Pop Culture Happy Hour - You, Me & Tuscany and What’s Making Us Happy

Episode Date: April 10, 2026

“She came for the pasta, and got lost in the sauce.” That’s the brilliant tagline for the zesty new rom-com You, Me, & Tuscany. Halle Bailey stars as a broke twenty-something who decides to fulfill a dream and fly to Tuscany on a whim. There she meets a hot winemaker played by Regé-Jean Page. But this is an old-school movie with classic rom-com machinations, so it’ll take at least a three-course meal and a few vinos to get these two beautiful people together.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureSubscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhourSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

You're listening to Pop Culture Happy Hour, the podcast that keeps you plugged in about the latest and greatest in movies, TV, music, and more. And if you're a pop culture junkie who's not following the show yet, we're recommending you fix that right now by following Pop Culture Happy Hour on your favorite podcast app. Next week, we're going to be talking about a new Netflix show from the co-creator of Schitt's Creek and catching up with some great TV we missed. So make sure to listen. And now on to you, me, and Tuscany. She came for the pasta and got lost in the sauce. That is the brilliant tagline for the zesty new rom-com, You, Me, and Tuscany. The movie stars Hallie Bailey as a broke 20-something

at a crossroads in life, so she decides to fulfill a dream and fly to Tuscany on a whim. There, she meets a hot winemaker played by Regé Jean-Page, but this is an old-school rom-com with classic rom-com machinations, so as you can probably guess, it'll take at least a three-course meal

and a few Vinoes to get these two beautiful people together. I'm Aisha Harris, and today we're talking about you, me, and Tuscany on Pop Culture Happy Hour from NPR. Join me today is NPR producer Corey Antonio. Welcome back, Corey Antonio. Ciao. Ciao. Also with us is the former host of Slate's Internet Culture Podcast, I see why am I and former pop culture happy hour producer Candice. Welcome back to you, Candice.

Hello. Hello, hello. Ciao, Bella. Chau Bella, all the things, all the things. So in you, me, and Tuscany, Hallie Bailey plays Anna, a young woman who's abandoned her dreams of becoming a culinary chef after the death of her mother. Now she's a house sitter for New York super rich, but the work has dried up. She has a brief encounter with an Italian real estate bro passing through town who's named

Mateo, he's played by Lorenzo de Moore, and he inspires her to take a big life swing and fly to Tuscany. I'm using the ticket my mama already bought me. and I have $535 in my savings account. $500? Yep, it's enough. It's not enough. You were the one who's telling me I need to start living my life?

I meant making small proactive changes. Like fixing your credit score, making a hinge account. When she gets there, she remembers that Mateo owns a villa he doesn't live in because he's estranged from his family. So as any totally normal person would do, she tracks the place down, breaks in, makes herself at home. The rest of the movie adds up to a very convoluted comedy of errors. Mateo's family members discover Anna at the villa and are led to believe she's his fiancé they've never heard of.

Most of them are extremely excited because it means Matteo will finally be returning home. And then there's cousin Michael, played by Regé Jean Page. He runs the family vineyard and he is very, very ridiculously good looking. What could possibly go wrong? You, Me, and Duskini is in theaters now. Candice. Did you get lost in the sauce? I came for the pasta, got lost on the rigatoni.

Hell yeah. I love this movie. I think this is a perfect movie. I have no notes. And I will say, I think this movie is so playful. And I felt that from the beginning of the marketing. Fun fact, did you guys know that this was originally supposed to be called Italian? Sit with that.

Sit with that. Yes, yes. I really do love this. this movie. I think that it reminds me a lot of marry me, you know, the J-Lo movie with Owen Wilson, which is ironic because it's directed by the same person, Kat Coiro. And I love how whimsical and how fantastical and how there are so many parts that are so just like delusional would never happen, especially as a woman traveling solo in Italy.

However, I'm not mad about it. And we could have the argument that it's because of the state of the world. I would also make the argument like, is. Is it really that bad to have a rom-com that kind of pushes the cheese to a point where you're kind of like, and we all went home happy for the day. I'm into it. I'm into it. Yeah. I concur.

But Corey Antonio, I need to know. Sauce, were you lost? Oh, yeah. This was a good old plate of shrimp alfredo for me. My own romantic life is in shambles right now. So I really just needed a good heavy dose of escapism. and this film lifted my feet off the ground just high enough to have hope in the carousel of terror that is the dating pool. And Hallie Bailey is an actress that, I mean, I could watch her paint a picture like Bob Ross for five hours and I would be enthralled.

But just having her in these settings with these characters, like, is she carrying the film in the way that The Little Mermaid, you know, was a strain on her back? No, not quite, but she doesn't need to because the ensemble cast is so strong. They're so easy to fall in love with. And at the end of the day, you don't end up caring about the central romance as much as you do, this family coming together and her finding this place of belonging, which I thought was just so heartwarming. Like, wow, I needed that romance. I needed that story. And this was a really good time for me.

I have to say, I went into it and it started off a little, I was just like, I don't know, man. First of all, how am I watching this movie in a theater-wise? It's not on, like, streaming right now, like, or on a plane. It's peacock-coated. Yeah. And it feels like a throwback to circa early 2000s, mid-2000s rom-coms where you have, like, Gabrielle Union or someone like that. Very think, like a man-coded.

Yes. Yes, yes, yes. It was giving me jumping the broom. Yes, jumping the broom. I remember that movie with Paul Patton. Yeah. Mm-hmm. Mm-hmm.

Yeah. That also had a little racial diversity. going on in it? It did. It did. I saw Jump in the Brum in theaters. I remember that.

That was also very fun. Oh, wow. Aisha, you were there for the writing of history. And maybe it's just the state of the world, but I was not in the mood at first. And then as the movie progressed, I just kind of gave into it and was like, okay, yeah, I'm along for this ride. This is sweet. Does she have, like, a fairy godfather sort of here who's played by Marco Calvani?

Oh. He plays Lorenzo in this film who's like this very enthusiastic, very hyper, cab driver who basically becomes her chauffeur. Yeah. With like, does she pay him? I don't know. They talk about a price. The first 30 euros was the payment. Yes, 30.

After that, he was along for the plot. He was along for the plot. Invested. He was invested. I kept looking at him the whole time. I was like, oh, my goodness. Why do you look familiar? And then I realized he played Coleman Domingo's husband on the four seasons last year, the Netflix show, those four seasons.

I was like, oh, that's where I know you're. from he was a delight. Claire, who's played by Aziza Scott, who is her bestie back home, who we heard in that earlier clip. She's the other sort of, you go, girl, you do what you got to do, but she's also kind of like

the little Rao Howrie in Get Out where she's like, what are you doing? You're a black woman in Italy. Don't get murdered. Perfect condition for my friend to get kidnapped. Okay, it's meant to be.

It's just one of those movies. Like, as it progressed, I just kind of got swept away with it just like you. It became sort of just this, nostalgia trip, because again, it feels so not of this time period. Even of modern rom-coms, it feels not modern. Don't you have a girlfriend or something? Mr. a handsome winemaker in Tuscany?

Most of the men here are handsome winemakers. I mean, this movie gives the people what you want. And what we want is to see him shirtless. Not the rain, but in a sprinkler, vineyard sprinklers. and doing so because he needs to save her edges. Go see the movie. You'll understand what I mean when I say that. It's so charming.

I mean, I guess part of my hesitation while watching this was like, this wouldn't happen, this wouldn't happen. She's a black woman. Would these people really embrace her in that way, especially in Italy where, look, there are places that have issues with race. Italy is one of them. I've been there. I have not been to Tuscany, but I've been to other parts of Italy. It's not always the most embracing, opening place for. for black people to go.

But then it kind of explains it with Regéjejean Page's character and the fact that he's like the cousin brother. I don't know. I'm curious how that played for you that like the racial dynamics that weren't really there but were. Oh, I mean, on one hand, going in, I knew that from the tone of the marketing, from the tone of the ads in the trailer, this was going to be a film where there was no issue with her being this black woman traveling alone in Italy. Yeah. And so I was down for it. I was down for the whimsy. I was down for the fantasy.

I love to not have to worry and not have to clinch my teeth. I also had this moment watching the film where I was like, when we saw Michael come sit down with the family for dinner, I was like, oh, so they're loving all her because they are used to seeing black people. Right, right. And that was helpful for me. In this small town where everybody knows them. Perfect.

It's kind of perfect, though. Like, I don't know. Yeah. No, there's definitely a question here about kind of like the stakes of this film even existing, right? I was thinking a lot about how director Nina Lee, like before the film came out, she went like on social media and said that basically she has this movie that

she worked on with Coco Jones. It's like ready to go. It's ready to be set. But a lot of executives allegedly were telling her we're not going to buy her movie until we see how Yumi and Tuscany goes. That's a lot of pressure to put on Hallie Bailey. So much pressure. But at the same time I also think

this is kind of about like you know, not only who gets to like make a film like this, but like how fantastical and realistic can you be? Like, is it possible to just kind of like enter a rom-com and be like, this is kind of what I imagine, like romantic comedies look like today. Let's take out kind of the socioeconomic pressures that other people may feel. And is it an escape? Is it okay to escape? I think there are some people who walk into this and being like, well, I wanted to see myself. I went to testing me. This happened. Da-da-da-da. And it's like, well, I think, you know,

sometimes it's okay to just like head off and just kind of like be in a delusional state for a little bit. and then use that to kind of make the films that you really want to see. Yeah. I love that framing of it of, like, asking yourself, is it okay to escape? Because I think that is subconsciously what I was thinking to myself while watching this. Because I know for a fact that I'm often thinking about these things, even when, like, it probably doesn't serve me emotionally to be doing so. And so I love this movie. It took me a minute to get there.

But once I got there, I was like, you know what? It's really okay. Like, it's all right. What I have loved at least like a little bit more. more even just like a little joking. Like there's a moment where everyone in the town is like, it's literally like, little town. It's quiet. Yeah.

Yeah. There's a moment where she's like walking through town and all these strangers are like, hey Anna, hey Anna. And she's like, how does everyone know me? And I was expecting him to be like, well, you're the only black woman here. Right. Right. Just something funny like that. And instead it's just like, oh, it's a small town.

I'm like, okay. There were opportunities. But very small, small thing. I think also it just helps that overall. It's not just the racial aspect of this movie that is completely fantastic. It's like everything that's completely fantastic. Like the fact that she is in this person's home and then they just immediately welcome her, they have no idea who she is. And they're estranged from Mateo.

And they're planning all this, but they're never wondering like, well, Matteo hasn't contacted us. Like the only person who's suspicious is Nona the whole time. I loved her. She's played by Stefania Cassini. And Nona just always has a stank face Because she's like, I don't trust this woman. And I was like, that would be me too. Right.

That would be me too. And I loved those little moments. Like the family was just fun. My audience was very into it. And, Candace, I think you were talking earlier. Like your audience was very into it too, right? Oh, yeah. Like I noticed that, you know, this was a press screening that I found very significant in that one.

It was definitely a more diverse audience, but also it was an older audience. It was a lot of like older women who clearly came up in the age of the Julia Roberts. It's rom-com, and they were hootting and hollering. And I actually thought that was interesting because it made me question, like, are they the target audience over me? Because my whole thing is that, look, I have talked to a few of my friends about this. I have friends who have apprehensions about reggae Jean Page as an actor. Hello. Hi.

Corey. It's because they're like, he left Bridgerton season one. There were some hard feelings. He tried to, you know, have a real movie career. And this is his moment to kind of test if he has a litmus for, like, you know, the general audience. I still love him. Some of my friends do not. But I thought he kind of nailed it, and I'm still into it.

Corey, how do we feel about Reagan? Speaking on it. It's just like, a handsome face does not chemistry make. And I feel like there were moments that we were expected to rely on the handsome face, the charm, the six to eight pack. Yeah. And there were definitely sparks in the film. I definitely really loved the scene where they were. They are, like, getting drunk off of his own wine supply.

Yeah, right. And having their little date moment. I thought that was really cute. But when I'm watching a rom-com, I'm looking for that first impression from a leading man. I think I sat in this very chair when we watched one of them days and talked about how Patrick Cage, in the second he walked on screen, I was like, okay, yes, this is leading man. There is chemistry. But there's gas in the tank to go somewhere. It was a very slow start and a very slow build between Michael and Anna for me.

me. Yeah. I definitely see that. I think I'm still yet to be blown away by reggae Jean Page, but I see the potential. Like, I thought he was quite good in BlackBag, the Stephen Soderberg movie from last year. He has a little bit more room to play. You hope in these types of movies that you can get people who can transcend the material, because, like, we're not reinventing the wheel here. And it's fine. Like, there are funny moments. There are clever moments. There are moments where I'm just like, These Italian people know this slang, like, here's the tea. Okay, I don't know about that. There's, like, moments where it felt a little, hmm.

The issue that comes up with these things is, like, the rom-com material is rarely going to be on the level of, like, a Nora Ephron. Like, it's just hard. We don't often get that. And so often we do rely on the chemistry. And, Corey, I do understand that. I do think, though, like, it is a slow build.

And eventually we do have those moments. I'm unlucky in love. Probably I'm not alone. Why's that? Always fall for the wrong girl. I like seeing two beautiful people. That was enough for me. It worked at the end of the day.

Holly and her endless sun dresses in that one duffel bag. Look, if you roll them up right, I have traveled to Italy with just a small suitcase for like two weeks. And it worked. It works. Also, she was doing laundry constantly. Constant laundry. Yeah. Constant.

Constant. She had to be doing a lot of steaming and ironing of those things because they were all like linens and stuff. You know what's suspended my disbelief is the insane apparel spritz spawn con. Wait, was that what it said on the glass? Yeah. I totally missed that. He was like apparel spritz.

Oh, see, I saw the apparel spritz, but I like could not make out what it said on the glass. No, it's like a real company and they do like spawncon and label out. Label out. My question is, where did Homegirl find grits in Italy? Like, do they have that? I mean, I mean, I guess maybe they have polenta. That's a version of grits. but I was just...

Maybe she traveled with it. With all her sundresses and that one little bit. You know, just to add some weight to it. I want to ask y'all, obviously with rom-coms, we don't need, like, the Oscar-winning, deep Stanislovsky acting. Sure. But how did y'all walk away thinking about Hallie's acting performance in this film?

I did talk to some people in the audience who were like, oh, she's pulling the Disney bag strings tonight, AKA she's bringing a lot of the Little Mermaid, like high flute in voice and just very kind of like, everything's so magical. I totally see it and I totally get it. And we can definitely have the conversation about whether Hallie should be in movies or in the recording studio. But it kind of didn't phase me for some reason. Like I was okay with it. And I think it's just because I'm like, I'll be honest, I was always more Halley than Chloe.

So that's number one. But number two is just kind of like in a weird way. This is horrible. I do find this to be the intersection between people who watch, like, Tyler Perry movies with their grandma and people who love the Little Mermaid reboot. I'm so sorry. I'm so sorry. I can totally see that.

And again, this is that sort of, like, fantasy that I think a lot of a certain type of black filmmaking. Tradition. World. Like, Will Packer. There's been sort of, like, in the last few years, some movies and TV shows, especially, I think of, like, some. something like Harlem, where it's kind of like a reboot of like girlfriends, sex in the city,

like that kind of era, single women or women who are dating men who are no good for them. But living these very, they are of a certain class. And it's very like fantasy coded. And I think you can absolutely let yourself escape. But as people listening to this conversation can also understand, you can still have some minor critiques or questions about, you know, how that escapism plays out. And to answer your question, Corey, about you know, Hallie Bailey as a performer. Again, I think the two of them, her and reggae Jean-Page, like, there is, there's a lot of charm that we're coasting on.

And I don't mean that as shade. And I think that's like partially perhaps acting abilities, but also just like, again, this is not Shakespeare. This is not, the material is not. There's only so much you can do with that. So that's all I'll say about that. Yeah. I mean, there's something there about.

her playing in the Disney bag because I was like, there are moments in this film that are really resonating with me. I really understand how destabilizing it can be to lose a parent in your 20s. And I thought that was something

that she really tapped into. But that is also squarely within Disney Princess territory. Oh, absolutely. Now, the despair and desperation of being flat out, broke in another country with no prospects, nowhere to sleep, no nothing,

I didn't get that from her. And that's not within Disney princess territory. Even more so, I did have a moment or it's like, oh, this is kind of pulling from, to speak of Disney. It's kind of pulling from Princess and the Frog. Because part of that motivation in that movie of Tiana is that her father has passed and she's like trying to open this restaurant. And she's like basically like they're both chefs or wannabe chefs. Like you can see it. You can definitely see it.

And I'd be curious to see how Hallie is able to maybe eventually transition. She's got time to like figure it out. She still looks extremely young. So, in fact, sometimes maybe too young for Regé Jean-Page, who was 12 years or senior? I agree. I agree. But there's a lot of makeup in them sunny scenes in the vineyard. I will say this movie looks beautiful. It is gorgeous.

This is a movie that if you just let yourself go, you will get lost in the sauce. I think we all did. Try and go see it in a theater. I was skeptical about it, but, like, it was kind of fun to hear other people's reactions to it. But also, it feels like a perfect plane movie. It feels like a perfect, like, at home, cozied up, in a blanket with preferably Italian wine and some cheese. So much fun. It was a fun little escape.

And up next, we're going to be talking about what's making us happy this week. Can't wait for that. And now it's time for our favorite segment of this week. And every week, what's making us happy? Candace, tell us what is making you happy this week? I'm very excited about this one. What's making me happy is a new show called Love Overboard. Have either of you guys heard about this?

No, I have not. I have heard about it, but tell me more because I don't know much about it. Aisha you are going to love this. So Love Overboard is a reality dating show where a bunch of singles spend this summer on a yacht in Malta. And it starts off a little Love Islandie where like some people, they kind of group themselves into four couples and they live their best life on this yacht. Those who are not coupled up the singles, they end up getting sent downstairs to work on the yonels. They clean, they clean the toilets. That is literally their job.

What in the upstairs, downstairs is this? Uh-huh. Yes, and it becomes full below deck, and the whole goal of the game is to go from a downstairs person to an upstairs person. And the way to get upstairs is you have to homewreck one of the couples. Like, you have to break one of them up, replace them. And then the person who ends up, like, getting booted out has to walk a plank and basically get thrown into the ocean. And... Talk about metaphors for the way our entire society treats single people.

people, but okay. Exactly. Go on. Exactly. And I think this show actually does something very interesting where the rule is that, you know, let's say you are a downstairs person, you fall in love with another downstairs person. You cannot go up simultaneously. However, you can plot and scheme to break up two separate couples and, like, bring the other person up.

And I think this show is just about how quickly class mobility can really change you and, like, shift within you. Like, you know, one day you're cleaning the deck and then on day two, you're ordering apparel sprits and how quickly you can, like, get there. The show is hosted by Gabby Wendy. She does a very good job at just being like... Gabby of Traders fame. Well, that's how I know her.

Yes. Yeah. And she does a very good job of being like sarcastic and biting. And she makes one of the guys. And I love it. And so then yeah, I'm going to recommend love overboard on Hulu. Oh, my goodness. Okay.

First of all, I think every reality dating show is about class and race and all these other things. Yes. But also, I'm probably going to check this out. Okay, thank you, Candice. I'm so embarrassed to say it. You're going to love it, Aisha. I really mean it. I really mean it.

Thank you, Candace. Corey, what is making you happy this week? What's making me happy is this week's Broadway debut of Cats, the Jellicle Ball. Cats has been revived through the lens of the ballroom scene in New York City. And it is just a hoot and a holler. I saw this production when it was off Broadway. It was an astounding time. You know, the running joke about Cats for decades has been,

nobody knows what it's about. It doesn't make sense. Boring. La, la, la, la. These people took that story and really embodied it and grounded it in something real, something tangible. And there's just something so magical about, like, the theatricality of ballroom and being in that space and being able to see that on the stage translated. It feels right. It feels good to my soul to see just old circles come back again.

Like, it feels very Sankofa-coded. I love it. And it's a lovely collaboration between Broadway veterans and ballroom veterans. And I think it's where art should be going. I love it. And if you can't go see the show, then go look at some vogueing clip on YouTube. Check out the icon Yolanda. That's my recommendation.

All right. So that's Cats, the Jellicle Ball on Broadway. I'm hoping to get to see that when I'm in New York next because I do not like Cats. I absolutely despise it. But I will absolutely take a reimagining of it that makes it actually fun. So thank you for that recommendation, Corey. What is making me happy this week is that Robin is back. She is finally back.

Robin just dropped, well, recently dropped, a new album called Sexistential. And it's her first album in eight years. And she has not lost her edge. She is still weird. She is still quirky. She has a sense of humor, but this time she's a mom. She's doing these house and dance club bangers, but they're also about, like, being on Raya while on IVF and having, like, hormonal rants on Instagram and scrolling while breastfeeding. Like, right now, though, my favorite song is Talk to Me.

I love it. And I love the fact that she can still be playful and fun. So Robin's album, Sex Essential, definitely give it to listen. There's nothing like a Robin BPM. There's nothing like a Robin BPM. I know, I know. So that is what's making me happy this week. And that brings us to the end of our show.

Corey Antonio Rose, Candice Lim. Thanks so much for being here. Ciao, Bella. Ah, la, la, la. Bueno no. Thank you. Until the next. This episode was produced by Liz Metzger,

Hapsa, Fathema, and Mike Katsif, and edited by our showrunner, Jessica Reedy. Hello, Come In, provides our theme music. Thanks for listening to Pop Culture Happy Hour from NPR. If you're not already following the show, do that right now. I'm Aisha Harris, and we'll see you all next week.