greatest memory. Like, and I don't even, I used to, used to
frustrate me, but I kind of, I am very much
uh, not wanting to be in the past that much for better or for worse.
is just kind of
I guess how I am
I can't it's not even a choice
it's just I'm just like here
you know
but yeah that
the the obsession with cameras
and making things
was really early for me
like I remember it was
the first thing I saved up for as a kid
and I remember waiting for the package
to come in the mail and I don't know if you were like
just being younger like when like the
it took forever for something to come
yeah it was great
just you hear the truck on your street
and you're like today might be my day
and then it isn't and then it just goes by and oh i'd be so upset for like the two hours after that
you know because i've been waiting for that sound um but i i was yeah i would go around the neighborhood
and i'd make things and i would uh you know put my friends in them and then i would edit them and
then slowly i kind of started to be like oh i'll be in something you know and i'd put myself in
something and it was all really organic because i never thought it would ever amount to anything
professional, you know, even to the point where when I left high school, I had just finished
doing my last play. And I remember telling my high school theater teacher, I was like, oh, man,
this is the last time I'm going to perform on stage. Wow. That's interesting. And she's like,
what are you talking about? And I was like, yeah, because I got to go to school. And like,
but didn't she study, you study political science, but didn't you also have some other thing in
performing? Yeah. So, well, what happened was, so I'm leaving high school and I, and I'm
going to Rutgers to study political science and economics. And I, yeah, I, yeah, I,
Yeah, I'm like, that's it, you know, because I couldn't imagine that I'd be able to make a career out of what I was doing in high school.
But then, you know, my buddies who I was doing sketch comedy with were like, well, let's just go to an improv jam at midnight.
And I'm like, I'm like, yeah, I guess I could do that.
You know what I mean?
Like, you know, like, I thought life was just going to turn on and like real world would happen after high school.
I was so just blind to anything else.
I thought the whole world was just going to change the second I went to college.
But then it was like, no, I still like performing.
I still like doing these things.
and then I was like well maybe I'll take an acting class
like it kind of snuck up on me
until I you know but
I never did it thinking would be a career
so it was in a sense when I look back
at it I realize
how there was something
pure about me doing it certainly as a young kid but even
the older I got in that I was just doing it
because I loved it and I was like but this is probably going to end
here you know
that's pure though that was yeah it had that thing
like and and
unaware of
of it being that but I just was like
there's no way. I don't know anybody.
But I really like doing that.
And then I think, you know, the, I guess
this is another thing more I think about it,
even also seeing my dad pray in the morning.
We're supposed to pray five times a day.
I just see him do it every morning. And I remember
thinking, yeah, that's,
that looks like a great way to start the day.
And, you know, we get down on the floor.
You put your head on the ground. And I think
the older I've gotten, the more I
realize just how
it's
you can't be in your head
too much when you were literally
bringing every part of your body
down to the ground
in submission to all of this
you know it's kind of just
there's a reason
people have been doing it you know
like it's just there is and and I
think that that's
it's so beautiful you know to me
I just remember being you know that's beautiful
and I want to do it and I would do it
that's very cool the reason that it that it interests me is because depression and anxiety is
skyrocketing in our kids yeah you know it just is and you know you actually kind of made the link
earlier you said you said like well in a way you know what what some of these aspects of like
of anxiety the spiraling and the and the and the revving of the mind is is maybe just it's like
it is a form of prayer but it isn't as um you might have used the word aspirational you might
to use the word, I forget which one, but
you know, I think
that's a very interesting take
on it. And of course, acknowledging there's so much
about like
the biological aspect of the brain
that
a lot of people will be quick
to mention and jump on. I know, I certainly don't want to
like overstate bounds.
But I think it's also very
you know, well documented
that, you know, the word
meditation is much safer to use.
Yeah, right.
meditation is highly documented as changing the biological nature of the brain.
Like this is out there, you know, it's real.
It's like there's no...
It's kind of undeniable.
It's 100% undeniable.
I think that, you know, look, there's...
This is what you just said really reminds me of is like, I'll say, like, I remember, you know, being a kid,
of all the dangers of the internet, like, as I look back, you know, of all the things that could be pitfalls.
I think for a while, I was like, man, I really...
really wish I hadn't seen porn when I was a kid.
I'm not too, yeah.
But I have a, I've actually, I've just been thinking about this really recently.
I think the more I've sat with it, the thing that I think might have been even worse for me
was being invited to create an online profile at a really young age.
Because there's something about picking your screen name and your profile photo and you're
about me and you're like broadcast to the whole.
world that feels so strange because it's like you're forming who you are but you're kind of like
marketing yourself midway oh yeah definitely and i think it's such a mind fuck because it's like
you i think rush to saying who you are in order to project that out into the world and there's
something i think deeply fucked up about that yeah like i just think it actually like
halt you like any piece of art
anything you know putting anything
out too early would be crazy
right but then it's like okay I'm going to tell
everyone who I am right now
here are the nine photos that like
and this is my personality and I used to write all this
crazy stuff because I felt like I had to say something
right you know and I was like why am I
even like why
Rami we have a couple questions
we ask every guest so we're not going to
let you off the hook
can you tell us about your first love and heartbreak
Oh man my first love
Or crush
Yeah my first crush
Yeah I'm trying to think who my first crush was
There was this girl I don't even remember her name
I like remembered what she looked like
You know and I remember she had this like blue dress
And she was I guess she was in kindergarten class
I just remember when we moved
We were in Queens and we moved to Jersey
And I was just like
but what about me and her?
Like, we're going to, like, you know, like, that's an early.
That's an early memory that I had.
And I remember being too embarrassed to tell my parents.
I remember feeling it was a major factor as to why we shouldn't move.
But I couldn't say it.
But I was like, guys, like, what are we talking about?
There's this whole thing going on here.
Like, I've been working on this.
And now we're going to go.
Can't remember her name.
You know, I don't know much.
But there was a blue dress.
I just remember.
It's a very Jane Doe situation.
I remember the blue dress.
I remember the classroom.
And then it really fades out after that.
But that was strong.
That was really blue dress.
Yeah.
Well, after kindergarten, what were your experiences around crushes and?
No, we were, it was funny because we also were all, we were right in that prime period of going from dial up into high, you know, into like faster internet or whatever.
whatever. Everything was remarkably online.
So I remember I had a girlfriend in sixth grade.
The biggest thing about the girlfriend at the time was that she was on my AIM profile, like, as my girlfriend.
I think I saw her twice at school.
Like I was too shy to talk to her at school.
But it was just like, but she's my girlfriend.
You know what I mean?
And so like everyone knows, like it was kind of like a social thing.
It was just like, but we didn't.
we didn't spend any time together
I don't think we ever went anywhere
I feel like that's pretty emblematic
of a middle school relationship
it's like you think a lot about it
it's established by other people
it's very important to other people
oh my god you guys are dating
yeah it's like a social status
but you guys rarely
dude there was this one morning we walked in
and it was wild news
that happened the night before
it all happened online
where there were two couples
and they switched
it was like an NBA
trade it was just like boom like they're like the whole the tables have turned like they did a swap
everyone agreed you know this is big news and we were we couldn't stop talking about it for
months i mean it was it rocked us i mean we were just it was so wild we're like what that can
happen everyone agreed it's like yeah they were all they all got like they all got in a group call
and like they did it wow like yeah actually i came and i was like this is this is amazing yeah it seems
pretty evolved. There's more aspect of it.
If a negotiation involved
seems pretty, you know, high level.
To this day, I haven't seen that work.
Right. I've never seen adults pull it off.
I'll tell you that. I've never seen adults pull it off.
Romney, the other question we ask everyone,
but we can give you like an option. We ask everyone to share
an embarrassing story, but sometimes we ask comedians to share a story of like a time they
bombed on stage. So I don't know if either of those is more
Oh, it's like which time did I bomb on stage?
Have you ever bombed on stage?
No, no, no.
It's like going through the catalog.
Or an embarrassing story from middle school.
Yeah, yeah, yeah.
Yeah, whatever you prefer.
Were you into comedy by that?
You were kind of, right?
I love George Carlin.
I would go to my uncle's room and he'd play Carlin.
That was, and I would just be like, wow.
because my uncle also
talks like Carlin
everything's a rant
and it's like really
just political and theories
and he kind of never
he never really turns it off
and I always thought it was so funny
because he would just like
you know
I don't know he just have some like theory
you know we're younger and just some
really
passionate opinion about
Bill Clinton or something
and you're just laughing
because it's just like the passion is so
turned on
like my family's so funny
in that sense
is that everyone's just so passionate
about what they're saying
and it's like
conflict or whatever
about everyone's just like
I'm right
and I think from
since I was a kid
I was like
oh there's something really funny
when someone thinks
they're really right
so I like
I like keeping things like
I don't know
I can never assert myself
be like I am right
like it just feels so funny to do
yeah right
to just be like I'm right
what
that's crazy
you're right
that's nuts
but yeah
being a kid
Oh man, what's the most embarrassing?
Well, I used to do this thing
that was really crazy actually.
I had this, and I can't even,
there's so many times I did it, but there's,
I'll just tell you about the act of what I did.
I had FOMO really bad.
I didn't want to miss out on anything.
And so I would have to go to the bathroom,
like I'd have to poop, but I'd be like,
well, I don't want to go poop because, like, while I do it,
something.
cool could happen.
Oh, wow.
I love that.
But then I'd shit my pants.
No, Robbie, no, no, no.
Then I'd shit my pants.
So this was a bit chronic.
This happened more than one.
This was chronic.
I would get to the edge.
And sometimes
everything would die down
and then everyone would go home
and then I could go poop.
But then there'd be times when
the hang was still going.
I didn't want to miss it.
So I shit my pants.
But then everyone was like, yes, during the hang.
And then I'm like, okay, if we're outside, I might be able to get away with this.
But if we're indoors, at a certain point, someone's like, what's that smell?
Yeah.
At a certain point, someone's like, what's that smell?
And then I got to go home.
Yeah.
And it's so much worse because it's like, now I have to go all the way home.
I could have just went to the bathroom.
That is so cool.
And this happened more than once, Rami.
There's like three times that are like really clear in my mind, which makes me think
there's more.
Yeah.
Because if I can remember three.
If I can remember, that's what I'm saying.
If I can remember three, it's got to be seven, nine.
I got to be nine deep.
And I think it was for years.
And it probably, I couldn't tell you like the end age, but.
Wow.
It's got to be older than it should have been.
I was subbing in kindergarten class and a kid pooped his pants.
I was like subbing as a TA.
So the teacher was still there.
he pooped his pants i had to help him deal with it and then he went back to the classroom i had to tell
the teacher and she was she called him over and she was really stern and i was like oh no this is probably
why he he pooped his pants he's like too afraid to ask to go to the bathroom she leans over and
she's like this has to stop happening oh my god how many times been going on we've talked about
this yeah i don't know what it is it must have been like you rami is there an adult
manifestation of that?
Like, do you still have that, like, fear of missing out?
No.
That's actually gone.
It's resolved.
It's really resolved.
I mean, at least socially, I wonder if I have a fear of missing out on other things,
but I don't have that, like, I got to be at the hang thing.
Right.
Yeah.
I actually, I was so happy when I met you at the basketball game.
I feel like that's when I meet people, like, that I really like, or, like, their work
I've seen them because I don't I don't actually like go to parties or anything very much so I'm
just like if I see someone next game is a big backstory for a lot of my relationships really yeah I'm
like oh dude it's pretty you know what I just started going it's proving to be somewhat similar
for me it's the best so I'm ripping the shirt today it's so good it's such a great like because
I also love watching basketball with people too because there's just no there's no nepotism in
basketball, it's just like
dude, can you do it?
Can you play defense? Can you put the
you put the ball in the basket?
Yeah. It's like
that, no, AI is not replacing that.
It's the most beautiful thing.
It's the most beautiful thing
to watch. I got into it in these last two years
because my stepson, he started to play, very
unexpectedly by the way. Yeah. Like in his
middle school years, we were
all wondering kind of, you know, what he's
going to be into.
none of his parents
are into sports in that way
he just pulled basketball out of a hat
and he loves it
all the stats
and so that's what our conversations are
these days
and I really get that
like I actually
there's something very interesting
there to
you know I grew up very much
not into a not in a...
You didn't have a sport as a kid
I mean I had soccer
but then because my dad was a coach
it turned really toxic really quick
and so I actually pushed it away for a while
but so the point
growing up didn't have the sport thing and now
I'm like having that
with my little middle school
everybody's going to high school now but so cool
it's fascinating it's a fascinating thing
to see because I used to roll my eyes at it
and maybe
I think maybe because I felt excluded from it
by no one for no real reason
but now I'm just really appreciating
both the like there's
something about watching
the game it's just so present
and basketball in particular because my sport was
if anything's soccer.
Yeah.
Basketball is like, it is so fast.
And it's like chess because it's so high scoring.
So you just know like you're just always chipping away.
You know what I mean?
There's something about it that I find really, really elegant.
Stick around. We'll be right back.
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Rami, I want to know
not because of the idea itself,
which is so brilliant, but because of the narrowness of the culture,
it seems so improbable that Rami would have been made.
Yeah.
Walk us through that process, like conceiving it, pitching it, having it greenlit.
And then also you winning the Emmy is my first memory of you
because you seemed totally unprepared for the win.
I don't know if that's accurate or not,
but I really want to know what it was like when you won it.
So, yeah, it's funny.
So it was the globes, but it also might as well have been like,
it's cool like awards are just awards
like I've you know
in New York's like dude you're the guy who won the Oscar
he won the Oscar and I'm just like
yeah I did it
it was a globe right not an Emmy
or wait which one was it I forget
it doesn't even matter it actually was an Oscar
was it a Peabody
yeah he's a Nobel
I got a Peabody I did get a Peabody
he does have a Peabody
you do have a Peabody that's right
I have two but you don't have Pulitzer
that's Mona's got the Pulitzer
it's hard to be track of
coming coming you know
Mona is...
She talks about it a lot,
the Pulitzer, too.
Mona Chattabee, if anyone goes...
I mean, she's a great artist
that can't stop talking about her Pulitzer.
So, you see her in the street,
unless you want to talk about Pulitzer's,
don't talk to her.
Avoid...
Unless you'd like to talk about a Pulitzer.
Otherwise, go to her Instagram,
Mona Shadabee, great art.
Pulitzer art.
We listened to our old episode with her.
Yeah.
Yeah.
At the time, didn't have a Pulitzer.
Yes, exactly.
I would do a new episode.
Unless you want.
An hour plus about Pulitzer's.
The making of it was
It was really cool.
My buddy Ari Kacher
He had been making
Carmichael show. We'd known each other for years
And I moved to L.A.
I acted on a multi-cam sitcom
For a few years when I first got there.
Which one?
It's a thing on Nick at Night called Seed Head Run.
It was with Scott Bayo
and Mark Curry from hanging on Mr. Cooper.
So it was like Nick at night
was trying to do like a throwback sitcom thing
And it was one of those things that they like made but didn't market
It was and you know at the time as a young actor it was the perfect job
Because you're getting the experience
But also like
No pressure no pressure
Yeah
But what was really cool was Mark Curry
Was touring doing stand up and I told him
Hey I've been doing sketch comedy
I've been making videos since I was you know
I've been doing all these things
and right before I moved to LA
I tried stand up a few times
and he said really and then
he asked me if I was doing a show in
LA and I had
something set up so he comes and watches me
which I didn't think he would ever do
and then he's like cool you're going to come on the road
with me you know and so I got this great
experience opening for this
awesome comedian
and out of nowhere
I was just able to like build up material
and so my buddy
Ari and I we had gone to like
my first ever
L.A. open mic together
and then, you know,
I'd do this multi-cam thing.
He was making a multi-cam show,
the Carmichael show on NBC.
So we just started batting around
and let's do a multi-cam show together.
But then as I built out my
hour-long stand-up and all that,
I was like,
oh, I think it's more of a single-cam show
because I want to get into some stuff
that I don't think is going to work
in front of a live studio audience.
And anyone who's seen the show,
it is not possible to do in front of a live studio audience.
It's not even,
It's not even, there's not much that could happen.
So yeah, I built up, it was funny.
I had this really funny mishap at the laugh factory where they put me up and two comedians who were supposed to go up after me were in the same car and they were late because they got stuck in traffic.
So before I go on, they're like just run, just vamp.
That's cool.
And so I accidentally, you know, end up having this tape at the laugh factory of me doing like 45, 50 minutes.
Whoa.
Which is this like holy grail of like, and I'm up there pulling and I'm like, here's an idea I kind of have thought of and here's like a thing and this or that, that, that.
And then I end up having this tape.
And so we just kind of.
And it went well, I guess.
Yeah, it went well.
And it had a bunch of premises that ended up being all over our first season of the show.
We used that tape.
We sent it to networks.
We had kind of teamed up with Ravi.
Nondin
at 824
and we were kind of one of their first shows.
It was like us in Euphoria.
And so we just went out and
pitched it and
at the time it was like really just
right place, right time because Hulu
was just in this position where they said
okay we want to do original content
in a real way. They had
kind of messed around a bit with it but
they wanted to take like a real comedy push.
They had one original comedy
I'm blanking on it
but it was really cool actually
they just only
played around with it a little bit
and so we were part of their initial
thing to kind of put some new comedies
was us Penn 15
and I love them
and Sarah Silverman did a show as well
and so we yeah
we kind of got in there
and it was cool
it was just like this opening
and the boom of
the streaming at the time
streamings is totally different business now
we made that show deal
with them before Handmaid's Tale had even come
out right? What? Wow. Yeah, this is
really wild so I've been in development
working with them, you know, since
2017
right? So yeah we've made
three seasons
in that time you know
but
yeah so it was cool
I mean like it was people were really receptive to it
and the stand
end up definitely helped and it was kind of clear like what we were getting at and and I think the
thing you know that was really cool about it too was once we got into making the show we got to make the
one we wanted to make it didn't feel that's amazing that's the great thing about having a small
budget uh is that they're they don't overnote you because they're like well that's actually so that's
really cool to hear yeah yeah that's really cool were you unprepared at the globes or like not
unprepared like you should have written a speech but like were you not expecting it that's what
it seemed like watching at home, but I don't know if that's accurate.
I think it was like surreal.
You know, I think going in, this stuff is always so funny.
You know how it is.
I know exactly what it's like to be surprised by a Golden Globe win.
You're right.
No, but you know how the award stuff and all the, but like, it's like you have PR people
and you have like your agents and whatever and everyone's got tabs on everything
and they're like, all right, like.
So I kind of went into the night knowing they're like, okay, you know, you're
You're the dark horse, you know?
Like, you know, there's, we think it might go one of two ways.
So it's kind of like that thing.
Everybody loves a dark horse.
Yeah, everyone loves a dark horse.
People love dark horses.
So I kind of, yeah, I had an idea that maybe, right?
But I think what you saw on me was probably just like overwhelming.
It was gratitude.
I was just like, wow, I can't believe this.
And then being out there and looking out at all these people.
And I just said the first thing that was on my mind,
which is I'm just like looking at Scorsese.
and I just say, okay, dude, like, I know you haven't seen my show.
I have, I'm positive.
I'm positive.
I'm actually positive.
And that's where I was just like, you know what?
And then I looked up and I said a few things.
I don't remember everything I said, but I said a few things.
And then I looked up and there's a clock and it tells you how much time you have left.
And I had like almost a minute left.
But it was just, this is where being a comic was just the greatest gift in a moment like that.
It was just like, just get out on the laugh.
There's no need.
You don't need to do the other minute.
And I was just like, all right, see you, good night.
Like, let me get out of here.
and, you know, it was a beautiful moment, I think, because of that.
I was just, you know, I was very grateful for it.
I still am very grateful for it.
And it was, you know, it meant a lot to my parents, which was really cool.
Yeah, it was really fun.
Yeah.
That's really cool.
Yeah, it was fun.
I love Rami.
I feel like it's a masterpiece in so many ways.
And it's a show that's meant a lot to me as someone who grew up religious,
growing up in a religion that was a minority religion that not many people knew about.
and yeah, it's meant a lot to me.
I love that show.
You've rightfully so received a lot of praise
for being maybe one of the first shows
to represent like a modern Muslim American experience,
but then also a little bit of backlash, I think,
from some Muslims about the character of Rami
being flawed and maybe not the first representation
that people want of their experience.
And I wonder, I've also heard you say some really profound and thought-provoking things about the importance of being able to question faith and how Rami does maybe provide that space for people to question their faith.
And I wonder what your response is to the critics who say that Rami is like a negative representation of a Muslim.
Yeah, I mean, he might be for you, you know, for whoever feels that way.
I think what's really cool is like getting to create from the idea that there can be a bountiful amount of stories, you know, that come from people in our communities and in our tradition.
And so I go in believing that.
I think, you know, anytime you make something, there's like really valid critiques.
So it's like there are things that have come out that are super valid.
but then there are like critiques that have the weight of
scarcity of like how could you do that when this is
our chance or you could be the flag
or this is what we've got or everything is so bad and like
so it's like all that is just that's like scarcity that's fear
I've always just made the show that I want to watch
you know I've made the thing that feels relevant to
what I would want to see
and especially what past versions
of myself would have really appreciated
at different points in my spiritual journey
and that the Rami character is crafted
with that in mind for me
and all the characters in the show
sit in that and so
when that hits with people
they really appreciate it and they really love it
but it's also like anything that I think
is you know potent
or going for a certain vein when you don't like it
you really don't like it you know and I
think what's been fun for me is getting to just focus on the thing that I think could work.
Because I think when you try to do too much or you try to do it for everybody, quality
usually takes a real dip because it just stops being direct.
And so what's been fun, though, because it has worked for us as a story, we've gotten to
make other things, right?
So we're developing this animated show.
We also got to make a show with Mahal.
Hamad Amr, you know, we made Mo on Netflix.
And that's the character that I think is, you know, much more in line.
Like, I think the critiques you're talking about are like, oh, I want to see someone who's like, you know, fighting against the system.
And I really root for them.
And, you know, and I think what was really cool about doing Mo with him was getting to go in and say, okay, like, we can't.
actually make that type of story too
and that also
aligns with
what Moe wants to say
and has to say in his comedy.
So I think it's just really important to kind of find
the specificity to the person.
So I know if I tried
to do this show where it's like everyone's rooting
for me and it's like, I'm just like a lovable
Muslim guy and like someone's like being mean to me
at work. Like it doesn't fit who
I am because I'm like
you know, I'm like a little like a little
like you know, mischievous.
TV as shit. My mom would be like, that's
not you, you know. So
it's like, not that she's like thrilled with everything
I do on screen, but like, you know, and
the character isn't me
but it fits my sensibilities.
It's the type of show I like.
I like getting up to the line.
I like sometimes crossing it and then walking back.
I just like doing it in stand-up.
And again, we take a lot of swings.
I'm very grateful that we connect on a lot
of them. Some of them we miss on.
But at least it's like I'm playing the thing I want
to do. I'm playing in the tone I want to play in.
But then it was really fun to just, like, go and make this other show,
and it's like a whole other world, whole other tone.
So, yeah, it's just about, like, you know, and then we're hired, like,
there's so many people who had never been even near a writer's room
that are now have writing credits and have experience from working on our shows
that are going to tell their stories that kind of fit, you know, from our communities.
And I can't wait to see those.
That's, like, that's, like, kind of my favorite part of it.
Like there's all these people who got to see how it gets made.
And then, you know, yeah, there's people who have worked in any of the rooms we've done that I'm like, cool, I can't wait to like come in and work for you on your thing.
Like, what do you want me to do?
Like, how am I going to help you on your thing?
That's really, I mean, what I admire in what you're, it's not the only thing.
But it's something I really admire in what you're doing.
And I'm realizing it more as you say it because it is true that like the writer's room as a construct is a place that so few people have historically had any.
access to it's just really inspiring to to meet and see and hear about other people doing it like
doing it and succeeding like that's really amazing you know it's so important that i mean we hear
this it's become it's becoming a platitude almost but it's very true like we need to hear other
voices yeah tv is massively systemic and so if you can get people into a television
writer's room that's a huge achievement i think so that's cool no it's really cool
cool, and I think, you know, I've learned a lot doing it, and, you know, we'll learn a lot,
you know, a lot more. But, yeah, that getting in is really, is really key. Because, you know,
and you know this too, and just working on stuff, it's like, you get an opportunity and you're like,
all right, well, we need to make sure it's good. Who's done it before? Right. Right. So it's like,
there's a reason why people keep rehiring the same people because it's like, you know,
like, we have to deliver, right? You know, and, and so there's a line of like how much
you can experiment and how much you can kind of throw people who are new and green.
And then also, so I think we've always tried to have this balance of like, you know,
who has never been in a writer's room and who, you know, wrote on Roseanne.
You know what I mean? Like, how do we all get together here?
Like, who's the guy that's like been around?
You know, all right, let's see. Like, what can you offer us?
You know what I mean?
And then who are the people who really, you know, just have something totally left field?
who are new, who just have, you know, this, the raw, you know, thing.
And then, and so, so that's been really fun.
I'm intrigued by the decision to name the character, Rami,
because there's got to be, you've got to know, go into it,
knowing that there's going to be many people who collapse the two of you
into one.
So what was the thinking behind that?
I mean, this is kind of what I said a moment ago of, like, learning a lot, you know, probably.
What was the thinking?
I wasn't thinking about that.
I was thinking about, like, plot lines, and I was like, whatever, my name.
Like, it was that.
It ended there.
I didn't want the show to be called Rami.
I found out in a press release.
Wow.
Because, like, someone had floated it, and then we were like, oh, it does work.
We were playing with different, I didn't want it to be Rami because a lot of people say my name Rami.
And so I openly said to everybody, producers network, I was like, there's going to be a problem here, like a marketing problem if the show is called Rami.
because people don't know the word,
they're not going to know how to say it, like, whatever.
And I was right.
Yeah.
It's a marketing problem.
Which is fine.
I'm grateful for it.
It doesn't really matter.
I mean, it's like, it truly is one of those things, too,
are like, getting to make it,
the right people find the show.
You know, I hope we've kind of put something together
that, like, you could watch
even five years, 10 years, 15 years from now
and take something from it.
So that was always the goal in that.
it doesn't need to be like the biggest thing
and I think we've you know
had wins that you know not even just award stuff
but just even like
we definitely cut through in a certain way
which is really really exciting right
but yeah
not a lot of thought
yeah yeah yeah Rami can you
spill the beans on your new project poor things
tell us something scintillating something you haven't
maybe shared yet
oh man
make sure it's juice no pressure no pressure
I mean the movie is
I love
your ghost
you know
I like organically
it's not one of those things
where it's like
because I got to work
with him suddenly
you know I was always obsessed with him
I was always kind of
you know
hitting up my buddies from high school
being like have you seen
the killing of a sacred deer
like you have to watch this movie
it's so insane
and I remember seeing his first film
dog tooth
and just being like this is so deeply
you know fucking weird
and I love it
and this film I think is
it's like everything I loved about
dog tooth mixed with everything I loved about the
favorite and then
it's also just its own thing
and so
I love the tone
I love how much of a tightrope walk
the story is
and you know it's like
it's a really
feminist film like it's like
the most fucked up way to talk
about feminism but like I think it's really
effective in doing it and I think that's
really largely owed to
Emma
It's probably my favorite Emma Stone performance ever,
and I think she's an unbelievable actor, so that says a lot.
And what she did and what she crafted is really, really cool.
And getting to see her do it, and then seeing it cut into the film
was really, yeah, really impressive.
Yeah.
So exciting.
Yeah.
I thought that of her, too, when we were doing UZA.
And it's not, this is my favorite.
Actually, at the time, it probably would have been.
That movie is so good, though.
But that movie is so, no, it's so funny.
And, like, you can tell from then, you're like,
oh, this person has emotional access, like, on another level.
Very much, yeah.
Yeah.
Yeah.
Rami, I want to ask you just one more thing professionally.
Yeah.
You're directing now.
So I know you directed on Rami.
You've directed an episode of The Bear.
Is that right?
Can you sort of talk about what that's like for you?
Yeah.
And in Rami, like, when do you choose to direct and not to direct an episode?
Are there sort of, is there a strategy?
I always go into a season of Rami saying,
I want to direct the ones I'm not in,
which ends up being.
none kind of a no actually like a lot
because I'll like you know
look by the time we get to the third season
it's like I'm in like half the season it's like really fun
I stand through it so the ones that I watched you were in
I could okay yeah a lot of the ones you watch I'm in
but but um I always go in with that intention
but even like season two
I ended up having to direct a lot of the ones I was in
just by the nature of the schedule because we'll be like
cross shooting and all that
but in general I really like
directing when I'm not acting
um but
I guess I have fun doing it when I'm acting too
but doing something like The Bear was really fun
because I have a really great relationship
with Chris Storer who made the show
and we have a shorthand
but also we do things differently
and so it was this really fun opportunity
also because it was an episode in Copenhagen
and so I was like well I gotta go do research
right and so we're just like talking to someone
at like Disney travel and they're like how long do you
to stay. And you're like, well, I need
weeks, really, to figure out
what I'm doing here.
But it really was great
to just go there and do that. And so
yeah, for me, direct, it's so fun.
It almost
oddly feels like what I liked about
anything artistic when I was
a kid, which was just kind of having the camera
and then getting to edit it and
thinking of the music that goes on it.
And I really love working with actors
and kind of breaking down a script
just because we do it so much when we're acting and then
And to get to do it on the other end is, yeah, it's just like very fun.
You know, I really love photography, so that's just like a hobby of mine.
And it feels like I get to bring in that when doing that too.
So that's, yeah, it's like a really fun part of the thing for me.
Yeah.
Well, man, I mean, we're not ending on a laugh, but.
You could edit it so that we end on a laugh.
Oh, no, we don't have time for that.
You don't do it.
No, we will.
We'll take out the bit about the bear
and we'll just figure it out.
We'll go back to something about masturbation and prayer
and, you know, we'll figure it out.
We actually didn't touch on masturbation.
I believe you brought that into the conversation.
I'm going to say we're both iconic masturbators
in our own way.
For sure.
Privately, we pray?
Publicly, we're...
You have to rhyme it.
Find a way to rhyme it.
I wish I hadn't, but I did say it.
That's another one.
You have control of the edit here.
And I think that you could use it.
I don't.
We do actually have a last question.
We do have a last question.
If you could go, it's a left turn now back.
From iconic, back to the beginning.
Yeah.
Well, this might apply given the age.
What if you could go back to 12-year-old Rami.
Yes.
What would you say?
If anything.
genuinely I think I would say
because any specific advice
would be too tough right
because as a kid you're like
it's too much
I think the thing I would say is
believe me
being so hard on yourself
is not actually that helpful
like it's not actually that helpful
I think I had that like
Kobe mentality of like
you got to be
tough
on yourself, you know, like, but I feel like
Kobe kept that on the court in a way, but
I don't know, I can't speak for him, but maybe
it just works for him, but I think that like we really,
especially the immigrant mentality is like, yo, like, let's, we got to, you know,
be tough on yourself, work hard, get there, you know, like everyone kind of has
this, this thing. I think it's very pervasive in our culture
like, in general, like just American culture. But I think, I think that's what I would
try to really get through to 12-year-old romay's like don't all this like beating up of yourself
and all this like really tough harsh inner dialogue right that you think is shaping you into
something better is not you know uh yeah but it's hard to tell like a 12 year old to love themselves
it's very difficult thing yeah that's well it's a very like yeah it's it's hard to tell
an adult to love themselves you know and actually have that be taken you know
sincerely but yeah i feel like the conversation went to went to so many places that were a pleasant
surprise and and i mean honestly man the best of continued success oh you too man uh this is so cool
thank you guys for having me this was really fun you can watch rami on hulu you can check him out
in poor things and you can follow rami yusuf online at rami
He was born in 91, I think.
He's younger than Taylor Swift.
That's my reference for everyone.
That's crazy.
