Relatos de la Noche - El Fantasma del Claustro (y otras historias de lugares embrujados)

Episode Date: July 2, 2025

En este episodio de Relatos de la Noche, escucharemos lo que ocurrió en un convento habitado por algo peor que un fantasma, en una casa donde nadie puede dormir tranquilo… y en una familia marcada por un destino terrible y sobrenatural. Gracias por estar aquí una vez más. Apaga la luz, si puedes hacerlo… y déjate llevar. — 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ 🎧 Disponible también en audiolibro. 🖤 Gracias por ser parte de esta comunidad.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

In San Miguel de Allende, a series of sequestors captured the attention international and led to the authorities to discover a red criminal that operable in all Latin America. The principal suspectoso, Ramon, a decino apparently exemplar, that in reality was a Chilean

with a long story to criminal. Narrated by Carla Sousal, and written by Eric Kalindo, sequestros in San Miguel is based in an investigation of various years and revela how in Latin America the justice many times depends on who has the power.

And how the truth can change according to who decides to believe? It's a series original of Audible

available in English and Spanish. Escuchalal onaudible.com Diagonal Sequestros in San Miguel. They've

saw her eyes, only his eyes, reflecting the light, very high like if

flotara. But, while she was closer to them, while being being visible

when were being visible at When they saw her, the poor signora arastrava his pyrna. Her coogeo had a mark roger of blood

profound and his eyes were at point to get to get to their orbits. Very good nights, community.

Me da much good to be able to say to and give us a new episode of the relato

of the night in that we we're able to make you the protagonists of the

stories that we're this night. I don't I'm going to entertainer them more because they're here to hear stories of horror, encounters paranormal, so only I'm going to recorders that no suggestioning, that intending them to try and see these stories as entertainment. Because the fear, because the suggestion,

the predisponers to that something will be a pass. That's that augmenting much the probabilities of that you're protagonizing the next episode. Apag the light if you can't do it.

You're going in these relatoes of the night. Even the person more religious

can experiment at least one one of the life, something that has something

something something something that story not sound as aterrador

as other that has heard but it totally

real I I'm to share with you, this what

has been a few months. Actual I'm in a claustro of the

16, one of the parroquias of the area Chinampera in Sochem now is

a case of formation, but still being a place

and the walls are covered of the churches,

of Christians, and and as many temples ant

the atrio and part of the that I would have to be in the acercable more to God.

Of the temples, it's much. Always is comment that in these places occur in things rare, and even I don't know it was ever

ever had passed nothing, I've never had a doubt. How is possible that in a place where God,

also, there are these things? We've been here one of 15 young, but the

prefectos that us comepani. The ex-convento is at one the temple principal, just in the

wall of a barranco, that's two levels, and almost all we're in the second-pissue. We're not we're doing things

like to laver the room, to clean the quarters, maintain all in order. That was what I

took to do that night, when I do you're about to tell you. After the ten,

you're done these activities of the day, and every who does what they're a bit of the same,

I had lavaged my but not I had tended, so I took my sesto and me went to

the part of the clostro. I've to have to back to connect them connect with

a other interior, crosser a passillo and free and then then

a little that over a that I there are

there and there's there not no light there

was completely oscura and the night was more is serrated and fey that of the custom.

It was a rare that someone else Andhundred were there. At that hour, I saw who'd come in the obscurity, reflecting on the convento. For that's not me surprised to be

at the long as a long as far as a black, with something that was a cigar oncendid. For the hume and the postura,

I knew of immediate that was Carlos. Always is he who's out of to fumar for the nights. For that I I was with confidence.

What on, Charlie? I thought that you've been to your room. And you're just for here? No, you're going to

spantar, eh? You know, all you know, all the he's going to get to where I

was to be a risa grave, profound, very vaguely, but, that me kind of,

I'm still convinced to that was not that was a not rarro to be that,

but something not I could quadrava. Something I thought very

rare. It was a distinct. More high, much more

ergid and so he was a statue. It was the only

that was to have the humo of the cigar

and Carlos only me mirab he and he

and again with his rum stupid and I

said in voice a back to come to

calm me I started to I'm nervous I'm nervous I'm at tender the rope as fast

I'm to observe to reoho I felt that if I would be to be a little

like that that that he was that I'm trying the set and before to give me

I said I'm still he'd get to Charlie, it's too I'm said the

passio that I'm that I've has come to. And in that moment, I saw come to someone, to Carlos. He was just going to the escalars with the cigar in the man. Sinted my body terriblyly

can't, ascented, like if me were to to get, asustado. Apenest you, Charlie? He said, he said that, he said that, of the most tranquil, that he had entertained, but no, he could be able to to sleep with his cigar. I despised

of him, tartamudeing. Sub I went to my court. I thought, then what was what I was? Who was there that was there?

At the day I only I was a very spiritual, and me said a little, that was a

carlos, and it was a phantasm that was a manifestation demoniac that was that is

made by someone to you, taking their time, a

when we're back the guardia, so that's your oration. No, don't deches to do you.

That's the that I'm the visit Soshimilko, a place very mystic, full of energies, not only for the history anterior. Oh,

Aurael, and the community. Since I've my family always has been distant to the things paranormal. My mom

says that the film of terror only serve for the nights, and my papa always try to

find an explanation logical to the things that have been that I

know I consider a person septic, I don't say I think I think I think that

I'm a I'm a lot of things in the universe that are not their entire they're in

this story occurred in Leone Guantuato in the number 312 of the

Choires to a two two of a place of the city is almost

in front of the old place of Gajos as many

the houses the Cases of the center of Leon seldom are very

antigos and frias. This in particular, it was of the type of houses in which you have to put a sweater to enter, a casona converted in departments. There was a part renovated at the fund, constructed as a building more modern, but we've lived many years in the part of the area, in the department more grand, and during the first two

years or three, we were the only inquilins, a past of the good location and the price low. The distribution of the department was rarer. At the

little cell and some escalers that were all a second piece. There, a passillo

connected to the bathroom and to all the room of my her and to him, other two.

The doors of those quarters had a kind of a second passillo that connected

with the comador and the kitchen. In the the kitchen there

other door piece that to the sotene. And if I'm being very explicit, but me'd like they were constructing the image of that

apartment to get in the history. Since we came to things rare, passes in the sotene, ruts of objects moving-se, although nothing changed of the place, there were voices,

grits that werecees that were coming from the passillo principal of the building, and that sensation incommuda of that someone to observe from the passillo

when I was a little you know, the normal in a house but all that's

changed for me a time. I had 14 years, I was to get to the

secondary. My mom had a local of visitary in the center

so so me said it was she was something,

it was something that she had had to be the place,

then she I was preparing hot dogs. Recurredoct that I was piquing a verdure in the comedore, of the spadles to the passillo that connected with the kitchen. When I heard that opened rapidly at the door principal,

then the door of the department was opened and soot with force. Then I heard passos pesed up on the escalars. I don't me sussed. I thought that my mom, although me appeared rare that to sort to the door.

Never was the other, the passos sonnabed very pesados to do it. It was then that re-oho I saw a figure

vestida completely of black with the hair long and black. I was

from the room and came to the kitchen just to me. Sentie a

frio repentino, dolorous in all the body. I heard how she moved to

her and even his hair but I don't see passos.

I went rapidly. I said in voice Alta Ma,

yeah I can come we'll come. But I detoughed when I saw the

kitchen was a back, I'm the door that was the door to was in sure,

so I think I thought my mom had had been to get to get

the tending or something I did the sted was a

back there I did I'm back I'm running

and I prepared the hot dogs the most fast

the I did I was almost when the passio in the placeio

I'm looking at the second piece and even only was in my mind, it was formed

the image of that figure and it from the back to get to I'm I'm my mom

was just putting the when I saw when I came to I'm he came to

he said that not a that was that I had to her We've gotheds friose,

a while to co-sered. Tarded various days in I'll get to feel more in the house,

I'm going to forget it. Only my mama was about, and my mama, and then family,

it's got the thing of things strange. I'll tell this story, me did in a brom

and my mom and my mother and my father's my papa and it's that you

see, but you Some of the few months after that I passed that he put his tallyer into the department there was a entire of the local

that needed a place more private to work and he put his exactly where I was that day.

He told that when she was only, I saw figures that were overho almost she never

she saw a woman vestida of black with the black, but a A few,

Fioa other, completely black. A sometimes they were to be in

he could see how he was the way I'm doing the air. A

a little they were quietas, like if they were being disappeared

when he would he said he said that he said he

asked me to be my mom if he was a he

and he said he but I don't want to

I'm not terminate this story. Tinto after I'm going to take classes to guitar

electric, and my master changed to the place. He said he was

to move to a space more more space to do classes.

When me did the direction, no know how me

I'm the same building. That the same place where I'm

over eight years, but my master was in the

part renovated. In the first class, he said that I had lived there. In serious? Here?

In these departments, see, I'm sure, Provee. He said, Fingiento. I came to see things, but...

Well, no, no, son-o-one like a question, but not it was interrupient-me. I'm saying that here's there are things. I told-

that one of the cell, from where I could be all the department, and of black, he was a studio,

of that studio of that's he said that simply floted by the passio and a travesto the door of

his recamara. When me it was standing there I, I'd to feel the same

the same because also I'm not only I, too, my parents, also someone

more, many years after every one every one to see to his And even after the classes,

I don't regress never that building. Every time that I think I'm convinced more, I see that definitively there are things that we don't

understand. Things very strange with which we talk to coexisting in this world. No. No.

No. No. I wanted my relato since that time, although I thought it

not was sufficiently good. But since that Uriel has said more those that

experimenting things after to hear a I'm My name is Pablo Medina and I'm

from Guadalajara Jalisco I've been I'm a agriculture, more specifically in the agave asul

for who not know or not be the mexico the is the plant of where the bendito

tequila I'm with my tios but more specifically with my my Trio

with who I do this I'm I'm the good for common in three-sumann. We had to supervise that the machinery rented to

dismantle a desmonded a treason. With dismuntar, me refer to that limpeer the malice, the which to us would take a much time to keep. That time, we'd only him, so he'd and I, yeah, my other tio, that was the encargated, and other a more the other worker not we're going to

we're going to to be in one to get to check that the operator commensar to work the hours

accorded. We're and I remember very that I connected to the busines of the camionetta

and we we're going to we're going to hear lots of the night. In this episode

specific, Uriel mentioned about that we had been to hear it in the

places where we we'd we'd be we we'd be we have our suites, we're going to be the

next protagonists. With a ton of burlone he said my Tio Robert look, he's

that we're he's not he's only sonri-and he continued desalunating. When it was the

hour in that the operator should be working, it was rather that he had

got to me a man we're to make a man the encargated who had putchated

a hand and had to parchard she now That's us came more than perfect, because the two we had a little of a little of a while.

My Tio reclined-souacined. She put her suddair and his garrar on top to sleep. I put to be videos on the cellar to dolear, and I know what moment I'd get a dormido. For this, I'd recaller that never before had experimented that it had ever been subured the MIRT. For that, me took so much of the surprise to the next thing that happened.

I was I wasperted, but not I was a lot of I'm sure,

because I felt very much but I'm moving and I think I

think a big a big my was like a

more I'm I heard I and I'm that

a car no I'm not I'm heard but it

can't much but I I was just a little bit. I was just a bit of a lot of not because I thought that the operator was who he was circled and if we had a dormitled, he was to say to me other tio and us carried a rega-a-a-a-a-a-a-knead of those.

Forcegeying, I got to get out of the state in which I was the first that I did was to turn around the camionetta. Me back up, but when I was down, I did count that no had nobody. I saw that much of the but for those who know what is

to work in the serro they're that you can't be an insect or any animal I'm

intent we gave the importance I reme a arbor to urinar when

me up the camaneta my my my Tio Robert still

but was sodand much and it was something that was

something that was I recosted and in a second

me I went to get dormied. Volvier to

get to the same passos but now they're around

the caronet and I'm heard I'm when I think

on the operator that I've had got and you

have and I try to get to I did

I had got on the move the again

the those the pastus they were much when

for finally I got again I was already dormit. I'd go back to the

carionetta, but my surprise was that another there was no other there was any other

where someone had been to be able to get in the carmionette very very arsusted but also

confused in that my tio started suspirar very very furte he'd

like if someone he was he'd be able but were they're

He was up with those eyes rogers, as if could be to try. He said, I'm

he said, I want to talk, but no could be a risa nervosa. He asked he had

heard the passos and he said, that he also, that he was trying to to get

to get to to be to be back me to be to the carmett but

he never could move move he. I said the the voices and we're

we're just we're a lot of the dead but at the two at the same time we're

we're just we're we're we're we're nervous and the operator

to the hour pacted and the day it transcured with normality but I

kept thinking all the day in what we had passed in the four

years that I've heard listening relats I'm I'm I'm

I'm a paralices of the I was a dream that the same time. Of just think that

would have passed if not me had been more nervous even. Maybe it was because we we're all the

relato, because we called the attention of something, no I just want to

take it like a experience. No, they're and not to take to the

little, the advertences of Uriel. Let's make a good night,

and oh-law of really, ohla, not are the next protagonists. Thanks to

this be the community, that's good here. After then. Thank you. Thank you.

Thank you. At this point of this episode of this night. If you have done,

it's moment to subscribe. No, you'll you'll never to get a

story and get part of the the good community of

internet, the the community Relatos the night, the most

great of a podcast in Spanish in all the world. If you like the

episode, at finalize a question, let us a comment and share to you think you

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this project. Continuamus because still can still this night. Good nights,

Oriel. My name is Priscilla I want to share the story

that for decades has aterrated and has has been tornado my family. Me would like that if you get

to publicer, what would be a honor, this is a little you, yeah that's a story that both me and my family we'd like to

be a story as a real story of terror. I'd like that has the seried with that for many years we've been

taught and have learned to over-givar between all. That's conserved in all the details, for more

incredible that are not No, it's not about elements looking to do this story more atterrador to be publiced. It's about our reality,

of what we've in this family. And is that's something that still is going that's going to. Since I've

been a memory, I've been around of socese paranormal in the case of my abelos. They've occurred tentas

things that who know the history now we know we've as something as something as a

something in and hear and to hear and hear and hear and hear of it's a

last eight years, when lamentable to my missabwela they diagnosed

they were in the blood, so deteriorer was so that when they were

down when it was too time for a time that

could help to be to do to give to give to

not to be that she she she she had five

children, three and two women, and two was a woman, she knew that what her mom had,

she had beenceo her mother, Susanna, to accompany her to look who could help us with that them.

Carmen and Susanna, they're of the part of the story. As you the amigua

a amigua and a amigua and a friend of a friend of a big and then they knew that much people from the area

knowed well, he identified as a curandera. So, it was that they got her name. Eva, was her name, and they said that in effect could help us,

always when they paid a very quantity of money. Carmen, in his desperation, accepted. Reunied the summa that said, Doña Eva,

and she said that the next a week of his mother to see what they're in the same time to do you know what he was called. And so he went that anseado day. When he got Doña Eva,

my vis-abuela she never to let her enter. Decia that she didn't think in those things, that only they were to alterer. Her daughter, Carmen, let's persuade her saying that no

had nothing to try to learn to accepting that but to come to Anna. Doña Eva commenced to to come in all the

house, etchando a little bit of a little like if I'm looking to something. When

he was my vis-a- my vis-a- was puttrad in a camera in the first-p place,

and that could be moving, and she she had to be here to be to be in

a room, and decided that the second piece should be the second piece

did the He gave a Carmen, a Susanna, and a friend of the family, Elena. Let's give instructions very clear. The infirmita is there below. We're going to work from here, okay? But there's something very important. No, go back in the first place what pass. Jureen that not going to go back.

Behan what you see what you're here. Let's ask her to take her hands while she had to bea symbols in the piece. for what I veas the negras around, that promptly were all over

allure of a carna putrida very disagradable. Repetia words that not were to understand, and in all the

moment he insisted that not not be that were the eyes, that they were to

be able to allier allier that was when when Doa Eva said something

that gave a Carmen with a with much nervousism

my my Shea, they're strong. No permit that's going to to get to

you. It's going to be difficult but we're going to get to know that's

under my mind. And it's when we peder we can't when I'm I'm

and I repeat, I, for nothing of the world intend to

get to the plan to Carmen not completely what that that

that Dr. Anna Eva added She never She'll be Toll the most

Thelibild of Toromper her She'll Be intent Yavar So you'll You'll know How you're

To help to your Moma Carmen Only thought That was She'd be a

mother That all That all She was So that could be To be Whendomen

To end up And then Sona Eva He came Invokar He said He said

But, but until the day to today in my family's atreve to repeat. You invoke. We'll have a trot just, but do you present.

You invoke. Carmen sent her to her man, the right of Doña Eva, commenced to calentarse, de form insupportable. Doña Eva, she was up with force. His body was so acutia

and the pain so intense that Carmen no could more. Abriot the eyes to see what was to see her, what was She was completely horrorized. Doña Eva continued there,

sustaining her but yeah not her. Her rostro, her factions. They had deformed of a form that

not the form that not their and they were more those co-cos, masculine. The black

of the eyes had had been a maril a marilla a color asy. Carmen not took

that to her and with a voice that she sent her very masculine with a voice that not per seigneur, he said, "'La Kroa, shea, "'la I want her, "'la, I want her, "'la Knewlough soltarse to Doa Eva.

"'The lady came to gorear, "'for all the quarter in four-pattas, "'carcageandose, "'what he made that Susanna and Elena "'a-terrata slay-as, "'sallia Eva "'sallieva's out of her, "'wiringinging in four-pathas,

like an animal. Ver that was aterrador. A fanciano of more of 75 years, movinging with that velocity, with that flexibility,

without how her could be able to survive it. Susanne in some moment

was a paralyzed, vying to the escalers that were to the plant a

back, it was to batting internally, recordando what Doa Eva was said

what Doa For nothing of the world, intends in back her. And is that if she back she would be in a little bit of her mother, postrad in Kama, even.

But if she was kept up, running without a rumble, maybe who would be affected would be she was she

in that moment her man, Carmen, he took to the brazo and he said, what's doing?

Reaction! Siguieriering they were running while Soña Eva was revoked while she reeled of the

fear that was provocable. Carmen, no could understand

of all what was going until that they did you the devil

dement or the spirit no was none of her was the

own her she a despite to know that

this this time the curandera not was with

she had met from from heard heard to

hear the Momma of Carmen called a pura to her husband that

was in a Edward, the father of help you know, the father of Lorde, he went to

the door and he went to a girl to be a manned and he was like if it was like it was a brazara

some the arms covered of lumbre. From from the escalars, grittable, he went over,

and he had been in yams, like the people when want to get to get a

time. Elena and Susanna thought to make to make a daughter, she had

more more less can't, more less lenta, so they used a sabana to

cover to cover to the and they were they were they were

they're with all his forces. But she only was she said, and with that

voice more masculine, that she said, she said, she was she made one before I to come here.

I'm going to make the woman, but if not come up, me let go get to that

the dark of her in the door to the door to she, she,

sitting from a house backion back the three turned, but when

when they went to the and he currieu to getter to be below of the camera. From a voice supplicant, said, "'Ayneas, "'Audson me.

"'Me is taillian me to come from here. "'Tenu much fear.' "'Elena sent her so lastime "'that came to acercarsely. "'She aghachow, "'trathing to be her down to the camera.' "'Ana'a. "'Doña Eva,

"'garrough to herena to a brazo, "'and la halloe by force "'a back to the camera, so that her head so that's a

face of the base the camera that was physically impossible that someone could be

to get to get to get her got to but they had got to she halla Elena

he was to to run to run for when they

got her hair she had the he had the back

she the he was rescunned that he had had been

the Elena grittable and and I was in the time, Doña Eva only was reeled

from there and then a silence absolute. Carmen and her man were and she made out of

saying that decided that they were a moment of to get to the ventana to ask to make

help, do that whatever they had heard a time of one side to one side

to another but you not they were done by all the was there was just all over

Elena continued in the the soil, intentating detener the sangra-and, and for the street no

passable to nobody. It was a place that the barrio is completely deserto. My

vis-avuel had been to get to feel that that he had to try to

my vizabuela Rosio. Yeah no again, I don't try to

that something that was that I'm never, that I'm when Carmen and Susanna they were

the venton and they went to her how she was Elena. They heard of Doña Eva to talk to from the

obscurity of a room. Pardon. My niece, I just wanted to help us.

I just wanted them. They were their eyes, only his eyes

reflecting a light very very altos like if flotara. But while

she was to get to them while being visible when they were

being seen when they were when they were The poor seigneur, arastrava, his piernas.

His cooge had a mark of the blood, a murder profound, and his eyes were at

a point of to get to get to the old, the old she came to beulsoning

like if they had an attack epileptic. No, they had to do

if they're to be to get, the fear, was more more than the

compassion. Passed at least five minutes. Do you Eva, I

began to move she was her own her own. Pardoned me. I didn't even metermere to this. I thought that was ready for all, but there are forces that I know. I'm. Nobody intended in that moment. what I'd say with those words, but it was just the

initial of the tragedy that even affected my family.