Radiolab - Numbers

Episode Date: December 22, 2023

First aired back in 2009, this episode is all about one thing, or rather a collection of things. Whether you love 'em or hate 'em, chances are you rely on numbers every day of your life. Where do they... come from, and what do they really do for us? This hour: stories of how numbers confuse us, connect us, and even reveal secrets about us.

Transcript
Discussion (0)
Starting point is 00:00:00 But what is it, Billy? What's holding you back? I don't know. I just can't commit. Do you find yourself feeling sweaty at the thought of making a recurring donation? Quivering, yet frozen in terror, when considering taking the big leap to being a monthly donor. Well, worry no more, because here at Radio Lab, from today until December 31st, you can make a one-time contribution to one of your favorite public radio programs.
Starting point is 00:00:34 When I'm online and someplace ask me to subscribe, I always do a free trial because anything more than seven days feels like just too much. That's okay. I always feel like I'm getting asked to sustain things. Sustain this, sustain that. I just can't, I can't do that. No problem. Here at Radio Lab, your one time non-recurring donation will help us to continue to do the work
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Starting point is 00:01:35 right now. But you're not. No, you're sitting there. Listen to this. Right now, without a care in the world, consume in free content even up at your disposal. Everything is just here for you, for you consume. Dabble dabble. Dabble dabble dabble. Dabble dabble. Radiolab.org slash donate. A place where forever can just be a moment.
Starting point is 00:02:03 So the next time you're feeling terrified by the prospect of commitment, take a moment and come over to radialab.org slash donate. Any amount is appreciated. radialab.org slash donate. Come on. Join the fun. That was from our genius, deranged and slightly commitment-phobic producer, Matt Kilti. I'm Lou Miller. This is radialab and to remind you of the kind of fun we sometimes get up to you over here, I thought I would play one of my all-time favorite episodes. It's called Numbers, and it is a roller coaster ride through all different kinds of numbers, these things which, you know, can sometimes seem kind of cold, but in radio lab's loving care, are shown to contain real warmth. So without further ado, our episode, Numbers, Enjoy the Ride. And again, if it makes you checkle, it makes you
Starting point is 00:02:58 feel warm and you want to support the work we do. If you feel like tossing a few quarters into our proverbial bin, you can do that over at radialab.org slash donate Thanks for thinking of us. Here we go Listening to radio lab radio from W and wise from W and Y's. Hey! Hey!
Starting point is 00:03:24 Three, why? Jack? Yes. Listen to this, just for a second. Well then, building a gallows outside my cell.
Starting point is 00:03:38 I've got 25 minutes to go. And the Is that Johnny Cash? Yes, it's Johnny Cash and we've seen a song 5 minutes to go. Is that Johnny Cash? Yes, it's Johnny Cash and he's singing a song about the deep importance of mathematics in your life. I got 24 minutes to go. Well, they gave me some beans for my last... No, math here, what are you talking about? You know, there's a lot of math here because you see what he's doing is he's moving to his extinction
Starting point is 00:04:08 it seems, but he's being very careful to calibrate. I got 22 minutes to go. Will I sit for the governor and the whole darn bunch with 21 minutes to go? Endless for the mayor but he's out to lunch I got 20 more minutes to go Oh my god we're gonna go all the way to one I feel like listening to song for three hours already
Starting point is 00:04:36 The numbers are making it teedy I would, if I were him, I'd lose the numbers You can't lose the numbers? Yeah, you can't lose the numbers You cannot lose the numbers because numbers create order in your life I could lose the numbers. You cannot lose the numbers. Because numbers create order in your life. I could lose the numbers. I could survive an entire, well, my whole life without them.
Starting point is 00:04:52 That's just completely ridiculous. Easily. Try me. Alright, let me just ask you something very simple. You go to buy some M&Ms and you have $5 bill in your hand and you give it to the vendor and the vendor gives you back the M&Ms and... What? No numbers required. If you hand them the bill, he hands me some chairs. I just go by trust. You go by trust. Yeah. He asked you how old you were with us. What do you say?
Starting point is 00:05:12 I'm middle aged I told him. Hey listen to that you hear that? Suppose that you're late for an appointment or something like that. Yeah so you call up and you say I'm going to be three minutes late, five minutes late, ten minutes late? I'll usually just wait for the call before I leave. I know that. What you know is true. I know is true.
Starting point is 00:05:32 So yeah, don't need them. Don't need them. You're a test. You're taking the test in school. You get a 98, you get a 52. You don't care. Pass fail. How much guess is in your card yet?
Starting point is 00:05:41 I wait for the light to come on. You wait for the light to come on What do you want to call me Right yeah, and you can't remember my phone number two words. Let's be doubt. How many words? Yeah, you gotta use numbers I can see the buzzards I can hear the crows I used numbers! I got two more minutes to go I can see the buzzards I can hear the crows One more minute to go
Starting point is 00:06:13 And now I'm swinging And here I go Is that how it ends? Yeah. That's a great ending. Ending made possible, all thanks to the disciplined use of numbers. And that's going to be our what-do numbers do to us and for us. Don't do. For us.
Starting point is 00:06:42 Forget the, what do we have? We have a- We're going to have a detective story. A love story is some Nazis, a lot so numbers. I'm Chad Abumrod. I'm Robert Krollwich. This is Radio Lab. Stay with us. So, Chad, do you want to introduce this person? This is little Emil.
Starting point is 00:07:17 He's so how old is he? He's hungry right now. He's about 30. Carla, how old is he? 36. At the time of this recording, he is 36 days old. I love you. Well, you must have wanted it. Do you think he has any sense at all of numbers or quantities or...
Starting point is 00:07:39 What do you mean, like, thing? Can he count? Does that mean I can? I'm not even counting, but do you think he has a... I don't know. A numeric sense at all. Do I think he has a numeric, no. No, I don't think he knows that he, that that is his hand that he's chewing. So I don't think there are any numbers in there.
Starting point is 00:07:56 In fact, I'm pretty sure there are. Well, actually. Lulu, you should introduce yourself to a meal. I will. Meal, this is our producer, Lulu, you should introduce yourself to Emil. I will. Emil, this is our producer, Lulu Miller. And by the way, Jed, while you were on paternity leave, we sent Lulu on a little mission to ask, where does a number since come from and how soon does it arrive in a person? Oh, hello.
Starting point is 00:08:20 Hello. So this is the first guy I spoke to. His name is Stani Slas Dahen. Yes, speaking. Who's he? He is a neuroscientist in Paris. So we've been brushing up my English for a few minutes. Currently he's like the godfather of this research. Really? He wrote a whole book called The Number Sense that talks all about what babies understand. Mm-hmm. Yeah. And he said that for a long time people thought that babies came into the world just empty. Piaget and many other thinkers
Starting point is 00:08:42 thought that babies came into the world just empty. Piaget and many other thinkers sought that there is what people have called the blank slate. That we could only learn numbers if we were taught them. Yes, what I think. But now we know it's just completely wrong. And how do they know this? Well, experiments. Right. Lots and lots of baby experiments.
Starting point is 00:09:01 The equipment we have is a set of little sponges, which contain a very small electrode, that you can place on the head of the baby. It's the little net. And these babies are how old? In this case, it was a baby's of two or three months. So, he plunks the baby down front of a computer screen,
Starting point is 00:09:22 and on the screen are a bunch of little pictures. Like, you know, little ducks, for instance. It's always a set of eights of the same object. So you do eight ducks, eight ducks, eight ducks, eight ducks, eight ducks. And what he sees is that a first the baby's brain is a little excited about getting to see ducks. And then it's slowly the firing just kind of fizzles out. Another eight ducks, another eight ducks. And then at some point suddenly, he changes it to... Eight-trucks. And he sees a spike in brain activity.
Starting point is 00:09:52 In the...what's we call the temporal lobe? Meaning the baby can notice that change. Yeah, but that's not number. No, no, no, I know. He's just getting started. Because Stan runs the whole thing again, starting out the same way. Eight-darks, eight-darks, eight-darks, eight-darks. But then, instead of changing to trucks, starting out the same way. 8 dogs, 8 dogs, 8 dogs, 8 dogs. But then, instead of changing to trucks, he just changes the number. 8 dogs, 8 dogs, 16 dogs. And once again, the baby notices the change. But now, it's in a different part of the brain.
Starting point is 00:10:21 What we call the parietolo. So the suggestion is, according to Stan, that they're noticing that this is a different kind of change. That in some sense, they're noticing this is a change in quantity. Which is very important because it means that even in newborns, they have in their minds and in their brains an intuition of numbers. Is he sure that they're seeing numbers or maybe they're just seeing a change in the pattern?
Starting point is 00:10:46 Some, some, some more. Yeah. Well, sure. What they're good at is making these gross distinctions, like 8 versus 16. Or, say, 10 and 20. You know, and as the difference in number gets smaller and smaller, then they're not so good. There is no baby that will ever know the difference between 9 and 10. These numbers are too close together. But it's not quite as simple as you might think. According
Starting point is 00:11:10 a stand. What is most extraordinary, I think. The way that they're actually experiencing quantities is not just a dumb, down version of what adults do. It's a completely different version of what adults do. They seem to care about the logarithm of the number. The what? The logarithm of the number. You means logarithm. Sorry, my English is getting highly bad. No, logarithms. I don't know if this will scare the people who listen to the show. But it's actually not that bad. You can think of it in terms of ratios. First think about you. Meaning.
Starting point is 00:11:47 Us. How we think about numbers. Imagine in your head the distance between 1 and 2. Okay. What is that? 1. Right. Now imagine the distance between 8 and 9. 1 also. They feel like the same distance from each other.
Starting point is 00:12:04 But that's because we think of numbers in these discrete ordered chunks. 1, 2, 3, 4, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, vast space. In the distance between 8 and 9? Ooh, tiny. Why is that? Well, because 1 to 2 is doubling. Ah, 8 to 9. It's only short close to 1, 91 points something. Now, here's the spooky thing about this. You might think what must happen is that eventually as we grow up, we just naturally switch from logarithmic thinking to the numbers we all know now.
Starting point is 00:12:51 Uh-huh, but this is not true. According to Stan, if left to your own devices, you'd never switch. What do you mean? You would stay in this logarithmic world forever. So we've done this very funny experiments in the Amazon with people from the Amazon who do not count. Basically in their culture they do not have number words beyond five and they don't recite these numbers. So what we found
Starting point is 00:13:26 is that these people still think of numbers in a logarithmic way, even the adults. What that means is that if you give them a line and on the left you place one object and on the right you place nine objects. You got that. And he asked them, what number is exactly between one and nine? Okay. So you'd say, five. Exactly, but... What they put in the middle is three. Three.
Starting point is 00:13:52 Wait, help me hear a little bit. So the... The property of the logarithm is that each time you multiply the number, you move by your constant displacement. Okay, so this is a bit tricky, but the gist is, if you're thinking in ratios, and you're starting at one, then you multiply by three to get to three, and then, hey, hey, you multiply by three again to get to nine. I see. So those are equal jumps on either side.
Starting point is 00:14:19 There's three used to one as nine used to three. Get it? Yeah, well, it's such a sophisticated way to go about thinking about it. Yeah, to us, but not to them. That feels intuitively, simply like the middle. Dozens of people did this without hesitation. I mean, this experiment gives me chills. These are the numbers that we all, for one of a better word, naturally feel.
Starting point is 00:14:42 At least that has been my theoretical claim for many years. Hmm. And I don't quite know how to phrase this question, but is there some... Is it almost like the way we think about numbers with an equal distance between 1, 2, 3, 4, 5, 6, 7? Is wrong? Hmm. You know, I wouldn't go too far. But then I talked to Susan Carey, I'm professor of psychology at Harvard University. And she said that numbers as we think of them today are certainly made up.
Starting point is 00:15:21 Those are human constructions. And even someone at odds with how we feel numbers intuitively. That's right they are. So there is the problem. Then how do we ever come to understand the numbers we know now? That's a 64 thousand dollar question. She says it happens gradually. Don't touch the microphone. Over a couple of years. Can you count? Yeah. That's you. One more quick introduction. That is... Me luck.
Starting point is 00:15:48 Who you might remember from the last or show? Yes, you've met Meena before. Me. And her mother, producer Amanda Aron chick. She will be two in a week. Yes, it's her birthday. And we've called them in today because of an experiment. She's been incredibly simple set of tasks.
Starting point is 00:16:03 That's who's been told me about. If you have a two-year-old at home, you can do these tasks. I need tasks. That's his and told me about. If you have a two-year-old at home, you can do these tasks. Annie, so we're gonna play a game, okay? Annie? So you put a bunch of pennies on the tape. I'm gonna give you some pennies, okay? Annie.
Starting point is 00:16:15 You're just a second note, let me get them for you. And you say to the child, can you give me one penny? Can I have one penny? And the child very carefully picks up one and hands it to you. That's right, that's one penny. Thank you. Young two-year-olds almost all can do that. Then you ask for two pennies. Now can I have two pennies?
Starting point is 00:16:33 No. No, at least can I have two? It doesn't matter what you ask for, they just pick up a handful and hand them to you. You have two pennies, you have like one, two, three, four. And so they've given you four pennies and you say is that two and they say yeah right and then you say can you count how many pennies or can you count and make sure how many pennies is that two so they go one two three four and you say is that two she's they say yes okay and sometimes they count how many pennies is that two? She's they say yes. Mabani. Oh, okay. And sometimes they count. How many pennies is that?
Starting point is 00:17:06 One, two, two, two. Do do do. I mean, so it's like they somehow note that all of their other words contrast with one in meaning. That is, they're giving you a number and they're giving you a number more than one, but they have the slightest idea. What two is or three is or four is or five is.
Starting point is 00:17:24 And they don't know what two means for nine months. And they're in that stage for several months, and then they become three-nowers, and then they become four-nowers. That process takes a year and a half. In other words, even though it sounds like... I mean, it understands numbers like we do. She's probably still living in the land of that baby man. But there does come a moment when they finally step away. And it happens right when the kids
Starting point is 00:17:57 about three and a half years old. What they do, I think, this is speculative, but after years, everyone around them saying count. Can you count how many pennies you have? This is something parents do. One, two. They practice counting with children. Can you count for me? One, two, three, four, five, six.
Starting point is 00:18:14 You do four, five? Seven, eight, and nine. The last one is ten. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six.
Starting point is 00:18:22 One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, eight, and nine. The last one's 10. One, two, three, seven. Four, five, six. Even though the kid is baffled by these numbers, they don't know what five or six or seven reads. Four, five, six, seven, eight, and nine. The last one's 10.
Starting point is 00:18:42 Five, one, two, three. But some point, after enough, crutch count. Eight to nine, the last count. And they just sort of count. Throw up their hands. Come on, come on. Come on, come on, come on.
Starting point is 00:18:56 Come on. And believe the song. That's in a very bold leap that children must make. And so now what five means for the child is one more than four. And what six means is one more than five. But now you've got integers. There are eight.
Starting point is 00:19:22 That's what we're all sort of like relying on this song. Like, yeah, we just have one day decided, okay, that means something. That's right. So, this is a trick. What does she mean by that? Trick. It sounds almost like a dirty word. She, well, she doesn't use it like a dirty word. She says it's a wonderful trick.
Starting point is 00:19:44 The point is, once you have that trick, you build on that, and that opens up the whole world of mathematics to you, and you build buildings and launch rockets into space. And no other animal has invented that trick. But I can't help feeling there's something about this that's a little bit sad. Why? Well, just the idea that to step into this world of numbers, we all had to leave something behind. When you were born with. Yeah. But no, look what you get on the other side, though. You get you get to play and have remarkably interesting. If you like math, you get to play with
Starting point is 00:20:19 deeply abstract and beautiful thoughts. Yes, yes, and that's great. But, so do you feel sad when somebody's good at trapeze work? No, that's just something that they're good at. And they practice it and they learn it. Just like different talents, that's what. But Robert, I think I know what Lulu's talking about. I mean, it's refreshing somehow to know that the numbers that we use day to day are somehow made up. Because sometimes the numbers for me at least feel like
Starting point is 00:20:44 these hard, fussy foreign things that don't feel real. They feel actually the opposite of real. But are you sure that real isn't just unfamiliar or a little strange? I mean, foreign, yeah, sure. Because when you before you could walk when you were just a crawler, you know, toadling was kind of unusual and then toadling became kind of an adventure and then that became kind of usual. Yeah, but eventually you eventually you do walk but there's something about numbers where I feel like personally I never learned how to walk and I think there's a
Starting point is 00:21:11 lot of people listening right now who probably feel that way about numbers. So maybe what does that mean? There's just logarithmic people. Come on. Luke. Yes. Thank you very much for that lesson. Lulu, stay strong in your opposition to integers. Yeah. They'll be right back. Hello, I'm Chad Abumrod. And I'm Robert Krollwich.
Starting point is 00:21:46 This is Radio Lab. We're still talking about numbers, and now we're going to switch. Though it may fit these some of us. If you think about them a little differently, if you learn to embrace them, give them a bit of a hug, wonderful things can happen. I'm going to introduce you to a, well, a nosy man named Mark Negrini. I'm an associate professor at the School of Business at the College of New Jersey. He has a really heavy New Jersey accent, but what he really likes to do.
Starting point is 00:22:15 What kind of accent was that? That was kind of irutsky grew up in Cape Town, South Africa. South African. Yes. He likes to play detective and the clues he looks for. I numbers. I can't walk past the number without just wondering about it. What went into that number? How did it get there? For example after I finished filling up at a gas station, sometimes I would just walk around and look at the dollar amounts on the pump. So he peaks in at the pump right next door. And it's rather amazing. You can almost tell who's been there before. If you see a number like a dollar 40, then you know, oh, teenager with no money.
Starting point is 00:22:55 Why? Can you explain that? Because that's all the kid getting a fool. Quite right. Sometimes I'll see $10.04 and I'll say, ah, you meant to do $10, but you were a bit slow today. So you go to the gas pumps and they tell you a little short stories. Yes. And his favorite story, the number is tell,
Starting point is 00:23:13 actually starts back in 1938. So imagine an office in the connected in New York at the GE Research Laboratories. And in that office is a man and he's sitting at his desk. Mr. Frank Benford. And Mr. Frank Benford is a physicist so he's doing some difficult calculations and it's hunched over a book.
Starting point is 00:23:33 Probably actually the one of the most boring books you could imagine. Yes. This is a book of log rhythmic tables. What a log rhythmic table. So log tables were a very convenient way of doing multiplication in the early part of the last century. So remember this is before they were calculated. So if you wanted to multiply something like 145 times 3564, you could just go to this book
Starting point is 00:23:58 and look it up. So it starts with numbers you might want to multiply by 1 to 100 on the first pages then 101, 2, up to 200 and 300. And the back of the book is like 900. The further you go, the higher and higher the numbers you use to multiply. That's right. So Arbenford fellow, he's sitting there doing his calculations and he's looking at the numbers, flipping through the book. He's staring at the pages.
Starting point is 00:24:22 And the... He notices something kind of weird. He noticed that the first few pages were more worn than the last few pages. Meaning more smudgy and dark-hernal oilies if he was using the front of the book more than the last few pages. And he wondered, why is this happening? Strings. We're not aware of favoring one part of the book over the other. Am I doing something a little odd?
Starting point is 00:24:44 Or maybe it's something... bigger. and went part of the book over the other, am I doing something a little odd? Or maybe it's something bigger. And that's when it hit him. He thought maybe in this world, they are more numbers with low-frisk digits than with high-frisk digits. What? More numbers that start with one or two,
Starting point is 00:25:01 the numbers that start with seven, eight or nine. Just because his book is more. That's what started him thinking, so here's what he did. He compiled some tens of thousands of statistics. That Steve Strogat's mathematician at Cornell University. Just anything he could think of that was numerical, molecular weights of different chemical, baseball statistics, census data,
Starting point is 00:25:21 the revenues of all the companies listed on the main stock exchanges in America. And everywhere he looked in all these different categories, it seemed yes, there were more numbers beginning with one in twos than eights and nines. Wait, really? Oh yeah. This has been checked out again and again and again. And it's true size of rivers, earthquakes and things
Starting point is 00:25:41 like that. Populations or a number of deaths in a war, areas of counties. Stream flow data. What if you were to say get all the people in New York together and look at their bank accounts? Bank account balances follow Benford's law nearly perfectly. Meaning that if you just look in at the amount of money that people have, matter of happy in all the bank accounts, you'll find they begin with one more often than they begin with two. Perfect. Yes. So actually they begin with one 30.1% of the time.
Starting point is 00:26:09 They'll begin with a two 17.6% of the time. They'll begin with a three 12.5% of the time. That's a big difference. Why would 3 be 20? I'm sorry, I keep going. And the poor nine would only occur as a first digit 4.6% of the time, which actually would make the one approximately six times as likely as the nine, and it is quite amazing. That is more than quite amazing. That's
Starting point is 00:26:32 deeply suspicious. I mean, this is crazy what I'm telling you, and I can't give you good intuition why it's true. But Steve and Mark and many, many, many mathematicians will tell you, despite what you may think, there is a preference, a deep preference in the world it seems for number sequences that start with ones, and then twos, and then threes. Um, I'm Robert. Mm-hmm.
Starting point is 00:26:58 So what? Hahahaha. Hahahaha. Hahahaha. Hahahaha. Hahahaha. Hahahaha. Well, this is not just a mathematical curiosity, Jad. No, no, no, there is something you can do with this information.
Starting point is 00:27:13 What? Well, when Mark Nagrini first ran across Benfrenz Law, he thought, maybe I can use this law to bust people. For payroll fraud, tax return fraud, you thought, hey, we can use this to catch a thief? That's right. Huh? How? Well, the Greenie figured if you look at a bunch of numbers, that a bank statements or
Starting point is 00:27:35 expense reports and so on, and you see that the numbers in the business do not match the natural pattern of Benford's law, so the numbers don't begin with ones more than with twos and moving with twos, moving with threes and so on. Then you could say, hey, this is not natural. This may not be true. This may be fraud. So he started giving lectures on the idea that Benford is a way to catch these. The only problem was they didn't quite believe Benford's law,
Starting point is 00:28:04 which means the rest of my talk. Is it gonna go anywhere? It is now my great pleasure to introduce you to one of the most fabulous people I've ever had the name to say. Darryl D'Oro. Darryl D'Oro. Darryl D'Oro.
Starting point is 00:28:20 Darryl D'Oro. Darryl D'Oro. Darryl D'Oro. Darryl D'Oro. Darryl D'Oro. Darryl D'Oro. It's in a liter D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral,
Starting point is 00:28:30 D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-doral, D-d-doral, D-doral, D-doral, D-doral, D-doral, D-d-doral, D-doral, D-doral, D-d-doral, D-d-oral, D-d-doral, D-d-doral, D-doral, D-doral, D-d-d-doral, D- friends at the county, which means his job is to examine numbers and figures to see if someone is stealing. It's an investigative process. And while at first he was unsure about Benford's law, one day I happened to talk to one of my neighbors who was a retired statistic professor and he said, oh Benford's, I have my students do that proof every year. He actually wrote out the proof for me, and it's just, it's immutable. It's a mathematical law.
Starting point is 00:29:11 And now it's one of his favorite tools of his dream. We have a case right now in her way, relatively small company. Family shareholders, they're four of them. One of them feels like she has been misrepresented as a shareholder. Meaning she thinks these other three guys might be stealing? Uh-huh.
Starting point is 00:29:28 Yes. Yes. And I know you can't tell us what this business is doing, but is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it a... Is it of you purchase on a regular basis through your local governmental authority. I can trash collection or sue it. Sure. Anyway, this one woman thought was she was being cheated. So she got an attorney involved. The attorney requested data.
Starting point is 00:29:56 So we have seven years of income tax returns. And that's all he had. Just tax returns. Uh-huh. Yes. So we edited them all into the computer. Aggregates them run Benfords and clicked on the graph. We instantly saw Bingo for a couple of the years
Starting point is 00:30:12 coincident with when the dispute began. The way they've reported their taxes violates Benfords. Very suspicious. Yes. Blue out the Benfords pattern. You mean like there are too many nines on the tax returns? Meaning, if you looked at the tax returns of this company, you will see a pattern that isn't natural exactly,
Starting point is 00:30:30 not enough ones and too many sevens, eights and nines. But now you have to convince detectives and then lawyers and then judges that this is real evidence of wrongdoing, but they've not heard of this thing. Benford, you don't know about it. As a practical tool has probably been around maybe 10 years, maybe 15 at the outset. Please welcome Darrell Carell.
Starting point is 00:30:53 I'm at a conference now with about 700 people. Nice to see you all of you here. I've spoken four times and each time I've asked about Benford's, who's heard of them. Who's familiar with Benford's law? Maybe. Maybe, five percent of the people. Can you just look at pennies? Just a couple observations. To me, it doesn't make sense to exclude the men.
Starting point is 00:31:16 Can you use Benford's when you're saying results? And they're asking, do judges allow Benford's in as evidence? Suggest that someone's committed a crime? Is there a case law out there that actually cite the use of Vennford's law? And Darrell tells them, oh yeah, you can use this evidence in court. Yes, federal, state, and local from the experiences we've had.
Starting point is 00:31:33 And then he tells them stories. Like the case of the CEO stealing money to buy firearms, art, jewelry, run Benford's, and boom, the CEO is still in federal prison. Or the case of the dentist and his wife. She began having a affair with a guy turned out to be a mess dealer. The dentist suspected her of having dipped into the till. Run Benfords and boom.
Starting point is 00:31:55 Boom, busted. She eventually pled. Or the guy with a $40 million Ponzi scheme. Run Benfords and boom. Well, almost boom. I mean, Benfords was an element in all these cases. It wasn't the clincher. But still, it is a very compelling argument. And in 10 years from now, it'll be the equivalent of a fingerprint.
Starting point is 00:32:27 That's it, huh? You still have addressed the central mystery here. Why in the world, whether there be more ones than nine, shouldn't they be equi- Equico-incident? Yes. While the answer is actually very complicated and deeply mathematical, the simple answer is- Is there an answer though? Yes, there is an answer and it has to do... Do you understand the answer? No. I mean, I understand that it has to do with logarithms and the and the business of
Starting point is 00:32:53 doubling and the culture of numbers, but if you were to sit me down and say explain it to me carefully and well, I mean, no, it's just too numeric for me to explain it to you. Okay, all right. But I will now take a little sidestep to a group of people who would be able to explain it to us if they were in this room, but we didn't find them in this room. We found them in another room. We're rarely in the same room that they are in. So let's go with our reporter Ben Calhoun and meet a crowd of mathematicians. Ben?
Starting point is 00:33:23 Yep. You decided to, I don't know, with some kind of a busman's holiday. You wanted to go to a math conference? I did, badly. Oh, and what happened? Well, I went to CUNY, which is the city University of New York,
Starting point is 00:33:35 and it was a math conference called, it was on combinatorial and additive number theory. Oh, a good time had by all. Yeah, it goes by the optimistic acronym camp. So I had heard that if I went to this room, there was gonna be a bunch of mathematicians from all over the place. The mathematician from Sweden, attending.
Starting point is 00:33:58 And they would be able to tell me where this is called. Is this a problem's college? What their name was, but they would have this other way of identifying themselves. Like, they had this number. My number is two, three, two. Yeah.
Starting point is 00:34:13 Three, three. Two. Mine is three actually. Oh no, yeah, I'm really excited about it. What does that mean? I'm a two, I'm a three. Well, it's an air dish number. What an air dish.
Starting point is 00:34:24 Air dish is a three. Well, it's an air dish number. What's an air dish? Air dish is a guy. Oh. So your air dish number is how many steps away you are from this guy, Paul Air dish. So you're going to tell me his story? Yep. Are you ready? Okay. Let me turn off my cell phone so we don't ruin the best take.
Starting point is 00:34:38 That's Paul Hoffman. He wrote a book about Paul Air dish. So we start out in Brutapest, Hungary, in 1913, at Spring, two math teachers have a son named Paul. And he had two sisters. They were three and five, and they had scarlet fever, and they died the day he was born. I mean, imagine that. His mother loses her two daughters and gains a son.
Starting point is 00:35:01 Oh my God. Yeah, she was so terrified after that that Paul would get a fatal disease and die that she didn't let him leave the house. Pretty much for the first 10 years of his life. She didn't let him play with other kids really. Didn't let him go to school. Didn't let him go outside. Also, when he was one and a half, his dad was captured and put in a Soviet prisoner of war camp for six years of his life. So here's this kid at home, without other children around, his mother is out teaching mathematics. All the books in the house were math, and he taught himself basically to read by looking
Starting point is 00:35:37 at these math books, and he also said to me that numbers became my best friends. So I mean, here's a kid who's, you know, whole life is mathematics from the beginning. But let's fast forward. Paul Airdish gets his PhD in his early 20s. This is in the early 1930s. Paul Airdish is Jewish, which means he knows that he's got to get out of Hungary. And he managed to get to the United States. But he has to leave his family behind. When the Nazis moved in to Budapest, four of his mother's five siblings were killed.
Starting point is 00:36:16 His father died as they were curting Jews and trying to move them into the ghetto. And he only had his mother left. But she was in Hungary. And in 1941, Paul Erdisch was at Princeton University. He was just 27 years old. Completely cut off from his family. He was lonely, and he was homesick.
Starting point is 00:36:37 I mean, this guy had no conventional friendships. He had no sexual relationships. His only contact with the girl was the people he worked with. I mean, what's remarkable to me is other people who had been through this kind of life experience might have ended up in a mental institution or worse, but he didn't. He turned this sort of inwardness into making mathematics a joyous and social occasion. He started connecting with people. I don't get this, like what do you mean?
Starting point is 00:37:08 Well, he started traveling. He would hear about somebody who was working on something interesting and he would find a way to get there, show up at their door and he had this phrase that he would say, my brain is open. And he was there to work with them on whatever it was that they were working on.
Starting point is 00:37:26 And he just kept moving. He made a circuit of 25 different countries. Eventually, he gave up almost all of his possessions, and he became essentially homeless. He had no home. He had no home. So everywhere he went, people had to put him up, and as a house guest, the man was an acquired taste. He didn't know how to do basic things. He couldn't cook, he couldn't even boil water for tea,
Starting point is 00:37:51 he could barely change his clothes. Erdish didn't know how to tie his own shoes until he was 11. He had some kind of skin condition, so the only war was silk. Silk clothes, you had to wash. I mean, he went through life this way. And there was the schedule. He did mathematics 20 to 22 hours a day. He banged pots and pans around in the kitchen at 4 a.m. because he wanted
Starting point is 00:38:12 you to come downstairs and do more math. So why would anybody want to visit from this guy? This sounds like a walking nightmare. You have to cook for him. Stay within my washers clothes. Regardless of shoes. Regardless of all of it, you wanted him to come see you. Why? Because he was just that good. This was like God coming to visit you. He knew your strengths. He knew how you thought.
Starting point is 00:38:35 And I was fascinating to watch him. I mean, there were times like I went with him to a math conference. He was there in his hotel room. And at one point, there were like 10 or 12 math and mathematicians in the room. Some were spoiled on his bed, some were sitting on the floor, and he'd be working with one for a few minutes, and then he would turn to another, and then he'd go back to a third, and he was working simultaneously with all these people in different problems.
Starting point is 00:38:57 Paul Erdish wrote more papers and collaborated with more people than any other mathematician who's ever lived. He did mathematics with anybody, even if the person was a dim bulb in the world of mathematics. What's this? This is Paul Erdisch on his 80th birthday. That's the only good wish for an old man, you can say is an easy cure of the incurable disease of life. Surrounded by... A lot of people.
Starting point is 00:39:28 The mathematicians who loved him and put him up in their house. We wanted to express all our deep, warm feelings to you and I want to raise your distals for you. He was a saint. A saint. A saint. That's Joel Spencer. He's a mathematician. He was also friends with Paul Erdisch. Now that he is gone, I think of him sometimes in a religious context because he gave this faith to those of us that are doing
Starting point is 00:40:06 mathematics which after all is if you look at it from the outside it's a little bit of a strange activity while you put this enormous effort into finding these these statements. Mathematicians will spend years of their lives trying to prove these things that you know know, from the outside, look totally obscure and pointless. And yet, it was clear working with him that what we were doing was we were trying to find truth with the capital T, a truth that transcends our physical universe. I think that's the reason why we like to talk about our connection to Paul, because our feeling of mathematics, the feeling for what we want mathematics to be, Paul Erich was the embodiment of that feeling.
Starting point is 00:41:03 the embodiment of that feeling. Somewhere along the way, mathematicians started keeping track of their connection to Paul Airdish. And that's what Airdish numbers actually are. If you publish to paper with Paul Airdish, your Airdish number is one. If you publish to paper with someone else, and they publish to paper with Paul Airdish, then your Airdish number is, and so on and so on. So this is like all the people that Paul Erdisch in some way has touched. All the people who are connected to him through their ideas.
Starting point is 00:41:33 There are about 500 people with Erdisch number one and about 8,000 people with Erdisch number two. This is Professor Jerry Grossman. He's at the University of Oakland in Michigan. And what he did was he took each ring of Heritage Numbers and he charted it out. Heritage number three has about 34,000 people in it, about 84,000 with Heritage number four, then they start decreasing. That's a lot of people. So if you go ring upon ring upon ring and you do the whole deal, like how many people did this man in the end
Starting point is 00:42:08 influence think it's about 200,000 200,000 200,000 Picture that for a second. It's like a solar system with more than 200,000 mathematicians, all orbiting around Paul Airdish. And your Airdish number is one. I wrote a paper with my advisor and the other students and she had written a paper Dennis Icorn is a number two. The Airdish number is two.
Starting point is 00:42:45 I wrote a paper with my advisor and the other students and she had written a paper with a mathematician who had written a paper with Airdish number. My Airdish number is three. Your Airdish number is one. Everybody with Airdish number one knows that they've got that. Everybody in this room knows their number. I would be very surprised if there are people who don't know.
Starting point is 00:43:06 So that's probably the only thing. On me. Yeah. You're the only one who's good for you. Yeah. It's a good one. Yeah. Yeah.
Starting point is 00:43:16 It's a good one. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
Starting point is 00:43:24 Yeah. Yeah. Yeah. Yeah. Yeah. Ben Calhoun's edition number is 00.5778-B-1. Coming up, a story from our friend Steve Strogatz, the mathematician from Cornell, who tells about a friendship he has, a very precious friendship with his math teacher. So it's all about mathematicians, but this is a very unusual friendship. I'm Chad Abumrod.
Starting point is 00:43:56 I'm Robert Crowley. Stick around. Okay, I'm Chad Abumrod. I'm Robert Crowley. This is Radio Lab. Our topic today is... Mathematics, Mathematics Jan Abumrod. I'm Robert Krollwood. This is Radio Lab. Our topic today is... Mathematics, Mathematics, and Mathematics. Ah, he's supposed to be our topic.
Starting point is 00:44:11 But actually, we do have a gripping story for you coming up now from our producer, Soren Wheeler. Hey Soren. Hey, and this is about math, right? Uh, yeah. Well, math and friendship, really. And I heard it from Steve Stroghats. He's a mathematician at Cornell University and he's been on the show once or twice. Okay. And we sat down the studio and he told me about...
Starting point is 00:44:31 Why don't you back up and tell me a little bit about high school and about his high school math teacher, Don Jaffrey. Well, there were several striking and peculiar things about him. I mean, probably the first thing is that he was physically incredibly impressive. And he would hold the chalk between his enormous fingers and right on the board, the chalk would pulverize with each stroke so that there would be this cloud of chalk dust all over him and his big sweater. Another thing that was very unusual about him, he'd be in the middle of a calculation standing at the board, chalk dust all over him as usual. Then he would space out and he'd get a look in his eye, a kind of far away look, and then he'd say, oh, this reminds me of the hush tone. This reminds me of the time
Starting point is 00:45:17 Jamie Williams calculated the formula for the end term in the Fibonacci sequence. Jamie Williams was a student. He was just a couple of years ahead of Steve and Mr. Jaffrey's class. And that was part of the mystique. You know, that now he was graduated and it was as if the secret was lost to the ages. But the point was that he would talk about a student with reverence. With reverence. Yeah. What was very thrilling about that
Starting point is 00:45:46 is that there was this kind of chain that we were now becoming part of. Yeah, so then I'm off to college and it started very early. I started to write to him. It was like an annual tidbit. Dear Mr. Joffrey, here's the gem that I learned this year in math. So Steve would write to him, Mr. Joffrey would write back, add something, ask him a new
Starting point is 00:46:13 question, and it went on like that for a while, with Steve kind of still being like a student and Mr. Joffrey still like a teacher. There was one moment though where something new happened where he wrote to me asking for help He said a question came up in his class about an elliptical swimming pool So you know picture a swimming pool often there's a little Border on the edge of the swimming pool like a piece of concrete that lines the pool you stand on that part before jumping in. And so the question was, if you had an elliptical swimming pool with a
Starting point is 00:46:49 one foot border around it, is the outer edge of the border also in ellipse. Something about that really appealed to me. It was a very nice math problem. Probably there was a little bit of a showoff in me, like I thought if I could do this he's gonna say something nice You'll become part of the pantheon. Yeah, maybe I'll enter the pantheon They'll start talking about me like they used to talk about Jamie Williams So I stopped whatever I was doing and I worked hard on that ellipse problem and I figured out two or three different ways to Turns out it's never an ellipse If it will it cannot be an ellipse so see sat down down and wrote back to Mr. Jaffrey about this puzzle.
Starting point is 00:47:26 But I didn't just show him the answer. I wrote the answer in a very loving and gentle way that was meant to be empathetic, that is, I know where you're coming from, and I'm going to just start from scratch to lead you from where you are, to where you need to be to solve this problem. In other words, Steve acted like he was the teacher and Mr. Joffrey played along. And this was such a generous thing in retrospect. The humility, the modesty, the kindness in playing the role of a student.
Starting point is 00:47:57 It's like he knew that that's what I needed. And man, I loved it. I couldn't wait for the next question. And as Steve went off to graduate school to become a math professor himself, he and Mr. Jaffrey kept writing to each other. In fact, they were writing to each other quite a lot. There was one sequence in March of 1989
Starting point is 00:48:14 where we wrote to each other almost every day. He sent me a puzzle, I worked on it, I showed him a really beautiful answer. He expressed kind of ecstasy and seeing this answer. It was kind of a mathematician's dream correspondence of puzzles and equations and Steve loved it. But every so often, Mr. Jaffrey would break the routine a little bit. He would say things about that he was doing some jazz piano gig. He would sometimes write about, he had three sons, he would talk about them a little bit. And you know, I feel embarrassed. It feels
Starting point is 00:48:56 mean, but I remember not liking those parts of the letters. And I didn't write about that. I mean, I would say maybe I was was playing some tennis, or, but I have lines in some of my letters that say, after a few of those sentences, okay, enough stalling. Here's the math problem. But then in later years, he would almost pointedly ask me things, like there was a time when he said, that rumor has it that you're engaged.
Starting point is 00:49:21 We wish you the best if this is true. And guess what, I'm my letter back to him, I didn't say anything. Do you remember like thinking not to respond or just, well I can tell you what was going on, which is that I was already in couple therapy with my fiance. You know, like in that time the letters were a kind of refuge from all that. That is we could go into this pristine world of math where things are simple and logical and well-ordered. There may have been part of me that felt like oh come on I this is the one place where it's all perfect.
Starting point is 00:50:05 But over the years that perfect world got a little less perfect because his oldest son died Marshall died Marshall died when he was only 27 and I didn't ask about it Can you believe this? I feel so sick about this when I think about it now. So you would just write back, oh, I've got another problem for you. Look at this. And then more than 20 years into this relationship of letter writing, Mr. Jaffery retired. And now that he couldn't teach anymore, he'd write to me.
Starting point is 00:50:45 He'd show me these beautiful math problems that he would make up for himself, usually about hawks flying over the earth and how much spherical area can the hawk see if it's at such and such altitude. And what is happening at this time is that now I have just gotten married and we've started having kids, and I'm not answering his letters anymore. They're sitting in their envelope stacking up. He's writing them faster than I can answer him, a lot faster. And then at one point I got one more letter
Starting point is 00:51:13 from Mr. Joffrey, except as soon as I looked at the envelope, I could see that something was really very wrong. His handwriting didn't look normal. My address, my name, was written in a craggy, shaky, shaky. And I knew what that looked like because my dad wrote like that when he had Parkinson's. So I thought, what's this? And I opened the letter in the first sentence, his eek, I just had a mild stroke. I didn't write back to him right away. I didn't call him. And then just a couple months later, my brother died very suddenly. And he heard about it from someone else and immediately wrote to me how you know that he was very, he and his wife had heard and they're
Starting point is 00:52:01 very sorry to hear that my brother had died. That, to me, was... You know, I still had never said I'm sorry about Marshall all those years ago. And it kept nagging at me. Why won't you talk to him? Beckoning and obviously care about him. It's sort of like in math, there's this concept of bifurcation. Which really means a fork in the road, a splitting. when the force is on a system, get too large, there can be a moment when the dynamics of that system change abruptly and qualitatively. This was a moment of bifurcation. I should have just said how sorry I was to hear about about Marshall. So I thought
Starting point is 00:52:49 I got to go talk to him and ask him, can I come to your house? You know, he seemed a little rocked in about it, but he said, okay, fine. So I bought a little pocket tape recorder, just a cheap thing. I drove up Route 95 to his house in Connecticut on the shore. Knock on the door here, the piano that was playing inside stop. He comes and rushes to see me. We give each other hugs, take out a big plate of cold cuts, and say, let's sit out on the porch. Is that work?
Starting point is 00:53:20 Hello. And so we're eating and then he takes out his journal. I decided that I would keep a journal since I was retired where he's drawn pictures of all kinds of birds And there's a picture of me doing an eagle watch out in a Connecticut river and there's a lot of stuff about Hank in his typical way. I don't know Things this is a bird that's moved up from the South too. You never saw these well what some people call buzzards Yeah, they've they've moved up here and this is one of my favorite birds. It's a marsh hawk and flies low over the meadows. More about that. Hank says, I'm going to take you over to see a rough-legged hawk. Now, he didn't say we're going to see if we can see a rough-legged
Starting point is 00:54:03 hawk. Yeah. He produced. Uh-huh. And I'm thinking to myself, I'm not really interested in this. I want to talk about him, about all these things that are, that we never talked about, that are emotional, hard things. Like, what happened? How did your son die?
Starting point is 00:54:21 I have a lot of work. They're just trying to make eyes put in extra hours to pay guys extra hours. There was a fidgeting feeling inside me. And benefits and all that. Right. Sure. And there was a pause. My heart was beating fast.
Starting point is 00:54:42 Then I thought I'm going to ask them now. So I don't think we ever talked about Marshall, but I wanted... I did, I asked what... I didn't really know him either, but I know that he died very young and I know what happened. You know what happened to Marshall? Well, you know, that's not what you want to talk about now. And I think he was going to say that's something we don't really want to talk about. And I think he was going to say that's something we don't talk about. Well, he had a remeber as a star. And he did.
Starting point is 00:55:18 He had a wonderful 27 years. Music was going to be so beautiful. And so we went to man. So uplifting and sweet. He'd be at home and we'd sit around the piano and I'll get out the cold, porter songbook and just turn to a page, something that he'd never seen. He could sight-read it, play it, and sing it all in one time with us. And I thought, wow, this guy's got a multi-channel mind that I wish I had. You know, he talked about what a great, what a great life he had in his 27 years.
Starting point is 00:55:51 England is waiting moments. He'd stay up all night long playing the piano, just the house that just filled with beautiful music. And he had made plans to get a job at the Nguyengrin Conservatory and things like that, but the fates were wrong for him. Oh, yeah, we missed him. Was that, I mean, in that moment, did it change the way you see him or did it change?
Starting point is 00:56:37 Well, I have to tell you how that day ended. So we talked more and I asked him at one point do you think Marshall had a religious feeling? And he said, yeah, I think he felt close to having to come to terms with somebody out there. That was a good thing that I think he went peacefully. You then actually conversation drifted to easier things like calculus problems. And we talked some more about math and then he said,
Starting point is 00:57:04 how about a swim, or let's go to the beach. Or would you like to go out to the beach? And, and really, I'd like to do something where I get outdoors a little bit more. So we did go to the beach, and it was a beautiful evening, and there were waves coming in from Long Island sound.
Starting point is 00:57:19 In fact, we were talking about a math problem about waves, about Fourier analysis, which is really about, well, infinity. And the fact that if you take an infinite number of simple waves, you can create any shape of wave you want. As long as it's a wave that repeats. But then Mr. Jaffrey asked, how do you create waves that don't repeat? Waves that change.
Starting point is 00:57:41 Sometimes waves don't exactly repeat. They can grow or die out. And Steve told them to deal with those kinds of waves. You need a different kind of infinity. Not the kind where you just keep adding and adding and adding numbers, but the kind that sits in the space between two numbers. This higher kind of infinity than Dunne had thought about before.
Starting point is 00:58:31 Thanks to Soran Wheeler, our producer, who indicates Stephen produced that story. Thanks to Steve Strogatz, who has a book out now, which tells this very story called the Calculus of Friendship. I'm Chad Abomrod. Three seconds to go. You are Robert Rolod. Bye. Radio Lab was created by Chad Abram Rod and is edited by Soren Wheeler. Lulu Miller and Latif Nasser are our co-host.
Starting point is 00:58:52 Dylan Keefe is our director of sound design. Our staff includes Simon Adler, Jeremy Bloom, Becca Bressler, Ekedi Foster Keys, W. Harry Fortuna, David Gabel, Maria Paz Gutiarez, Sindhu Nihanna Sambandam, Matt Kielty, Annie McEwan, Alex Niesen, Sarah Carrey, Alissa Junk Perry, Sarah Sandback, Aryan Wack, Pat Walters, and Molly Webster. Our fact checkers are Diane Kelly, Emily Krieger, and Natalie Middleton. Hi, my name is Michael Smith. I'm calling from Pennington, New Jersey. Leadership Support for Radio Lab Science Programming is provided by the Gordon and Betty Moore Foundation.
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