Real Survival Stories - Cowboy in the Wilderness: Real Life Rodeo

Episode Date: April 9, 2025

Leif Videen lives a pared back, outdoorsy life in the remote reaches of the Mid West. In October 2015, he embarks on an elk stalking trip in the Wind River Mountains. But when he finally pulls the tri...gger, after days of tracking his quarry, he never expects that he will soon be the one fighting for his life. As a mysterious set of grisly symptoms takes hold, Leif must rely on his loyal steed to carry him to safety - before time runs out… A Noiser production, written by Joe Viner. For ad-free listening, bonus material and early access to new episodes, join Noiser+. Click the Noiser+ banner to get started. Or, if you’re on Spotify or Android, go to noiser.com/subscriptions If you have an amazing survival story of your own that you’d like to put forward for the show, let us know. Drop us an email at support@noiser.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Starting point is 00:00:00 It's late October 2015 in the state of Wyoming. The wind river mountains bask in radiant fall sunshine. Sawtooth granite peaks serrate the sky, which is blue and vast and cloudless. An alpine stream, fed by snow thawed in the unseasonably warm weather, meanders through wildflower-speckled tundra. Just below the tree line, in a dense thicket of dry brush and deadfall, flies buzz around a heap of deliberately placed pine boughs. A dead elk, shot by a hunter earlier today lies hidden beneath the
Starting point is 00:00:47 branches. Its silvery brown fur matted with blood, sharp antlers protruding from the autumn foliage. Clearly whoever shot this beast intends to come back for it. Which begs the question, where are they? Six miles down the trail, 35-year-old Leif Vidin sits slumped in the saddle of his horse, a harnessed rifle slung across his sagging torso. Blood soaks the hard-wearing fabric of his trousers and drips over the leather lining of his boots. Beneath his rough, blonde stubble, his skin is sickly pale. Leif lifts his head. There are still many miles to go.
Starting point is 00:01:37 He has to pick up the pace. He tugs weakly at the reins of his horse, Dylan. With the flick of his head, Dylan expels twin jets of steam from his flared nostrils. Then he springs forwards, the muscles rippling in his glossy chestnut haunches. Each impact of the horse's hooves on the hard ground fires another bolt of pain through Leaf's abdomen. But he can't slow down. If he does, he might never make it down this mountain alive.
Starting point is 00:02:17 As the time goes by, I'm getting weaker. I'm also extremely nauseous and I'm vomiting a lot and I can't get off. I'm trying to lean over my saddle best I can to throw up, but it is like so miserable." He glances woosily at the trail in front of him, wending interminably through the hazy, herring-boned foothills. And then a sudden wave of exhaustion, blurring his vision. He sways in his saddle and tries to tighten his grip on the reins, but he doesn't have the strength. I'm like, oh my god, like, I was like, I don't know if I'm gonna stay conscious.
Starting point is 00:02:55 And then I just felt bad for my family. If I end up dying here, I just felt terrible for them. These are the astonishing tales of ordinary people thrown into extraordinary situations. People suddenly forced to fight for their lives. In this episode we meet Leif Vidin, a cowboy and saddler from Wyoming. Leif lives a pared back, outdoorsy life, surviving in a remote location and frequently hunting his own food. living in a remote location and frequently hunting his own food. In October 2015, he sets out on an elk stalking trip into the Wind River mountains. After days of pursuit, he gets the opportunity to take his shot. Pulling the trigger, he never expects that he will soon be the one fighting for his life.
Starting point is 00:04:03 I don't know what this is. I've never felt like this. I felt a bizarre physical sickness. I feel really weird internally, and I feel this sense of dread. There's definitely a chance I'm not going to make it. Plagued with mysterious, grizzly symptoms, Leaf will have to dig deep and put his faith in his trusty steed
Starting point is 00:04:28 to carry him down the mountain before it is too late. I'm John Hopkins from the Noiza Podcast Network. This is Real Survival Stories. It's late October 2015. On the outskirts of the small town of Lander, Wyoming, Leaf Vidin emerges from his cabin and strolls across the paddock to the barn. The familiar, musty smell of horse and hay greets him as he steps inside the dark stable, his cowboy boots crunching softly on the wood chips. Leif's two stock horses, Dylan and Fonzie, peer at him over the tops of their neighboring stalls.
Starting point is 00:05:37 The rangy, perspectacled 35-year-old walks over and strokes his ponies affectionately, running his hand across their velvety muzzles. Leaf leads Dylan and Fonzie out of the stable and into the trailer attached to the back of his truck. With his horses loaded, he heads back inside the house to say goodbye to his wife, Shelley, and to grab the rest of the gear he'll need for several days in the wilderness. A tent, some warm clothes, his hunting knife, rifle and ammunition. By mid-morning, Leaf is on the road. Up ahead, the snow-flecked granite spine of the Wind River Mountains underlines the cobbled
Starting point is 00:06:26 blue sky. He doesn't know how long he'll be away from home. Hunting trips are often, by the very nature, open-ended. Going into the wilderness is its own kind of homecoming, a return to something Leaf's been drawn to since he was a boy. I bought my first teepee when I was 14 years old with my own money and I had it set up at home and I lived out there all summer from when I was like 14 till after I left home. I mean I came in the house to eat and do stuff but my bedroom was in my teepee so I'd sleep
Starting point is 00:07:03 out there all summer until it got too cold. So it's kind of a unique childhood, just a lot of adventure. We had a lot of free rein. Leaf's love of the great outdoors inspired him to attend college in mountainous Colorado, where he spent his summers working on guest ranches in the hills. It was during one such summer, on one such ranch, that he made a life-changing discovery.
Starting point is 00:07:33 So I was cleaning rooms during the week, but then at that guest ranch I saw that there were these horse wranglers, they had horses there. And I was like, oh my god, that looks so awesome. Spellbound. After finishing college, he moved to work on a ranch in Wyoming, taking every available opportunity to spend time with the horses. I ended up living in the mountains, working for ranchers, and just tending cattle in the mountains from May until November. I make all my money, chase some cattle, horseback. And then I started taking outside horses, I'll call them outside horses,
Starting point is 00:08:09 where I started like starting colts, starting horses under saddle, young horses. Or sometimes people would bring me older horses that had maybe problems or troubles, and I would help try to get those figured out and ride those horses for a while. help try to get those figured out and ride those horses for a while. There's a deep bond between Leaf and the animals he works with.
Starting point is 00:08:36 He communicates with them through sound and gesture. These days, when each winter arrives, he leaves the cattle and returns to his humble homestead, where he picks up work taming fiery young colts into obedient steeds, or making and selling custom leather saddles. He and Shelley live a good life, a throwback in many ways, forging their livelihood from the soil of the American West. forging their livelihood from the soil of the American West. Still, certain aspects of the simple life are really rather far from simple. In true pioneer fashion, Leaf and Shelly try to limit their meat consumption to animals they kill and butcher themselves.
Starting point is 00:09:19 When elk hunting season rolls around, in early autumn, Leaf mounts his horse, shoulders his rifle, and heads dutifully into Wind River country. It's not sport. It's a necessity. An affordable and sustainable source of food that will keep him and his wife fed through the long, hard winter. I was never a trophy hunter. I was always what I call a meat hunter, where I just wanted to shoot something for meat. Like, that was the end of it. I dreaded hunting season. To me, the hunting itself was like going to cut firewood or cutting hay. It's just like something that has to be done to kind of keep living. It was just something I had to go do. and death on Titanic. I'll delve into my own family story following my great uncle Jimmy as he tries to escape the engine room. We'll hear the harrowing tales of the victims and the testimonies of the lucky survivors.
Starting point is 00:10:33 I saw that ship sink and I saw that ship breaking off. Titanic Ship of Dreams. Listen wherever you get your podcasts. It's early afternoon. After parking his truck at the trailhead, Leaf saddles up Dylan and loads the hunting gear and camping supplies onto Fonzie, his packhorse. Now, with Fonzie trudging behind, Leaf rides Dylan up a steep rocky incline. Elk like to be really high in the mountains until the snow.
Starting point is 00:11:11 The snow will actually push them down out of the high mountains. In the summer, they'll be like up in the peaks, like above tree line, up in the rocks. And it's just really hard to hunt that high up. It's just not as desirable. So oftentimes you kind of wait I'd like to wait for the first big snowstorm to kind of push the elk down a little bit further out of the highest mountains. Leaf continues up the trail. On either side of the footpath, wind-niled cottonwoods and stunted pines fall away to reveal a sprawling expanse of mountains,
Starting point is 00:11:47 deep river canyons, and squat sandstone buttes with their distinctive wide flat summits. Though snow fills the crags of the uppermost reaches, the weather is mild for late October, with beautiful clear skies overhead. for late October, with beautiful clear skies overhead. Towards the end of the season, it had gotten really warm again. Beautiful fall weather, calm, sunny, like we have the bluest skies in Wyoming. There are still some leaves on the trees, so there's still some color to the aspens. The Wind River Range covers around 7,000 square miles of some of the wildest and remotest wilderness in all of North America. Leaf scans the ridge as he trots through the sparse, twisted evergreens.
Starting point is 00:12:43 He's currently heading up a gorge, riding purposefully, though his exact destination is unclear. Much of the time, the activity of the elk herd is anyone's guess. This means Leif hasn't been able to tell Shelley where he's going, or how long he will be. You just never know exactly what the elk are up to. I don't know how many days I'll be gone. It's really a vague thing.
Starting point is 00:13:14 You just don't know how it's going to go until you're kind of in it. He's certainly in it now. For two full days, Leaf journeys deeper and deeper into the mountains. There is a particular kind of freedom that comes from being out here, the unobstructed horizons, the natural splendor, the quiet solitude. He deliberately plans his hunts for late in the season, when encounters with other hunters are rare.
Starting point is 00:13:47 It is as if the entire mountain is his and his alone. If I were to see another person hunting, I'm kind of like, hey, what are they doing in my area? What's going on? Like, what's someone doing out here? So, you know, like we're kind of spoiled here having a lot of room to ourselves. Occasionally, though, something happens that reminds Leaf how quickly these mountains can turn against you. A few months back, he was leading a small group of tourists through these very hills when he made a morbid discovery. I was on just a summertime fun time pack trip and I'd set up a camp and then I was hiking out behind the campus and even wandering around and I saw something domed and white shaped
Starting point is 00:14:36 on the ground that caught my eye and I flipped it over and it was a human skull. Whatever fate befell this poor individual, there's certainly no shortage of ways to die out here. Hunters have to be particularly careful that their activities don't inadvertently draw the attention of the region's apex predator. region's apex predator. Most of the mountains in Wyoming, there's a lot of grizzly bears. And the bears have learned that gunshot means a gut pile, which is easy food. So there's accounts of people that literally they shoot an elk and bears come, I mean, it's an exaggeration, but come like it's a dinner bell. Then there are the less foreseeable dangers, like the one beneath your own saddle.
Starting point is 00:15:36 When you're as comfortable around horses as leaf is, it can be easy to forget that these are still animals, unpredictable and incredibly powerful. You can't forget that these are still animals, unpredictable and incredibly powerful. A single kick from a horse's hind legs can generate over 10,000 newtons of force, comparable to the impact of a high-speed car crash. Certain animals are better suited to certain terrains. Horses for courses, you could say. Dylan and Fonzie, for instance, are somewhat untested in this environment. They're strong and great around livestock, but like all creatures, they have their own
Starting point is 00:16:17 quirks, their strengths and their weaknesses. I knew my horses really well. like I knew exactly their triggers. They were too touchy for the mountains. In the mountains you want something what we call bomb proof, where nothing rattles the horse. They're unflappable, super steady, very mellow, very docile. But when you're cowboy, sometimes you want something that's got a little more get up and go, a little snappier, because you might have to make real quick moves. It's a case of weighing up various options and working with what's available. Dylan is quick and reactive, potentially useful if things take a dangerous turn. But he also has some natural skittishness, which, over countless hours,
Starting point is 00:17:07 Leaf has tried to rid him of. Dylan, at any rate, he was like a decent cowhorse, but he had an edge to him that I never did like. And I worked and worked and worked with him to try to soften that edge, but he just had an edge that I could not soften. I mean, all day, every day, I was with my horses, so I had a very good rapport with them. But he wouldn't be a first choice for a mountain horse, but it's what I had, so it's who I used. It's the evening of Leaf's second day in the mountains. He's set up camp in a wildflower meadow beneath a circ of snow-dusted summits. While his horses graze by a tumbling creek, Leif stokes the crackling fire.
Starting point is 00:18:03 Then he picks up his binoculars and steps into the smoky purple dusk. So far this has been a frustrating hunt, not a single elk spotted. And so it's more in hope than expectation that he begins scanning the lofty ridgeline. Searching the shadowy outcrops for telltale flashes of movement. Which is when he sees them. A herd of about thirty elk huddled together on the exposed ridge. Lee flows his binoculars. Like bats and fireflies, elks are crepuscular, meaning they are most active in the low light hours of the early morning and late evening, when they like to graze in the high alpine meadows.
Starting point is 00:18:53 During the day, they descend from the ridge to bed down among the trees. My hope was that I would intercept them. I saw where they were the night before, and I'd get up there there in the dark and then I would intercept them as they were coming back down to the timber. Hopefully I'd run into them between the open and the timber there. The following morning, Leaf gets up before sunrise. With his rifle slung over one shoulder, he stalks off uphill on foot, seeking out a hidden spot among a scattering of large boulders, the perfect position to lie in wait. But just then, as he approaches the vantage point, he hears a sudden commotion from somewhere down below. A cacophony of snapping branches and stampeding hooves.
Starting point is 00:19:52 He spins around. In the dawn's light, it looks as if the trees themselves are moving. Then his eyes adjust and he realizes it's the herd that is thundering through the timber, a river of brown fur and pale antlers flowing parallel across the slope. I ended up getting a boulder between me and the elk to hide me because I was kind of exposed and I got down to this boulder, popped up over the boulder and there's a bull standing a little bit below me. He presses his eye against the rifle's sight. The elk stands a few hundred feet below, idling blithely in a woodland clearing. Leaf takes aim, inhales, then pulls the trigger on the half breath.
Starting point is 00:20:47 He watches through the crosshairs as the elk's body jerks before toppling over sideways and out of sight. With the loud report still echoing off the mountainside, Leif gets to his feet, harnesses his gun, and begins a long plod down. When he reaches the animal, he does something that he always does after a kill. He bows his head and utters a heartfelt apology. Definitely looking back on it now too, it was for basically to make myself feel better. It had nothing to do with, you know, the elk, he's dead, like there's no apologizing to him. It's definitely to make myself feel better. It had nothing to do with the elk. He's dead, like there's no apologizing to him. It's definitely to make myself feel better about it.
Starting point is 00:21:31 Leaf takes his knife and opens up the stomach cavity. He pulls out the entrails and places them a short distance away for the magpies and crows to peck at, to keep them and any other scavengers away from the precious carrion. This done, he covers the carcass with a shroud of protective pine boughs, then sets off back to camp to fetch the horses. These are the most critical moments of the hunt, when everything could yet be lost. People like to say it's kind of another silly saying, but meat ain't meat till it's in the pan, meaning there's a lot that can go wrong from the time you kill something until it's home and it's safe and sound.
Starting point is 00:22:29 It's about 8 a.m. Leaf is riding down the wooded slope back towards the Elk Carcass. Fonzie, tethered to Dylan via a lead rope, trots a few yards behind. Dense brush blankets the forest floor, knee-deep piles of dead fallen wood and rotting stumps. Leaf has to plot the easiest route for his horses. No mean feat. Arriving at an impassable tract of undergrowth, he flicks Dylan's reins, commanding him to halt. He scans the vegetation, searching for a way through. Warm sunshine streams between branches, dappling the forest floor.
Starting point is 00:23:14 It was like 50 degrees, sunny, really nice weather. And there's still just a couple of flies out. It's kind of late into the year, but there's one or two oddball flies. A couple of blue bottles buzz around the horses, but Leaf doesn't pay them attention. The same can't be said for Dylan, however. Just as Leaf is leaning out of his saddle to navigate through the brush, the horse swishes his tail. A quick dismissive swat aimed at the irksome insect.
Starting point is 00:23:56 The fly buzzes off, but when Dylan brings his tail back down, the lead rope gets caught underneath it. There's such a thing that is called a ring tail. And a ring tail is when your saddle horse swishes his tail over the lead rope. In this case it would be the lead rope of my pack horse. And when a horse gets something up underneath his tail way at the base, they generally do not like that sensation. In an instant, Dylan's hackles are up. He tosses back his head and flares his nostrils, amber eyes flashing with displeasure. He issues a loud snort of indignation and then… He fired with both hind legs extremely hard up over his head. His head went down between his front legs, his hind feet went straight up in the air
Starting point is 00:24:44 and he kicked to get that lead rope out of his tail. And just like that, I came off. Leaf is catapulted into the air. Dylan stands about five feet tall at the saddle, which means Leaf has about twice that to fall. And fall he does hard on his back, directly onto the jutting stump of a fallen pine tree. When I landed, I would have been fine, other than I landed on a little lodgepole pine about six inches in diameter that was barely suspended off the ground and I landed
Starting point is 00:25:27 right on that lodge pole pine right on my kidney. I instantly knew something was wrong and I mean I've come off horses multiple times and usually you're like oh man oh gosh okay just give me a second I'll be all right and this one was like, Oh my god, I'm not alright. It was a weird, very internal pain. Other times you get hurt, and it feels more like on the surface in a way. And this was like inside. Where I was like, oh jeez,
Starting point is 00:25:58 this is like inside of me somewhere. I don't know what this is. I've never felt like this. Slowly, Leaf moves onto his knees I don't know what this is. I've never felt like this." Slowly Leif moves onto his knees and touches his lower back. The fall didn't break the skin. It doesn't seem to have broken a bone. But the eye-watering pain radiating from his abdomen tells him he's done some serious damage.
Starting point is 00:26:24 Dylan meanwhile seems totally back to normal, his demons exorcised. Leaf tries to stand, but he is immediately overcome by an intense skin-prickling nausea. For a second, like, okay, maybe I'll be okay. And then I was like, I don't think I'm okay. I was feeling this really weird feeling of like,
Starting point is 00:26:43 not sure if I wanted to vomit or diarrhea. And I was like, God, I don't know what. And then I was like, I think I just okay. I was feeling this really weird feeling of like not sure if I wanted to vomit or diarrhea and I was like God I don't know what and then I was like I think I just need to like take a leak. Maybe I need to take a leak because like my nerves are up and when I did it was just solid blood like pure fresh bright red blood. I was like this is not good. and scans the dark wood, his pulse from him. The romance of his isolation is gone, replaced by a sinister, leering menace. A chill wind rattles through the ragged forest. Now seeing another hunter would be very welcome,
Starting point is 00:27:41 but he's clearly alone. And so, Leaf reaches into his pack and pulls out his cell phone. One thing is abundantly clear, he needs urgent medical attention. But when he flips open his phone, he discovers that he doesn't have any service. Not one bar. He casts an eye up to the ridge above his campsite. Maybe he'll have better luck finding signal in a more elevated spot. Though of course, that will mean hiking up there, which would take time. Time he might not have.
Starting point is 00:28:20 Maybe he should focus on getting himself down the mountain, not climbing further up it. I just got to get out of the mountains. That's my number one goal is get down. The lower I get, the better off I am. But I was like, do I take the time to go up there and try to make a call? Or do I just go for it? Even if you were to hike to the ridge, there's no guarantee he'll get any bars up there. And every minute he spends deliberating is a minute wasted. In the end, Leaf decides to roll the dice. Okay, I think it's worth the risk to try to make a call.
Starting point is 00:28:59 Because if I can make a call, that's going to make a big difference in what happens next. Leaf tethers Dylan and Fonzie to a tree. Trekking up to the ridge on horseback doesn't seem like an option. Putting any pressure on his lower abdomen is pure agony, and the jostling motion of the saddle as he navigates the incline would be hellish. The hustling motion of the saddle as he navigates the incline would be hellish. He sets off up the hillside on foot and onto the vertiginous scree of the ridge. His pace is achingly slow. Each step a trial by fire. All the while, doubt gnaws at him.
Starting point is 00:29:59 Part way up I'm like, oh my god, I'm spending a lot of energy and a lot of time trying this, doubts, gnaws at him. Nevertheless he persists, soldiering on up the steep shingle. Finally Leaf reaches the ridge summit. With shaky hands, he opens his phone and squints at the screen through the sun's dazzling reflection. There's no bars, but there's service. It's that weird thing of like, it's not no service, but there's no real bars. So I tried to call Shelley. Did it ring? I don't think it even, it just like it was like it said like calling calling but it never actually rang. I tried a couple of times and I was like okay this isn't gonna work.
Starting point is 00:30:34 No service at all would have been better than this torment. Slamming his phone shut Leaf slides it back into his pocket. Then he turns and looks back down the ridge. The mountains are spread out below in a vast, dizzying expanse, a desert of granite. Dread steals over him. Even without his injuries, it will be tough going. In his current condition, the journey seems impossible. It's hard not to recall the skull he found earlier this summer.
Starting point is 00:31:16 I'm that guy. Like, this is gonna be me. The skull is gonna be my skull. I just felt bad for my family, for Shelly. If I end up dying here, that just felt terrible for them. There's only one way forward and that's down. It's 12 miles back to the trailhead, 12 miles of intricate winding bridle path incorporating forest, gully and mountain. But at least he's got Dylan and Fonzie and through all his years of wrangling he's never needed his horses more than now. The odds are stacked against him, but it's up to Leaf to push them as far as he can in his favor. I felt like there's definitely a chance I'm not gonna make it. This thing could go either way, but if I back off the tiniest bit, it is going to go that direction.
Starting point is 00:32:06 And if I don't back off, it might go this other direction. It's three hours later. Leaf and his horses pick their way along a rocky mountain trail. He leans back painfully in his saddle, the pointed toes of his cowboy boots resting gingerly on blood-spattered stirrups. The reins hang slack, draped loosely around his fingers. The pain of riding horseback is excruciating, but he has neither the strength nor the time to proceed on foot.
Starting point is 00:32:52 Pangs of nausea rise from the pit of his stomach to his throat. He spits onto the ground, blood and bile coagulating in the dust. It's hard to say how far Leaf has traveled since climbing down from the ridge, and grim reminders of his precarious condition are never far away. Constantly, I'm having to pee. My bladder is just filling up, and I'm having the urge to have to pee a lot. And I wasn't going to get off and on my horse. I knew I didn't have the energy or the
Starting point is 00:33:26 time to keep getting up and off my horse. So, I just literally opened my fly and just would pee. It wasn't pee, it was just solid blood. And now my jeans are all covered in blood. It's all down the side of my saddle. It's full of blood and I just keep riding and it's like terrifying like you have nothing to do but like think about what if This mysterious internal trauma is an ordeal for both body and mind a Test of physical resilience and willpower as one hour trickles into the next If only there was somebody else up here a a hiker or fellow hunter, somebody who could ride ahead and bring help. But at this time of year, such an encounter is extremely unlikely.
Starting point is 00:34:14 There's no one up there in the mountains. The big rush elk hunting was over and I didn't see anybody. So the chance of running into someone was this isn't like a busy trail where there's all sorts of people hiking on it. And so I knew the chance of seeing someone was pretty pretty slim. Leaf's skin is pewter grey. Beneath the wide curved brim of his stetson, a few strands of hair cling to his sweaty forehead. His health is declining rapidly, and so is his optimism. As the time goes by, I'm getting weaker. I'm also extremely nauseous and I'm vomiting a lot.
Starting point is 00:34:59 It is like so miserable. The trail is really rough, super rocky, and each step of the horse is just so, so jarring and painful. Onwards they go, through rivers and streams, over high mountain passes and around clear alpine lakes. Staying focused on the task at hand is easier said than done. His body and mind aren't working in tandem. Physically, he's ready to call it quits. The easier thing would have been to have just fallen off my horse and laid there and died. Like that would have, in some ways, physically probably been the easier thing. My mind definitely did not want that to happen.
Starting point is 00:35:47 My mind was definitely constantly focused on the single objective of like get to the trailhead. That is your only job right now is to get down at all costs where I feel like my body was more like you literally could just lay down here if you want to. You literally could just stop. I didn't feel that there was any external power pulling me through. I just kept feeling like this is on you,
Starting point is 00:36:15 like whether you live or not, this is totally up to you. All this responsibility is on you. Like there's nothing outside of you that is gonna help you get down As the Sun drops lower in the sky leafs vision begins to blur at the edges Shadows creep into his peripheries like the darkening vignettes of an old photograph He sways in the saddle nearly slipping off as Dylan descends a rocky ledge. Oh my god, I don't know if I'm gonna stay conscious.
Starting point is 00:36:50 I think I might just like black out. I don't know that I can stay conscious any longer. It's late afternoon. Leaf has been riding all day. Covered in blood and sick, he sways from side to side as Dylan trots lightly down the trail. They can't be far off now. The scenery changes as they reach lower elevation, with evergreens giving way to deciduous forest, ablaze with autumn colors. A mild breeze rolls through the valley, shaking the golden branches. But Leif can barely keep his eyes open. His body is shutting down, and he no
Starting point is 00:37:48 longer has the strength to fight it. But then, as he rounds a bend in the trail, something appears in the distance. Gradually, the image materializes, sharpening into focus through a cloud of dust rising from the ground. I've come around a corner in the trail, and here comes a guy horseback coming up the trail, this one lone guy and a horse. At this point, I was fading in and out.
Starting point is 00:38:24 The rider approaches, rapidly closing the gap between them. Leaf tries to form words, but all that escapes from his dry, cracked lips is a barely audible croak. The man could simply ride past, unaware, just a nod of the hat and a passing howdy. Then what? Luckily, an unwritten rule of the mountains intervenes at the last moment. The etiquette in the mountains is if you meet someone horseback, whoever has the most horses keeps the trail and whoever has least horses yields the trail. I had two horses, he had one.
Starting point is 00:39:08 So he kind of reined his horse off the trail to let me go by. And then I approached him head on and we were getting close to talking distance. Our horses are about parallel. He's like, how you doing? And I'm like, I'm not good. I need help. The man's curiosity turns to concern. But Leaf doesn't have time to answer his questions. I didn't even stop.
Starting point is 00:39:35 I just handed him off my leader rope as I went by him. And he was like, just follow me. Just follow me down. And not that he could keep me from falling out of my saddle, but I was like, just stay behind me and we're going down the trailhead. With the good Samaritan following behind with Fonzie, they set off down the trail with a new found surge of energy. Leaf winces as the pace quickens,
Starting point is 00:40:00 the increased movement sending pain thundering through his lower body. Finally, after another three miles of riding, they reach the wooden signpost of the trailhead. Suddenly, there are cars and people and hope. Leaf brings Dylan to a halt. He heaves himself down from the saddle and staggers into the parking lot. He needs to find a ride, and right now he doesn't care who provides it. He stops the first moving vehicle he sees, slamming his bloody hands down on the bonnet and fixing the driver with a pleading, urgent stare. I stopped this vehicle, I'm full of blood and vomit.
Starting point is 00:40:46 And I had to start to open the door. Like, I'm getting in this thing. Like, there's no way they're leaving without me. And they're like, oh my god. And I was like, just give me to the emergency room. And they're like, we're from out of town. Where's the hospital? Through the pain, Leaf stammers out some directions.
Starting point is 00:41:07 Minutes later, the kindly tourists, whose weekend trip to the mountains has taken an unexpected turn, screech to a stop outside a local hospital. Leaf thanks them effusively before stumbling into the emergency room where he is swiftly taken to the operating theater. That's when it just, the relief was like, oh my God, I think I'm going to live at this point. I got in there and they cut all your clothes off and hooked me up to drugs instantly.
Starting point is 00:41:37 And then I ended up needing, I think it was three liters of blood. Once he's stable and sitting up in bed, a doctor tells Leaf precisely what happened to him. The impact with the pine stump caused severe trauma to his kidney. It's what explains the nausea, the vomiting and the urinating blood. Still, it could have been far worse. It turns out I got super lucky because apparently there's kind of a little casing. Someone later told me that there's a casing around your kidney and in my
Starting point is 00:42:21 instance that casing held and didn't break, But if that casing would have split, I would have definitely bled to death, just bled out. Shelly soon arrives at the hospital and is reunited with Leaf. He's also visited by a couple of friends who even offered to ride up into the mountains to see if they can recover the elk that he shot. It's unlikely that the carcass will still be there. The magpies will have seen to that. But after all the pain and trouble Leaf went Like, I drew a map, a hand drawn map and gave it to two friends. They rode up into the mountains and they made a 24 mile round trip, recovered the elk by my hand drawn map, packed up my camp, got my food out of the tree and brought it all
Starting point is 00:43:22 back down while I was still in the hospital. So we ended up with the elk after all and I mean I did not want that thing to go to waste like oh my god I did not want that elk to go to waste. In the years after his accident, Leaf introduces a few changes to his forays into the wilderness so that Shelley can keep tabs on his location. I have a GPS tracker that I carry with me now anytime I go really anywhere in the mountains or the desert I always pack my my spot tracker so she knows she can now see my new location each night.
Starting point is 00:44:05 So that's really been, I think, a peace of mind." Getting himself down the mountain was a display of sheer grit and composure. Plus, his horses, animals he'd long cared for, actually supported him when it most mattered. Though, when he reflects on what happened up there in the Wind Rivers, Leaf doesn't attribute his survival to anything other than sheer luck. More than anything he says, he sees himself quite simply as a fortunate man. I'm not different than anyone. I just acknowledge that I probably just got extremely lucky that I was able to stay lucid and get down.
Starting point is 00:44:47 Like, I don't think I had some special quality that someone else might not have had. I just think I got extremely fortunate in the way things played out. Next time on Real Survival Stories, we meet Chris Howe, MBE. In May 1982, Chris is stationed aboard HMS Coventry, a Royal Navy destroyer engaged in the Falklands conflict. As a communications specialist, his work takes place behind the scenes, down in the ship's operations room, surrounded by radars and computer screens. But when enemy jets target the Coventry, he will suddenly be thrust into the firing line. Next thing there's this sudden impact and a gulf thud, followed by a flash, a searing flash and heat.
Starting point is 00:45:44 and a gulf thud followed by a flash, a searing flash and heat. In a split second, Chris's life will be thrown into the balance as he is engulfed by flames. It'll take extraordinary bravery and sheer luck to make it off alive. That's next time on Real Survival Stories. Listen right now without waiting a week by subscribing to Noiza Plus.

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