Relatos de la Noche - La Casa Tomada y otras historias de Casas Embrujadas

Episode Date: August 16, 2025

En este episodio de Relatos de la Noche escucharemos tres historias en las que la vida cotidiana se ve interrumpida por presencias que parecen reclamar un lugar. Una familia que compra una casa “nueva” para ellos, pero que parece seguir habitada por algo más; un hogar antiguo donde las paredes susurran advertencias cada vez más inquietantes; y un armario oculto que guarda fotografías que nunca debieron existir. ¿Te atreves a escuchar? — 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ 🎧 Disponible también en audiolibro.  🖤 Gracias por ser parte de esta comunidad.  Síguenos en instagram: https://www.instagram.com/RDLNoficial/ Comparte tu relato en: [e-mail] Contacto comercial: [e-mail] omnystudio.com/listener for privacy information.

I was out of the quarter of my when I pared in the passio to a few to me was a

very was a long with a vestido and a peltucus with a

face a black with the eyes painted of the rogo

me was a I'm I'm I'm didn't too

too that he could partpade he he had

parpado Very good Nice No, Community I'm I'm I'm

to know to be here and ready to hear and I'm to find you know

to get to get in stories of phantasmas but if not for that we're

here for a moment so let get the world and they're

to the other plan where they're that they're they're

that they're there they're Dedicam this episode to all the people that live or have lived in a house embrugada and for more

small that is we invite us to share us it's moment to be a light and to get us because you know you

you're you're you're listening of the night hello community me name Camille I've used

on the 13thubes of 2012 24 today I want to tell you what I've that we've been that we've been

when we're a a little Nica. Something that my family, but that I lived in a form that

still I put in a lot of I'm really a never I'm going to never get to

fear of the light, a fear of the darkerable to the

I'm I'm I'm in Monterey and when I'm nine years

my parents bought a new new one new

for us because in reality was a house adjudic that the

bank that the because the ones don't continue paying and then they're

much more faratats even more than they're in in the for my father was an opportunity

much more more great than the department where we've we've been a colony more

a colony more a car was a house that never had ever had been a

price normal the day that we're we're we're we're

those the residents were amables but they're things

raras a A lady, a young, with the hair with the hair,

and the cabo my mom, he said, Bajito. Ohalah that the do you know don't want.

No, were good people? No, I'll explain more, and so it was with

various people, allivated to that other family would be there. At

the first it was normal, and normal and so rare, as can be mudart to a house

that even that even that still has the the odor of the family anterior. Not an

old old bad, but no, it was not the I used to I'm sure.

I never had a question to hear you feel like I was thinking something of the house that

with that with that I'm to come to come I'm my time my papas

us were telling that the other dreams not been been

I'd alimented my sensation that the house of some we'd have the bank he took to the force they're all

their things to the house and the photos family and that's all the quadra my papa

my papa said that we didn't the culp that the company was completely legal

but a sometimes he'd be to be being to be looking the

door like if ever ever to talk in any moment reclaming

what was your the first thing that's a little thing was a night in the

I was in the house not in the street not in the patio outentro some

those passes with a raster rarro like if someone not could

get a man who I'm my friend Odette she was in the

prepa in that then, but when me I zoomed, I saw that his port was was made that the pastes were a

rata more, passes that were just out of my court. A los Pocos days my papa said in the disjune that

had heard heard of the pardes, like if something that that's adentro. He said he said,

that sure were ratones, but my mom didn't don't know. The poor was the door of the

door. That door is front to those escalars in Obraneck, that's the third piece that never was built to

a little bit isolated of the house that only used to use to get to a colgar a rope. One night

we were seeing television when we heard that the chapas was to move like if someone

would be out of out of outside. Sub we running but no there was

nobody, and no could be the lot. The is very high

in comparison with the casas vicinas and there many

between the touch and it was impossible that someone's metiera, that someone

saltar. No, there was a form of that someone had been started at the other side of the door. My papa tried to brag on, saying that that was was going to buy a house so barata, but

nobody said rio. I don't, because even in that moment no, that was at the beginning. Between a month, my routine was almost always the same.

My papas passed for me to the school and me led to the work of my mom. There me I was a time

until I was my papa, and then we'd go to us get to

all the well, all of she was she was in the prepa and was

a direct to the house so so that she she was she

was she was she she got every every we

we we're we we're we we're we the

sound was very clear pass We were all the other Aesotene or the third-pice or the third-pice and terminate in their abetation.

They'd have been in the abetation. And then, silence. My papas thought that Odette was doing something that not wanted to be we're not, that maybe espied the other than-segid. A man who, a little bit more than we got him, that was his family and that, according my my brother, not was that too much.

And that, transusing the language of my her mother, is that he he loved it. But as not they'd like a very very timid,

never they'd never they were so. But a yearn's a little different. We've been

pasted at the super before, so my papas were to back back and I

made to the door. Penaed I'm the key, I've seen the second piece,

coming from down to the second-off, but now pising very very

He's and then a portas me and I'm from the escalers

and I'm even from the plant and I did go to go back but

I'm running and I was and I was like that

I'm almost caricaturis and now you why you're you

I'm I'm I'm I'm I'm not he's not

he's I'm Again, with a Gondon. When my papas entered, and I said

that O'Dett was a rarra. But my mom me mirro like if no

he said. Your brother no is that? He was permission to get to to be

to be to be to be a second. Then I told what I've been seen what I

saw the and I said that and said to move the escaleras, a pen

put a a second Piso. All right. Passes on the passies of the door,

and the piece of course, the one extreme to other. Not were passes that were to

be sure. They were very much and they're very much, my papa was quite looking to

the obscurity of the the pastio. When he said he no

he was that he still still was like incandilated by the lights of the but that

did you think you did something he said that rapid, that

you know the when when someone is going to you. We're we're in we're doing

we're doing to see to the door and the part in the black and we

don't we know we're not a door open or a

door that nothing but we're we we're we

we we're we I'm I'm I when I think

in what I thought what most me a sust, not what I saw what I saw what I was living my my brother, without that nobody's to get a count.

And Odette, still seemed normal. I was at the prepa, I'd go to the prepa, and she'd with her friends, and she rea in the mesa. But one day, Carolina, her best friend from the secondary, called my papas. No, we know we know much, but she was heard a preoccupated.

He said that Odette had changed much since we moved to be that he that he said he

said he first he said there was a voice that he had a night from the from the

bed, then I started every every every from a

dark of course a time a media the voice he said to start

to be a door and from the door and from it's something that

do. For suppose, my papas not were all the whole to Carolina.

They thought that were things of adolescents, or that she exaggerated. But Carolina

insisted and said, and said, for favor, not just do you do that.

Goan to do that when not be. Only that I'm going to do you, go back

it's all, and me van to see. That end the end of my My brother's out and my

papas approached to enter to his room. I'm I'm after them looking for the

door but then I'm also I'm Odette had a a manno proper.

In when they turned the light, we're we're we're all the

lavabo was covered of the cera dirty I'm not about some

gotas were cups were cutas that were all

the the window, there vellas abacabated for all parts and three bells light on

the spejo in the in the hume and the water's that had salpicked the video

there had different symbols that now I can't describe well

my memory was that had been when when dead back

my my father my they went to all

he did but the final he to cry, but at the final no aguant to. He said that he

said to that voice for that he was lastimary, and then he said he was crying. For favor, not appare the vellas

front of the spejo. He said that if they can't, we'll have to suffer the

consequences, especially Camilla. Necessita the vellas front of the mirror,

to be and come. My papas, thinking that was a crisis psychological

or psychiatric, decided They were they were to send her house of my abuela, where I was a tio that's a psychiatrist. So, I'd be a goodada,

supervised and, legoed to that house that was doing so much my family is very unied in this type of

crisis, so that they received with all and they were that we're that would be that'd be that's the

same day after you after my papas apgars the bellas. I remember I'm quite

that I'm While they'd have the basura. There was when I heard of

a little very rare. The sound of something that was out of the car

behind of me. Very very very very so that's me diso the

whole of the I'm I'm I'm I'm just I'm

got a more to get to the door to that's that's that was that was

to be to work but when I a few, a few meters pared, there was a

spantos, there was a man very very old, flaco, with a vestido old,

discolored. He'd a peluca and the car was too black like with much

the makeiage. The labios painted of rojo, but all around also around

was manchated on the same color, like if had embarred

a painture or, or the same for all the book. The poor were in his eyes, because

it was like if not had a parpardos. I was mirabye I was surprised to be there

and then ran to the stairs that the door to the stah. The passes were

very, desperated but subient much the not I don't

remember nothing more just I just I'm I'm I'm at my

side and my my papa, Dantome Aire with a Carpeta. I had desmallied.

When I was what I my mom said to my father and he said,

I'm I'm my imagination. Resulted that she also she also

never no, my mother and me, only my father, that no

had I've never been to I'm I'm I'm I'm

needed the and At the pagardless, she kept on this side. And my papas they quayers for months with those of the agency of the biennest-rein-raises,

but no putiern't to do anything. What the devil's going to be able to do? Only us assured that no they had nothing

to be with the old but, well, I think there no, there's no guarantee

in contrae that there's there. At final, we're we're getting with that case,

because, let's repitit, it was a Magnifica offer to buy her for that price, but we've moved. Since then

it's rent, but never have been a inquilino that renewing the contract. All they go in

when they can. Although my papas they're an price very reasonable, by the under what

are the area, even the same, the last he said that's was yet

very recently about that case, was something that was something that was a A day, talking of herencies and all,

he said, The day that my papas get to falter, that case is for you. I don't think to go to the community. My name is Javier and I'll write to the

L'Oanahuato. This was past a few years when I moved with my husband and my son, of eight years, to a house in the center

historic. The dwean us explained that was an construction an old, but that had been remodeled recently.

I was in the the street of number to a few, a little the end of the rents

was over the time of the same to be a new to be there in that area, and even the house had

details old, like pieces of the windows, windows, we're not the

three. The quarter that was to be to my little patio,

and the first that I know the first that was that had to to clean very well the

paredes, because they were full of phrases written to lapis. Not were garabats of any news,

nor insults. They were phrases short as. Yeah, almost. No abras. This

night, I tried to clean them, but I thought. We'd then we'd

think it thing to paint the the wall. The first end of the

second of the fourth with two new the first night

we're but at the morning the next the phrases had been in the same places as we've

never had painted. At the first we thought that maybe the paintura not had covered

well, that with the humidity and the light and the light

the walled to get all the the front, to leave the

little and paint to this this this did

it for a day the second morning the

phrases had been back but you're not the same

now they're more more they're let's let's go

to do it you don't you go to and

what was that they're saying they sometimes they

could be that my my wife me said

he not not suggestion or to put her ideas, but he started to make sure

comments very very much first I'm saying that I'd say that someone that he'd be with a

voice a little, like if cost to work to pronounce every the word,

like if it was the air. One night while he was

with the time, he was looking a point in the the door,

I'm not he was talking, when I when he asked, I'm

I was asking if you can enter. I don't I'd ever to ask to ask you. And my my son was a

great as to have people imaginaries, coincid with me in that the morning most

aterrador was a Saturday. My husband was in the kitchen and I

had to get to get to be to get to I was I'm

I'm in the door, but in the words, like you another once,

I don't know if you're going to I'm going to believe nor my mom but I'm sure for my my son that's it's

it's not how explain to but that that phrase not was it was not the

other more more more obscure like it was like it

was that this same madrogate and that day that same this same day

we pack we the basic and we went to the Swegros. We've gone

a day after just to recover what was to not we're in

the contract or not to try to get to get to it was

a money back. A little a little was

that was the I'm I'm sure that ever

in it and thank for so that people that get to this

point and that in a manner instinctive, buscan these stories that the people normal prefer to not to hear. Recurts that

we're we're doing, because, because, in some form us record that we're still we've

not, not forget to the video special for the two millions to tell us how

came to this community and they can participate for one of the 10

books autographed that we'll we'll we're to comment, for

favor, you can gain one of 10 books. And if ever have lived a

place in a place or that ever they ever ask to tell us it. You can

invite it to my relato the email. com. We'll learn

and we're also it's can't be part of the next recopilation.

For now this night there still there more

more community. Me called Teresa and I live in Guadalajara. This that I'm parted a few years when we've been a house in the case in the same we're living. Not a caseone enormous, or not for the style. More than it's a construction big. With passages angostos

that, of a repent, terminate in a part, puertas that no coincide and between each, and teachos that change to altitude in an abitation without a reason clear. The doone us said that had suffered various remodelations since the years 50, and that

for that the planes not always quadraband. He rio when he said, like, kind of the importance. But I mean I got a sensation

an incommod. Like when you knowves a new and you know that's the same time.

Even as we encanto. It's near the center, the is tranquil, and has

there are someubes all the day. And something that I'm that's the first

visit was was the silence. In when you the door, the

the noise of the the street is apaga almost for complete. The room that was the

place was in the plant altar. I wanted to work in a studio of costura because

there's much a lot for the time. I mean a old old

a matter very with a little a uniform that was a

thing a a second and I and I did you decide

to we need to I know a more more

free that it out as the a window occult.

Detrast the libriero there was an armario empotra that no appeared in the planes in the

door was in chas by the humidity and had a surroho oxidated as the door

that are the that are to make sure the door from one of the two sides, with

the marks of the part of some that the interior came a lot

under the dark madera mohada and perfume an

perfume of a caron that is a per the time. When

for the first goal was visual. Roppa very antiqued, with a good good, as if someone had

had just had been the day earlier. Vestid longs of tela gruisa,

trages of a man with chaleco, a sombrero of an armcha and two

pairs of sand of the tauts on the era not was only the only was

not they didn't they're a psal Toque a manga with the Punt of the Tegos

And I Knews And I'm Knewlowe The Lever It was Oral still For Peezee I'm from piece,

the house. In the the room, the escalator, the escalator, the escalator, the passillo of the river, a corner of the co-cina that I recognized by the lozetas. In the images are people that, for

the course, no, we know in many, the people were at the pie, mirro to the camera, but with a car of not care of being there, in others, in the

majority, of the spaldas, with a man and a little always and overretings a car. And in various,

a penas, a man with a barrandal, a silhouette desenfocated at the front, they were in

people a chance to the house, visitants. That night, we got to

the house in calm, extend us all the photos over the table of the

commas we're we're we're we're we're we're we're

there a little sillon that no exists, a lampra of a piece, a quadro of flowers that nobody

left when us were in the house. And in more of the one room,

appeared a sombra very a large like if someone was

that the encuade and the flash just he could

to get to another other another not another photos

were some photos that One of the room I had seen you a window behind

the sofa in the house actual that's actual that's a mura is completely

solid in other was a other a woman of the back of a man

a room there's a wall there there looking with

more we're not details that's very little in the margin

blank of the photos werecings or initials. In one, for example,

it 0.7. 10 and in another it said D. 6am

as if someone had been been been being being the

reverse of a photo with blue only only said

26 12 26 The first photographs are you tell the history

of the remodelations of the house their history as a record

of a new cicatrice us we're we're and we're put us

and we put us up on the intention to get it to

another way that my studio there many many

many material the armario we saw with For a major security, my husband moved a

a new weapon pasted at the door. If we both we thought in that. Security? Of what? No, we didn't know, really. But inconsiently

we knew that we'd be that were well a secured at the door, that not could be able from that's out of that, I remember that

me said, I'm kept with the honor in the night. an odor and a way is like agri

pegated to the dead of the day next I'm my machine in the desk of

the studio I'm felt it a little more than the house not

that's something can make a thermometer but one know

that I I'm I'm I'm and I'm without

I know that I saw that I'm moving

like you a current of a but no

there ventanas abjured to the time a second a time a time

I'm with a time to get to something I'm doing I'm

music bassito of Juan Gabriel on the telephone nothing

rather I'm on that I'm a click brief seco like the

camera like the someone could I'm to make a photo I

thought I'm my telephone but I'm on a

man No, I did my husband to not to get as a extravert.

That same night after after the same I did the time. It's and I'm in the

part of the In effect, there was a photo that not had noted but for a short, no, I'd appear to you. If that had happened, me moria of the susto in that same instant. Conformer past some days,

me went on things chikas, in details little, the temperature of the quarter was in relation with the climate of the outside. A-beastase, at a media,

when the sun le pega at the ventana, the area of the studio was fresh, that so as if there were a ventilator to be reprimanded to all the day and it was to the nightseer, she sentia a lot agovient, and the odor of the armory, it was like if the matter sudder

that perfume. There was a occasion in that, at enter, I felt that the piece vibrava very levy, a tremor-citro. I thought a man-pessed that was going to pass, but no's no-sechewed nothing in the street. I I'll

I'm clavoured and juror that the visagra superior was a

little separated the just to see a a line more in the

border like the made had said I did it I

didn't I didn't I did the very I on

my suhors to come I I'm I used

a mess to make that I sometimes I

do things when the the kitchen is enra. My Suegra's kept parada

at the door of the door. That's beautiful your daughter, he said said,

nothing that has a little a rower no, like a roperer old,

the old and I answered, I said, I was getting, she was she was

her car, and when it was to talk, I, I'm clearly that he said,

there, there's there, there, there I asked what had said, and my Suegra only came to back. No, no, Ija.

Ideas of a signora that they're done, nothing more. He said that if I could show you, and he said that no, rotundamently. And with the first pretext that he took me left alone in my studio to teger. In a while they went to go ahead, I went to the room to the table and I'm

I'm a serque. I pegged the orieja to the table and no I didn't hear anything. Toque the door with the nudillos. was a touch of a little, more for nerve than for other other thing.

Sentie the call to govour as as aoged, as if there much space

back, as if were the door, asia, a door, and we were to

make sure the clavos and my husband added two more. That night we had

a movie, other we'd we're we're, we're very clear

from from from We were up. Weirmed the two. Pausamos the film. Sub we were together and we turned the light. No, there was nothing out of their place. The door of the armory was clavada. The mobile still pegged. Revisable,

the house, ventanas serradas, chapa of the principal in his site. Everything was good. But had been very clear the sound, and now my my husband could confirm it. It had been the click

of the opturador of a camera. A the few days, and

without having talked the car of photographs for

the house alone, and the under a under the

escalon of the escalor. It was very, very moved but it

was in form almost abstract our our cell the

that we had had with our sofa a not with the old of the other photos.

The take was, a little bit caided, like if someone had taken to be priscilla while I'd be in the mesa and respirable to not alarm me. When I came my spouse, I was a photo

without saying the photo without, I saw a long rato. No, you're worried. Surely this is of someone else. Surely not you've been seen it.

You remember that the vendor no said that had has been much people here, this house

is a whole of records, the memories of all those

families that the house will go to go and

that was going to that that was that

was that was the he he he he

was he but definitely no me tranquill he

we got we got with the same and

that night before to do he that we'd like we'd like to clavar the door, to assure her.

And if she was clavoured but we did another way, more back. We used also a L. Metallica in the

corner. Nothing drastic. Only to reaffirm more the door. Passed a few a time

in calm. Yeah no I'd putte-tela over the table of the studio in the

night. Mejor they'd in a caron. Tampo I'm didn't

make space front of the door of the armario, serraba the

cortines at the arceive are the little manias that you adopt a doubt. The day

that was a lot of a lot of a lot of we're in a new thing. We're in a cold

more more than other times we're we're we're we're the studio

had the light apgated at whencendar we we've the

door of the armario that part in par in par not

rota not arrancada, abiered. The clavos were in the madera, but the

redoled like if had been inchated and then had been chided. The move that

we had had been a little caught, a penitro sufficient to make the

aperture. In the the floor with the plenters and

the photographs extended as they had been abentated there. My

My husband reune rapidly the photos with with the hand with the back to the back.

He was also the room. And we'll we'll have to be turnillating two pletinas crossadas.

We've we're up the move, we we're just we're we're just to not we're to call to

anybody. To get a car to say that an armario that not in the plan, he abe sort of the car

that's got to make more. the day the next was a day and a

medias work, manned food simple. I subed in the time with

the idea to get to my things of the studio. The

quarter lia less perfume and more humedad as when

you stap a bag guard a much time took

the desk I the the man and I

know the and the before I didn't think

to put the door of the armory. It was a friar. Like a winter.

I kept a moment with the man. And the only that I heard was the room of the

house, the boiler, a car to go to the walk to the stairs.

No, we've got to move that armory. The studio still

being my studio to to takeer, but at certain hours

prefer to start to sometimes very of when I'm

subu for something and I get that that

Breve. Like if someone was trying a camera behind a matter.

No, I'm I'm want to do you do you go to the

door, I'm the light of the same container, but yeah, in that

court, yeah last we're in the bodega. They're an

etiquette that says various for that nobody is put

curious and that want to revise. And if it's probable that they're why not we're all right, and not

should be able to answer. I'm going to learn to live with certain things of a house, like it convive

with the or with doors, or with doors, no see if that's all that's all. We're not

we're not some people, and we've started stories paranormal and they're in their past many

things rareas. Let's promise, I'm afraid to leave those atras, I was told what we passed to

us to the other the photos. When I was nervous and I was nervous and

me I went to back and I was I said that the time that he recogued

the photos when he was he he had seen a photographia more

one that me was one where I was I was I

taking of the the scondy I was I think not ever

heard I've seen I've seen I'm No, Lucy, no me it's something that he would have. Thanks for to hear me,

Community. That have a little dreams.