Relatos de la Noche - La Leyenda de Juana la Loca (y otras historias de horror)
Episode Date: November 25, 2023Una mujer que aterra a su barrio, incluso después de muerta, un maniquí que parece moverse por las noches para terror de los veladores de la tienda, y contactos con familiares desde el más allá. E...stas historias te esperan en este episodio de Relatos de la Noche.Compra mi libro aquí: https://a.co/d/endS1bYTambién está en la librería más cerca de ti o en tu preferida para comprar en línea.Síguenos en instagram: https://www.instagram.com/RDLNoficial/Comparte tu relato en: mirelatodelanoche@gmail.comContacto comercial: ventas@sonoromedia.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
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Discussion (0)
Very good nights, community.
Beenvenous and welcome to your program,
to RELATUS A La Noche,
where for the next minutes,
we'll try to escape
from any preoccupation,
of any kind of,
we'll try to do you
want to be,
that your brain's blocker,
that your cerebrose
and let them enter
in the next stories.
In the next
relato,
of encounters,
with the paranormal,
of encounters
inexplicable,
in the
The next Relatos
of the
night
Juan a
Loca
we'd
say
I'm
don't see
she
was
not
I'm
just
I'm
just I
and I
had to
give you
and he
regalable
a
water
or
other
food
I'm
I'm
someone
that
was
someone
that
was
but
Juanah
always
I'm
was
different
tranquil, in calm,
with a mirabye
and that roba
but old,
and she's
all the earth
and the
people,
some point were
that I've
had been
a past
privileged and
a new
a new formid
mental
that
he said,
there was
that in
that had
been in
the country
that was
in a
way,
it's a
that he was
that I
know
had been
that's
she,
Joanna was
a
woman,
she
always was present in my records of the
minnese, as a personage
secondary, but
always present,
always at the front.
One of the ballonasson in the
spada in the form accidental
while I was playing football
with my friends,
but they were riled
so much and celebrated
my punteria
in that way
that I did the
malo, and
I was invented that
for the purpose,
that he had
pointed to the
poor of Juanah
and, for the
course, that I
did.
Juanna me
with courage,
but the day
the next, it was like it was
I had been
al-a-al-addeded. When I was
ryeing with my mom at the entry of the
house, she was
to ask her to pay her
like always.
I costed to
get her the
eye to look at the
look at the
day earlier,
for having me
reeled so
that she
disappeared for
various
years,
she was to
be over the
car yeah,
he was
to see that
personage that
was a
permanentiment
in all
sides, as a
fund of our
lives.
And a
despite of
that we
did we need
to know,
to nobody
he preoccuped.
Nobody
he knew
the sufficient
as to
that's
like the
people who live in the
street
disappears and
nobody
is to
know that
that's not
that's
so we're
the cruel
the people
that's
we're
so much.
I'm
I'm
I'm just
my
time to
my mom
went to
to accompany to one of his
friends that had a problem
with her husband.
My mom
no me said
that had been
just that
my brother
would be able to
get her
to get to
his friends
to the
street to the
and it was
later.
It was too
he was
to come up
that not
that was
the phone
of the
house.
It was
he,
my
brother,
that me
was from
one of
his
family,
me
he said
he was
he
for him,
for him,
and
that was
that
the age that was a little,
I'd go to the
way to the time
like that.
I asked
if it was a
little bit of
and he said that
Juan a-lawka
was out of
in the
the street,
that no
was to
pass.
Colve the
telephone and
I was
rindom
to him to
get to
get to
look at
after that
in her
case practically
all her
life,
now to
be sure
because not
he was
to be
because
the poor
a little senior in the
street.
I was thinking
in if
reganar-law
or to
make you
know that
there was a
thing to
when I
came to
the house of
his
friend.
I did
know that
not only
my
brother
was there.
There
a group
of
six
chamacos
out
there
all
resound
to
get
to be
to
the
little
to
try
to
some of
my
year
and my
My brother, he took me to the man and he said that we were
rapid for the house.
He had years that no me agarrava the
man.
I don't know what to do.
How to try it.
His eyes could see that was really
a sussed.
Maybe as I never had seen.
And I don't comprehend how Joanna
he had been able to be astustar this form.
He asked finally what was
and he said that Juan was different.
That was a fear.
Much
Mito
Cros.
Cache
Cough'clock
Pidientome
that corriar
that could be
that's
there,
there's
repeated,
there's the
local,
when I
saw that
was a
few meters
at us
on the
light of the
light of the
carer of
my
brother,
no,
I'm
I was
there
I'm trying
to find
that I
had that
poor
woman.
I don't
I
could
to
to start more. The poor
sir was just
looking to
the door
putting those
on the
lampra.
My
brother me
gritted
from the
way to
goreier,
and for
finally me
decided
to do it.
There was
a very
strange
with Juan
and
maybe
had
had
had been
for
complete
the
reason.
Also,
it
only had
very
very,
but not
not
always
not
a
the
rapidly to the house and my
brother me asked
to secure her
the reja,
the door
that was in the
door that was
we did it,
and my mom
not was never
we did,
never we've
done,
and I didn't
care to
me,
I said that
he said that
no way
to tell her
that poor
she was,
and my
mother was
even for
getting,
we could
we're not
we're getting
to the
house,
and I'm
my brother
so that
my brother's
kept in the
window,
and the
waiting,
and she was going to
that Juan a
local
pass out
for there.
We're
two in the
cell to
to be in the
mother.
Nobody's atreve-
to go to
go to
my brother
my brother's
my
night, I
heard the
door of the
carie.
I've
got to
my moma.
I'm
I'm
for the
window.
I'm in
a ror
not the
mother the
mother that
was the
woman,
that was the
door, while clavable his mirada
into,
to the window,
to where I was
her.
His mirab,
God,
his mirab,
me congelled
for a moment
until that
I put more
attention.
The reja,
the candado,
was putto.
Segurably
my brother
he had put
for precaution
when I
entered to
the
time, and in this
moment
he was
I was
with the
door.
Juanah,
he did
a pair
of the
door,
and then
he went,
trying to open,
for what I could
hear,
the doors
of the castes
contiguous,
buskating
an opportunity
to make to
some of
them.
I was
to get to
the ventana
to get to
get to
get to
when she
when it
came to
she was
I was
I'm
coming down
and I
asked
for if
she
had
found
to
she had
that
was
that all
was
that
was
normal
the
the zone
is pesable
but
for
those
that
we
don't
not so,
you know
they're
know.
After that
night
she was
to disappear.
Passed
days
for that
we'll
know
to know
some of
her.
Lamentablely,
was when
they were
occurred,
the attack
that had
suffered,
and that
he
took the
life
two
months
after
they're
they
found
their
their
kind of
in
a
house
abandoned
of
a
colony
contiguer,
a
a
A bigadero, a place that used for drug-as.
Never said to my brother, because
not was an image that he had in her head, but,
but, over all, because the
Fecha official of his death, the
that they said the Forensis,
was before, a week before we
that we saw that we had a last
a little pass-o for that the calle.
The other, the
The other is that the odor that manned that night.
That's a-lore-kemated in the nose.
An odor that, for years,
de-becer-when,
was again at the carlady of the nada,
like if something was over there.
An olor that we'd make us to get ourselves
and dedicating a oration to Juan.
Juan was a Loca.
With the community,
I had time thinking in
to share this relato,
so intimful and private,
of my family.
My brother
fellacy
ago.
He had three
in this
time when
he was born
of leucemia.
Before this
years
before,
a year ago,
a woman
of my
mother also
fellacy
of cancer.
She in
the
bones and
she was
I'm not
this
because
has to
do with
what
happened
to happen.
I was
I was
more than
he for
five
years,
but
curiously
simply
that
we were
temperature,
that's
always
we're
we're
we're
we're
not a
my brother,
my
mother's
my mom
that's
always that
we're
we're
to get to
and my
father,
and in
that
that
my
one
that was
that
my
father
on a
on a
other
of the
camera
she
she in
middle
my
on the
other
she
she said
she
she went to
a
light
a
camera. That silhouette
was a woman
vestida of
black, but
not was a
woman normal.
Irradiable
light and
saw a
man.
My mom
relata that
immediately
knew that was
her mother,
the that
had some years
to have
fallen, and
that she
was very
very
very very.
He said that
he was
he was
a bit, and he
was sent you to
something to
know, even
not so
he was
reason of his visit and only
he resigned to take it,
as her mother,
was a angel
and a child
of the family.
A los
few days, in
a certain form,
my brother
was a good
but also
that they
got a color
palid in the
skin, and
that was alarmed
thinking that
had anemia.
They were
to get a
medical.
There they
were made
to do it
and it's
when they're
when they're
with that
a terrible
diagnostic,
leucemia.
He was
He was in a treatment for a year and a half, but lamentably,
he fellacy.
The madrugada that this
happened, a man, a man who was very
a very close to my family and that
always during the infirmity of my
brother, he was pretty,
he waspired at that hour because
he felt he had someone had that
he said that, he saw that
saw the end of his abitation.
He was my brother,
and I thought to be that
I was a smile.
Also,
I mean,
my Tio,
that was
accompanied of
another figure,
the other figure,
the one of
an man
old of
age major,
of whom
all of
that was
that was my
father,
and that
he was
that he
was a
relationship
a real thing,
a
question,
I was
even presenti
this,
confunded
and,
I'm
trying to
be
soo
when he
when he
received
the
news,
but
before
to
respond
you know,
I was about,
I know what
news
they were
to do.
That my
brother had
died,
and that
apparition
was he
was to
be to be
my
brother
was in
September.
So,
and so
were the
months,
but
something
another
detail
incredible
that
he said,
he
had a
carionette
to
a remote,
that my
mom
that's
too
with
his
pertenences,
for
the day
of Rachis
Magos,
my
Mom decided to put her
carmionette
under the
arbor of
the night
and then
that he
back the
back to the
sky.
That's
a little
last time.
Our
surprise
was that
the day
and in
presence of
the majority
of the
family,
the
camionetta
that was
with a
cargable
and control
was
it was
it
was on
the
nothing
and he
started
to
that
the
thing
Pila, and control.
She moved.
She moved
front of all.
But nobody
was soothed.
All we knew
that was he.
After this,
never
he never was
manifestar.
Supponemes
that was
your ultimate,
your
true
despedia of
us.
Community,
thanks for
for here,
for
to keep
listening.
We'd
also
very that
not all
the
stories for
normal
are
stories that
are
that
are
fear,
but there's
also many
anecdotes of
contact with
people that
we're going to
give to
give to
give to give us
messages.
But,
well,
I want to
make to
comment to
something that
they're
asking
much,
and is that
you can
find the
novel
graphic if
God
with me
in Amazon
of
the US
Conocke
in the
prequel
in the
crucifio
of
the President
that
illustro the
general
Rulo Vald
the only Mexican
that has
been in the
end up on the
end up in the
end up in
Mexico
but for all the
people in
the States
for there
they're still
they're in
a edition
limited
so if you
have in one
one
comeensela
but for
now it's
moment
to continue
because
even
there are
stories
atterator
stories
that
not you
don't
to
get
this
night
good
nights to all those who listen.
My name is Christian, and this is a story that
me passed in the 2019,
and that I wanted to share with you.
Because at this hour,
nobody me creed,
a past that you
I swear and perjuro
that this story is totally
real.
It were fines of year
when I was to work
a time, and
it was easy to
get one close to
where I live.
Menos of me
time, but for
my suerte,
a friend of me
he advised of a
job as a
care of a
gallery commercial of
Roppa.
The
work was
of one and a
night to the
night,
not the
time.
But the
PAGA was
good,
and not
was the
time.
The first
day only
made instructions
of how and
when to
make my
rounds,
and how
make use
of the
equipment
of cameras.
Honestly,
me
it was very
very easy,
yeah
that the
gallery
not were
very
but something
that was
that
was that
was the
person that
made
I have a commentary
I hope
you're not
renuncias
so
so much
you're
you're
the third
that I'm
you're
I'm
this
he's
he's
he's
I'm
I'm
I'm
I'm
no
no
for nothing
just
just
just
about
spectros
personally
I think
they're
some
more
more
to
do
they're
to
try
to
they're
to
that
you
get
that's
that you
actue is rapid, okay?
No, me gave major indications,
because the work was very easy in
the grand majority, and I began the day
next. The place,
even not be very grand,
was a lot more ample than what was.
The lights were
were in the obscurity
gave a sensation of inquietude.
My first rounds
was I did normal
until, getting to a point,
I heard a little
rare, something that
was from the sotano,
where there were various things
of the different locales.
The noise
was very clear but indesifrable,
because sonnable
as it sounded as well as
when you're
to retorting a
tube of
plastic.
I'm a
see to be
that it was
that could be
someone
of the ventanillas
that were
to do you.
At the
back,
I tried to
the light,
but this
only was
tintineate.
For none
was sufficient
to illuminate
to illuminate
out of
so I
took my
lintern and
I'm
and I'm
to realize.
I'm
tope
with
something,
I'm
strange to describe it, but it was something like an
amazement of mannequies.
For the supposed,
clear that was a lot of terrifying
images, humanoid,
immobile, but, even so,
he had to be where provenia the
room, and curiously, it was
to come from the front.
It was to one of those
mannequies.
This maniquet in particular was
a little rarrow.
He had the brasons
and his rostro
was a little bit more than that was quite a
sopung that for that was in the sotano
since I was used for some of the locales
had two eyes grand and oval-as and a
smile a bit of a large
for nothing to usual in one of these figures
no I did major attention
yeah that in effect the ventana that
was that was open and had to enter the
the wind of the night
I suppose that was the cause of the
the noise, because the wind could move the manikis,
without a problem, so I went to serrar her.
A voice hoquetona, burlesque, me
took me for surprise,
making me to lookers to all the other
a person that had collated to lookar.
I waske the origin of the voice and no
had yet nothing.
I did the world and I,
I'm sure that almost me
a new fart when I saw that
maniky so rare,
was, looking to me.
He had moved.
He had
had done the
world and
now
he was
to
I'm
not
I'm
not able to
move me
but I'm
what was
to
happen
he's
that he
that the
maniky
parpadeo
I
only
contendia
the
respiration
without
what was
happening
that
that was
had moved
he was
he was
back
to make
not
that this
was real
that not
I
had
imagined
It was a few times, but my
Cerebr no
could reactionate.
How was that an object
of plastic could
move,
could bepare?
I'd be my
lantern and this
was apagued
because the pile
had out of the
piece, and I was
the battery to the meters
from where I was.
With the lantern
in the man,
I gotte to her
and I tried to
put her as fast
possible but
no incentia.
I went
and I
I still am I amy-tratan, but,
of a-re-re-pente, I sent me
my thorax,
hands rigid and fri-s that were there,
that were there, that I'd tomavn't.
I could do nothing.
I contubed the respiration, and a
voice that seemed to be that
thing, said, burl-a-a-jagria.
I'd say, I'd say,
If I didn't my urine in the pantalones in that moment,
it was because all my body was paralyzed.
For an impulse of adrenaline, I,
I was, I'd cross through the sotan
until to get to the escalers.
Salis, and then I didigy
to goarty.
I'm encirred to look at the
gallery, to goreying to the
place.
I was found and I went to the
door to escape, but
something.
Something was up here.
someone
was
upying
from the
sotano
it was
it was
a little
a little
a carrearra
a
song
a
a song
that had
heard
I
didn't
I
didn't
see
I
I
heard
I
I don't
I
could
not
I'm
I
that
in effect
that
it was
that
I
did
a
moment
I
saw
the
something
that
of something that
I looked
to look at me
something
something
that was
not used to
not used
and it was
really
very quickly
so much
I saw the
last
the hall of
the gallery
and the
door
behind me
that day
I came to
and I'm
just going
just was just
a little
a pesadilla
yeah
that
not had
no
had any
my
head
and
I'm
obviously
I'm
I renuncied, and,
and, they're
they're
bad the
references, but
only I just
I just
the keys and
the equipment.
Nothing more
me important.
Today me
I'm asked,
that was that
thing, and
why was that
was there,
only I
don't ever
never to
never to
even,
I'm still
still waiting,
rugandoly
to God
that all
had been a
bad
dream,
that all
had been
only
in imagination,
but no.
I don't
have a
I'm not so much
I'm sure that not
so that was so
sure that
cause is out of
out of
that.
