Relatos de la Noche - Algo Macabro Camina en el Pueblo de Madrugada

Episode Date: August 10, 2026

En los alrededores de la misteriosa Zona del Silencio, entre carreteras solitarias, desierto y pequeños pueblos de Durango, todavía existen historias que difícilmente llegan a quienes viven fuera de la región. En este episodio de Relatos de la Noche conoceremos el testimonio de un joven fotógrafo que, durante un viaje por el norte de México, llegó hasta una pequeña comunidad buscando imágenes para un proyecto documental. Lo que debía ser solamente una noche lejos de casa terminó acercándolo a una de esas historias que los habitantes del desierto conocen desde hace generaciones. Una historia paranormal ocurrida muy cerca de la Zona del Silencio, uno de los lugares más enigmáticos de México. Apaga la luz, ponte los audífonos y acompáñanos. Ya no hay vuelta atrás. Compra el libro de Relatos de la Noche dando clic aquí. 

Me said that no me somers for the ventana of the night of all if I'm

going to get to I'm to get to I'm not a but the people

had been so that I've said to make sure all the said I'm the

curtain I secured the doors but before I'm to

I'm could get done to someone took on the door

on the I could have her his feet for the above of her. Very good good

community. Today, in this history, we're going to get to one of the ones

more extrana's of the many of the US have the Appalaches here in

Mexico we have the famous region of the area of the

area known for many funeromomom for there because not only

we're about what you can't of that the frugula they can to signale the north no

there and there's around there's many stories of of

fantasas of creatures and and and we we

we we get to indirectly by the door to a

little a few a few a a story

that I'm that I'm that you So, especially if they're in

this enigmatic or they've known. So, so you're not a march-at-trace. It's moment to start. You're going.

Relatos. The night. Hello, community. Me, it's a much good to finally to

say. I prefer not to say my name because I'm actually I'm doing documentaries and the majority

of the time in a television that all we know us for here in Mexico, and even though this story occurred ago ago, no me would like

that someone that would be to get to anything to get to anything to attack it to one. A Uriel if I can't

give all the data if it's but for the program, I prefer to maintain me the anonymato. When this happened, I

had to go to go to the university, I studied Cine and as many when we made the career,

I was that I'm emotion of going to to go to gore a country

with a camera convinced of the way of a project. I studied cinema,

but I was a passion about the photography in particular. In that I

had the dream to be a photograph of a war.

I don't have money, no contactos and also a

plan, well, no one elaborated, nothing more the one

the only that was a a coach that just they'd were down. A pair of cameras

that had bought after a year of a idea of a series documental

about about the people little of before to be raciers

for to change for ever my my father was

of Durango I from me about much of the carterteras

that's that just even more even even I'm about the zone

of the silence, but not to tell me about the more more than

it's like, like, as it was a thing that was the I was

I was very common to hear that I had been seen things very strange

for those rumboes or that were that the radios had to function

there, that the car were to they'd apagabas, that the frugula were always locus, that it was a

very strange to enter. Nunn't he was a normal, but he was he was he was

been quite that it was a many times for the entire of the state, with a

place of one of one of the one has to know one of one of the life,

so nothing more for curiosity for so when I planned that the recorried

decided I was to go and and I put in one of my parades to photographia the people of Sevajos. In reality, my project no had nothing to be with the zone of the silence, but I knew that was relatively close, and me pareceo a good idea to take the voyage to know the region.

Also, an amiga of the university, me had given the telephone of a man who lived there. Me said that if some day passed for the people, or he would looker, that was good people, that surely could receive me, or at least orientar me. The sir, before to know it, he made a person

very interesting, because me said that he had been to go to the city of Mexico very young, that had studied a career, that he was good, but that at the 30s he regressed to Sevallos because he loved that life of the people. And so was how I knew the Mr. Ernesto.

Me received as if you just as we just we know to all the life, or as if were her sobrina.

It was the people who they're all that they know of all. I'm a person brilliant with

who I talked about about the photography, of the projects that I've in the

and of he. I've asked for my friend, for my planes, for

the car, when I was he was he came he he was he

said, he said, I'd probably would any way of the

desert. I said I'd respond that precisely for that I'd love

because nobody imaginary that he had almost everything that was

the cameras and lenses and equipment and that was

much more money than more money and I a one

one one a one value more than more

than I'm the type of photographs that was

and me He said that Sevalios, at the most, it was too great for what I wanted to do, that would have some 3,000 people, more or less. In change, I know a plowlough much more little more per terracery, where only lived in a few families.

Me offered even a casita that had completely solo for that waser the night, for that could be photographed the place at the an an anemneseer, because it wasn't so good idea to get to madrugada. A me It was a opportunity

perfect and I accepted without in much because so is this work, if you know

if you want to be in the opportunities. The road was about was aburried

photogenic so, but I didn't want to make photos on the

cameras and kilometers of the water mato ral

and backos and a horizon major plain there

there there there was I'm and preferring and I preferring listening

the motor with the frontas open to the I think many my papa and in all the stories that me had

talked to the area of I've been I've been to tell the that finally I went to the people

of the that he talked to be that I'm a little to admit it that I'm that I'm

that I'm too much to the area not that not my destiny and I was

looking nothing related with her. But to be able to be a relatively

close, it was to not to be not the way to be the pageage with other more curiosity.

that would be the thing that's the area, a lot of the little more. And so much more. for the only tiendita that I had abiered, and I said to the sir that I was part of Ernesto,

that me had prested a house to pass the night. She was called, and responded that was good, that was good to be said when I was going to be a little bit more. In a little bit,

it's normal that any disconocinole call the attention. And the news of my arrival came to come to my time. While I was

team, they were to start to some some of the kids and then

many of many people. At the first they're from a little from the but they're

they're to put in they're they're that they was that I'm that they're

that's that's that's that's that's why they're you're that's

that you could be when they they're trying to they're putting up they're

a person one person me said a one they're a Then,

a man with a sombrero that he was a manned that he was the time he said, every time that the camera, and they were

to call them to get a person more to that they were that they were evident that you have been seen cameras,

but I think that never had seen a photographer, to someone that's a day

to be car to that the daycare was a precious and while he was I'm

I'm I'm the sensation that that material of the project. Only had a problem. Also,

I needed images of the people completely vacuio, that was the essence that was that was the photographs where the streets

are suspended in the time, without people, without movement, just with the first with the

day. For that I'd like much to have accepted to be to get to get to

get to a family me invited to be a man They were. They were in Caldillo Duranguense, and, after many hours managing,

me supo better than any food of restaurant. Me cared everything like if were a reporter. All the life in the people. Like if they were studying. They'd be the sequia,

of the animals, of families, and the familyaries that had been to work to other cities, and of the difficult that was to get some lejos

to all. How to regal a car? We came with the Ports and the people that passed

I'd and then he was over nobody and someone mentioned that it was that you're

too I'm I'm I'm I'm I'm I'm I'm

but rare because they've been very amable with

I'm until then you go to your house and

when you don't go you don't go but I think

they were they're they're they're they have organized. Me said that if someone tocava,

no would have been tomming for the window, to hear what I'm going to hear. I'm going to this.

I'm going to explain to an explanation, but that never came to dinner, recugged the plato, and they were

to get ridges with a prisa that they had had been in all the night. While

we were going, a little that I had been been doing during the scene

I'd repeat one and another again the same the same the

same like she was I'm not you're to go to

go toomar not you don't you don't you don't

nobody he responded nobody he said nobody he

and I the really didn't much I'm I'm

I thought that only was repeating something that I had heard of the adults. I don't imagine that, some hours after, those words

were to be the only that would be impeded to get to a window and toomar me. I was I was just a

little after to return to get me inmediate. I wanted to get the sun to to approach that

light that only minutes and that for who For those we take photographs, it's more than any other hour of the day. Well, for some photographers, it's more the atarceive. I suppose that's a question of gusts, but the dream never came. Puse to carcars the batteries.

Revised one more the team. I prepared a coffee with the frasco that Ernest had said that would have been in the kitchen. The only thing was, and I sent me a rata to see the images that had taken during the I was a long much. I feltia that I had

encountered exactly the type of place that had been in the time I was in I wastes vesty,

thinking that even to coincide the I'm at least to be a little

in that position and I would help me to continue and the day

the day and is that the the I'm never never

never I I'm put up above looking the

back around still sopland the viento of the desert. De-bees-in-cundrable some bird, and the grills were in the silence between a raffa and other. No,

I had a fear exactly, I was quite still giving-wiltas to the advertency that they had made during the scene and

the form that natural with all that all they had been a recommendation as a good-tidiana as to start well,

or to get a stuf before to start to the house. I think various

times that I'm sure I'm a question and I said I'm saying that all the

whole that I would be a story more to tell when I'm doing

an exposition of this project but of all all

all the the viento the grills the the

peros was so so that I'm many times

that I had to pass. The silence was total. Never had

heard something. If that it was to be to be to hear, hear,

it was like if the people would have disappeared to a

moment to a a place, I was that I was

very very very to I'm I didn't I

and I'm to the window to the way.

I'm perfectly the sensation of my passos. I don't know how explain it better. Sentie the body

lightestine as much as a sufficient to undo to undo. I'm almost for instinct but

before I heard I heard of clearly how someone's a little that was the same little that was

the pathos in the earth as well as the only that I was to get to to getcharm to the

camera, and from there me I had to be for the door, for the rindyha,

I saw that provoked the lamp of the house to be the door to

the door, there was there had been there without, without

not I imagine that I'm that that I had the that

the to be able to breathe the most despacio that I'm but I think that in this

silence even the latitudes of my heart I'm heard of the

car's in the house of front and I think the sombra of the feet was

like that was that was that was that I'm to be to be

to see I'm sure that were I'm not they're

sure they're on the to walk. They were to be a door.

The sound were a little a little, the wind, the I'm

sure that he said, that's heard of a carmion passing for the

road the town. I began to tranquillism to think to

think that only was a story more to tell. But

not had passed any ten minutes when again

the silence total. Another Again, it It was to All right Another

Again, I To hear the pathos of someone that rode The car That's acercava My carito,

that had I had I've left That's I said, I said, I was

I'm I'm a point to open to but I I'm at I'm I'm I'm

I'm I'm trying I'm I'm but not not as you're

not like guard silence to rober something It was

Rarro Like if Like she Like I'm I'm How'd be I'm able to But I'm

I'm up To see a Butte a Was it I'm To be I'm I'm

Reyescasing I'm My I'm I'm I'm I'm I'm

I'm I'm I'm I've I've I'm I'm But

I'm Even more To turn to I'm That someone That's that

She was to tell that there there so I'm so so I

think I keep there to get to wait, dorms and I'm and I'm

and I'm but then I'm but then I heard I don't not

not more nor the but the cantos lehens that were

to be there and I'm I I'm the ventana

two curtains a cruiser that cubria that was a little

and another very delgated, and I'm just a corpena and I kept looking over the

the color and I'm doing, and not to not open a space

for where could see that that was that

that was they were on the front of the car front

to the vent to the front of the two figures altis very very

They crossed the street and the same direction, without in the tethered in

the door not to me had to distinguish details, and even I could see, I

could see a stature was completely disproportionate. They were much more than any person

that would have seen in the life no, I did any noise when I

didn't do any movement as I'm just I just saw

from the inside I just I saw the silhouettes but no they were

not the arms or the and the little it was like they were

not more I'm I'm I'm a feeling a

really to part of the right directly to but I remember

the little one and another again that not

I want to come immob and me made immobel

the voices not seem to them from to them. That passed on

and they were in they're not, and I don't understand a

only word but sonable like a sound like

from another part of the people know it

not not a direction the the wind still

completely deten but those voices were to hear

with a as the silence the extrajera like if were in many the people to the people at the

way, no-so time passed. A lot more were just only a minute after the figures

disappeared that the but the the can't also, the can't also,

the grills were to go up the gulv after, then it's a little

a little bit a little and almost another more, until the people did sound exactly like the

same to learn exactly like this. Until then I felt a relief enormous, not because you know because the

silence of really that was in supertable. And I didn't to dream. I was

sat down to the camera waiting to come to come out of the four I heard the motor to

a camoetta that I intended to use various times and then

then I saw the house of front. Yeah, I almost no matter to somers.

A man started carrying some cargand some of the carges and began to the part of the world, like so it was over the night,

just a few moments. At last. It was very much more. It was. It was but at that hour the air to quimmed the car. Cruce the the sky and I'm in the frieuiting

me to feel and the sir, me responded with much amavit like if you were waiting,

as if knew that I would ask to ask me to ask you and if he was what was

the nightes because something made to understand that not that was that,

for something they had been had been insisting that not that not me

somara. The Mr. Nassomara, the Mr. N'amondon his things, and he sworeau moving the head, like if he was looking a form of

contested, a form, a more, a more, to responder me. I asked, why they had said that

not me somers, he said, he said, he said, the horizon, where just he was,

a little bit a line very tenue of the loose asomandos. He was to cover a

a light very beautiful for the photos. Insistee one more. I didn't

I'd change the thing. He said that I'm to be sure to be sure to be there

that's sure to be a little, like, I'm asking to be a silence. Listen,

put attention. If you hear, I'm I'm I'm I'm I'm

put attention as but I don't hear nothing more than more

than more than a I don't know what I said to what I said I thought that what other

I thought that he had to hear the the perros me he said I told

me tarded no seconds in distinguish those very very per die many

perils more ladravan like if they were something in the and the

sir sentio the the "'Mintra, "'maintra "'you can't "'acques,

"'you can't go "'any out of course. "'No, I'm "'I'm trying "'to continue. "'Dig, "'that when "'I hear "'that

"'when I hear "'that "'that's "'In fact "'in' "'in'cath "'in'clock "'in'clock. "'But when "'Stah you "'sehacking, "'there,

"'in'cissue all. "'And if you can, "'escondace. "'But she'll I don't believe the fact amnese. Subu to

the camenetta as if ever had to give me any any way to make to the

carreterer. I desire good with the photographs and she went up a new

of polvo that's and that me made to see that I'm to get to

the house I I'm that I'm to come to come

to the people with the camera I'm and I'm not

doing but in those caches vacillars more than imagine to the people the life there

and the times I'm in the case that the silhouettes that I saw

the door I was I thought and I were how they they were

they've had been so because they were they're

they're all I'm cance to come and I senten

in a banqueta and and some after some

people were some They were, Rieddose, but still with a new year, following the

road that was the road that I'm explained to the day earlier, a camionetta passed by

them to get them to get them to make them a pyrrito mestizo, that he was with the

patience of who I knew that I was perfectly the routine certainly to get a

only when they're to be able to the carterter I I asked permission

to take this one photo and I I came on those meters behind them when the first

ray of the sun illumined the pole of the road of the road I did a single

image. One one of really. It was the most photographia of all

the project. They cameando at the morning, with the light dandoles

to the road to the carretera as as there were the right

in the time that that photo appeared in the revist

in revist of and other than the other things social, and years after, also, it also I never saw it. Various persons have written to say that that's transmitting a tranquillity very beautiful, very difficult to explain. And I always do the thanks.

A me, me transmitting that, but also, something more. The first that I remember when I see, not is that one dayna, but the silence of an hour's antes, and those figures crossing the street behind a curtain that never I'd ever

to be able to completely. The silence I remember much the silence and that that's happened that was

that was that came to come to all the people. Before to give us as a

person to someone who's getting a result medical very important Susan all going

to tell you you want to a great, not only only in part, but not a part, but of this community. So, so,

so it's a brother of millions of people. Thank you. Thank you for having heard. Thanks for having remained until the final, community. If you did,

you're part of special of relato of the night, and now, tell us, you'd like that recopelarms more stories about the zone

of the silence and the people around? Better even, you'd would be that we visit us. Yeah,

see, in the firmas of the second book, and I want to go to a place to visit

also, places emblematic of each city, of every people, places that you know,

they're being, or have been, or have been, scenarios of the night.

So, stay pendentes, and comment us, if we visit us your

city, for example, what What place would that is that we? We have to know. I'm just to know. I'd like to doorman well. That have linded little

pesadillas and that, for favor, for favor, not be you the next protagonists of the of the

night.