Radiolab - Open Outcry

Episode Date: May 20, 2008

Jad presents a piece by one of his favorite producers: Ben Rubin. Rubin created this audio portrait called 'Open Outcry' as a part of a sound installation called Sonic Garden commissioned to celebrate... the reopening of the Winter Garden, an atrium space within the World Financial Center, after 9/11.

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Starting point is 00:00:00 I should quite You're listening to Radio Lab. The podcast from New York Public Radio. Public Radio. WNYC. And NPR. Hey everyone, Jad here. For this week's podcast, I wanted to play you a piece from one of my favorite producers.
Starting point is 00:00:22 His name's Ben Rubin. And he's kind of hard to describe. He's sort of an audio artist, sort of a documentary producer, sort of a visual artist. If anyone out there has been to the New York Times building, the new one, he and his partner Mark Hanson did this sculpture, the crazy-moving sculpture that is in the lobby. Any case, this is one of my favorite pieces from him. It's called Open Outcry, and I don't want to tell you too much about it, except that it's
Starting point is 00:00:50 about commodities trading. You know, like when you picture the trading floor with hundreds of people screaming out the prices of commodities, there's a name for that. It's called the open outcry trading system, and all those screaming people sort of in that roiling pit determine on this sort of emergent level of the price of oil or the price of an ounce of gold. So Ben decided to do a piece about this, and most of what you're going to hear in this is actual documentary sound he recorded on the trading floor of the New York Mercantile Exchange. There's also going to be a female voice, sort of an ethereal female voice that was recorded in the studio, obviously, which is actually her singing. the real price of commodities taken, you know, the raw data taken from one day, I think in September of 2002, though. I'm not sure about that date. In any case, here it is, open outcry from
Starting point is 00:01:38 Ben Rubin on Radio Lab. Orange juice down, 94, 8,000, down 49, 0, 80, 80, 80, 50, cotton, cotton, up 45, 90, orange juice down, 945,000. Gold down 32-14 silver up 44 78, platinum down crude oil down 30-48 cotton aluminum 40 down 4900 platinum cotton down 45 85 silver up 44 74 78 crude oil Up 30, 53, silver, up, silver, down, 404, Latin, down 49-0. Sometimes I say to people, didn't you hear me bidding?
Starting point is 00:02:56 And I know if they say, I didn't hear you, I know they're not telling me the truth. Because people always hear my voice. It's unique, and it's a strong voice, too. If I'm selling octobers, you know, you don't say, you say, you say, A-K, and you don't say the full hand. I'll just say, like, Ack at 10. So I would just yell out, Ack at 10!
Starting point is 00:03:13 Ock 70-Bits! By him, by him, 25. So 25, arc 75 bid, it's 78. By 10. Six bid, seven bit, arc seven bit, seven bit, seven bit, seven bit, seven bit, seven bit, Number nine, 25. Peace, 84. By him, 25.
Starting point is 00:03:27 He's 185, 50, 100. You're not listening to one person at a time, you're hearing everybody speak at the same time. It's like going to a symphony and hearing every piece of the orchestra, but yet hearing the music at the same time. And in the midst of that, you may observe, for instance, a, broker that you've traded with for years. You know what his face looks like when he's laughing. You know what his face looks like when he's upset about something at home. And suddenly he's got a nervous look. You can tell when somebody's bluffing, when somebody's not bluffing. And these
Starting point is 00:03:59 are all skills that are learned over time. It's really an internal gut feeling. And as far as just seeing the expression on somebody's face, the way that somebody's breathing, the way that somebody's leaning on someone else. I always knew when the guy behind me had a real order, because when he had a big, big order. He used to take my shoulder and shove it to the ground trying to hold himself up. These two men, these two minutes, two. So 50 these are two. 10. Nalby. Nalby over 50. Sulfi 2. B. Nalbh. Nalb a half. Nol B and a half. Nol B. B. B. B. 20, Nubi and a half.
Starting point is 00:04:36 20 to 4. 40. 4. Nubu 4. silver, orange juice, cotton, gasoline, natural gas, crude oil, natural gas. Well, I've been in a ring 32 years, how do I sound? You know, the open outcry system, which is probably, some people may look as an antiquated system, it's probably the most sophisticated, timely system that's in existence today. If you believe in, if you believe in a marketplace, this.
Starting point is 00:05:30 is as pure foam as it gets. If everybody's buying, it's going to be tougher to buy, right? Simple as that. Just because you want to sell it at $29.55, and you're offering $29.55, the guy next to you could be selling it, the guy in front of you could be selling it, the guy behind you could be selling it,
Starting point is 00:05:46 and you might not have sold anything. Volatility makes money. War creates turmoil. Termoil creates opportunity. I'm not suggesting that people want terrible outcomes, but I am suggesting that a lot of people depend on them. It's all 50. I'm out.
Starting point is 00:06:06 Octoby five bin. 100, D's a half. Bambh! Two! 100. Dese. How's Diz? D's a half bend.
Starting point is 00:06:16 D's a half bend. By 25, D's one bed. So, 20. Why am? Dese two bed. A hundred. Dese and four. D'S three.
Starting point is 00:06:25 The temper's play. There's a lot of money flying around moment to moment, you know, and, um, There's a classic story. Actually, it's about my father. And there was a time in Silver when he got into an argument with somebody, and he had their neck down against the rail. And a guy looked at him and says, Marty, even though your chairman of the floor came in,
Starting point is 00:06:43 I'm going to have to find you, $500 for this. So he looks at the guy. He keeps one hand on the guy's neck, takes the other hand in his pocket, throws down $1,000 and says, double it because I'm going to finish him off. You know, two minutes later, they're out having a cup of coffee together. Twenty-three!
Starting point is 00:07:07 Two-three! There were members in good standing that had been on the trading floor the day before September 11th that we would never see again. I think people were very, very aware of their absence. In fact, the first trading day, for at least the first trading day, some of their positions in the pit were sort of silhouetted by their... the outline of their footprints and people wouldn't step into those spots. That's an open outcry by Ben Rubin.
Starting point is 00:08:37 As you can probably tell, that piece was written right after 9-11. He was asked to commemorate the reopening of part of the World Financial Center. Most of it was still in rooms, but this one part, the Winter Garden, was opening back up. And so he was asked to make a soundpiece to install in the Winter Garden. And this is a huge space with a grid of palm trees in the middle of, very, very high domed ceiling. And what he did was he installed speakers underneath the trees, and that's where the voices of the traders came from. But way up top on the ceiling, he had speakers which played the voice of that female ticker. So it's as if the traders are on the floor,
Starting point is 00:09:19 and high up above them almost ethereally is the price of the commodities. Kind of a neat idea, except he said in the space the sound was totally terrible. No one could hear anything. So, he was happy as are we to have it be a radio piece. In any case, you can learn more about Ben at his website, Ear Studio.com. That's www.eerstudio.com. You can also check out our website, radialab.org. We are supported by the Alfred P. Sloan Foundation, the Corporation for Public Broadcasting, and the National Science Foundation.
Starting point is 00:09:51 I'm Chad Eppin-Rod. Thank you for listening.

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