Relatos de la Noche - El Crucifijo del Padre Lucas: Resurgimiento - 1. La ayuda

Episode Date: September 13, 2023

En 1982 la señora Socorro ayudó a una joven que estaba siendo acechada por brujas y necesitaba un ritual de exorcismo. Gracias al párroco de su iglesia (Jesús), Socorro conoció a “El padre Lucas”, un anciano italiano quien le regaló un poderoso crucifijo para combatir espíritus malvados. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Sonorro and Relatos of the Night Presentan The Crucifio of Father Lucas I'm sure that much do you say but I don't know where to start

this experience one has come and me has accompanied since the last 12 years us has accompanied to all my family and a person

and certain that without never let's have been also of this history but for to start

I go to only to 2008, I suppose, when the experience commenced for me,

but before, much before, until the decade of the 80, to a little

little and little of Guantua, a home of my mother, and of my family

maternal. My mother always was very very very very

was of the people, and she were of the people that were doing,

and the little the little to not always was so. Before, not was too, because when her

children were the school, and being she alone, she was all the place, doned all the people,

and he lived only of the pension of the abuel. In some occasion when I was giving a catacism

to a group of a person very alarmeda, looking the sacerdote, bidding help the form

desperated. My my abuela, when that poor man, back into a burrita, down to get

and tired of he, he went to goruing to look to look to get to some accident and of someone

that was the same the same on the time. He said, he said, and they were

and they were a while she was able, and she was the part of the back of the church,

and he looked to the father was continually to be alone, to be

when he came to the sender, he went to the window, where this terminated, not he was made, a woman vestyed of black,

of a cabello black, very large, to the back, for the wind he was he was in the

car, my abuela not could be the rostro, but I knew that he was

that was that was that I'm and even a man, and even a fear strange that he provoked

this woman he went he went she went coming to be up to her

she was a little to that she permanence immobile there

a despite the very that was a moment

a one a wind that had had brought

to know that announced that don't a talk

he he went to the church was the

young The abuela did a half-wilted and he started to come to come in

his roadies malas and the sandero the the girls

curried to help who is that the woman asked

he said he he not that the little I don't idea

father respond the vm her that figure was

a phasasas that the father he was a person

and that woman gave a middle a little and he's

per die of the horizon that he had got to get back to get to

he said he he said when he he said he he said he went to go to govety

and one-a-one urgently that they're that they're doing it did you do so he's incerer

to tell you to the time and after this he said he he said he he'd he'd be able to

to make a time when then when then he was the father

of the office he he didn't he he he

he was he was he he he he said he

he and he said that there no there

no there no there there there there no

there the house, the father he gritted to return to his house that nobody would be to help you

but the young continued without his own the old was able to go and his rodillas

to get to get to go to could be and that he costed a lot so much

a man manchch what is what you know what you need you you need that you

don't so I can say sirs sir, Disculpe me. I have to continue. I have

to get the help. Be it's all what you can't let me help you. My

abuela no idea of what said that I didn't what he occurred but

but something in her in her heart he made to say these

words with the major security with that that

he had said whatever before the God with Jesus with

Jesus with Jesus as I testigo. I'll I'll help.

He said. And the young then he did you. Maybe if you see,

you believe, maybe to you can't come to my people with me,

for my abuel sentio, but he was to give to him

that poor burrito that could that would be

that they're to they're to the where my ablisle said to the father to that he coulder that the poor animal,

that would accompany to the campesino to his people, caminand if it was necessary. But the father he was pressed his camionetitit and they gave his benetion for that they were. They then

the way to the poet of that little bit of a little bit of a lotoncito of casas not just, whose parcels extend to the the sky

remained black, and even at least at the 6th of the night, it was like it was to be uproarce in any moment I said the

abuela that she was it wascurecure for ever get to get to the young he said to

go and he said it a little way to there is my house-a but the carionetta

not was up to her they're not going to have the vehicle when there no was there was to go to

my abel to some hundred of the more until they were to get a a way to a sender and he perished to the people,

there about, to the way of the and a abueled her invading a sentiment of soledadad. It was very strange for

her that since that had been my abuel has been been permanently accompanied

by him and for God. But there there, I, there no he,

at the front of the window not was the house in a house

to the little a penest illuminated by a Focco colcado in the door. Yeah,

we're going to we're going to the casita and when they were able the door and they're a woman oldiecesita

agostated in the oldie, said the young, is all right? He helped to get to

the two and the sir, and the lady just had brought to the child. Yes, abuela

this sir not will What we say is is the and we're going to help to

convince her a father-sito for the come to be there. Where is my woman?

The has been to see. She me did get my son. No, I'm put to

detener. But you know where is there is there is a pantheon. The

young went to saying nothing said nothing and I'm about

and my well, he was upurring the pass more, to the ponteon, where, where, before to get,

he heard, and immediately he thought that was that she was that she was a girl, but then he was a second grito, and

then a third voice. Of a point it was that there was a group of women up, getting the echo of alarisos synchronisos

that formed a kindic of a canticer macabro, he He was the panteon and the

young introduce in him and he meters more a little a little a young

a man a carvour like a animal salvage a tomb the

the young the he was he and the mother wanted

and the but he was to give he was he was clavable to

the the I could not say a word, no could not not even

reason, but he saw how the man, and he was in the old cemetery,

he was that he was he was a years, and when went to

the woman, the young was inconsient, Vengh she

she no, she don't see here, the the grits to

keep on the and the old, and the he Who grita, man?

Who are those women? Degela, signora. Venghese, for favor. He said, while she was a media to see a new to the ponteon. Camine,

Madre. Camine, for favor, and for what more want to want to go toltear. The abel

came to then the man of the man inconsient, and those grits that were

to come to get to to be to be to be it. It was just about them a few meters of them, a few steps. The bula no could rest.

The words not were salient. No, I could think in any one oration and in some moment, in a little

time, it was the force sufficient to for fin to do, in a voice very bigita. But,

of some way, that was sufficient for that those voices were to get to

the casita where the signora Saly to receive them and and then

and the whole of a and the since my my muchacha is mal they're

they're they're they're in the night for that the devil he's

and my little more more she's she never never

it's that there's that we're not we're we're

not even how there's and my old she's a woman's

part of the carable in the her cat. It was again that woman of the

black and of the woman of the girl she had seen in the church, she has

she's the little she's he's the man, while I was to get to

this this woman. The next part of the story

is a little because we know we're we know and because

various tios have versions different in what we all

we're we the stories that we know is that the wuela was back on the morning the next to the people, assuranting that he had seen things that they made be sure that

that she really needed a ritual of an ritual of exorcism. But nobody he did so he ignored as that the poor manuchuch

campesino until that the young sacerdote of the church he gave a name and a direction approximately

had to go to Guanajuato and to look at Poculars Pocles a few days after my Ties that was

he was brought and found that anciano Italian that was a quite anything a little a cure

his house was more a a pintura and he he was he said

he had had been the church to have been out of Europe

in where was all his life recorrying various countries Now, I've been

Tranquil in that In Guantua, painting quadros that nobody he'd but that's what to the men's. I'd live

a tranquil It was but the destiny always always we can't He said My abuel

He explained what was And the Lord He said that Disculpa but that his

Corrasone He's been in the last It would be of great

help. He'd no durer'd more than a time in a ritual like that's. At the end up

they'd have to lead to my body, like a problem more.

He said, he said, he said, he said, he was, the before his

return, was one of the last exorcists that participated in more

to 15 rituals, that, literally in his words, had seen a lucifer

to the eyes. Buscue in a cajita of a little a cajointed. It's

a crucifio. This is the arm more powerful with that I in my career. This is

a crucifio used in exorcism for generations, for hundreds of years. In some moment my mentor me

but I didn't have to give to do it. As said this, it's the extended to

my abuela. do what do, Pace what Pace what Pace never

it's never it never because he will need to but then you

will be the responsibility to keep for always that was the

last that was that never could be able to that this crucififio in man and with

the young sastardote of the church without a cause a a exorcism

per se if they were all the nights to the little house

until the young was she never she never

she was what they was a was a time

but but she he did my mother that

when I would to consider to her that

he crucifio for ever to all to what

out of the other, that he was there that she wasa yeah in the houseita when she were when she were the house that

she made to do not to make to get in an orphanato he said he said it she was

that she was the she was the she was she had to have been my abel almost

when he was he that the 16 of July of 2008 we were to enterer

and days after we came to come to come to the mother had with her that

cajita of madera in his hands when we went to our house and all the we're going to

we're going to see the we're in the time of the darked that's the time of the obscurity that's

circled.