Relatos de la Noche - El niño en la pared

Episode Date: May 16, 2022

Una de las historias más perturbadoras que hemos recibido. Esperamos que la disfrutes y si quieres compartir alguna teoría al respecto, te esperamos en nuestras redes sociales: https://linktr.ee/relatosdelanoche   Recuerda que todavía puedes tener 2 meses de Scribd por 19 pesos y tener acceso a millones de libros, audiolibros, podcasts y revistas usando este link que nos dieron para la comunidad RDLN: https://prueba.scribd.com/NOCHE/ Publicidad: [e-mail] Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

The that are up to hear is, is in a doubt one of the

stories more scoffriant that we have seen in the years we're

doing we're doing about three years. We've we're

about but at final, at final we're we're a little of prudency,

to share with the most small of the house. I know even there are children and newies

that are not so why they're doing they're we're trying the language, this is a question, we're

we're doing it, we're doing the same their things, they're doing, they're doing, they're doing, and now

it's moment to pass. to the history of the The New York in the you're

you're listening Relatos of the night I'm going to tell you a story because I

know that great part of the community for here is a great people who

people take the thing I've seen the last I'm found

in a house in a house of It's so I'm I'm

in mind a story that me told my my tia Julia that

He's dedicated a great part of his life to help with the aseo in the area, especially in the area of the area of the 90. He took it by the middle of the 90 to work in the house of a known actor of the theater, now, now, has fallen. My Tia, he knew it because, although not even to the theater, the the type had appeared also in a movie and even in telenovelas. He was a man very serious, reserved, that never had to to say to my tia and much

less to converser. A sometimes when my my tia had made by the mornings, I'd found a

young in the recamara of the actor. A few, women, a few, women, to her, the fact,

no, he didn't that, but if the never did a good days. The paga

was always putual, so, so, for that reason, decided to consent

in the positive, and I was there were possible. In the house, always there were things

strange. And, my Tia worked in casons of enormous, in places very old, all with his stories,

all with his phantasmas. Never he gave a fear the paranormal. There, without,

she sentia in vibras different, I'd have to happen to have attacks of athus

attacks that they'd undire and year, over all asercar a recamara in particular

the recamara a red in the days of the jubia like this in the I'm atrebo

to I'm at to hear of a car a car the carrie the the yant

of a little in occasions when the torment arceiava disimulated by the

room he sure that under the yantto someone called a man

my tian intented ignore it. Intentable. As soon as it was, every time trying to terminate his quasers more rapid.

One of the actor he said he asked he would be a day of the time with some people of the work and I needed to

get impeccable at termination. My tia came after the hour of the food, but there many things

that had done going to get to get to the time after the night. The actor not was

He was he was found out of the idea of to pass so time there. Agraded the sky that no had jubed in all the afternoon, but just to at 9 and to terminate, some got of jubisna, they were in a few seconds in a torment. Decid he was to be a little before

to get. But the yantto that commenced to recorrent all the house, no so it was to to be able. This time, however, it seemed to to be to be more clear, more

more strong. My Tia no was just of the silence that involved in those hours, what he was more notorious,

or if it was a fear, what she was a little to imagine to someone to the meters of

her. But then, socedo something that did her that was that I'm imagining

nothing. The yant was still now in the kitchen and he recorri-

the house as if if it was to try to a person coming by all the plant a back.

And in the moment in that he felled, he was the sonny the sound of some of the

pass-itably by the escalation, and up a door was closed with a force.

My Tia got with a pretty but then something did

do that and if she had metido someone and if she were

all was called she was the only with the only with a little to enter? They're

scared of the phantasmas, but are more fear of these things when one is poor. Dio media a little bit, and entered to new to the house. The yantle, now, clearly was the young, and she felled in-cant-a-pocket.

She came to the escalars and sub-uio. For the ventanal, with them, could have to the arborles of the garden, almost be rancados from the force of the wind that brought to the torment.

She was To start The fourth That's Quarto And let's Opened The door

At the In the In the In the Scuetta The silhouette of A man Sentado

With the Cuisas Herald He dur was Augugugus To assure That in reality

I was That was She was Agenation When it The New She Rousouserer And she

She's She's She's She's On the Caltors To get to the

Puer To get to The actor that he was getting who insisted

for to the he was he was he was he never to but the

type insisted more more than the had been all the

other times before and that I let go he

he said in a tone that was more a

person more a little in the court bird

said he said my when the man said he

said, Subing for She said, when he went to his semblance had changed for

complete. It's good to know that I'm still being more more

he said with some of the complicity. If in some moment

he can't work here, I think, I sometimes

me too me I can't be hard to be

so there board and before to the car

and the deto. Senora, it's very discreet but look

now to the window of the door my my tia confused

he did and even he a that a woman with

a horrible those was from that that was

that that is that is a little but

I'm the I'm I'm I I've I've I've

a kid a five years what whatever that

I'm I'm think that that that's that that I'm

but what I'm when I'm my name in that

house when I hear the I'm what I

feel is pure maldaz my my my t'

persin't and he he's to I'm I'm I'm

I'm many doubts and things for to ask but the Mido no let he left pronounce

any media word. After the Good Noches only could get to his labios.

Intent was not to work but no had much work and that was something

that not could be to get to still in the place I remember

I remember well that in that I sometimes my mother to work when I

was going to when I'm was that my tia not supported to be alone in that

place. My mother never heard or saw and he saw and he

did not more insistent and more atterraderated I'm a little a woman at a

grader of that I'm with a woodman with audiphon and music to do

volume to work for a time a second after

a new another or tardy noche. Although my Tia was resisted, the promise of a pay

extra, it was to convince her. That day came to the five of the time.

The light those relampagued on the house, announced the the and of

the terror that was in the whole calm, while the actor

and a young still there, but soon he said he

said I'm I go to my my My Tia Sincere a scalofrill, but no

he had more than to accept it. For his surprise, the house continued callied. No, there was any a murmur. The apparent tranquillity led valor to go to surceorarse, if all was all right

or there was to clean, while getting to the room and to open the door, something he was a little, something,

a woman in the camera to her, and the back to her looking at the window he had a

a capisome black and the hair and the little the the

whole to be in the head and the face and it was

in a discompos position the vision was so

horrible but that that my time she thought

that was being a maybe a other but a

other woman seemed to hear her and he he was to his part of before her without the

my tia no, he was so and in the other to gore to gore to the back to the

passio and he entered in one of the recamara's for her in the she went to he made

rapidly to her house to her not even to he was a very much there so

the sound of the carcachita of her margit of the while minutes after he made

give to value. Salio went to see to the little bit of but I'm

in that fraction of second in the instant in that was she did know

that was she did see that she had had had been had had

to the door to the door at the the middle

at the part of the back the again was

the back but my t' my t' almost she top

a She petrificed. It's vanquencio his body and practically fell just just getting sustained by the

barandal. The woman did two passes and disappeared in the obscurity of the commoer.

When the the door the door was opened, and I'm making the silhouettes

of the father, my tia said what he had said, and he had said to

the actor that he would he would he just I'm just sentia with the head. And in effect, my

Tia never and the history of what had occurred in that house, Pronto is very known between the

friends of my Tios. One of them, Albañil, was the that was the house,

in that house, they had encountered between the muros, the the corpse of

a woman and of a little little. My Tia no did you talk

about the respect, but I knew of various theories that started

to torment them since of then. For when this occurred, the actor had been sold the house to a functionary of the government of the city,

who had sconded the history of the corpse to put her revender her. The house was to pass to me when I took a job not very

very much there. Since however, knowciences stories from my, innieness,

I was that quadra to pass the more far far as possible of her in the

days of the jubia.