Relatos de la Noche - Algo macabro te visitará a las 3am (historias paranormales)

Episode Date: April 25, 2025

Dicen que a las 3 de la madrugada el umbral entre el mundo de los muertos y el de los vivos se abre… pero, ¿cómo sabemos qué es lo que lo que lo cruza hacia nosotros? ¿Cómo sabemos con qué intenciones?Compra mi libro aquí: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/También está en la librería más cerca de ti o en tu preferida para comprar en línea.Síguenos en instagram: https://www.instagram.com/RDLNoficial/Comparte tu relato en: [e-mail] comercial: [e-mail] Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Good night and be welcome and welcome to a new edition of Relatos of the Night. Mill thanks for being here and are disposed to enter in a world where the sobrenatural is very very close, much more closer than what you think. The episode of this night

is especially dedicated to the people that get up at 3 of the morning. Some more, much more, than what we think we're and not always is a simple Trasorno of the Swayne. A

sometimes it's something as a next. As we're saying that the

umbral between the world of the Muartos and the of the people

but how we know what is what cruises and what intentions?

We recommend to listen with much precaution and if

they do at the three of the morning Pong attention

you you can be the next protagonist of Relatos. My name is Avit. I'm from the state of Mexico. I'm communique with you because, since a few I'm in the house of my papas, because my mom has to be out of an operation.

It's all, but not can't get up until yet. But not can't get her many things still. For that I offered to have some some weeks with her while he recuperate. My papa has died the year past, so the the house now is still still. I'm very callied, like if he'll

falter a or like or like to someone. Also, for that I think I'm to be impresindible

to be to be only to be only this imagine now, convalesient. At the

first it not cost to I'm to adaptar me. A end of this also was

my house a great part of my life, but from

I've I've had a very rarro I'm how explain it.

In the I'm not. Well, obviously, no. I mean, I feel to me myself in the camera. And, of course, I'm going to

hear the door, lentament, the sound of the chapa, the madera crugient. And I

am I'm standing to my body, front of my camera. What I hear is to my

back to my back. I'm I'm but I'm can't, I'm there's,

I'm there, I'm something there. I see that is something and even I feel the necessity of

to see it also I'm it's not it's something I'm keep simply I can't

turn and when for the I'm moving is because the new I'm

because I'm I'm I'm I'm I'm I'm never I'm

the door is the door is the room totally in silence

all For one second, I feel that that's a dream is too real. And that's time every night, always, always at the 3 of the morning.

The curious is that when I'm sure that I'm I'm present the sensation, that for an instant I'm sure that there's that there's someone on the other

side of the door. But no can be my mom just can't can't comeinar, no he's not he gets

and here no any other more. But well Maybe I'll I'm more because the last time

was distinct because that night I was parted for my count. It was the two

fifty-seven of the madrogada. I was I was still un-tankil like if something

was about to pass and just when I was even when I was up I was too was sure

that the door is a minute to the door but not I had to Abriarer.

I thought that someone had meted to the house, but the only that

I cance to hear was a little a little, arrasrasrasate, like of

someone that was a much a time, to be to be

a figure tall, and was going to my room,

I'm all I'm all I'm got I'm there

had a that was a fear that I'd make me to be a bitation. But no idea. Buske, and I buske, but no had nobody, community. Since then, I'm putting an alarm to start me all the days at the 250.

Andes to dreamer with that. Before to start me, I'm up and I pass the rest of the night in the room of my mom. I'm accommodated in a cell, or a little bit on the floor. No, me important. I'm

that I'm that I'm that that's that's and I'm that's my

father and I'm from I'm can't I'm I'm don't even

at the time of the door of the other plan cruzant too those

good or only the not I'm so I'm not so I'm

going to maybe I'm I don't know I can't more with the desires to share it with you. I've been listening this canal, with the audiphonos, always puttos, every night, and, and I'm just saying that some history is to be the Mia, but no.

So if someone out there has passed for something in the most minimal like-paregiven-perec. For favor, Diggumel me. I don't do not, because, precisely, for vacations of Semana Santa, I'll write from here. From this people in the state of Sakatecas,

where, where, six years, occurred what I'm about to tell you. I'm not going to say the name of the people.

No, for meadows, but because I don't even I want to be that's a relation to something.

There are many things that say, I'm in these times, that I'm want to sumarly

one more. My people is of that's where all of a custom, but the religion, not something,

days. It's part of our routine. And in Semana Santa, for sure, all of course, all of course, all of serious, more intense. The sentiments that us unen in the Catholicism are more present, a flower of peel, as they say. That year, no, I see, it's something rare, you know, something of the environment. A kind of anxiety that no-seller,

and that I was going to find out, and that was just I could feel. The people stilled with extraditions, but it was a lot about that there was a lot of a tension palpable. And nobody had that even though a much of us notable.

In family, we always went to the Sado of Gloria. And that year, that no was my father, my abuel me insisted more of what she always

did I'm disanimated, but I promised that I would be I comeeria. The miss was always more calli'd than the costumption.

Campas of the church and they started and the people went to start and the people went to get to

the temple. A figure that no had seen never. Not was a Christ that they

had never a virgin. It was a figure very very well detailed, accosted in a species of

a taut of crystal with the roba black and the hands crossed over the

becha and the eyes and the it was like it was very very

antigo but I never had seen. He asked my Abuela that was that

was a little a boy a boy a child a image that had a

He was that, no see, there was some of those eyes of that little bit of those sawy, more I was, I sentia that in any moment they were to move. It wasia that I was alive. Even if he wasia the pecho, sentia as if it was moving, almost as if it was living.

But I think that this can't pass when we're something with much attention, that we're going to see a movement that we imagine I tried to ignore it, but that anxiety that had had been more intense. It commenced the Misa. And, although I go to all the Domingos, all my life has been Catholic.

The Misa was taking a-catho as always. No. It was like if we were doing something different. Another ritual. And, it was a little bit more, no, rarrow. Very rarrow. Those words, not were like

like something that would say a father in plena misa I got a moment to take an hour I began to feel more incomodod and

I was I saw something more more strange a little a group of people of that never

say that that rare a rare a bit they're that's that they're that they're not they're

they're they're in a circle murmuring something that was I'm I'm a little

without that me virean One of them said something that I've got a little I'm in the

little bit the little no I see to be able to be able to make sure I'm saying that's not

a matter of me me made so I'm very uncomfortable because my head the only

the only the was the figure that she had back back back

the I'm I'm not I'm not because to give to a while Parado, there, parado, I've heard of a species of suspicions of an

spruceou, of a surprise, but in that moment it was aped. Like if they'd have repented to do it, or as if they'd intend to occult it. Levanted the vista, looking the figure, and... Let's hear, that the child had the eyes abertos. The figure, those had been abiered. I felt that something

that's something that's that you not are just a figure, that was

something more something that was that was simulatantly me salis the

misa still normal the people and I said the

I'm the indications of the father nobody didn't

to show that something that was a night was

much was a path to the that regularly are in more those

and I'm in most the abuel I'll go back with the back

I'm would be but I don't I'm could be there I don't

go to in the middle of one of the street I'm a

someone he's he's he's about to topar with someone

in the and I started to walk but on the other side of the street. Of course

he saw appear in the night. It was when you was coming because was too

very dark something very light. Like if not it was not so it was not a vestido

of black identical to the figure of the crypta correct for the other

extreme of the the but when me he began to come

to me I. Traila a little I cance to be it. Cuchillo little. Tarded an instant

in reaction and to run to go back to the church. Lister. Listern to start and take the

road long to the house. The the way of the

way, it was when I heard again the voices of the the

people, they were coming and they said that the that the more

had been to pay her all. For more too, that it had been done with

the miracles. No, they've not even to get me to get desperate with rumbo

to the church. I went my abuela. I went to back to

her in silence. With the time, I've constructed many ideas in my

case in my case, full those details that I ignore, and that

even I can I can never The figure Abre the Eyes Really or

was my imagination It's something That's a That's what It's all you I mean Or someone It's a

Manipula Because no There's There's What was what I saw in the street,

a reflection of that figure or something A little A stasmas of an Inocente

A man A man What was that they They were That was but some not

they were to be all the whole in the people. For that's no more I'm

like to work, because every I'm that I'm when we're when we're to pass

just by in front, I'm I'm looking maybe maybe from the crypta.

Hello Oriel and hello to the community if it's that my relato

gets to publicars to know this can't some years in

a pandemic I'm fanatic of the stories of terror and

a A friend me recommend was just when most it needed to distract me of the problems emotional that was over the moment. This story, maybe not so incredible as other that's

that can't, but it was something that today me does much more my name is Matthew and I'm from Mexico, specifically of the state of Veracruz. This occurred in

a little city that I'll say, but if this relato will get to publicarse, preferrere that would be that permit you that data. Yeah no

I've been there since that time. We've changed to the job for the job of my mom. But what

was so so far that I'm really that I'm really still I'm 19 years, but this

happened when I was 13, just during the pandemic. A after after that I started to

I'm a lot related to the terror, in that moment, I didn't all in

all in phantasasas. I grew up two families very distinct The one of my mom is Christian and the

my papa Catholic but ironically within the family paterna there are tios and and

well, including my abuela that practice in the brugheria I've

I've heard many I've about how she was a she was

a woman in the things still manifestand that time after the fallacy. Or, well, at least that

were the stories that were the stories that were and I'd and I'm and I'm sorry, but what I want

to tell you was just in that house full of phantasmas, of parisions, the house of my

mother, a house that since my name I gave a fear difficult to explain to

ask. A sometimes I kept to do that because it was his only new

that was a My papa is a unico and in that then my her man was a

baby. The house has been more of a year and not an exageration when my abuela

and his parents and they had been there. The house is great,

at the room, at the side the right to the home if you

can you can't there's the there's there can't in the

door and when you you're to I just do another passio that I have

the room. The first was of invitators and the second is the my abuela. I'm

think you're I'm think it's that you see. Well, well, I was the

I was of those. I always said that not crear in phantasas after that I'm

one of my mother. A night I was went to her sometimes to buy some

things special when I went to I go to television in his room. The of the

time I was the attention. It was like a p, p, p, p, that came from the cell.

I was a little and I was always used when my abuela and I had a

great to I think that I did much importance at the beginning, until that I

began to hear to listen in the kitchen. I think that I had

had been that even had heard the I've seen the I

back the camera. I in the kitchen, but no had nobody. The lights were on

oncended, yes, but no there was a rastro of my abuel. Then I didn't want to

admit it. The rest of the room of the room to the door is that the interrupter is to

the front, what means that someone should have to have come in the final

to the cell to bring to my feet soos came in direction

to the cell to the light. in this place,

just Just before to get to the front, there is a big, very great, old and opaco. I always made a bad sensation. When I had that was over there,

always I'd always back the mirabye to avoid my reflex. But that night, I don't know why, I decided to look at the

reflection. There was a figure black behind me, a one meter, just behind one of the sillons.

Tarted a second in to be to be in to give me count of that was real, of that not my

imagination, and I'm going to get to the door during the night. After that, I I had to go for a time.

Never I told to my mom what had passed, and I thought that would that would be the experience more extra that would

be there. Or that would have my life, but I was a good after a discussion with my

mom, I decided to pass the night in house of my mother. I prepared

a mochila a little with she was to be to visit to one

of her other of her men's I was to accompany her. I stayed at the house because it was too early, like three or four of the afternoon.

I was in the room of the cellar. When I was when I was called from the cella Rhaer or

a moment, I thought that was my abuel, so simply responded in voice-alta, I'm going I'm looking at the

telephone, but when I got to the cell, I found with a silence total. The door was open and I I remember clearly that he had been closed when my

abuela was before. Before I could process it, I would hear that voice, this more clear. The voice was

the voice was the of a little time, sonnable like the woman major, provenia of the commas of the

fingers were to tend to come back, I came to the kitchen and me so me to the comedor. There I

saw the door to the door to the garden and like a impulse, no I don't see if for fear or

or instinct, but my my little my feet were in my own and I'm back in the

I'm in the world, I'm not I'm a little a risa I'm had to

a little in the garden and the wall and I'm on the round of

I'm on before you think of what I heard I'm I'm

and I'm and and I'm back and I brought to the word to be

there and I I told what had to what had to pass. She me mirro

with her she's my my son you're to be you're

to come you're to make you want to make you're

when you you don't respond never you never you

thank for your opinions are very important, you that's that you're

a experience similar that could complementar the stories that we public us as well

these episodes commensan with their stories, continue when those we're doing and they

and they can't do they're gonna and they're they're gonna'n't the other people they're gonna send us

his stories, those relato, also our networks, and a link for that you can find out of my book if is that even have got

to learn. Some of Terror. We'll continue with more stories this night. I don't know if someone else

has passed for something like but if it's a way, it's a good that's a time I'm I'm going

getting a local. This was when I started to work to work the time of

a companyer in the hospital. I'm a hospital private of Camillero. And even at the beginning,

I didn't accept it, because if I gave a little, the pay was a good and I urged the money.

The hospital is very great. It's only four pieces, and the nights are

very very quiet. I'm I'm I'm to move to the patients

under urgencies, rios X, and but for a reason, in the

third piece at the three of the morning, it's always

a rarro. The The piece is practically vacuio at that hour. Only there are you a pair of of course that

rare a few they're in a carofano in desuos since many years that just has just got

things and then some offices that are that are that's not

there's not a person at the three in point, it's that someone can't

for the passio passus very long, at the first I was I'm

a a new a new a patient that would be a court but never

had a nobody revisated the quarters the keros even

I've to see the cameras and no there no no

the other other they always they're on the same

the front of the pass you come they're long

and then they're they're they a doctor that also he said

if you're with someone not a problem like you like we're but if you to talk to hear

it's so no you'll never you're you're the only

that I can't I can't I'm a comment in that moment a reason

a reason of nervous I I thought I'm I'm I know

an night I'm I'm to go it was the third the first before the three. For a person that

came to emergency with a pain in the vesicle and had to prepare it. I was uped, and I'm all the second

piece and me advised that she would be to get to the procession. Me asked to to be there

to be sure. She was waiting in the room of the third piece, so I was up new.

When I came, no, there was nobody in the court. Not it It would be a lot of

that person if you'd have been to look at a lot of a lot of a lot of anything,

or maybe it was a bad at but they're going to the time all the hospital,

emergencies chirofano even the light of the place you not for complete

because in question of second so it was the second was a general a lot

was active in that the piece in the the panio tenue and rogisa

no it could be it to be able to come in a little personnel, I thought that I'd need

in the chirofano. I pressurred to the escaleras to go back but then I heard and I I was

I was just that was thinking that was the she was the woman who was that would be a sustada and was

looking the escalers I I was not nothing at but conforms

they were they were on the passos as far as they were to be in the tenue the light

a sombra very high was never a person his his fingers were rastrable a little

like it cost to come to not make a rostralas only so it was

when it's so I came I did I think that I had I was

I was not he was covered with a kind of a

tele-blank like like the as we us we used us

to cover the cadaveres. It was like if not was a way,

like my mind had done to be used like this not much. No, me mirro,

so it still she came down to the station to the restance and he did not

I know I'm I'm kept there until that the light.

It were a second just but imagine what was for

me, although the other people say not I don't believe me. I'm

I'm sure that in the reaction that is the reaction that's that's it's never to make that kind of I think

we're all we know that we're all real in this piece. No, there's for that is for that

I'm a person, no, I'm going to be there, but I'm starting this story that I'm

today today, now, I'm trying to get to the job and in the book of

assignations I, I'm that I'm to have to to get a a

patient to third the time when he's a time.

That's a point of any moment. And I feel for

some reason that I'm to have the bad that

is about the stress. I hope in God

that is not I'm not I'm I know

I do I do me will have to be able to not bolted. Me will have to with close the eyes.