Relatos de la Noche - Historias de horror imposibles del Metro de CDMX
Episode Date: February 3, 2025El metro es un lugar extraño. Esconde muchísimos secretos. Historias que son muy difíciles de explicar. Apariciones de personajes muy extraños, que parecen más reales que fantasmales. Visiones de... espíritus que parecen repetir una y otra vez los momentos finales de su vida; leyendas como la de la mujer sonriente que parece aparecerse con más frecuencia por temporadas para luego volver a dormir… sin que nadie sepa explicar por qué. Hoy vamos a entrar todos juntos a las entrañas de la Ciudad de México. Al metro. Vamos a conocer historias extrañas… unas más difíciles de creer que otras, pero todas muy extrañas… todas con algo de aterrador, con algo inquietante que las hace increíbles y al mismo tiempo muy muy posibles.¿Te atreves a escuchar el horror esperando en este episodio?Compra mi libro aquí: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/También está en la librería más cerca de ti o en tu preferida para comprar en línea.Síguenos en instagram: https://www.instagram.com/RDLNoficial/Comparte tu relato en: mirelatodelanoche@gmail.comContacto comercial: ventas@sonoromedia.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
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I'm a name Bianca and I'm going to tell you what most
extrano that has passed in my life.
Something that happened in the metro
of the city of Mexico.
In the line B,
a night in the next to
my best of a party.
We were on the Rioskney
and we're going to get us to the station
Lagunilla.
A triecto of two stations
and I'm equivocal.
For the hour,
no, we're surprised
that there were a pocagently.
But it was very rare
that in the station of Bosque of Aragone
they were all down all
in the wagon.
All excepted one person.
It was rare because regularly the wagons
are vacants in stations
with connections.
Also, we did we know
that the person that
was a person that was
a man who was
a couple of
ascentos,
he was talking
only.
I was talking
since we didn't
we know
we've been
that I was
that I was
only.
I don't know
heavable
telephone or
nothing,
norodiphon's
vesty a
coffee obscure
something
something sucio
and discuidated
and a
good, of the same color, of the
same tela.
All he o'lea
mal, a humidity.
Decid we decided to put
the attention for if it was
a little rarrow,
to talk the alarm
of the wagon,
or something.
And is that
even we had
had been
to have been
to be,
there was a
thing that we
had to be
a lot of
our body
was to be
in a
place,
in the
station Oceania
so he's
got to
a man, but
none to
a vagon,
even a
a man who was a manned at our door.
When he was gone to
and he went to
another.
My amiga
me gave a codassau
for to look to
see the
sir.
It was
rascaing the
noca, but
in her
no-so-
I don't know
how to
say it was
a lot of
a lucura
but in
the nucca-as
like it
had scams
like if
had a
piel of
a hivora or
the agartica
no
he was to
rasked
and he
was a
polo
blancusco
as much
more
the more
Firt, it wasia.
I'm
seeing the
two.
You're seeing
count, but
they're only,
but they're
only, he's
and it's obvious
that was
talking to
us.
In the
next station,
Lagoonia,
we were
we backhams,
and when
they were
the doors,
we were
to come to
us to
him,
when he was
to put to
a foot
to be
to be
a bit,
down to
his
back,
moved his
hands, sacudied
them to show us that
no trai'a
nothing, and
coming on the
hand with the
hands back,
without to move
them, and
not even a
moment,
her rostro,
she
back.
We're not
we're going
into,
while he'd
keep going to
always be in
back to
us to us
until that
the metro
advanced,
and we're
we're going
and we're
very assustated
and we're
saying to
my mom or
the
papas of
my
friend for
for
us
but in the
next
station
something
something
something
something
we're
we're
we're
to get
to get a
station
a lagoon
where
he had
back
the
man
we
we
know
we
we
we're
we're
we're
we're
we're
we're
like
he
he's
he's
he
we're
we're
we're
we're
because
much and to who we told us what had
passed.
No, I see
if we're trying to
but we
took on, but we
took to
someone in a
tent.
A one of the
people that
was there
was to know
to know
to come in
us over you,
come in us
another,
come in us
to come back
to my
house of my
friend
after my
mom passed
for me.
All this
all this seems
a dream,
but I
know that was
real.
Completely
real, although I don't
I'm not even
near to
able to
tell you
the devil
is a
thing that's
a lot.
The
METro is
a
very strange
to a
community.
It's
many secrets.
Stories that
are very
difficult to
explain.
Apparitions
of characters
very
strange,
and
are more
out of
a story
of a
fantasas,
visions of
spirits
that seem
repeat
one and
other
once the
moments
finales
of
the
Legendos like the woman
that looks
to appear to
appear to
more frequency
for the
time to
then go back
to bevern
without that
nobody
can't
explain
why.
And something
more
more important,
that is the
fact that
the majority
of the
people that
think to
attent
against
their own
their
life
in this
city,
decide
to do
in the
form
more
violent,
more terrible
possible.
Today
we're going to enter
together
you,
to the
entire of the
city of
Mexico,
to get to
know the
stories
strange,
one's more
difficult to
believe
than other,
but all
very bizarre,
all with
aterrador,
with something
that's
incredible,
and at
the same
time,
very,
very possible.
My
name is
Urielreyes,
and you
have some
few seconds
more
to repentire
to get
to hear
to hear to
to hear something more
tranquil.
And is that
is to continue.
I'm not
I'm able
to be responsible
if you are the
second
protagonist of
the night.
Hello,
I'm Diago
Vasquez.
I'm
I'm going to
tell you
something that
I'm
a couple of
months.
I've done
a recognized
a
restaurant
at the north
of the
city of
Mexico,
and in
occasions
we've
we've
to end
to turn
in the
turn and
the
end this
That was the other the days
more of the days
more of the days more
pasted
because I'd
probably probably
to be the
line of the line
blue
the metro
maybe for the
hour
was almost
a little
something,
something I
did importance
I could
sitar me
and I
saw my
headphones
to the
mochila
because
me relax
to hear
music
during the
track
to
a car
during
the
the wagon
was
a moment
and I
did it
in the
only a
sir and
we were
in him.
Cere the
eyes
for a moment,
for a
instant.
The only
that I
was to get
to get a
home to
get to
get a
little,
I was
I was
a new year
that
had been
a
and I
had seen
before
and I
was
he
I'm
you know,
and
she
just
responded,
you
come is
a
good,
do you
don't
try
I'm
don't
I
asked
she
she
I again insisting and, again, and I
said that no.
Thence me
he asked,
"'Manyana me
you'll buy you?
Incredible,
I responded.
Yes,
tomorrow I'll
come, a,
myna.
And she
was there
was a-li-sucia
and he
had a little
I found
that cameina
rarro.
I thought that
maybe
had a
discapacitad.
My
trajectory regularly
is rapid,
but this
this time it
made
eternal.
The
metro
was
detentying more than the normal.
At the station, refineria,
the policeos announced that we'd
go ahead,
because one person
had rogated to the
vials.
I asked a
question to a
question,
because I had to
get to get a
house, and me
responded that
he had no
service because
it was of the
last few
trains.
Me suggest
to look to
a lot of
sat me to
sitarer to
the station to
decide what would
be at the
time, and it was
at the same
at the
of the night, and at that hour
there no other time
that were
to get me
to get to
a car.
Mientras
I thought
to see a
little to
see a
long.
Also, I
noticed that
now he
was rastrava
with his
car
of the
door of
the
passios,
adentrant
in the
station.
I thought
that had
seen that
had been
that was
that I'm
that I'm
I'm
when I
went to
a pair
of passos
I
that really
was the
The same little
that minutes
before me
had been
that
he'd
come up
a good at
a
little bit of
the same
he said
he went a
little
he was
that he
was a
lastimated and
he needed
he said
he was
nobody
he said
he would
have been
reported to
he would be
reported
the
I think
he was a
one of the
policeies to
not they
didn't
I'm
to look to
the
back to
the
And,
And while
I
He asked
I
asked,
I'm
I'm in
I'm in
what you
do you
do you
do you
do you
I'm
not a
I'm
something
something
I'm
made
to make
that
I
felt
that
I
had to
get
to
I
got
more
and
I'm
a
little
the
back
in the
pastio
for
a
moment
I'm
was
disfigurated
disfigurated, like if
not there's
nothing of
humanity in
it.
I was paralyzed
without what
to do you.
After the
two seconds and
a pair of
to sum up
to marries
to get to
the new
was there.
It was
too long
for that
the new
had disappeared
in so
too
until that
moment
I was
that I
had to
be
not was
not something
not
normal,
not
was a
real
and simply
I
went to
the
station.
Confunded by what I had
I've seen
call some
familyar
for that
I'm recogued
to be able to
tell you
to tell me
a man
a new year
nobody
me responded
and also
what he was
to say
that was
that was
I'm
not so
she was the
she was
that night
but
creem
creem
crean me
from
then I
back
to my
house
no I
want to
find me
to come
to come
to
me pina
to my promise, with that
a new year, with what you've been.
You send me much
salutes, Oriel.
This was past
ago in the worst
moments of the pandemic,
when the metro
was a deserteroing
in what before
was a day normal.
I remember that
I took the metro
in Estation
Tasqueen.
I had to
transbordar
in Chabacco
to then
to get to
the station
Doctores,
a recorridden
that had
made many
before me
never ever
never when
when I'd
when I wastes
with the
wagons vacuos. When I
subed, as always in those days, I noted that the wagon
had almost a vacill. A lady's a year of a
minute, and someone else was a few-a-half
of her, in the extreme opposite of the wagon in the
that I was I. But when we started to
start, I sent you a look at. No.
I don't see if you see in those things, when
someone's seen with much attention, but I
I just felt
I
know the
I'm at the
last of
the
other
extreme of
the wagon
me be
with much
attention
with the
eyes
very abertos
I don't
how to
say the
same
the community
but
I'm sure
that is
that
person
that person
that
man
was exactly
exactly
equal to
me
was
I was
I was
I was
my
my
car
my
my form of
to vesty
I could have
jured that
the mochilla
that I'm
the same
that I'm
I'm a
very disconcerted
and then
my eyes
were quite
of sorrentied
as far
as you
incredulos
I know
what
to say
he was
more
asusted
that I
and when
we got
to the
next
station
came
after
I'm
I'm
I'm
did it
was
when he was just a little bit more great, so
maybe it was a little bit more,
maybe a little more.
No, I don't know if it was a phantasm
of something that even no pass.
If I was a phantasm for him,
if in some moment me will be going to be
to be a young subient in that same station and
I'll start this circle.
But you know what is the most strange,
what he
I think
much
he also
he's a
mask
he's not
a mask
of the
we're
to use
all
in pandemic
is
that if
this is
this is this
is this
is a
real
to a
future
so that
for a
moment
I'm
to come
to
he
all
he
all
all
I'm
all
I'm
still
probably
I'm
hope
in God
no
before
to continue,
for
favor,
let us
know what
you
know these
these
stories,
what are you
think,
how they're
if you're
in this metro
or in
any other
other
other
other,
share us
to us
let me
that we
want to
know,
and I
know that
they're
going to
find in
all
all
different
on all
different
for
that's
so
and they're
to
get
the
books and all the next
weeks and in the next
months. Because many
surprises, a lot of times
are going to one day
for other and by the
reds is where they can
enterer. For now it's
moment to continue.
Aung no survive in this
episode and if you're
listening in the metro, in the
transports public,
we send us a salute,
a brazo, and
well, something
something says that
you'll have to
have to tell us.
We'll continue
Hello,
Hello,
I'm atrope to
to convert this
that was
a minute
if I'm
in the community
has lived
something
in the metro
of the
city of the
city of Mexico
I'd
like to
know what you
and they're
doing that
they're not
I'm not so
I'm
think you
have told
this
my family
and
people
but I'm
just make
feel
like if
I'm
like it
was
I'm
I'm
so it
was
I'm
Approximately a month, me
I was going to the metro.
Exactly in the line 3,
that was of Indios Verdes to university.
They were almost at 12th of the
time, and as far as far as,
the metro is practically
vacill.
I boarded in the station
Tlatelolko,
and the first
that I noticed was that
the other side of
the ways,
and almost
front of me,
there was a
signora of the
simply
mirandes to the
the wall.
For some
I could avoid
to avoid her.
I'd partar the
but it was like my
my body not
responded for
a instant.
When I
looked reactionar
I found
I found her
at the
border of the
end up
to get in
the way
I'm
over-salted
and I did
a pass
to the
back,
to get
the
way the
she not
was to
the
looked
to try
that I'm
there's
and when
I'm
never the
The train
And when it was
Sustreale livid
I heard of a species
of shiggied to my
spieldas
It was a
soundio
strange,
like the
that's in some
little bit of
I tried to
ignore it.
And in
while the train
was detue
front to me
and I
did it
and I'm
looking for the
window
to look
that she
and she
did get
to the
name
tunnel
to the
CENEL
the
the world
me
invading
to
the point
when
all
all passed.
Sented the
body
elated.
I'd
cost to
breathe and
I could
have to
get to
make to
be able to
get to
my
destiny,
so I
tried
to calm
me.
When
for the
when I
came to
I
felt a
very
very
I'm
a stable.
I'm
I'm
so I'm
I'm
I'm
to get to
that
horror
terrible
terrible
desagradable.
Noted
I was at
where
that was the
old.
Of other
wagon
she
back to
she back
she
was the
way to the
side
and I
just wanted
to get to
get to
the
metro.
Yeah in
the
street
to
go to
my
old
was my
back, I'm
coming
very rapidly,
I'm
that's
that I'm
I'm
that I'm
I'm
a moment
I turned, with
with fear
to see her
with me,
with
the way she
was in
me,
and in
effect,
there was
the same
lady,
the same
one of the
distance,
in this
occasion,
for the first
I'll
see to
see to be
is real,
if I
was my
imagination or
my records
have been
going
to be
what I
heard
after, but for a moment, community,
I believed, as I never in my
life and at my backers
to hear the sound of something
rasping the pavement,
and the cadets
inconfundible is a perro when
he was.
I don't want to
turn.
I don't know
in what moment I
per die of my
abuela,
the only that I did
was to get me
all the time
after the time,
temiening that
that woman
would appear
to appear.
Never he
I ever,
but the
fear. The fear of that
I've ever
to come to
keep on me
for the
whole O'Reill and
community.
I've seen
the channel and
also read the
stories that
public are in
the group of
Facebook.
A few days,
while doing a
marathon of
the night,
I've heard
many episodes
about falles
in the reality
and sucesos
in the
transport
public.
That me
made to
record to
something that
me occurred
a few
last
before
to share
to share this.
I'm
of the
city of
Mexico and
I use
the
not only because it's a form
rapid to get to
to get a diversus
places,
but also because
of some
manner
I'm going to
get a strange encanto
in a
to get us
a little
to do you
what I'm
was a
morning when
I was back
to pass
the end of
the end of
the
station Akitla
in the line
A
is dentist
and the
and the
dominoes
and the
week.
His consultor is in Ecatepec, while I live near the stations Taku and Panteons, in the
Line 2.
To pass more time together, we use the Metro in our recourriot.
We go together.
We take the Line A, from Akatitla to Pantitlan, where we do transport to the Line 5,
and we get to Oceania.
There we separate.
He goes to a Sudea-Astka and I see to a good-a-vina-vista, taking the Line B.
that we cameharmes
the usual
to the station
to Catitla,
so we
cameinavs
with a
end of the
end of the
end of the
time we're
we're doing,
and we're
when we
got overed and we
put us
we're gonna
back a rapid
in Pantitlan.
All
it was
it was
to get usciania
there,
every one
took their
respective route
my
my promised
aborted
first,
and I'm
kept
waiting
a few minutes
to get
to get to
my train.
When finally
he was
It was a
So I had to
I'm a little
between the
people to
go ahead
We're
But in the
next station
They were
I'm going to
find a seat
I put my
headphones and as
the
customary
I put
relatoes
the night
on Spotify
During the
two
stations
The people
still
back down
until
just we
just we're
just
we're
We're
We're
we're
We're all
we're
the last station in that the metro
is over the water
before to enter the tunnel.
The A.C.
Sighamorel, but to get,
the train should descend
for a pendent and
to make a little curva.
While we wentz
the light of the wagon
barpadeed three times,
like if they were
to funders.
No, I did much
importance because it's
something in the
trains of old as well ase,
one of the azules
with four-scentos.
When we came
to Morillo's,
backer more people
and subbed
a chica that
was sent to
just to find
to me.
In that point
there was only
five passengers
in the wagon.
The doors
were all
and the
metro advanced.
I still in
the mows
and present
to present
attention to
the other
to be
conscious
of the
stations
were to
back.
De be
a
when I was
on
over
my lentes
to
look
to be
more.
In the
the
next
the train
so deto
I
heard
the
the door of doors.
I mean by the
window to confirm
that we've
got to Garibaldi,
but in the
letterer of the
station,
it said Morales.
I'm
confunded,
enfoke more
the
mirabing,
assurances
me that
not,
and no,
in effect,
the lettererer
said Morelos.
I confunded.
Enfoke
the mirate,
I'm sure,
the way,
I'm sure
that I'm
not,
in effect,
the letterero
said Morelos.
The chick that had
subbed in Morelowe's
too
not all this
error.
Just he was
preparing
to be a
lettererer
he was kept in
his assyent
with a
expression
disconcerted.
We cross
miras
but
no one
said
nothing,
we just
we're just
we're
quiet as
all the
all over
that all
and the
front were
to be able
to turn
the door
did you
don't
the
light
but this
this time
something
me made
a
anxiety repentina.
I did
account of
something even
more strange.
The
scene to my
around
was a
view it
like with
a filter
sepia.
The
people
were distorsionated
and I
thought that was
my imagination.
I quit
the lintes,
I
didn't, I
didn't,
but I
didn't
to that ton of
sepia.
The train
still went
to be
the
light of
the
next station
the first
what I did
was to
look
the
letterer
with
the
name
for the
of the
child
we're
we're
to
a station
guerrero
she
opened
the
door to
and it
and
before
to go
and I
looked
to
I'm
to
I'm
a
mobile
the
other
two
people
in the
wagon
also
were
they
were
they
were
they're
they're
all
directions
like
they're
they
were
passing, and then, when the
advertency of sierra of
doors, they were
two new passengers.
At the endar,
for an instant,
I was like pixelarse.
I don't see if it was a
game of luses,
if my mind
was just about me
was a bad passada or what,
but the sensation
in the environment
was dense,
pesada.
I was even more
nervous and just
I just wanted
to get to
a good-a-vista,
that is the
terminal where
I'd rather
to get me to take a car to my house.
I was up and I was pared
to the door to the door
decided to have
in the next station
for a while
was the train
advanced when we
when we got to the
next parable
for my alivio
was a good
vista
I was
I was in the wagon
as rapidly
and I presuery
to take my
camion
yeah more
tranquil I
sat and I
tried to communicate
with my
prometido
I had
a strange sensation
that something
that something
that was
for pass.
He sent me a message, but no respond to.
I thought that maybe I see in the transport, or
just was just about getting to consultory.
So, to that no
did too much more than it.
A little before
to get to my destiny, I received a
call to such.
Contested, but
the only that I was a
strong interference and a voice
distortionated.
Colgue to inmediate.
When I away from the
carmion, I began to
to go to go to gore. No, I knew why, but I was
very inquietta, like if something not
was not even. When I was getting to
my mom received a preoccupated. Me said that I had
been trying to communicate with me, but my telephone
no had a signal.
Look at the hour. It was 10 of the morning.
That's not a sense.
Usually my trajectory durer one hour and a
and a half, as a day we had been out of
more time.
I'd have been to get out of the 8.5.
But there two hours
disappeared,
two hours
per'dida.
I know what
happened
that day.
I just know
that of a
time.
I'm kept
thinking,
really I'm
really I'm
in the
place correct.
Disculpe
in the
extensive of
this relato.
And much
thanks for
me.
My name is
Diana
Isi.
I'm of
the city
of Mexico
and
this
me so
I'm
I
prima finales of the 90.
We used to go ahead and we went to the
founted of petrolios,
for what we'd be transledable to the
station auditorio.
As it was a routine to go to this
place, we knowcied most
well the way.
While we had to make sure we
not we'd have to transport orda,
nor to where we had to go ahead.
It was made to form
almost inconsiente,
almost mechanical.
A certain day that we
took to go to that,
to the hour, to the
four of the
time,
we're in the
station and
we're going to
get to
get to be in
the stations.
We're
too immersed
in our
plattica
that we're
not present
attention to
our
around.
And then
after we
were quite
that we
was a
very
really a
very
something
that's
very
very
very hour.
At
getting
to get
around we
we're
that we're
a bit
kind of
like if
were doing
some
there were
there were the tourniquettes, only had
no one tablas obstructing the
salida.
It was there when
we're actually
we're getting distracted
sure we've
seen by the
side of the
last thing.
Curiously,
it was it
was just only
not had
passed to us
because
no one
back at
a man.
In a
rinkon
we've been
a man of
a manned
with a
form of personnel
of
maintaining,
barriending.
He was
I was the
when we came
to him
he
asked for
where
we could
to not be able to sit-concerted for complete.
He was turned to immediately, as if we had us
usled, and when weirmed.
And, when we looked at a way strange,
like if it was being a phantasm,
or something that would have impressedo' much.
De fact, he never could have been
to talk.
Only he went to the man and signaled with the
dead to the escalers for where we had we'd
subied.
Ante that, the only
that we'd left was to come to rapid.
To regress,
while we
we didn't
any of the
two
said no
now.
Now we've
completely in
silence and
pensatives.
At
getting to
land we
we're trying
to be
to be
we're in
we're notams
there's
there's
people who
was
not surprised you
see that
the person
subied
without
and
in theory
above
was
a carive
was
intrigued
I took
my
prima
to the
hand
and he
said
that
we're
You can imagine how great was our surprise at
getting up and to get up and see that now all
was normal.
No, there were no type of construction.
The tourniquettes were in their place, and the
people out of any problem.
I just recall that the two us looked at us, we
we're justed and,
to, to convince us that what we had we'd have lived minutes
was a real.
No
we know with that
attitude what
happened, but
I've
talked to this
with various
persons and
always receive
many comments
to the
respect.
Personally, I
kept with the
theory of
that we
entered to
a kind of
a kind of
a
little,
the
which,
according
says,
it makes,
to be
on this
case,
we're
we're going to
put down
the
decade of
the
80 or
something
when
was
when it
Then,
For other
other
other
side,
in-
counter the
mantening
I
like to
imagine
that from
it's
perspective,
we're
we're
we're
the
apparition.
If
we're
we're
we're
the idea of
the
construction of
the
process,
in
the
time,
there
never
there
never
there
is
so I'm
so
I'm
on
I'm
I'm
never
never
a
question
for
this
but
me
I'm
many
doubts.
Now,
I'm
I'm
I'm
so some of the
called
phantasas
or spirits
that we
have been
in reality
persons
trapped
or
peridid
in a
world
or in
a
time,
or in a
time.
Much
thanks
for
me.
I'm
I'm
hear my
relato
in this
extraordinary
podcast
that
has
been
my
favorite.
Saludus
that
pass
very
good
nights.
