QAA Podcast - Premium Episode 101: Donald Trump: The Chosen (2020) feat Annie Kelly (Sample)

Episode Date: November 28, 2020

Movie night is upon us! And it's not good, folks! We have Annie Kelly join us for a British perspective on this uniquely violent cultural product. A critique of due process and a celebration of murder, all backed by the state. Our friendly deep dish attorney Allie Mezei also drops in at the end of the episode to share some backstory about the filmmaker, who used to be a correctional officer. ↓↓↓↓ SUBSCRIBE FOR $5 A MONTH SO YOU DON'T MISS THE SECOND FULL WEEKLY EPISODE ↓↓↓↓ www.patreon.com/QAnonAnonymous Watch the movie: https://bit.ly/2Jgx33p Merch / Join the Discord Community / Find the Lost Episodes / Etc: http://qanonanonymous.com Episode music by Nick Sena (http://nicksenamusic.com)

So let's jump straight to 3010, where my notes say drunk grandpa at Christmas shows up after great radio guy bit. This just in, 13 people were shot to death at the hollies and dollies bar and grill. These devils will stop at nothing while enjoying to inflict pain among the innocent, the vulnerable, and the weak. Thank God, though, for the actions of an off-duty police officer and a police cap, that we're there shooting it out with the bad guys. You keep those kids coming. The money's right. And the power feels good.

Hey boss, we just set up a new secret compound in Florida. From there, we just ship the kids overseas. Listen, you keep up to good work. I got a surprise for you. Hi boss. We have your bricks of cocaine. Sorry we hadn't lay low for a while. Unfortunately, I gave the guy's little vacation.

Remember you're a princess and all this? Oh, you know the guys? Yeah, well, they got popped by some off-duty cops. My princess is dead? Well, I wouldn't say dead. No, I would say... I want to know the name of the cop that killed my princess. I told you, everybody dies.

Yeah, I think this was around the time where, yeah, my boyfriend was just like... God, we've, like, seen, like, Frank kill so many criminals in cold blood, and yet that fucking smiley guy still stays alive. He's, like, so annoying. You know what he's playing? He's playing fucking Austin Steinbark, basically. Yeah, just mugging all over. But he's like a big...

Mugging all over the place. He's a big, good-looking guy. Like, he basically doesn't really have any physical flaws. So it's just so funny. He has... He just looks like he, you know, jogs every other day and, like, you know, like, works out. The funny thing is that Wilfredo didn't stop him from that in performance or maybe even encouraged it. I think they did because there's another actor unrelated to Smiley who also does the Joker voice.

So I'm thinking the director is playing in a bit. His vision of bad guys is a bit like escape from L.A. or escape from New York. Like that's his vision of the world. He thinks like New York is currently at that stage basically. Yeah, it felt very like, I don't know, those like old 80s movies. Like, yeah, like escape from New York or like Warriors or something like that where like the criminals are supposed to be like so jacked up on some kind of drug that they're kind of like giggling and hysterical and kind of irrational. At one point, the criminal that that you've heard this kind of drunk grandpa at a Florida Christmas, he starts talking about how Trump has been fucking up his business. Guys, this new president, Donald Trump, he's killing our business.

You know, he wants to build a wall on the border with Mexico? Now, the Mexican politicians, they all have a price. But not the Big Don. No. He has so much money, we can't even buy him. Anthony, did you get those guys from Mexico? Two, actually. And they both pull from the border.

Gina, what's the count? 30 this month. Woo! By the way, boss, still doing pretty good in Belize. Each body we sent out there, they pay out about $100,000. All right. All right. Way to go, baby.

Go. That's good. This leads to Wilfredo, fucking Frank, walking into the criminal's layer, just strolling right in. They have a goddamn conversation with him And they're all kind of like chill about it Yeah, it's really weird The dialogue, there's no subtext It's all just text

Like the wall at the border is going to stop crime And Donald Trump can't be bought like other politicians This would be like a tweet from a straight up Trump supporter But that's coming out of the mouth Not the big dog No, but that is coming out of the It's coming out of the mouth of like someone who opposes Trump Like they're just saying what you ought to think

There's no, there's no, these people, they don't have an inner life. There's just, there's just words for a message. That's like it. And I think it's, again, what, like, really bothered me, particularly about the Alexandra Ocrasio-Cortez scene as well, where it's just like, it almost feels like this, the filmmaker just, like, lacks theory of mind that, like, someone can think differently to you. And so even when it's creating a voice for the antagonists, it's still, like, very clearly

the voice of a Trump supporter. It can't actually articulate any kind of critique because it simply just, like, does not have that, like, understanding. What the hell are you doing here? You know why I'm here, right? No, I don't know why you're here. Enlighten me. You got one minute. Word has it that you have something to do with the kidnapping of my partner's two little girls.

And you're behind the Hollis and Dolly's massacres. You're nepping a little girl? Massacre? You're barking up the wrong tree, pal. You're only putting the spotlight on you and the other families. I don't think that's such a good idea. We will be bumping heads again. The next time we bump heads,

I just may bump you off. Absolutely awful. I hate how Wilfredo uses every, like, stock sort of, like, cool guy move. Yeah. Like, adjusting his lapels of his jacket and kind of, like, everything is just this kind of, like, cartoon sort of, like, archetype of, like, how a tough cop acts. It's, uh, it's torturous. You have two choices. A, you don't tell me what I want to know?

My partner is gonna put a bullet in your head. Or a B, you tell me what I need to know. And you're gonna walk out that door. What do you wanna know? Huh? Who is behind? The Holley's and Dollies massacre. Tell me. The boss!

Who's responsible for the missing children throughout the city? And the two daughters of my fellow officer. The boss. And they hit on us? How much? A hundred grand. Like I said. You can.

can leave. Listen, Tony, Internal Affairs is going to be on our ass on this one. This was a robbery. A robbery? Robbery. I need you to call it in. Okay.

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I love you. Jake loves you. Thank you.