Real Survival Stories - Reporter Trapped: Story Catches Fire
Episode Date: February 19, 2026A TV news reporter gets trapped right in the middle of his own incendiary story. Rob Roth is following up on a small wildfire in the forested hills surrounding Oakland, California - a blaze which fire...fighters got under control the day before. With his wife due to give birth, Rob is hoping that today of all days he can get home on time. But this routine assignment veers wildly off script. When the winds suddenly change, Rob and his colleague will find themselves stuck - camera still rolling - in a reignited inferno… A Noiser podcast production. Hosted by John Hopkins. Written by Heléna Lewis | Produced by Ed Baranski | Assistant Producer: Luke Lonergan | Exec produced by Joel Duddell | Sound supervisor: Tom Pink | Sound design by Matt Peaty | Assembly edit by Dorry Macaulay, Rob Plummer | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Ralph Tittley. For ad-free listening, bonus material and early access to new episodes, join Noiser+. Click the subscription banner at the top of the feed to get started. Or go to noiser.com/subscriptions If you have an amazing survival story of your own that you’d like to put forward for the show, let us know. Drop us an email at support@noiser.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
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It's late morning.
on Sunday, October the 20th, 1991, in the San Francisco Bay Area of California.
Just a couple of hours earlier, the sun shone against a dazzling, cloudless stretch of azure sky.
Now, day seems to have morphed into night.
The brilliant blue expanse subsumed beneath a suffocating shroud of harsh, dense smoke.
Ash and smoldering embers swirl through the darkened air, carried along by,
erratic gusts of hot, dry wind from the nearby Diablo Mountain Range.
In Oakland, just across the bay from San Francisco,
everything seems baked in an eerie orange glow.
Wailing sirens fill the city as emergency vehicles race along winding roads,
speeding into the surrounding hills.
Here, where the slopes are densely covered in tall ancient trees and luscious vegetation,
a wild fire is devastating the landscape.
It tears through the foliage and the undergrowth,
gorgeing itself on the greenery
as it sweeps across the undulating terrain,
leaving nothing but charred skeletal trunks
and scorched earth in its wake.
It's spreading with lethal, terrifying speed.
On one of the forested slopes on the outskirts of the city,
blithely unaware of quite how fast the fire is moving,
Reporter Rob Roth and cameraman Nick Sores watch as blazing spies shoot up across the hillside in front of them.
Thick plumes of smoke drift towards the two men, but they're unconcerned.
The conflagration is still a good distance away from them.
They don't appear to be in any immediate danger.
Their news van is parked nearby, so they can make a quick getaway if needed.
Besides, they're getting some great footage.
The TV journalism side of it was we're getting excited because we were getting good stuff,
the beginning of this huge firestorm, which you don't usually get video like that.
But then, in an instant, Rob and Nick's sense of excitement melts away.
Suddenly, the winds pick up.
The currents spiraling and twisting, clashing and colliding, seeming to come from everywhere at once.
These winds just kept coming in and they kept swirling.
from all directions and suddenly this smoke got more, more and more and felt almost instantaneously
that the whole hillside was becoming engulf.
Ash and dust blow into the men's faces as fierce gusts propel huge clouds of black smoke towards
them, stinging their eyes and scratching their lungs. The frenzied fire advances, acquiring
intensity and momentum with every meter of ground it gains.
The smoke closes in around Rob and Nick,
swallowing their news van up in seconds and obscuring their exits.
Behind them is a steep drop.
The two men turn to look at each other as realization, horror, and disbelief set in all at once.
They are trapped directly in the path of the fire that is thundering towards them.
There is no way out.
There was really no place to go, and the smoke that had been above us is now getting closer,
and we kind of looked at each other,
and I remember thinking that this can't be happening.
There was just nowhere to go.
Ever wondered what you would do when disaster strikes.
If your life depended on your next decision,
could you make the right choice?
Welcome to real survival stories.
These are the astonishing tales
of ordinary people thrown into extraordinary situations.
People suddenly forced to fight for their lives.
In this episode, we meet Rob Roth.
In October 1991, the TV reporter is following up on a small wildfire in the forested hills surrounding Oakland, California,
which firefighters got under control the day before.
With his wife, due to give birth to their first baby today,
Rob is hoping to be finished at work quickly in order to get home early.
But what should be a fairly routine assignment soon takes a hellish turn.
When the winds suddenly change, causing the small blaze to reignite and start,
spread with horrifying speed.
Rob and Nick find themselves trapped in the middle of one of the worst firestorms in American history.
There was no obvious exit from where we were because there was smoke in three directions
and then the fourth direction which was behind us.
There was no way because it was just a steep drop.
How is survival possible?
There's no escape.
They have just minutes left until the insatiable fire reaches them.
It seems only a miracle can save them.
And I'm thinking, you know, I'm still supposed to put up this wallpaper in the baby's nursery.
And all I'm looking at is smoke and flame.
And we didn't really know what we should do next.
I'm John Hopkins.
From the Noiser Podcast Network, this is real survival stories.
It's Saturday, October the 19th, 1991.
A bright, clear day in California.
Though the heat of the summer months has subsided, the weather remains warm and dry,
and the parched landscape is red.
ready for the winter rains.
In the bustling city of Oakland, just east of San Francisco, autumn has well and truly begun.
With Halloween less than two weeks away, houses and shop fronts are bedecked with ghoulish decorations,
and the forests in the surrounding hills are awash in a blazing sea of fiery red and orange.
Situated between the San Francisco Bay on its west and thousands of acres of canyons, parkland,
and hills to its east, Oakland is home to more than three.
370,000 people. Today, among the traffic nosing its way along the suburban tree-lined streets, is a news van loaded with cameras and microphones.
Inside it, reporter Rob Roth and cameraman Nick Sores chat amiably discussing the football game they're on the way to cover.
But Rob has other bigger things on his plate right now.
Tomorrow is the due date for his and his wife's first baby.
My wife was extremely pregnant.
Our focus had been a little less on work
and more just how we're going to manage
and packing our go bags.
And the big focus was going to be on having this baby
and making sure that everything was ready
and that my wife was okay.
Originally from a mid-sized town in New Jersey,
about 25 miles from New York City,
Rob has moved across the country to the west coast
and has built a life in San Francisco.
Now, in his mid-30s, it's a settled, stable existence,
with the exciting prospect of fatherhood right around the corner.
We were living in a small house at the time.
We'd been married a year, but we'd be together for maybe three years by then.
Things were good.
She was a nurse.
We had, you know, good jobs and challenging jobs and a nice life.
For the last few years, Rob has been an on-camera reporter
for KTVU, an Oakland television station covering the San Francisco Bay Area,
a full-on role that often involves working weekends.
Although he's building a successful career in journalism, it wasn't exactly planned.
I wasn't very good in a lot of things.
I was sort of okay in a lot of things, but I could write a little bit.
And at some point, probably in my second year, sophomore year,
they had a journalism program and made them.
that my major, thinking that there could be a job in it when it's all set and done,
as opposed to, say, being an English lit major, journalism seemed to be practical.
More than that, Rob soon discovered that he enjoyed it and that he had a knack for finding stories.
Most people are interesting. They have a story in their life, or they're going through something,
or they went through something. That's one thing about my career. I was endlessly fascinated and surprised by
what people go through in their life or what they've had to face.
A store clerk isn't just a store clerk.
It could be, you know, a mom with no husband and three kids
trying to just get by.
When you start hearing those things,
you develop a lot of empathy for how people get through life.
Rob's covered plenty of harrowing personal stories,
as well as natural disasters in this line of work.
In 1989, he reported on the Loma Prieta earthquake,
just south of Oakland,
which killed 63 people.
and injured almost 4,000.
His experiences as a reporter
have given him a unique perspective
on how one's life can change
in the blink of an eye.
It's made him grateful for what he has.
I realized from it
that horrible things happened
to really good people,
people who didn't deserve what happened to them
or people who'd thrown no fault of their own.
Something out of the blue happens,
something that could happen to myself,
from my family, or anybody.
As Rob nears the football stadium with his cameraman Nick, it seems today's assignment will almost certainly prove to be much less dramatic than some of the stories he's covered.
But just as they approach the Caldecott Tunnel, northeast of Oakland, they see something that makes them pause.
Fire engines are racing into the hills around the city. Their sirens piercing the autumnal stillness of the day.
Glancing in the direction that they're heading, Rob and Nick see Pirenton.
huffs of smoke drifting up from the trees.
Intrigued by the possibility of having stumbled on a new story,
the two men decide to investigate.
They follow the path of the fire engines up the narrow, winding roads
that lead into the lush, verdant hills to the east of the city.
But when they catch up with the firefighters,
they find there isn't much to report.
There was a fire in a canyon.
It wasn't tremendously large at this point,
and it looked like the fire to pull.
had gotten on top of it.
They put a lot of resources into it.
There were no houses that were burned.
It was dried brush.
And at the point we left,
we thought that was the end of it
and that it was a little scare for the neighbors,
but one of those things where it just dies down
and it was barely worth mentioning by the end of the day.
Because it looked like it was no damage, nobody hurt,
no homes burned, no property destroyed.
It was just a fire in a canyon,
and everything was fine.
They leave the firefighters to their work.
Later, Rob returns home to his wife,
but rather than relaxing,
he spends his evening tackling final jobs
before the baby arrives.
Among these is decorating the nursery with teddy bear wallpaper.
Rob works as the light fades outside,
but he doesn't quite manage to complete it before going to bed.
I had almost finished, I still had another part of a wall to do,
and I'd be done.
I figured, well, I'll just...
sort of get to it the next day.
And that was number one on my to-do list,
more than any assignment that I thought I was going to get.
The next morning is a bright, warm Sunday.
While most of his neighbors are enjoying a lion
and looking forward to a day of leisure,
Rob has to head to the office.
Every dollar is helpful right now.
With the baby due at any moment,
he assures his wife that he'll try to get out of work early.
He kisses her goodbye and leaves the house.
I had hoped to be able to do a story that day
that I could do fairly quickly
so that if my wife went into labor,
I could finish it up pretty quick
and be able to go back to San Francisco
where we lived and do the hospital if necessary.
At work, Rob and his assignment editor
throw potential stories back and forth,
trying to land on something that won't take him too long to complete.
Whilst chatting, they discussed the fact
that it's coming towards the end of the area's wildfire season,
and there haven't been any serious blazes this year.
This could be just the story Rob is looking for.
I said, well, you know, we have the brushfire that happened yesterday,
and we heard that the firefighters were up there,
just kind of mopping up still.
And I said, why don't I do a story about how our area dodged a bullet
by not having any serious wildfires this year?
And we all agreed that would be a good story.
And it was also a story I thought I could do fairly simply to be able to get away if I needed to.
With the assignment, agreed. Rob and Nick grabbed their equipment and jump into their van.
They head up into the hills, retracing their route from the day before.
They wind their way along the narrow roads, surrounded by trees, garlanded with leaves of red and burnished gold.
The views around here are spectacular, overlooking the San Francisco Bay, with the city itself visible in the distance.
When the two men arrive at the scene of the previous day's blaze, they find the firefighters mopping up.
In other words, extinguishing any lingering heat sources, such as smouldering embers or hotspots.
In theory, this should prevent the fire from reigniting.
Rob starts to interview the firefighters as Nick captures footage of the operation.
Everything seems under control and work is progressing smoothly.
At this rate, Rob should be back to his wife in no time.
There was absolutely no concern on the faces of the firefighters.
There was no sense of immediacy or worried.
They were just kind of digging and sort of plowing the earth
and not much really going on.
But then, out of nowhere, something changes,
a slight shift in the air.
The wind started to pick up,
and they were getting reports of other brush fires.
It seems the increase.
increased wind has caused the brush fire from the day before to reignite in places.
Pockets of flames have begun shooting up across the hills, and it's imperative to get them under control quickly before they can spread.
With the area around Rob and Nick appearing to be safe, the firefighters jump into their trucks and race off to investigate the reports coming in, leaving the two men alone.
Unperturbed, they carry on getting what they need for their assignment, intending to head back to the office shortly so they can put it all together.
We were just kind of finishing up, taking pictures of what we had been doing.
We just kind of continued on with no real concern.
And then suddenly we saw going to smoke above us in a hillside.
Thin wisps of sinister, dark gray smoke begin curling up into the air above the hills.
The tendrils merge and twine together, like shadowy ethereal snakes,
slinking across the blue sky.
But as the winds pick up, the wisps thicken into columns, black towers of smog reaching up and fanning out across the horizon.
And there's no smoke without fire.
At first the smoke didn't look like that much, and then these winds just kept coming in and they kept swirling from all directions.
And suddenly this smoke got more, more and more.
And it was probably a couple minutes, but it felt almost instantaneously that the whole hillside was
coming in golf.
It's around 11 a.m. on Sunday, October the 20th, 1991.
On the forested hills around the city of Oakland, California, strong winds have reignited the
smoldering remains of a wildfire.
Fed by the dry vegetation that covers the rolling landscape, small blazes are springing up across
the hillside, as embers carried by the breeze land in the brush before bursting into flames.
With every new fire that comes to life, the inferno grows bigger, hungrier, and more difficult
to subdue.
Birds scatter into the ash-swirled sky, screeching, piercing alarm calls in their flight,
as billowing columns of smoke swallow the sunshine, casting a sickly gray pall over the world,
and filming it all as it unfolds, a reporter Rob Roth and cameraman Nick Sauris.
The speed with which the fire has spread is shocking.
But the two men aren't far from their news van.
If the flames get too close, they can jump into it and race out of the hills away from danger.
After all, they're simply here to do their jobs and they have no intention of putting themselves
at risk.
Rob may have covered natural disasters before, but he's not a thrill seeker by any means.
I never sought out dangerous situations and I don't believe I ever put myself in one.
prior to that.
On the other hand, I grew up kind of in the shadow
of the previous generation of reporters,
and they covered World War II,
and they were on battlefields at D-Day.
I said, but wouldn't it be something
to have some sort of swashbuckling story
to be able to tell the grandchildren from my days?
But I never really expected to sort of be in the situation
that I was in, ever.
Plus, with his first child due to be born today,
Rob has even less reason to put himself in danger.
He and Nick focus on moving fast, gathering the information and footage they need to complete their assignment.
But as they do so, the winds continue to increase.
The fierce gusts fan the flames on the hillside, breathing new life and energy into the blazes.
But despite the advancing flames, Rob can't deny there's an element of excitement to this experience.
They are getting some rare and unique footage, and from a professional standpoint,
That's great news.
As this campfire was building into something more, we're getting pictures of it.
So you're actually seeing this grow.
So the TV journalism side of it was we're getting excited because we're getting good stuff.
You don't usually get video like that.
Obviously, we didn't know how big it was going to be, or we didn't really want it to be big at all, to be honest.
But the winds keep blowing and the fires keep growing.
The winds kept feeding it and making it bigger.
and the combination of the winds and all the brush burning,
it became extremely loud, almost like a freight train kind of loud
where it drowns out all of their sound.
I was standing no more than a foot or two from my photographer,
and we would have to shout as loud as we could to be heard,
even though we were standing close.
You could just hear like trees breaking, that sound
and the wind just feeding this thing.
These hot, dry winds are blowing towards the coast
from the Diablo mountain range in the east.
In time, it will come to be known as the Diablo winds.
The devil wins.
At times, reaching over 100 kilometers an hour,
they have an incendiary effect on the blaze,
as if it were being doused in lighter fuel.
The gusts are strong enough to send ash all the way to San Francisco
across the bay.
The flames howl around Rob and Nick,
pounding and screeching in their ears.
And as the conflagration grows, it begins to create its own heat-driven winds, the defining characteristic of a firestorm.
They have their own weather system.
They create their own weather system, and there could be 20, 25-mile-an-hour winds coming at it,
but they're swirling so that they actually are 50-mile-an-hour winds within the vortex of the fire.
Rob glances at a nearby storage hut, then back at the seething fire.
storm.
And I kept thinking in my head, boy, I hope this smoke doesn't make it to this storage
facility.
And sure enough, all of a sudden that's now engulfed.
And it's been this sort of a little smoky, almost campfire looking thing, just became this huge
thing that was all sort of above us and in front of us, and it was getting louder and louder.
Their eyes start to water, rasping as the fumes fill his lungs.
Rob swipes a sweat-soaked hand across his forehead and looks up at the sky.
The sun is hidden behind a steel, gray cloud of smoke, transforming day into night.
They've had no time to react.
It's all happened so fast.
But now, they have to move.
He turns in the direction of their news van.
But there is a problem.
We had parked our news van to our right, but it was around a slight bend.
Up until this point, without thinking about it, we were just going to head back to the car and drive off.
But there was so much smoke that we couldn't see our car anymore, and we couldn't see even the whole area where our car would be.
So that was just out of the question. You could see nothing.
Rob and Nick's exit strategy has crumbled.
They scan their murky surroundings for other escape routes by foot.
It isn't promising.
There was no obvious exit from where we were, because there was smoke in three directions,
and then the fourth direction, which was behind us, there was no way, because it was just a steep drop.
There was just nowhere to go. That wasn't an accessible way to escape.
As the facts begin to sink in, the pair turned toward each other, the same realization dawning on both of their faces.
There was really no place to go, and the smoke that had been above us is now getting closer.
and we kind of looked at each other,
and I remember thinking that this can't be happening.
I'm supposed to be with my wife at the hospital,
and what am I doing here?
And we really weren't sure what to do.
Nick tells me that I took one step in all four directions at the same time.
Rob frantically spins around,
searching for anything that might offer salvation
as the fire continues its merciless march towards them.
There is nothing.
Nowhere to go.
The flames are mere feet away now.
The moisture in the air has gone.
The sun has vanished.
The two men are enveloped by dry, scorching blackness.
It seems they cannot escape the inescapable.
I'm thinking, you know, I'm still supposed to put up this wallpaper in the baby's nursery.
We were still in the stage of, there must be some way out of this.
We just haven't figured it out yet.
But it was getting close in the fact that no one was around.
So there was really nowhere to go.
My mind was, what do we do?
We're not sure what we can do.
And how sad is this?
You know, that I'm here and she's going to have this baby.
It wasn't paralyzed with fear or, oh, my God, or anything.
It was more thinking about this chore that I hadn't finished than the wallpaper
and just sadness that my wife is going to go through.
this, then I'm not able to get out of it.
Rob braces himself as the river of fire spills down the slope towards him and Nick.
How long do they have before it reaches them?
One minute, two?
But just then, with burning tendrils licking at their feet,
the men spot something.
Lights cut through the dense, dark smoke,
and a second later, something emerges from the glue.
At this point, this fire,
A fire truck came out of this area where you couldn't see anything.
In hindsight, when that fire truck was revealed to us coming out of the smoke, it seemed
like the last scene in Casablanca with Bogart coming to the rescue.
With red and blue lights refracting through the haze, the truck inches towards Rob and Nick.
The cavalry has arrived.
Inside the small vehicle of four firefighters, led by battalion chief James Riley, a veteran with
more than 25 years of experience.
Hurriedly, Chief Riley tells them to get on board.
They need everyone out of the area as soon as possible.
Rob goes to do as he's told.
Incredibly, Nick hesitates.
Nick at first was reluctant to hop on
because he didn't want to leave the car.
The photographers are responsible for their equipment and their vehicles
and didn't want to get in trouble and all that,
but the firefighters were adamant that we get on.
With truly no time left to spend,
there, Rob and Nick clamber up onto the truck.
The firefighters gun the engine, and they shoot off down the narrow, twisting roads, surrounded
by smoke and fire.
But they haven't escaped yet.
Even with experts helping them, navigating their way out of this smoldering labyrinth will not be straightforward.
The truck pulls away, and Rob looks back at the spot where he and Nick were just standing.
Within moments, it is devoured by flames.
the fact that minutes later, where we were standing was over on with fires.
So we were just minutes away from real trouble.
It was getting hotter and hotter.
So yeah, I think there was a point when, you know, perhaps just the smoke would have just overcome us.
As the fire engine speeds through the hills, tearing around hairpin bends, Rob and Nick start to become aware of the sheer extent of the blaze.
It has spread with frightening speed, sweeping across the hillside and consuming vegetation.
and houses alike.
It's moved so fast
that the emergency responders
haven't been able to keep up with it.
Now the priority
is to clear the area
and try to limit casualties.
They weren't there to fight the fire.
It was too big by then
for them to be able to fire.
Their mission was to sort of
to get to neighborhoods
and evacuate people.
So I was relieved to be with them
with somebody who knew
what they were doing
in a situation like this.
Rob and Nick
watch their smoke-choked surroundings speeding past
as Chief Riley and his crew race to warn residents to evacuate.
They would stop, they would get out, fan out,
yelling at people to get out, get out, get out,
and people are sort of negotiating, you know,
can I go back in and bring out this piece of equipment
or some sort of personal item that they had
and they're yelling, no, get out, get out,
and so this chaos going on.
The firefighters move through different neighborhoods,
repeating the procedure.
and trying to get people to safety.
But at one point, after Chief Riley gets off the fire engine,
he doesn't get back on.
Since his personal car is parked somewhere in this area,
his crew assumed that he's spotted it and gone to move it.
Unconcerned, they continue their work of evacuating the area.
We got to see different neighborhoods
because we were on this vehicle.
I had never covered anything that big.
And the interesting point of it being
journalist was, usually these fires happen, you hear about them and then you travel.
And as a journalist, you're trying to get in or as close to the fire as you can to cover it.
In this case, I was inside the fire trying to get out as fast as we could.
So that was interesting to see how these fires behave.
But there's also an obvious poignancy and tragedy to what they're witnessing.
These are neighborhoods Rob knows well, and they're being destroyed before his very eyes.
As we're traveling through, I realized I was on a street where a fellow reporter lived,
who was married to another photographer at the station, and they had just the week before
held a baby shower for my wife at that house, and her neighborhood was gone.
After reaching a place of relative safety, far enough away from the blaze,
Rob and Nick break away from the firefighters
and meet up with another news crew from the TV station.
They begin live reporting from the sea,
the fire still burning all around them.
With soot and ash coating Rob's sandy hair,
he delivers updates to the frightened people of Oakland
and the surrounding area
against a background cacophony of roaring flames, wind, and sirens.
I remember seeing an ember,
the wind blowing in ember,
just kind of almost in slow motions, floating,
almost like a feather.
And it landed on the roof of a house,
maybe six or seven houses down from where I first saw it.
I turned away and maybe five or ten seconds later
I looked back at this house
and it was completely engulfed.
And just in a period of 10 or 15 seconds,
you know, from an ember landing on a roof,
the whole house was gone.
In this case, because of the winds
and just the heat and all of it,
it just went in a flash.
So that's a very vividly.
memory that I have of that day.
While he's working, Rob suddenly starts to feel off.
Dizzy.
Queasy.
Nick feels it too.
They're suffering the effects of smoke inhalation.
Paramedics suggest they should both go to the hospital,
that Rob has other plans.
I breathed a lot of smoke and didn't feel great,
but I mean, I had a lot of adrenaline,
and I'm in the middle of this big story,
and I didn't want to go to the hospital.
As a compromise, Rob leaves the scene of the fire and returns to the newsroom to continue wall-to-wall coverage of the blaze.
It's all anyone can talk about.
They were glad to see me because I had this eyewitness perspective on it.
And so we just stayed on the air.
We had the video that we had shot earlier, so we had a pretty good handle.
And then I was in just full journalist mode.
Despite the chaos, Rob has to find time to call his wife.
It goes to voicemail.
Safe in San Francisco and unaware of the extent of the fire,
she's gone to get her hair and nails done,
anticipating that she won't have any time to do so with the newborn in the coming weeks.
Rob leaves her a message, explaining what's happened and what he's been through,
but that he's okay.
Luckily for everyone, she doesn't go into labor that day.
The Diablo wins finally die down that evening,
and firefighters continue tackling the blaze throughout the night.
night. Rob eventually leaves the station and returns home around midnight, exhausted and still
smelling of smoke. The following morning reveals a grey wasteland of charred ruins. It isn't until
Wednesday that the fire is officially declared to be under control. For Rob, the week passes in a blur
of reporting and covering the aftermath of the blaze. It's so busy, there's not really any time for him
to fully process the experience he's just been through.
But one piece of news does hit him hard.
The day after his escape from the flames, he finds out what happened to fire chief James Riley.
I talked to one of the other three firefighters that I was with on the phone, and he was the
one who told me what had happened, and I just felt awful.
He was killed.
An overhead power line had come down.
He was trying to help a resident on one of those overhead power lines that snapped off
and hit him and killed him and the woman that he was talking to.
Chief Riley's funeral takes place on October the 28th, just over a week later.
Rob plans on going to pay his respects to the man who saved his life,
but on the day in question, his wife goes into labor.
Instead, he writes a letter to Chief Riley's widow.
I remember crying and writing this note at the same time,
and that was the first time, I think, that the whole adrenaline and the shock and having a baby,
and all that came kind of crashing down in that moment that I was writing the letter.
Up until then, I felt like I was holding up quite well.
The past eight days of Rob's life have been extraordinarily eventful,
a draining sequence of ups and downs.
But the joyous birth of his daughter is a symbol of renewal,
with the beginning of his attempt to move on and heal after the trauma of the fire.
When our daughter was born,
where I think most people would go from normal to a,
a high, I was sort of down and got to normal.
And then the high, you know, thereafter.
But at least I was back.
I felt like I was finally myself when she was born.
The Oakland Firestorm was one of the worst in U.S. history.
It caused 25 deaths and 150 injuries.
It destroyed more than 1,500 acres of land and 3,000 homes,
causing over $3 billion worth of damage in today's money.
At the time of the fire, this was the second biggest urban fire in U.S. history.
Number one was the famous Chicago fire in the early 1900s, and then there was this.
So it wasn't like anybody had seen anything like this in generations.
No cause is ever found to explain how the fire started that fateful Saturday.
Nearly everyone in Oakland and the surrounding region is affected by the blaze in some way.
It highlights the vulnerabilities of the area, and various measures are put in place to try to prevent a similar incident recurring in the future,
including making hydrant outlets universally accessible to all fire hoses and intensifying vegetation management plans.
As for Rob, the Oakland Firestorm becomes an important moment in his journalistic career.
My reporting at the time, it got a fair amount of attention.
I was pleased about that personally, but I didn't want to say,
this be known just for that in my career?
Because I just happened to be in that situation.
It was nothing that I did or a story that I dug up or anything like that.
It was more reactive, I guess.
So I tried to put it aside for a long time and just try to go on with my career.
I didn't want to be the fire guy.
I covered many wildfires after that, but I didn't want that to be my thing.
Rob goes on to have a long and varied career as a TV reporter.
eventually retiring up to 38 years with KTVU.
And although the firestorm remains one of the standout stories he covered,
more importantly it will forever be the day he escaped a hideous fate
and was instead reunited with his growing family.
And every year on his daughter's birthday, Rob says he thinks about the firestorm and James
Riley, remembering the four brave men who saved his life.
I think about that a lot because without him and his
his crew, you know, we would not have made it out. So I've always been grateful. It's not really ever
really far from where I'm at, even though there was a time when I tried to just put it aside.
But now I accept it. I accept that it's just something that happened that I experienced.
And I'm grateful for the experience. I learned a lot from it, I think.
In the next episode, we meet Morgan Segwe. In 2019, the former acrobat from northern France
is living in the Southeast Asian country of East Timor.
One sunny Sunday, he decides to trek to the top of Mount Manukoko, a 3,000-foot jungle-clad peak.
After reaching the summit, however, Morgan's thrill-seeking backfires, and soon he finds himself hopelessly, confoundingly lost.
Navigating his way back through a dark and otherworldly wilderness, things deteriorate rapidly, culminating in a brutal accident.
Grotesquely hurt, with no clear way to reach help, Morgan will accept.
his fate, until an unexpected arrival appears through the trees and offers a tiny flash of hope.
That's next time on real survival stories. Listen right now without waiting and without adverts
by joining Noiser Plus.
