Relatos de la Noche - El Hombre del Sombrero se llevó a mi amigo de la infancia (historias de horror)
Episode Date: June 28, 2024Las historias de hoy te llevarán desde Japón hasta Guadalajara, Jalisco. Desde fantasmas que no logramos entender, hasta una aparición del misterioso hombre del sombrero, con quien muy probablement...e ya hayas soñado. ¿Te atreves a descubrir lo que te espera en este episodio del mejor podcast de terror en español?¿Te atreves a escuchar?Compra mi libro aquí: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/También está en la librería más cerca de ti o en tu preferida para comprar en línea.Síguenos en instagram: https://www.instagram.com/RDLNoficial/Comparte tu relato en: mirelatodelanoche@gmail.comContacto comercial: ventas@sonoromedia.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
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Community,
Before to initiate,
I want to recommend a series that
is setren
today in History Channel
is an inexplicable
with William Shatner,
that's legendary actor
of Star Trek,
that in this occasion
will explore
the mysteries
more extra-explicables
of the world,
intentating to get
to the truth
after these
ever reported
before.
It's from
from ovnis,
to disappearions
repentines,
or possessions
demoniacas,
for example.
With a
of scientists
of renomber
us will
try to
explain
in every
episode
what was
what
was what
happened
in the
case
they're
to be
inexplicable
with William
Shatner
a part of
today
of 20%
2050
for History
Channel
and you
on your
system
of your
television
for cable
and
see them
on
their
social
in
good good
nights
community
I'm
much, I
was much,
I'm
of the city of Mexico and
in general,
but for fin we're
in the world.
And as far
those who
me see in Instagram,
surely you
know,
every time
that I visit a
new,
the first I do
is to look
his stories
of phantasmas.
I'm regressando
to Japan
and,
believe me,
I've found
many stories
that I'll
hear you
going to
do you're
a episode
special to
them,
but I'm
going to
get the
appetite
of this
night,
because
let's
I'll tell the story of Kenzuke,
a worker of an hotel in Kyoto,
also appassionated of the stories of
phantasmas,
that promised you mandarin
many of those that I've got
recopilanded,
but that me surprised
before I'm,
with a story
impressed completely
in Spanish.
For sure,
that had some
there some errors
with the traduction
that did in internet,
but nothing grave
and are corrected
for so,
to be able to
say,
that can't
the light
and they're
they're going to get in the
next.
Relatos
of the
night.
This is the
story that
I promised I
have tried
to the form
more exact
possible,
first of the
Japanese to
English,
to see the
translation
was in the
context
correct and
finally to
the Spanish.
Well,
as I
said,
from this
little,
I've
fascinated
the stories
of
phantasmas,
but this
passion
is intensifico
particularly
Similarly, since I began to work in this hotel, in the bohemia zone of Hjohn, Kyoto.
Here I've gotten to many stories of encounters with what I just can call
Spirits, Almas in Pena, of all the that I've heard, this is one of the last
me has impressed. And the most recent, also. It was a night tranquil in the hotel,
a establishment modest but acogedore in the heart of Kyoto.
I wasaed in the reception, assurantomable to the guests,
their stancholy.
The majority of the nights
were quite
routine,
very tranquil,
even
even though
could be
but in
that way,
when the
year,
it had ceased
to be
during hours,
something
was going to
change.
A little
night,
the silence
in the vestibulo
was interrupted
by the
entry
abrupt of
a man
young.
His
rostro-
his
eyes
disorbitated
and
they had
experimented
something
it was aterrador.
It was recognized
of immediate.
It was a tourist
to Korea of the
South,
the senior Park,
who had
registered more
that day.
Help me.
For favor,
help me.
Exclamed with
his voice
tomborosa.
I went to
a chair and
I offered a
water.
Calm,
Mr. Park.
What was
all?
It's a
being?
Trying to
sound as
a more
tranquilizer
possible.
I
that really was necessary,
because it was
it was a
point to
dismayers.
Also,
the really
had much
curiosity.
Here the
assaults are
very,
very rare.
So,
I knew that
that's not
the reason.
After
of the
arboes of
water,
the
Mr. Park
commenced
to relattar
his
experience.
I've decided
to
give a
pasto
nocturn
for the
park in
Maruyama,
famous
for his
aresos
and his
atmosphere
even
of the
night, even with that
jubia that
not parable.
While
I'd
many of the cinderos
illuminated tenuament
by faroles
of paper,
sent you a
presence
strange, like
if someone
was looking
he was
looking,
he rolled the
head
rapidly,
something
for seeing that
because
not had
seen a
nobody in
his
way to
that one,
but no
be a
person,
I'm
I'm
was a
paranoico,
me
he said,
trying to
but her expression
remained
full of terror
and then
I said he
affirmed to
have seen a
woman
of a woman
in feet
under a
rose
she was dressed
with a
kimono
black
his long
cabo
black
was over
his
rostro
what
most
he
was
his immobil
was a
statue
completely
quiet
quiet
quite
and
to be
to
get to
more
could see that the woman
had the eyes
serrated
as if
were in
a little bit
I'm
I'm trying
to see
I need
but then
he made
the eyes
the
Mr. Park
guard
silence
for a moment
his voice
was
he was
he was
he attempted
recuperate
his
his eyes
were
completely
black
black
vacuous
no
had
there
there
had
Park retroceded horrorized, but
his feet were peregated on
the floor. The woman
levanted a little bit of a
arm and he wasle, with a
head palid that pericia that
was he was accused in silence.
The sensation of
the friole, and an
olornauseabundo,
a water stanked and
flowers prodrida,
jenu the air
around.
No put to
move me.
Sentie that
something to
something to
something to
to something invisible,
said,
looking his
hands
tremorosas.
Then,
when she
started to
move to me,
deslisandos
without moving
the feet.
The repent
the cheesos
broke,
and the
Mr. Park
did go to
goreying
and look at
back
to get to
the hotel.
I only
I just
I just
I'm still
I'm
feeling that
a scalofry
to be
a person
to be
a lot
to be
of encounters like that.
Conocied
very well that description.
It was a jurei,
the spirits inquietos
of the mortals
that vaguely
that are going
for this world.
Mr. Park,
I said in a tono
soft but serious.
What he saw
this night was a
jury.
He me amired
so he continued
he said he
he said,
but the jurei
are those juries
are those phantasmas
of persons
that have been
violent or with a
on asuntas pendent.
In Kyoto,
especially in
places
historic as
the park
Marujama,
these
apparitions
are unusual.
The woman
that was probably
moved in
circumstances
tragical in
this place
or in
his
surroundings,
and his
spirit
no has
been to
have been
to get
there,
like many
others.
I don't
understand
the
reason.
He explained
that the
Yurei
a menudo
are
to those
people to
try
to solve
their problems
or
vener his
murders.
In the
case of
Mr. Park,
I think
that his
presence
accidental
could have
had
had been
to
that he
had to
communicate
or simply
express
his
pain
it's important
that
not
back to
that
only,
especially
to
know
the
especially,
and I
can't,
and if it's
possible,
offer to
a
the soul that he took for that
can't find the
pass.
The Mr. Park
assentied gently,
still trying to assimilar
what he had
to be here.
I was to
his room,
assurantily
that would be
safe in the
hotel.
That night,
while I was
my post in the
reception,
I could avoid
to be able to
the frontas
to the park
in Maru Yamah.
In the
the obscuritus
wereces
were seen
somers inquietas and I asked how other spirits vagabond for that
Antigua,
Buscant,
or Vengance.
Since then, every
that a Westpett me told a story similar,
I'll offer you the same advertency and oration,
and,
and, these Juryi,
encounter finally the peace.
As I asked in the networks social,
community, if you think that the stories of
phantasmas, van, van,
changing culture in culture,
over all in one
so distant as
our own,
the one of our
that we know
and the Japanese,
even in the
spiritual.
Conocer the
stories
mark more
those differences,
or we
know,
we'll
know we
we're
we're demams
to the
same things.
As
you know,
you'd
like a
episode of
only
stories of
phantasmas
of Japan?
Respondom
me,
for favor
in a
commentio
and
continue
with
more
stories this night.
To all of all right. My name is Alexa
and I've just to find out of
the night. I've seen the
recommendation during much time in the
platform where I've heard a podcast
but never me had trevied to hear because
the stories of fantasies me
can't much fear,
especially for something that I lived when
was a little.
Sin embargo, finally me
I'm animated and now
me have been so fanatica that
consumed all the content in a month.
For that I've decided to
to tell that story.
The case that
that's that
not I
like in the
wuntas
a lot of
a lot of
my infancy in Guadalajara,
Mexico.
When I was
little my
tarses
after the
house of a
house of a
old of the
senior
Garcia,
who me
would be
that my
mother
was at
the night.
The
house of the
Mrs.
Garcia
was in a
case
and a
small
plant and
and gardens
and
the
house were
of the
the car
was of
there,
and when
when I'd when you'd be,
it were formed
charkas
grand and
very lodos.
I remember that
that case
always had
had done
a sensation
of a
confinement, but
also when
it was in
night,
and we
were to
be far far as
all the
rest of the
colony.
Front to the
case of
the
Seora
Garcia,
there was
a house
abandoned
the
frontannes
were
covered
of polvo,
the
paredes
and the vegetation had invaded
all the terrain,
all the house.
The herbs
and the arbustos
unredated,
they'd have an aspect
sombril and discuidado,
making that
it was more sinister.
The garden
delanter was so
covered of malice
that justinged
the avenue of
the pietra
that had the
door principal.
One of this
I asked
to the sir.
Garcia,
why that case
was so much
that case
had been
I've lived there.
She looked with much
serenied and
he said that,
although I
thought she
abandoned,
not was
completely
solo,
not was
disabitated
for complete.
There,
there is a
phantasm
me said
with voice
as if
had someone
more
could hear
some of
the other
other
the other
children
that
were
and for
those
they were
always
always
before
before me.
His
words
resonar
in
my
and since then,
every
that
it was
that
it was
it.
I'm not
a
house
the
house.
The
most
inquietante
was that
all the
nights
was
the
light
in one
of the
room
of the
house
since
years
but
there was
the
same in the
same
place
projecting
a sombrite
that
that
light
partadent
me
was
a
mess
of
fear and curiosity.
Yeah,
I'm sorry
of the
nine and
I'm going to
my mama
when I'm
that I'm
never forgetary.
The
light in the
house abandoned
was
was in
the
but this
there was
a figure
in the
window
was a
woman
of
dark
and
and
a
back
a lot of
there was
a lot
that was
that you
was
that was
not
normal
the
the
cabo, the
vestido.
Flotable
around her
as if
were submerged in
the water.
I was
looking directly
to the
window
from the
intensity that
me paralyzed
I was
I was
a mobile
of fear.
My
heart hadia
that was
very that
was
that I was
that I was
I was
that I
could be
apart the
view of that
O'occurroarer.
The figure
began to move
slowly,
extremely
Lentat,
until disappear
for the
ventana.
It was like
if flotara
the other.
The
light in the
window was
more
more so
if it was
a lehate
and of
a
placeio
into that
the
place
illuminars
very
lighteram
and
I'm
I'm
a
a frio intense in the
room
where it was
but
maybe it was
the fear.
I was
I felt
like a
frio
that was
and I'm
that I'm
about a
point of
to pass.
Simply
it's
so I
the
the
point the
door
the house abandoned
and it's
of the door, of that
door,
he was going to
start long as
moving as
the same figure
that had seen in the
window.
Now that
I was near
I'm close,
I'm notar
his pale
pared,
especially in
the hands,
a
pale
without a
face, and his
picture was a posse
to the world.
The figure
was to
in the
umberal
of that
her door, like
mirandomely
even though
I could
see the
eyes.
I feltia
that no
could move
me,
nor to
get her
just in
this moment
I
heard the
voice of
the
Mrs.
Just
the
that's
that
that's
that
he was
that
I was
paralyzed
and I
was
she
and I
sawyosand
and
I
said what
I've
seen
and she
she
me
a
very
sourr
that
all
that
would
that
that is the phantasm
of the
he said
he said
trying to
calm
me,
never cruces
the
the
street
to the
promise you
do you
do you
do you
I'm
that you
never
would be
and the
that she
did that
he was
he was
he went
the
he was
the
security
to the
house
after
that
house abandoned.
Pocchio
after my mom
and I
we moved to
Morrella, but
that experience
he kept
with me
since then
it's a
record that
I've
had to
talk with my
psychologist,
that insist
in say that
that's not
a phantasm
but a
no, a
question, or
what I see
you, in
every session
that I mention,
he
can't be
the
explanation
to the
question.
Now,
all
all the
stories in
the
night, me
I feel a little
less
alone with my
fear.
Now,
I know
there's
that also
have seen
things that
can't
explain.
I'm
my story
has
liked,
and
about,
that if
if you
ever
see,
one
one
one
that's
there's
in a
house
that
should be
back
back,
remember
my
story,
and
take
good
good
too,
you
take
much
good
I want to
Hello to all
All right.
My name is Juan
and I
want to share
a story
with relato
of the night.
First of
nothing, I
want to
appreciate
Aureel
for
I'm
all the
nights
of insomio
with
those
fascinates
and
all the
community for
to share
the stories.
Today
I want to
talk to
something that
was a
oldacente
something
that I
never
had been
something
something
that
I'm
that
I'm
when I
when I
had 15 years
my pap
for what I was
only in
house
from the
night to the
night at the
four of the
morning.
We've been
in a
street
in the capital,
in a
house modesta
with parraces
of the
ladrillo and
a garden
a little
and it's
a lot of
the house
and the
other
separate
by strenes
and muros
backos
that were
to hear
all the
other
other side.
All
the nights
while I
tried
I was
back, of the house of the
of the
the
people.
The
street where
we'd
had an
air of
abandon.
The lamparas
of the
light
emolingingement
the pavement
and the
water
and the
light of course
darkinging yet
the end up
that it'scuitating,
in that scenario,
I heard
every night
that
same discussion.
At the
principle
me preoccupy
but with the
time I
began to ignore
them
simply.
It's always
was the
same thing,
a discussion
that was
a gritty
ayesperated
in a
portas
and sordecedor.
Then,
a minute
after,
the door
had opened
to be
aolence
another,
another
grotot
resoneable
in the
night
and
finally
silence.
A
A silence inquietante, it invader all.
Recurred the first time that I was
clearly.
I was in my camera with the eyes
car'd, trying to do not.
It were around the 11th of the night
when they started the grits.
Me levanted and I went to the
window,
miranded to the house of the
the people,
waiting, but
no, there was nothing.
Only the sound of
the same pre,
just the discussion,
like if it was
to develop just to the
side of my.
After of
a few minutes,
all of
a little bit of
all the
pattern,
as I said
repeat it's
every
all the
nights.
I'm
to get to
that simply
was a
problem that
a party
that's a
day,
during the
dinner,
I decided
to talk
to my
my
papa,
have
heard
have heard
some
once
to the
the bestinous in the nights.
Siento that a day of these
could pass
something.
I asked
casuallyly.
My papas
were a
expression of
preoccupation
before to
be able to
me.
Of what
the bestinus
you're talking?
Pregunted my
mom.
Of those
the other?
The house
of the house
at last.
Always
they're playing
and grittando
in the
night.
Then I
hear a
a portazzo
and then
I'm
a
And I feel that
I'm going to
get to
something
more violent.
Responded
confused
for your
reaction.
My
papas
interchambiated
and
my papa
me asked
with much
serietad.
You're
sure of what
you're saying?
Or
did you
something?
Dino's the
truth?
I'm
I'm,
I'm
asked,
I'm
now genuinely
preoccupated.
I'm just
I'm talking
what I've
heard.
My mother
suspired
and me
mirro
and me
Juan, a bit,
you're in the end up, you're in the way, and I'm going, and so on the last time, I'm going to be able to be able to see what I'm not sure.
I could hear what I was
I was listening.
My papas
me explained
that the
other people
had been
a very
discussion a
night,
segued of
a gritty,
of a portazo.
At the day
the next
the house
was a
back the
family of
the woman
was to
look to
say,
they were
they've been
seen the
other
city but
of her
that nobody
had
said nothing.
The
husband
said that
he had
had
had
said,
but
nobody
he
had.
She
never
had been
gone
without
a
family,
and never
he knew
never is
his
life,
I don't
know
I'm not
I'm
know that
I'm
know that
that's
but at
that time
that
every
that I
heard
the
the
the
mind
I
would
the
mind,
the
idea of
that
could
be
being
being
a
kind of
a
echo
of
the
past
a
a
fact
that
horror. With the time, for
we finally we moved to that
house, and I thought that
I'd have back those stories.
The new house was more
great, luminosa, with a
garden-cuitable and becinoble,
but the record of those
grits in the night never
me abandoned. A
sometimes, in the quietude of the
madrugada, me
seems to look to hear
hear them, as if the
phantasmas of the
antivusenos
me would have seen
Incapaces to
To encounter
Descanso
I'm
I'm going to
I'm a lot
And if
one ever
They've seen
Anxplicable in the
night
Recurts that
Not all
what we
We're
Pertenes
to the
present
Not all the
Gritos
We're of
The community
We're
We're here
We're
We're
We're
We're
We're
We're
We're
This Saturday
To
This Saturday
My
Let's
My
in the Fairia of the Library of the Frontera in Ciudad Juarez, Chihuahua.
At the 6th of the afternoon, we'll go ahead.
It's been a good to be able to give us,
to give us a brother and to give us a project
that's important for me that was to write,
finally, a book of Cuenots of Terror
that can't find in your library of Confianza.
Recurrecting that in Internet there are many places
where they're going to find it,
even with envio gratis.
And if not they're there in the fair,
it's a good opportunity to acquire.
but now it's moment to continue.
Before that we get the light
with this torment,
that we can't this night
in the city of Mexico.
Let me know with
a story more.
I'm called Federico
and I want to tell us
a story that never
I've been able to
forget it.
I've lived in
a colony
popular of Leone
Guantuato
and had an
friend
a manoramom.
We'd
want to pass
the tards
on the
the carves
after the
but there was a night of torment, like this in the
I'm going to write our lives for ever.
The skylo was covered of nubes
and the jubia caught in cortinas,
speys, creating charcos in the streets
empedradas and filling the air of an odor of
a tear mojada.
Our fathers always were just said that
not we'd be able to darkseer, especially in
nights of torment, because it was dangerous.
But that night, the curiosity,
us vencedo.
We're scaboolyed
our houses
and we're
in the
corner of the
street,
our point of
the same
just front of
a little
house abandoned.
Between the
the children of
the area,
that was the
house was
unruhada,
and we
always
we're going
to be a
big and a
house
dark,
lugubes,
with
ventas
rotas and
the
walles
deskaskerated.
A
past of
our
the emotion of the adventure of that night
we had to move to continue.
Decidimms to advance
to the house.
For first time,
atreverness
to enter in her.
But,
while we advanced
we'd,
while we'd crossed the
street to get to
her, the jubia
seemed to intensification
to.
A sudden, a relampage
illumined the sky
and both
we'd clearly
a figure in the
window of the
second-pissue.
It was only
a silhouette
in the
but her presence was really aterrador, because
never had we ever seen someone there.
No, the vagues of the zone,
the most malos, the most addicts,
they were able to enter.
Vista that?
I asked a Ramon with the voice temlorosa,
expecting that was just my imagination.
Sin contested, Ramon set up to
go to gore, but I don't put.
Me kept there,
and,
another relampago
illumined the
skylo-in-the-cule,
and this
this time I
saw the figure
for a moment
to move,
like if
was just over
a point of
the window.
Then,
of the
new, a
darked
a car
to be a
car,
but a
car to be
nothing,
but a
frio
that I
began to
get to
get to
me,
he,
that something
was there,
that something
that was
that was
I was
I was nearerceding.
I was going to find out of the
Tienta of Don Evaristo,
waiting for me.
He reclaimed for
to let me, for not
responder me, and he,
with the voice timbroseousas
and wouldtear to
look at me the eyes,
me said that
he said, for
favor, what
was what had
seen, that
he would describe
exactly what I
that needed to
know what was
what had
seen I.
He said
that only
a senior of sombrero.
Nothing more.
No,
it was a sombrero
like those
who use in the
sirs here,
right?
He asked
and then
I thought
that I'm
a wrong.
It was a
different,
a la
anche and
plain,
literally
that's not
that's
that's
that we
that we
that we
did my
dreams
all the
nights,
me
he said
very
and I'm very
No, no
Maristu,
nor the
child that
he was
to hear you
know, I
thought you
thought you
didn't know
you've
you've seen
you too
that's
that means
that's
really?
No?
Me
asked and
I know
I'm
to answer
to the
house,
we're
we're in
papados
and temland
my
my papas
preoccupated
for
out of
the tormenting
for
to be
a
hidden,
we're trying to
explain what we
had we've seen,
but not
us crellered,
attributing our
words to the
simple imagination
of those
children who
the people who
the stormy.
And,
well, this
would be the
story,
a simple
anecdote of two
children,
seeing something
a very
extrano,
maybe product
of their
imagination,
in a
house that
they'd
as much
inbruched,
unbroken.
If
oh,
I'd be
the final.
That
night was
the last
that I
my
friend,
a morning
next,
her mom
was said
that no
had been
had been
in
house,
that we
had
to be
to be
the
police
was
to investigate
and
for
the
place,
they were
to
the
house
that
that
was
that
Ramon had mentioned to that man in his
dreams, but no encountered
nothing that could indicate
that someone had left.
The door was forced,
nor the windows.
The police had determined
that Ramon had gone for his
volunted.
Of all forms,
as a young,
they were a new, they were
looking them,
they were days,
seminars,
months,
but never encountered a rastro
of him.
And since then I've
lived with uncertainty
and the fear.
I always
I've
asked if
that
man,
that silhoueta
if that
figure that
we were
the same
that was
the same
now
now I'm
a matter,
every
every time
I hear
the
time I'm
the
time,
I can't
avoid
to recordar
that
night
and I
think that
what was
what
really
we were
in
that
is abandoned.
Preguntar me,
where will be
Ramon?
