Relatos de la Noche - El Crucifijo del Padre Lucas: Resurgimiento - 2. El Arlequín

Episode Date: September 13, 2023

En 1995 el nieto de Socorro es atormentado por un demonio en forma de arlequín que originalmente era su juguete favorito. En 2008 la abuela Socorro muere y hereda el crucifijo a su familia, provocando el acecho de brujas y demonios, entre ellos el arlequín. Aterrorizada, la hija de Socorro decide enterrar el crucifijo para tratar de librarse de los seres malvados. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Sonorro and Relato of the Night Presentan The Crucifio of Father Lucas When my brother was almost a baby He gave a reliquin to trapo

In some reunion in the house came one of the family of my mom of the work that she'd

really and he brought her mom with her she was she was she was enchantada

with the baby and days after he made he made that he's

more an adorn that a little bit, but he said that it was for him. For the inside, he felt like the skeleton of porcelain. And he could move to a certain form that opta positions. When he had a little more than a year, my brother, when he had a certain jugetess in specific, he was.

He was still had been a new mueble, at the other his camera, as welland's his suing permanently. Until then I had been in a mule, at the other his room, as a little his own permanently.

But then, insisting to get it to get it with him always, no, there was a form of that

was sure if not was to get to that the he, I, and I, with him,

and I, he, and I was, just he had to be able to be but had to be there,

and I was when we used the cascabels of the Arlequin, we knew that my brother was that were those cascabels

were not all the castle, even it was a brom recurrente that the two

were both were together. In some moment my brother he said

his name and we all we we're a man that

even we can not we can mention and that I would never even And is that in some moment My brother,

My brother, I'm going to leave the arlequin Outa, there in the patio, detra He was recogied and we But he, Bajito,

as a secret, we'd say that we'd like to We'd like not we'd We'd say, But that, for favor,

not let's a time in Decirnus, because, the same time in that we'd muneco, from a little bit of another in the patio, without a chance to throw it,

for if in some moment my brother he was again, or simply to have it as a record of those first years in that my brother loved so, but in some moment, when we were very much of the house, he asked for casualty to my

brother, why he had had to go out, he said that because he had had shown his car. He told my brother that the muñoico he had been his friend, that he had I've shown words that we don't use

but that in some moment he asked if I'd like to see see really. His real realerro my brother he responded that she, and then he was to do.

Detrace of that the face of Arlequin for me, for me, for si sufficiently aterrador, he was made a rostro of

eyes rogous of a sonrisa pelada, churreando of the back, he asked, my brother, that for

he had and the muke he responded that he had to come. Mano he asked he came. He said, he said that

thence the moñeco he took the pecho. In that moment we did what had done any family normal,

think that it was just that it was a fantasy of the new even, we knew, we knew

we'd know that there would be a newke and we we'd we'd in a quartito

of the matelo that we'd in the patio with some of the

the tools that he left my papa and some of the cases that we used. There was. There was also that arlequin. But not for ever. For that time, since that no was my papa, my Tio Marko, vivied with us others. We used to do things of the house, but, over all of all, I was there to be to care my mom, so affected emotionally in those months. My Tio was a rock. for that

we surprised that way when we we're when we're a voice and salient

and sotando the door to get to come to when we

saw when we I remember that we remember we we're but

when my mom my mom for a reason me said

me that that that was that was that

so so so so I'm resing in his camera. Something

common when I was for to be in that moment at the middarder I'm

still I'm saying that the only or the only or the al-le- who's that you

ever that far that's that's words this is other of the

things that I can't explain but when I was the moment that I'm

He had said that for the night, the arlequin he called. I was and he wasrable to his other car. He was madeasable and he grittable that he'd let her enter.

It was like if I not he had heard before. Never he said nothing, never did nothing. Never said to my mom.

It's like if something me had been blocked for that not he would be really during all that time.

When me asome it's to his venton to the patio, I saw me that my mom and my my Tio, camein' back to

come in the room and from the escalator I heard what said my Tio and I went to many many

many my Tio was padid sudando he told to my mom that was the one of the

only of the first piece and came in the kitchen for something to comeer when I went to

something in the patio something that was that was moving in the obscurity could be

through a rendija in the cortina, and when she was close to her, he looked to recognize that silhouette. It was that manned to

Arlequin, parado, mirandosie to the window of my second-pice and he made a muekas. With the

hands, it was to be at the box, as a question, when my Tew, gritts, and then,

that was he was going to the obscurial to the back, to go to my t'

too, taking a a pala that was to one of the plantes to get the

His house, He wascabels, and then he put attention. At the front, in the obscurity. Pood, in the plants, Scondid, agasapado. He lansed a very a big-upil and he sent it how he did, how it was in-enka-o,

as if it was a carne and not a muñeco. And he saw, between the rams a rostro, with a face of a little, And with eyes of the odio He said that he He could

go back To get to That's a badger of the Ladritch of the but now just

no more. I'm not when my mom went to he was when my implored to

get to into to get to to come to to do to be to be what he

had seen that was he was and when he was my mom no

questiono it's more, they were to look in that quartuch of the

matter, to prove with a disconcierto, that that the manoe had disappeared. All the

photos of my brother of that was all the time, all of that was

practically all the we took and my brother no he was to mention it.

And when my my mom made my my tio that never

was the same and I He, he went to his house, and we think that never more we'd have to think in that manoeuze, in that arlequin. But we're we're not even if we were my abuela, we're going to house. My mother had that she had that cahua in the crucifixote in between his hands.

When we went, all the focus in the winded, so ravened. And we'd suppose what he'd be it. We've seen the Anucho of the obscurity that was Sernia over

that's my brother, that in the time had been 18 years changed the

focus while I used to my mom to looker to look a car and guard

her and guard also as well she's not me not me believe

for this experience with the the arlequin that I

I'm I but until my family not not so

preoccupied for things like paranormal. That was that was the story that we revisitabomous

the fantasies of a little to the imagination of a little dream

he knew he was a but it not it's something that it had been

that much we'd we'd that I'd then then

I'd visitable the house and he's limited to

we let's to the For that it was pung more, so much, what was about to occurrary. That first night in the day I waspirted in the madrogated, the sound of my mother vomiting. In his room, the adored at the inn. I was worried and I went to get it.

I went to her room to see she was found out. When I took the door, that the sound ceased, and my mother asked, and my mother asked her, if I was I who took it. He responded that And I said And I said When I entered I noticed that my mom

She assomated From the camera From the other Covey And I I surprised I thought that I was very

Mal and that I was I'm very I'm very I'm asking What I'm Mieter Mieter

Mita Moma What you I'm I'm not I'm Bimitando The sound

The sound from the Ropperer where we had been Guarded the crucififio Even, even

We didn't even We're We're at We're in We're in We're in a hour Dorms from

There's Timebting We're We're making To make a Mirtina The morning She'd

She had Welted The Puele She'd The Buella Although As I'm The Cable

The Abolita Yeah No Pertene's A Famili My Tia Construio A Wulte A Wurtah

And, and, in some way, the people of the people that took as an extension of my abuelita. The seora's of the church now passable for her. The people had to aske when she was topa in the street, in the market.

Mitienten, God, before that my abuela falleceyra, the important that was her figure for that and decided to help as it could in that moment,

solo and with his children grandes, was in a position similar to when the her mother decided to give her life to God and

the people but we we talked about this morning and no he said he was in the church

we're in the insisting we could contact her just for the night when we said he surprised he

he said that we're not going from the crosser to gogand for regressal the crucifio.

I just know that someone always that she was to his house accompanied nothing more of that crucifio.

And, at regressar, he was to very well there at the altar-cito to St. Miguel, I told

my Tia. It has, no-se, like much energy. When she put her and we

got a hospital, I I took the crucifio to the house, and I

know if me believe but that day, my tea did a long pause, like

if it took forces to say the The next, that day I saw a media tardy. I'd

ragged my plantes and I've been to have been to have been to get to the

window, how someone was a house, and I gave much fear, but I

saw me to see a man, or someone that was a person who was

and he was going to he was thinking that was a man, a

bigito, a bigito a and with the skin very and a

Like if it had been Days in the Sol. I was there there he parado in the salon, and I moved the next

to see her in the car. a person. No, it was a person a big, but it was a lot of the rest of the The body was mirrored well, and I see that provoked that crucifio. Because when I was I left to go to my mom, no

I would have, nor see anything rare here in the house. But let me to be able toer more. Dechemme that platique with the father. While guarden it well, and if you can, have a hand or water bendita. My tia

us called up until the next end of the same of the same, even. although for messages we asked if we're we're going to we're going in those messages we're talking

what we're doing during the nights first and then during the day in the house was heard a person

tocer like if was still a person was like someone was

but he was not only out of the armario but of all the roomcones the

house, like if were of the paredes, like if were in the mother and I and I would we were

to lose to believe and he was to be able to beckosion. He no I don't absolutely

nothing, and I'd have had to lead all his life with the sequela

to that he had been a baby. My mom and I had been

in the same court. My brother, so he kept in the Ssuyo. Now he dormed to

for more privacy, in that room where my my Tio was made years before, as I'm

always, if I would have my mother was up to me and vice versa. But one of

those nights, my mom was just with a sad, but with so much

that's so much, that's allude for complete of the situation

that we were living. She went to like he back to the

the kitchen. I heard of the carcabels in the room of my brother inter-abiered and the gently to

yeah. The impuged very very careful, the light was apgated, the

camera tendida. My brother not was there, and my mom

supposed that had had been to to get to my car because in

the front not he was and I was at

point to start the door and to sub-up when a caskabel is a there, and from she was he was still the top of

the gos the gorro of an arlequin. Gorro that my mom recognized immediately with a difference

it was a much more grand as if it was the time real as if the back

not were a muke or a person he was he rode and He was up running. He took rapidly to my brother, that if

was in my room and we put to all. He took the crucifio, and we were all together while my

mom was with force between his hands. He didn't have to say to my brother what he

had seen. He could feel it. He had returned. I had brought for him.

Something he had brought to back. The call to my time did you

not calmoo. That That young father that had assisted to the buell in

the ritual now now not was a young was a was a he said

to the tia that not that was that not he could tell

more that that that was we had to we're so it was

so that he after that after that he said that he did you

he was he said that no that was was in possession of

one of that her semblance came-heed, he gave he went to him immediate. It was an

artifact a supermently powerful but at the way, with a capacity

destructive espantosa and he had to tell her history. The history of

a crucifio of hundreds of years used in exorcisms for all the world

passing by by the exorcists a through generations until

that came in the abuela almost because it was the only disposed to

risked to risk her life to help a but the woman not was not used

to use it that he was that he was a time and this crucifio

with certain power by so that the faith

of the many the trinf of the trinf

and many a man a man in the the

was there was a place in the where it was ever inter al-astral, the sacerdote also that the Father Lucas he gave to write and to tell him about the respect

he said that the beings envied by Lucifer are always around us very circans provocandos and a

and a few doermen dover for years or for years or for sigils to be able to be a victim's this crucifio was able to

to make reaction for fear or any sort of or to bemoniac or to any spirit of the mal nothing that that reaction

and this artifact is good and it will to provoke especially to those people who have been

that never have said, he said to my tia that that he'd go and before that something

he could receive. And my mother not wanted to get to my my tia

and think that he was to have to then so so so that so he

did something something that was a grave error he managed to a

area and he was a lot of the city he was he went to

he went to through the the same I'm feeling always the

presence of someone behind of her while getting a arbor that

a little he's that was that was sufficiently per as far

to do it and then he he the crucifio

he was he had the the poor Thank you.