Relatos de la Noche - La Monja de Cera y otras historias de horror
Episode Date: July 21, 2025En este episodio de Relatos de la Noche, exploramos tres encuentros profundamente inquietantes con lo desconocido. Desde una figura silenciosa que aparece cada noche en una antigua iglesia de pueblo, ...hasta una presencia que imita a los seres queridos con una precisión perturbadora, pasando por un estremecedor suceso en uno de los lugares más enigmáticos de México: las Islas Marías. Cada historia nos recuerda que el miedo no siempre llega con gritos o apariciones violentas… a veces se manifiesta en el silencio, en lo que se queda mirando sin moverse, o en lo que parece familiar, pero realmente no lo es. ¿Te atreves a escuchar? — 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ 🎧 Disponible también en audiolibro. 🖤 Gracias por ser parte de esta comunidad.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.
Transcript
Discussion (0)
Something was
to the
door to the
door to
I'm in
I'm out of
I'm out of
I'm in the
house my
perrita and
I'm
so first
I think
that it's
she was
I'm
I'm
I'm
I'm
I'm
I'm
I'm
that it's
not the
of the
never the
no were my
perrita
there
there
there
very good
good nights
my
good
good news
I'm
thank
that
new account, are here,
listos and lists for
to hear the
these stories of
of people normal,
of people
common,
like you,
that of a
point, they know an
encounter with
the paranormal,
with the
world,
much times
aterrador,
of the sobrenatural.
Let's
thank you
part of this
community,
of this project,
and that
are still
confiating in
us to
give us
to their
stories,
to share
and to
keep them,
it's very
important
because,
I'll be I,
now be the
majority of
of the people
we're going to
but
our stories
will be living
here in this
register for
always.
It's moment
to be the
light,
to let's
get to
give to
do you
to do you
know,
you're
you're
talking
the
of the
night.
I've
had a
ten
years when
this
I'm
my
prima
house
of her
because
was
very
She was a little bit of a little
little bit of a little bit of a little bit.
And as we were the same age,
our mom's people were a good idea
that I were some days with her
for that not stood alone in that
moment so difficult.
Her abueled in a
house antiqued, of those withches
alt, and the color of Madera Veeha.
It was a woman,
and when her health was complicate,
all her daughters started
to turn to turn to her to
to be to be care of it.
A me and my prima
us
were the night
when they were
when they were
to be in the
adult to beardia.
For that
both we were
to rest to
the church,
that was a
quadra of
there.
It was a
church of
years,
of the
years,
with just
a penas
many many
many times.
And I
was,
at least
when I
went,
I had
focos
and lus
modernas.
Allumrable
the
belles that
they'd
the
the other people.
We always
we're saying
a saint that
was in a
side,
for the
end of the
entire
night,
there was a
man who
a man,
a man,
a figure of
arodigial,
resating in
silence,
never we
never was
nothing,
never
was a
never was
that he
never was
that we
were there
that we're
the third
night
we were
there
was a
very
I'm
I'm
I'm
to go to my prima for the first.
No,
even was the
Rosario.
When we were
praying,
he was up
to go and
he's out of the
church and
I was
alone.
But I
felt I had to
do something,
like if
if it
would be
to be the
then it
then.
But the
true is
that in
that I
didn't
I was
I was
if God
existed.
If I
had to
something,
but
I was doing
there
front of the saint, and he
peded a miracle.
No, I said to
salvar the abuela,
because I was
very bad.
He said that if
not could be a
more,
for the less
he would be
a pass to my
prima,
to his family,
and that would
give a fee
to me,
to believe.
I was to
restar.
I was
I went to
the door,
and it was
when for
first a
first I
noted that
the mona
not was
looking
to the
person,
I'm
was
to
I don't
but I
but I sent the
fear of
the
body
like
a corriently
a
cold
me passer
the
I'm
coming
and I
pass it
and
I know
because
I
did I
did it
but I
the
face
the
man
was
covered
of
red
redida
no
I
had
expression
no
I
had
eyes
only
just
the
form
of
a
formated
formated
formated
of
the
formated
I was out of
I'll
I'm at
my prima
just in the
corner
when I
got to get
for it
one of
his
tios
us
we've
asked
that the
old
the
day
the
day
the
next
the
church
did
the
the
sacerd
to
us
we
said
he said
we
had
seen
we
had
seen
that
all
the
nights
that
that
had
been
that
was
I
I
My heart and the garganta, me
atrevia to ask her
the mona,
the that
restable at the
entrance all the
night.
The father
smiled and
me said,
here no
there's
a manh
there's
there's a
one one
in this
church,
I've
in Bogotah
Colombia,
and I
know this
the pandemic,
although I
think I
do you confess that
I'm obsessioned
that in semans,
I'm
every year,
I'd
even if
things personal.
I'll tell me that I've lived
situations that the
people could
call, when
less particular.
Not they're
compared with much
of the stories
that they're
quite, but
have left enough
suspicest to
convince me to
that definitely
we're not
we're only
we're allos.
This time
I'll tell
two of them
that's
they're saying,
are connected,
or at
least that
I think I.
This happened
in my apartment,
that I
do my
my brother, my
my mother.
It's a
place a lot,
for what
when there's
windows are quite
and even
sylvan.
I've seen a
night.
I've
made a
matter.
I remember that
my
one was out
doing who
was doing
my mom
and I'm
working and
I was
I've
kept alone,
something that
I'm put
a little
nervous.
Until that
this moment
we've
lived
nothing
that's
But for the time, I saw that vibra rar that you could explain.
As far ascent, I decided to see a series that had been a
tracked on the sofa and I turned the television.
It's a apartment relatively small.
The most important is to see that the sal is like a rinkoncito.
But it has seen a mini-passio that da the quarter of my mom.
If she has the door open, you can't see an armory of those that no
have doors, but that you can't get to change there.
We say, we're a quartito
in a quarter to
a quarter,
for say it.
My mom had
a tapete
where my perro,
a pomerania
little,
dorado,
accustomed to
do you know
that's very
common that
I'd
be able to
be there,
acosted.
It was
past at the
seven,
and me
gave me
hungry,
for what I
went to
to be
some ravioles
of the
carne,
of a
market that
we used
much for
here in
Colombia,
very good,
by costumbe
to
call my
my
perro. And I
know. I know.
I know. I know that we have to
give the food of humans to the animals, but
simply I am, like
so illuminate her face, when
ever seen her head, and
never could resist me.
I'm many times for
her name, Lula,
until that for
finally appeared. Caminand
Lento, more than
normal. It was very easy
to detectar. The piece was of the
wood and his eyes were used to
when they'd.
When he got, I
saw a pungusada. A
A pain in the spada
a back, but
me kept a
being.
Lula was
like expectant
but totally
inexpressive.
Something that
doesn't know
when you
go to do
for the
little little
that is
normally me
aghachio and
I do.
Much
times happens
that of
the emotionada
I mured
to my
little marquita
and this
happened this
but
it was very
very brusco
no me
just a
simple rascuhio
me
I made herrida from the
to the articulation
that's the articulation
that's
she went
I'm
I'm sorry
I'm sorry
I'm
she's the
she's the
she's the
little
she has
that I
agree with my
mother
are like two
us abelinas
because
never I've
seen the
part
black
but
again
something
something
something
I'm
I'm
there
no real
in the
eyes
simply
there
no
there
nothing
nothing
a
a look at a little reflex. The light of the
kitchen was pared and should reflect
in them, but not
there was the brinket. Neither
had the urily of the liquid of his
eyes. They were like,
matts.
No could.
And she was for a time
more and then,
she went to regress to the
quarter of my mom. My
mind simply not was processed
in automatic me
I limped the herida,
me I made the pasta,
the lavourses, and
I regress to the sofa.
I was gonna gore the
Covee the
Cabe
And I'm
Those eyes
Mates
Apagados
Vendomese
from the tapete
Gere
another
And I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
When
since
When it's
I'm
Mordio
Apenas
I'm
I'm
I'm
I'm
I'm
I'm not
I'm
I'm
not even
And then
I'm
I'm
I'm
I did a marathon of Barbie Dreamhouse,
very infantile,
sure, but
definitively
it was over and it
was made the
me pass the
me too.
I'll admit that
chopar me the
end up to
that's
the samegrap
also when
da little
little little
I noticed that
I was looking
I was looking
I was
in a vio
like the
sorrows
and not so
so movia
and that
that was
that was
so it
and my
My brother and my mother
got to
that of the
11.
I still
I was
I'm in
and I'm
I'm at
the redouc't.
I've seen
his
in the
madder.
Nunca,
community,
never,
never can't
forget those
seconds,
because what
was in
that instant
in the
time,
in the
point,
although at
the
first,
it was
a sonnive,
a vision
without
a vision
I heard the sound
of his
but more
the sound
I've heard
a little
a little
when I'm
my mom
and my
mother and
I'm
not normal
I'm not
blah blah
all the
everything
all you know
I'm
then I'm
I'm
not gonna
say that
she had
a girl
and I'm
put to
look to
her
and I
put her
backerer
she was
I waske
for all
the
department
and when I
asked
to my
mom
if it
had
seen
She
me
Contest to
Lula?
Ah,
I have to
go to
get to
get to
your
father.
We have
to get to
the
I'm
come back
for her.
There you
came to
the balde to
water free.
Lula
was
I was
with my
papa.
I
made my
my
papa
that I
had to
that
was
because
I was
that
was
very
very much
to get
to
I'm
my
with the
sanded
and the
I'm going to
I'm going to
back to
my mother
then I'm
told that
my tone
trigee
I'm
a black
paper in
seconds
when
I'm
when I
said what I
have
passed
she is
very
great
in the
energies
and
do all
to all
to
all
to the
negative
we
have
we're
probably
prohibited
the
films
of
the
zombies
because
they're
they're
they're
They just am-a-as energies, according my mom.
In that moment, me record-do what
repeat every time that someone
he went to an experience supernatural.
If, while it was, no sentiste
nothing, or you sentiste a happiness, or
peace, or even
a trestice, is that are energies
good, angels and familyaries
that are coming to record us
and help us.
But if, in change,
you sent me a-or-paniacety,
or intranquility,
What we've been
are demons
energies
impuras
that are
that are
your energy
your
your terror
even
your
my
asked you
what was
what you've
said
I'm
more
calm
I'm
I'm
I'm
I'm
that I
would
also
would
also
I'm
so
I've
said
that
only
I've
said
my
mom
responded
then was one of your angels that was
that was trying to be
a woman of your
can't be you're trying to
for that they're going to
to get to protect you
only smiled and I sent you
but for the inside
for the inside
had been more
asustada than this
the day next I
said my sister to
my mother that
was with my mom
for Lula and accepted
I don't want to
see her in a
moment for much that
it was to mara
me'd have much
me'd be able to
get alone
that I was to reflectionar.
Pood all
was to be a
a stime
with a
little bit of
and I'm
a yearbi
water,
and I'm
more that I
mordy it.
Quote it.
The more
more,
I was,
I was,
I was,
I was
I was
a day,
and I
felt
a comod
the
only,
I was
those seconds
in those
I
put to
the
door to
the
but in
camera
lenta.
And
there,
There, there
I'm
the second
balde
of water
free.
The
eyes.
Those
maldita
unas
I've been
years
listening
to Lula
to
go to
and even
it's a
rarro
I can
differentiate
your
to
do you
of the
other
even
even
there.
I remember
how
sonable
in
this
moment
in
disordent
but
little
like
an
animal
of
four
patas
and
they
were
changing
but in order
They've
heard when
when a person
is impatient
and chock
his unas
in the
mesa
or like
the filen
in the
filmas
first the
menike
then the
annular
the middle
and the
indice
repetitive
is a
sound
a
controlado
and
proper
of the
human
and
so
sound
they're
like if
they're
waiting
something
like
if you
not
were
my
per
or
that
disras
of
a
that thing. Much
people will say that this
no has an importance, that
only is a sound, but
those few seconds I have
recorded in my memory, and
every time that I'm looking
to look atlula,
me convince me more
than that that, not
her, when
he was able to be
not to be able to be it,
poor-sita,
it was her fault, but I
not could.
Obviously, one
was not encargave to
pass her, to
eat, to clean her,
but during
various days,
I could
I'd
have to
have to
have to
a little
a little
a little
a little
the area
was in
a time
and all
was in
the
time.
I've
seen with Lula,
watching the
television,
although now
I'm sure,
that she
she's
she's
she's
that I'm
that
this is the
story that
I think
is the
story that
I'm
that
in comparison,
I can
I'm just to assure you that it was 100% real.
I think it can be so real
as what is that you pass in these things,
but I'm like a dream.
And you'll understand why.
Recurrected that I said that no
had passed anything before that,
well,
it's a matter of medias.
The only that could say
that was strange that
was that, was my,
and my mother,
was something.
It was
It was
A lot of the
house
My
habitation and the
of my
apartment
And from
I'm
And from
we're at the
Luses
the areas
Commones
Something that
Something that
Was it
That's
When you
Oskirtsia
And we'd
We'd
We'd
Our respective
Camas
To be in
the
Cellular
The
Those
Those
And then
On the
I saw the
Mirate,
we'd
not we're
that the
lights
were
not at
the
nobody
had been
to be
the other
or if
was
a lot
of
or some
problem
technical
but
nobody
was
to
do
and
one
of
two
said
that
was
that
that
was
a
two
months
after
after
what
happened
to
and
he
was
that
was
only
and
I
It was what happened. I was
I was left the
vista and the
lights
were in
even at least.
I would
I'd
have been
on a moment
before.
No,
there was
nobody,
not even
Lula,
so I
had my
room.
No,
had been
nobody,
nor
was not
even was
sure, I
had secured
of that
that's
in a
room,
but as
always with
the
door
in par
in par.
I've
my
vista my cellar.
Passed a time when, in my vision periferica,
I noted something rare and I went to the
mirrored.
My door was closed.
I know what could have been
to think.
The doors are silenced with the
wind or something, but the
windows were closed.
All.
If you'd have been seen the
wind, I'd have heard of more a
great blow.
I fo'ed more the vista and noted that
not only was closed.
The door
had the
secure
post.
If the
ballito
was vertical
was open,
if it was
in horizontal
it was
been
in horizontal,
it was
effectively
that was
in horizontal
that was
not
could be possible
so
all without
I'd
get a
point
standing
so that
the
door
and
just
I
just me
thinking
for
a moment
the
the
fear
me
me
was
moving
by
the
when
decided
I
to revise.
And I
heard a
person.
But I
could be able to
start a
pretty long,
and then
he was a
intense
until it
I was to
I was to
I was
I was
paralyzed
and then
he was
he'd
get up
someone
took to
with the
nudillo
I
took
it was
my
her man
but at
the
same
time
different
and with
That same voice, with the voice of her, me
called for my name and he said,
I think I had to have something in your
room.
You can't let me enter?
Why seal the door if we have
prohibited?
Abremme.
Look, I've got to try to something.
A tone of a dulcone that she
no utilizes, and I could
contested.
I kept at a-tonita.
Then, puns, but violent, and enoched,
gritted, and enoched, grito.
Abrem me the maldict of a
Gritab and grittable, but
I not grittable like my
herna.
No,
me reganaw,
I saw the
picture of the
walled at
and it's moronable
and in that
moment,
the pairna
simply me
failed and
that you
that changed
to voice
to a
ronka
like a
man,
a manoracho
and fumator
very
very
very disagradable
and
he just
tranquillament
he said
or the
she'd
she'd
the lula
in the
a door of
the
door of the
I'm imitating
they were
going to
those that
I've seen
not the
she's the
lula
changed that
the rhythm
mecanic
I was
I'm
a impatience
much
much human
no
me
he said
nothing
but
she's
to
make
and
with
his
with
she
still
going
the
door
the
I
put
more
more
I
don't
make
to
confess
that
I
put
in
position
fetal
and
simply
I was just reared the eyes
while I'd love
I saw how many
I've passed
I was living
in my
camera with the
same
room but
in the
room
tapada
me up and I
went to
my mom
my mom
and I
went and
I'm the
I'm the
day
I was the
morning
me
me reganing
for
me to get me
in the
car
with the
and
for various
days
I'm
I'm
I'm
I'm
that's
what I
to doubt if this
happened or no.
If this
the last
was a
dream,
it was real.
Although,
when I revised
the door,
this had
four little
little
little
little,
like a
hushers,
that were
made to
a turny
and there
had a
piece of the
wall of the
wall of the
door,
like if
someone
of really
almost
he had
made to
call.
And I
don't have
that
point,
because for
some
extra reason,
after
day, he, he started recheneer, very
feo.
The visagras,
that if they had
beencined,
according the person
that no's it
changed,
my mom
said that it was
my fault,
that I always
I'd sotava,
but the
the truth is that
I don't do
that.
Now,
community,
these are
my
points, my
conclusions,
about what I
am I'm
the imitator.
One,
imita to
a person
that you
want,
first was my
perro
then my
brother
but I
can't
appropriate
to be appropriate
to
his physical
totally
something
something
are they
are they
are they
are they
they're
they're
how
caraj
know
that what
you are
that's
out of
your
room
with the
voice
of
your
woman
is
really
she
really
she
is
her
and at the
same
it
is
second
no
I
think
that
a
King Walker or a double kanger.
My relato
are like those of people that have
survived, but the fact,
a little, no, me quadra.
No see if you're saying.
Thirdo, me
a question.
Why did see the door?
Because no,
he was shown to my
hermina, how he did
when personified
to Lula.
The idea would
be incerer the person
with you, but
not
to get out of
not.
because
someone
has to
that
a person
to
someone
he put
a
and if
not he
he
who
he'll
have been
he
have been
so
have been
the
people
that
that
my mom
or
something
I
still
I
still
that
is
that
I
do
much
fear
to
think
that
if
there
there
will
be
I
try
to
make
to
my mother,
or
I've
not
has
been
nothing
in more
three
years,
but
I can
I'm
never
I'm in
that I'm
just in
this one
or a
time,
it's a
thing
that's
it's
not that
I'm
I'm
I'm gonna
do you
I'm
like this
I'm
so I'm
going to
I'm
so I'm
going to
go back
back
nothing
thank
community
for
I'm for the attention,
for the
advice,
for the
good of
my time.
Thank you.
Thank you.
Entering on
the rectal
of the
episode of
this night,
I want to
subscribe to
because there's
a good
percentage of
people that
we're
that's
recurrentently
but that
still not
is very
important
that they
do they
do they're
part of
the
community
and
if you
have
have been
this
episode
only if
you
have
have enjoyed,
remember to
to share it with
a friend,
with an
friend,
with a
person that
you think
that needs
to hear you
or with
a good
story to
talk.
Passal
this for
to that
let us
let us
let us
our
next
history
and
to a
place
a very
mysterious
of Mexico
the
Islas
Marias.
Continuamus.
Hello
O'Riel
to you
and all the
community.
Me
Chalya
Gabriela
and
me
I love the podcast and for so I decided to
share this experience.
No, I have been
a form of explain to what
happened. And I think that
has been the episode paranormal
more strong that I've talked to live.
And the worst is that I was
that was all. That there was
more testigos.
A year, I was a
institution public in cargated
of the things ambiental
and me made to do a
capacity to a group of
young defenders of the
environment in the Islas Marias,
in Ayyarit.
Much of
they've surely have heard of those
islands because
from from
195
until 2019
were in a
central penitentiary
as you
imagine you
there's
many things
things very
badas
many injustices
of
I can't
be able to
be incredible
that you'd
be you'd
an episode
special
of these
is this
isles
because
believe
me
the
histories
paranormals
of
the
was a second time.
The first time I was I,
I didn't live in
any other
a new success
rare or much
for normal.
Nothing was
of the common
and that
was going to
much fear
for all the
that I've
heard of
that
but as
no pass
nothing,
I think the
second
I was
with the
guardia
and it
was just
when I
got
the
I'm
a little
to
talk
the
the course
of
the course of
the
government
federal
and
convocca to young of diverse regions of the
country. The
capacity is in the Isla Maria-Madre,
that is the only habit of
actually and where
was the prison, the
juscados, and the casas of the
custodios.
It has a placid,
her place,
a little pavilion.
Today only is to
occupy in form temporal,
for personnel of the
Secretariat of Marina and
the Secretariat of the
Secretariat of the Medi-Amient
and Resources Natural,
because it's an area
natural,
protected.
Also there personnel of
companies
constructors that
do the
construction of the
island.
Since
a time
also can
also can
make
many groups
of tourists
the
days,
but in the
time it's
practically
vacy
their
streets
completely
deserters
now
now
so
I go
to what
me
happened
I'm
the program
of
the
program of
we
we're
we
partied
in different
points of the
we've always,
we're
like two kilometers
of the
place where
they're
a lot of
people of
a group
of two or three
people to
do you
get a
person to get a
situation.
That day
me took to
do the
guardia
with other
two
other
two
other
there.
There was
there was
there
was a
place that
the island
was a
time
to be
very easy
to get
to
suggest
you
but
us in that moment, we were
tranquillas,
relathed,
rindon's
of things that
had been
in the day.
The guardia
commences at
the day's
to the
night,
but so
it was
we're doing,
and we're doing
the things
to be doing the
things to
the night with
the students.
We're
we're getting
to our
house at
at the
one of the
madrogada
and we
we're
coming down
very
tranquilas,
conversando
without,
but just
a quadra
before
if you
to get to the
church
we're
doing
to the
woman
I'm from
the mountain
it's
very
very
very
very much
but it's
a
real
that's
we're
we're
we're
we're
we're
we're
we're
we're
we're
we're
when it
was
when it
was
the new
the
same
much more
more
more
more than
more
of
my
companions
us
mirrored.
And it
was so
very
what we
felt
that we
were
not the
lot of
the time.
They were
for the
tristesse
that
transmitted
that
that
the
other
other
company
was
completely
block
and
could
not
not
not
the
sound
we
we
did
we
we
went to
one of the
casas
around
those
there
were
there
sometimes
that
still
still
still
were
there
Tocombs with
Tuscation
that they
were just
they were
in the
first of
we've been
heard of
but we
said they're
not
and we
we could
we're
because
really
really
really
very,
and not
had
had been
not
a second
it was
a
moment
long
that's
that's
a
little
that's
we
we've been
we've
imagined
that
could
do
we had heard.
The three
we were
palidas.
When we
got a
little the
sust,
they were
to come back
to the
guard of the
guardia.
One
was kept with
us that
night,
but the
story
not
there.
Because
at the
night
the three
we're
we're
we're
and
that's
that's
that we
didn't
know,
but
that's
we got
with us
another.
One
night
we're
talking
of things very profound,
perididid,
peridies that we had
had been
a repentina,
the sorrows
that we had
been made
well,
I don't
never to be
quite to be
on the
island,
until I
talked to
one of the
students,
she practiced
a religion
originary,
and I
told what
had been
said,
I'm
that that
that we
know we
know that
is what
many
know
that
but that
in reality
not a
a woman
in pen
and nothing
that
me
He said that there are spirits of the water, that not are good or
that are not ones, that exist in certain places to protect
to the nature.
And me said something that not is to forgetar.
Talve it's manifesto for that you levantes the voice for all the
injustices that are occurring in the island.
That explanation, of some form, me tranquillized.
Me helped to terminate my stancy a little more in peace.
But the truth, until the day of today,
I don't me explain what we
We're what we've heard
My friends and I
that night
I never
I'll do
And never
I'll forget
That's the lament
that's the lament
that's kept
with me
that never
was all
Salus
Community
I hope you
I'm well
I'm well
