Pop Culture Happy Hour - Zootopia 2

Episode Date: November 26, 2025

Disney’s Zootopia grossed over a billion dollars worldwide. Now our heroes return in the sequel Zootopia 2. Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) are now partners in the Zootopia police force. And there's a new problem: a snake has appeared in a reptile-free zone, and he brings to light a mystery from Zootopia's complicated past. The cast also includes Ke Huy Quan, Andy Samberg and Fortune Feimster, who add something new to what has already been a winning formula.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureTo access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Zootopia back in 2016 grossed over a billion dollars worldwide. So it's no surprise that we now have Zootopia 2. Our heroes, Judy the Bunny and Nick the Fox, are partners in the Zootopia Police Department now, and there's a new problem. A snake has appeared in a reptile-free zone, and he brings to light a mystery from Zootopia's complicated past. New voices like Kiwi Kwan and Andy Sandberg add something new

to what has already been a winning place. formula for Disney. I'm Linda Holmes, and today we're talking about Zootopia 2 on Pop Culture Happy Hour from NPR. Joining me today is one of the hosts of NPR's Code Switch podcast, Gene Demby. Hello, Gene. It's good with your friend. How are you? I am so happy to see you. Also with us is Regina Barber. She's a host and reporter for NPR's Science podcast, Shortwave. Hey, Regina. Hey, Regina. Hey, I'm so excited. I'm so excited to see you. And rounding out the panel, oh, is the former host of Slate's internet culture podcast, I see Y, M.I. And more importantly, in my heart, let's admit, former pop culture happy hour producer Candice Lamb, welcome back, Candice. Hello. Hello. So at the end of Zootopia, Judy Hopps, a bunny voiced by Jennifer Goodwin and Nick Wilde, a fox voiced by Jason Bateman, became partners with the Zootopia Police Department, having worked together to catch a corrupt assistant mayor and put her away. Now they're settling into their new jobs, trying to get used to the fact that she's a rule follower, and he's a little more laid back.

We have to set another meeting with the chief. Promise we'll be better. You talk back less. Maybe not at all. Yeah, or we go with my playbook and we just lay low. They get thrown into a new case that involves a snake named Gary, voiced by Oscar winner, Kee Hui Kwan, as well as a lynx named Paubert, voiced by Andy Sandberg. It also touches on the history of Zootopia and exactly how it came to be run the way it is. Judy and Nick get a little help from a friendly beaver with the voice of Fortune Femester, and they naturally cross paths with lots of their old pals from the first movie.

Zootopia 2 is in theaters now. I'm going to start with you, Regina. You came in kind of bouncing with eagerness to talk about this movie, which I get the sense enjoyed. Why don't you tell me about that? I didn't think I would. I really loved the first movie. I think there were issues with the complications with like racial politics and like the drug war. But overall...

She says with an understanding. But overall, I think it was about also, you know, white feminism, which is the part I really liked. I mean, I really liked that they addressed it. But I think I went in with like very low expectations and I went with my daughter who was 17. And we were like turning to each other and we were like smiling and like the whole way through I was actually surprised by stuff. So I really enjoyed it. I was surprised. Pleasantly surprised.

Yeah. Well, that is a good thing. Being pleasantly surprised is always a good thing. I mean, how about you? I, you have already sort of muttered your thought, which I remember from hearing you talk about the first one, that the politics of it were kind of sketchy for you. How did you feel about this one? I mean, I'm a sucker for, like, animated things with lots of puns, like, big fan of BoJack Horseman. So this one actually worked a lot for me.

The first one was so exasperating because I'd be like, yo, this movie has janky politics. And I'm like, yo, it's a movie about a cartoon bunny relaxed. You know what I mean? But at the beginning of the movie, she's like, giving out tickets willy-nilly to prove. that she's a good cop. It's like, oh my God, there's so much history of race and immigration and policing that is just being like sort of like sort of like very happy points about like, it was just exasperated. Yeah. And this movie was not that.

And so just clearing the bar of like not being exasperating with this politics. Although. I was less exasperated by the bunny character. Yes. Just exacerbated by the bunny character. But there is some stuff in this movie that it is flicking at that are like have some, I think sort of trenchant real world parallels. And it doesn't, it doesn't flick at them too hard. But it's like if you wanted to pull at those a little.

bit. Right. It gets really tricky. But this movie seems to be less concerned with like sort of foregrounding those things, whereas the very purposely in the first movie, they wanted to make a movie about race and representation and power and policing. And it's like, okay, good luck with that, right. And this one, I think they, we talked about this a little bit after we saw it, that I think they're really more focusing on making something that's entertaining and visually witty and full of puns and cute animals and that kind of stuff. And it still has politics in it, less prominently. So Candice, you, as I understand, really loved the first one. How did you land on this one? Okay. I like this movie less, the more I think about it. See, here's the thing. So I really

like the first utopia. I like it because back then, March 2016, really didn't expect it to have these kind of subtext becoming text conversations about race and class and implicit bias and harmful stereotypes, all those things. I will say, I rewatched it recently. And I was like, oh, unlock the affirmative action angle. There's, like, little doors, I feel like I keep opening up. And I think the other strength of that movie is, like, this enemies to friendship arc of Judy and Nick, buddy comedy, all that stuff. However, as Gene is, like, very politely inferring to, that film is copaganda.

Yeah, it's, thank you. It is. And the thing is, like, upon rewatch, as someone who lives in L.A., that scene where, in the first film, where Judy Hopps basically just gives people parking tickets for being, like, one minute late, that infuriated me. Anyway, I say this because I actually expected this film to take that a little further. And I think that this film is a lot less political. It is less risky.

It's less risque. And it really tones down the copaganda. Now, another thing I didn't really fully understand is that this movie, I think, takes place, like, a week after the first film. Not long. Not long. The first film's, like, whole conflict, right, is about predator versus prey. I just had a little bit of a hard time thinking, so you guys fix that? You guys fix all of that? Interesting. But also, I just think that was a purposeful tactic because I think in 2016 there were things that they could get away with that in 2025 I'm thinking more about. But also, I actually don't think I'm the main demo for this movie. I'm like third eye open, looking for any corner I can to see a deeper meaning. I don't think this film is that. And with that it's a good sequel. It's not the sequel I wanted. I will push back just a little. I think that I really, really liked the first movie because like I said, it addressed all these things. And I was actually,

an equity person at a university when this came out. And I had to like break apart all of these things. And I agree with you that it's copaganda. But I also think it really addressed white women that benefited from affirmative action and like didn't really realize these things and didn't realize their own biases. And I think that it was complicated and convoluted, but it was also very binary. It was like kind of talking about black and white America. And this one I foresaw that probably they would talk about different races than black and white. And I think that there was a very clear storyline of, you know, the Latino population, the Latinx population. And I think that that was what they were trying to do. They were like, now we're not going to get into binary. We're going to

get into something that's a little bit more spectrum. And I know it wasn't super deep, but I think they were trying to do that. Yeah. I mean, there's no question that this film has its own kind of politics and real world stuff that it's trying to. touch on, right? I think there's stuff in here about gentrification. There's stuff in here about, honestly, ethnic cleansing. There's, there are these references that if that's what you're looking for, it's absolutely there. I don't even think you have to have a third eye, Candace. No. Too it's sufficient. And I say this, I should have given this piece of background, but I never see the first one entirely like watched the whole thing. I saw a gazillion clips from it,

and I read a lot about it. What I knew about it coming into it was I did know that the first one had had these kind of heavy politics that kind of were sort of interesting, but also kind of messy if you explore them. Yeah. So it was interesting to me that this one, although it has political elements, I do think this one maybe strikes a different balance in terms of if you are, for example, a six-year-old, they kind of just want you to have a good time. They kind of just want you to look at the funny snake and the funny bunny.

And there's a lot of stuff in it about how to be an individual good person, how to be brave and how to be a good friend and things like that. And I think a lot of the systemic stuff would kind of go over your head as a little kid, which is probably okay. For me, watching it, although I appreciated where I think it's coming from on some of these issues about communities and how communities developed to exclude people. I did appreciate this movie mostly as fun and as visually witty, which is one of the things that I really miss in a lot of anime. now. Every single visual joke does not have to be something flying into something else's butt. There are, there are, that's a classic. There are different kind of things that are meant to be funny to look at, and I appreciated that. And there are weird ideas that I thought were cool and funny in this. There's a whole thing about how, like, the walruses when they greet each other.

And they say, bub, that was cute. Hey, Bub. Hey, Bub. Hey, Bub. Hey, Bub. Hey, Bub. Hey, Bub. Hey, bubub. Hey, bub. Every time it leaned into that kind of weird sense of humor stuff, I enjoyed it even more. And I did get kind of wrapped up and like, I cared about the people. I cared about the character. So as it was getting tense, I was like, oh. You know, I'm wrapped up in this story. I hope everybody's going to be okay. I think the first movie was really like zooming out. And it was like society. It was like a systemic racism of, you know, really whiteness. But I think this one really focused inward and it was like partnerships. It was about relationships in general. I really liked that.

And I think for a kid, you can focus on like, how am I going to be a good friend? How am I going to be a good neighbor? I think that with the bubb, that's really important that people talk differently in different parts of the world and even in your city. And you need to like adapt. And otherwise they're not going to understand you. And I think that that, again, it wasn't as, you know, hammer over the head as the first movie. but it is still talking about relationships. And I, again, this is why I liked it.

I, you know, I think they did a good job. So here's a question for you, though. Like, if we just dig into, like, internal lore of Zootopia. Just for it's like, just human me, y'all, just human me. Let's go. You have, apparently at some point in the history of Zootopia, there were reptiles who lived there, and they have been absent from this Zootopia.

I was going to say Utopia. Zootopia for generations. Well, they're still there that just people don't see them. I mean, think about, like, people who clean your houses, people, you know, like... Well, but there's no snakes, right? There's no snakes in particular. Yeah.

There are reptiles around, but they're pretty anti-snake, too. Yeah. And so they just kind of skirt by that. I was like, okay, so you have a society built on the exclusion of snakes, right? Like, that's not weird to anybody? Gene, I'm going to take it one more further. All right. Don't do it.

So the entire film I was asking myself is the snake Asian. So let's have that conversation, which is that the snake is voiced by King Juan. Look, here's the deal. The snake's name is Gary DeSnake, D.E. The apostrophe snakes. So unfortunately, that is where my theory falls apart. However, that's all right. The whole deal is that the snakes in this film, they don't really exist in society.

They're not accepted into society. They're definitely not getting SSIs off the society. I just thought it was very weird that everybody was basically on the same. Yeah, oh yeah, yeah, snakes don't live here. I know. And no one sort of bad to their eyes. But the thing is, like, I think my issue, at least as a viewer, is just that, like, I think I expected this film to have those layers, like a game for me to kind of unlock.

and so I was kind of just reading every character as this, as that. I mean, for example, Fortune Feimster, right? First off, Fortune Febster's whole thing is that she is a beaver. She's also a conspiracy theorist podcaster. Yeah. There's that. And I just kind of feel like one of my worst takes to the point where I'm like, maybe don't publish this. No, no, no.

You should absolutely say it into a microphone. Please. I kind of wish the snake was voiced by Aquafina. I know. I know. I know. I know. Oh, my.

Because in a weird way, it would uncomplicate the things that I'm trying to complicate. And that's my thing. Makes me think of Lucy Liu as the snake in Kung Fu Panda. So snakes are Asian. There is a canon, at least. Right. This is the thing about those utopian movies. Like, look at the conversation we're having about a movie about cartoon bunnies.

You know what I know. I know. There's more than just bunnies. Sorry, bunnies and foxes. Isn't that the whole point of the first movie? Oh, my God. I don't know. Like, does Disney, are they inviting this kind of?

I think they are. Maybe not at the level of Aquafina, but like, I'll say this. I got the impression that they're inviting a conversation up to what happens in a society sometimes is that the people who are originally there eventually are ostracized and excluded and kind of as power develops how it sometimes warps to become more exclusionary and more brutal toward different populations. I think they're inviting. that. Oh, yeah. I don't necessarily think that in 2016, they were inviting the conversation about, like, what are you doing when you give a bunch of people traffic tickets? Yeah. Because you want to belong. Yeah, I know. They didn't go that far. Yeah. So I think in this one probably also, they're inviting up to a certain point, but they're not necessarily thinking through, like, if the snake is Asian, then what does that mean? And what are we saying? And how does that relate to different pieces of history? I think they kind of are thinking about these things. I think they're trying to do a lot of things. And they kind of. And they kind of. And they kind of. kind of, in the first one, they tried to do a lot and they didn't hold back. And I think this one, they tried to do a lot and they held back a little. And they were like, ooh, let's actually think about what do I want to say? I could see that, in my opinion. Well, and it's very funny to me that in a film like this, you'll see these things where it's like, what are they trying to say about this identity of this snake? And it's kind of a delicate and complicated, like, because of who the voices is, because of all this other stuff. And then they're also like, fortune fiendsters a beaver. And so sometimes it seems to have a bit of subtlety to it And other times it just seems like they're going, ha. Well, here's something that I do think they were inviting that I purely rejected, which is, did you guys get the sense that they were trying to give Judy and Nick this like,

will they, won't they romance? Yes, absolutely. So there's a scene very early in the movie. No, people are shipping hard, though. When Judy and Nick are undercover and they're posing as a couple. Yeah, their mom and dad. And I was like, wait, what would there be? like.

I mean, because he's a fox. I think they would have to adopt. I was very much like, because a lot of movies, a lot of cartoon animal families. Well, I know. We know. But in cartoons when it happens, they're always like the babies are either like some of the babies are foxes, some of the babies are bunnies. But there's no question that going back to like one of my favorite genres, which is like

the he and she solve crimes and mysteries, right? Going back to like my love of like moonlighting and like skis. No, but like in like scarecrowing. and Mrs. King and like all of this stuff that I have followed, as soon as you see, like, they're going to a fancy party and they're getting dressed separately. You know that they're going to see each other and it's going to be like, I've never seen you dressed up before. And they're going to be like, ooh, and typically in one of these, well, they won't they,

he and she solve mysteries, kinds of things. That's like a moment where you develop like, oh, they're going, oh. I liked it. I don't care. They do do it. But I think for me, I think. Think of friendship stories. People are like putting too much romance into the first movie with those like sexy tigers.

So of course it's going to happen. Do you know what I mean? Like they're giving people what they want. I know so many people that love that couple. So I'm okay with it. Okay. Here's the thing. I didn't like it.

I have to voice my opinion. And here's the deal. I'm not even against like a rabid and fox falling in love. I'm like, I'm not racist. I think you are anti-misagination. You would be out there in the street saying like this is not what God wants. No, but here's a thing. Now, Regina, you are right.

There are two hot characters in Zootopia 1. It is the police chief played by Idriselba verified and the hot tiger on the subway. That's the dancers? The dancers? There's a troop of them. There's a troop. And the thing is like later on, the scene that we're talking about, it's kind of a little Ocean's 8 where they like break into a MetGala sort of thing.

They give Nick a tucks. All of a sudden he's Oscar Isaac. She's in a dress. It's very miscongeniality. And I just was like someone's gay. is about to linger, is someone about to dance. Is this one Harry met Sally? I don't do this to me.

I got really weirded out by it, but I don't know why. I will say, can we bring up the gala? I was telling Linda before we started recording that I really think that there are clear frozen parallels because in the first one, they were clear frozen parallels. There was like the little girls dressed up as Elsa and Anna. There was Chief Bogo saying let it go. There's all these like frozen parallels. With this one, I really really.

really think, and I don't want to give too many spoilers, but there is a clear frozen parallel from person she meets at the dance. I'm just saying it's very clear. I see it. I see it. Frozen parallels. There are a lot of little Disney jokes. There's a lot going on for sure.

I think I would say we enjoyed it. We were at different levels relative to the first one. I think Candice is our closest thing to a naysayer, but I think even Candice found things to enjoy and appreciate in the movie. We want to know what you think about Zootopia 2. Find us on Facebook at Facebook.com slash PCH and on Letterboxed at letterbox.com slash NPR Pop Culture. We'll have a link in our episode description.

That brings us to the end of our show, Regina Barber, Candice Limb, Gene Demby. When they do Zootopia 3, I pretty much demand at the same panel. I also demand it. Thank you all so much for being here. I appreciate it. Thank you. And just a reminder that signing up for Pop Culture Happy Hour Plus is a great way to support our show and public radio,

and you get to listen to all of our episodes, sponsor-free. So please go find out more at plus.npr.org slash Happy Hour or visit the link in our show notes. This episode is produced by Mike Katzif and Carly Rubin and edited by our showrunner, Jessica Reedy. Thanks to Carl Craft for their production support and Hello Come In provides our theme music. Thanks for listening to Pop Culture Happy Hour from NPR. I'm Linda Holmes and we'll see you all next time. Thank you.